{"numero_id": "bm-bmtnaaq-1915-08-28-01", "volume": "bmtnaaq_1915-08-28_01", "ocr_sha256": "bcfe1415aabecb7072512ae4d916f77533086f10e28049aba85f281d26fe1b50", "source_tei": "https://github.com/Princeton-CDH/bluemountain-transcriptions/blob/main/periodicals/bmtnaaq/issues/1915/08/28_01/bmtnaaq_1915-08-28_01.tei.xml", "source_mets": "https://github.com/pulibrary/BlueMountain/blob/main/metadata/periodicals/bmtnaaq/issues/1915/08/28_01/bmtnaaq_1915-08-28_01.mets.xml", "url_numero": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01", "articles": [{"article_id": "bm-bmtnaaq-1915-08-28-01-c001", "article_bluemountain": "bmtnaaq_1915-08-28_01#c001", "volume": "bmtnaaq_1915-08-28_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "couv. 1", "page_fin": "couv. 1", "image_debut": 1, "image_fin": 1, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.2.1", "titre_corps": "GRIEVE NOT.", "titre_sommaire": "GRIEVE NOT.", "signature_source": "Mary Pyne", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 1, "page_imprimee": "couv. 1", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.1", "debut_caractere": 137, "fin_caractere_exclue": 691, "texte": "GRIEVE NOT.\nMary Pyne\nGrieve not that thou must play the minor part\nOnly to follow, where thou might have led\nWith all the skill of him whose crystal notes\nShrill forth so brilliantly—so brilliantly—\nIf thou art weary and a wistful tear\nRests gently on thy cheek—be not ashamed,\nFor in thy heart is naught of bitterness\nAnd all is well; play thou but on and on\nUntil some time when, bending low thy head\nIn reverence in humility,\nThou seest about thee in the Silences\nRapt, lisfning faces where before were none;\nNot men—ah no, but more—the Souls of Men."}]}, {"article_id": "bm-bmtnaaq-1915-08-28-01-c002", "article_bluemountain": "bmtnaaq_1915-08-28_01#c002", "volume": "bmtnaaq_1915-08-28_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "couv. 1", "page_fin": "46", "image_debut": 1, "image_fin": 2, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.2.2", "titre_corps": "Monday, Thursday and Friday in Charles Edison's Little Thimble.", "titre_sommaire": "Monday, Thursday and Friday in Charles Edison's Little Thimble.", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 1, "page_imprimee": "couv. 1", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.1", "debut_caractere": 693, "fin_caractere_exclue": 2169, "texte": "Monday, Thursday and Friday in\nCharles Edison's Little Thimble.\nA TRULY American-made program and representative of\nthe aims of the American composers of our day will be played\non Monday afternoon in Charles Edison's Little Thimble The-\natre, No. 10 Fifth Avenue, New York.\nMiss Lois Fox will present a few negro songs and negro\nmelodies composed by her and based on old Southern negro folk\nlore.\nMiss Fox spent her early childhood and the greater part of her\nlife on the plantations of the South. She has made it her life\nwork to portray and help to preserve negro music and negro\nsongs of the old plantation slaves. The negro of to-day wishes\nnot to be reminded of his ancestors half a century ago who\nwere freed from bondage. Those songs and melodies of the\nnegro slaves of yore are full of longing for freedom—full of\nmelancholy. The sorrow over conditions that seemed to them\nunchangeable. The tragedy of their lives as slaves has made the\nnegroes of to-day dislike the music of their great-grandparents.\nIt is unquestionably the only American original music produced\nup to now. And it is a hard task to portray it or write it for\nfuture preservation on account of its unusual intervals, intona-\ntions and inflections.\nMiss Fox collected, among the oldest negroes of the Southern\nplantations,songs and melodies they used to sing and hum before\nthe War of Secession. She will shortly publish her life work,\nfixing down for eternal times this unquestionably American\nmusic."}, {"page_pdf": 2, "page_imprimee": "46", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.2", "debut_caractere": 16, "fin_caractere_exclue": 1203, "texte": "Her program comprises \"Aunt Sue and Her Ghosty Lamp,\"\n\"A Negro Love Story\" and \"A Group of Songs of Slavery\nand Bondage.\"\nMiss Katharonza Clarvoe, a Maryland singer and composer,\nwill sing and play a selection from her light operetta, \"The Love\nSmoke.\"\nMiss Clarvoe received her entire training in this country but\nstudied harmony and counterpoint with Albert Hamerik, the\nfriend and pupil of Hector Berlioz and one of the few Americans\nwho were close companions of the great French composer. The\nmusic of this operetta has the charm of the old school, when\nragtime was not known, when people had time to listen to the\nsweet melody of an enchanting air,—of those old days when\nmusic was meant for the heart. \"The Opening Chorus,\" \"To\nSteal a Girl or Two,\" \"The Widow's Song,\" and \"When The\nMoon's Waning\" are melodies which one hums on one's way\nhome, and whose echoes sound iri< us long after we have heard\nthem.\nSally Emery Hamlin, great-granddaughter of Hannibal Ham-\nlin, Lincoln's war Vice-President,—a little slip of a girl not yet\ntwelve, will play and recite a selection from American composers,\nand James Whitcomb Riley's poem, \"Little Orphan Annie,\" set\nvery uniquely to music."}]}, {"article_id": "bm-bmtnaaq-1915-08-28-01-c003", "article_bluemountain": "bmtnaaq_1915-08-28_01#c003", "volume": "bmtnaaq_1915-08-28_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "46", "page_fin": "47", "image_debut": 2, "image_fin": 3, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.2.3", "titre_corps": "Miss Clarvoe's Operetta", "titre_sommaire": "Miss Clarvoe's Operetta", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 2, "page_imprimee": "46", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.2", "debut_caractere": 1205, "fin_caractere_exclue": 2563, "texte": "Love Smoke\nMiss Clarvoe's Operetta\nM OST unfortunately the libretto to Miss Clarvoe's music is\nfar below even the average. There is no plot in the comedy.\nThe lyrics are meaningless and badly-put-together words, and\nthe amateurishness of the entire production is its only feature.\nMiss Clarvoe had during the past week several offers of sub-\nstitutes for her libretto and most probably she will accept a\nstory laid_ in the colonial days of America. The selection of\nher melodies which she will play and sing on Monday afternoon\nand on Thursday and Saturday evening in Charles\nLittle Thimble Theatre are a well-chosen representation of the\ncomposer's ability and versatility.\nPico, a strolling magician, with caldron for the brewing of the\nmagic love smoke, arrives the village of Tarassa: in Spain, during\nthe celebration of the wedding of Toninio and Violeta. Margarita,\nfoster-sister of Violeta and belle of the village, fancies herself in love\nwith Toninio. Meanwhile the captain of a passing company of soldiers,\nFrancisco, sees and' admires Margarita and vows to return, woo and\nwin her. He inhales the love smoke and a vision of her appears to\nhim. Later he visits Tarassa during a festival; endeavors to meet\nMargarita but is prevented by Pico, who slyly administers to him\nthe love smoke, by which he is overcome. Pico then throws him\ndown the chasm."}, {"page_pdf": 3, "page_imprimee": "47", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.3", "debut_caractere": 16, "fin_caractere_exclue": 806, "texte": "Padre Pedro, the village priest, seeing his people acting queerly\nand finding that they have inhaled the love smoke, ejects Pico from\nhis village. Pico induces Margarita to inhale the love smoke and\ncarries her off into the mountains. Ines, a widow many times, arrives\nand witnesses the elopement. Francisco is rescued from the evil of\nthe chasm and pursues Pico and Margarita; after several d'ays Mar-\ngarita is discovered; Pico has forced her to marry him; he treats her\ncruelly and compels her to dance publicly and to sing at iairs tor\nmoney. Margarita, persuaded by Francisco, gives her consent to leave\nher husband, but missing him at an appointed place at an appointed\nhour, she returns to Tarassa. Pico follows her persistently and tries\nto kill Francisco, but is prevented by Ines."}]}, {"article_id": "bm-bmtnaaq-1915-08-28-01-c004", "article_bluemountain": "bmtnaaq_1915-08-28_01#c004", "volume": "bmtnaaq_1915-08-28_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "47", "page_fin": "47", "image_debut": 3, "image_fin": 3, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.2.4", "titre_corps": "Little Sally Hamlin", "titre_sommaire": "Little Sally Hamlin", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 3, "page_imprimee": "47", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.3", "debut_caractere": 808, "fin_caractere_exclue": 1727, "texte": "Little Sally Hamlin\nSally Emery Hamlin is the daughter of Dr. C. Hamlin, of\nBrooklyn, N. Y. Her grandfather was Gen. Chas. Hamlin, of\nMaine, graduate of Bowdoin College, Reporter of Decisions of\nthe Maine Supreme Court, Speaker of the Maine House. He\nwrote many essays on law. During the Civil War he served on\nthe staff of Gen. A. A. Humphreys as adjutant general and took\npart in the battle of Gettysburg and for his services he was of-\nficially thanked by his division commander. In 1865 he severed\nhis connection with the army, having been brevetted Brigadier\nGeneral of Volunteers.\nHer great-grandfather was Hannibal Hamlin, U. S. Senator\nfor many years from Maine, and Lincoln's Vice-President. Little\nSally attended the public schools and was awarded a scholarship\nby the New England Conservatory of Music. She also won the\nBurnham Scholarship given by the Thursday Musical Club of\nNew York, this by competition."}]}, {"article_id": "bm-bmtnaaq-1915-08-28-01-c005", "article_bluemountain": "bmtnaaq_1915-08-28_01#c005", "volume": "bmtnaaq_1915-08-28_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "47", "page_fin": "47", "image_debut": 3, "image_fin": 3, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.2.5", "titre_corps": "Reading Another Man's Paper", "titre_sommaire": "Reading Another Man's Paper", "signature_source": "D. Molby", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 3, "page_imprimee": "47", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.3", "debut_caractere": 1729, "fin_caractere_exclue": 2866, "texte": "Reading Another Man's Paper\nBy D. Molby\n|P OR aj man to crane his neck on the Subway or Elevated\n* to read the headlines of another's paper seems a small thing\nto do; it even seems parsimonious. But no one would be parsi-\nmonious for a cent. This man reads one's paper only because\nhe is interested in what is happening in the world and has time\nto read, but does not have a paper nor the opportunity present\nto buy one.\nIn such cases one should observe tolerance to the extent of\nholding the paper in position so he can read it too, and if when\none starts to fold it he moves his head so as to continue reading\nsome item, one should hesitate, until by his straightening, one\nis assured he is through. There is no law requiring this, but it\nwould be a kind act. He knows that one is aware of his reading\nand to abruptly cut him off, strikes him in the light of reproof.\nIf one really intends reproof, let one divide the paper, offering\nhim a part, and when each has read his part, exchange. This,\nif done in proper manner, will heap coals of fire on his head\nand make him feel so cheap that the next time he will buy a\npaper for himself."}]}, {"article_id": "bm-bmtnaaq-1915-08-28-01-c006", "article_bluemountain": "bmtnaaq_1915-08-28_01#c006", "volume": "bmtnaaq_1915-08-28_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "48", "page_fin": "48", "image_debut": 4, "image_fin": 4, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.2.6", "titre_corps": "Two Evening Performances This Week", "titre_sommaire": "Two Evening Performances This Week", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 4, "page_imprimee": "48", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.4", "debut_caractere": 16, "fin_caractere_exclue": 460, "texte": "Two Evening Performances This Week\nTHERE will be two evening performances in Charles Edi-\nsons, Little Thimble Theatre at 10 Fifth Avenue during the\ncoming week, Thursday and Saturday evenings at 8:15. The in-\nteresting program of Monday afternoon will be repeated with\nthe addition of a few numbers.\nThere are no admission fees charged and anyone who wishes\nto attend may apply letter or in person at the offices of the\nLittle Thimble Theatre."}]}, {"article_id": "bm-bmtnaaq-1915-08-28-01-c007", "article_bluemountain": "bmtnaaq_1915-08-28_01#c007", "volume": "bmtnaaq_1915-08-28_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "48", "page_fin": "48", "image_debut": 4, "image_fin": 4, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.2.7", "titre_corps": "Diamond Disc Concert on the Square", "titre_sommaire": "Diamond Disc Concert on the Square", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 4, "page_imprimee": "48", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.4", "debut_caractere": 462, "fin_caractere_exclue": 1436, "texte": "Diamond Disc Concert on the Square\nC LOW but sure are the ways of our city authorities, so it\ntook nearly three weeks to set into permanent practice Mr.\nCharles Edison's Greenwich Village activities.\nPermission was granted him on August 18th by the Department\nof Parks to give phonograph concerts in Washington Square\nPark. The concerts will take place every Monday and Friday\nevening from 8 to 10 p. m.\nPermission also was given Mr. Edison to have \"rhythmic ex-\nercises and dancing take place on the paved portions of the Park\nnear the arch during the afternoon concerts on Wednesday and\nSaturday afternoons from 2 to 4:30 p. m.\"\nEspecially these Childrens' Hours—and grown ups who feel\nlike having a dance on the Square, passing by and lured by the\nlittle ones are surely not excluded—will be a rare treat equally to\nthe offspring of the elevator apartment-house dwellers and to\nthose that habitate the tenement houses back of the Square and\nin Greenwich Village proper. ■"}]}, {"article_id": "bm-bmtnaaq-1915-08-28-01-c008", "article_bluemountain": "bmtnaaq_1915-08-28_01#c008", "volume": "bmtnaaq_1915-08-28_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "48", "page_fin": "48", "image_debut": 4, "image_fin": 4, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.2.8", "titre_corps": "Zippa", "titre_sommaire": "Zippa", "signature_source": "From the German of Paul Scheerbart, by Guido Bruno", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 4, "page_imprimee": "48", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.4", "debut_caractere": 1438, "fin_caractere_exclue": 2543, "texte": "Zippa\nFrom the German of Paul Scheerbart, by Guido Bruno\noh, COME, come nearer to the lamp,\" gleefully exclaimed Zippa.\nHer wings fluttered and two hundred little mosquitoes fol-\nlowed the invitation of little Zippa, happy, joyful, without hesita-\ntion, without thinking.\nUnder the lamp, which was covered by a green silk screen,\nsat an old man eating his supper.\nAnd there came Zippa with two hundred mosquitoes, and\nZippa felt hilarious like never before.\n\"Dying! Dying surely is the sweetest thing in life! How\nwe do wish to die! Just to die!\" And all the mosquitoes re-\npeated Zippa's exclamations.\nWith merry laughter they fluttered against the hot chimney,\nand soon they lay convulsed with pain next to the supper dishes\nof the old man. He wanted to kill quickly the dying mosquitoes\nso that they would not suffer a long death agony.\nBut Zippa cried while she shook her burnt wings. \"Just leave\nus alone. We are happy to die—dying is so beautiful!\" And\nagain all the dying mosquitoes repeated what Zippa had said.\nAnd everybody was laughing—and died.\nThe old man continued his supper.\nHe was hungry."}]}, {"article_id": "bm-bmtnaaq-1915-08-28-01-c009", "article_bluemountain": "bmtnaaq_1915-08-28_01#c009", "volume": "bmtnaaq_1915-08-28_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "49", "page_fin": "49", "image_debut": 5, "image_fin": 5, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.2.9", "titre_corps": "Washington Square in Winter", "titre_sommaire": "Washington Square in Winter", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 5, "page_imprimee": "49", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.5", "debut_caractere": 16, "fin_caractere_exclue": 43, "texte": "Washington Square in Winter"}]}, {"article_id": "bm-bmtnaaq-1915-08-28-01-c010", "article_bluemountain": "bmtnaaq_1915-08-28_01#c010", "volume": "bmtnaaq_1915-08-28_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "49", "page_fin": "49", "image_debut": 5, "image_fin": 5, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.2.10", "titre_corps": "Patriots", "titre_sommaire": "Patriots", "signature_source": "Alfred Kreymborg", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 5, "page_imprimee": "49", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.5", "debut_caractere": 45, "fin_caractere_exclue": 207, "texte": "Patriots\nAlfred Kreymborg\nBlood or tears—\nHere, take them both!\nBlood of me\nand tears of her.\nBlood or tears—\nwho'd keep them back?\nNot I, nor she—\nHere, Emperor!"}]}, {"article_id": "bm-bmtnaaq-1915-08-28-01-c011", "article_bluemountain": "bmtnaaq_1915-08-28_01#c011", "volume": "bmtnaaq_1915-08-28_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "50", "page_fin": "51", "image_debut": 6, "image_fin": 7, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.2.11", "titre_corps": "The Romance of One Night", "titre_sommaire": "The Romance of One Night", "signature_source": "Guido Bruno", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 6, "page_imprimee": "50", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.6", "debut_caractere": 16, "fin_caractere_exclue": 2818, "texte": "Greenwich Village\nThe Romance of One Night\nBy Guido Bruno\n|T is not given to everyone to take a bath of multitude:\nthe enjoyment of crowds is an art: and he alone can\nhave a bout of vitality at the expense of humanity to whom\na fairy has inspired, in his cradle, a taste for travesties and\nmasquerades, the hatred of home and the passion for travel.\nMultitude, solitude: terms equal and convertible by the active\nand fruitful poet. He who knows not how to people his\nsolitude, knows not how to be alone in a busy crowd.\nWho wrote this beautiful truth? I tortured my mind to\nthink where I had read it and whose original thoughts they were.\nWas it Baudelaire? Or was it O. Henry? Or was it Theodore\nde Banville?\nWhenever I am broke, wandering about the streets, stand-\ning still at some busy corner and reviewing the crowds pass-\ning me, I think of these words and think how true they are.\nBut I never have taken the trouble to find out who really their\nauthor was.\nIt was a cold October night and I was broke. No—not\nthat way. I had a home, if you can call an apartment con-\nsisting of a couple of rooms, a kitchenette and bathroom, a\nhome. And there was nothing about me that would have pre-\nvented taxi-drivers seeing a prospective fare in me or the\nhead-waiter of the most exclusive hotel from conducting me\npersonally to a table I might have indicated with my eyes.\nI was well-dressed, I had signed my tab for a good dinner\nin my club and had unfortunately forgotten to provide myself\nwith cigarettes.\nI realized my oversight shortly after leaving the club-\nhouse but I did not feel like walking back. And so I hurried\nto my apartment, searched for something smokeable on tables,\nin drawers, in the pockets of all my suits. With no result.\nNow there is nothing worse in this world than to want to smoke,\nknowing you can't have it. It made me restless. I am not a\ncigarette fiend: I often pass days and weeks without smoking.\nBut the thought not to have ten cents to purchase the cheapest\npack of cigarettes brought me face to face with facts—well\nI never had dared to face them. What kind of an existence is it\nthat I was leading all these years? How could it happen that I\nwas practically penniless ? I have gone through times of this kind\nso often that I took them for granted. Something always hap-\npened to relieve the situation. A check would come in, I would\npay off my house account in the club: if there was any back rent,\nI would pay it, too. Strengthening so my credit, I looked\nforward to the meager weeks to come with the same confidence\nas the man who deposits in the bank a substantial sum of\nmoney for rainy days.\nNo, it was not the desire to reform, or to turn a new\nleaf. I knew myself too well and I am accustomed to be\nsincere with myself. But whenever I am broke, a philosophical"}, {"page_pdf": 7, "page_imprimee": "51", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.7", "debut_caractere": 16, "fin_caractere_exclue": 3214, "texte": "mood takes possession of me. For hours I had been trying\nto solve the problem: why am I without a cent?\nMy desire to smoke increased every minute. I remembered\nthat a friend of mine who lived at the McAlpin Hotel was at-\ntending a performance at Wallack's Theatre. I forgot to men-\ntion that I never borrow money from any private individual\nand I often had rather walked miles in situations as at present\nthan to ask some of my friends for a personal loan. I de-\ncided to walk up to the McAlpin, to post myself on the corner\nof Thirty-fourth Street and Sixth Avenue and take my chance\nof meeting him in case he returned immediately after the\nshow to his room.\nI wanted to ask him for a cigarette.\nIt was about eleven o'clock. I was standing at that corner\nand reviewing the dense crowds that passed. How alone\nand forlorn I felt among all this chattering, smiling and\ntacit throng of men and women. \"Multitude: solitude!\" and\nI tortured my mind to think of the man who had expressed\nthis supreme truth in such a wonderful way. If I had had a\ncigarette I would have enjoyed looking at the well dressed\nmen with clean-shaven faces and the women in their evening\ngowns with soft wraps, in dainty slippers and silk stockings\nof all colors. What a marvellous symphony! those stockings\nand slippers crossing over from Broadway. And what a discord\nthe faces of the people who wore them!\nThere was the placid self-contented matron, with her\nbread—and pleasure providing husband, walking side by side,\nboth with serious faces, both thinking: they had nothing to\nsay to each other. A studious looking fellow with clean cut\nfeatures linked arms with a fresh-looking girl: the eyes of\nboth are shining, intensely interested in their conversation.\nThey hurried to the tunnels. A prosperous manufacturer—\nhe must be a manufacturer—with a young woman. He is old\nand she is young. He is proud of her and she is like one of\nthose fashion designs of Bakst: pretty, a wonderful color\nscheme, but with dead eves: a striking impersonation of \"I-\ndon't-care.\" If I only had a cigarette I could enjoy this,\nenjoy it more than the people who paid two dollars to see a\nshow.\nWhat a wonderful drama is Life! and how well it is acted\nby us! What an actor are you—and I—and our friends.\nAnd here are the proper backgrounds! Little newsboys\nscreaming at the top of their voices—\"All about the mur-\nder !' And on the grotesquely illuminated board in front of\nthe Herald building, the latest war reports. Pompously\ndressed women following their profession: a troup of Salva-\ntionists with drum and flying banners returning to their\ncitadel: the surface cars passing hither and thither: the\nelevated thundering over its structure—an ambulance annoyingly\npersistent—the hoot-hoot of automobiles—oh, what a drama I\nIf I only had a cigarette!\nI felt an arm thrust gently through mine. \"Walk over\nwith me to the depot,\"it was a woman's voice, a melodious\nvoice but one that evidently knew how to give commands. I\ndidn't make the least resistance. We made our way through the\ncrowds on the sidewalk, passed to the other side of the street\nand walked towards the depot. She spoke quietly, continuously\n1 _ • • * \\\nana very impressively."}]}, {"article_id": "bm-bmtnaaq-1915-08-28-01-c012", "article_bluemountain": "bmtnaaq_1915-08-28_01#c012", "volume": "bmtnaaq_1915-08-28_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "52", "page_fin": "52", "image_debut": 8, "image_fin": 8, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.2.12", "titre_corps": "Dancing Around by Clara Tice", "titre_sommaire": "Dancing Around by Clara Tice", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 8, "page_imprimee": "52", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.8", "debut_caractere": 139, "fin_caractere_exclue": 167, "texte": "Dancing Around by Clara Tice"}]}, {"article_id": "bm-bmtnaaq-1915-08-28-01-c013", "article_bluemountain": "bmtnaaq_1915-08-28_01#c013", "volume": "bmtnaaq_1915-08-28_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "52", "page_fin": "52", "image_debut": 8, "image_fin": 8, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.2.13", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 8, "page_imprimee": "52", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.8", "debut_caractere": 169, "fin_caractere_exclue": 834, "texte": "This Weeks* Performances and Concerts\nCharles Edison's Little Thimble Theatre, Situated\nat No. 10 Fifth Avenue, Greenwich Village,N.Y.C.\nGuido Bruno, Manager\nMonday, 2:30 p. m. Matinee at The Little Thimble Theatre\nTuesday, 8:00 p. m. Disc Concert on the Square\nWednesday, 2:00 p. tn. Children's Hour and Disc Concert on\nthe Square\nThursday, 8:15 p. m. Performance at the Little Thimble\nTheatre\nFriday, 8:00 p. m. Disc Concert on the Square\nSaturday, 12:00 Children's Hour and Disc Concert on\nthe Square\n44 8:15 p. m. Performance at the Little Thimble\nTheatre\nAsk or write for ticket of admission to The\nLittle Thimble Theatre performances. They\nare free of charge."}]}], "pages_ocr_originales": [{"page_pdf": 1, "page_imprimee": "couv. 1", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.1", "texte": "BRUNO'S WEEKLY\nEdited by Guido Bruno in his Garret on Washington Square\nNo. 7\nAUGUST 28th, MCMXV\nVol. I.\nCopyright 1915 by Quido [Bruno\n\nGRIEVE NOT.\nMary Pyne\nGrieve not that thou must play the minor part\nOnly to follow, where thou might have led\nWith all the skill of him whose crystal notes\nShrill forth so brilliantly—so brilliantly—\nIf thou art weary and a wistful tear\nRests gently on thy cheek—be not ashamed,\nFor in thy heart is naught of bitterness\nAnd all is well; play thou but on and on\nUntil some time when, bending low thy head\nIn reverence in humility,\nThou seest about thee in the Silences\nRapt, lisfning faces where before were none;\nNot men—ah no, but more—the Souls of Men.\n\nMonday, Thursday and Friday in\nCharles Edison's Little Thimble.\nA TRULY American-made program and representative of\nthe aims of the American composers of our day will be played\non Monday afternoon in Charles Edison's Little Thimble The-\natre, No. 10 Fifth Avenue, New York.\nMiss Lois Fox will present a few negro songs and negro\nmelodies composed by her and based on old Southern negro folk\nlore.\nMiss Fox spent her early childhood and the greater part of her\nlife on the plantations of the South. She has made it her life\nwork to portray and help to preserve negro music and negro\nsongs of the old plantation slaves. The negro of to-day wishes\nnot to be reminded of his ancestors half a century ago who\nwere freed from bondage. Those songs and melodies of the\nnegro slaves of yore are full of longing for freedom—full of\nmelancholy. The sorrow over conditions that seemed to them\nunchangeable. The tragedy of their lives as slaves has made the\nnegroes of to-day dislike the music of their great-grandparents.\nIt is unquestionably the only American original music produced\nup to now. And it is a hard task to portray it or write it for\nfuture preservation on account of its unusual intervals, intona-\ntions and inflections.\nMiss Fox collected, among the oldest negroes of the Southern\nplantations,songs and melodies they used to sing and hum before\nthe War of Secession. She will shortly publish her life work,\nfixing down for eternal times this unquestionably American\nmusic."}, {"page_pdf": 2, "page_imprimee": "46", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.2", "texte": "BRUNO'S WEEKLY\n\nHer program comprises \"Aunt Sue and Her Ghosty Lamp,\"\n\"A Negro Love Story\" and \"A Group of Songs of Slavery\nand Bondage.\"\nMiss Katharonza Clarvoe, a Maryland singer and composer,\nwill sing and play a selection from her light operetta, \"The Love\nSmoke.\"\nMiss Clarvoe received her entire training in this country but\nstudied harmony and counterpoint with Albert Hamerik, the\nfriend and pupil of Hector Berlioz and one of the few Americans\nwho were close companions of the great French composer. The\nmusic of this operetta has the charm of the old school, when\nragtime was not known, when people had time to listen to the\nsweet melody of an enchanting air,—of those old days when\nmusic was meant for the heart. \"The Opening Chorus,\" \"To\nSteal a Girl or Two,\" \"The Widow's Song,\" and \"When The\nMoon's Waning\" are melodies which one hums on one's way\nhome, and whose echoes sound iri< us long after we have heard\nthem.\nSally Emery Hamlin, great-granddaughter of Hannibal Ham-\nlin, Lincoln's war Vice-President,—a little slip of a girl not yet\ntwelve, will play and recite a selection from American composers,\nand James Whitcomb Riley's poem, \"Little Orphan Annie,\" set\nvery uniquely to music.\n\nLove Smoke\nMiss Clarvoe's Operetta\nM OST unfortunately the libretto to Miss Clarvoe's music is\nfar below even the average. There is no plot in the comedy.\nThe lyrics are meaningless and badly-put-together words, and\nthe amateurishness of the entire production is its only feature.\nMiss Clarvoe had during the past week several offers of sub-\nstitutes for her libretto and most probably she will accept a\nstory laid_ in the colonial days of America. The selection of\nher melodies which she will play and sing on Monday afternoon\nand on Thursday and Saturday evening in Charles\nLittle Thimble Theatre are a well-chosen representation of the\ncomposer's ability and versatility.\nPico, a strolling magician, with caldron for the brewing of the\nmagic love smoke, arrives the village of Tarassa: in Spain, during\nthe celebration of the wedding of Toninio and Violeta. Margarita,\nfoster-sister of Violeta and belle of the village, fancies herself in love\nwith Toninio. Meanwhile the captain of a passing company of soldiers,\nFrancisco, sees and' admires Margarita and vows to return, woo and\nwin her. He inhales the love smoke and a vision of her appears to\nhim. Later he visits Tarassa during a festival; endeavors to meet\nMargarita but is prevented by Pico, who slyly administers to him\nthe love smoke, by which he is overcome. Pico then throws him\ndown the chasm."}, {"page_pdf": 3, "page_imprimee": "47", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.3", "texte": "BRUNO'S WEEKLY\n\nPadre Pedro, the village priest, seeing his people acting queerly\nand finding that they have inhaled the love smoke, ejects Pico from\nhis village. Pico induces Margarita to inhale the love smoke and\ncarries her off into the mountains. Ines, a widow many times, arrives\nand witnesses the elopement. Francisco is rescued from the evil of\nthe chasm and pursues Pico and Margarita; after several d'ays Mar-\ngarita is discovered; Pico has forced her to marry him; he treats her\ncruelly and compels her to dance publicly and to sing at iairs tor\nmoney. Margarita, persuaded by Francisco, gives her consent to leave\nher husband, but missing him at an appointed place at an appointed\nhour, she returns to Tarassa. Pico follows her persistently and tries\nto kill Francisco, but is prevented by Ines.\n\nLittle Sally Hamlin\nSally Emery Hamlin is the daughter of Dr. C. Hamlin, of\nBrooklyn, N. Y. Her grandfather was Gen. Chas. Hamlin, of\nMaine, graduate of Bowdoin College, Reporter of Decisions of\nthe Maine Supreme Court, Speaker of the Maine House. He\nwrote many essays on law. During the Civil War he served on\nthe staff of Gen. A. A. Humphreys as adjutant general and took\npart in the battle of Gettysburg and for his services he was of-\nficially thanked by his division commander. In 1865 he severed\nhis connection with the army, having been brevetted Brigadier\nGeneral of Volunteers.\nHer great-grandfather was Hannibal Hamlin, U. S. Senator\nfor many years from Maine, and Lincoln's Vice-President. Little\nSally attended the public schools and was awarded a scholarship\nby the New England Conservatory of Music. She also won the\nBurnham Scholarship given by the Thursday Musical Club of\nNew York, this by competition.\n\nReading Another Man's Paper\nBy D. Molby\n|P OR aj man to crane his neck on the Subway or Elevated\n* to read the headlines of another's paper seems a small thing\nto do; it even seems parsimonious. But no one would be parsi-\nmonious for a cent. This man reads one's paper only because\nhe is interested in what is happening in the world and has time\nto read, but does not have a paper nor the opportunity present\nto buy one.\nIn such cases one should observe tolerance to the extent of\nholding the paper in position so he can read it too, and if when\none starts to fold it he moves his head so as to continue reading\nsome item, one should hesitate, until by his straightening, one\nis assured he is through. There is no law requiring this, but it\nwould be a kind act. He knows that one is aware of his reading\nand to abruptly cut him off, strikes him in the light of reproof.\nIf one really intends reproof, let one divide the paper, offering\nhim a part, and when each has read his part, exchange. This,\nif done in proper manner, will heap coals of fire on his head\nand make him feel so cheap that the next time he will buy a\npaper for himself."}, {"page_pdf": 4, "page_imprimee": "48", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.4", "texte": "BRUNO'S WEEKLY\n\nTwo Evening Performances This Week\nTHERE will be two evening performances in Charles Edi-\nsons, Little Thimble Theatre at 10 Fifth Avenue during the\ncoming week, Thursday and Saturday evenings at 8:15. The in-\nteresting program of Monday afternoon will be repeated with\nthe addition of a few numbers.\nThere are no admission fees charged and anyone who wishes\nto attend may apply letter or in person at the offices of the\nLittle Thimble Theatre.\n\nDiamond Disc Concert on the Square\nC LOW but sure are the ways of our city authorities, so it\ntook nearly three weeks to set into permanent practice Mr.\nCharles Edison's Greenwich Village activities.\nPermission was granted him on August 18th by the Department\nof Parks to give phonograph concerts in Washington Square\nPark. The concerts will take place every Monday and Friday\nevening from 8 to 10 p. m.\nPermission also was given Mr. Edison to have \"rhythmic ex-\nercises and dancing take place on the paved portions of the Park\nnear the arch during the afternoon concerts on Wednesday and\nSaturday afternoons from 2 to 4:30 p. m.\"\nEspecially these Childrens' Hours—and grown ups who feel\nlike having a dance on the Square, passing by and lured by the\nlittle ones are surely not excluded—will be a rare treat equally to\nthe offspring of the elevator apartment-house dwellers and to\nthose that habitate the tenement houses back of the Square and\nin Greenwich Village proper. ■\n\nZippa\nFrom the German of Paul Scheerbart, by Guido Bruno\noh, COME, come nearer to the lamp,\" gleefully exclaimed Zippa.\nHer wings fluttered and two hundred little mosquitoes fol-\nlowed the invitation of little Zippa, happy, joyful, without hesita-\ntion, without thinking.\nUnder the lamp, which was covered by a green silk screen,\nsat an old man eating his supper.\nAnd there came Zippa with two hundred mosquitoes, and\nZippa felt hilarious like never before.\n\"Dying! Dying surely is the sweetest thing in life! How\nwe do wish to die! Just to die!\" And all the mosquitoes re-\npeated Zippa's exclamations.\nWith merry laughter they fluttered against the hot chimney,\nand soon they lay convulsed with pain next to the supper dishes\nof the old man. He wanted to kill quickly the dying mosquitoes\nso that they would not suffer a long death agony.\nBut Zippa cried while she shook her burnt wings. \"Just leave\nus alone. We are happy to die—dying is so beautiful!\" And\nagain all the dying mosquitoes repeated what Zippa had said.\nAnd everybody was laughing—and died.\nThe old man continued his supper.\nHe was hungry."}, {"page_pdf": 5, "page_imprimee": "49", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.5", "texte": "BRUNO'S WEEKLY\n\nWashington Square in Winter\n\nPatriots\nAlfred Kreymborg\nBlood or tears—\nHere, take them both!\nBlood of me\nand tears of her.\nBlood or tears—\nwho'd keep them back?\nNot I, nor she—\nHere, Emperor!"}, {"page_pdf": 6, "page_imprimee": "50", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.6", "texte": "BRUNO'S WEEKLY\n\nGreenwich Village\nThe Romance of One Night\nBy Guido Bruno\n|T is not given to everyone to take a bath of multitude:\nthe enjoyment of crowds is an art: and he alone can\nhave a bout of vitality at the expense of humanity to whom\na fairy has inspired, in his cradle, a taste for travesties and\nmasquerades, the hatred of home and the passion for travel.\nMultitude, solitude: terms equal and convertible by the active\nand fruitful poet. He who knows not how to people his\nsolitude, knows not how to be alone in a busy crowd.\nWho wrote this beautiful truth? I tortured my mind to\nthink where I had read it and whose original thoughts they were.\nWas it Baudelaire? Or was it O. Henry? Or was it Theodore\nde Banville?\nWhenever I am broke, wandering about the streets, stand-\ning still at some busy corner and reviewing the crowds pass-\ning me, I think of these words and think how true they are.\nBut I never have taken the trouble to find out who really their\nauthor was.\nIt was a cold October night and I was broke. No—not\nthat way. I had a home, if you can call an apartment con-\nsisting of a couple of rooms, a kitchenette and bathroom, a\nhome. And there was nothing about me that would have pre-\nvented taxi-drivers seeing a prospective fare in me or the\nhead-waiter of the most exclusive hotel from conducting me\npersonally to a table I might have indicated with my eyes.\nI was well-dressed, I had signed my tab for a good dinner\nin my club and had unfortunately forgotten to provide myself\nwith cigarettes.\nI realized my oversight shortly after leaving the club-\nhouse but I did not feel like walking back. And so I hurried\nto my apartment, searched for something smokeable on tables,\nin drawers, in the pockets of all my suits. With no result.\nNow there is nothing worse in this world than to want to smoke,\nknowing you can't have it. It made me restless. I am not a\ncigarette fiend: I often pass days and weeks without smoking.\nBut the thought not to have ten cents to purchase the cheapest\npack of cigarettes brought me face to face with facts—well\nI never had dared to face them. What kind of an existence is it\nthat I was leading all these years? How could it happen that I\nwas practically penniless ? I have gone through times of this kind\nso often that I took them for granted. Something always hap-\npened to relieve the situation. A check would come in, I would\npay off my house account in the club: if there was any back rent,\nI would pay it, too. Strengthening so my credit, I looked\nforward to the meager weeks to come with the same confidence\nas the man who deposits in the bank a substantial sum of\nmoney for rainy days.\nNo, it was not the desire to reform, or to turn a new\nleaf. I knew myself too well and I am accustomed to be\nsincere with myself. But whenever I am broke, a philosophical"}, {"page_pdf": 7, "page_imprimee": "51", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.7", "texte": "BRUNO'S WEEKLY\n\nmood takes possession of me. For hours I had been trying\nto solve the problem: why am I without a cent?\nMy desire to smoke increased every minute. I remembered\nthat a friend of mine who lived at the McAlpin Hotel was at-\ntending a performance at Wallack's Theatre. I forgot to men-\ntion that I never borrow money from any private individual\nand I often had rather walked miles in situations as at present\nthan to ask some of my friends for a personal loan. I de-\ncided to walk up to the McAlpin, to post myself on the corner\nof Thirty-fourth Street and Sixth Avenue and take my chance\nof meeting him in case he returned immediately after the\nshow to his room.\nI wanted to ask him for a cigarette.\nIt was about eleven o'clock. I was standing at that corner\nand reviewing the dense crowds that passed. How alone\nand forlorn I felt among all this chattering, smiling and\ntacit throng of men and women. \"Multitude: solitude!\" and\nI tortured my mind to think of the man who had expressed\nthis supreme truth in such a wonderful way. If I had had a\ncigarette I would have enjoyed looking at the well dressed\nmen with clean-shaven faces and the women in their evening\ngowns with soft wraps, in dainty slippers and silk stockings\nof all colors. What a marvellous symphony! those stockings\nand slippers crossing over from Broadway. And what a discord\nthe faces of the people who wore them!\nThere was the placid self-contented matron, with her\nbread—and pleasure providing husband, walking side by side,\nboth with serious faces, both thinking: they had nothing to\nsay to each other. A studious looking fellow with clean cut\nfeatures linked arms with a fresh-looking girl: the eyes of\nboth are shining, intensely interested in their conversation.\nThey hurried to the tunnels. A prosperous manufacturer—\nhe must be a manufacturer—with a young woman. He is old\nand she is young. He is proud of her and she is like one of\nthose fashion designs of Bakst: pretty, a wonderful color\nscheme, but with dead eves: a striking impersonation of \"I-\ndon't-care.\" If I only had a cigarette I could enjoy this,\nenjoy it more than the people who paid two dollars to see a\nshow.\nWhat a wonderful drama is Life! and how well it is acted\nby us! What an actor are you—and I—and our friends.\nAnd here are the proper backgrounds! Little newsboys\nscreaming at the top of their voices—\"All about the mur-\nder !' And on the grotesquely illuminated board in front of\nthe Herald building, the latest war reports. Pompously\ndressed women following their profession: a troup of Salva-\ntionists with drum and flying banners returning to their\ncitadel: the surface cars passing hither and thither: the\nelevated thundering over its structure—an ambulance annoyingly\npersistent—the hoot-hoot of automobiles—oh, what a drama I\nIf I only had a cigarette!\nI felt an arm thrust gently through mine. \"Walk over\nwith me to the depot,\"it was a woman's voice, a melodious\nvoice but one that evidently knew how to give commands. I\ndidn't make the least resistance. We made our way through the\ncrowds on the sidewalk, passed to the other side of the street\nand walked towards the depot. She spoke quietly, continuously\n1 _ • • * \\\nana very impressively.\n\n(To be continued'"}, {"page_pdf": 8, "page_imprimee": "52", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19150828-01.1.8", "texte": "BRUNO'S WEEKLY\nBruno's Weekly, edited, written, published by Guido Bruno, at\n$8 Washington Square, New York. Subscription price $1 yearly\n\nDancing Around by Clara Tice\n\nThis Weeks* Performances and Concerts\nCharles Edison's Little Thimble Theatre, Situated\nat No. 10 Fifth Avenue, Greenwich Village,N.Y.C.\nGuido Bruno, Manager\nMonday, 2:30 p. m. Matinee at The Little Thimble Theatre\nTuesday, 8:00 p. m. Disc Concert on the Square\nWednesday, 2:00 p. tn. Children's Hour and Disc Concert on\nthe Square\nThursday, 8:15 p. m. Performance at the Little Thimble\nTheatre\nFriday, 8:00 p. m. Disc Concert on the Square\nSaturday, 12:00 Children's Hour and Disc Concert on\nthe Square\n44 8:15 p. m. Performance at the Little Thimble\nTheatre\nAsk or write for ticket of admission to The\nLittle Thimble Theatre performances. They\nare free of charge."}]}