{"numero_id": "bm-bmtnaaq-1916-04-08-01", "volume": "bmtnaaq_1916-04-08_01", "ocr_sha256": "30885541ebc823b8ba1527bc84134c04478f1720597ac78b82e17e43b4d2da25", "source_tei": "https://github.com/Princeton-CDH/bluemountain-transcriptions/blob/main/periodicals/bmtnaaq/issues/1916/04/08_01/bmtnaaq_1916-04-08_01.tei.xml", "source_mets": "https://github.com/pulibrary/BlueMountain/blob/main/metadata/periodicals/bmtnaaq/issues/1916/04/08_01/bmtnaaq_1916-04-08_01.mets.xml", "url_numero": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01", "articles": [{"article_id": "bm-bmtnaaq-1916-04-08-01-c001", "article_bluemountain": "bmtnaaq_1916-04-08_01#c001", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "couv. 1", "page_fin": "couv. 1", "image_debut": 1, "image_fin": 1, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.1", "titre_corps": "Florence Gough", "titre_sommaire": "Florence Gough", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 1, "page_imprimee": "couv. 1", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.1", "debut_caractere": 108, "fin_caractere_exclue": 122, "texte": "Florence Gough"}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c002", "article_bluemountain": "bmtnaaq_1916-04-08_01#c002", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[599]", "page_fin": "[599]", "image_debut": 3, "image_fin": 3, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.2", "titre_corps": "Letter with Sketch by Remington. From the collection of Mr. P. I. Madigan.", "titre_sommaire": "Letter with Sketch by Remington. From the collection of Mr. P. I. Madigan.", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 3, "page_imprimee": "[599]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.3", "debut_caractere": 142, "fin_caractere_exclue": 216, "texte": "Letter with Sketch by Remington.\nFrom the collection of Mr. P. I. Madigan."}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c003", "article_bluemountain": "bmtnaaq_1916-04-08_01#c003", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[599]", "page_fin": "600", "image_debut": 3, "image_fin": 4, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.3", "titre_corps": "Bruno Players' New Bill", "titre_sommaire": "Bruno Players' New Bill", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 3, "page_imprimee": "[599]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.3", "debut_caractere": 218, "fin_caractere_exclue": 1234, "texte": "Bruno Players' New Bill\nThe State Forbids.\nQADA COWAN'S \"THE STATE FORBIDS,\" and August\nStrindberg's \"THE STRONGER,\" will be presented on\nWednesday, April sth, by the Bruno Players, in Charles Edi-\nson's Little Thimble Theatre, at 10 Fifth Avenue, as their\nsecond play-bill of this season.\n\"The State Forbids\" is not a problem play. Its two scenes\nare simple but cruelly true statements of facts. Millions of\nfamilies in Europe were confronted during the last two years\nby these two supreme problems. They had to solve them in\ntheir hearts and no matter to what conclusion they had\ncome, \"The State Forbids,\" and\"The State Commands,\"\nhas been the merciless solution of their Gordian knot.\nSada Cowan does not attempt in her play to show what\ncould be done or what should be done.\nThere is a mother who knows for ten long years that if she\nwould ever give birth to a child it would be hereditarily bur-\ndened with an incurable disease. But —the State forbids.\nAnd so she resigns herself to her fate, and she is just a"}, {"page_pdf": 4, "page_imprimee": "600", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.4", "debut_caractere": 16, "fin_caractere_exclue": 2673, "texte": "mother of that little creature that can never be anything but\na \"poor little one.\" '\nThe scene is so real to life, so without false dramatic pa-\n.thois! The mother's which prefers • death for her baby\nrather than life full of suffering! And there is the district\nnurse who knows; who witnessed such scenes in numberless\nother families, and there is the doctor who does not hesitate\nto state that a physician should be vested with the same\npowers of a judge. But-- the State forbids.\nAnd then the other scene ten years hereafter. The same\nflat; the same mother; her first-born child grown up to be a\npromising, healthy man and\"the poor little one\" an idiot, a\nconstant charge of his parent! And the same doctor, now in\nthese grave and troubled times of war, the recruiting surgeon\n*of the vicinity. Conscription is ordered. The big boy, his\nmother's only comfort in this world, which means to her a\nconstant chain of suffering, is conscripted* The State orders\nhim to go out and to shoot and to kill other mother's sons.\nThe State forbids to take the life of that poor-thing, that\nidiot in the corner, .over there ten years ago as it came into\nthe world, and the State forbids to saye the life of that big\ngrown up boy whom'the doctor had to declare as fit to be a\nsoldier for his country.\nThe mother is helpless just as helpless as the mother-cow\nin the stable, whom they force to bring Calves into the world\nand who has to lose her calf if they choose to butcher it.\nIt is just a statement of plain facts presented in two scenes,\nthe first and the last station on the passion-way of a mother\nin a modern state.\nThe Stronger\nTWO women. Both actresses. One is married and a\nmother; the other unmarried living her own life. They\nmeet the day before Christmas at a coffee house. The un-\nmarried one is mute. She does not say a word. She listens\nto her friend whom she caused so many pains and sleepless\nnights; whom she suspects to be the woman with whom her\nhusband was infatuated; whose taste, refinement and mode of\nliving her husband had admired. Whom she had to imitate\njust to please her husband.\nBut she cannot hate her rival, who like the thief who awak-\nens one night and finds the things he stole in the reposses-\nsion of the one from whom he stole it, is just a poor example\nof womanhood; who celebrates her Christmas Eve all by her-\nself in a public restaurant.\nStrindberg shows in this little gem of a play as well as in\nevery other one of his works that GOOD—and with \"good\"\nhe means healthy, the thing that has a purpose and is ful-\nfilling this purpose—is triumphant in the final end. Triumph-\nant over sham and over everything not fit to live."}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c004", "article_bluemountain": "bmtnaaq_1916-04-08_01#c004", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "600", "page_fin": "602", "image_debut": 4, "image_fin": 6, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.4", "titre_corps": "The House of Judgment", "titre_sommaire": "The House of Judgment", "signature_source": "Oscar Wilde", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 4, "page_imprimee": "600", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.4", "debut_caractere": 2675, "fin_caractere_exclue": 2937, "texte": "The House of Judgment\n\nAND there was silence in the House of Judgment, and the\nMan came naked before God.\nAnd God opened the Book of Life of the Man.\nAnd God said to the Man, \"Thy life hath been evil, and\nthou hast shown cruelty to those who were in need of sue-"}, {"page_pdf": 5, "page_imprimee": "601", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.5", "debut_caractere": 16, "fin_caractere_exclue": 3037, "texte": "\"coilt, arid to those who lacked help thou hast been bitter and\nhard of heart. The poor called to thee, and thou did'st not\nhearken, and thine ears were closed to the cry of the afflicted.\nThe inheritance of the'fatherless thou did'st take to thyself\nand thou did'st send the foxes into the vineyard of thy neigh-\nbor's field. Thou did'st take the bread of the children and\ngive it to the dogs to eat, and the lepers who lived in the\nmarshes, and were at peace, and praised Me, thou did'st drive\nforth on to the highways, and on Mine earth, out of which I\npiade thee, did'st thou shed innocent blood.\"\nAnd the Man made answer and, said, \"Even so did I,\"\nAnd again God opened the Book of Life of the Man, and\nGod said to the Man, \"Thy life hath been evil and thou did'st\nseek for the seven sins. The walls of thy chamber were\npainted with images, and from the bed of thine abominations\nthou did'st rise up to the sound of flutes. Thou did'st build\nseven altars to the sins I have suffered, and did'st eat of the\nthing that may not be eaten, and the purple of thy raiment\nwas broidered with the three signs of shame. Thine idols\nwere neither of gold nor of silver, which endure, but of flesh\nthat dieth. Thou did'st stain their hair with colours and set\npomegranates in their hands. Thou did'st stain their feet\nwith perfumes, and spread carpets before them. With anti-\nmony thou did'st stain their eyelids, and their bodies thou\ndid'st smear with myrrh. Thou did'st bow thyself to the\nground before them, and the thrones of the idols were set in\nthe sun. Thou did'st show to the sun thy shame and to the\nmoon thy madness.\"\n• And the Man made answer and said, \"Even so did I.\"\nAnd a third time God opened the Book of the Life of the Man.\nAnd God said to the Man, \"Evil hath been thy life, and with\nevil did'st thou requite good, and with wrongdoing kindness.\nThe hands that fed thee thou did'st wound, and the breasts\nthat gave thee suck thou did'st despise. He who came to\nthee with water went away thirsting, and the outlawed men\nwho hid thee in their tents at night thou did'st betray before\ndawn. Thine enemy who spared thee thou did'st snare in an\nambush, and the friend who walked with thee thou did'st sell\nfor a price and to those who brought thee Love thou did'st\never give Lust in thy turn.\"\nAnd the Man made answer and said, \"Even so did I.\"\nAnd God closed the Book of the Life of the Man, and said,\n\"Surely I shall send thee to Hell. Even unto Hell shall I\nsend thee.\"\nAnd the Man cried out \"Thou canst not.\"\nAnd God said to the Man, \"Wherefore can I not send thee\nto Hell, and for what reason?\"\nAnd the Man made answer and said, \"Because in Hell have\n-I always lived.\"\nAnd there was silence in the House of Judgment.\nAnd after a space God spake, and said to the Man, \"Seeing\nthat I may not send thee to Hell, surely I shall send thee to\nHeaven. Even unto Heaven shall I send thee.\"\nAnd the Man cried out \"Thou canst not.\"\nAnd God said to the Man, \"Wherefore can I not send thee\nto Heaven, and for what reason?\""}, {"page_pdf": 6, "page_imprimee": "602", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.6", "debut_caractere": 16, "fin_caractere_exclue": 181, "texte": "And the Man made answer, and said, \"Because never, and in\nno place, have I been able to imagine Heaven.\"\nAnd there was silence in the House of Judgment.\n\nOscar Wilde"}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c005", "article_bluemountain": "bmtnaaq_1916-04-08_01#c005", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "602", "page_fin": "602", "image_debut": 6, "image_fin": 6, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.5", "titre_corps": "Flasks and Flagons", "titre_sommaire": "Flasks and Flagons", "signature_source": "Francis S. Saltus", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 6, "page_imprimee": "602", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.6", "debut_caractere": 183, "fin_caractere_exclue": 1468, "texte": "Flasks and Flagons\nBy Francis S. Saltus\nBeer\nmerry faith, oh cool, delicious beer,\nGave thee the power through centuries to maintain,\nA charm that soothes dull care, and laughs at pain;\nA power sad hearts to vitalize and cheer?\nNo blase palate of thy drops can fear;\nOnce quaffed, lips eager, seek thy sweets again,\nWithout thee students sing no loud refrain;\nLaughter and mirth depart, be thou not near*\n. t , V . '\nAnd when I drink thee to my soul's delight,\nA vision of King Gambrinus, fat and gay,\nHaunts me, and I behold bright tankards shine,\nAnd hear him laugh with many a thirsty wight,\nAnd merry maiden, drirfking night and day,\nIn quaint, old, gabled towns along the Rhine.\nGin\ncicerone of the towns of sin,\nFrom thy rank drops, the germs of crime and lust,\nNurtured by sloth and hatred of the just,\nIn bestial minds to awful bloom begin.\nDulling all confidence in God or kin,\nThy woeful spectre on humanity thrust,\nInvokes sad pictures of supreme disgust,\nA yelling harlot, or a bagnio's din.\n~ -\nI hear in St. Gilas' foulest slums, the dread\nAnd blasphemous cries of ruffians in mad strife,\nAnd, the shocked eye by odious magic led,\nSees in some garret, panting still with life,\nA half-starved child clasping a woman, dead,\nWhile o'er them lears a gaunt brute with a knife!"}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c006", "article_bluemountain": "bmtnaaq_1916-04-08_01#c006", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "602", "page_fin": "603", "image_debut": 6, "image_fin": 7, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.6", "titre_corps": "London Letter", "titre_sommaire": "London Letter", "signature_source": "Edward Storer", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 6, "page_imprimee": "602", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.6", "debut_caractere": 1470, "fin_caractere_exclue": 2046, "texte": "London Letter\n\nLondon Office of BRUNO'S WEEKLY,\n18 St. Charles Square, New Kensington.\nMarch 23d, 1916.\nHaving a taste for gossip I cannot help telling you of an\namusing literary scandal. It is only a trifle, but it is an\namusing if rather malicious trifle and is to be read in the\nMarch number of \"The English Review.\" There, under the\ntitle of \"The Grayles,\" a well-known London literary family\nis delicately ridiculed; its foibles exposed, its inner secrets\nmade fun of by one who has evidently often enjoyed the\nhospitality of that house. Opinion will be doubtless divided"}, {"page_pdf": 7, "page_imprimee": "603", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.7", "debut_caractere": 16, "fin_caractere_exclue": 2404, "texte": "as to the \"taste\" of the article, and no doubt many friends\n6f the family which is satirized will be very indignant. As\nfor the house in question itself, I think it will only laugh.\nThe war and the increased cost of paper press heavily\nupon literary enterprise. As it is now, the conditions tend\nmore and more to the disfavour of artistic or speculative\nworks, while only those books which will command a ready\nand vulgar sale are sure of being produced. If conditions do\nhot improve, the outlook for books of literary merit will be\nvery bad indeed. All the same a new art and literary re-\nview is announced for publication. Its name is \"Form,\"\nwhich name is also intended to indicate its aesthetic. It is\ntd be something in the style of the Yellow Book.\nLooking at the list of contributors one cannot avoid the criti-\ncism too eclectic. Without a new hope, a new point of view,\na minor philosophy of some sort, a new review cannot live.\nEven with this advantage such a review can as a rule only\ncount on a spiritual existence after a brief and troubled ma-\nterial one. But that surely is the better fate. The fault\nwith so many yoUng reviews and young movements is that\nthey are afraid to die. They will not go forth and perish if\nperish they must, secure in the knowledge that what is im-\nmortal in them will survive the trifling defeat of bankruptcy.\nRupert Brooke's \"Letters from America\" appear today\nprefaced by a note from Henry James. As the work is prob-\nably appearing simultaneously with you I will say nothing\nabout it.\nI will mention a few of the titles of the plays now running\nat the theatres so that you can guess the kind of fare we are\nenjoying: There are \"A Little Bit of Fluff,\" \"Jerry,\" a farce;\n\"Peg O' My Heart,\" \"L' Enfant Prodigue,\" \"The Love\nThief,\" \"The Basker,\" a comedy, and\"The Merchant of Ven-\nice,\" among others.\nAn interesting revival of the old fashioned puppet show\nhas been held at the Aeolian Hall. The piece given was\n\"Maria Marten, or the Murder in the Red Barn,\" a famous\nold puppet melodrama. Some idea of the captivating quality\nof the dialogue may be perceived from this extract:,\nMaria: I have kept my promise to meet you at the Red\nBarn.\nWilliam: I have brought you here to murder you.\nMaria: Oh, William!\nWilliam: You are in a different social scale. I cannot\nmarry you. But none else shall possess you. Therefore you\ndie—Aha!\n\nEdward Storer."}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c007", "article_bluemountain": "bmtnaaq_1916-04-08_01#c007", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "603", "page_fin": "604", "image_debut": 7, "image_fin": 8, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.7", "titre_corps": "Clara Tice as I See Her", "titre_sommaire": "Clara Tice as I See Her", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 7, "page_imprimee": "603", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.7", "debut_caractere": 2406, "fin_caractere_exclue": 2657, "texte": "Clara Tice as I See Her\nCLARA TICE is a little girl.\nClara Tice is an artist. Her drawings are the expression\nof a little girl's conception of line and color, of a little girl\nwho is an artist.\nIt is the refreshing naivete in her naughty pictures that"}, {"page_pdf": 8, "page_imprimee": "604", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.8", "debut_caractere": 16, "fin_caractere_exclue": 2150, "texte": "pleases the.eye. Did I say \"that pleases the eye\"? they\nplease my eye. they had a right to hang there on the walls\nkJ* ' ,y, 'S'i'\\ . i* ' \\ - T *••••*!; ■«' «• ' i.\"\nof my garret. > :\nIt is up to you to think the same or to discard them.\nHave you ever listened to the chatter of a child'after it\nreturns home from an exciting expedition to the shopping\ndistrict or from a show? It is a pity that we have no more?\nchances to listen to children, and that those who have them\nare usually too tired or too bored to lend an attentive ear\nto those wonderful revelations of a child's untrained, un-\nsophisticated and pure mind.\nClara Tice has a wonderful gift of seeing, of being im?\npressed and of immediately recording. The movement\nexpressing a whole long story is more important to her than\nthe anatomy of the organ expressing it. The joyfullest\nheight of merriment may be expressed in one kick of her\nleg. For the fraction of one second the skirts are fluttering\nin the air; the leg is exposed—perhaps high up to the hips,\nthe body sways back, the eyes are- radiant, the shoulders\ndrawn according to the rhythm of the music—this all happens\nin a movement as quick as a flash. Clara Tice registers just\nthis as the one of the most importance.. She doesn't think\nof the exposed, disarranged dress, she doesn't see the dis*\narranged hair, but only a beautiful line as the expression\nof a beautiful emotion. Her splash of color gives radiance\nto the life of her emotions.\nWhile most of her drawings are draped with nothing more\nsubstantial than a very fine gauze, they do not impress us as\nnudes. They are clad with the purity of beauty. They can\nbe used as well for extra illustrating the Arabian Nights or\nthe works of Boccaccio as well as very appropriate decora-\ntion for a nursery or a girl's living room.\nMiss Tice is an artist. And even if she does not seem to be\ninterested in the small details like hands or feet or faces,\nher pictures contain the rhythm of life. They bring to us\nvisions from the fields of the innocent, of the eternally happy.\nThey please our eyes.\nWhat higher mission can a drawing have than to please\nthe eye?"}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c008", "article_bluemountain": "bmtnaaq_1916-04-08_01#c008", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "604", "page_fin": "604", "image_debut": 8, "image_fin": 8, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.8", "titre_corps": "Dim Reflections", "titre_sommaire": "Dim Reflections", "signature_source": "Meg Kerner", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 8, "page_imprimee": "604", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.8", "debut_caractere": 2152, "fin_caractere_exclue": 2459, "texte": "Dim Reflections\nMeg Kerner.\nThe face is the mirror\nOf the soul, so they say,\nThen why paint the mirror\nTo hide the soul away?\nThose twinkling eyes\nAs they spark with glee,\nAnd the sweet kind expression\nWhile they talk to me.\nBut over the mirror,\nIs a mask, to betray\nA soul obscured,\nBy a dim faddist's ray."}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c009", "article_bluemountain": "bmtnaaq_1916-04-08_01#c009", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "605", "page_fin": "605", "image_debut": 9, "image_fin": 9, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.9", "titre_corps": "Bruno's Garget—Catalogue Illustre", "titre_sommaire": "Bruno's Garget—Catalogue Illustre", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 9, "page_imprimee": "605", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.9", "debut_caractere": 10, "fin_caractere_exclue": 43, "texte": "Bruno's Garget—Catalogue Illustre"}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c011", "article_bluemountain": "bmtnaaq_1916-04-08_01#c011", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "606", "page_fin": "606", "image_debut": 10, "image_fin": 10, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.10", "titre_corps": "£LARA TICE pictures through the", "titre_sommaire": "£LARA TICE pictures through the", "signature_source": "Guido Bruno", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 10, "page_imprimee": "606", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.10", "debut_caractere": 17, "fin_caractere_exclue": 618, "texte": "Guido Bruno\n£LARA TICE pictures through the\ncolors and movements of her\ndrawings the follies and foolery of all of us.\nOne movement (quicker than a flash)\ncan portray the characteristics of an\nage.\nDelicate but vigorous. Graceful but\nstrong. Lean and lazy but lots of\nlatent power.\nCats, women, flowers, jewels, delicate\nshades of colors, strong streams of\nlight, black brutes, white giants, girls\nwith red, and golden, and black hair,\nprayers, tears, laughter, dance ;\nHarmony and peace hover over\neverything! Soundless tunes of an\nunplayed sonata of Mozart's diffused\nthrough the air.\nOur Lives! - v"}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c012", "article_bluemountain": "bmtnaaq_1916-04-08_01#c012", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "606", "page_fin": "606", "image_debut": 10, "image_fin": 10, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.11", "titre_corps": "Fake News From Mexico", "titre_sommaire": "Fake News From Mexico", "signature_source": "William Marion Reedy in his St. Louis Mirror", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 10, "page_imprimee": "606", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.10", "debut_caractere": 620, "fin_caractere_exclue": 2384, "texte": "Fake News From Mexico\nWilliam Marion Reedy in his St. Louis Mirror.\n/V MERICAN journalism signally discredits Itself in its news\ntreatment of the army expedition into Mexico to capture\nand punish Villa and his banditti. We know that there is\nabsolutely no authentic news of the expeditionary corps, but\nevery day we are treated to bro.ad spreads with flaring head-\nlines purporting to tell us where Villa is hiding, how he is\nbeing surrounded and how the march progresses. All this\n\"news\" is faked. So are the stories of defections of\nCarranzitas to the Villa forces, and the tales of concentrating\nGerman or even Japanese officers at various points to direct\na general attack upon the American forces. Pure imagina-\ntion is the only content of startling announcements of a\ngeneral Mexican uprising in support of Villa. The whole\nMexican incident is imagined and distorted into a danger\nwhich it cannot possibly be. There is no need to fear a\nslaughter of our forces. In all Mexico there is not enough\nammunition for one fair-sized battle. The war supplies\nthat were sent from this country are stopped. None can be\nprocured from Europe or Japan. There is no authoritative\ninformation coming out of Mexico to justify the scare the\nnewspapers are trying to create. President Wilson wisely\nwarns us that much of this scare stuff had its origin among\npersons who have an interest in making the pursuit of Villa\ndevelop into a general intervention,and occupation of Mexico.\nThe chase after Villa may be long and difficult, but. it need\nnot become a war of invasion. Discount heavily the sensa-\ntional newspaper dispatches supposed to come from Mexico.\nThey are probably concocted in order to work up sentiment\nfor another such outrage as the war against old Santa Anna."}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c013", "article_bluemountain": "bmtnaaq_1916-04-08_01#c013", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "607", "page_fin": "607", "image_debut": 11, "image_fin": 11, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.12", "titre_corps": "Chinese Letters", "titre_sommaire": "Chinese Letters", "signature_source": "Allan W. S. Lee (Wuhu, China", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 11, "page_imprimee": "607", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.11", "debut_caractere": 16, "fin_caractere_exclue": 1469, "texte": "Chinese Letters\nBy Allan W. S. Lee (Wuhu, China)\n\"TODAY we had one of those delightful and spectacular lit-\ntle storms which come up all of a sudden with a shriek\nand howl of a great wind that whines and moans around the\nhouse, and then tears along bending the trees that franti-\ncally beat the air. The willows lash the quiet ponds with\ntheir long, green wisps of hair; the flowers and shrubs crouch\nlow against the house or garden wall.\n\"Then comes a great hissing sound over the hill, and a\nslanting wall of rain rushes down on the garden, beating and\nstamping it in fury. The sky is full of galloping forms tear-\ning, huge and majestic across the sky—great war horses, of\nthe Mahruts that rear and plunge, while above the roar and\ncrash of Mighty Indra makes the frightened earth tremble\nand shiver with dread.\n\"Now they are over Purple Mountain, a couple of miles\naway, and through a rift in the silver gray clouds the sun\nshines down on the hill of graves which glows like burnished\ngold, and all is quiet again—the storm has passed.\"\n\"All around this compound are rice fields, and in the early\nmornings one hears the strange, little songs, plaintive, elusive\nand beautiful, of the women working in the fields. The life\nof the country people is certainly to be found in their songs, v\nand there is a great opportunity for some musician to write\na Chinese symphony. I think the fascinating little tunes\ncould easily be interpreted to foreign ears.\""}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c014", "article_bluemountain": "bmtnaaq_1916-04-08_01#c014", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "607", "page_fin": "609", "image_debut": 11, "image_fin": 13, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.13", "titre_corps": "Chicago Letter", "titre_sommaire": "Chicago Letter", "signature_source": "John Stapleton Cowley-Brown", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 11, "page_imprimee": "607", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.11", "debut_caractere": 1471, "fin_caractere_exclue": 2562, "texte": "Chicago Letter\n\nChicago Office of Bruno's Weekly\n3124 Michigan Avenue\nApril Ist, 1916.\nALL is quiet along the Boul Mich, save a noise from the\nCliff Dwellers club -Hamlin Garland blowing his\nown horn.\nJohn T. McCutcheon is back from Saloniki—his stay there\nit is said was cut short by representations made by the French\nCounsel in Chicago as to Hoosier John's pro-German cartoons\nand'letter-press in the World's Best Newspaper, the Chicago\n\"Tribune.\"\nNevertheless John need never fear about his declining\nyears—he can always live in the castle on the Rhine pre-\nsented to him and James O'Donnel Bennett when Arma-\ngeddon was young.\nThe annual exhibition of American artists at the Art Insti-\ntute is over. The exhibition received scant critical attention,\nfor the reason that Chicago has but three art-critics, namely,\nMiss Harriett Monro, who can write but who knows nothing\nabout art (?) Miss Lena McCauley, who knows something\nabout art, but who cannot write, and a Dr. Monagelas, who\nknows nothing about art and who cannot write.\nYet Chicago's art criticism is less at its reader than is"}, {"page_pdf": 12, "page_imprimee": "608", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.12", "debut_caractere": 17, "fin_caractere_exclue": 2895, "texte": "its dramatic criticism. Blanche Ring's new medium \"Jane,\nO'Day From Broadway\" by Willard Mack, has just fizzled,\nout, after the critics had fallen over each other in landing it.\nThe Chicago public you see has heard \"Wolf, Wolf\"! shouted\nso often without any \"wolf\" showing up that they take all\ncritical verdicts in a Pickwickian sense. Nearly all the\nChicago dramatic critics graduated from night-police, they\nshould return whence they came. The Hearst paper critic*\nAshton Stevens, is a cheap and nasty imitation of the nasty\nand cheap Alan Dale; Percy Hammond repeats what was\nnever worth writing; Amy Leslie has a flow of words, sans\nideas; Richard Henry Little, who when Glaucen was Consul\nwas known as length without breadth, \"does\" the drama for\nthe \"Herald\" and does it so amateurishly that one wonders\nif proprietor \"Jim\" Keeley ever reads his own paper; old\nman Hall on the \"Journal\" seems in his fourth childhood,\nwhile Cheeky Charley Collins, on the not dead but sleeping\n\"Evening Post\" writes sloshmushgush on chorus-girls (a\nselected few) but knows not that Salvini is dead, or confuses\nthat tragedian with Sapolio.\nHoward Vincent O'Brien, whose dad runs a picture-storel\nin the McCormick Building, has entered his maiden offence\n\"New Men for Old\" in the \"Great American Novel\" Stakes.\nUnless all the other competitors break their legs, Mr.\nO'Brien's entry will be a distant trailer. As a literary exer-\ncise, young Mr. O'Brien should study Opie Read's \"The New\nMr. Howerson\", a new work by an old master the product\nof a mind matured in philosophy, and mellowed in kindness\nand patience for all mankind, and mankind's foibles, a mind\nto which nothing human is alien, and from which no secrets\nare hid. For Opie Read has done admirably what now young\nO'Brien has egregiously botched. Their theme, the struggle\nbetween Capital and labor is cognate, and each writer gives\nshort shift to the cuckoos that lay their eggs in labor's nest;\nas it were, and whose greedy fledglings crowd the legitimate\nowner out, but their respective treatments of their not strik-,\ningly original theme differ as authentic bourbon from. Can-\nadian whiskey.\nHall Caine's latest\", unfortunately not \"last\" novel is\nenscribed \"To My Mother.\" So is the latest atrocity from\na soi-disant Chicagoan, from that machine for blackening'\ninoffensive white paper, George Barr McCutcheon. Authors\nnowadays have mighty little respect for their mother.\nEmerson Hough, one of the fine flowers of Cook County's,\nconcatenated literati has sold \"Munsey's\" a serial. Was,\n\"Bob\" Davis asleep at the switch?\nHobart Chatfield-Taylor, whose books have killed many.,\nhimself is in the pink of health. He is at Palm. Beach with\nbis valet Wallace Trite. He had just pompously registered,\nas \"Hobart Chatfield-Taylor, Chicago.\"\nWhen waggish Jack London went him one better by\nregistering: \"Jack London and Valise.\""}, {"page_pdf": 13, "page_imprimee": "609", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.13", "debut_caractere": 19, "fin_caractere_exclue": 486, "texte": ".When the. time c.omes for this amiable dilettante to join hiSr.\nbetters, I would suggest the following epitaph for his tomb-,\nstone: \"Epitaph for Chatfield-Taylor.\" .\n\"Chat?' loved to ioll on Me Parnassian mount,'\nHis pen tp suck and, all ,hisr to count\nWhat poetry, he'd written fiut for lack\n• Of skill, ,or etor. There are not a few magazines\nwhere the \"editor\" has hardly more say in the acceptance of\na manuscript than the contributor who sends it in. Few\nare the editors left «vho uphold the magisterial dignity and\nawe with which the name of editor was wont to be invested.\nThese survive owin,-j chiefly to the prestige of long service,\nand even they are not always free from the encroachments of\nthe new method. The proprietor still feels the irksome\nnecessity of treat-ng their editorial policies with respect,\nthough secretly chafing for the moment when they shall\ngive place to more manageable modern tools. The \"new\"\neditor, in fact, is little more than a clerk doing the bidding\nof his proprietor, and the proprietor's idea of editing is\nslavishly to truckle to the public taste—or rather to his\ncrude conception of the public taste. The only real editors\nof to-day are the capitalist and the public. The nominal\neditor is merely an office-boy of larger growth, and slightly\nlargely salary.*\nInnocent souls still, of course, imagine him clothed with\ndivine powers, and letters of introiuction to him are still\nsought after by the superstitious beginner. Alas! the chances\nare that the better b? thinks of your MS. the less likely\nis it to be accepted by—the proprietor; for Mr Snooks, the\nproprietor, has dec>de.l tastes of his own, and a peculiar\ndistaste for anything remotely savoring of the 'literary.'\"\nThe Poetry Review\n. William Stanley Braithwaite, the Dean of Poetry editors\nof America, the anthologist who preserves American maga-\nzine verse for future generations yearly in a nicely-bound\nguilt-edged book, has founded a magazine of his own. With\nhim are all those well known exponents of new verse as that\namicable, soulful Amy Lowell and Sara Teasdale, Louis\nUntermeyer etc., et:.\nHere is what the editor tells in his prospectus: \"The spirit\nof the Poetry Review of America will be one of advancement\nand cooperation; the desire to serve the art of poetry and to\nconsolidate public interest in its growth an dpopularity—to\nquicken and enlarge the poetic pulse of the country. In\nthis spirit, we propose to our contemporaries in the field"}, {"page_pdf": 16, "page_imprimee": "612", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.16", "debut_caractere": 44, "fin_caractere_exclue": 1616, "texte": "a union of effort and mutual encouragement; to the poets\nof America an open forum and a clearing-house for ways\nand means to serve the art,we all love; to the poetry Treading\npublic of. our country we pledge a never-ceasing striving for\n.the best in American poetry, and a constant .effort to bring\nout the strength and joy to be derived .thereirom. : :•\nBranch Library News\nA very timely selection of titles of books on military edu-\ncation are printed on the pages of thjs month s Branch\nLibrary News, the monthly publication of the, New York\nPublic Library. They are compiled at the request of the\nCommittee on Military Education of the American Defense\nSociety. The books named are simple,-non-technical works,\nnearly all of them intended for the reader without previous\nknowledge or experience of this subject. , <\nEdison Diamond Points\nEven if it is a trade paper and primarily of interest only\nto people engaged in the selling of Edison Diamond Discs\nit contains a lot of material of interest to almost everybody\nwho wishes to know a little bit, more .Aifrcrican artists\nand musicians, than the average newspaper or magazine\narticle will contain. There is, for instance, a chat with\nAlbert Spalding, the Violinst, \"The Spell.of Saplding? Bow .\nThe department \"With the Edison Artists'.. is a , kaledeiscope\nevcrydsy life of men and women famous in both hemi-\nspheres.\nPoetry\nHarriet Monroe's magazine which , just entered upon its\nfourth year of existence has a new cover design. This is a\nwelcome change to the otherwise little variety - this journal\nhas to offer."}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c018", "article_bluemountain": "bmtnaaq_1916-04-08_01#c018", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "612", "page_fin": "614", "image_debut": 16, "image_fin": 18, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.17", "titre_corps": "The Last of the War Correspondents", "titre_sommaire": "The Last of the War Correspondents", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 16, "page_imprimee": "612", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.16", "debut_caractere": 1618, "fin_caractere_exclue": 2796, "texte": "The Last of the War Correspondents\nYou did not know he wrote books? Mostly on trains he\nfinds time for that. But then a train going through Siberia\nin the Russian-Japanese war took over two months. He was\non it. The party left the train forty days, because they were\nall imaginative and two of them were saying with the car\ntrucks: \"Click clickety-click,\" and had been at it ten hours to\nthe exclusion of everything else. One of the two stopped\nthe next day, but the other kept on jibbering and had to be\nleft behind. ... , .. ..\nNo, the time with von Kriegelstein was very dull. On the\ntrain was Uriquidi going to join Villa. Best Mexican I know.\nEducated in Paris. Big electrical engineer. Atheistic ideal-\nist is Uriquidi—if such is possible—and marvelous to tell,\ndoes not hate the Catholic Church. Small head has Urquidi,\nbut a broad mind. An atheist who does not—. Learning\nsomething every minute. . ... •\n' Von Kriegelstein talks of a single star for an hour. No\nrepetition of adjectives. Perhaps because Mexican night is\nblack like jeweler's velvet with a handful of diamonds, scat-\ntered over the soft deep black and a smudge where jeweler s\npowder has been wiped away."}, {"page_pdf": 17, "page_imprimee": "613", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.17", "debut_caractere": 16, "fin_caractere_exclue": 2853, "texte": "There adventures in Torreon, where we get the word\nof the highest authority that a Japanese army of twenty-five\nthousand with rifles can be called on Villa's colors in four\ndays. No, they will not cross the ocean in , that time.\n.Francisco Madero could have had them before he finished the\njfirst revolution. They are in lower California now. Authority?\nOnly Francisco Madero's brother, General Emilio Madero.\nthe chief adviser to Villa. Certainly, all the Maderos\nare , with; Villa, Pjerhaps, but it will be the first time they\nhave backed a loser. ,\nWe are in Chihuahua. It may be dangerous for the baron\nto see the great revolutionist. Villa is such a great democrat\nthe baron had better discard his white suit and medals that\ninfuriate people on the street. Once on a street a man\nhurries after him and seizes his coat and kisses it. He stands\naside bowing humbly. The street is thronged and there is\nlaughter. 1\n\"I must register my character here also,\" the baron says.\nHe does, but only with the cane.\n\"Never when you are with people like these who; are half\ndeveloped must you fail to register yourself at once. They\nar fond of someone to fear. Never you will tell me this\nrevolution is to free the people. All leaders who want to free\nthe people are discontented aristocrats. The other aristocrats\nwill not let them have what they want, so they overturn the\norder and take it themselves.\n\"I am going to wear these clothes. I call them my offensive\nclothes. They register my personality and show tfc it I do\nwhat I please. There is one way to stop me and that is to\nkill me. But I have been in many places. So we will go\nto this Villa just as I am.\"\nVilla received him. A baron? Villa is delighted. Will\nall Europe know of his prowess? All Europe will and history\nforever will record it even better than Juan Reed did in the\nMetropolitan Magazine. Villa is puzzled which John Reed?\nBut Secretary Luis Aguirre Benavides remembers. There\nwas such a young American long ago, before Torreon for\nOne or two days. No one with the forces now. Will the\nbaron step into the reception room of Villa's house? There\nis a twenty-five thousand dollar (not Mexican) chandelier.\nYes, Villa is very fond of the beautiful chandelier. He likes\ncomfort despite reports to the contrary. We have dinner\nwith Villa and Mrs. Villa. The leader of the revolution uses\na knife and fork better than the average American. You are\nfascinated by his eyes. Some fool said no leaders of men\nhave brown eyes. I think it was in the New York Journal.\nIt doesn't matter. Villa has big soft looking brown eyes\nand according to form can never rise above a clerkship. That\nis why he is absolute ruler of millions in Mexico and more\nreally ruler than the Czar.\nVon Kriegelstein jokes with Villa and they indulge in\nhorse play. The officers are amazed. Never has he become"}, {"page_pdf": 18, "page_imprimee": "614", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.18", "debut_caractere": 34, "fin_caractere_exclue": 582, "texte": "familiar with anyone before. Surely von Krigelstein cannot\nbe right when he says Villa is a true aristocrat and is de«\nlighted to have a baron treat him as a companion. Will Villa\npose for some nice pictures? There is no need of him look-\ning like a bandit for Europe. Will not General Villa go\nupstairs and put on some glad rags? See Metropolitan\nMagazine for proof, Villa is a plain citizen v*»o hates show.\nVilla comes down wearing a new uniform with, by actual\nauthenticated figures, fifteen pounds of gold braid that never\nsaw a brass foundry."}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c019", "article_bluemountain": "bmtnaaq_1916-04-08_01#c019", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "614", "page_fin": "614", "image_debut": 18, "image_fin": 18, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.18", "titre_corps": "Wall Street Reflections", "titre_sommaire": "Wall Street Reflections", "signature_source": "Junius", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 18, "page_imprimee": "614", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.18", "debut_caractere": 584, "fin_caractere_exclue": 1709, "texte": "Wall Street Reflections\n\"Junius\"\nTHE seismograph of the stock market has shown no indi-\ncation of the disturbances either on land or sea, in other\ncation of the disturbances either on land or sea, in other\nwords the Mexican outbreak or the new subamrine crisis;\nthis strikes one as a very significant fact.\nThe natural seasonal tendency is always upwards. This\nyear is no exception to the rule.\nThe closing of the Southeri vacation season brings back\nto the financial centers a large number of Capitalists who\nwill no doubt take particular interest in the spring activity.\nAt the present time the question of railroads is one of the\ngreat problems before this country. The industries of a\nnation can be no bigger than its transportation accommoda-\ntions.\nt • -\nOur expert trade continues to break all records and it is\ngenerally believed that the threatened great strikes will be\naverted. #\ni * .\nBankers admit that the investing public is more dis-\ncriminating in their purchasers than at any time this year\nand that there is extension buying of good Securities in con-\nnection with the reinvestment of April dividend money."}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c020", "article_bluemountain": "bmtnaaq_1916-04-08_01#c020", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "614", "page_fin": "614", "image_debut": 18, "image_fin": 18, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.19", "titre_corps": "Bruno's Weekly, published weekly by Charles Edison, and", "titre_sommaire": "Bruno's Weekly, published weekly by Charles Edison, and", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 18, "page_imprimee": "614", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.18", "debut_caractere": 1711, "fin_caractere_exclue": 1993, "texte": "Bruno's Weekly, published weekly by Charles Edison, and\nedited and written by Guido Bruno, both at 58 Washington\nSquare, New York City. Subscription $2 a year.\nEntered as second class matter at the Post Office of New\nYork, N. Y., October 14th, 1915, under the Act of March\n3d, 1879."}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c021", "article_bluemountain": "bmtnaaq_1916-04-08_01#c021", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[615]", "page_fin": "[615]", "image_debut": 19, "image_fin": 19, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.20", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 19, "page_imprimee": "[615]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.19", "debut_caractere": 0, "fin_caractere_exclue": 364, "texte": "RARE BOOKS FIRST EDITIONS\nExtra Illustrated Books. Early Printed Books. Association Books,\nBooks for Christmas Gifts\np . -i\nPurchased singly or In sets for people who have neither time nor oppor-\ntunity to select for themselves, or for those who have not access to the\nbest book marts. Why not begin collecting nowT\nAddress, E. V., Boston Transcript, Boston, Mass."}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c022", "article_bluemountain": "bmtnaaq_1916-04-08_01#c022", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[615]", "page_fin": "[615]", "image_debut": 19, "image_fin": 19, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.21", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 19, "page_imprimee": "[615]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.19", "debut_caractere": 366, "fin_caractere_exclue": 611, "texte": "The Candlestick Tea Room\nTHE CANDLESTICK TEA ROOM has arranged space for\nDancing every Tuesday, Thursday and Saturday night from\neight to eleven. Good Music and Fine Floor. Patrons of the\nTea Room welcome.\n17 WEST BTH STREET\nTEL. STUYVESANT 239*"}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c023", "article_bluemountain": "bmtnaaq_1916-04-08_01#c023", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[615]", "page_fin": "[615]", "image_debut": 19, "image_fin": 19, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.22", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 19, "page_imprimee": "[615]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.19", "debut_caractere": 613, "fin_caractere_exclue": 760, "texte": "For Houses, Apartments or Rooms, See\nPEPE & BRO.\nREAL ESTATE AIID INSURANCE\n40 So. Washington Square\nTelephone 4119 Spring Cor. of MacDougal Street"}]}, {"article_id": "bm-bmtnaaq-1916-04-08-01-c024", "article_bluemountain": "bmtnaaq_1916-04-08_01#c024", "volume": "bmtnaaq_1916-04-08_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "[615]", "page_fin": "[615]", "image_debut": 19, "image_fin": 19, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.2.23", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 19, "page_imprimee": "[615]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.19", "debut_caractere": 762, "fin_caractere_exclue": 966, "texte": "Being a book\nINWH I C H\n :\nIt is up to you to think the same or to discard them.\nHave you ever listened to the chatter of a child'after it\nreturns home from an exciting expedition to the shopping\ndistrict or from a show? It is a pity that we have no more?\nchances to listen to children, and that those who have them\nare usually too tired or too bored to lend an attentive ear\nto those wonderful revelations of a child's untrained, un-\nsophisticated and pure mind.\nClara Tice has a wonderful gift of seeing, of being im?\npressed and of immediately recording. The movement\nexpressing a whole long story is more important to her than\nthe anatomy of the organ expressing it. The joyfullest\nheight of merriment may be expressed in one kick of her\nleg. For the fraction of one second the skirts are fluttering\nin the air; the leg is exposed—perhaps high up to the hips,\nthe body sways back, the eyes are- radiant, the shoulders\ndrawn according to the rhythm of the music—this all happens\nin a movement as quick as a flash. Clara Tice registers just\nthis as the one of the most importance.. She doesn't think\nof the exposed, disarranged dress, she doesn't see the dis*\narranged hair, but only a beautiful line as the expression\nof a beautiful emotion. Her splash of color gives radiance\nto the life of her emotions.\nWhile most of her drawings are draped with nothing more\nsubstantial than a very fine gauze, they do not impress us as\nnudes. They are clad with the purity of beauty. They can\nbe used as well for extra illustrating the Arabian Nights or\nthe works of Boccaccio as well as very appropriate decora-\ntion for a nursery or a girl's living room.\nMiss Tice is an artist. And even if she does not seem to be\ninterested in the small details like hands or feet or faces,\nher pictures contain the rhythm of life. They bring to us\nvisions from the fields of the innocent, of the eternally happy.\nThey please our eyes.\nWhat higher mission can a drawing have than to please\nthe eye?\n\nDim Reflections\nMeg Kerner.\nThe face is the mirror\nOf the soul, so they say,\nThen why paint the mirror\nTo hide the soul away?\nThose twinkling eyes\nAs they spark with glee,\nAnd the sweet kind expression\nWhile they talk to me.\nBut over the mirror,\nIs a mask, to betray\nA soul obscured,\nBy a dim faddist's ray."}, {"page_pdf": 9, "page_imprimee": "605", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.9", "texte": "WEEK?*#!\n\nBruno's Garget—Catalogue Illustre"}, {"page_pdf": 10, "page_imprimee": "606", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.10", "texte": "RRUN-O'S WEEKLY\n\nGuido Bruno\n£LARA TICE pictures through the\ncolors and movements of her\ndrawings the follies and foolery of all of us.\nOne movement (quicker than a flash)\ncan portray the characteristics of an\nage.\nDelicate but vigorous. Graceful but\nstrong. Lean and lazy but lots of\nlatent power.\nCats, women, flowers, jewels, delicate\nshades of colors, strong streams of\nlight, black brutes, white giants, girls\nwith red, and golden, and black hair,\nprayers, tears, laughter, dance ;\nHarmony and peace hover over\neverything! Soundless tunes of an\nunplayed sonata of Mozart's diffused\nthrough the air.\nOur Lives! - v\n\nFake News From Mexico\nWilliam Marion Reedy in his St. Louis Mirror.\n/V MERICAN journalism signally discredits Itself in its news\ntreatment of the army expedition into Mexico to capture\nand punish Villa and his banditti. We know that there is\nabsolutely no authentic news of the expeditionary corps, but\nevery day we are treated to bro.ad spreads with flaring head-\nlines purporting to tell us where Villa is hiding, how he is\nbeing surrounded and how the march progresses. All this\n\"news\" is faked. So are the stories of defections of\nCarranzitas to the Villa forces, and the tales of concentrating\nGerman or even Japanese officers at various points to direct\na general attack upon the American forces. Pure imagina-\ntion is the only content of startling announcements of a\ngeneral Mexican uprising in support of Villa. The whole\nMexican incident is imagined and distorted into a danger\nwhich it cannot possibly be. There is no need to fear a\nslaughter of our forces. In all Mexico there is not enough\nammunition for one fair-sized battle. The war supplies\nthat were sent from this country are stopped. None can be\nprocured from Europe or Japan. There is no authoritative\ninformation coming out of Mexico to justify the scare the\nnewspapers are trying to create. President Wilson wisely\nwarns us that much of this scare stuff had its origin among\npersons who have an interest in making the pursuit of Villa\ndevelop into a general intervention,and occupation of Mexico.\nThe chase after Villa may be long and difficult, but. it need\nnot become a war of invasion. Discount heavily the sensa-\ntional newspaper dispatches supposed to come from Mexico.\nThey are probably concocted in order to work up sentiment\nfor another such outrage as the war against old Santa Anna."}, {"page_pdf": 11, "page_imprimee": "607", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.11", "texte": "BRUNO'S WEEKLY\n\nChinese Letters\nBy Allan W. S. Lee (Wuhu, China)\n\"TODAY we had one of those delightful and spectacular lit-\ntle storms which come up all of a sudden with a shriek\nand howl of a great wind that whines and moans around the\nhouse, and then tears along bending the trees that franti-\ncally beat the air. The willows lash the quiet ponds with\ntheir long, green wisps of hair; the flowers and shrubs crouch\nlow against the house or garden wall.\n\"Then comes a great hissing sound over the hill, and a\nslanting wall of rain rushes down on the garden, beating and\nstamping it in fury. The sky is full of galloping forms tear-\ning, huge and majestic across the sky—great war horses, of\nthe Mahruts that rear and plunge, while above the roar and\ncrash of Mighty Indra makes the frightened earth tremble\nand shiver with dread.\n\"Now they are over Purple Mountain, a couple of miles\naway, and through a rift in the silver gray clouds the sun\nshines down on the hill of graves which glows like burnished\ngold, and all is quiet again—the storm has passed.\"\n\"All around this compound are rice fields, and in the early\nmornings one hears the strange, little songs, plaintive, elusive\nand beautiful, of the women working in the fields. The life\nof the country people is certainly to be found in their songs, v\nand there is a great opportunity for some musician to write\na Chinese symphony. I think the fascinating little tunes\ncould easily be interpreted to foreign ears.\"\n\nChicago Letter\n\nChicago Office of Bruno's Weekly\n3124 Michigan Avenue\nApril Ist, 1916.\nALL is quiet along the Boul Mich, save a noise from the\nCliff Dwellers club -Hamlin Garland blowing his\nown horn.\nJohn T. McCutcheon is back from Saloniki—his stay there\nit is said was cut short by representations made by the French\nCounsel in Chicago as to Hoosier John's pro-German cartoons\nand'letter-press in the World's Best Newspaper, the Chicago\n\"Tribune.\"\nNevertheless John need never fear about his declining\nyears—he can always live in the castle on the Rhine pre-\nsented to him and James O'Donnel Bennett when Arma-\ngeddon was young.\nThe annual exhibition of American artists at the Art Insti-\ntute is over. The exhibition received scant critical attention,\nfor the reason that Chicago has but three art-critics, namely,\nMiss Harriett Monro, who can write but who knows nothing\nabout art (?) Miss Lena McCauley, who knows something\nabout art, but who cannot write, and a Dr. Monagelas, who\nknows nothing about art and who cannot write.\nYet Chicago's art criticism is less at its reader than is"}, {"page_pdf": 12, "page_imprimee": "608", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.12", "texte": "BRUNO'S WEEKLY'\n\nits dramatic criticism. Blanche Ring's new medium \"Jane,\nO'Day From Broadway\" by Willard Mack, has just fizzled,\nout, after the critics had fallen over each other in landing it.\nThe Chicago public you see has heard \"Wolf, Wolf\"! shouted\nso often without any \"wolf\" showing up that they take all\ncritical verdicts in a Pickwickian sense. Nearly all the\nChicago dramatic critics graduated from night-police, they\nshould return whence they came. The Hearst paper critic*\nAshton Stevens, is a cheap and nasty imitation of the nasty\nand cheap Alan Dale; Percy Hammond repeats what was\nnever worth writing; Amy Leslie has a flow of words, sans\nideas; Richard Henry Little, who when Glaucen was Consul\nwas known as length without breadth, \"does\" the drama for\nthe \"Herald\" and does it so amateurishly that one wonders\nif proprietor \"Jim\" Keeley ever reads his own paper; old\nman Hall on the \"Journal\" seems in his fourth childhood,\nwhile Cheeky Charley Collins, on the not dead but sleeping\n\"Evening Post\" writes sloshmushgush on chorus-girls (a\nselected few) but knows not that Salvini is dead, or confuses\nthat tragedian with Sapolio.\nHoward Vincent O'Brien, whose dad runs a picture-storel\nin the McCormick Building, has entered his maiden offence\n\"New Men for Old\" in the \"Great American Novel\" Stakes.\nUnless all the other competitors break their legs, Mr.\nO'Brien's entry will be a distant trailer. As a literary exer-\ncise, young Mr. O'Brien should study Opie Read's \"The New\nMr. Howerson\", a new work by an old master the product\nof a mind matured in philosophy, and mellowed in kindness\nand patience for all mankind, and mankind's foibles, a mind\nto which nothing human is alien, and from which no secrets\nare hid. For Opie Read has done admirably what now young\nO'Brien has egregiously botched. Their theme, the struggle\nbetween Capital and labor is cognate, and each writer gives\nshort shift to the cuckoos that lay their eggs in labor's nest;\nas it were, and whose greedy fledglings crowd the legitimate\nowner out, but their respective treatments of their not strik-,\ningly original theme differ as authentic bourbon from. Can-\nadian whiskey.\nHall Caine's latest\", unfortunately not \"last\" novel is\nenscribed \"To My Mother.\" So is the latest atrocity from\na soi-disant Chicagoan, from that machine for blackening'\ninoffensive white paper, George Barr McCutcheon. Authors\nnowadays have mighty little respect for their mother.\nEmerson Hough, one of the fine flowers of Cook County's,\nconcatenated literati has sold \"Munsey's\" a serial. Was,\n\"Bob\" Davis asleep at the switch?\nHobart Chatfield-Taylor, whose books have killed many.,\nhimself is in the pink of health. He is at Palm. Beach with\nbis valet Wallace Trite. He had just pompously registered,\nas \"Hobart Chatfield-Taylor, Chicago.\"\nWhen waggish Jack London went him one better by\nregistering: \"Jack London and Valise.\""}, {"page_pdf": 13, "page_imprimee": "609", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.13", "texte": "BRUNO'S*. WEEKLY;\n\n.When the. time c.omes for this amiable dilettante to join hiSr.\nbetters, I would suggest the following epitaph for his tomb-,\nstone: \"Epitaph for Chatfield-Taylor.\" .\n\"Chat?' loved to ioll on Me Parnassian mount,'\nHis pen tp suck and, all ,hisr to count\nWhat poetry, he'd written fiut for lack\n• Of skill, ,or etor. There are not a few magazines\nwhere the \"editor\" has hardly more say in the acceptance of\na manuscript than the contributor who sends it in. Few\nare the editors left «vho uphold the magisterial dignity and\nawe with which the name of editor was wont to be invested.\nThese survive owin,-j chiefly to the prestige of long service,\nand even they are not always free from the encroachments of\nthe new method. The proprietor still feels the irksome\nnecessity of treat-ng their editorial policies with respect,\nthough secretly chafing for the moment when they shall\ngive place to more manageable modern tools. The \"new\"\neditor, in fact, is little more than a clerk doing the bidding\nof his proprietor, and the proprietor's idea of editing is\nslavishly to truckle to the public taste—or rather to his\ncrude conception of the public taste. The only real editors\nof to-day are the capitalist and the public. The nominal\neditor is merely an office-boy of larger growth, and slightly\nlargely salary.*\nInnocent souls still, of course, imagine him clothed with\ndivine powers, and letters of introiuction to him are still\nsought after by the superstitious beginner. Alas! the chances\nare that the better b? thinks of your MS. the less likely\nis it to be accepted by—the proprietor; for Mr Snooks, the\nproprietor, has dec>de.l tastes of his own, and a peculiar\ndistaste for anything remotely savoring of the 'literary.'\"\nThe Poetry Review\n. William Stanley Braithwaite, the Dean of Poetry editors\nof America, the anthologist who preserves American maga-\nzine verse for future generations yearly in a nicely-bound\nguilt-edged book, has founded a magazine of his own. With\nhim are all those well known exponents of new verse as that\namicable, soulful Amy Lowell and Sara Teasdale, Louis\nUntermeyer etc., et:.\nHere is what the editor tells in his prospectus: \"The spirit\nof the Poetry Review of America will be one of advancement\nand cooperation; the desire to serve the art of poetry and to\nconsolidate public interest in its growth an dpopularity—to\nquicken and enlarge the poetic pulse of the country. In\nthis spirit, we propose to our contemporaries in the field"}, {"page_pdf": 16, "page_imprimee": "612", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.16", "texte": "BRUNO'S WEEKLY\n(Continued from last iveek)\n\na union of effort and mutual encouragement; to the poets\nof America an open forum and a clearing-house for ways\nand means to serve the art,we all love; to the poetry Treading\npublic of. our country we pledge a never-ceasing striving for\n.the best in American poetry, and a constant .effort to bring\nout the strength and joy to be derived .thereirom. : :•\nBranch Library News\nA very timely selection of titles of books on military edu-\ncation are printed on the pages of thjs month s Branch\nLibrary News, the monthly publication of the, New York\nPublic Library. They are compiled at the request of the\nCommittee on Military Education of the American Defense\nSociety. The books named are simple,-non-technical works,\nnearly all of them intended for the reader without previous\nknowledge or experience of this subject. , <\nEdison Diamond Points\nEven if it is a trade paper and primarily of interest only\nto people engaged in the selling of Edison Diamond Discs\nit contains a lot of material of interest to almost everybody\nwho wishes to know a little bit, more .Aifrcrican artists\nand musicians, than the average newspaper or magazine\narticle will contain. There is, for instance, a chat with\nAlbert Spalding, the Violinst, \"The Spell.of Saplding? Bow .\nThe department \"With the Edison Artists'.. is a , kaledeiscope\nevcrydsy life of men and women famous in both hemi-\nspheres.\nPoetry\nHarriet Monroe's magazine which , just entered upon its\nfourth year of existence has a new cover design. This is a\nwelcome change to the otherwise little variety - this journal\nhas to offer.\n\nThe Last of the War Correspondents\nYou did not know he wrote books? Mostly on trains he\nfinds time for that. But then a train going through Siberia\nin the Russian-Japanese war took over two months. He was\non it. The party left the train forty days, because they were\nall imaginative and two of them were saying with the car\ntrucks: \"Click clickety-click,\" and had been at it ten hours to\nthe exclusion of everything else. One of the two stopped\nthe next day, but the other kept on jibbering and had to be\nleft behind. ... , .. ..\nNo, the time with von Kriegelstein was very dull. On the\ntrain was Uriquidi going to join Villa. Best Mexican I know.\nEducated in Paris. Big electrical engineer. Atheistic ideal-\nist is Uriquidi—if such is possible—and marvelous to tell,\ndoes not hate the Catholic Church. Small head has Urquidi,\nbut a broad mind. An atheist who does not—. Learning\nsomething every minute. . ... •\n' Von Kriegelstein talks of a single star for an hour. No\nrepetition of adjectives. Perhaps because Mexican night is\nblack like jeweler's velvet with a handful of diamonds, scat-\ntered over the soft deep black and a smudge where jeweler s\npowder has been wiped away."}, {"page_pdf": 17, "page_imprimee": "613", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.17", "texte": "BRUNO'S WEEKLY\n\nThere adventures in Torreon, where we get the word\nof the highest authority that a Japanese army of twenty-five\nthousand with rifles can be called on Villa's colors in four\ndays. No, they will not cross the ocean in , that time.\n.Francisco Madero could have had them before he finished the\njfirst revolution. They are in lower California now. Authority?\nOnly Francisco Madero's brother, General Emilio Madero.\nthe chief adviser to Villa. Certainly, all the Maderos\nare , with; Villa, Pjerhaps, but it will be the first time they\nhave backed a loser. ,\nWe are in Chihuahua. It may be dangerous for the baron\nto see the great revolutionist. Villa is such a great democrat\nthe baron had better discard his white suit and medals that\ninfuriate people on the street. Once on a street a man\nhurries after him and seizes his coat and kisses it. He stands\naside bowing humbly. The street is thronged and there is\nlaughter. 1\n\"I must register my character here also,\" the baron says.\nHe does, but only with the cane.\n\"Never when you are with people like these who; are half\ndeveloped must you fail to register yourself at once. They\nar fond of someone to fear. Never you will tell me this\nrevolution is to free the people. All leaders who want to free\nthe people are discontented aristocrats. The other aristocrats\nwill not let them have what they want, so they overturn the\norder and take it themselves.\n\"I am going to wear these clothes. I call them my offensive\nclothes. They register my personality and show tfc it I do\nwhat I please. There is one way to stop me and that is to\nkill me. But I have been in many places. So we will go\nto this Villa just as I am.\"\nVilla received him. A baron? Villa is delighted. Will\nall Europe know of his prowess? All Europe will and history\nforever will record it even better than Juan Reed did in the\nMetropolitan Magazine. Villa is puzzled which John Reed?\nBut Secretary Luis Aguirre Benavides remembers. There\nwas such a young American long ago, before Torreon for\nOne or two days. No one with the forces now. Will the\nbaron step into the reception room of Villa's house? There\nis a twenty-five thousand dollar (not Mexican) chandelier.\nYes, Villa is very fond of the beautiful chandelier. He likes\ncomfort despite reports to the contrary. We have dinner\nwith Villa and Mrs. Villa. The leader of the revolution uses\na knife and fork better than the average American. You are\nfascinated by his eyes. Some fool said no leaders of men\nhave brown eyes. I think it was in the New York Journal.\nIt doesn't matter. Villa has big soft looking brown eyes\nand according to form can never rise above a clerkship. That\nis why he is absolute ruler of millions in Mexico and more\nreally ruler than the Czar.\nVon Kriegelstein jokes with Villa and they indulge in\nhorse play. The officers are amazed. Never has he become"}, {"page_pdf": 18, "page_imprimee": "614", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.18", "texte": "BRUNO'S WEEKLY\n{To be continued)\n\nfamiliar with anyone before. Surely von Krigelstein cannot\nbe right when he says Villa is a true aristocrat and is de«\nlighted to have a baron treat him as a companion. Will Villa\npose for some nice pictures? There is no need of him look-\ning like a bandit for Europe. Will not General Villa go\nupstairs and put on some glad rags? See Metropolitan\nMagazine for proof, Villa is a plain citizen v*»o hates show.\nVilla comes down wearing a new uniform with, by actual\nauthenticated figures, fifteen pounds of gold braid that never\nsaw a brass foundry.\n\nWall Street Reflections\n\"Junius\"\nTHE seismograph of the stock market has shown no indi-\ncation of the disturbances either on land or sea, in other\ncation of the disturbances either on land or sea, in other\nwords the Mexican outbreak or the new subamrine crisis;\nthis strikes one as a very significant fact.\nThe natural seasonal tendency is always upwards. This\nyear is no exception to the rule.\nThe closing of the Southeri vacation season brings back\nto the financial centers a large number of Capitalists who\nwill no doubt take particular interest in the spring activity.\nAt the present time the question of railroads is one of the\ngreat problems before this country. The industries of a\nnation can be no bigger than its transportation accommoda-\ntions.\nt • -\nOur expert trade continues to break all records and it is\ngenerally believed that the threatened great strikes will be\naverted. #\ni * .\nBankers admit that the investing public is more dis-\ncriminating in their purchasers than at any time this year\nand that there is extension buying of good Securities in con-\nnection with the reinvestment of April dividend money.\n\nBruno's Weekly, published weekly by Charles Edison, and\nedited and written by Guido Bruno, both at 58 Washington\nSquare, New York City. Subscription $2 a year.\nEntered as second class matter at the Post Office of New\nYork, N. Y., October 14th, 1915, under the Act of March\n3d, 1879."}, {"page_pdf": 19, "page_imprimee": "[615]", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaaq19160408-01.1.19", "texte": "RARE BOOKS FIRST EDITIONS\nExtra Illustrated Books. Early Printed Books. Association Books,\nBooks for Christmas Gifts\np . -i\nPurchased singly or In sets for people who have neither time nor oppor-\ntunity to select for themselves, or for those who have not access to the\nbest book marts. Why not begin collecting nowT\nAddress, E. V., Boston Transcript, Boston, Mass.\n\nThe Candlestick Tea Room\nTHE CANDLESTICK TEA ROOM has arranged space for\nDancing every Tuesday, Thursday and Saturday night from\neight to eleven. Good Music and Fine Floor. Patrons of the\nTea Room welcome.\n17 WEST BTH STREET\nTEL. STUYVESANT 239*\n\nFor Houses, Apartments or Rooms, See\nPEPE & BRO.\nREAL ESTATE AIID INSURANCE\n40 So. Washington Square\nTelephone 4119 Spring Cor. of MacDougal Street\n\nBeing a book\nINWH I C H\n