{"numero_id": "bm-bmtnaaq-1916-02-26-01", "volume": "bmtnaaq_1916-02-26_01", "ocr_sha256": "514436935e90d4aedf734bf746c1369ecc7f60c81f936638d52b0dea75d01f21", "source_tei": "https://github.com/Princeton-CDH/bluemountain-transcriptions/blob/main/periodicals/bmtnaaq/issues/1916/02/26_01/bmtnaaq_1916-02-26_01.tei.xml", "source_mets": "https://github.com/pulibrary/BlueMountain/blob/main/metadata/periodicals/bmtnaaq/issues/1916/02/26_01/bmtnaaq_1916-02-26_01.mets.xml", "url_numero": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01", "articles": [{"article_id": "bm-bmtnaaq-1916-02-26-01-c001", "article_bluemountain": "bmtnaaq_1916-02-26_01#c001", "volume": "bmtnaaq_1916-02-26_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "couv. 1", "page_fin": "couv. 1", "image_debut": 1, "image_fin": 1, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.2.1", "titre_corps": "Aubrey Beardsley", "titre_sommaire": "Aubrey Beardsley", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 1, "page_imprimee": "couv. 1", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.1", "debut_caractere": 113, "fin_caractere_exclue": 129, "texte": "Aubrey Beardsley"}]}, {"article_id": "bm-bmtnaaq-1916-02-26-01-c002", "article_bluemountain": "bmtnaaq_1916-02-26_01#c002", "volume": "bmtnaaq_1916-02-26_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[503]", "page_fin": "[503]", "image_debut": 3, "image_fin": 3, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.2.2", "titre_corps": "From the Collection of Patrick F. Madigan This poem of G. K. Chesterton appeared never before in print", "titre_sommaire": "From the Collection of Patrick F. Madigan This poem of G. K. Chesterton appeared never before in print", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 3, "page_imprimee": "[503]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.3", "debut_caractere": 89, "fin_caractere_exclue": 191, "texte": "From the Collection of Patrick F. Madigan\nThis poem of G. K. Chesterton appeared never before in print"}]}, {"article_id": "bm-bmtnaaq-1916-02-26-01-c003", "article_bluemountain": "bmtnaaq_1916-02-26_01#c003", "volume": "bmtnaaq_1916-02-26_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[503]", "page_fin": "504", "image_debut": 3, "image_fin": 4, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.2.3", "titre_corps": "The Bruno Players", "titre_sommaire": "The Bruno Players", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 3, "page_imprimee": "[503]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.3", "debut_caractere": 193, "fin_caractere_exclue": 375, "texte": "The Bruno Players\nT HE BRUNO PLAYERS will open their season on Feb-\nruary 28th, in Charles Edison's Little Thimble Theatre,\nNo. 10 Fifth avenue, with August Strindberg's naturalistic"}, {"page_pdf": 4, "page_imprimee": "504", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.4", "debut_caractere": 16, "fin_caractere_exclue": 2584, "texte": "drama, \"Miss Julia.\" They are a small group of actors and\nactresses that wish to interpret Strindberg, Tchekoff,\nWedekind, Artzibasheff and Gogol's works in the simple and\nsincere way in which these playwrights created their char-\nacters. Under the managment of Guido Bruno, who is as-\nsisted in the direction by Langdon Gillet, they will play on\nthree nights of the week, every Monday, Tuesday and Wed-\nnesday, and on one afternoon, on Saturday, in the Thimble\nTheatre, and later, the last three days of the week in an\nuptown show'house.\nThe performances of the Bruno Players will not inter-\nfere and have no connection whatever with Mr. Charles\nEdison's work in the Thimble Theatre, benefitting Ameri-\ncan musicians and composers, which will be continued, and\nthe free musicales'will take place on the evenings of Thurs-\nday, Friday and Saturday of each week.\nThe Bruno Players do not intend to do anything startling,\nunusual or sensational. Everything worl'h while in life is\nsimple and made of very humble substance. To view life\nas it is, to see what is actually happening, one needs just\na pair of good eyes, and in order to understand what others\nsay, the things that they really mean to say, one needs\nknowledge of the language and a pair of good ears. There-\nfore, there will be nothing startling and unusual used in the\ntheatre of the Bruno Players. No luxurious equipment for\nthe audience. No new color schemes, no unexpected effects\nor revolutionizing stage features, no architecture, producing\noptical illusicns on the stage. It will be a show house in\nthe realest sense of the word. A house where something\nis shown.\nT'he things which are put on show being the only reason\nfor the existence of the house, and its main and sole feature.\nOnly with physical comfort is the human mind susceptible\nto new impressions, ready to listen, to like or dislike, to\napprove of or to reject. An unprejudiced mind must be\nhoused in a comfortable-feeling, self-unconscious body.\nTherefore, comfortable armchairs are provided with plenty\nof room to the right and to the left, to enable one to change\none's position easily, and plenty of space between rows, so\nthat the legs do not feel stepmotherly treated.\nThe stage is simple. Just an elevation, with no other\npurpose than to expose the performers conspicuously to\neverybody present. ACTING IS GOOD AS THE RESULT\nOF BEING ITSELF. Therefore, stage settings of more\nor less conspicuous designs, decorations of all kinds, the\nappliance of the science of stage lighting are only irritating\nand distractive to the attention."}]}, {"article_id": "bm-bmtnaaq-1916-02-26-01-c004", "article_bluemountain": "bmtnaaq_1916-02-26_01#c004", "volume": "bmtnaaq_1916-02-26_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "504", "page_fin": "505", "image_debut": 4, "image_fin": 5, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.2.4", "titre_corps": "Miss Julia by August Strindberg", "titre_sommaire": "Miss Julia by August Strindberg", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 4, "page_imprimee": "504", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.4", "debut_caractere": 2586, "fin_caractere_exclue": 2777, "texte": "Miss Julia by August Strindberg\njypSS JULIA is the strongest of the naturalistic\ndramas Strindberg wrote in the best years of his life.\nHe considered it himself the best work that he had ever"}, {"page_pdf": 5, "page_imprimee": "505", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.5", "debut_caractere": 16, "fin_caractere_exclue": 2189, "texte": "done. The Swedish censors prohibited its production in\nSweden, and it was acted in New York but once—at a private\nperformance, some years ago, before an invited audience in\nthe Forty-eighth Street Theatre.\nStrindberg is no playwright, from the standpoint of the\nmodern theatrical producer. He does not care for construc-\ntion. He does not build up situations carefully. There is\nno painstaking architecture of actions. We do not admire\nthe objective correctness, or consequence of the characters\nhe paints; all we see is the gripping life and the brutal truth\nof detail. Strindberg is not satisfied that we see the things\nhe chooses to show us, but we have to feel them on our\nskin. We have to bump against them if we find ourselves\nunexpectedly confronted with them. He is not a planner who\nbuilds up his work before our eyes. He is not a painter\nof decorations who provides for us illusions and perspective\npleasures of the eye; he is the magician who spills every-\nthing right under our noses—too often, not over pleasantly,\nbecause he does not always charm forth peaches and\ncanaries.\n\"Miss Julia\" is a consciously naturalistic tragedy, very un-\nreal in its construction. Strindberg has an uncanny power\nto paint the wild and hunted life of the minute, and the\nexplosion of actions, the hissing vapors of wrath. He\nknows better than anyone else how to show us everything\nanimal and primitive in the life of the soul, the hatred and\nanger, the combat between hostile wills, but also resigna-\ntion, weariness, and dejection. But the naturalist with the\nclear and sharp eyes, is also a mystic, following Swedenborg\ninto his translunaric world, one who knows how to charm\nbefore our eyes, the dark plays of dreams and the abysses\nof the soul. • .\nStrindberg migfit fail very often, as his adversaries claim'\njustly, to give us a deep psychological evolution of his char-\nacters, but he never fails to show us through his elementary\ndramatic actions, through his dialogues, to which one has;\nto listen and i»irough his effects, which cannot be ignored\nas less than explosions—real life.\nTo do on the stage what Strindberg did on paper is the|\nintention of the Bruno Players."}]}, {"article_id": "bm-bmtnaaq-1916-02-26-01-c005", "article_bluemountain": "bmtnaaq_1916-02-26_01#c005", "volume": "bmtnaaq_1916-02-26_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "505", "page_fin": "507", "image_debut": 5, "image_fin": 7, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.2.5", "titre_corps": "London Letter", "titre_sommaire": "London Letter", "signature_source": "Edward Storer", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 5, "page_imprimee": "505", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.5", "debut_caractere": 2191, "fin_caractere_exclue": 2703, "texte": "London Letter\n\nLondon Office of BRUNO'S WEEKLY,\n18 St. Charles Square, New Kensington.\nFebruary I Oth, 1916.\nTT HIS week I think I will begin with a little chat on some'\nof London's literary book-shops—l mean the intime\ninteresting places where an atmosphere of humanity and\nthe humanities lingers. We have our share of the other kind\ntoo—glittering parlours where the new books are stacked in\nlifeless slabs, places full of choas and quantity.. But there\nare perhaps as many as a dozen or so little places which"}, {"page_pdf": 6, "page_imprimee": "506", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.6", "debut_caractere": 16, "fin_caractere_exclue": 3043, "texte": "make for the pleasure and worthiness of book-buying in\nLondon. I scarcely know where to begin or with whom.\nThere is \"The Poetry Bookshop, and Dan Rider's, well\nknown to American literary men and artists, and the Bomb\nShop in Charing Cross Road, with its Socialist and Anarchist\nliterature, and Beaumont's, opposite, with the delightful\ndrawings by continental artists, and Reeves, by Waterloo\nBridge, who buys the reviewers' review copies, and Mr.\nShore's Book Parlour, off Holborn. There are the barrows\nin the roadway in the Farringdon Road, where you may get\na beautiful text of Aeskhylos or Terence for a penny, or\nunearth a neglected Aldine from a mass of rubbish, if you\nare lucky.\nHarold Monro's Poetry Bookshop, in Devonshire street,\nhas been the subject of many articles, I fancy, some of\nwhich have appeared in American journals. Yet, possibly\nthe real reason for the existence of such a shop has never\nbeen explained. In planning his venture, Mr. Monro per-\nceived what all modern poets have had to face at one time\nor another of their careers that the ordinary channels of\napproach between author and public are closed for them.\nTo the average bookseller all new peotry is dead. To him\nits birth certificate is also its death certificate. Under pres-\nsure he will order you a copv of a book of contemporary\nverse, but he would rather not. It employs the energies of\nhis staff in an unprofitable adventure. As a result, tdhe\nauthor of a book of new poetry has to find an opening for\nit himself. He must, when he has written it, become com-\nmercial traveller for it and actual, if not nominal, publisher\nas well. Mr. Monro saw this, as we have all seen it, and the\nobvious deduction from it was that in order that contem-\nporary poetry may have a chance to exist, the public for\nwhom it is intended must be brought together. First, tfhis\npublic, which, after the dissipation of theYellow Book\nmovement and the art-culture of the nineties, was scattered\nand lost, must be rediscovered. Monro set himself the\ntask of appealing directly to this lost public, this audience of\nawakened and awakening souls. I am sure it was no easy\ntask, but in a measure it has been successfully accomplished.\nThe proprietor of The Peotry Bookshop was the man to\ncarry the scheme through. He had a genuine love of poetry\nfor its own sake, and in a sense he was incorruptible—that is,\nhe would not come down to publishing rubbishy verse be-\ncause the author of it was a wealthy person who could af-\nford to offer a nice bonus over the printing cost. Monro\nhad a quarterly review, Poetry and Drama, which he al-\nlowed to perish soon after the war began—too timidly, I\nthink. The Poetry Bookshop is now—even in war time—a\nsuccessful venture. Its danger, of course, is that it will be\ntoo successful and prefer a good balance-sheet to the austere\nservice of the Muses.\nEverybody knows \"Dan's,\" or Dan Rider's bookshopj\nDan is \"the laughing bookseller,\" the friend of the impover-\nished artist, the proprietor of the smallest and jolliest Bo-"}, {"page_pdf": 7, "page_imprimee": "507", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.7", "debut_caractere": 16, "fin_caractere_exclue": 874, "texte": "hemian club in London, the first man American writers visit\nwhen they come to London. In the little square room at the\nback of the shop many projects have been hatched. There,\nat his table, covered with books and papers, sits \"Dan,\"\ndispensing advice or his cheerful cynicism to whomsoever\nmay look in. The place is an institution often described in\narticles and novels, and I cannot do justice to it.\nAt the Bomb Shop you buy Socialist and Anarchist litera-\nture, Fabian wares, I. L. P. pamphlets, and suffrage litera-\nture. For first editions, especially of modern poets, and per-\nhaps particularly of Francis Thompson, one would go to\nThe Serendipity Shop, so named after the word coined by\nHorace Walpole. Everard Meynell, son of Alice Meynell,\nkeeps this charming little book snugery. But, perhaps that\nis enough of book-shops for today.\n\nEdward Storer."}]}, {"article_id": "bm-bmtnaaq-1916-02-26-01-c006", "article_bluemountain": "bmtnaaq_1916-02-26_01#c006", "volume": "bmtnaaq_1916-02-26_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "507", "page_fin": "509", "image_debut": 7, "image_fin": 9, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.2.6", "titre_corps": "Sex", "titre_sommaire": "Sex", "signature_source": "Guido Bruno", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 7, "page_imprimee": "507", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.7", "debut_caractere": 876, "fin_caractere_exclue": 2546, "texte": "Sex\nBy Guido Bruno.\nAfter the German of Stanislav Przybyszewsky, Author of\n\"Homo Sapiens.\"\nIN the beginning there was sex. . . .\nOut of the voice box of the human being sex tore the\nfirst long-stretched sounds, it directed them to the tact of\nthe pulsing heart, it formed them into rhythm and melody,\nit shaped them into the neighing, howling and growling of\npain, into the snarling and grinning of hatred, into the mur-\nmuring and whispering of love, into the smuttered, heaven-\nhigh joyful shouts of gladnes of the organism and of ecstacy:\nSex gave birth to the world:\nAnd sex diffused itself with super-power into the muscles\nof the human body; it handed man the club as it came upon\nhim to destroy his rival in the contest for his mate, it in-\ncreased his powers unto the indefinite when he had to pro-\ntect the life of his mate and of his brood. It helped him to\nclear forests, to tear apart the womb of the earth, to direct\ninto new beds rivers and lakes, to subdue seas and to con-\nquer mountains; sex awakened the brain from its slumber,\nforcing it into incomprehensible suffering and into the labors\nof never-heard-of work and into cunning and into the sly\nbetraying with which he stole the fire from the gods and\ninto audacious daring so that he mounted the Pelian upon\nthe Ossa, and so that he broke open the doors of the king-\ndom of heaven.\nSex gave birth to the deed.\nAnd sex forced its way into the heart of man. It filled\nit out completely. It awaked in man the desire to see every-\nbody as happy as sex itself was in its sacred elevation of\nhappiness. It incended in him the powerful wish to play\nmusic for the whole world to a joy-dance, so that every-"}, {"page_pdf": 8, "page_imprimee": "508", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.8", "debut_caractere": 16, "fin_caractere_exclue": 2688, "texte": "body might become self-conscious in blissful play and might\njoin in the great sacred hymn of life. To the tables of\nrichest banquets did it invite all, and therefore sex created\npity and consolidation, it created father and mother, brother\nand sister, it united the human sex through bonds of blood\nand of friendship. But at the same time it became the origin\nof revengefulness and of inordinate desire of murder and of\ncrime; it separated and crushed to every wind the seed of the\nAbel, of the Seth and of the Cain.\nAnd so created sex the family, the clan, the nation. And\nthen it tore open widely its eyes and looked back with\ninexpressible longing and looked far, far back towards its\ndivine origin.\nMillions and millions of years had it been staring into the\nsacred fire whose lustre meant life to all worlds and all ani-\nmals on which it lived.\nSex craved for divinity!\nAnd it expanded the chest of man with fervent longing,\nit saturated his heart with the sweet poison of weakness and\nof trust, it stole one beam after another from out of the\naboriginal fire until it had incended in the soul of man a\nheart-flame through which it started to dissolve and to dif-\nfuse completely and forget its own self-subsisting ego.\nIn the love!\nAnd there came to pass the miracle: Amorphos Hyle\nunited with Logos!\nThe Holy Spirit descended upon sex and thus sex created\n—love. •\nAnd now the bars broken down and the doors of the hu-\nman soul opened wide to the stars, to the heaven, to the sun;\nthe beams of mercy and the most incomprehensible wonders\nsprouted suddenly from invisible origins; a thousand un-\nknown feelings, comprehensions and perceptions expanded\nthe human soul, expanded it to the bigness of the divine\nbeing; the arms were stretched out toward never-thought-of\nworlds; it bowed the knees before gruesome mysterious\npowers and man rooted up dust in terror, in trembling and\nin reverence; hidden forebodings became certainties and the\ncertainty did hide in the deep, unlit darkness of the unknown\n—the unknown which was so indefinitely near. Mindful of\nits divine origin, sex nestled in the heart of man with the\nglad tidings:\nSex was the first one to talk toman of God! The super-\npower of sex grew with love and the consciousness of its\ndivinity.\nA hot stream poured out into the darkest hiding places\nand the most secret faults of the soul; it illuminated the\ndarkest abysses with the sunny glow of light; it inflamed\nrocks so that they were glowing in blazing flames; it reor-\nganized the worlds and created them into its shapes and in\nnew forms. All instincts were directed into its broad bed;\nall forebodings, all lust and all pain, hatred and the blessed"}, {"page_pdf": 9, "page_imprimee": "509", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.9", "debut_caractere": 16, "fin_caractere_exclue": 1202, "texte": "ascension of man to heaven,, the whole life's struggle of a\nboundless and unrestrained soul, and it carried the foaming\nwaves to the opposite shore and threw them down at tihe\nfeet of God so that He might rejoice in his image.\nAnd thus sex became the confidant of God and carried\nHim glad messages of how man had been drawn nearer to\nHIM through Art.\nSex gave birth to Art.\nAnd so sex is the Androgyne, \"father-mother\" of all that\nist> that was, that will be: the powerful original fountain of\nmight, of eternal strength, of enthusiasm and intoxication,\nof the most sacred attempt to storm the heavens and of the\ngravest, most detestable Fall of Man, of the highest virtue\nand of the most devilish crime. There is no power that can\ncompare itself with sex, and as such it is the extreme beauty\nand the only link uniting us with the Absolute, because\nthere it originated and to thence will it return.\nIt is the hot gulf which melts the ice and which fructifies\nthe earth, creating an Eden or a hell for the generation of\nmen.\nIt is that ocean which encircles the whole universe, em-\nbracing it with loving arms. It is the one pledge and the\none certainty of the divine in man. Cat's Paw."}]}, {"article_id": "bm-bmtnaaq-1916-02-26-01-c007", "article_bluemountain": "bmtnaaq_1916-02-26_01#c007", "volume": "bmtnaaq_1916-02-26_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "509", "page_fin": "510", "image_debut": 9, "image_fin": 10, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.2.7", "titre_corps": "The Betrothed", "titre_sommaire": "The Betrothed", "signature_source": "Aleksei Remizov", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 9, "page_imprimee": "509", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.9", "debut_caractere": 1204, "fin_caractere_exclue": 2485, "texte": "The Betrothed\nBy Aleksei Remizov.\nTranslated from the Russian by John Cournos.\n*T\" HREE years a lad played with a lass, three autumns.\nCountless were the words spoken in whispers. That\nwas how Maria loved Ivan!\nWho, among us, nowadays, loves like that?\nThe time came to put blossoms in the hair. And Maria\nwas given to another, she was not given to Ivan!\nQuickly the parents made the match between them. A\nnice, well-to-do son-in-law was found; the old folk were\npleased with themselves.\nAnd there was no more honey in life for her; dark grew\nthe face of Maria, even darker than an autumnal night. Only\nher eyes flickered, flickered like two candles.\nHer soul was wearv, a frosty cold congealed her heart.\nDesolat ■, she sang in the evening her dolorous songs. Death\nitself would have been w-lcomer. Yet bravelv she resigned\nherself, and bravely endured.\nThree years Maria lived with the ungracious one, three\nautumns. And one day she fell ill. She did not pine a long\ntime, but died the feast of Kuzma and Demian.\nAnd then thev buried Maria.\nO ho! the winter had come, with its frosts; white snow\ncovered the grave! And Maria lay under the white snow;\nno longer flickered those eyes, the eyelids were sealed over\nthem.\nOne night Maria rose from her grave; she went to her\nhusband."}, {"page_pdf": 10, "page_imprimee": "510", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.10", "debut_caractere": 40, "fin_caractere_exclue": 2348, "texte": "A sign of the cross made he, Feodor her husband, the un-\ngracious one.\n\"What does she want, the accursed one?\" and he would\nnot let his wife in.\nMaria then went to he - father, to her mother she went.\n\"At whom are you gaping?\" said her father.\n\"Where, witch, are you said her mother.\nThe father was frightened, the mother was frightened, they\nwould not let their daughter into the house.\nMaria went to her godmother.\n\"Get you away, soul of a sinner, whrre you will, there is\nno room for you here,\" and away sent the godmother her\ngodchild.\nAnd Maria was now left alone, a stranger in this wide\nworld; no other roof had she than the sky.\n\"J will go to him, to my first one, my earlier one,\" thought\nMaria suddenly, \"he will take me in!\"\nAnd she appeared before Ivan's window.\nNear the window she could see Ivan sitting; he was\npainting a picture of the Virgin Mary.\nShe knocked on the window.\nThen Ivan wakened his servant. It was night, and to-\ngether they went out with hatchets.\nThe servant, when he saw Maria, was frightened. With-\nout looking round once he ran away.\nShe looked at Ivan.\n\"Take me in, I will not harm you.\"\nIvan was overjoyed; he approached her, and he embraced\nher.\n\"Stop!\" she cried, \"don't press me so tightly, my bones\nhave lain for some time.\"\nAnd she herself kept looking at him, she could not tear her\neyes away; she caressed him, and could not caress him\nenough. That was how Maria loved Ivan!\nWho, among us nowadays, loves like that?\nIvan took Maria into his house, he did not show her to\nanyone; he gave her dresses, also food and drink. And thus\nthey lived until Christmas together.\nOn Christmas Day they went to church. In the church\nall began to look at Maria—her father and her mother, her\nhusband Feodor and her godmother.\nWhen the service ended Maria went over to her mother.\n\"Yes, I am your own,\" said Maria. \"You will remember\nthat one night I came to you, and none of you would let me\nin, and so I went to my first one, my earlier one, and he took\nme in.\"\nAnd they all acknowledged Maria, and they gave judg-\nment: they gave her not to her old husband Feodor, but they\ngave her to Ivan.\nO ho! the spring had come, the snow had thawed away,\nthe green grass sprang up, and upon the little Red Hill were\nwedded Ivan and Maria.\nHere is an end to my tale, an end to my novel."}]}, {"article_id": "bm-bmtnaaq-1916-02-26-01-c008", "article_bluemountain": "bmtnaaq_1916-02-26_01#c008", "volume": "bmtnaaq_1916-02-26_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "511", "page_fin": "511", "image_debut": 11, "image_fin": 11, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.2.8", "titre_corps": "A Fable", "titre_sommaire": "A Fable", "signature_source": "Ralph Johnson", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 11, "page_imprimee": "511", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.11", "debut_caractere": 16, "fin_caractere_exclue": 1125, "texte": "A Fable\nRalph Johnson.\nEVERAL nights after the beginning, the moon came up\nthrough the dark aopearing unusually sleepy.\nWhen the stars who were envious of the mo ,n's superior\nlight, saw her worn-out condition they thought this an ex-\ncellent opportunity for the wind to extinguish her as he\nhad promised to do, and, calling to a comet who was visiting\nhis friends in the heavens, ordered him to tell the wind that\nhe now has a chance to fulfill his contract with them.\nThe comet fell through space till he came to the region\nof gales told the wind what was wanted of him.\n\"All right,\" said the wind, and, whispering to the stars to\nsteady themselves, filled his gigantic cheeks and blew a tre-\nmendous breath in the direction of the moon, expecting to\nsee her totter and fall, black and lifeless, in the gloom.\nNow the moon was utterly unconscious of the fact that an\nattempt to annihilate her had been made, and, slowly turn-\ning to the stars, who were shrieking and gripping at the sky-\nin abject terror, said very blandlv and without malice: \"Say\nlittle freckles of the night, what's all this fuss about?\""}]}, {"article_id": "bm-bmtnaaq-1916-02-26-01-c009", "article_bluemountain": "bmtnaaq_1916-02-26_01#c009", "volume": "bmtnaaq_1916-02-26_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "511", "page_fin": "511", "image_debut": 11, "image_fin": 11, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.2.9", "titre_corps": "Ad Tabitham", "titre_sommaire": "Ad Tabitham", "signature_source": "Catulus", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 11, "page_imprimee": "511", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.11", "debut_caractere": 1127, "fin_caractere_exclue": 1347, "texte": "Ad Tabitham\nCatulus.\nCat,\nTwelve years old and old at that,\nShall I sing of thee today,\nEh?\nCat,\nTenant of my lonely mat,\nIf I did, what should I say,\nEh?\nCat,\nAs a subject thou art flat;\nGo away and—play; nay—pray\nStay."}]}, {"article_id": "bm-bmtnaaq-1916-02-26-01-c010", "article_bluemountain": "bmtnaaq_1916-02-26_01#c010", "volume": "bmtnaaq_1916-02-26_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "511", "page_fin": "511", "image_debut": 11, "image_fin": 11, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.2.10", "titre_corps": "Replated Platitudes", "titre_sommaire": "Replated Platitudes", "signature_source": "Julius Doerner", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 11, "page_imprimee": "511", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.11", "debut_caractere": 1349, "fin_caractere_exclue": 1836, "texte": "Replated Platitudes\nJulius Doerner.\nATHLETICS is simply physical exertions divorced from\na utilitarian purpose; for if any utility inhere to the\nexertions, it at once becomes just vulgar labor, and no gen-\ntleman will have anything to do with it. Thus: playing golf\nis athletic exercise: but hoeing pototoes is vulgar labor:\nergo gentlemen don't hoe potatoes.\nWhere a will won't make a wag, a wagward will some-\ntimes will.\nHind-sight is to find out what was the matter with fore-\nsight."}]}, {"article_id": "bm-bmtnaaq-1916-02-26-01-c011", "article_bluemountain": "bmtnaaq_1916-02-26_01#c011", "volume": "bmtnaaq_1916-02-26_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "511", "page_fin": "511", "image_debut": 11, "image_fin": 11, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.2.11", "titre_corps": "All", "titre_sommaire": "All", "signature_source": "Joseph L. French", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 11, "page_imprimee": "511", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.11", "debut_caractere": 1838, "fin_caractere_exclue": 1938, "texte": "All\nJoseph L. French.\nCONG! and a beam:\nLife! and a flower:\nDeath! and a dream:\nScorn! and the hour."}]}, {"article_id": "bm-bmtnaaq-1916-02-26-01-c012", "article_bluemountain": "bmtnaaq_1916-02-26_01#c012", "volume": "bmtnaaq_1916-02-26_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "512", "page_fin": "513", "image_debut": 12, "image_fin": 13, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.2.12", "titre_corps": "As I Walk Out on the Street", "titre_sommaire": "As I Walk Out on the Street", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 12, "page_imprimee": "512", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.12", "debut_caractere": 16, "fin_caractere_exclue": 2566, "texte": "As I Walk Out on the Street\nA LONG chain of carriages, delivery wagons and automo-\nbiles blocked Fifth avenue on one of the sunny and\nmild afternoons we had last week, and among other pedestri-\nans that wished to cross over to Thirty-fourth street, I\nwaited patiently until the green sign, \"Go,\" should be sub-\nstituted by the policeman for the peremptory red, \"Stop.\"\nThe policeman stood amidst all this moving and waiting\nmass of humanity of harnessed animals and of rattling auto-\nmobile engines like a rock of safety or like a potentate\namong his subjects.\nIt took a long time. A very long time.\nThe imperative ringing of a bell, as is used on ambulances\nand the fire chief's automobiles, made me look into the di-\nrection whence these sharp sounds interrupted the monotony\nof my waiting and of my obeying. Human misery has some-\nthing majestic, something that seems to give it a right to\ndisobey laws. It was not an ambulance, and I also, could\nnot espy the flaming red-painted touring car in which the\ncommander of his fire squads hurries to their temporary\nplaces of action.\nIt was a big, green, what seemed to be, a delivery wagon,\ndriven by a policeman, and a few policemen were at the\nother end of the wagon. It was a patrol wagon. On\nbenches alongside its walls behind bars, which admitted light\nand air into it, flanked b\"- two policemen, sat a girl.\nThe patrol wagon, too, had to obey the orders of the\ntraffic policeman. It stopped.\nIt stopped rierht next to a snow white limousine, with\npurple curtains, and with a footman next to the chauffeur's\nseat.\nBoth automobiles were side by side. I am tall. I could\neasily look into the vehicle:\nA girl between two policemen. The charge against her\nwas written upon her face.\ngirl in the limousine, between two gentlemen. But\na charge was also written upon this woman's face.\n\"In uniforms, they guide the one to her earthly fat|e,\" I\nthought.\n\"Plain clothes men look after the other.\"\nA VERY large American flag was exhibited on Washing-\nton's Birthday, in a tremendous show window on Fifth\navene. The Stars and Stripes were draped around a life-\nsized painting of Washington and around painted signs,\nwhich told in big, black letters what • \"Washington had\nsaid about Preparedness,\" and what \"President Wilson had\nsaid about Preparedness,\" and there was all over the win-\ndow, in big black letters, the question directed to you or\nto me: \"What will YOU do to defend your flag?\"\nA half an hour later, I was sitting in a spaghetti house\non Sixth avenue, where one can get an eight course dinner"}, {"page_pdf": 13, "page_imprimee": "513", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.13", "debut_caractere": 16, "fin_caractere_exclue": 325, "texte": "v?r* 1 •cents, and a breath of \"Bohemian atmosphere.\"\nWashington s Birthday was celebrated fhere by an addition\nof a biscuit tortoni to the regular dinner. It was served in\nnaming red paper, together with the black coffee. A little\nAmerican flag was stuck upon it!\ni?ow was I to defend this much abused flaer?"}]}, {"article_id": "bm-bmtnaaq-1916-02-26-01-c013", "article_bluemountain": "bmtnaaq_1916-02-26_01#c013", "volume": "bmtnaaq_1916-02-26_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "513", "page_fin": "513", "image_debut": 13, "image_fin": 13, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.2.13", "titre_corps": "The War", "titre_sommaire": "The War", "signature_source": "After the German of Peter Altenberg by Guido Bruno", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 13, "page_imprimee": "513", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.13", "debut_caractere": 327, "fin_caractere_exclue": 1737, "texte": "The War\nAfter the German of Peter Altenberg by Guido Bruno\nE HAVE a new chambermaid in our hotel since the\ndeclaration of the war. She is a nice woman, slender,\nblonde, with a snub nose. She is not really a trained and\nexperienced chambermaid, but for the last four years, the\nwife of one of our waiters, who was called to the colors.\nThey took her in mostly out of charity, and she is helping\n?Uu j there. I gave her one krone, one day, which\nI had kept for years as a pocket-piece, and then, later on,\ngave her several more krones, which I had not kept as\npocket-pieces, and told her to buy some better food for her-\nself. She was pale, and I thought that she needed better\nan they served in the maids' dining-room.\nOne day I said: \"Mathilda, you are not using my krones\nfor better food and for little luxuries, but you are sending\nit to your husband in the trenches l\"\nShe blushed, and answered; \"Isn't that food and luxury\nfor me?\"\nThe next day after this little sketch had appeared in a\nlocal paper the young wife accosted me in the hallway\nwhere she had been busy on some errand or other, and said:\nI am so ashamed and so hurt because you brought me\ninto the papers!\"\nHurt! It was an honor, Mathilda!\"\nYou poet, and you dreamer you! But I did not send the\nmoney at all to my husband. I ate it all myself! And\nnot even that, I bought myself a new waist with it! How\ndo I look now to you and to the world?\""}]}, {"article_id": "bm-bmtnaaq-1916-02-26-01-c014", "article_bluemountain": "bmtnaaq_1916-02-26_01#c014", "volume": "bmtnaaq_1916-02-26_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "513", "page_fin": "513", "image_debut": 13, "image_fin": 13, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.2.14", "titre_corps": "A Happiness", "titre_sommaire": "A Happiness", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 13, "page_imprimee": "513", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.13", "debut_caractere": 1739, "fin_caractere_exclue": 2032, "texte": "A Poem by Richard Aldington\nHappiness\nCEASE grumblincv brother!\nAll men are wretched;\nSome too rich,\nMost too poor—\nHappiness eludes them.\nWe have books and talk,\nWomen (not many)\nAnd rich imaginings.\nLet us pardon the gods\nWho made us men\nFor they have made us poets!\nFrom The Egoist, London."}]}, {"article_id": "bm-bmtnaaq-1916-02-26-01-c015", "article_bluemountain": "bmtnaaq_1916-02-26_01#c015", "volume": "bmtnaaq_1916-02-26_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "514", "page_fin": "516", "image_debut": 14, "image_fin": 16, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.2.15", "titre_corps": "Books and Magazines of the Week", "titre_sommaire": "Books and Magazines of the Week", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 14, "page_imprimee": "514", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160226-01.1.14", "debut_caractere": 16, "fin_caractere_exclue": 2951, "texte": "Books and Magazines of the Week\nX&T A. BRENNAN, of the Medical Science Department of\n** • the John Crerar Library, of Chicago, has done tobacco\nin general and the much abused cigarette, especially, a great\nservice. His book, \"Tobacco Leaves,\" just published by the\nIndex Office, Inc., in Wenasha, Wisconsin, contains the his-\ntory of tobacco, in all the forms it is being used, from the\nstandpoint of a scientist ,from the standpoint of a manu-\nfacturer, of a salesman and of a consumer. There are chap-\nters devoted to the botanical evolution of the tobacco plant\nand to the cultivation of the tobacco plant. There are a\nlot of statistics which are really a little bit dry for the aver-\nage tobacco lover and tobacco user. But there are such\nrelieving chapters as \"Cigarettes,\" \"Snuff,\" \"Pyschological\nEffects of Smoking.\" And tfhen there is a vast amount of\nquotations from medical journals, and from the pages of\nthe best books of our best authors. Here is one, that should\nbe read by those who always advocate the cigarette as one\nof the causes of a national decadence. It is from the New\nYork Medical Journal of July 25, 1914, an editorial: \"Par-\nticularly do the uninformed enjoy an attack on the cigarette;\nit is small, and its patrons, numerous as they are, yet form\nan insignificant minority in our immense population. There-\nfore, the cigarette and its users are fair game for cheap and\nsilly sneers; sneers which are capable, however, of cowing\nan entire legislature, as in Georgia, at this moment. Yet,\nbeyond cavil, it has been proved scientifically that of all\nmethods of using tobacco, CIGARETTE SMOKING IS\nTHE LEAST HARMFUL. Some months ago, the \"Lan-\ncet\" undertook a careful laboratory study of the various ways\nof consuming tobacco, with the result that it was found\nthat cigarettes, Egyptian, Turkish and American, yielded the\nleast amount of nicotine to the smoke formed; the cigar\ncame next in point of harmfulness, while the pipe over-\nshadowed the cigar to the extent that from 70 to 90 per\ncent, of nicotine was said to exist in its smoke.\n\"As to the paper of cigarettes, the attacks are simply pre-\nposterous. Men are well within their rights in forbidding\ncigarette smoking and other pleasures and distractions t