{"numero_id": "bm-bmtnaaq-1916-03-11-01", "volume": "bmtnaaq_1916-03-11_01", "ocr_sha256": "3abf3521bdb09b7c1369ebb7fca7c34d71fd59cd6af285a2f2bd9f6296c435fb", "source_tei": "https://github.com/Princeton-CDH/bluemountain-transcriptions/blob/main/periodicals/bmtnaaq/issues/1916/03/11_01/bmtnaaq_1916-03-11_01.tei.xml", "source_mets": "https://github.com/pulibrary/BlueMountain/blob/main/metadata/periodicals/bmtnaaq/issues/1916/03/11_01/bmtnaaq_1916-03-11_01.mets.xml", "url_numero": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01", "articles": [{"article_id": "bm-bmtnaaq-1916-03-11-01-c001", "article_bluemountain": "bmtnaaq_1916-03-11_01#c001", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "couv. 1", "page_fin": "couv. 1", "image_debut": 1, "image_fin": 1, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.1", "titre_corps": "Sadakichi Hartmann", "titre_sommaire": "Sadakichi Hartmann", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 1, "page_imprimee": "couv. 1", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.1", "debut_caractere": 111, "fin_caractere_exclue": 129, "texte": "Sadakichi Hartmann"}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c002", "article_bluemountain": "bmtnaaq_1916-03-11_01#c002", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[535]", "page_fin": "[535]", "image_debut": 3, "image_fin": 3, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.2", "titre_corps": "The great error of politicians is that old fancy of Solon, who", "titre_sommaire": "The great error of politicians is that old fancy of Solon, who", "signature_source": "Leigh Hunt", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 3, "page_imprimee": "[535]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.3", "debut_caractere": 130, "fin_caractere_exclue": 890, "texte": "Leigh Hunt.\nThe great error of politicians is that old fancy of Solon, who\ninsisted that it was infamous for a citizen to be of no party, and\nendeavoured by a law to make the Athenians hypocrites. This\nconceit not only destroys every idea of meditation between two\nparties; but does not even suppose that both may be wrong. Yet\nall history may convince us that he who resolutely professes him-\nself attached to any party is in danger of yielding to every extreme\nfor the mere reputation of his opinion; he will argue for the most\nmanifest errors of this or thai statesman, because he has hitherto\nagreed with him—an obstinacy as stupid as if a pedestrian were to\nexpress his satisfaction with a tempest at night} because he had\nenjoyed sunshine in the morning."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c003", "article_bluemountain": "bmtnaaq_1916-03-11_01#c003", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[535]", "page_fin": "[535]", "image_debut": 3, "image_fin": 3, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.3", "titre_corps": "The Importance of Neckties.", "titre_sommaire": "The Importance of Neckties.", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 3, "page_imprimee": "[535]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.3", "debut_caractere": 892, "fin_caractere_exclue": 2468, "texte": "The Importance of Neckties.\nI PICKED up a curious book a few days ago. It is just\nas timely to-day as it was upon its publication in 1804;\n\"The art of tieing a cravat, with explanatory plates\"; it is\ntrue to-day as well as a hundred years ago that the man is\nwell-dressed who has a perfect sitting collar and a well fit-\nting and well tied cravat. It is really all that catches our\neye in a chance meeting or sitting across the table in the\noffice or in the dining-room. It is the only thing we really\nobserve in street cars, in subways or on. the street after\nwe looked stranger or friend in the face.\nIt would be a chapter in itself to enlarge upon how a man\ninvoluntarily expresses his character through his tie bow\nor tie knot. The steadfastness of character, the dependency\nin matters of importance can be judged by the tie of a\nman. The colors he uses will betray to us not only his taste\nin things generally, but also his temperamental inclinations.\nWomen have endless opportunities to express through\ntheir exterior adornment what they really are. Rigid tradi-\ntions and strict conventions press the man of to-day into\na uniform; and the necktie means for him what the regi-\nmental colors mean to the otherwise uniformly clad\nEuropean army man. He who knows immediately dis-\ntinguishes artillery from infantry, and he who is an initiate\nwill tell at one glance if it is field artillery or coast artillery.\nLook at a man's necktie and you will know instantly not\nonly who he is but, if you are an initiate, it might be to you\nthe warning signal flag of his temperament."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c004", "article_bluemountain": "bmtnaaq_1916-03-11_01#c004", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[535]", "page_fin": "538", "image_debut": 3, "image_fin": 6, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.4", "titre_corps": "The History of the Cravat", "titre_sommaire": "The History of the Cravat", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 3, "page_imprimee": "[535]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.3", "debut_caractere": 2470, "fin_caractere_exclue": 2664, "texte": "The History of the Cravat\nN° decided opinion can be given of the age in which Cra-\nvats were first introduced. The ancients were happily\nunacquainted with the ridiculous and dangerous fashion of"}, {"page_pdf": 4, "page_imprimee": "536", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.4", "debut_caractere": 16, "fin_caractere_exclue": 3073, "texte": "confining the throat in linen, either tied in front or fastened\nbehind with a clasp; this part of the frame was allowed to\nremain in entire liberty; they, however, defended it from the\ncold by means of a woollen or silken cloth, called in Rome\nfocalium, a term which is evidently derived from fauces (the\nthroat).\nA distinguished Jesuit (the Rev. Father Adam) in his work\non Roman antiquities, proves by the most undoubted author-\nity that the Romans made use of chin cloths, for the protec-\ntion of their neck and throat; these were termed focalia, and\nthe public orators, who from professional considerations were\nfearful of taking cold, contributed in no small degree to ren-\nder this fashion general. Some (says the Rev. Father) used\na handkerchief (sudarium) for this purpose. This is probably\nthe origin of the Cravat, which is in many countries called\n\"Neckhandkerchief.\"\nAugustus, who was infirm and sickly, constantly used the\nfocalium when at his own house, or with his friends, but he\nwas never seen in it in public; and Lampridus observes that\nAlexander Severus made use of it only when returning from\nthe baths to his palace. In Rome the custom of leaving the\nneck bare was so general that it was considered beneath the\ndignity of the man and citizen to protect it in any other way\nthan hand, or occasionally wrapping the toga round it.\nThe throats of our forefathers were for ages as uncovered\nas their faces; in this respect the descendants of the Sar-\nmatae have not degenerated, as the Poles during the most\nsevere winter have their throats constantly exposed. The\nsame fashion (which is, however, less surprising) has de-\nscended to the Eastern Nations, among whom a white and\nwell turned neck is metaphorically compared to the beauty\nof a tower of Ivory. The Calmucks, Baskirs and other Tar-\ntars or tne Don, on the border of the Caspian Sea, also\nadhere to this fashion; very few of them, however, merit the\neastern compliment, as their throats are generally ugly and\nill-formed, i his custom gradually declined in France and\nseveral parts of Europe, and luxury, rather than necessity,\nintroduced the fashion of covering the throat loosely with a\nfine starched linen cloth; this was worn above the shirt, with-\nout a collar; the ends were brought down on the breast and\nthere fastened by laces of thread—from this idea of bands\nwas —before introduction of the heavy and unhealthv\nbonds, which at a later period confined the throat, was even\ndreamt of.\nThe ruff, stiffened and curled in single or double rows (an\ninconvenient but harmless ornament) became the favorite\nin its tutn, and continued in fashion while the hair was worn\nshort; but this also fell into disrepute when Louix XIII\nallowed his to grow. Then raised collars, plaited neckcloths\nand bands (both plain and of lace) enveloped the throats of\nour ancestors, from the neck to the chin, and covered the\ntops of the arms until Louis XIV adopted the enormous\nflaxen or black peruke, which almost concealed the front of\nthe neck. It then gave way to bright coloured ribands ar-"}, {"page_pdf": 5, "page_imprimee": "537", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.5", "debut_caractere": 17, "fin_caractere_exclue": 3009, "texte": "ranged in bows, which were also introduced by this gay and\ngallant monarch, and imitated by every one according to his\nrank or caprice.\nUp to that time, as frivolity alone had reigned, the fashion\nwas not injurious; but the throat, which had hitherto been\ncomparatively free, now lost that liberty which it has never\nsince regained. In 1660 a regiment of Croats arrived in\nFrance; a part of their singular costume excited the greatest\nadmiration, and was immediately and generally imitated; this\nwas a tour de cou, made (for the private soldiers) of common\nlace, and of muslin or silk for the officers; the ends were\narranged en rosette, or ornamented with button or tuft, which\nhung gracefully on the breast. This new arrangement, which\nconfined the throat but very slightly, was at first termed a\nCroat, since corrupted to Cravat. The Cravats of the officers\nand people of rank were extremely fine, and the ends were\nembroidered or trimmed with broad lace; those for the lower\nclasses were subsequently made of cloth or cotton, or at the\nbest of black taffeta, plaited; which was tied round the neck\nby two small strings. These strings were at a later period\nreplaced by clasps, or a buckle, and the Cravat then took the\nname of Stock.\nThe Cravat at length became universal, and was increased\nto an almost incredible size. Some enveloped the neck in\nentire pieces of muslin; others wore a stitched stiffener, on\nwhich several handkerchiefs were folded. By this echafau-\ndage the neck was placed in a level with the head, which in\nsize it surpassed, and with which it was confounded. The\nshirt collar rose to the side of the ears, and the top of the\nCravat covered the mouth and lower part of the nose, so that\nthe face (with the exception of the nose) was concealed by\nthe Cravat and a forest of whiskers; these rose on each side\nof the hair, which was combed down over the eyes.\nIn this costume the elegans bore a greater resemblance to\nbeasts than men and the fashion gave rise to many laughable\ncaricatures. They were compelled to look straight before\nthem as the head could only be turned by general consent of\nall the members, and the tout ensemble was that of an un-\nfinished statue.\nInstances have, however, occurred in which these immense\nCravats have saved the lives of the wearers in battle. One\nfact, as related by Dr. Pizie, may be worthy of record: \"I\nwas laughing\" (says he) \"at General I epale, on account of\nhis enormous Cravat. At the moment of entering into action,\nhis regiment charged, and after dispersing the enemy's cav-\nalry returned to the bivouac. I was informed that the Gen-\neral had been struck by a pistol shot in the throat. I imme-\ndiately hastened to his assistance and was shewn a bullet\nwhich was stopped in its career by the very Cravat I had\njust been ridiculing. Two officers and several privates had\nreceived sabre cuts on the Cravat, and escaped without in-\njury, so that I was obliged to confess that these immense\nbandages were not always useless.\""}, {"page_pdf": 6, "page_imprimee": "538", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.6", "debut_caractere": 16, "fin_caractere_exclue": 1682, "texte": "Singers more than any class of persons, should be careful\nto avoid exposing the throat to the cold as a moderate heat\ncontributes to supply the organs, and renders the voice\nclearer and more harmonious; though, on the contrary, it is\ngreatly deteriorated if the throat is constrained by a tight-\nened Cravat. No part of the body is more susceptible of\ncold than the neck; and this susceptibility is the effect of too\nmuch covering in general; but in leaving a ball room, or any\nheated place, the greatest care should be taken to defend\nthe chest and neck from cold.\nThe natives of the South are but too well acquainted with\nthe danger of such sudden transitions, and the Spaniards\nparticularly, who always wear a large handkerchief hanging\ncarelessly from the neck, invariably wrap themselves in it,\nwhen being warm they are suddenly exposed to the cold.\nIn short, the Cravat has now arrived at the summit of\nperfection, and has been materially assisted in its progress\nby the use of starch. The question naturally arises to whom\nis the world indebted for this sublime invention? To the\nEnglish, Russians, Italians or French? On this point we\nconfess ourselves unable to decide. The blanchisseuses of\neach of those powers have been instrumental in communi-\ncating this important discovery to the world.\nOn our parts, more profound investigations would be un-\navailing and it is only by a continued course of laborious\nresearch that it would be possible to remove the obscurity\nwhich has enveloped the subject of our labours for so many\nages.\n(Introduction to\"The Art of Tying the Cravat,\" by H. Le Blanc,\npublished 1804 by F. and B. Fordes, 455 Broadway, Nekv York.)"}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c005", "article_bluemountain": "bmtnaaq_1916-03-11_01#c005", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "538", "page_fin": "539", "image_debut": 6, "image_fin": 7, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.5", "titre_corps": "London Letter", "titre_sommaire": "London Letter", "signature_source": "Edward Storer", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 6, "page_imprimee": "538", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.6", "debut_caractere": 1684, "fin_caractere_exclue": 2842, "texte": "London Letter\n\nLondon Office cf BRUNO'S WEEKLY,\n18 St. Charles Square, New Kensington\nFebruary 23rd, 1916.\n]\\/[R- GEORGE MOORE will probably create some excite-\nment with his new \"Life of Christ\"—\"The Brook Ker-\nith\"—which is announced. In order to write this work Mr.\nMoore undertook a journey to Palestine. Already some of\nthe papers are whipping up clerics and professors to con-\ndemn the work in advance. I have not seen any advance\ncopy of it, but according to report it is in the form of a\nnovel and puts forward some very heretical views. In fact\nI think Moore challenges the very fact of Christ's death upon\nthe cross. \"Some hours on the cross would be more likely\nto produce a cataleptic swoon than death,\" he says. To this\nDr. Claye Shaw, a well-known lecturer at St. Bartholomew's\nHospital, replies: \"The accepted medical view of the death\nof Christ is that He died from pericarditis with effusion, and\nthat His early death ensued from this condition and was\naccelerated by the wound from the javelin.\"\nI think I should include a mention of the Poet Laureate's\nnew orthology \"The Spirit of Man,\" which is being reviewed\neverywhere at great length."}, {"page_pdf": 7, "page_imprimee": "539", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.7", "debut_caractere": 16, "fin_caractere_exclue": 2720, "texte": "Dr. Bridges has been inspired to compile it in a spirt of\npatriotism. He planned it as a volume to afford cheer and re-\nfreshment to those who take no active part in the war of\nwars. The book is arranged on a generous basis and in-\ncludes quotations from the philosophers as well as the poets.\nThere are translations from the Hebrew, Greek, Latin, Per-\nsian, Russia, German and Chinese. The poets represented\nrange from Homer to Rupert Brooke. The fault of the\nbook lies in its very profuseness. It is really the anthology\nwith the limited though not financial scope which is the best.\nAnother \"ANTHOLOGY\" which is enjoying considerable\nsuccess in England comes from America—from Spoon River\nin fact. Since this book is well-known to you I will say\nno more about it. I have not read it yet, but it is certainly\nvery popular over here and has been widely reviewed. One\nthing which strikes the reviewers is the quaintness of the\ntitle.\nAnother shock has been given to the world of writers this\nweek. Paper is to be doubled or trebled in price. Books\nwill cost more, and a great many will be postponed. Mr.\nJohn Lane says young novelists will stand little chance of\nhaving their works published. Some of the papers, it is\nto be supposed, will cut down their size, and it does not\nseem cynical to prophecy that the curtailment will begin\nwith the literary and artistic columns.\nThe word of translations from the Russian and books on\nRussia keeps up its pressure. This week we have\"The\nWay of the Cross\" by V. Doroshevitch and\"The Epic\nSongs of Russia\" by Isabel Florence Hapgood. Mr. Stephen\nGraham of course writes an introduction to the former. Mr.\nGraham has made a sort of literary corner in Russia and is\nnaturally applied to for his benediction over all Russian\nliterary projects.\nIn the world of the theatre, Air. Sturge Morse's \"Judith\"\nhas been one of the refined pleasures of the week. It was per-\nformed by the Stage Society. The play is gracious, sensi-\ntive and dignified but it is not dramatic or even very real.\nMiss Lillah McCarthy played the part of Judith.\nDr. Ethel Smyth our woman composer has produced a\nnew opera—and on what libretto has she written it do you\nsuppose? She has taken one of N. W. Jacobs sea yarns,\n\"The Boatsman's Mate\" and altered it considerably and\nmade something out of it which has certainly more distinc-\ntion than a musical comedy but perhaps not so much reason.\nA new volume of poems, \"The Man With a Hammer\" by\nMiss Anna Wickham (Grant Richards 2s 6d) contains some\nverses which if not remarkable as poetry are interesting\npsychologically. The revolting woman speaks in Miss Wick-\nham, or perhaps it is really the woman who would like to\nrevolt.\n\nEdward Storer."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c006", "article_bluemountain": "bmtnaaq_1916-03-11_01#c006", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "540", "page_fin": "540", "image_debut": 8, "image_fin": 8, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.6", "titre_corps": "Charles Edison's Little Thimble Theatre", "titre_sommaire": "Charles Edison's Little Thimble Theatre", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 8, "page_imprimee": "540", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.8", "debut_caractere": 16, "fin_caractere_exclue": 1489, "texte": "Charles Edison's Little Thimble Theatre\nThe Bruno Players\n\"Miss Julia\" will continue on the program during the\ncoming week. The performances take place Monday, Tues-\nday and Wednesday at 8.45 p. m., and the Saturday matinee\nat 3 p. m. The curtain rises respectively at eight forty-five\nand three sharp, and the doors are closed during the per-\nformance. Late-comers are not being admitted. The next\nprogramme will present a comedy by Strindberg which will\nprove that the Great Swede has the same sense of the com-\nedy in life that he has manifested so often for the inevitable\ntragedy. Also a war play by an American author, which\nunrolls before our eyes a vivid picture of things that are or\ncould be, will be on the bill of which the first performance\nis scheduled for Mondaj', March 27.\nMusicales\nOn Friday and Saturday evenings Donna Faunce, a\nsoprano, will sing a selection of songs by Liza Lehmann,\nincluding The Wood Pigeon, The Yellowhammer, The Owl,\nand The Cuckoo. Miss Faunce recently came to New York\nto complete her vocal studies and intends to enter upon a\nconcert career.\nMiss Elsa De Val, who also appears on this week's pro-\ngramme, is known as a church singer, but it is her desire to\nuse the concert stage as a stepping stone to grand opera.\nShe appears in the Thimble Theatre for the first time before\na public audience. Her programme includes One Fine Day\n(Madam Butterfly), by Puccini, The Gift by Mary Helen\nBrown, and Welcome, Sweet Wind, by Cadman."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c007", "article_bluemountain": "bmtnaaq_1916-03-11_01#c007", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "540", "page_fin": "541", "image_debut": 8, "image_fin": 9, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.7", "titre_corps": "Editorial Judgment", "titre_sommaire": "Editorial Judgment", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 8, "page_imprimee": "540", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.8", "debut_caractere": 1491, "fin_caractere_exclue": 2460, "texte": "Editorial Judgment\njpERCY BYSSHE SHELLEY had just been kicked out of\nthe office of McClure's.\n\"I tried to sell my ode to a skylark,\" he explained to John\nKeats, \"but they objected to it as a violation of neutrality.\"\n\"I understand that,\" said Leigh Hunt, who joined the\npair at Twenty-third Street, ' because McClure would be sure\nto think you meant a Zeppelin.\"\n''.But I thought McClure was such an admirer of the Ger-\nmans,said Shelley. \"Didn't he go all around the country\nonce, imploring us to imitate the Germans?\"\n\"Besides,\" interjected Keats, \"McClure has nothing more\nto do with McClure's.\"\n\"His editorial judgment must still carry weight though,\"\nsaid Leigh Hunt. \"They refused my poem, 'Jenny Kissed\nMe,' because I failed to make it clear that the parties were\neither married or engaged to be married.\"\n\"I shouldn't think McClure would care,\" said Keats sadly,\n\"whether you and Jenny are married or not.\"\n\"He doesn't,\" explained Shelley. \"But he can't run the"}, {"page_pdf": 9, "page_imprimee": "541", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.9", "debut_caractere": 16, "fin_caractere_exclue": 482, "texte": "risk of having a whole edition held up in the post office.\"\n''Then why does he expose the female form the way he\ndoes on his covers?\"\n\"That isn't the female form you're always seeing on the\ncover of McClure's. It's a lot of Havard men in the same\nstyle of girl's bathing suit.\"\n\"Did you get your information,\" asked Shelley, \"from\nMcClure himself?\"\n\"I didn't have to,\" said Keats. \"You can always tell a\nHarvard man.\"\nFrom The Bang, Alexander Harvey's Unique Weekly."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c008", "article_bluemountain": "bmtnaaq_1916-03-11_01#c008", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "541", "page_fin": "541", "image_debut": 9, "image_fin": 9, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.8", "titre_corps": "Three Things by Tom Sleeper", "titre_sommaire": "Three Things by Tom Sleeper", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 9, "page_imprimee": "541", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.9", "debut_caractere": 484, "fin_caractere_exclue": 1112, "texte": "Three Things by Tom Sleeper\nLondon\nOLEAR blobs of light that burble murkily thru the drith-\nering fog.—A horse-cab janketing over the cobble-\nstones.—A man and woman chawning odd bids of puff over\nnear the curb.—The bulking cop sentineling his traffic post—\nand ever comes the brum bum of far-off tram cars.\nAttainment\nThe world gave me the ha! ha! when I was twenty-six.\nAnd again when I was forty-two.\nNow I can give the world the ha! ha!\nThe Devil eat it!\nQuestion\nWHY should my cow be tethered with a common iron chain\nwhile my dog disports himself at the end of a Russian\nleather thong?\nThere is caste even among prisoners."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c009", "article_bluemountain": "bmtnaaq_1916-03-11_01#c009", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "541", "page_fin": "541", "image_debut": 9, "image_fin": 9, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.9", "titre_corps": "Love", "titre_sommaire": "Love", "signature_source": "Diamond Crisp", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 9, "page_imprimee": "541", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.9", "debut_caractere": 1114, "fin_caractere_exclue": 1286, "texte": "Love\nDiamond Crisp.\nlike a rose\nSmiling in the sun\nHath called me\nLove like a rose\nBlowing in a storm\nHath lashed me\nLove like a rose\nScattered on the grass\nHath killed me."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c010", "article_bluemountain": "bmtnaaq_1916-03-11_01#c010", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "541", "page_fin": "542", "image_debut": 9, "image_fin": 10, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.10", "titre_corps": "Nathan Hale", "titre_sommaire": "Nathan Hale", "signature_source": "L. R. Heller", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 9, "page_imprimee": "541", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.9", "debut_caractere": 1288, "fin_caractere_exclue": 1505, "texte": "Nathan Hale\n\nat from any standpoint, from any aspect, at any\nhour of the day, or on any day of the week, in all\nseasons and under all human condition, that statue is an\ninspiration to the men of this great metropolis."}, {"page_pdf": 10, "page_imprimee": "542", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.10", "debut_caractere": 16, "fin_caractere_exclue": 1085, "texte": "Standing as he does, the clear-eyed patriot looks out and\nover the busy highway of traffic, and at his right hand rise\nthe massive homes of the daily press.\nWhen the summer leafage softens the background; when\nthe bare branches intensify the outlines of the bronze; when\nthe morning sun lights up the east and spreads an aureole\nof glory behind his head; when the sunset's lingering rays\ntouch that calm young face with a kiss of infinite tender-\nness; when the cold moonlight wraps him in the mantle\nof her shimmering glory, always, always he stands there,\nwith fettered hands and feet, but with a dauntless spirit\nwhich no human power can quell, which bows but to the\nmandates of truth and honor.\nYet, when the rush and the turmoil of the week are ended\nand over the Sabbath stillness, the noontide chimes of\nTrinity are heard, he seems to assume more majestic pro-\nportions; he stands a giant, fettered for his country's sake,\nand in the voices of the chapel bells he seems to hear the\nmusic of the angels singing, and the Master's words, \"Well\ndone.\"\n\nL. R. Heller."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c011", "article_bluemountain": "bmtnaaq_1916-03-11_01#c011", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "542", "page_fin": "542", "image_debut": 10, "image_fin": 10, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.11", "titre_corps": "(Among the few literary men who succeeded in interviewing the", "titre_sommaire": "(Among the few literary men who succeeded in interviewing the", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 10, "page_imprimee": "542", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.10", "debut_caractere": 1087, "fin_caractere_exclue": 1604, "texte": "(Among the few literary men who succeeded in interviewing the\ngreat actress, Eleanor a Duse, was Arthur Symons. The following\nsentences are perhaps the most important spoken by Duse during\nthe conversation.)\nTo save the theatre, the theatre must be destroyed, the\nactors and actresses must all die of the plague. They poison\nthe air, they make art impossible. It is not drama that they\nplay, but pieces for the theatre. The drama dies of stalls\nand boxes and evening dress, and people who come to digest\ntheir dinner."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c012", "article_bluemountain": "bmtnaaq_1916-03-11_01#c012", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "542", "page_fin": "542", "image_debut": 10, "image_fin": 10, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.12", "titre_corps": "My Impractibles", "titre_sommaire": "My Impractibles", "signature_source": "Frederick Nietzsche", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 10, "page_imprimee": "542", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.10", "debut_caractere": 1606, "fin_caractere_exclue": 2158, "texte": "My Impractibles\nFrederick Nietzsche.\nSeneca, or the toreador of virtue.\nRousseau, or return to nature in impuris naturalibus.\nSchiller, or the moral Trumpeter of Sackingen.\nDante, or the hyena poetizing in tombs.\nKant, or cant as an intelligible character.\nVictor Hugo, or Pharos in a sea of absurdity.\nMichelet, or enthusiasm which strips off the coat.\nCarlyle, or pessimism as an undigested dinner.\nJohn Stuart Mill, or offensive transparency.\nThe Goncourts, or the two Ajaxes struggling with\nHomer; music by Offenbach.\nZola, or the delight to stink."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c013", "article_bluemountain": "bmtnaaq_1916-03-11_01#c013", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "543", "page_fin": "543", "image_debut": 11, "image_fin": 11, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.13", "titre_corps": "Two Portraits of Nietzsche By Felix Vallotton, in La Revue Blanche", "titre_sommaire": "Two Portraits of Nietzsche By Felix Vallotton, in La Revue Blanche", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 11, "page_imprimee": "543", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.11", "debut_caractere": 16, "fin_caractere_exclue": 82, "texte": "Two Portraits of Nietzsche\nBy Felix Vallotton, in La Revue Blanche"}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c014", "article_bluemountain": "bmtnaaq_1916-03-11_01#c014", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "543", "page_fin": "544", "image_debut": 11, "image_fin": 12, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.14", "titre_corps": "Hitherto Unpublished Letters by Oscar Wilde", "titre_sommaire": "Hitherto Unpublished Letters by Oscar Wilde", "signature_source": "Oscar Wilde", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 11, "page_imprimee": "543", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.11", "debut_caractere": 84, "fin_caractere_exclue": 1250, "texte": "Hitherto Unpublished Letters by\nOscar Wilde\n\n(Letters ivhich are at present among the collection of Patrick h.\nMadigan, ivritten by Oscar Wilde to friends and acquaintances,\nand a few letters addressed to Mr. Smithers, his publisher, are so\nsignificant for his style and every-day thoughts that the reproduc-\ntion on these pages ivill prove a valuable addition to our IVilde\nliterature.)\nAlbermarble Club,\n13 Albermarble Street, W.\n(1884) 16 Tite Street,\nS. W.\nDear Sir *\nI will send you a Ms. copy of my play—a little incomplete,\nbut still, enough to give you an idea of its ethical scheme.\nYour letter has deeply moved me—to the world I seem,\nby intention or by part, a dilettante and dandy merely—.\nIt is not wise to show ones heart to the world—and as\nseriousness of manner is the disguise of the fool, so folly\nin its exquisite modes of triviality and indifference and lack\nof care, is the robe of the wise man.\nIn so vile an age as this we all need masks.\nBut write to me about yourself—tell me your life and\nloves—and all that makes you wonder. Who are you?\n(what a difficult question for any one of us to answer!) I,\nat any rate, am\nYour friend,\nOscar Wilde."}, {"page_pdf": 12, "page_imprimee": "544", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.12", "debut_caractere": 16, "fin_caractere_exclue": 965, "texte": "To T. Hutchinson, Esq.,\n16 Tite Street,\nChelsea, S. W.\nJuly 13th, 1888.\nMy dear Sir:\nI must thank you for your very charming and graceful\nletter but I am afraid that I don't think as much of the\nYoung Student as you do. He seems to me a rather shallow\nyoung man, and almost as bad as the girl he thinks so lovely.\nThe Nightingale is the true lover, if there is one. She, at\nleast, is Romance; and the Student and the girl are, like\nmost of us, unworthy of Romance. So, at least, it seems to\nme, but I like to fancy that there may be many meanings\nin the Tale, for in writing it, and the others, I did not start\nwith an idea and clothe it in form, but began with a form\nand strove to make it beautiful enough to have many secrets,\nand many answers.\nTruly yours,\n(The Nightingale and the Rose, to which the above letter refers, is\nincluded in the collection of Fairy stories entitled \"The Happy Prince,\nand Other Tales,\" by Oscar Wilde.)\n\nOscar Wilde."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c015", "article_bluemountain": "bmtnaaq_1916-03-11_01#c015", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "544", "page_fin": "545", "image_debut": 12, "image_fin": 13, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.15", "titre_corps": "Book-Plate Notes.", "titre_sommaire": "Book-Plate Notes.", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 12, "page_imprimee": "544", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.12", "debut_caractere": 967, "fin_caractere_exclue": 2316, "texte": "Book-Plate Notes.\nrjHHE book-plate to-day is a necessary accessory to the book\nitself. can buy a book put on public sale. To\nplace the individual mark of ownership upon everything that\nwe acquire for personal use is the marked tendency of our\ntimes: to place our initials or our coat-of-arms or our trade-\nmark upon the things we are using daily. The monogram on\nour handkerchief and on our linen, the label on the inside\npocket of our coat or on the vanity case or on the seal ring;\non the china or silver we are using in our dining-room, im-\npregnate those things with our personality. Book-plates are\nnot an ornament. Just a visible sign of proprietorship.\nCoulton Waugh is devoting himself to book-plates exclu-\nsively and will arrange for an exhibition in the near future.\nDuring the first week in May the American Art Association\nwill sell at public auction the remarkable collection of book-\nplates formed by the late Dr. Henry C. Eno, consisting of\nAmerican, English and Continental plates, library labels,\nleather book-plates and the like, which number over four\nthousand items and include the works of famous designers\nand the plates of important personages of ancient and mod-\nern times.\nHenry Blakewell, who recently disposed by auction sale of\niiis large collection of book-plates, is at work upon a check-\nlist of American book-plates."}, {"page_pdf": 13, "page_imprimee": "545", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.13", "debut_caractere": 16, "fin_caractere_exclue": 250, "texte": "The book-plate reproduced on this page was drawn\nby and for Adelaide Helen Page in April, 1898, when she\nwas five and a half years old. It was accepted by the Museum\nof Fine Arts in Boston. The silhouette is a portrait of Miss\nPage.\n7"}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c017", "article_bluemountain": "bmtnaaq_1916-03-11_01#c017", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "545", "page_fin": "547", "image_debut": 13, "image_fin": 15, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.16", "titre_corps": "Books and Magazines of the VVeek", "titre_sommaire": "Books and Magazines of the VVeek", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 13, "page_imprimee": "545", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.13", "debut_caractere": 252, "fin_caractere_exclue": 1480, "texte": "Books and Magazines of the VVeek\n\npHICAGO was and is the city where wit and humor, unin-\nfluenced by Europe, finds its expression from time to\ntime in small magazines published and edited by_ one man,\nwho evidently has no other desires but to have his say, un-\nhampered by editors and uncurtailed by that mighty ruler:\nconvention. It was Chicago where the greatest American\nminds which were humans at the same time found a cnance to\nexpress themselves during the last twenty-five years. There\nwas Eugene Field, who knew better than anyone else, either\nbefore him or since, how to look at that other side of Ameri-\ncan life, to see the man beneath hiseveryday attitude towards\nevery-day life. There was Ben King, who was for Chicago\nwhat Salis meant to Paris; but Salis needed a chat noir and a\ncircle of poets, musicians and artists, while Ben King created\na chat noir wherever he was present. And there was Stanley\nWaterloo, with whom to converse for an hour meant to take\na new lease upon life.\nThey have departed from earthly life, but pick up one of\ntheir books and you will feel their individuality, you will\nfeel their presence. James Whitcomb Riley and George Ade\npassed through Chicago on their happy road to achievement"}, {"page_pdf": 14, "page_imprimee": "546", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.14", "debut_caractere": 16, "fin_caractere_exclue": 2663, "texte": "and success. And Opie Read is still there. And Bill Eaton,\nwho guards in his \"Scoop\" every week, a brilliant testimony\nof what is being done in Chicago to-day in letters and art.\nThe pages of his paper are a kalaiedoscope of real life, sea-\nsoned with a bit of sarcasm here and there, serious in their\ncriticisms but always kind and always cheerful. Leaving a\nlasting good taste. Colonel Visscher, the humorist, looks\nupon things in a lighter vein. And Dr. Frank Lydston for-\ngets here his ever preparedness and talks about things nearer\nto us than his surgical-wonder operations or his solutions of\nsexual problems.\nCowley Stapleton Brown, he of the never-to-be-forgotten\n\"Goose-Quill,\" created for himself a unique corner in Ameri-\ncan criticism in Mr. French's '\"Musical Leader,\" which gave\nthis otherwise unimportant musical publication a distinction\nthat will be pointed out in times to come.\nAnd now there is being published a new magazine called\n\"The Polemic.\" No editor's name appears upon its pages.\nIt is unique. It has exceptional literary qualities. It is a dis-\ntinct portrayal of Chicago life, and it is life. Here is the\n\"Overture\" on the first page of Vol. 1, No. 1: \"In creating\n\"The Polemic\" we are entertaining the hypothesis that if we\ncrack a bull-dog on the nose, he may not love us but he will\nbe damned interested in our movements.\"\n\nThe Minaret\nThe current issue of \"The Minaret\" contains a very good\nreview of Rupert Brooke's collected poems by Blanche Shoe-\nmaker Wagstaff. It is short but says everything that could\nbe said. Sentiments very seldom voiced by American con-\ntemporaries are the attractive motives of Harold Hersey's\n\"Silhouettes of the City.\" We cannot resist reprinting the\none published in the March issue.\n\nThe Old House\nJust an old brick house,\nOne among many others in a dreary block.\nBut like the houses of the city it has an individual voice,\nIts own memories, its own sadness.\nHere I lived in the springtime of my years,\nIn that room with the dull, silent windows.\nAnd through that hall came to my door\nOne whose hand and voice will never be forgotten,\nThe kindest secret of my heart.\nOld house, I wonder how many others have lived within\nyou.\n\nChallenge\nThere was a lot of noise at the time of the birth of this\nnew monthly: Parturiunt monies, nascetur ridiculus mus! it is\na nice college paper and is a bit revolutionary, just enough so\nto be daring, but that is all. Discussion of such matters as\nsex and equal suffrage, never led to positive results or direct\nconclusions in magazines. But it is a nice college paper.\n\nThe International\nIn the current issue of Mr. Viereck's monthly Hans Heinz"}, {"page_pdf": 15, "page_imprimee": "547", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.15", "debut_caractere": 16, "fin_caractere_exclue": 778, "texte": "Ewers found his first appreciation in America. Ewers, whose\nprose writings have some of the qualities of Edgar Allan Poe,\nplayed an important part in the cabaret movement of the\nearly nineties in Germany and contributed a great deal to the\nunderstanding in Germany of contemporary French writers.\nNot long ago he was in America when he gave several read-\nings of his works in the Irving Place Theater.\n\nThe Colonnade\nJohn W. Draper's importance for style and significance in\ncontemporary poetry is discussed in the current issue of this\nmagazine, published by the Andiron Club by Charles Gray\nShaw, Professor of Ethics in the New York University. The\nsame number contains a three-act play, \"Between Cloister\nGates,\" by John W. Draper, the editor of the magazine."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c018", "article_bluemountain": "bmtnaaq_1916-03-11_01#c018", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "545", "page_fin": "546", "image_debut": 13, "image_fin": 14, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.16.1", "titre_corps": "[Sans titre]", "titre_sommaire": "[Sans titre]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 13, "page_imprimee": "545", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.13", "debut_caractere": 286, "fin_caractere_exclue": 1480, "texte": "pHICAGO was and is the city where wit and humor, unin-\nfluenced by Europe, finds its expression from time to\ntime in small magazines published and edited by_ one man,\nwho evidently has no other desires but to have his say, un-\nhampered by editors and uncurtailed by that mighty ruler:\nconvention. It was Chicago where the greatest American\nminds which were humans at the same time found a cnance to\nexpress themselves during the last twenty-five years. There\nwas Eugene Field, who knew better than anyone else, either\nbefore him or since, how to look at that other side of Ameri-\ncan life, to see the man beneath hiseveryday attitude towards\nevery-day life. There was Ben King, who was for Chicago\nwhat Salis meant to Paris; but Salis needed a chat noir and a\ncircle of poets, musicians and artists, while Ben King created\na chat noir wherever he was present. And there was Stanley\nWaterloo, with whom to converse for an hour meant to take\na new lease upon life.\nThey have departed from earthly life, but pick up one of\ntheir books and you will feel their individuality, you will\nfeel their presence. James Whitcomb Riley and George Ade\npassed through Chicago on their happy road to achievement"}, {"page_pdf": 14, "page_imprimee": "546", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.14", "debut_caractere": 16, "fin_caractere_exclue": 1372, "texte": "and success. And Opie Read is still there. And Bill Eaton,\nwho guards in his \"Scoop\" every week, a brilliant testimony\nof what is being done in Chicago to-day in letters and art.\nThe pages of his paper are a kalaiedoscope of real life, sea-\nsoned with a bit of sarcasm here and there, serious in their\ncriticisms but always kind and always cheerful. Leaving a\nlasting good taste. Colonel Visscher, the humorist, looks\nupon things in a lighter vein. And Dr. Frank Lydston for-\ngets here his ever preparedness and talks about things nearer\nto us than his surgical-wonder operations or his solutions of\nsexual problems.\nCowley Stapleton Brown, he of the never-to-be-forgotten\n\"Goose-Quill,\" created for himself a unique corner in Ameri-\ncan criticism in Mr. French's '\"Musical Leader,\" which gave\nthis otherwise unimportant musical publication a distinction\nthat will be pointed out in times to come.\nAnd now there is being published a new magazine called\n\"The Polemic.\" No editor's name appears upon its pages.\nIt is unique. It has exceptional literary qualities. It is a dis-\ntinct portrayal of Chicago life, and it is life. Here is the\n\"Overture\" on the first page of Vol. 1, No. 1: \"In creating\n\"The Polemic\" we are entertaining the hypothesis that if we\ncrack a bull-dog on the nose, he may not love us but he will\nbe damned interested in our movements.\""}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c019", "article_bluemountain": "bmtnaaq_1916-03-11_01#c019", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "546", "page_fin": "546", "image_debut": 14, "image_fin": 14, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.16.2", "titre_corps": "The Minaret", "titre_sommaire": "The Minaret", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 14, "page_imprimee": "546", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.14", "debut_caractere": 1374, "fin_caractere_exclue": 1766, "texte": "The Minaret\nThe current issue of \"The Minaret\" contains a very good\nreview of Rupert Brooke's collected poems by Blanche Shoe-\nmaker Wagstaff. It is short but says everything that could\nbe said. Sentiments very seldom voiced by American con-\ntemporaries are the attractive motives of Harold Hersey's\n\"Silhouettes of the City.\" We cannot resist reprinting the\none published in the March issue."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c020", "article_bluemountain": "bmtnaaq_1916-03-11_01#c020", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "546", "page_fin": "546", "image_debut": 14, "image_fin": 14, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.16.3", "titre_corps": "The Old House", "titre_sommaire": "The Old House", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 14, "page_imprimee": "546", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.14", "debut_caractere": 1768, "fin_caractere_exclue": 2209, "texte": "The Old House\nJust an old brick house,\nOne among many others in a dreary block.\nBut like the houses of the city it has an individual voice,\nIts own memories, its own sadness.\nHere I lived in the springtime of my years,\nIn that room with the dull, silent windows.\nAnd through that hall came to my door\nOne whose hand and voice will never be forgotten,\nThe kindest secret of my heart.\nOld house, I wonder how many others have lived within\nyou."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c021", "article_bluemountain": "bmtnaaq_1916-03-11_01#c021", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "546", "page_fin": "546", "image_debut": 14, "image_fin": 14, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.16.4", "titre_corps": "Challenge", "titre_sommaire": "Challenge", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 14, "page_imprimee": "546", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.14", "debut_caractere": 2211, "fin_caractere_exclue": 2587, "texte": "Challenge\nThere was a lot of noise at the time of the birth of this\nnew monthly: Parturiunt monies, nascetur ridiculus mus! it is\na nice college paper and is a bit revolutionary, just enough so\nto be daring, but that is all. Discussion of such matters as\nsex and equal suffrage, never led to positive results or direct\nconclusions in magazines. But it is a nice college paper."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c022", "article_bluemountain": "bmtnaaq_1916-03-11_01#c022", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "546", "page_fin": "547", "image_debut": 14, "image_fin": 15, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.16.5", "titre_corps": "The International", "titre_sommaire": "The International", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 14, "page_imprimee": "546", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.14", "debut_caractere": 2589, "fin_caractere_exclue": 2663, "texte": "The International\nIn the current issue of Mr. Viereck's monthly Hans Heinz"}, {"page_pdf": 15, "page_imprimee": "547", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.15", "debut_caractere": 16, "fin_caractere_exclue": 417, "texte": "Ewers found his first appreciation in America. Ewers, whose\nprose writings have some of the qualities of Edgar Allan Poe,\nplayed an important part in the cabaret movement of the\nearly nineties in Germany and contributed a great deal to the\nunderstanding in Germany of contemporary French writers.\nNot long ago he was in America when he gave several read-\nings of his works in the Irving Place Theater."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c023", "article_bluemountain": "bmtnaaq_1916-03-11_01#c023", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "547", "page_fin": "547", "image_debut": 15, "image_fin": 15, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.16.6", "titre_corps": "The Colonnade", "titre_sommaire": "The Colonnade", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 15, "page_imprimee": "547", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.15", "debut_caractere": 419, "fin_caractere_exclue": 778, "texte": "The Colonnade\nJohn W. Draper's importance for style and significance in\ncontemporary poetry is discussed in the current issue of this\nmagazine, published by the Andiron Club by Charles Gray\nShaw, Professor of Ethics in the New York University. The\nsame number contains a three-act play, \"Between Cloister\nGates,\" by John W. Draper, the editor of the magazine."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c024", "article_bluemountain": "bmtnaaq_1916-03-11_01#c024", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "547", "page_fin": "549", "image_debut": 15, "image_fin": 17, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.17", "titre_corps": "In Our Village", "titre_sommaire": "In Our Village", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 15, "page_imprimee": "547", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.15", "debut_caractere": 780, "fin_caractere_exclue": 2836, "texte": "In Our Village\n\"\"THERE is only one thing that prevents Sadakichi from\nranking to-day among our classics; he is alive. Sada-\nkichi should be dead. Rightfully he should have died about\nten years ago. But he insists upon living; he insists upon\nbeing a monument of his own. He insists upon standing on\nthe pedestal where he placed himself, and he loves with the\nnaivetee of a child to gather himself the wreaths and flowers\nhis admirers place at his feet—the feet of that monument.\nSadakichi has, in common with other great men to whom\nrecognition did not come easily, the ardent wish to be recog-\nnized by his contemporaries. He is looking upon his con-\ntemporaries as his posterity which he wishes to pay homage\nto him. . . . He is a bad actor. He dies upon that stage,\nwhich life represents to him, and insists upon awakening at\nthe wrong time, before the curtain has been rung down on\nhim; the onlookers admire the heroic death, and he destroys\nthat \"certain something\" in the psychological moment . . .\nand we all can see that real live thing . . . and Sadakichi\nwill try again to die.\nHis works, those he wrote years and years ago—are su-\nperb. They are strong, they are convincing. He has often.\nbeen compared to Poe. Whenever the American thinks of\noriginality in letters, he will remember Poe who stands out\nto-day as well as seventy-five years ago as the only poet\nand writer in America who was an individuality and who\nwas original. Sadakichi has a style of his own, and the\ntertium comparationis is originality.\nThe merciless necessity of earning money has been the\nstumbling-block of many a genius. It was not in Sadakichi's\npath. He always was and is a firm believer that genius is\nthe one and only investment that should bear him rightfully\nample interest to live on comfortably. The world misunder-\nstands. Posterity will find it only natural. But posterity\nagain will have its own personal interests to expend lavishly\nmoney to erect monuments or confer other honors upon\nthe dead man.\nIt is easier to buy a block of marble and have an artist"}, {"page_pdf": 16, "page_imprimee": "548", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.16", "debut_caractere": 16, "fin_caractere_exclue": 2899, "texte": "transform it into a wonderful bust than to give value for\nvalue. .\nAnd so Sadalcichi is a wayfarer of yore, out in the world,\nappearing here and there demanding tribute from contem-\nporaries who look upon him as a curiosity. But he is con-\nscious of what he is doing. He has no illusions about it.\nHe laughs. He laughs at the world and he laughs at himself\n. . . but he is serious, reverently serious when he remem-\nbers those years in which he really worked and strived and\nproduced; and those are the years that are redeeming him\nnow for us,—that will make posterity to understand him to\nhonor him to glorify him.\nI see the time when publishers will collect the scraps with\nhis handwriting and the books and pamphlets he published\nhimself. I see a biographer busy to interpret that fruit-\nbearing period of the Nineties when he was at his best and\nwrote his \"Christ,\" and \"Buddha\" and published his \"Stylus'\nand his \"Art Critic.\"\nSadakitchi Hartmann was among us for a few days before\nhis departure for Colorado, where he is going to make his\npermanent home.\nThe dramatic group of the Liberal Club produced on Sun-\nday, the sth, two plays, \"Suppressed Desires,\" a psycho-\nanalytical play by George Cram Cook and Susan Glaspell,\nand\"The Five Daughters of a King,\" by Rollo Peters. Alice\nPalmer was the second princess. She acted a princess here\nas well as she does in her village store, when she is seated\nunder that gorgeous purple canopy, her head reclining on a\nflaming green pillow with yellow ornaments, and two enor-\nmous candles (they are six-footers) flickering mystically on\neach side of her. \"Mary Pyne, who played the fifth princess,\nshould have been the first.\nThe large array of electric lamps under shades of all shapes\nand color combinations is but one of the twilight attractions\nin Mr. Hellman's studio. His Sunday afternoon teas are devel-\noping into a salon, where one can meet in the most uncon-\nventional manner refugee princesses, newly arrived from\nEurope, editors who represent power on the other side of the\ncounter which divides the literateurs and artists of America\nin successes and into others; and just plain every-day villagers\nwho are writing or oainting.\nThe Candlestick Tea Room is now owned and operated\nsolely by Miss Coones, who last week purchased Mrs. Pen-\ndington's interest in this orange colored and candle-lighted\neating place in Greenwich Villacre.\nFrom February 19th until March sth, the Modern Art\nSchool exhibited works of art by its teachers and pupils.\nMost of,the exhibits were shown for the first time. Among\nthem was a bust by Bourdelle, never before exhibited in\nAmerica.\nBruno's Garret\nLandlords are very slow if it means to repair a building or\nput it into shape again after a fire. It took almost a month\nto put a roof upon the Garret and to restore the damaged\nwalls, so it can again fulfill its mission: to shelter the works"}, {"page_pdf": 17, "page_imprimee": "549", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.17", "debut_caractere": 16, "fin_caractere_exclue": 539, "texte": "of artists tacked to its walls (the works, not the artists) and\npeople who are anxious to listen to the creations of the poets\nand authors who give their readings here. The Garret will\nopen its doors again on Saturday, March 11th. Cartoons of\nSteinlen chronologically arranged as they appeared in Gil\nBias, sixty-eight of the best he ever did, will be exhibited\nfrom the 11th of March until the first of April. Saturday\nafternoon and Monday evening are reserved, as before the\nfire, for the purpose of keeping \"open house.\""}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c025", "article_bluemountain": "bmtnaaq_1916-03-11_01#c025", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "549", "page_fin": "550", "image_debut": 17, "image_fin": 18, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.18", "titre_corps": "On Bookstall Row", "titre_sommaire": "On Bookstall Row", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 17, "page_imprimee": "549", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.17", "debut_caractere": 541, "fin_caractere_exclue": 3034, "texte": "On Bookstall Row\n|N years there has not been such a demand for books in\nforeign languages as has been evidenced since the begin-\nning of the war, especially during the last four months, ac-\ncording to Mr. Hammond, one of the oldest booksellers on\nFourth Avenue. He specializes in French and German\nnovels and his; explanation of this suddenly awakened in-\nterest for foreign belle lettres seems very plausible. Many\nthousand dollars' worth of books are bought daily by the\nvarious war relief societies and by individuals who are ship-\nping their purchases to the German, English and French\nconcentration camps. While the Germans permit, English\nbooks and magazines intra muras of the concentration campsj\nthe English and French exclude all periodical literature in\na foreign language from their prison camps. Mr. Hammond\ncontends that he sold more books by Balzac and by Dickens\nduring the last six months than he ordinarily would sell in\nthe course of five years, depending upon his New York trade.\nIt was a good joke upon H. Stone, he who had the\ngood fortune—or perhaps a profound knowledge, who knows,\n—to dig up during the last few years very rare and important\nitems, such as a complete series of Poor Richard's Almanacs\nand never-before-known Mark Twain material to dispose of\na letter by Lincoln for fifteen cents. He bought a lot of\nbooks at a recent auction sale and after looking them over,\nevidently not too careiully, designated them to his table in\nfront of his shop, to be sold at fifteen cents each. They did\nnot prove very sellers. For almost three weeks they\nwere out there in rain and shine, and nobody seemed to be\nattracted enough to take them home. Last Saturday a well-\nknown Brooklyn clergyman inspected the lot, picked up one\noi the volumes, paid fifteen cents for it and took home an\napparently unimportant bookj but inlaid between its paores\nwas a letter in the handwriting of Lincoln, and a long o'ne,\ntoo. Since then the clergyman was offered one hunderd and\nfifty dollars for his find, but he refused to sell it. But so\nv/iH happen ii a dealer of books pays special interest to\nart, and makes out of his book shop an exhibition parlor of\ndiscarded originals of drawings which have appeared during\nthe last ten years in \"Leslie's Weekly.\"\nFrank Bender, whose store is filled to the brim with books\non architecture and with ancient pians and plates, recently\n.cuTiOUS lot of a long-forgotten English magazine,\nihc bpn it Lamp. Li e has hundreds oi them. They are of"}, {"page_pdf": 18, "page_imprimee": "550", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.18", "debut_caractere": 299, "fin_caractere_exclue": 1333, "texte": "interest because Lord Alfred Douglas was the editor and\nOscar Wilde one of the chief contributors.\nOM Man Deutschberger, who moved a few doors north\nof his old shop some time ago, disposed, Friday, of all his\nbook-plate books and of a large part of his book-plate litera-\nture, consisting of pamphlets, periodicals and individual\nplates. He has some very curious Americana in that ominous\nold buffet used by him as the sacred screen for the rarest of\nthe rare. But his prices are prohibitive, at least for those\nwho really want to read the books.\nSeveral new shops ventured to locate among the old\nstand-bys from the days of the old Astor library. There is a\nnew basement shop whose proprietor evidently loves English\nessays and books on books. And another one a lew aoors\nsouth specializing in old magazines. It is tne Dorado for the\nextra illustrator; but he must have the time down and\nto look through a few thousand periodicals. They are not\nclassified, and the proprietor is as ignorant of what he has as\nhis prospective buyer. _"}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c026", "article_bluemountain": "bmtnaaq_1916-03-11_01#c026", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "550", "page_fin": "550", "image_debut": 18, "image_fin": 18, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.19", "titre_corps": "Wall Street Reflections", "titre_sommaire": "Wall Street Reflections", "signature_source": "Junius", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 18, "page_imprimee": "550", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.18", "debut_caractere": 1335, "fin_caractere_exclue": 2755, "texte": "Wall Street Reflections\n\"Junius\"\nTHE stock market situation has just enough of mystery\nin it to make it perplexing even for the shrewdest ob-\nservers. The attitude is one of watchful waiting. Prices,\nnot values are under pressure.\nThose timid ones who feared that the political cloud hover-\ning over Washington was the precursor of a tornado and\nwho made haste to sacrifice their securities, are now coming\nout of their panic to find that the sun of peace and pros-\nperity is still shining here. .\nPolitics has ruled the stock market for the last fortnight\nWar stocks have suffered most. Prices of the leading shares\nare much lower than they were last November.\nIt was their thought that all the \"good news\" was out\nand the market was sold for that reason, but now even better\nnews is coming. The wonderful New York Central January\nreport following the satisfactory Pennsylvania's annual\nfigures will bring the good rails into line also steels and\ncoopers as an exceptionally good purchase.\nEuropean demand for American goods and products con-\ntinues and in my opinion will continue not only during the\n-Tar but for a long period to come. Earnings make dividends\nand not promises. i\nAn interesting situation is manifest in the Bond market.\nHardly a day passes that new Bond issues are not offered\nto the public and are being quickly absorbed. This shows\nthat there is an abundance of investment money awaiting\nan outlet."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c027", "article_bluemountain": "bmtnaaq_1916-03-11_01#c027", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[551]", "page_fin": "[551]", "image_debut": 19, "image_fin": 19, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.20", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 19, "page_imprimee": "[551]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.19", "debut_caractere": 0, "fin_caractere_exclue": 524, "texte": "1 BLEEP ON Mr WALLS a permanent exhibition of autographs, man-\nuscripts and historical documents, and have at present an especially\ninteresting collection of letters and original manuscripts by Abra-\nham Lincoln, George Washington, Robert Louis Stevenson, Oscar Wilde\nand Edgar Allan Poe. These are the original scripts of stories, poems\nand documents which have made these men famous. If interested, drop\nme a line, or better, come and see my exhibition.\nPATRICK FRANCIS MADIGAN\n561 Fifth Ave. (entrance 46th St.), New York"}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c028", "article_bluemountain": "bmtnaaq_1916-03-11_01#c028", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[551]", "page_fin": "[551]", "image_debut": 19, "image_fin": 19, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.21", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 19, "page_imprimee": "[551]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.19", "debut_caractere": 526, "fin_caractere_exclue": 801, "texte": "At the Sign of the Red Lamp\nFifty-Three West Third Street, New York\nTon will find this old and picturesque Chop House*\nTWO DOORS BAST OF WEST BROADWAY\nWe make a specialty of Sea Food* Steak and Chops\nSAMUEL. S. BROAD, Proprietor Telephone: Spring SMI\nOpen Evenings until Nine"}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c029", "article_bluemountain": "bmtnaaq_1916-03-11_01#c029", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[551]", "page_fin": "[551]", "image_debut": 19, "image_fin": 19, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.22", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 19, "page_imprimee": "[551]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.19", "debut_caractere": 803, "fin_caractere_exclue": 1160, "texte": "RARE BOOKS FIRST EDITIONS\nExtra Illustrated Books. Early Printed Books. Association Books*\nBooks for Christmas Gifts\nPurchased singly or in sets for people who have neither time nor oppor*\ntunity to select for themselves, or for those who have not access to the\nbest book marts. Why not begin collecting now?\nAddress, E. V., Boston Transcript, Boston, Mass."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c030", "article_bluemountain": "bmtnaaq_1916-03-11_01#c030", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[551]", "page_fin": "[551]", "image_debut": 19, "image_fin": 19, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.23", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 19, "page_imprimee": "[551]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.19", "debut_caractere": 1162, "fin_caractere_exclue": 1406, "texte": "The Candlestick Tea Room\nTHE CANDLESTICK TEA ROOM has arranged space for\nDancing every Tuesday, Thursday and Saturday night from\neight to eleven. Good Music and Fine Floor. Patrons of the\nTea Room welcome.\n17 WEST BTH STREET\nTEL. STUYVESANT 23*"}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c031", "article_bluemountain": "bmtnaaq_1916-03-11_01#c031", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[551]", "page_fin": "[551]", "image_debut": 19, "image_fin": 19, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.24", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 19, "page_imprimee": "[551]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.19", "debut_caractere": 1408, "fin_caractere_exclue": 1554, "texte": "For Houses, Apartments or Rooms, See\nPEPE & BRO.\nREAL ESTATE AND INSURANCE\n40 So. Washington Square\nTelephone 4119 Spring Cor. of MacDougal Street"}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c032", "article_bluemountain": "bmtnaaq_1916-03-11_01#c032", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[551]", "page_fin": "[551]", "image_debut": 19, "image_fin": 19, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.25", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 19, "page_imprimee": "[551]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.19", "debut_caractere": 1556, "fin_caractere_exclue": 1757, "texte": "Being a book\nINWH I C H\nwe say just what we think. Published every month by Norman-Bel\nGeddes at 756 Second Avenue in Detroit, Michigan. It is a liitlt\nbook uniquely illustrated. Write for sample copy."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c033", "article_bluemountain": "bmtnaaq_1916-03-11_01#c033", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[552]", "page_fin": "[552]", "image_debut": 20, "image_fin": 20, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.26", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 20, "page_imprimee": "[552]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.20", "debut_caractere": 0, "fin_caractere_exclue": 444, "texte": "Charles Edison's Little Thimble Theatre, Situated\nAt No. 10 Fifth Avenue, Greenwich Village, N. Y, C.\nGuido Bruno, Manager\nThis Week's Performances\nMonday, 8:45 p. in. Bruno Players\nTuesday, 8:45 p. m. Bruno Player*\nWednesday, 8:45 p. m* Bruno Players\nThursday, 8:45 p. m. Musical©\nFriday, 8:45 p. m. Musical©\nSaturday, 8:00 p. m. Bruno Players\nSaturday, 8:15 p. nu Musicale\nAsk or write for ticket of admission to the\nMusicales. They are free."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c034", "article_bluemountain": "bmtnaaq_1916-03-11_01#c034", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[552]", "page_fin": "[552]", "image_debut": 20, "image_fin": 20, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.27", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 20, "page_imprimee": "[552]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.20", "debut_caractere": 446, "fin_caractere_exclue": 651, "texte": "I BUY BOOKS\nSingle volumes, small lots, and libraries; autograph\nletters of known literary men and artists, drawings,\npictures and engravings. Address\n\"COLLECTOR,\" Care of Bruno's Weekly, 58 Washington Sq."}]}, {"article_id": "bm-bmtnaaq-1916-03-11-01-c035", "article_bluemountain": "bmtnaaq_1916-03-11_01#c035", "volume": "bmtnaaq_1916-03-11_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[552]", "page_fin": "[552]", "image_debut": 20, "image_fin": 20, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.2.28", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 20, "page_imprimee": "[552]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.20", "debut_caractere": 653, "fin_caractere_exclue": 1048, "texte": "There can be no pleasanter place to hear\nthat remarkable Edison Record\nNumber (82536) than\nThe Diamond Disc Shop\nat Number 10 Fifth Avenue\nIn this store, at least, the delightful atmos-\nphere of Old Greenwich Village has not been\nsacrificed on the altar of commercialism\nA postal will bring yon, with our\ncompliments, an interesting little\nPhone: Stuyvesant 4570 biography of Mr* Thai. A. Edison"}]}], "pages_ocr_originales": [{"page_pdf": 1, "page_imprimee": "couv. 1", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.1", "texte": "BRUNO'S WEEKLY\nEDITED BY GUIDO BRUNO IN HIS GARRET\nON WASHINGTON SQUARE\nFive Cents March 11th, 1916\nW. and G.\n\nSadakichi Hartmann"}, {"page_pdf": 2, "page_imprimee": "[534]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.2", "texte": "Copyright March 11th, 1916, Original matter, including all\ndrawings, may not be reproduced without permission of Guido\nBruno; but that permission may be assumed if credit is given to\nauthor and Bruno's Weekly*\nAT\nCHARLES EDISON'S LITTLE THIMBLE THEATRE\nAT NO. TEN FIFTH AVENUE, GREENWICH VILLAGE, N.Y.C,\n9. C 'Wi ■■ Wu|k\nMiss Julia\nA Naturalistic Tragedy, In One Act '\nBy August Sirindbcrg\nMtss Julia Laura Arnold\njean Lang don Gillct\nChristine Alice Baker\nThe actfan lakes place on MiJ-Sommet Em in the kitchen of the Count's■ Country hoas*.\nGUIDO BRUNO, Mknafev LANGDON CfIJLET, Director\nEVERT MONDAY, TUESDAY AND WEDNESDAY,\nat 8.4« P.M. and SATURDAY at & o'clock.\nONLY 100 SEATS. AT ONE DOLLAR EACH\nr»WWrfU»M)X OFFICE, 10 FIFTH AVENUE, or * •»*\nReaders of Bruno's Weekly\nare asked to become\nSubscribers\n52 ISSUES FOR TWO DOLLARS"}, {"page_pdf": 3, "page_imprimee": "[535]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.3", "texte": "BRUNO'S WEEKLY\nEdited by Guido Bruno in His Garret on Washington\nNo. 11.\nMARCH 11th, MCMXVI.\nVol. 11.\nCopyright 1916 Guido Bruno\n\nLeigh Hunt.\nThe great error of politicians is that old fancy of Solon, who\ninsisted that it was infamous for a citizen to be of no party, and\nendeavoured by a law to make the Athenians hypocrites. This\nconceit not only destroys every idea of meditation between two\nparties; but does not even suppose that both may be wrong. Yet\nall history may convince us that he who resolutely professes him-\nself attached to any party is in danger of yielding to every extreme\nfor the mere reputation of his opinion; he will argue for the most\nmanifest errors of this or thai statesman, because he has hitherto\nagreed with him—an obstinacy as stupid as if a pedestrian were to\nexpress his satisfaction with a tempest at night} because he had\nenjoyed sunshine in the morning.\n\nThe Importance of Neckties.\nI PICKED up a curious book a few days ago. It is just\nas timely to-day as it was upon its publication in 1804;\n\"The art of tieing a cravat, with explanatory plates\"; it is\ntrue to-day as well as a hundred years ago that the man is\nwell-dressed who has a perfect sitting collar and a well fit-\nting and well tied cravat. It is really all that catches our\neye in a chance meeting or sitting across the table in the\noffice or in the dining-room. It is the only thing we really\nobserve in street cars, in subways or on. the street after\nwe looked stranger or friend in the face.\nIt would be a chapter in itself to enlarge upon how a man\ninvoluntarily expresses his character through his tie bow\nor tie knot. The steadfastness of character, the dependency\nin matters of importance can be judged by the tie of a\nman. The colors he uses will betray to us not only his taste\nin things generally, but also his temperamental inclinations.\nWomen have endless opportunities to express through\ntheir exterior adornment what they really are. Rigid tradi-\ntions and strict conventions press the man of to-day into\na uniform; and the necktie means for him what the regi-\nmental colors mean to the otherwise uniformly clad\nEuropean army man. He who knows immediately dis-\ntinguishes artillery from infantry, and he who is an initiate\nwill tell at one glance if it is field artillery or coast artillery.\nLook at a man's necktie and you will know instantly not\nonly who he is but, if you are an initiate, it might be to you\nthe warning signal flag of his temperament.\n\nThe History of the Cravat\nN° decided opinion can be given of the age in which Cra-\nvats were first introduced. The ancients were happily\nunacquainted with the ridiculous and dangerous fashion of"}, {"page_pdf": 4, "page_imprimee": "536", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.4", "texte": "BRUNO'S WEEKLY\n\nconfining the throat in linen, either tied in front or fastened\nbehind with a clasp; this part of the frame was allowed to\nremain in entire liberty; they, however, defended it from the\ncold by means of a woollen or silken cloth, called in Rome\nfocalium, a term which is evidently derived from fauces (the\nthroat).\nA distinguished Jesuit (the Rev. Father Adam) in his work\non Roman antiquities, proves by the most undoubted author-\nity that the Romans made use of chin cloths, for the protec-\ntion of their neck and throat; these were termed focalia, and\nthe public orators, who from professional considerations were\nfearful of taking cold, contributed in no small degree to ren-\nder this fashion general. Some (says the Rev. Father) used\na handkerchief (sudarium) for this purpose. This is probably\nthe origin of the Cravat, which is in many countries called\n\"Neckhandkerchief.\"\nAugustus, who was infirm and sickly, constantly used the\nfocalium when at his own house, or with his friends, but he\nwas never seen in it in public; and Lampridus observes that\nAlexander Severus made use of it only when returning from\nthe baths to his palace. In Rome the custom of leaving the\nneck bare was so general that it was considered beneath the\ndignity of the man and citizen to protect it in any other way\nthan hand, or occasionally wrapping the toga round it.\nThe throats of our forefathers were for ages as uncovered\nas their faces; in this respect the descendants of the Sar-\nmatae have not degenerated, as the Poles during the most\nsevere winter have their throats constantly exposed. The\nsame fashion (which is, however, less surprising) has de-\nscended to the Eastern Nations, among whom a white and\nwell turned neck is metaphorically compared to the beauty\nof a tower of Ivory. The Calmucks, Baskirs and other Tar-\ntars or tne Don, on the border of the Caspian Sea, also\nadhere to this fashion; very few of them, however, merit the\neastern compliment, as their throats are generally ugly and\nill-formed, i his custom gradually declined in France and\nseveral parts of Europe, and luxury, rather than necessity,\nintroduced the fashion of covering the throat loosely with a\nfine starched linen cloth; this was worn above the shirt, with-\nout a collar; the ends were brought down on the breast and\nthere fastened by laces of thread—from this idea of bands\nwas —before introduction of the heavy and unhealthv\nbonds, which at a later period confined the throat, was even\ndreamt of.\nThe ruff, stiffened and curled in single or double rows (an\ninconvenient but harmless ornament) became the favorite\nin its tutn, and continued in fashion while the hair was worn\nshort; but this also fell into disrepute when Louix XIII\nallowed his to grow. Then raised collars, plaited neckcloths\nand bands (both plain and of lace) enveloped the throats of\nour ancestors, from the neck to the chin, and covered the\ntops of the arms until Louis XIV adopted the enormous\nflaxen or black peruke, which almost concealed the front of\nthe neck. It then gave way to bright coloured ribands ar-"}, {"page_pdf": 5, "page_imprimee": "537", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.5", "texte": "BRUNO'S WEEKT.Y\n\nranged in bows, which were also introduced by this gay and\ngallant monarch, and imitated by every one according to his\nrank or caprice.\nUp to that time, as frivolity alone had reigned, the fashion\nwas not injurious; but the throat, which had hitherto been\ncomparatively free, now lost that liberty which it has never\nsince regained. In 1660 a regiment of Croats arrived in\nFrance; a part of their singular costume excited the greatest\nadmiration, and was immediately and generally imitated; this\nwas a tour de cou, made (for the private soldiers) of common\nlace, and of muslin or silk for the officers; the ends were\narranged en rosette, or ornamented with button or tuft, which\nhung gracefully on the breast. This new arrangement, which\nconfined the throat but very slightly, was at first termed a\nCroat, since corrupted to Cravat. The Cravats of the officers\nand people of rank were extremely fine, and the ends were\nembroidered or trimmed with broad lace; those for the lower\nclasses were subsequently made of cloth or cotton, or at the\nbest of black taffeta, plaited; which was tied round the neck\nby two small strings. These strings were at a later period\nreplaced by clasps, or a buckle, and the Cravat then took the\nname of Stock.\nThe Cravat at length became universal, and was increased\nto an almost incredible size. Some enveloped the neck in\nentire pieces of muslin; others wore a stitched stiffener, on\nwhich several handkerchiefs were folded. By this echafau-\ndage the neck was placed in a level with the head, which in\nsize it surpassed, and with which it was confounded. The\nshirt collar rose to the side of the ears, and the top of the\nCravat covered the mouth and lower part of the nose, so that\nthe face (with the exception of the nose) was concealed by\nthe Cravat and a forest of whiskers; these rose on each side\nof the hair, which was combed down over the eyes.\nIn this costume the elegans bore a greater resemblance to\nbeasts than men and the fashion gave rise to many laughable\ncaricatures. They were compelled to look straight before\nthem as the head could only be turned by general consent of\nall the members, and the tout ensemble was that of an un-\nfinished statue.\nInstances have, however, occurred in which these immense\nCravats have saved the lives of the wearers in battle. One\nfact, as related by Dr. Pizie, may be worthy of record: \"I\nwas laughing\" (says he) \"at General I epale, on account of\nhis enormous Cravat. At the moment of entering into action,\nhis regiment charged, and after dispersing the enemy's cav-\nalry returned to the bivouac. I was informed that the Gen-\neral had been struck by a pistol shot in the throat. I imme-\ndiately hastened to his assistance and was shewn a bullet\nwhich was stopped in its career by the very Cravat I had\njust been ridiculing. Two officers and several privates had\nreceived sabre cuts on the Cravat, and escaped without in-\njury, so that I was obliged to confess that these immense\nbandages were not always useless.\""}, {"page_pdf": 6, "page_imprimee": "538", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.6", "texte": "BRUNO'S WEEKLY\n\nSingers more than any class of persons, should be careful\nto avoid exposing the throat to the cold as a moderate heat\ncontributes to supply the organs, and renders the voice\nclearer and more harmonious; though, on the contrary, it is\ngreatly deteriorated if the throat is constrained by a tight-\nened Cravat. No part of the body is more susceptible of\ncold than the neck; and this susceptibility is the effect of too\nmuch covering in general; but in leaving a ball room, or any\nheated place, the greatest care should be taken to defend\nthe chest and neck from cold.\nThe natives of the South are but too well acquainted with\nthe danger of such sudden transitions, and the Spaniards\nparticularly, who always wear a large handkerchief hanging\ncarelessly from the neck, invariably wrap themselves in it,\nwhen being warm they are suddenly exposed to the cold.\nIn short, the Cravat has now arrived at the summit of\nperfection, and has been materially assisted in its progress\nby the use of starch. The question naturally arises to whom\nis the world indebted for this sublime invention? To the\nEnglish, Russians, Italians or French? On this point we\nconfess ourselves unable to decide. The blanchisseuses of\neach of those powers have been instrumental in communi-\ncating this important discovery to the world.\nOn our parts, more profound investigations would be un-\navailing and it is only by a continued course of laborious\nresearch that it would be possible to remove the obscurity\nwhich has enveloped the subject of our labours for so many\nages.\n(Introduction to\"The Art of Tying the Cravat,\" by H. Le Blanc,\npublished 1804 by F. and B. Fordes, 455 Broadway, Nekv York.)\n\nLondon Letter\n\nLondon Office cf BRUNO'S WEEKLY,\n18 St. Charles Square, New Kensington\nFebruary 23rd, 1916.\n]\\/[R- GEORGE MOORE will probably create some excite-\nment with his new \"Life of Christ\"—\"The Brook Ker-\nith\"—which is announced. In order to write this work Mr.\nMoore undertook a journey to Palestine. Already some of\nthe papers are whipping up clerics and professors to con-\ndemn the work in advance. I have not seen any advance\ncopy of it, but according to report it is in the form of a\nnovel and puts forward some very heretical views. In fact\nI think Moore challenges the very fact of Christ's death upon\nthe cross. \"Some hours on the cross would be more likely\nto produce a cataleptic swoon than death,\" he says. To this\nDr. Claye Shaw, a well-known lecturer at St. Bartholomew's\nHospital, replies: \"The accepted medical view of the death\nof Christ is that He died from pericarditis with effusion, and\nthat His early death ensued from this condition and was\naccelerated by the wound from the javelin.\"\nI think I should include a mention of the Poet Laureate's\nnew orthology \"The Spirit of Man,\" which is being reviewed\neverywhere at great length."}, {"page_pdf": 7, "page_imprimee": "539", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.7", "texte": "BRUNO'S WEEKLY\n\nDr. Bridges has been inspired to compile it in a spirt of\npatriotism. He planned it as a volume to afford cheer and re-\nfreshment to those who take no active part in the war of\nwars. The book is arranged on a generous basis and in-\ncludes quotations from the philosophers as well as the poets.\nThere are translations from the Hebrew, Greek, Latin, Per-\nsian, Russia, German and Chinese. The poets represented\nrange from Homer to Rupert Brooke. The fault of the\nbook lies in its very profuseness. It is really the anthology\nwith the limited though not financial scope which is the best.\nAnother \"ANTHOLOGY\" which is enjoying considerable\nsuccess in England comes from America—from Spoon River\nin fact. Since this book is well-known to you I will say\nno more about it. I have not read it yet, but it is certainly\nvery popular over here and has been widely reviewed. One\nthing which strikes the reviewers is the quaintness of the\ntitle.\nAnother shock has been given to the world of writers this\nweek. Paper is to be doubled or trebled in price. Books\nwill cost more, and a great many will be postponed. Mr.\nJohn Lane says young novelists will stand little chance of\nhaving their works published. Some of the papers, it is\nto be supposed, will cut down their size, and it does not\nseem cynical to prophecy that the curtailment will begin\nwith the literary and artistic columns.\nThe word of translations from the Russian and books on\nRussia keeps up its pressure. This week we have\"The\nWay of the Cross\" by V. Doroshevitch and\"The Epic\nSongs of Russia\" by Isabel Florence Hapgood. Mr. Stephen\nGraham of course writes an introduction to the former. Mr.\nGraham has made a sort of literary corner in Russia and is\nnaturally applied to for his benediction over all Russian\nliterary projects.\nIn the world of the theatre, Air. Sturge Morse's \"Judith\"\nhas been one of the refined pleasures of the week. It was per-\nformed by the Stage Society. The play is gracious, sensi-\ntive and dignified but it is not dramatic or even very real.\nMiss Lillah McCarthy played the part of Judith.\nDr. Ethel Smyth our woman composer has produced a\nnew opera—and on what libretto has she written it do you\nsuppose? She has taken one of N. W. Jacobs sea yarns,\n\"The Boatsman's Mate\" and altered it considerably and\nmade something out of it which has certainly more distinc-\ntion than a musical comedy but perhaps not so much reason.\nA new volume of poems, \"The Man With a Hammer\" by\nMiss Anna Wickham (Grant Richards 2s 6d) contains some\nverses which if not remarkable as poetry are interesting\npsychologically. The revolting woman speaks in Miss Wick-\nham, or perhaps it is really the woman who would like to\nrevolt.\n\nEdward Storer."}, {"page_pdf": 8, "page_imprimee": "540", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.8", "texte": "BRUNO'S WEEKLY\n\nCharles Edison's Little Thimble Theatre\nThe Bruno Players\n\"Miss Julia\" will continue on the program during the\ncoming week. The performances take place Monday, Tues-\nday and Wednesday at 8.45 p. m., and the Saturday matinee\nat 3 p. m. The curtain rises respectively at eight forty-five\nand three sharp, and the doors are closed during the per-\nformance. Late-comers are not being admitted. The next\nprogramme will present a comedy by Strindberg which will\nprove that the Great Swede has the same sense of the com-\nedy in life that he has manifested so often for the inevitable\ntragedy. Also a war play by an American author, which\nunrolls before our eyes a vivid picture of things that are or\ncould be, will be on the bill of which the first performance\nis scheduled for Mondaj', March 27.\nMusicales\nOn Friday and Saturday evenings Donna Faunce, a\nsoprano, will sing a selection of songs by Liza Lehmann,\nincluding The Wood Pigeon, The Yellowhammer, The Owl,\nand The Cuckoo. Miss Faunce recently came to New York\nto complete her vocal studies and intends to enter upon a\nconcert career.\nMiss Elsa De Val, who also appears on this week's pro-\ngramme, is known as a church singer, but it is her desire to\nuse the concert stage as a stepping stone to grand opera.\nShe appears in the Thimble Theatre for the first time before\na public audience. Her programme includes One Fine Day\n(Madam Butterfly), by Puccini, The Gift by Mary Helen\nBrown, and Welcome, Sweet Wind, by Cadman.\n\nEditorial Judgment\njpERCY BYSSHE SHELLEY had just been kicked out of\nthe office of McClure's.\n\"I tried to sell my ode to a skylark,\" he explained to John\nKeats, \"but they objected to it as a violation of neutrality.\"\n\"I understand that,\" said Leigh Hunt, who joined the\npair at Twenty-third Street, ' because McClure would be sure\nto think you meant a Zeppelin.\"\n''.But I thought McClure was such an admirer of the Ger-\nmans,said Shelley. \"Didn't he go all around the country\nonce, imploring us to imitate the Germans?\"\n\"Besides,\" interjected Keats, \"McClure has nothing more\nto do with McClure's.\"\n\"His editorial judgment must still carry weight though,\"\nsaid Leigh Hunt. \"They refused my poem, 'Jenny Kissed\nMe,' because I failed to make it clear that the parties were\neither married or engaged to be married.\"\n\"I shouldn't think McClure would care,\" said Keats sadly,\n\"whether you and Jenny are married or not.\"\n\"He doesn't,\" explained Shelley. \"But he can't run the"}, {"page_pdf": 9, "page_imprimee": "541", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.9", "texte": "BRUNO'S WEEKLY\n\nrisk of having a whole edition held up in the post office.\"\n''Then why does he expose the female form the way he\ndoes on his covers?\"\n\"That isn't the female form you're always seeing on the\ncover of McClure's. It's a lot of Havard men in the same\nstyle of girl's bathing suit.\"\n\"Did you get your information,\" asked Shelley, \"from\nMcClure himself?\"\n\"I didn't have to,\" said Keats. \"You can always tell a\nHarvard man.\"\nFrom The Bang, Alexander Harvey's Unique Weekly.\n\nThree Things by Tom Sleeper\nLondon\nOLEAR blobs of light that burble murkily thru the drith-\nering fog.—A horse-cab janketing over the cobble-\nstones.—A man and woman chawning odd bids of puff over\nnear the curb.—The bulking cop sentineling his traffic post—\nand ever comes the brum bum of far-off tram cars.\nAttainment\nThe world gave me the ha! ha! when I was twenty-six.\nAnd again when I was forty-two.\nNow I can give the world the ha! ha!\nThe Devil eat it!\nQuestion\nWHY should my cow be tethered with a common iron chain\nwhile my dog disports himself at the end of a Russian\nleather thong?\nThere is caste even among prisoners.\n\nLove\nDiamond Crisp.\nlike a rose\nSmiling in the sun\nHath called me\nLove like a rose\nBlowing in a storm\nHath lashed me\nLove like a rose\nScattered on the grass\nHath killed me.\n\nNathan Hale\n\nat from any standpoint, from any aspect, at any\nhour of the day, or on any day of the week, in all\nseasons and under all human condition, that statue is an\ninspiration to the men of this great metropolis."}, {"page_pdf": 10, "page_imprimee": "542", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.10", "texte": "BRUNO'S WEEKLY\n\nStanding as he does, the clear-eyed patriot looks out and\nover the busy highway of traffic, and at his right hand rise\nthe massive homes of the daily press.\nWhen the summer leafage softens the background; when\nthe bare branches intensify the outlines of the bronze; when\nthe morning sun lights up the east and spreads an aureole\nof glory behind his head; when the sunset's lingering rays\ntouch that calm young face with a kiss of infinite tender-\nness; when the cold moonlight wraps him in the mantle\nof her shimmering glory, always, always he stands there,\nwith fettered hands and feet, but with a dauntless spirit\nwhich no human power can quell, which bows but to the\nmandates of truth and honor.\nYet, when the rush and the turmoil of the week are ended\nand over the Sabbath stillness, the noontide chimes of\nTrinity are heard, he seems to assume more majestic pro-\nportions; he stands a giant, fettered for his country's sake,\nand in the voices of the chapel bells he seems to hear the\nmusic of the angels singing, and the Master's words, \"Well\ndone.\"\n\nL. R. Heller.\n\n(Among the few literary men who succeeded in interviewing the\ngreat actress, Eleanor a Duse, was Arthur Symons. The following\nsentences are perhaps the most important spoken by Duse during\nthe conversation.)\nTo save the theatre, the theatre must be destroyed, the\nactors and actresses must all die of the plague. They poison\nthe air, they make art impossible. It is not drama that they\nplay, but pieces for the theatre. The drama dies of stalls\nand boxes and evening dress, and people who come to digest\ntheir dinner.\n\nMy Impractibles\nFrederick Nietzsche.\nSeneca, or the toreador of virtue.\nRousseau, or return to nature in impuris naturalibus.\nSchiller, or the moral Trumpeter of Sackingen.\nDante, or the hyena poetizing in tombs.\nKant, or cant as an intelligible character.\nVictor Hugo, or Pharos in a sea of absurdity.\nMichelet, or enthusiasm which strips off the coat.\nCarlyle, or pessimism as an undigested dinner.\nJohn Stuart Mill, or offensive transparency.\nThe Goncourts, or the two Ajaxes struggling with\nHomer; music by Offenbach.\nZola, or the delight to stink."}, {"page_pdf": 11, "page_imprimee": "543", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.11", "texte": "BRUNO'S WEEKLY\n\nTwo Portraits of Nietzsche\nBy Felix Vallotton, in La Revue Blanche\n\nHitherto Unpublished Letters by\nOscar Wilde\n\n(Letters ivhich are at present among the collection of Patrick h.\nMadigan, ivritten by Oscar Wilde to friends and acquaintances,\nand a few letters addressed to Mr. Smithers, his publisher, are so\nsignificant for his style and every-day thoughts that the reproduc-\ntion on these pages ivill prove a valuable addition to our IVilde\nliterature.)\nAlbermarble Club,\n13 Albermarble Street, W.\n(1884) 16 Tite Street,\nS. W.\nDear Sir *\nI will send you a Ms. copy of my play—a little incomplete,\nbut still, enough to give you an idea of its ethical scheme.\nYour letter has deeply moved me—to the world I seem,\nby intention or by part, a dilettante and dandy merely—.\nIt is not wise to show ones heart to the world—and as\nseriousness of manner is the disguise of the fool, so folly\nin its exquisite modes of triviality and indifference and lack\nof care, is the robe of the wise man.\nIn so vile an age as this we all need masks.\nBut write to me about yourself—tell me your life and\nloves—and all that makes you wonder. Who are you?\n(what a difficult question for any one of us to answer!) I,\nat any rate, am\nYour friend,\nOscar Wilde."}, {"page_pdf": 12, "page_imprimee": "544", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.12", "texte": "BRUNO'S WEEKLY\n\nTo T. Hutchinson, Esq.,\n16 Tite Street,\nChelsea, S. W.\nJuly 13th, 1888.\nMy dear Sir:\nI must thank you for your very charming and graceful\nletter but I am afraid that I don't think as much of the\nYoung Student as you do. He seems to me a rather shallow\nyoung man, and almost as bad as the girl he thinks so lovely.\nThe Nightingale is the true lover, if there is one. She, at\nleast, is Romance; and the Student and the girl are, like\nmost of us, unworthy of Romance. So, at least, it seems to\nme, but I like to fancy that there may be many meanings\nin the Tale, for in writing it, and the others, I did not start\nwith an idea and clothe it in form, but began with a form\nand strove to make it beautiful enough to have many secrets,\nand many answers.\nTruly yours,\n(The Nightingale and the Rose, to which the above letter refers, is\nincluded in the collection of Fairy stories entitled \"The Happy Prince,\nand Other Tales,\" by Oscar Wilde.)\n\nOscar Wilde.\n\nBook-Plate Notes.\nrjHHE book-plate to-day is a necessary accessory to the book\nitself. can buy a book put on public sale. To\nplace the individual mark of ownership upon everything that\nwe acquire for personal use is the marked tendency of our\ntimes: to place our initials or our coat-of-arms or our trade-\nmark upon the things we are using daily. The monogram on\nour handkerchief and on our linen, the label on the inside\npocket of our coat or on the vanity case or on the seal ring;\non the china or silver we are using in our dining-room, im-\npregnate those things with our personality. Book-plates are\nnot an ornament. Just a visible sign of proprietorship.\nCoulton Waugh is devoting himself to book-plates exclu-\nsively and will arrange for an exhibition in the near future.\nDuring the first week in May the American Art Association\nwill sell at public auction the remarkable collection of book-\nplates formed by the late Dr. Henry C. Eno, consisting of\nAmerican, English and Continental plates, library labels,\nleather book-plates and the like, which number over four\nthousand items and include the works of famous designers\nand the plates of important personages of ancient and mod-\nern times.\nHenry Blakewell, who recently disposed by auction sale of\niiis large collection of book-plates, is at work upon a check-\nlist of American book-plates."}, {"page_pdf": 13, "page_imprimee": "545", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.13", "texte": "BRUNO'S WEEKLY\n\nThe book-plate reproduced on this page was drawn\nby and for Adelaide Helen Page in April, 1898, when she\nwas five and a half years old. It was accepted by the Museum\nof Fine Arts in Boston. The silhouette is a portrait of Miss\nPage.\n7\n\nBooks and Magazines of the VVeek\n\npHICAGO was and is the city where wit and humor, unin-\nfluenced by Europe, finds its expression from time to\ntime in small magazines published and edited by_ one man,\nwho evidently has no other desires but to have his say, un-\nhampered by editors and uncurtailed by that mighty ruler:\nconvention. It was Chicago where the greatest American\nminds which were humans at the same time found a cnance to\nexpress themselves during the last twenty-five years. There\nwas Eugene Field, who knew better than anyone else, either\nbefore him or since, how to look at that other side of Ameri-\ncan life, to see the man beneath hiseveryday attitude towards\nevery-day life. There was Ben King, who was for Chicago\nwhat Salis meant to Paris; but Salis needed a chat noir and a\ncircle of poets, musicians and artists, while Ben King created\na chat noir wherever he was present. And there was Stanley\nWaterloo, with whom to converse for an hour meant to take\na new lease upon life.\nThey have departed from earthly life, but pick up one of\ntheir books and you will feel their individuality, you will\nfeel their presence. James Whitcomb Riley and George Ade\npassed through Chicago on their happy road to achievement"}, {"page_pdf": 14, "page_imprimee": "546", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.14", "texte": "BRUNO'S WEEKLY\n\nand success. And Opie Read is still there. And Bill Eaton,\nwho guards in his \"Scoop\" every week, a brilliant testimony\nof what is being done in Chicago to-day in letters and art.\nThe pages of his paper are a kalaiedoscope of real life, sea-\nsoned with a bit of sarcasm here and there, serious in their\ncriticisms but always kind and always cheerful. Leaving a\nlasting good taste. Colonel Visscher, the humorist, looks\nupon things in a lighter vein. And Dr. Frank Lydston for-\ngets here his ever preparedness and talks about things nearer\nto us than his surgical-wonder operations or his solutions of\nsexual problems.\nCowley Stapleton Brown, he of the never-to-be-forgotten\n\"Goose-Quill,\" created for himself a unique corner in Ameri-\ncan criticism in Mr. French's '\"Musical Leader,\" which gave\nthis otherwise unimportant musical publication a distinction\nthat will be pointed out in times to come.\nAnd now there is being published a new magazine called\n\"The Polemic.\" No editor's name appears upon its pages.\nIt is unique. It has exceptional literary qualities. It is a dis-\ntinct portrayal of Chicago life, and it is life. Here is the\n\"Overture\" on the first page of Vol. 1, No. 1: \"In creating\n\"The Polemic\" we are entertaining the hypothesis that if we\ncrack a bull-dog on the nose, he may not love us but he will\nbe damned interested in our movements.\"\n\nThe Minaret\nThe current issue of \"The Minaret\" contains a very good\nreview of Rupert Brooke's collected poems by Blanche Shoe-\nmaker Wagstaff. It is short but says everything that could\nbe said. Sentiments very seldom voiced by American con-\ntemporaries are the attractive motives of Harold Hersey's\n\"Silhouettes of the City.\" We cannot resist reprinting the\none published in the March issue.\n\nThe Old House\nJust an old brick house,\nOne among many others in a dreary block.\nBut like the houses of the city it has an individual voice,\nIts own memories, its own sadness.\nHere I lived in the springtime of my years,\nIn that room with the dull, silent windows.\nAnd through that hall came to my door\nOne whose hand and voice will never be forgotten,\nThe kindest secret of my heart.\nOld house, I wonder how many others have lived within\nyou.\n\nChallenge\nThere was a lot of noise at the time of the birth of this\nnew monthly: Parturiunt monies, nascetur ridiculus mus! it is\na nice college paper and is a bit revolutionary, just enough so\nto be daring, but that is all. Discussion of such matters as\nsex and equal suffrage, never led to positive results or direct\nconclusions in magazines. But it is a nice college paper.\n\nThe International\nIn the current issue of Mr. Viereck's monthly Hans Heinz"}, {"page_pdf": 15, "page_imprimee": "547", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.15", "texte": "BRUNO'S WEEKLY\n\nEwers found his first appreciation in America. Ewers, whose\nprose writings have some of the qualities of Edgar Allan Poe,\nplayed an important part in the cabaret movement of the\nearly nineties in Germany and contributed a great deal to the\nunderstanding in Germany of contemporary French writers.\nNot long ago he was in America when he gave several read-\nings of his works in the Irving Place Theater.\n\nThe Colonnade\nJohn W. Draper's importance for style and significance in\ncontemporary poetry is discussed in the current issue of this\nmagazine, published by the Andiron Club by Charles Gray\nShaw, Professor of Ethics in the New York University. The\nsame number contains a three-act play, \"Between Cloister\nGates,\" by John W. Draper, the editor of the magazine.\n\nIn Our Village\n\"\"THERE is only one thing that prevents Sadakichi from\nranking to-day among our classics; he is alive. Sada-\nkichi should be dead. Rightfully he should have died about\nten years ago. But he insists upon living; he insists upon\nbeing a monument of his own. He insists upon standing on\nthe pedestal where he placed himself, and he loves with the\nnaivetee of a child to gather himself the wreaths and flowers\nhis admirers place at his feet—the feet of that monument.\nSadakichi has, in common with other great men to whom\nrecognition did not come easily, the ardent wish to be recog-\nnized by his contemporaries. He is looking upon his con-\ntemporaries as his posterity which he wishes to pay homage\nto him. . . . He is a bad actor. He dies upon that stage,\nwhich life represents to him, and insists upon awakening at\nthe wrong time, before the curtain has been rung down on\nhim; the onlookers admire the heroic death, and he destroys\nthat \"certain something\" in the psychological moment . . .\nand we all can see that real live thing . . . and Sadakichi\nwill try again to die.\nHis works, those he wrote years and years ago—are su-\nperb. They are strong, they are convincing. He has often.\nbeen compared to Poe. Whenever the American thinks of\noriginality in letters, he will remember Poe who stands out\nto-day as well as seventy-five years ago as the only poet\nand writer in America who was an individuality and who\nwas original. Sadakichi has a style of his own, and the\ntertium comparationis is originality.\nThe merciless necessity of earning money has been the\nstumbling-block of many a genius. It was not in Sadakichi's\npath. He always was and is a firm believer that genius is\nthe one and only investment that should bear him rightfully\nample interest to live on comfortably. The world misunder-\nstands. Posterity will find it only natural. But posterity\nagain will have its own personal interests to expend lavishly\nmoney to erect monuments or confer other honors upon\nthe dead man.\nIt is easier to buy a block of marble and have an artist"}, {"page_pdf": 16, "page_imprimee": "548", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.16", "texte": "BRUNO'S WEEKLY\n\ntransform it into a wonderful bust than to give value for\nvalue. .\nAnd so Sadalcichi is a wayfarer of yore, out in the world,\nappearing here and there demanding tribute from contem-\nporaries who look upon him as a curiosity. But he is con-\nscious of what he is doing. He has no illusions about it.\nHe laughs. He laughs at the world and he laughs at himself\n. . . but he is serious, reverently serious when he remem-\nbers those years in which he really worked and strived and\nproduced; and those are the years that are redeeming him\nnow for us,—that will make posterity to understand him to\nhonor him to glorify him.\nI see the time when publishers will collect the scraps with\nhis handwriting and the books and pamphlets he published\nhimself. I see a biographer busy to interpret that fruit-\nbearing period of the Nineties when he was at his best and\nwrote his \"Christ,\" and \"Buddha\" and published his \"Stylus'\nand his \"Art Critic.\"\nSadakitchi Hartmann was among us for a few days before\nhis departure for Colorado, where he is going to make his\npermanent home.\nThe dramatic group of the Liberal Club produced on Sun-\nday, the sth, two plays, \"Suppressed Desires,\" a psycho-\nanalytical play by George Cram Cook and Susan Glaspell,\nand\"The Five Daughters of a King,\" by Rollo Peters. Alice\nPalmer was the second princess. She acted a princess here\nas well as she does in her village store, when she is seated\nunder that gorgeous purple canopy, her head reclining on a\nflaming green pillow with yellow ornaments, and two enor-\nmous candles (they are six-footers) flickering mystically on\neach side of her. \"Mary Pyne, who played the fifth princess,\nshould have been the first.\nThe large array of electric lamps under shades of all shapes\nand color combinations is but one of the twilight attractions\nin Mr. Hellman's studio. His Sunday afternoon teas are devel-\noping into a salon, where one can meet in the most uncon-\nventional manner refugee princesses, newly arrived from\nEurope, editors who represent power on the other side of the\ncounter which divides the literateurs and artists of America\nin successes and into others; and just plain every-day villagers\nwho are writing or oainting.\nThe Candlestick Tea Room is now owned and operated\nsolely by Miss Coones, who last week purchased Mrs. Pen-\ndington's interest in this orange colored and candle-lighted\neating place in Greenwich Villacre.\nFrom February 19th until March sth, the Modern Art\nSchool exhibited works of art by its teachers and pupils.\nMost of,the exhibits were shown for the first time. Among\nthem was a bust by Bourdelle, never before exhibited in\nAmerica.\nBruno's Garret\nLandlords are very slow if it means to repair a building or\nput it into shape again after a fire. It took almost a month\nto put a roof upon the Garret and to restore the damaged\nwalls, so it can again fulfill its mission: to shelter the works"}, {"page_pdf": 17, "page_imprimee": "549", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.17", "texte": "BRUNO'S WEEKLY\n\nof artists tacked to its walls (the works, not the artists) and\npeople who are anxious to listen to the creations of the poets\nand authors who give their readings here. The Garret will\nopen its doors again on Saturday, March 11th. Cartoons of\nSteinlen chronologically arranged as they appeared in Gil\nBias, sixty-eight of the best he ever did, will be exhibited\nfrom the 11th of March until the first of April. Saturday\nafternoon and Monday evening are reserved, as before the\nfire, for the purpose of keeping \"open house.\"\n\nOn Bookstall Row\n|N years there has not been such a demand for books in\nforeign languages as has been evidenced since the begin-\nning of the war, especially during the last four months, ac-\ncording to Mr. Hammond, one of the oldest booksellers on\nFourth Avenue. He specializes in French and German\nnovels and his; explanation of this suddenly awakened in-\nterest for foreign belle lettres seems very plausible. Many\nthousand dollars' worth of books are bought daily by the\nvarious war relief societies and by individuals who are ship-\nping their purchases to the German, English and French\nconcentration camps. While the Germans permit, English\nbooks and magazines intra muras of the concentration campsj\nthe English and French exclude all periodical literature in\na foreign language from their prison camps. Mr. Hammond\ncontends that he sold more books by Balzac and by Dickens\nduring the last six months than he ordinarily would sell in\nthe course of five years, depending upon his New York trade.\nIt was a good joke upon H. Stone, he who had the\ngood fortune—or perhaps a profound knowledge, who knows,\n—to dig up during the last few years very rare and important\nitems, such as a complete series of Poor Richard's Almanacs\nand never-before-known Mark Twain material to dispose of\na letter by Lincoln for fifteen cents. He bought a lot of\nbooks at a recent auction sale and after looking them over,\nevidently not too careiully, designated them to his table in\nfront of his shop, to be sold at fifteen cents each. They did\nnot prove very sellers. For almost three weeks they\nwere out there in rain and shine, and nobody seemed to be\nattracted enough to take them home. Last Saturday a well-\nknown Brooklyn clergyman inspected the lot, picked up one\noi the volumes, paid fifteen cents for it and took home an\napparently unimportant bookj but inlaid between its paores\nwas a letter in the handwriting of Lincoln, and a long o'ne,\ntoo. Since then the clergyman was offered one hunderd and\nfifty dollars for his find, but he refused to sell it. But so\nv/iH happen ii a dealer of books pays special interest to\nart, and makes out of his book shop an exhibition parlor of\ndiscarded originals of drawings which have appeared during\nthe last ten years in \"Leslie's Weekly.\"\nFrank Bender, whose store is filled to the brim with books\non architecture and with ancient pians and plates, recently\n.cuTiOUS lot of a long-forgotten English magazine,\nihc bpn it Lamp. Li e has hundreds oi them. They are of"}, {"page_pdf": 18, "page_imprimee": "550", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.18", "texte": "BRUNO'S WEEKLY\nBruno's Weekly, published weekly by Charles Edison, and\nedited and written by Guido Bruno, both at 58 Washington\nSquare, New York City. Subscription $2 a year.\nEntered as second class matter at the Post Office of New\nYork. N. Y., October 14th, 1915, under the Act of March\n3d, 1879.\n\ninterest because Lord Alfred Douglas was the editor and\nOscar Wilde one of the chief contributors.\nOM Man Deutschberger, who moved a few doors north\nof his old shop some time ago, disposed, Friday, of all his\nbook-plate books and of a large part of his book-plate litera-\nture, consisting of pamphlets, periodicals and individual\nplates. He has some very curious Americana in that ominous\nold buffet used by him as the sacred screen for the rarest of\nthe rare. But his prices are prohibitive, at least for those\nwho really want to read the books.\nSeveral new shops ventured to locate among the old\nstand-bys from the days of the old Astor library. There is a\nnew basement shop whose proprietor evidently loves English\nessays and books on books. And another one a lew aoors\nsouth specializing in old magazines. It is tne Dorado for the\nextra illustrator; but he must have the time down and\nto look through a few thousand periodicals. They are not\nclassified, and the proprietor is as ignorant of what he has as\nhis prospective buyer. _\n\nWall Street Reflections\n\"Junius\"\nTHE stock market situation has just enough of mystery\nin it to make it perplexing even for the shrewdest ob-\nservers. The attitude is one of watchful waiting. Prices,\nnot values are under pressure.\nThose timid ones who feared that the political cloud hover-\ning over Washington was the precursor of a tornado and\nwho made haste to sacrifice their securities, are now coming\nout of their panic to find that the sun of peace and pros-\nperity is still shining here. .\nPolitics has ruled the stock market for the last fortnight\nWar stocks have suffered most. Prices of the leading shares\nare much lower than they were last November.\nIt was their thought that all the \"good news\" was out\nand the market was sold for that reason, but now even better\nnews is coming. The wonderful New York Central January\nreport following the satisfactory Pennsylvania's annual\nfigures will bring the good rails into line also steels and\ncoopers as an exceptionally good purchase.\nEuropean demand for American goods and products con-\ntinues and in my opinion will continue not only during the\n-Tar but for a long period to come. Earnings make dividends\nand not promises. i\nAn interesting situation is manifest in the Bond market.\nHardly a day passes that new Bond issues are not offered\nto the public and are being quickly absorbed. This shows\nthat there is an abundance of investment money awaiting\nan outlet."}, {"page_pdf": 19, "page_imprimee": "[551]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.19", "texte": "1 BLEEP ON Mr WALLS a permanent exhibition of autographs, man-\nuscripts and historical documents, and have at present an especially\ninteresting collection of letters and original manuscripts by Abra-\nham Lincoln, George Washington, Robert Louis Stevenson, Oscar Wilde\nand Edgar Allan Poe. These are the original scripts of stories, poems\nand documents which have made these men famous. If interested, drop\nme a line, or better, come and see my exhibition.\nPATRICK FRANCIS MADIGAN\n561 Fifth Ave. (entrance 46th St.), New York\n\nAt the Sign of the Red Lamp\nFifty-Three West Third Street, New York\nTon will find this old and picturesque Chop House*\nTWO DOORS BAST OF WEST BROADWAY\nWe make a specialty of Sea Food* Steak and Chops\nSAMUEL. S. BROAD, Proprietor Telephone: Spring SMI\nOpen Evenings until Nine\n\nRARE BOOKS FIRST EDITIONS\nExtra Illustrated Books. Early Printed Books. Association Books*\nBooks for Christmas Gifts\nPurchased singly or in sets for people who have neither time nor oppor*\ntunity to select for themselves, or for those who have not access to the\nbest book marts. Why not begin collecting now?\nAddress, E. V., Boston Transcript, Boston, Mass.\n\nThe Candlestick Tea Room\nTHE CANDLESTICK TEA ROOM has arranged space for\nDancing every Tuesday, Thursday and Saturday night from\neight to eleven. Good Music and Fine Floor. Patrons of the\nTea Room welcome.\n17 WEST BTH STREET\nTEL. STUYVESANT 23*\n\nFor Houses, Apartments or Rooms, See\nPEPE & BRO.\nREAL ESTATE AND INSURANCE\n40 So. Washington Square\nTelephone 4119 Spring Cor. of MacDougal Street\n\nBeing a book\nINWH I C H\nwe say just what we think. Published every month by Norman-Bel\nGeddes at 756 Second Avenue in Detroit, Michigan. It is a liitlt\nbook uniquely illustrated. Write for sample copy."}, {"page_pdf": 20, "page_imprimee": "[552]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160311-01.1.20", "texte": "Charles Edison's Little Thimble Theatre, Situated\nAt No. 10 Fifth Avenue, Greenwich Village, N. Y, C.\nGuido Bruno, Manager\nThis Week's Performances\nMonday, 8:45 p. in. Bruno Players\nTuesday, 8:45 p. m. Bruno Player*\nWednesday, 8:45 p. m* Bruno Players\nThursday, 8:45 p. m. Musical©\nFriday, 8:45 p. m. Musical©\nSaturday, 8:00 p. m. Bruno Players\nSaturday, 8:15 p. nu Musicale\nAsk or write for ticket of admission to the\nMusicales. They are free.\n\nI BUY BOOKS\nSingle volumes, small lots, and libraries; autograph\nletters of known literary men and artists, drawings,\npictures and engravings. Address\n\"COLLECTOR,\" Care of Bruno's Weekly, 58 Washington Sq.\n\nThere can be no pleasanter place to hear\nthat remarkable Edison Record\nNumber (82536) than\nThe Diamond Disc Shop\nat Number 10 Fifth Avenue\nIn this store, at least, the delightful atmos-\nphere of Old Greenwich Village has not been\nsacrificed on the altar of commercialism\nA postal will bring yon, with our\ncompliments, an interesting little\nPhone: Stuyvesant 4570 biography of Mr* Thai. A. Edison"}]}