{"numero_id": "bm-bmtnaau-1925-01-01", "volume": "bmtnaau_1925-01_01", "ocr_sha256": "442ddf6387db9aa8a928f4a24ae0850fabc5ca23bacd9f4f8a9f5a72bbeb0286", "source_tei": "https://github.com/Princeton-CDH/bluemountain-transcriptions/blob/main/periodicals/bmtnaau/issues/1925/01_01/bmtnaau_1925-01_01.tei.xml", "source_mets": "https://github.com/pulibrary/BlueMountain/blob/main/metadata/periodicals/bmtnaau/issues/1925/01_01/bmtnaau_1925-01_01.mets.xml", "url_numero": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01", "articles": [{"article_id": "bm-bmtnaau-1925-01-01-c002", "article_bluemountain": "bmtnaau_1925-01_01#c002", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "couv. 2", "page_fin": "couv. 2", "image_debut": 2, "image_fin": 2, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.2", "titre_corps": "LITERARY CONTENTS", "titre_sommaire": "LITERARY CONTENTS", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 2, "page_imprimee": "couv. 2", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.2", "debut_caractere": 553, "fin_caractere_exclue": 1033, "texte": "LITERARY CONTENTS.\nFOREWORD John Semar . . . . Page I\nA NEW PLAN OF ROMA. FOREWORD, Followed by I\ncomplete list of streets and buildings . , . . Giovan Battista Nolli. ... 5\nA NOTE ON SOME THEATRE PLANS. . . . J. S. . . ... .35\nTHE PRETTY THEATRE (continued) . . . . X. Y. Z 37\nIMITATION, with an anecdote by Dumas P£re . . . Jan Klaassen . . . . .40\n\" THE SACKBUT \" AND THE NEED FOR MUSIC . Gordon Craig 43\n. . ' ....\nCORRESPONDENCE. FOREIGN NOTES. BOOK REVIEWS. EDITORIAL NOTES."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c003", "article_bluemountain": "bmtnaau_1925-01_01#c003", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "couv. 2", "page_fin": "couv. 2", "image_debut": 2, "image_fin": 2, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.3", "titre_corps": "ILLUSTRATIONS", "titre_sommaire": "ILLUSTRATIONS", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 2, "page_imprimee": "couv. 2", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.2", "debut_caractere": 1035, "fin_caractere_exclue": 1709, "texte": "ILLUSTRATIONS.\nPLAN OF ROMA, (COMPLETE) Giovan Battista Nolli. Plate LFacePg. 1\nTWO DESIGNS SHOWING THE TEATRINO OF CAR- ( Baldasar Gabbuggini )\n\\ > n 2, n ■ 36\nDINAL OTTOBONI . ( &F. Vasconi, 1729 )\nPALAZZO BARBERINI Anon. . . ■ 3, ■ » 44\nPLAN OF ROME, IN SECTIONS. 24 FULL PAGE\nPLATES, issued In 1748 . . . . . Giovan Battista Nolli . . Pages 6-29\n{1 M ffi \\r> »$} ** ' . -v , ■ & , , ~* # : ' : - - ■. -\\r ■ -\nTWO DESIGNS ILLUSTRATING THE PRIVATE TEA- / From a work by Dumont )\n) > Page 35\nTRINO IN THE COLLEGIO ROMANO, ROMA . ( dated 1775 . . . )\n■■';.''. ' . ' ■ - 5 %\nTHREE PLANS OF ROMAN THEATRES \"36\n. ■■\nHead and Tail Pieces front original Woodcuts and old Designs."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c004", "article_bluemountain": "bmtnaau_1925-01_01#c004", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "n. p.", "page_fin": "n. p.", "image_debut": 10, "image_fin": 10, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.4", "titre_corps": "LA TOPOGRAFIA DI ROMA", "titre_sommaire": "LA TOPOGRAFIA DI ROMA", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 10, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.10", "debut_caractere": 17, "fin_caractere_exclue": 208, "texte": "LA TOPOGRAF IA D1 ROMA.\nDouble Plate of NolWs Plan of Roma, independent of the other Plates, Showing the whole Plan on a smaller scale, Piranesi, the Elder, has worked on this Plate.\nPlate I."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c005", "article_bluemountain": "bmtnaau_1925-01_01#c005", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "1", "page_fin": "4", "image_debut": 11, "image_fin": 14, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.5", "titre_corps": "FOREWORD", "titre_sommaire": "FOREWORD", "signature_source": "J. S", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 11, "page_imprimee": "1", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.11", "debut_caractere": 16, "fin_caractere_exclue": 964, "texte": "FOREWORD\n\nIN Nolli's Plan of Roma, which is here offered for the\nfirst time in a handy form and at a popular price, we\nhave a leaf of genuine History, for it is all fact.\nBooks about the Roma of the 18th century may con-\ntain as much fancy as fact, and that in time renders them\nof little use to the historian. We talk of the Roman streets,\nof the Palaces, Theatres, Churches and other monuments;\nwe write of the Piazza Navona or the Palazzo Rospigliosi,\nand though all these may be known by hearsay to us they\nstill remain vague, ....vague as to position, form, size, and\nin their relation to their surroundings.\nWe may have seen these places, but perhaps forgotten\none of them, and, certainly, quite forgotten where they are\nplaced, how surrounded, or how one reaches them bom\nthe Porta del Popolo or bom the Porta di S. Giovanni\nLaterano.\nAsk yourself to define the track leading from Porta\ndel Popolo to the Piazza Navona without looking at any"}, {"page_pdf": 12, "page_imprimee": "2", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.12", "debut_caractere": 0, "fin_caractere_exclue": 1534, "texte": "plan. It is only a matter of pulling down a few streets\n....but can you do it?\nTo save you the trouble here is Nolli. He can stand\non your desk in his present form: in 1 748 he was far too\nbig a book to be handy: and even if you can get a copy\nnow it is too large to serve you as reference book, for it is\na folio of thirty six pages, and measures one foot seven\ninches by one foot two inches.\n\" The Mask \" having seen that, besides this plan of\nRoma being one of the very best, it was used frequently by\nthe most active students of the Theatre, thought that, by\nreducing it to a practical size it would be doing some ser-\nvice. So now you can have your Nolli's Plan of Roma\nclose at hand to refer to when rereading the many books\nwhich deal with Roma, no matter what the subject. Not\nonly theatrical students but scholars of all kinds will find\nit useful.\nThe Plan illustrates many hundreds of books, but it\nalso corrects, and with authority, a number of them, sup-\nplementing others. Errors have sometimes crept into these\npooks because the chief guide, Roma itself, was not\nproperly followed.\nNolli shows us eight Theatres, most of them very\nclearly defined. Teatro Alibert, 296:\nTeatro Argentina, 771:\nTeatro Capranica, 332 :\nTeatro de' Granari, 618 :\nTeatro della Pace, 611:\nTeatro della Pallaccorda, 444:\nTeatro di Tordinona, 536:\nTeatro della Valle, 795.\nBut we must not forget that this short list of eight thea-\ntres represents none but the \" public playhouses \": and that\nin many a palace was a magnificent Teatro privato or"}, {"page_pdf": 13, "page_imprimee": "3", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.13", "debut_caractere": 0, "fin_caractere_exclue": 1861, "texte": "a Teatrino. And, lest we develope any wrong notion about\nRoma and its manner of doing things of this kind in the\nseventeenth and eighteenth Centuries, let us state what a\nprivate Theatre was not in those days.\nMerely because it was private, it was not anything\nwhich today we call \"amateurish but inasmuch as it was\nan \" amatore delle arti\", a lover of the arts, who devoted a\nlarge portion of his wealth and time to the care of his\nTeatro, so was the work amateurish, but only in this sense.\nDevoting time and money to his Teatro did not as\na rule mean that he interfered with the work, the con-\nstruction of the place, the production or composition of plays,\nopera or ballet. Counts Pepoli and Albergatti, two of the\nforemost amatori d'arte of Italy, did assuredly write plays,\nand perform in them; but as a rule the great people of\nRoma made and kept their private theatres more for the\nentertainment of their guests and to avoid the inconvenien-\nces of the public playhouses with their crush, draughts,\nnoise and suffocation.\nAmongst those who had Private Theatres in Roma\nwere the Queen of Poland, Maria Casimira, who in 1709\nlived in Pal azzo de Torres alia Trinita del Monte: Olimpia\nAldobrandini, the famous Principessa di Rossano; the\nSpanish Ambassador whose private theatre in the Spanish\nPalace was built in 1688: the Barberini family, whose\ntheatre it is said seated 3000 people and was opened in\n1634. The Prince Galicano had a private Theatre at\nwhich Evelyn in 1645 witnessed \" a magnificent opera \".\nThen there was the teatro of Palazzo Rospigliosi; those of\nPalazzo Corsini; of Palazzo Colonna in Borgo, (the Co-\nlonna family had it seems two private theatres, one of these\nknown as \"il grand teatro del Contestabile Colonna \"); of\nthe Palazzo Panfili in the Corso; and of the Collegio Ro-\nmano. The most fashionable theatre of 1639 was a pri-"}, {"page_pdf": 14, "page_imprimee": "4", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.14", "debut_caractere": 0, "fin_caractere_exclue": 534, "texte": "vate Theatre built by Bernini in the Fonderia del Vati-\ncano. Lastly there was the teatrino built for Cardinal Pietro\nOttoboni by Juvarra in about 1 700, a building of three\ntiers and most beautifully designed interior. We have seen\nthe almost unknown original designs. In 1678 during the\ncarneval there were 130 comedies given in the private\ntheatres of Roma.\nBut most of our readers probably know all about\nthese places and what was performed there, and the Plan\nis onlv to serve as a means of locating their exact positions.\n\nJ. S."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c007", "article_bluemountain": "bmtnaau_1925-01_01#c007", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "5", "page_fin": "34", "image_debut": 15, "image_fin": 44, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.6", "titre_corps": "A NEW PLAN OF ROMA : PUBLISHED IN THE YEAR MDCCXLVIII", "titre_sommaire": "A NEW PLAN OF ROMA : PUBLISHED IN THE YEAR MDCCXLVIII", "signature_source": "GIOVAN BATTISTA NOLLI", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 15, "page_imprimee": "5", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.15", "debut_caractere": 0, "fin_caractere_exclue": 2652, "texte": "A NEW PLAN OF ROMA\nPUBLISHED IN THE YEAR MDCCXLVIII.\nBY GIOVAN BATTISTA NOLLI.\nFOREWORD BY THE DESIGNER.\n(i)\nALTHOUGH the leaves of the large Plan\nof Roma ought to be all united\ntogether, so as to have them all extended\nbefore the eye, as are usually all Geo-\ngraphical Maps, yet, if it should please\nanyone to have them bound, in book form,\nit is to be noted that, to be able to make\nuse of its indexes, desiring to find those\nBuildings or Places which are in the same\nPlan, it is necessary first to find in the\nalphabetical Index the name of that Buil-\nding or Place which one is seeking, and\nio see what is the number by which it\nts indicated on the sheets ; then the same\nnumber is found in the other numerical\nIndex, and in this wise one will know in\nwhich Rione it is described : and, seeing\nin that same Rione the number already\nfound, one will see the Place or Building\ndesired. At the top of each sheet are\nrepeated the Rione, and, some being de-\nscribed in a single sheet, others in several\nsheets, there is indicated, beside the name\nof each one, those sheets in which some\npart of this same Rione is included, and\nin one of which there will be found the\nnumber of the Building, or Place, which\none seeks.\nRIONI OR DIVISIONS OF THE CITY.\nRione I. Monti Sheet 14. 15. 16. Rione VIII. S. Eustacio 19.\n20. 21. 22.27. » ]X pi 19\nZo.\n\" 11. Trevi 20.21.26.27. X. Campitelli 6.9.14.15.19.\n11 111. Colonna 19. 20. 25. 26. \" Angelo 19.\n27. » XII. Ripa 5.6.8.12.13.\n\" IV. Campo Marzo 19. 25. 26. 19.\n\" V. Ponte 18. 19.24. 25. \" XIII. Trastevere 12. 13. 18. 19.\n11 VI. Parione 18. 19. 24.\n\" VII. Regola 18.19. « XIV. Borgo 23.24.\n\n(1) IA MBA TTISTA, or Giovan Battista Nolliwas born at\nVJT Como, in Italy, about thebeginning of the eighteeyith\ncentury. architect by Profession, built the church of\nS. Dorotea in Roma, and in 1748 made a plan of that city,\nwhich was issued under the title of\" Nuova Fianta di Roma\nIt is a plan of the modern city with indications of the ancient\nruins, and zvas considered the finest which had been executed\nup to that time. Some years later, about 1755, he made another\nplan op ancient Roma.\nHe died in 1780, ten years after his son Cqrlo, whoy a\npainter a?id engraver, predeceased him, in Naples where he\nhad gone to work for the King of Naples, in 1770,\n(2) are two Indexes in the original edition. We\nX have not included the Alphabetical Index, thinking that\none Index would be e?iough for the moment. We have used\nthe two, and find the one included here to be the more useful\nof the two.\nBUT we will give the Alphabetical Index in the next\nnumber op '* The Mask and those who wish can\nbind the whole worfc together."}, {"page_pdf": 16, "page_imprimee": "6", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.16", "debut_caractere": 0, "fin_caractere_exclue": 661, "texte": "INDEX OF NUMBERS ON THE PLAN.\nRIONE I. - MONTI.\n1. Chiesa di S. Stefano Rotondo T.C. 43\n2. Strada del la Ferratella\n3. Ruine Antiche > 1 44\n4. Abitazione de' PP. Penitenzieri di\nS. Gio. Laterano\n5. Cliiesa patriarc. e Paroc. di S. Gio.\nLaterano\n6. Palaz Pontificio ora Conservatorio di\nZitelle\n7. Chiesa di S. Maria in Fonte\n8. Chiesa delle SS. Kufina, e Seconda\n9. Chiesa di S. Gio. in Fonte\n10. Obelisco gik del Circo Massimo\n11. Sped, di S. Gio. per gli Uomini\n12. Cliiesa di S. Andrea unita al d. Sped.\n13. Sped, di S. Gio. per le Donne\n14. Obelisco Lodovisio giacente\n15. Sancta, Sanctorum e Scala santa\n16. Orate Confrat del Sagramento in\nS. Gio. Laterano"}, {"page_pdf": 17, "page_imprimee": "7", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.17", "debut_caractere": 0, "fin_caractere_exclue": 685, "texte": "17. Triclinio Leoniano rinovato da IST. S.\nhenedetto XIV\n18. Cap. di S. Margar ta\n19. Cap. di S. M, de Cistercitnsi\n20. Anfiteatro Castrense\n21. Chiesa di S. Croce in Gerusalem T.C.\ne Monast. de Cisterci Lombardi\n22. Tempio di Yenere, e Cupidine\n23. Strada Felice\n24. Terme di S. Elena\n25. Acquedotto di Claudio Imp.\n26. Tempio di Minerva Medica\n27. Chiesa di S. Bibiana\n28. Chiesa di S. Matteo in Mercnlana T.C.\ne conv. di Agostiniani Jrland.\n29. Chiesa di SS. Pietro, e Marcellino\nT. C. e Monast. de Maroniti di S. An-\ntonio Abate\n30. Chiesa di S. Clemente T. C. e Conven.\nde' Domenieani Tbernesi\n31. Chiesa di S. Maria di Lore to, e Ospi-\nzio de Convalescenti\n32. Terme di Tito Imp."}, {"page_pdf": 18, "page_imprimee": "8", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.18", "debut_caractere": 0, "fin_caractere_exclue": 759, "texte": "33. Conserve d'acqua per d. Terme dette\nle sette sale\n34. Strada delle sette sale\n35. Palaz, e Villa Gaetani\n36. Chiesa di S. Ginliano, e Ospiz. Dei\nCarmelit. della Provin. Rom an a\n37. R. A. d' volgarmente, i Trofei di\nMario\n38. Chiesa di S. Ensebio I. C. e Monast\nde' Celestini\n39. Rnine credute della Villa di Mecenate\n40. Chiesa de' SS. Vito e Modesto D.C. e\nMonasterio de Cistercien. della Pro-\nYin ci a Rom an a\n41 Arco di Gallieno Imp.\n42. Chiesa della Conceze e con servatorio\ndetto delle Viperesche\n43. Memoria della Reconciliazione di En-\nrico IV\n44. Argine di Tarquinio\n45. Chiesa di S. Antonio Abate, e casa\nde' Canonici Reg. di d. Santo di Vien-\nna in Erancia\n46. Sped, di S. Antonio Abate\n47. Abitazione de' PP. Penitenzieri d.\nS. Maria Maggiore"}, {"page_pdf": 19, "page_imprimee": "9", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.19", "debut_caractere": 0, "fin_caractere_exclue": 715, "texte": "48. Colonna gi& del Tempio della Pace\n49. Chiesa patriarc. di S. M. Maggiore\n50. Obelisco gia del Mausol d'Aug.\n51. Palazzo Ciampini.\n52. Strada Paolina\n53. Palazzo Pavenna\n54. Strada dell' Olmo\n55. Palazzo Pocavena\n56. C. P. di S. Prassede T. 0. e Monast.\nde Vallombrosani\n57. Strada della Coroncina\n58. 0. P. di S. Martino a' Monti T. C. e\nconv. de' Carmelitani con mine cre-\ndute delle Terme di Tito\n59. Chiesa di S. Lucia in selce e Monast.\ndi Agostiniane con P. A. e Torre\n60. Chiesa di S. M. della Purificazione e\nMonast di Monaclie di S. Cliiara\ncon P. A.\n61. Cap. gia S. M. in Monasterio\n6*2. Monast. di Oblate di S. Francesco di\nPaola\n63. Vicolo di Monti Pollacco\n64. Chiesa di S. Pietro in Vincoli T. C. e"}, {"page_pdf": 20, "page_imprimee": "10", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.20", "debut_caractere": 0, "fin_caractere_exclue": 631, "texte": "Monasterio di Canonici Reg. di S Sal-\nvatore\n65. C. P. di S. Franc, di Paol i o con v.\nde' Minimi di.Calabria con Tore\n66. Orafc. e confr. di d. Santo\n67. Chiesa della conce7don e Monast. di\ncappuccine dette Farnesiane\n68. Vicolo delPAgnello d° Scelerato\n69. Vicolo del Cardello\n70. Chiesa di SS. Andrea Apost. e Ber-\nnardino de' Rigattieri\n71. Tenipio ereduto d' Isside e Serapide\n72 Chiesa di S. Francesca Roman t e\nMonasterio d' Olivetani\n73. Arco di Tito Imp.\n74. Tempio della Pace\n75. Conservatorio delle Zitelle Mendicanti\ndel P. caravita\n76. Chiesa di S Pantaleone a'Monti e\nconvitto di Preti Secolari\n77. Vicolo del Pozzolo"}, {"page_pdf": 21, "page_imprimee": "11", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.21", "debut_caractere": 0, "fin_caractere_exclue": 607, "texte": "78. Vicolo de'Pozzi\n79. Strada Alessandrina\n80. Chiesa de SS. Cosmo, e Damiano D.Q.\necon. de' PP. del 3 online di S. Franc0\n81. Cliiesa di S. Lorenzo in Miranda de'gli\nspeziali giA Tenipio d'Antoniuo, e\nFaustina\n82. Strada della salara veccbia\n83. Vicolo del Lauro\n84. Strada del Sole\n85. Avanzi del Foro Palladio, o di Xerva\n86. Torre di Conti\n87. Piazza delle Carrette\n88. Vicolo delle Pernicone\n89. C. P. de SS. Qairico, e Griulitta T. C.\ne Ospizio de' Domenicani di S. Marco\ndi Firenze\n90. Orat. e Confr. del Sagramento in detta\nchiesa\n91. Strada di Torre de' conti\n92. Cliiesa di S. Agata de' Tessitori"}, {"page_pdf": 22, "page_imprimee": "12", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.22", "debut_caractere": 0, "fin_caractere_exclue": 767, "texte": "93. Strada della Croce Bianca\n94. Chiesa di S. Adriano D. C. e cony,\nde' PP. della Mercede della prov.\nRomana\n95. Orat. di S. M. del Riscatto degli\nAcquavitari e Tabaccari\n96. Arco di Settimio Sovero\n97. Chiesa de SS. Martina e Luca del-\nl'accademia de'Pittori\n98. Strada Bonella\n99. Strada del Priorato\n100. Palazzo Ghislieri\n101. Strada Cremona, e Marmorella\n102. Strada delle Chiavi d'oro\n103. Chiesa di S. TTrbano, e Monastero delle\nMonache Cappuccine\n104. Vicolo di Carbonari\n105. Palazzino Conti\n106. C. P. di S. Lorenzo a' Monti\n107. Strada di Testa Spaccata\n108. Strada di Marforio\n109. Palazzino Carandini\n110. Palazzino Mantica con sepolcro di\nCajo Publicio\n111. Luogo della Ripresa de' Barbari\n112. Piazza di' Marcel de' Corvi\n113. Piazza e colonna Trajana"}, {"page_pdf": 23, "page_imprimee": "13", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.23", "debut_caractere": 0, "fin_caractere_exclue": 730, "texte": "|ll4. Chiesa delJo Spirito Santo, e Mona-\nlir sier.° Canonichesse Lateranensi\n1110. Chiesa di S. Fafemia, e ConserYa-\nt.orio di Zitelle\n9|16. Yieolo de' Taroli\n1117. Palazzi Ceva\n|llB. Salita di Monte Magnanapoli\n■ 19. Rnine de' Bagni di Paolo\n120. Ospizio per le vedove\n121. C. P. di S- Min. Campo Carleo\n122. Strada di Campo Carleo\n123. Chiesa dell' Annunziata, e Monast.\ndi Domenicane nel Foro di Nerva\n124. Arco di Pontani\n125. Yieolo degli Ibernesi\n126. Collegio degli Ibernesi\n127. Piazza del Grillo\n128. Palazzo del Grillo con Torre\n129. Salita del Grillo\n130. Chiesa di S. Caterina di Siena, e\nMonastero di Domenicane con Torre\n131. Chiesa di SS. Domenico, e Sisto, e\nMonastero di Domenicane della Pro-\nvincia di Lombardia"}, {"page_pdf": 24, "page_imprimee": "14", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.24", "debut_caractere": 0, "fin_caractere_exclue": 557, "texte": "132. Ohiesa di S. Bernardino, e Monast.\ndi Monacbe del 3 ordine di S. Franco\n133. Collegio Faccioli\n134. Strada Bacciua\n135. C. P. di S. Salvatore, e Casa de' Ca-\ntecuineni\n136. Orat. di S. Gio. Battista de'Neofiti\ne conservat. delle Neofiti\n137. Chiesa di S. Maria de Monti e Col-\nlegiode' Neofiti in curade Pij Operari\n138. Orat. e Confr. di S M della Neve\n139. Strada Leonina\n140. Chiesa di S. M. del Pasrolo, e Ospiz.\nde Monaci Basiliaui Kutoni\n141. Strada de Serpen ti\n14*2. Strada delle Oarrette\n143 Abitaze Stefanoni con Torre\n144. Yicolo del Sambuco"}, {"page_pdf": 25, "page_imprimee": "15", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.25", "debut_caractere": 0, "fin_caractere_exclue": 524, "texte": "145. Piazza de' Zingari\n146. Strada Clementina\n147. Yicolo di Cimarra\n148. Palazzo Passarini\n149. Palazzo Cimarra\n150. Vicolo di Ciancaleone\n151. Strada Paradisi\n152. Strada Urban a\n153. Cliiesa di S. Lorenzo in Fonte o\nOspiz XJrbano de'Coitegiani\n154. Piazza, e Strada della Subiirra\n155. Ospiz. de Benfratelli Spagnuoli\n156. Strada Graziosa\n157. Cliiesa delPAnnnnziata © Monast. di\nAgostiniane de le Turchine\n158. Monfist, delle Filippine\n159 Abitazione Cantarelli coil Torre\n160. Salita di Sforza\n161. Vicolo di Euinaglia"}, {"page_pdf": 26, "page_imprimee": "16", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.26", "debut_caractere": 0, "fin_caractere_exclue": 613, "texte": "162. Chiesa del Bambino Gesu e convitto\ndi oblate Agostiniani\n163. Yicolo della Caprareccia\n164. Chiesa di S. Lorenzo in Pane, e\nPerna T. C. e Monast. di Monache\ndi S. Chiara con P. A.\n165. Torre nella Yigna di Monache\n166. Strada del Boschetto\n167. Palazzino Corasoli\n168. Chiesa di S. Agata in Stiburra D. C. e\nMonast. de' Monaci di Monte Yergine\n169. Palazzo Panfili\n170. Palazzino Keali\n171. Yicolo de' Mazzarini\n172. Palazzo Pianetti\n173. Palazzo Pospigliosi\n174. Palazzo della Consulta\n175. Chiesa di S- M. Maddal. a Monte\nCavallo e Monast. di Doraenicane\n176. Chiesa del Sagramento, e Monast.\ndi Cappuccine"}, {"page_pdf": 27, "page_imprimee": "17", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.27", "debut_caractere": 0, "fin_caractere_exclue": 675, "texte": "177. Chiesa di S. Andrea, e Noviziato\nde Gesuiti\n178. Chiesa di S. Vitale unita a detto\nNoviziato\n179. Chiesa di S. Anna e S. Gioacliino,\na Ospiz. de' Carmelitani Scalzi\n180 Chiesa di S. Carlo, e Ospiz. de'Tri-\nnitari Scalzi Spagnuoli\n181. Quattro Fontane\n182. Cliiesa di S. Dionisio, e conv. de\nTrinitari Scalzi Francesi\n183. Strada di S. Vitale\n184. Palazzino dell' Erno Albani S. Cleme\n185. Chiesa di S. Paolo p. Eremita e Ospiz\ndi Eremiti TJngari di d° Santo\n186. Chiesa di S. M. della Sanitii, e\nS. Efreni, e Ospiz. per Siriaci\n187. Palazzino dell' Enio Alessandro Al-\nbani\n188. Cliiesa di S. Pudenziana T. C. e\nMonast. de Cistercien. Riforni; di\nS. Bernardino con R. A."}, {"page_pdf": 28, "page_imprimee": "18", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.28", "debut_caractere": 0, "fin_caractere_exclue": 540, "texte": "189. Chiesa di S. Norberto. e Collegio de\nMonaci Premostratensi\n190. Palazzo Albani\n191. Chiesa di S. Teresa, e Monast. di\nCarmelitane Scalze\n192. Cliiesa dellMncarnazione e Monast.\ndelle Oarmelit di S. M. Maddalena\nda' Pazzi de le Barberine\n193. Cliiesa di S. Caionnita al d°Monast.\n194. Ospiz. di Ermiti Carnaldolesi To-\nscani\n195. Chiesa di S. Bernardo T. C , e Mo-\nnast. di Cistercien Hi form, di d.\nSanto\n196. Orat. di S. Caterina uuita alia Sudetta\n197. Grauari Pubblici\n198. Piazza di Termine\n199. Palaz, e Villa Negroni gia Moutaltq"}, {"page_pdf": 29, "page_imprimee": "19", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.29", "debut_caractere": 0, "fin_caractere_exclue": 341, "texte": "200. Conserve d'acqua delle Terme Dio-\ncleziaue\n201. Luogo dove si seppelliscono i prote-\nstanti\n202. Castro Pretorio\n203. Chiesa di S. M. degli Angeli T. C, e\nMonast. de' Certosini nelle Term©\nDiocleziane\n204. Granari pubblici\n205. Fontaua dell'acqua Felice\no RIONE 11, - TREYI. o\n206. C. P. di Susanna T. C. e Monastero\ndi Mouache Cisterci"}, {"page_pdf": 30, "page_imprimee": "20", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.30", "debut_caractere": 0, "fin_caractere_exclue": 477, "texte": "207. Cliiesa di S. Maria della Vittoria e\nconv : de' Carmelit Scalzi Italiani\n208. Tempio detto di Yenere\n209. Avauzi del Circo do di Flora\n210. Yicolo del Falcone\n211. Chiesadi S. Nicold di Tolentino e con\"\nvento di Agostiniani Scalze con Torre\n212. Vicolo della Colonna\n213. Cliiesa di S. Basilio, e Monastero\ndi Basiliani Italo-Greci\n214. Piazza Barberina gia Sforza e Gri\nmaim\n215. Palazzo Barberini coil Guglia gia\ncente nel Cor tile\n216. Palazzo Barberini per la famiglia"}, {"page_pdf": 31, "page_imprimee": "21", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.31", "debut_caractere": 0, "fin_caractere_exclue": 345, "texte": "217. Palazzino Galloppi\n218. Cliiesa di S. Andrea e Collegio Seoz-\nzese\n219. Palazzo Grimani\n220. Strada Rasella\n221. Cliiesa di S. Maria della Neve e\nOspiz. de Cistercien. Risorm. Fuliensi\n222. Vicolo degli Avignonesi\n223. Vicolo dell a Pal ma\n224. C P di S. Nieolo in Arcione, e\nOspiz. de' Sorvi di Maria\n225. Orat, del B>mo Crocif. agonizante"}, {"page_pdf": 32, "page_imprimee": "22", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.32", "debut_caractere": 0, "fin_caractere_exclue": 488, "texte": "della Confr. del Sagramt0 di detta\nChiesa\n226. Palazzo dell' Emo Gentili\n227. Yicolo de Gallinaccio\n228. Chiesa di S. Gio. 'e Colleg de' Ma-\nroniti\n229. Strada de Maroniti\n230. Palazzo del Emo Alberooi\n231. Cliiesa e Confr. de SS. Angeli Cu-\nstodi\n232. Palazzo Panfili\n233. Acquedotto dell'acqua Vergine\n234. Palazzo Bufalo\n235. Strada della Chiavica del Bufalo\n236. Chiesa di S. Claudio de Boigoguonl\n237. Yicolo del Merangolo\n238. C. P. di S. M. in Via T. C. e con v.\nde' Servi di Maria"}, {"page_pdf": 33, "page_imprimee": "23", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.33", "debut_caractere": 0, "fin_caractere_exclue": 543, "texte": "239. Orat. e Confr. del Sagr. in d. Chiesa\n240. Piazza di Poli\n241. Palazzo Conti\n242. 0. P, di S. M. in Trivio, e casa de\nMinistri degli Infermi\n243. Fontana di Trevi e sua Piazza\n244 Palazzo Cavalieri\n245. Strada Nuova\n246. Piazza e Vicolo di Scanderbecli\n247. C. P. de' SS. Vineenzo ed Anastasio,\ne Casa de' Chierici Minori\n248. Vicolo del Babuccio\n249. Dataria Apostolica, e Eesidenza del\nDatario\n250. Palazzo Pontificio nel Quirinale\n251. Orat. del Bento jSTicold de' Rnpe\nnella Guardia de' Svizzeri\n252. Piazza di Monte Cavallo con Font."}, {"page_pdf": 34, "page_imprimee": "24", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.34", "debut_caractere": 0, "fin_caractere_exclue": 684, "texte": "253. Quartieri per la Gnardia Reale\n254. Scuderia Pontificia\n255. Abitazione per la Famiglia Pontif.\n256. Cbiesa di S. Croce, e Bonaventura\nde' Luccbesi con Spedale\n257. Palazzo Testa Piccolomini\n258. Palazzo e Giardino del Contestabile\nColonna con R. A.\n259. Cbiesa di S. Silvestro, e FToviziato\nde' Teatini\n300. Palazzo Vidman, e Ospizio de' Ye-\nscovi Yeneti\n261. Palazzo Florenzi\n262. Palazzo Molara\n263. Piazza delle 3 Cannelle, e Fontana\n264. Palazzino Stella\n265. Abitazione della Famiglia di Casa\nColonna con Torre\n266. Palazzo Grassi\n267. S. M. del Carmine Orat della Confr.\naggregata alia Cbiesa di S. Martiuo\na' Monti\n268. Yicolo de' Colonnesi con Arco\n269. Palazzo Cigolini"}, {"page_pdf": 35, "page_imprimee": "25", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.35", "debut_caractere": 0, "fin_caractere_exclue": 593, "texte": "270. Palazzo Scarlatti\n271. Palazzo Papi\n272. Cliiesa e confr. del Nome di Maria\n273. Palazzo Bonelli\n274. Cliiesa di S. M. di Loreto dell' Uni-\nversity de' Fornari Italiani\n275. Spedale dell' university sud.a\n276. Palazzo Parracciaui\n277. Palazzo Bolognetti\n278. Cliiesa di S, Romualdo, e Ospizio\nde' Camaldolesi\n279. Palazzo Altemps Isimbardi S, Casa\ndi Lore to\n280. Vicolo del Piombo\n281. Palazzo e Giardino Colonna\n282. Strada della Pilotta con due Ar-\nch i\n283. C. P. de' S.S. XII Apostoli T. C. e\nconv. de' Minimi Conventuali\n284. Palazzo Odescalco\n285. Palazzo dell'Accademia di Francia"}, {"page_pdf": 36, "page_imprimee": "26", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.36", "debut_caractere": 0, "fin_caractere_exclue": 740, "texte": "286. C. P. di S. Marcello T. C. e Con-\nvento de' Serviti\n287. Orat. e Conf. del Crocif. in d. Chiesa\n288. Palazzo Millini\n289. Palazzo Muti Papazzurri\n290. Palazzino della Corap. de' SS. XII\nApostoli\n291. Strada del Umilta\n292. Palazzo Muti Papazzurri\n393. Piazza della Pilotta\n294. Palazzo Ciogni\n295. Palazzo Grimaldi\n296. Chiesa di S. M. dell' Umilta, e Mo-\nnastero di Domenicane\n297. Palazzo Maccarani\n298 Strada delle Vergini\n299. Chiesa di S. M. delle Vergini, e Mo-\nnaster di Agostiniane\n300. Palazzo Colonna di Oarbognano\n301. Strada delle Muratte\n302. Piazza di Sciarra, e Arco di Carbo-\ngnano\nR 1 ONE IT I . - COLONNA.\n303. Palazzo dell' Ereditk Lanci\n304. Ospiz. di S. Croce de' Monaci Ci-\nst ercien di Lombardia\n305. Piazza Rosa"}, {"page_pdf": 37, "page_imprimee": "27", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.37", "debut_caractere": 0, "fin_caractere_exclue": 705, "texte": "306. Palazzo Spada\n307. Yicolo del Pozzo\n308. Yicolo di Cacciabove\n30ib Palazzo Gbigi\n310. Colonna di Marco Aurelio, e Piazza\ndetta Colonna\n311. Palazzo dell' Ospizio Apostolico Abi-\ntazione di Monsig Yicegerente\n312. Palazzo della Casa degli Orl'ani\n313. Palazzo ciei Unique\n314. Palazzo delle Monaclie Agostiniane\ndella Terra di Calvi\n315. Piazza di Pietra\n316. Cliiesa de SS* Bartolomeo e Alessan-\ndro e Sped, de Bergamascbi, e Colleg.\nCerasoli\n317. Palazzo Niccolini\n318. Palazzo Guelfi Camaiani Montauti e\nRo varolii\n319. Yicolo dell'Arcbetto\n320. Palazzo Monteeatini\n321. Palazzo di S. Giac. degli Incurabili\n322. Dogana di Terra con Colon ue An-\ntiche\n323. Cliiesa di S. Mauto\n324. Seminario Bomano"}, {"page_pdf": 38, "page_imprimee": "28", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.38", "debut_caractere": 0, "fin_caractere_exclue": 796, "texte": "325. Palazzo Serlupi\n326. Yicolo de'Pastini\n327. Yicolo della Spada d' Orlando\n328. Palazzo della Confr. del Rosario con\ndue Colonne Anticlie nel Cortile\n329. Piazza Capranica\n330. C. P. di S. M. in Aquiro D. C. e Col-\nlegio Salviati e casa degli Orfani\n331. TEATRO CAPRAISTICA\n332. Teatro Cap-ranica\n333. Collegio Capranica\n334. Chiesa di S. M. Maddalena, e Casa\nde' Ministri degli Infermi\n335. Yicolo delle Colonnelle\n336. Palazzo delle Monac. di Campo Marzo\n337. Strada di Monte Citorio\n338. Piazza di Monte Citorio, e Piedestallo\ndella Colonna Antonina\n339. Palazzo dell'Ospiz. Apostolico d°\nLa Curia Innocenziana\n340. Colonna Antonina giacente\n341. Chiesa della Sma Trinity, e Casa\nde' Missionari\n342. Palazzo Mariscotti\n243. Palazzo Rondinini\n344. Palazzo Conti con Obelisco Solare\ngiacente"}, {"page_pdf": 39, "page_imprimee": "29", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.39", "debut_caractere": 0, "fin_caractere_exclue": 754, "texte": "345. Palazzo Palombara\n346. Palazzo Verospi\n347. Palazzo Teodoli\n348. Palazzo Ghigi per la famiglia\n349. Palazzo Magnani\n350. C. P. di S. Lorenzo in Lucina T. C.\ne Casa di Chierici Minori\n351. Palazzo Ottoboni con Torre\n352. Palazzo Amadori Prelatnra\n353. Sito dell'Arco di Marco Anrelio gi&\nd° di Portogallo\n354. Strada del Gambaro\n355. Palazzo Baggi\n356. Chiesa diS. M. Maddalena e Monast.\ndi Agostiniane dette le Convertite\n357. Chiesa di S. Silvestroin Capite T. C.\ne Mona9t. di monache di S. Chiara\n358. Strada delia Vite\n359. Strada Frattina\n360. Strada del Moretto\n361. Chiesa di S. G-io. e Ospiz de' P. P.\ndella Mercede Scalzi Spagnuoli\n362. Paiazzi Bernini\n363. Palazzo Olgiati\n361. Chiesa de* SS. Be' Magi, e Collegio\nIJrbano di Propaganda Fide"}, {"page_pdf": 40, "page_imprimee": "30", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.40", "debut_caractere": 0, "fin_caractere_exclue": 7551, "texte": "365. C. P. di S. Andrea delle Fratte, e\nConvento de' Minimi\n366. S.S. Andrea Apost. e Franc, di Paola\norat della confr. del Sagramento in\nd. Chiesa\n367. Collegio Nazzareno\n368. Palazzi de'Angelis\n369. Piazza de' due Macelli\n370. Strada Paolina\n371. Yicolo de Zucchelli\n3 72. Chiesa di S. M. dell'ldria detta di\nCostantinopoli de' Siciliani\n373. Chiesa di S. Giuseppe a' Capole\nCase e Monastero di Teresiane\n374. Chiesa de SS. Iddfonso, e Tomaso\ndi Villanova, e Ospiz. di Agostiniani\nScalzi Spagnuoli\n375. Chiesa di S. Francesca Romana e\nconvento di Trinitari Italiani\n376. Orat. dell'Assunta della Confr. del\nSagram. di S. Susanna\n377. Ospiz. di Benedettini Spagnuoli\n378. Palazzino Perucclii\n379. Strada della Purificazione\n380. Chiesa della Sma concezione, e\nconvento de' Cappuccini\n381. Palazzo Lucatelli\n382. Palazzo e Yilla Ludovisi\n383. Strada Salara\n384. Chiesa di S. Isidoro e Collegio de'\nMin Osservanti Irlandesi\n385. Palazzo Guarnieri\no RIONE IY. - CAMPO MARZO. o\n386. Palazzo Tomati %\n387. Strada Gregoriaiia\n388. Piazza Mignanelli\n389. Palazzi Mignanelli\n390. Palazzo Zuccari, Nazari Comp. della\nNunziata\n391. Chiesa della Trinity de' Monte T. C.\ne Convento de' Minimi Francesi\n392. Palazzo, e Villa Medici\n393. Obolisco in detta Yilla\n394. Cap. di S. Gaetano in da Yilla\n395. Piazza di Spagna\n396. TEATRO DETTO D'A LIBERT\n397. Strada Margutta\n398. Palazzo Boncompagni\n399. Fontana, e Strada del Babuino\n400. Yicolo del Borghetto\n401. Chiesa P. di S. M del Popolo T C.\ne conv. di Agostiniani Lombardi\n402. I.uogo dove si sepelliscono gP Impe-\nnitenti e Muro Torto\n403. Piazza del Popolo con Fontana, e\nObelisco giy del Circo Massimo\n404. Chiesa di S. M. di Morte Santo, e\nconvento di Carmelitani Riformati\n405. Strada Laurina\n406. Strada Orsini\n407. Chiesa di Gesti, e Maria, e Convento\nd'Agostiniani Scalzi\n408. Oratorio e Confr. di Gesii, Me Giu-\nseppe\n409. Chiesa di S. Atanasio de' Greci\n410. Arco, e Strada de' Greci\n411. Collegio Greco\n412. Chiesa di S. Orsola, e Monastero di\nAgostiniane dette le Orsoline\n413. Strada Yittoria\n414. Strada de' Sediari\n415. Palazzo Gomez\n416. Strada della Croce\n417. Strada delle Carozze\n418. Palazzo della Religione di Malta\n419. Palazzo della Porta\n420. Strada della Serena\n421. Palazzo della Trinita de' Pellegrini\n422. Strada Condotti\nChiesa della Trinity e ospizio de'\nTrinitari Castigliani\n424. Oratorio e Conf. del Sagramento in\nS. Lorenzo in Lucina\n425. Palazzo Avogadri\n426. Palazzo Nunez\n427. Palazzo Maiuscelli\n428. Strada Porgognona\n429. Palazzo di Spagna\n430. Strada di Boccaleone\n431. Yicolo del Gambaro\n432. Palazzo Manfroni\n433. Strada del Corso\n434. Palazzo Ruspoli\n435. Strada del Leoncino\n436. Piazza della Torretta\n437. Palazzo della S. Casa de' Loreto\n438. Piazza di Campo Marzo\n439. Palazzo Yaldina Cremona\n440. Cbiesa di S. M. in Campo Marzo e\nMonast. di Benedettine, con 2 chiese\ninteriori di S. Maria, e di S. Grego-\nrio Nazzinzeno\n441. Strada di Campo Marzo\n442. Piazza di Firenze\n443. Yicolo di Ascanio\n444. TEATRO DELLA PA LL ACCORD A\n445. Palazzo Cardelli\n446. Palazzo di Firenze\n447. C. P. di S. Nicolb de' Perfetti e\nospizio di Domenicani di S. Sabina\n448. Oratorio e Confr. del Sagramento e\nS. Catarina di Siena in d*. Chiesa\n449. Yicolo della Lupa\n450. Chiesa di SS. Biagio, e Cecilia de'\nMaterassari\n451. Palazzo Borghese\n452. Piazza Borghese\n453. Palazzo Borghese per la Famiglia\n454. Yicolo del Merangolo\n455. Piazza di Monte d'Oro\n456. Ospizio de' Liegesi\n457. Palazzino Quarantotto\n458. Strada del Macello\n459. CliiesaColleg: di S. GirolamodeSchia-\nvoni T. C. con Spedale per Nazionali\n460. Strada del Grottino\n461. Chiesa di S. Ambrogio, e S. Carlo\ndi Milanesi con Spedale\n462. Oratorio e Confr. de' Milanesi\n463. Strada di Schiavoni\n464. Piazza delle Carrette\n465. Piazza degli Otto Cantoni\n466. Strada, e vicolo delle ColonnelJe\n467. Yicolo della Pergola\n468. Chiesa e Confr. di S. Rocco\n469. Oratorio sotto la detta Invocazione\n470. Spedale per gli Uomini\n471. Spedale per le donne partorienti\n472. Mans, di Angnsto, e Palazzo Correa\n473. Strada de' Pontefici\n474. Yicolo della Frezza\n4 75. Palazzo Minucci\n476. Chiesa di S. Giacomo deglTncurabili\n477. Spedale per le donne\n478. Spedale per gli Uomini\n479. Chiesa di S. M. Porta Paradisi\n480. Sped, dismesso di S. Giacomo sud.\n481. Palazzo di S. Giacomo sudetto\n482. Yicolo del Yantaggio\nPalazzo Rondinini\n484 Chiesa di S. M. de' Miracoli de\nPP. del 3 ordine Riformati di S. Fian-\ncesco Francesi\n485. Yicolo dell'lnferno\n486. Piazza de' Miracoli\n487. Yicolo de' Miracoli\n488. Piazza dell' Oca\n489. Yicolo della Penna\n490. Yicolo delle Scalette\n491. Palazzo Cardelli gi& Capponi\n492. Chiesa di S. M. della providdenza, e\nconserv. di zitelle a Ripetta\n493. Dogana di Ripetta\n494. Strada e Porto di Ripetta\n495. Chiesa di S. Gregorio deli' University\nde' Mora tori\n496. Oratorio di d°. Santo della da. Uni-\nversity\n497. Strada Leccosa\n498. Palazzo de' Aste de' Genova\n499. Collegio Clemeutino\n500. Torre del detto Collegio\n501. Piazza Nicosia\n502. Palazzo Negroni\n503. Palazzo Celesi ora Negroni\n504. C. P. di S. Ivo de' Biitanni\n505. Yicolo della Campana\n506. Chiesa di S. Antonio di Padova de'\nPortoghesi con conv. di Preti e Spe.\n507. Yicolo del Leoncino\n508. C, P. e Colleg. di S. Lucia della Tinta\n509. Strada di Monte Brianzo\no RIONE Y. - PONTE o\n510. Palazzo de' Romanis\n511. Palazzo Carafa Prelatura\n512. Palazzo della confr. del Confalone\ncon Torre\n513. Yicolo della Palombella\n514. Strada de' Gigli d' Oro\n515. Chiesa di S. Apollinare e Collegio\nGermanico Ungarico\n516. A rco detto di S. Agostino\n517. Piazza Palomha\n518. Torre Sanguigna in Casa Conti\n519. Palazzo A1 temps con cap. Insigne di\nS. Aniceto Papa e Martire\n520. Yicolo de' Soldati\n521. Palazzo Gottifredi\n522. C. P. di S. M. in Posterula e Mo-\nnastero di Celestini\n523. Arco detto di Parma\n524. Strada dell'Orso\n525. C. P. di Simone Profeta\n526. Palazzo Cesi\n527. Strada della Maschera d'Oro\nStrada Gaetana\n529. Palazzo Sacripanti\n530. Piazza Fiammetta\n531. Palazzo Sampieri\n532. Chiesa di S. Trifone\n533. Palazzo Lancellotti\n534. Yicolo de' Matriciani\n535. Chiesa di S. Salvatorein Lauro della\nNazione Picena, e 2 collegi annessi\n536. TEATRO DI TOR DI NONA\n537. Yicolo di Yeccliiarelli\n538. Yicolo della Palma\n539. Confortaria pei condannati a morte\n540. Palazzo Altoviti\n541. Yestigie del Ponte Trionfale\n542. Yicolo dell'Agnello\n543. Yicolo del Grancio\n544. Strada di S. Gio. de' Eiorentini\n545. Yicolo delle Telline\n546. Palazzo Lavaiani\n547. Palazzo Niccolini\n548. Piazza del Agnello\n549. C. P. di Gio. de' Fiorentini con Spe-\ndali pei Nazionali\n550. Oratoiio di S. Orsola detto il con-\nsolato.\n551. Yicolo dell'Oio\n552. Palazzo de Rossi\n553. Chiesa di S. M. della Purificazione\nde' Transalpini\n554. Yicolo de' Cimatori\n555. Collegio di Bandinelle\n556. Yicolo delle Palle\n557. Palazzo Sacchetti\n558. C. P. di S. Biagio della Pagnotta\n559. Chiesa de SS. Faustino e Giovita\ndetta ancora di S. Anna de Bresciani\n560. Chiesa e Confr. di S. M. del Sufiragio\n561. Oratorio annesso a detta Chiesa\n562. Oratorio e Confr. del Confalone con\nChiesa sotterranea di S. Lucia\n563. Yicolo della Scimia\n564. Strada Ginlia\n565. Chiesa di S- Elisabetta della Uni-\nversity de' Mendicanti Invalidi\n566. Strada di Banchi vecchi.\n567. Palazzo del Nero\n568. Piazza di Sforza\n569. Palazzo Sforza e Cesarini\n570. Palazzo Spada\n571. Vicolo del Pavone\n572. Banco di S. Spirito\n573. Strada de' Banchi, con 2 fontane\n574. Palazzo Cicciaporci\n575. C. P. e collegio de' SS. Celso e Giu-\n-1 ano\n576. Oratorio e Confr. del Sagr in detta\nChiesa\n577. Strada di Panico"}, {"page_pdf": 41, "page_imprimee": "31", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.41", "debut_caractere": 0, "fin_caractere_exclue": 7477, "texte": "578. Chiesa e Confr. di S. Giuliano\n579. Palazzo Capponi di Firenze\n580. Palazzo Camerata\n581. Piazza di Monte G iordano con Fontana\n582. Palazzo Gabrielli\n583. Vicolo della Gatta\n584. Casa di ltafaelle d'Urbino.\n585. Strada de Coronari\n586. C. P. de' SS. Simone, e Giuda\n587. Palazzo Tanara\n588. Strada della Pallaccorda al Fico\n589. Piazza del Avila\n590. Vicolo del Corallo\n591. Piazza del Fico\n592. Chiesa di S Biagio della Fossa del-\nl'univers:ty degli Osti\n593. Palazzo Sala\n594. Palazzo del Drago\n595. Palazzo del Antico Monte di Piety\n596. Palazzo Bonaventura\n597. Piazza della Pace\n598. Palazzo di S. M. dell'Anima\n599. C. P. di S. M. della Pace T. C. e\nMonastero de' Canonici Lateranensi\n600. Chiesa di S. M. dell'Aniuia della\nNazione Teutonica con convitto de'\nPreti ed Ospizio\n601. Vicolo della Volpe\n602. Vicolo del Sole\no RIONE VI. - PARI ONE o\n603. Chiesa di S. Nicolb de' Lorenesi\n604. Palazzo Ornani\n605. Piazza Navona con 3 Fontane e Obe-\nlisco del circo di Caiacalla\n606. Chiesa di S. Giacomo de' Spagnuoli\ncon convitto de' Preti e Spedale de'\nCastigiioni\n607. Palazzo Panfili\n608. Chiesa di S. Agnese e Palaz. Panfili\n609. Palazzo Maculani\n610. Torre Mi lli n a\n611. TEATRO DELLA PACE\n612. Strada della Pace\n613. Collegio Nardini\n614. Palazzo della comp. di Sancta Sanc-\ntorum Residenza del Governatore\ndi Roma\n615. C. P. di S. Tomaso in Parione T. C.\n616. Palazzo Galli e Colloretti\n617. Vicolo de' Granari\n618. TEVTIIO DE' GRANARI\n619. Chiesa e Conf. della Nativity di N.\nS. G. C. detta degli Agonizanti\n620. Piazza di Pasquino\n621. Palazzo Caraccioli P. di Santobuono\n622. Vicolo della Cuccagna\n623. Palazzo Lancellotti\n624. Chiesa di S. Pantaleone, e casa de'\n, PP. delle scuole pei scuole pubbliche\n625. Palazzi Massimi\n626. Palazzo della Compag. de' SS. XII\nApostoli\n627. Palazzo Trulli\n628. Strada del Paradiso\n629. Palazzo Manfroni\n630. Piazza del Paradiso\n631. Chiesa di S. Elisabetta del univer-\nsity dei Garzoni Tedeschi de Fornare\ncon Spedale\n632. Strada de' Chiavari\n633. Piazza de' Satiri\n634. Chiesa di S. Barbara dell'Univ. de'\nLibrari\n635. C. P di S. M. di Grotta Pinta\n636. Palazzo Pio con ruine del Teatro di\nPompeo\n637. Piazza del Biscione\n638. Piazza di Campo di Fiore con Fontana\n639. Piazza Pollaroli\n640. Strada de' Baullari\n641. Vicolo dell'Acquila\n642. Palazzo Galli\n643. Palazzo Bonardi\n644. Vicolo do Leufcari\n645. Chiesa colleg. insigne, e P. di S. Lo-\nrenzo in Damaso\n646. Orat. e Confr. del Sagr, in d. Chiesa\n647. Cancelleria Apostolica\n648. Piazza, e Vicolo de' Ciraatori\n649. Strada del Pellegrino\n650. Vicolo di Savelli\n651. Palazzo Buoncompagni con Torre\n652. Piazza di Sovra\n653. Strada di Panone\n654. Vicolo del Governo\n655. Palazzo Gaucci\n656. Chiesa di S. M. in Vallicella, e Casa\nde' P. P. della Congregazione del-\n-I'Oratorio\n657. Orat. dell'Assunta e S. Cecilia de'\ndetti Padri\n658. Vicolo dei Cartari\n659. Vicolo di Calabraga\n660. C. P. di S. Stefano iii Piscinula\nRI O N E VII. - REGOLA\n661. Chiesa di S. Luc. della Confrat. del\nConfalone con convit. di Preti Se-\ncolari\n662. Carceri Nnove\n663. Piazza Padella\n604. C. P. di S. Nicold degli Incoronati\n665. Palazzo Mancini\n666. Chiesa di S. Filippo Neri\n667. Oratorio e Congr. delle Piaghe di\nGesh Cristo\n668. Piazza della Chiavica di S. Lucia\n669. Vicolo della Moretta\n670. Palazzo Bossi\n671. Palazzo Incoronati\n672. Palazzo de' Aste\n673. Palazzo Orsini ,\n674. Palazzo Rocci ora Spada\n675. Piazza di Kicci ,\n676. Vicolo dello Struzzo\n677. Collegio Ghislieri .\n678. Chiesa dello Spirito S. de' Napolitani\n679. Orat. e Confr. de' medesimi\n680. Palazzo Ricci\n681. C. P. di S. Gio. in Ayno\n682. Strada di Monserrato\n683. Palazzo Pannini\n684. Palazzo Capponi di Firenze\n685. Vicolo de' Cappellari\n686. Palazzo Ghigi Montorio\n687. Vicolo di Montorio\n688. Chiesa di S M. di Monserrato degli\nAragonesi con Sped.\n689. Vicolo della Lunetta *\n690. Chiesa di S. Eligio degli Orefici\n691. Strada dell'Armata\n692. Palazzo degli Atti\n693. Palazzo Falconieri\n694. Palazzo Falconiere\n695. Chiesa di S. Caterina de' Sanesi\n696. Palazzo Baldocci\n697. Chiesa di S. Tomaso Cantuariense\ne Collegio degi' Inglesi\n698. Palazzo del collegio Inglese\n699. Chiesa e Casa di S. Brigida dell'or-\ndine del Smo Salvatore\n700. Palazzo Fioravante\n701. Chiesa di S. Girolamo della Comp.\ndella Carity, e Casa per i Preti del-\n-I'Oratorio\n702. C. P. di S. Caterina della Rota\n703. Chiesa e Confr. di S. M. dell'Ora-\nzione detta della Morte.\n704. Fontana detta il Mascherone di Far-\nnese\n705. Palazzo Farnese con Arco sopra\nStrada Giulia\n706. Piazza Farnese con due Fontane\n707. Vicolo del Gallo >\n708. Palazzo Pighini\n709. Palazzo Mandosi\n710. Chiesa di S. M. della Quercia del-\nl'Universita de' Macellari\n711. Vicolo de' Venti\n712. Palazzo di Cavalieri dell' Ordine Teu-\ntonico\n713. Chiesa de' SS. Gio. Apost, e Petro-\nnio de' Bolognese\n714. Strada della Catena\n715. Palazzo Spada\n716. Palazzo Spada gia Campo di Ferro\n717. Strada e Vicolo di Capo di Ferro\n718. Piazza di Spada\n719. Vicolo de' Bates trari\n720. Vicolo delle Grotte\n721. Strada di Giupponari\n722. Ciiiesa di SS. Teresa, e Gio. della\nCroce, e Ospiz. de Carmelitani Scalzi\n723. Chiesa di S. Martino gia della Confr.\ndella Dottrina Cristiana\n724. Piazza di Monte di Pieta\n725. Cap. di S. M., e Sacro Monte di Piety\n726. Chiesa della Trinity, e Ospizio de*\nPellegrini, e Convalescenti\n727. Oratorio e confr. di detfca Chiesa\n728. Strada de' Pettinari\n729. Palazzo Cacoia\n730. C. P. di S.Salvatore in Onda e Ospiz,\nde' Min. Conventuali\n731. Chiesa diS. Franc, d'Assisi, e Colleg.\nEcclesiastico, e Sped, pei Sacerdoti\n732. Ponte Gianicolo ora Ponte Sisto\n733. Conserv. de' SS. Cleraente, e Ore-\nsceutino per Zitelle dettele Zoccolette\n731. Chiesa di S. Paolo Apost., e Conv.\nde' P.P. del 3 ordine di S. Francesco\nSiciliani\n735. Oratorio di S. Giacomo Apost. de'\nCappellari\n736. Piazza degli Specchi\n737. C. P. de' S. M. in Monticelli e Casa\nde' PP. della Dottrina Cristiana Avi-\ngnonesi\n738. C, P. di S. Salvafc. in Campo\n739. Palazzo Alibrandi\n740. Palazzo Santa Croce\n741. Palazzo S. Croce per la Famiglia\n742. Piazza di Branca\n743. Palazzo di Signoribns\n744. Vicolo de' Sediari\n745. Strada della Regola\n746. Chiesa P. de. S.S. Vinceuzo e Ana-\nstasio della Comp. di Cuochi\n747. Vicolo del Merangolo\n748. Chiesa di S. Bartolomeo de? Vaccinari\n749. Piazza de' Cenci\n750. Palazzi Cenci con due Archi\n751. C. P. di S. Toraaso a Cenci\n752. Vicolo de' Cenci\n753. Chiesa di g. Maria del Pi auto della\nConfr. della Dottr. Cristiana\n754. Oratorio della confr. suddetta\n755. Chiesa di S. Maria in Cacaherio de'\n, Cocchieri\n756. Avanzi d'un Antico Portico\nRIO N E VIII. - S. EFTTACHIO\n757. C. P. di S. Maria in Publicolis\n758. Strada del Falegname\n759. C P. di S. Carlo, a Catinari e casa.\ndi Bernabiti\n760. Palazzo Jacobelli\n761. Piazza del Monte della Farina.\n762. Strada del Monte della Farina\n763. Chiesa di S. Anna, e Monastero de'\nBenedettine\n764. Chiesa di S. Elena de' Credenzieri\n765. Palazzo Cavalieri\n766. Palazzo Cavalierini\n767. Strada Argentina\n768. Chiesa de' SS. Cosirao, e Damiano de'\nBarbieri\n769. Oratorio de' medesirai Santi de' detti\nBarbieri\n770. Strada de' Cesariui\n771. TEATRO D'ARGENT 11ST A\n772. Chiesa di S. Giuliano de' Fiammin-\nghi con Sped, pei Nazionali\n773. Torre Argentina nelle Case di Ce-\nsarini\n774. Chiesa del Sudario de' Piemontesi\n775. Chiesa di S. Andrea della Valle, e\ncasa de' Teatini\n776. Vicolo dell' Abate Luigi\n777. Palazzo Coltrolini\n778. Palazzo Alberini\n779., Strada della Valle\n780. Palazzo Conti •,"}, {"page_pdf": 42, "page_imprimee": "32", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.42", "debut_caractere": 0, "fin_caractere_exclue": 7543, "texte": "781. Palazzo Pescatori\n782. Palazzi del Bufalo\n'783. Piazza della Valle\n784. Chiesa P. di S. M. in Monterone, e\nConvit. de' P.P. della Mercede Scalzi\nItaliani\n785. Arco Moderno della Ciambella\n786. Chiesa di S. Benedetto e Scolastica\nde' Norcini\n787. Palazzi Sinihaldi\n788. Vicolo di Nari\n?89. Palazzo Nari\n790. Strada della Palombella\n791. Piazza de' Caprettari\n792. Palazzo Cenci\n793. Palazzo Lanti\n794. Palazzo Capranica\n795. TEATRO DELLA VALLE\n796. Vicolo del Melone\n797. Strada de' Sediari, e Taccari\n798. Strada de' Canestrari, o della Catena\ndella Sapienza\n799. Universita e Scuole pubbliche dette\nla Sapienza\n800. Chiesa di S. Tvo nella Sapienza\n801. Piazza di S. Eustachio\n802. Chiesa Coll e paroc. di d Santo D. C.\n803. Vicolo delPAlbergo de' Marchegiani\n804. Palazzo Carpegna\n805. Piazza Madama\n806. Palazzo Medici detto di Madama con\nruine delle Terme Alessandrine\n807. Chiesa di S. Salvatore in Thermis\n808. C. P. di S. Luigi de Francesi\n809. Convit. di Preti, e Sped, dei Nazi.\n810. Vicolo de' Matriciani\n811. Piazza Lombarda\n812. Strada delle Cinque Lune\n813. Strada del Pinaco\n814. Palazzo del Collegio Gerraanico Un-\ngarico\n815. Collegio Germanico Ungarico\n816. C. P. di S. Agostino T. C. e Con v.\ndegli Agostiniani\n817. Fontanella, e strada della Scrofa\n818. Palazzo Casali\n819. Vicolo de' Spagnnoli\n820. Vicolo della Vaccarella\n821. Palazzo della Compagnia di Sancta\nSanctorum\n822. Palazzo Palma con Torre\n823. Palazzo Nari\n824. Palazzo Rita\n825. C. P. di S. Salvatore delle Cappelle\n826. Palazzo Accoramboni\n827. Piazza del Pozzo delle Cornacchie\n828. Palazzo di S. Giacomo de Spagnuoli\n829. Palazzo Patrizi\n830. Piazza Rondinina\n831. Palazzo Borghese\n832. Palazzo Giustiniani\n833. Avanzi di un antico Portico\n834. Piazza della Rotonda con iontana e\nGuodia\n835. Palazzo Crescenzi\n836. Palazzo Melchiorri\no RIONE IX. - PIGNA o\n837. Chiesa Colleg. e paroc. di S. Maria\nad Martyres detta la Rotonda D. C.\ngi& Pantheon\n838. Orat. e Confr. del Sagr, in d. Chiesa\n839. Palazzino Corsini Palombara\n840. A ccad em i a Ecclesiastiea\n841 Cap. di S. Caterina da Siena dentro\nla Casa della Comp. della Nunziata\n842. Piazza della Minerva con Elefante,\n© Gnglia\n843. Palazzo de' Domenicani della Mi-\nnerva\n844. C. P. di S. Maria Sopra Minerva T.\nC., e conv. de' Domenicani\n845. Strada di PiA di Marmo\n846. Fiazza del Collegio Romano\n847. Chiesa di S. Tgnazio Collegio de' Ge-\nsuiti. e Scuole pubbliche dette il\nCollegio Romano\n848. Orat. di S. Maria della Piet& detto\ndel P. Caravita con Arco\n849. Palazzo de' Carolis\n850. Fontaua del Facchino\n851. Chiesa colleg. e P. di S. Maria in\nVia Lata Diaconia Cardinalizia\n852. Palazzo Panfili con P. A.\n853. Palazzo Panfili\n854. Palazzo Panfili\n855. PHIPZZO Verospi\n856. Palazzo d'Aste\n857. Palazzo Gottifedi\n858. Vicolo della Gatta\n859. Chiesa di S. Marta, e Monast. di\nA gostiniane\n860. C. P. di S. Stefano del Cacco, ©Mo-\nnastero di Silvestrini\n861. Palazzo Altieri\n862. Palazzo Ingauni\n863. Palazzo Colonna\n864. Scuole delle Mastre Pie\n865. Palazzo Amadei\n866. Chiesa e Confr. delle Stimate di S.\nFrancesco\n867. Palazzi Marescotti\n868. Palazzo Cesi\n869. Chiesa di S. Gio. della Pigna\n870. Palazzo Nunez\n871. Palazzo Foseca\n872. Vicolo de Cestari\n873. Chiesa di S. Chiara e Monastero di\nMonache di detta Santa\n874; Ruine delle Terme di Marco Agrippa\n875. Strada detta l'Arco della Ciambella\n876. Palazzo della Prelatura Spinola\n877. Palazzo Mnti Sacclietti\n878. Palazzo della Prelatnra Bussi\n879. Palazzo Strczzi\n880. Palazzo On go\n881. Piazza Strozzi\n882. Palazzo Cesarini\n883. C. P. di S. Nicolo a Cresarini, e casa\nde Somaschi unita con arco\n884. Colonne 4 Antiche nel Cortile de'\ndette Somaschi\n885. Palazzo Colonna di Sonnino\n886. Torre nelPAbitazione Persiani\n887. Piazza, e Chiavica dell'Olmo\n888. Strada Florida\n889. Vicolo de' Cesarini\n890. Ospizio de' Preti Pellegrini\n891. Nuova Casa. e Scuole pie de' P. P.\ndelle Scuole pie\n892. Arco de' Ginnasi\n893. C. P. di S. Lucia delle Botteghe\nosoure e Monastero de' Teresiane\n894. Palazzo Ginnasi\n895. Collegio Ginnasi\n896 Via Celsa\n897. Palazzo Montemarte\n898. Palazzo della comp. del Salvat. ad\nSan eta Sanctorum\n899. Palazzo Viscardi\n900. Palazzo Petroni\n901. Palazzo Petroni\n902. Chiesa del Gesu, e Casa Professa\nde' Gesuiti\n903. Palazzo di Venezia\n904. Vicolo di Madonna Luerezia\n905. Cap. della B. V presso S. Marco\n906. Piazza di Venezia con Fontana\n907. Chiesa Colleg. e Paroc. di S. Marco\nT. C.\nRIO N E X. - CAMPITELLI\n908. Orat., e Confr. di S. Gregorio Tan-\nmaturgo\n909. Palazzo Circ?\n910. C. P. di S. Venanzo de' Camerinesi\n911. Palazzo Mnti Bussi\n912. Palazzo Silvestri\n913. Palazzo Gamherucci\n914. Chiesa della B. Rita de' Casciani\n915. Vicolo della Pedacchia\n916. Palazzo dell'eredita di Pietro da\nCortona\n917. Chiesa di S. Maria d'Araceli T. C.\ne conv. de' Min. Osservanti\n918. Palazzo del Museo Capitolino\n919. Palazzo detto dei Conservatori\n920. Residenza del Senator© con Torre e\nCarceri an nesse\n921. Chiesa di S.Giuseppe de' Falegnami\nsopra la Carcere di S. Pietro\n921. Chiesa della Carcere di S. Pietro detta\nMamertina e da molti Tulliana\n922. Orat. di S Giuseppe de' I alegnami\n923. Colonne del Tempio di GioveTonante\n924. Portico del Tempio della Concordia\n925. Colonna Antica\n926. Dogana della Grascia con Torre\n927. Piazza di Campo Vaccino con Fon-\ntana.\n928. Tre Antiche Colonne Scanellate\n929. Chiesa di S. M. Liberatrice\n930. R. dell'A. Palazzo de' Cesari\n931. Chiesa di S. Bonaventura e conv\nde' Min. Osservanti del Ritiro\n932. Chiesa di S. Sabastiano alia pol-\nveriera\n933. Torre alia via della Polveriera\n934. Meta Sudante\n935. Arco di Costantino Magno\n936. Camp, di S. Maria della Pieta dentro\nI'ANFITEATRO FLAVIO DETTO\nIL COLOSSEO\n937. Fenile prima sped, di S. Gio. La-\nterano\n938. Chiesa di SS. Quattro Coronati T. C.\ne monastero di A gostiniane e conserv.\ndelle Orfane con Torre\n939. Chiesa di S. Silvestro degli Scultori\ne Scarpellini annessa a d. Chiesa\n940. Chiesa di S. Maria Imperatrice\n941. Chiesa di S. Tomaso in Formis\n942. Chiesa di S. M. in Domenica T. C.\ne Monast. di Melchiti di S. Basilio\n943. Piazza della Navicella con Navi\nVoti va\n944. Obelisco nella Villa Mattei\n945. Cap. del Crocefisso nella Piazza\ndella Ferratella\n946. Chiesa di S. Gio. a Porta Latina T.\nC. e Conv. de' Minimi della Pro-\nvincia Romana\n947. Cap. di S. Gio. in Oleo\n948. Arco di Neron Claudio Druso\n949. Chiesa di S. Sisto T. C. e conv. di\nDomenicani Irlandesi\n950. Cap. di S. Domenico Annessa\n951. Strada di S. Sisto Vecchio\n952. Vicolo delle Mole\n953. Luogo del Settizonio di Severo Imp.\n954. Chiesa di S. G»egorio Magno sul\nMonte Celio, e Monast. di Camal-\ndolesi\n955. Cap. di S. Silvia in S. Gregorio\n956. Cap. di S. Andrea Apost. in S. Gre-\ngorio\n957. Cap. di S. Barbara in S Gregorio\n958. Chiesa di SS. Gio. e Paolo T. C. e\nNoviziato de' Missionari\n959. Ruina della Curia Ostilia\n960. Cap. di S. Maria de' Cerclii\n961. Chiesa Colleg. di S. Anastasia T. C.\n962. Chiesa di S. Teodoro creduta gi&\nTempio di Romolo\n963. Orat. e Confr. del Cuore di Gesu\n964. Strada delle Grazie\n965. Vicolo de' Fecili\n966. Chiesa di S. M. della Consolazione\n967. Sped pergli Uomini feriti\n968. Chiesa di S. Maria delle Grazie\n969. Spedale per le donne\n970. Strada di Monte Tarpeo\n971. Salita di Monte Caprino\n972,. Vicolo de' Saponari\n973. Vicolo della Bufola e Muri Anichi\n974. Piazza Montanara\n975. Chiesa di S. Maria in Vinci di Sa-\nponari\n976. Piazza della Catena, e Strada de'\nSn garari\n977. Oratorio di S. Andrea in Vinci degli\nScultori, e Scarpellini\n978. Rocca Tarpea\n979. Palazzo Catfarelli\n980. Strada e Torre de' Speechi"}, {"page_pdf": 43, "page_imprimee": "33", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.43", "debut_caractere": 0, "fin_caractere_exclue": 7781, "texte": "981. Chiesa e Confr. di S. Orsola e Ca-\nterina\n982. Ospizio de' Cistercien. delle Tre\nFontane\n983. Ospizio de' Geronimini di S. Alessio\n984. Palazzo Massimi\n985. Palazzo Ruspoli\n986. Chiesa di S. Francesca Rom. e Mo-\nnastero di Oblate dette di Tor de'\nSpecchi\n987. Palazzo Capizucchi\n988. Palazzo Artieri con Arco\n989. C. P. di S. M. in Portico dadi Cam-\npitelli D. C. e Casa de Chierici Rego-\nlari della Madre di Dio\n990. Palazzo Cavalletti\n991. Piazza Capizucchi\n992. Palazzo Cardelli\n993. Palazzo Maccarani\n994. Piazza Margana\n995. Palazzo Astalli\nRIONK XT. - S. ANGELO\n996. Palazzo della Congr. de' Nobili al\nGesu con Torre\n997. Palazzo Mattei di Paganica\n998. Strada delle Botteghe oscure\n999. Chiesa del Salvat. e S. Stanislao, e\nOspiz de' Polacchi\n1000. Vicolo de' Polacchi\n1001. Palazzo Altieri\n1002. Palazzo Patrizi\n1003. Chiesa di S Caterina de Funari e\nMonastero di Agostinne, e conserv.\ndi Zitelle\n1004. Palazzo Mattei di Giove\n1005. Palazzo Negroni\n1006. Palazzo Mattei di Paganica\n1007. Piazza Paganica\n1008. Palazzo Moroni\n1009. Chiesa di S. Sehastiano de'Mercanti\n1010. Palazzo della comp. della Nunziata\nora depositaria Urbana\n1011. Palazzo Boccapaduli\n1012. Piazza Costaguti\n1013. Palazzo Santa Croce con Torre\n1014. Collegio dell'Umbria\nUl5. Palazzo Costaguti\n1016. Piazza Mattei con fontana\n1017. Chiesa di S. Ambrogio della Mas-\nsima, e monasterio di Benedettine\n1018. Piazza Serlupi\n1019. Palazzo Serlupi\n1020. Chiesa Colleg., e Paroc. di S. An-\ngelo in Pascaria D. C.\n1021. Orat. di S. Andrea de' Pescivendoli\n1022. Palazzo Orsini gia TEATRO DI\nMAR CELLO\n1023. Piazza di Pescaria e Colonne An-\ntichi\n1024. Strada di Pescaria\n1025. Piazza Gindea fuori del Ghetto con\nfontana Ghetto degli Ebrei\n1026. Piazza Gindea aentro del Ghetto\n1027. Strada della Rua\n1028. Piazza de' Marcelli\n1029. Piazza delle Scuole con Fontana\n1030. Cinque Scuole degli Ebrei cioe Ca-\ntalana Siciliana, Castigliana Scuola\nnuova, e Scuola del Tempio\n1031. Strada della Fiumara\n1032. Vicolo della Torre\n1033. Piazza delle 3 cannelle con fontUa\n1034. Vicolo de' Savelli con fontana\n1035. Strada Quattrocapi\no EIGNE X I T . - RIPA o\n1036. Chiesa di S. Gregorio a Ponte 4\nCapi e conpr. della divina Piety\n1037. Palazzo dell'Emo Lercari\n1038. C. Colleg. e P. di S. Niccolo in\nCarcere D. C.\n1039. Orat , e Confr. del Sagramento in\ndetta Chiesa\n1040. Chiesa di S. Galla, e Ospiz. per gli\nUomini\n1041. Ospiz. di S. Luigi Gonzaga per le\nDonne\n1042. Strada e Arco di Porta Leone\n1043. Piazza e Vicolo della Fontanella\n1044. Strada delle Carrozze\n1045. Vicolo di Buccimazza\n1046. Chiesa di S. Omobono de' Sartori\n1047. Chiesa di S. Eligio de' Ferrari\n1048. Orat. di S. Eligio de' medesimi\n1049. Chiesa di S. Gio. Decollato della\nConfr. della Misericordia\n1050. Orat. di S. Gio. della medesinia\n1051. Sepoltura de' Giustiziati\n1052. Sepoltura di S. Aniano de' Pia-\nnellari e Lavorati Calzolari\n1053. Arco detto di Giano\n1054. Arco eretto da Negozianti a Set-\ntimio Severo\n1055. Chiesa di S. Giorg'o in Velabro D.\nC. e Ospiz. di Agostiniani di Genova\n1056. Acqua Juturna\n1057. Luogo ove si seppelliscono i Giudei\n1058. Luogo del Circo Massimo\n1059. Chiesa di S. Prisca T. C. e Ospiz.\ndi Agostiniani Lombardi con R. A.\n1060. Chiesa di S. Balbina T. C e casa\ndi Pii Operari con Torre\n1061. Chiesa di SS. Nereo, e Achilleo T. C.\n1062. Chiesa di S. Cesareo T. C.\n1063. Acquedotto di Claudio\n1064. Terme Antoniane\n1065. Conserve dell'Acqua di d. Terme\n1066. Chiesa di S. Saba\n1067. Cap. di S. Maria dell'Arco in un\nTor ri one\n1068. Sepolcro di Caio Cestio\n1069. Luoao ove si seppelliscono i Pro-\ntestanti\n1070. Ruine dell'Emporio\n1071. Vicolo della Serpe\n1072. Strada della Marmorata con Arco\n1073. Cap. di S. Lazaro a Marmorata\n1074. Bastione di Paolo 111\n1075. Chiesa di S. M. del Priorato\n1076. Chiesa di S. Alessio T. C. e Monast.\ndi Geronimini Lombardi\n1077. Chiesa di S. Sabina T. C. e con-\nvento de' Domenicani\n1078. Cap di S. M. Maggiore in Aventino\n1079. Ruine delle Terme di Traian Decio\nImp.\n1080. Strada della Salara con Arco\n1081. Antiche Saline\n1082. Antiche ruine\n1083. Vestigie del Ponte Snblieio\n1084. Chiesa di S Anna de' Calzettari\n1085. Vioolo della Greca\n1086. Chiesa Colleg. insigne e paroc. di\nS. M, in Cosmedin D. C. detta la\nboccadella, Verita, e ruine del Tern-\npio della Pudicizia\n1087. Piazza della Bocca della Verita con\nfontana e fontanile\n1088. Sbocco della Cloaca Massima\n1089. Chiesa di S. M. del Sole prima\nS. Stefano delle Carozze giy Tem-\npi o Antico\n1090. Chiesa di S. M. Egiziaca e ospiz.\ndegli Armeni gia Tempio della For-\ntnna Virile\n1091. Casa del Volgo detta di Pilato\n1092. Ponte Fabricio or Quattro Capi\n1093. Chiesa di S. Gio. Calibita e conv.\nde' Benfratelli d'ltalia\n1094. Sped, de' Suddetti\n1095. Vicolo della Moletta\n1096. Muri Antichi\n1097. Vicolo del Isola, e muri antichi\n1098. C. P. di S- Bartolomeo all'lsola T.\nC. e conv. de' Min. osservanti con\nTorre\n1099. Ponte Cestio, or di S. Bartolomeo\nRIONE XIII. - TRASTEVERE\n1100. Piazza di Molara\n1101. Chiesa di S. Eligio de Sellari\n1102. Piazza delle Gensole\n1103. Vicolo delle Boccie\n1104. C. P. di S. Benedetto in Piscinola\n1105. Vicolo della Scarpetta\n1106. Strada della Malva\n1107. Ponte Senatorio or Ponte Rotto\n1108. C. P. di S. Salvatore a Ponte Rotto\n1109. Strada de' Vascellari\n1110. Orat. di S. Andrea de* Vascellari\n1111. Strada de* Salnnii\n1112. Vicolo de' Frati\n1113. Vicolo della Palma\n1114. Piazza de* Vascellari\n1115. Vicolo de' Vascellari\n1116. Chiesa di S. M. in Cappella\n1117. Strada anicia, e Frangipana\n1118. Strada Gregorian a\n1119. Conser. di S. Pasquale per Zitelle\n1120. Chiesa di S. Gio. de Genovesi con\nSpedale\n1121. C. P. di S. Cecilia T. C. e Monast.\nde' Benedettine\n1122. Cliiesa di S. M. dell'Orto di 13 Uni-\nversity unite\n1123. Sped, di d. University\n1124. Vicolo del Canale\n1125. Dogana da del passo del Vino\n1126. Dogana di Ripa Grande\n1127. Chiesa di S. M. del buon Viaggio\nannessa alia chiesa di S, Agata in\nTrastevere\n1128. Chiesa della Traffigurazione del\nSig. dentro l'Ospiz. Apost. detto di\nS. Michele\n1129. Ospiz. per le donne iuvalide\n1130. Ospiz. per gli Uomini invalidi\n1131. Ospiz. per i Fanciulli in cura de*\nPP. delle Scuole Pie\n1132. Casa di Correzion de' Fanciulli\n1133. Carceri delle donno\n1134. Chiesa di S. Franc, a Ripa e conv.\ndi Miu. Osserv. Riforinati\n1135. Strada di Monticelli\n1136. Chiesa di SS. Cosmo, e Damiano\ndetta di S. Cosmato e Monastero di\nMonache di S. Chiara\n1137. Mura di Settimo Severo\n1138. Piazza di Fontana Secca\n1139. Chiesa di S. Pasquale gia 40\nM. N. e conv. de' Min. Osserv.\nScalzi Spagnuoli\n1140. Strada delle Fratte\n1141. Strada delle Rimesse\n1142. Piazza di Monte di Fiore\n1143. C. P. di S. Grisogono T. C. e conv.\nde' Carmelit. della Congregazione di\nMantova\n1444. Orat. e Confr. della B.V. del Carmine\n1145. Piazza della Crocetta\n1146. Chiesa Paroc. di S. Salvat. della\nCorte, e Ospizio de Minimi della\nProv. Roman a\n1147. Vicolo del Bnco\n1148. Vicolo della Crociala\n1149. Strada delle due Mole\n1150. Vicolo della Stella\n1151. Piazza dell'Olmo\n1152. Strada. 1 iazza del Muro Novo\n1153. Vicolo di Sacchetti\n1154. Chiesa di S. Bonosa de' Calzolai\n1155. Vicolo deH'ATcaceio\n1156. Chiesa di S. Agata, e Colleg. de'\nPP. della Dottr. Cristiana di Roma,\ne Scuole Pie\n1157. Piazza Rom ana\n1158. Torre della S. Casa di Loreto\n1159. Chiesa di S. M , e S. Gallicano\n1160. Sped, per gli Uomini\n1161. Sped, per le donne\n1162. Vicolo del Pozzo\n1163. Palazzo delle Monache di S. Anna\n1164. Chiesa di S. Calisto T. C. e Ospiz.\nde' Monaci Cassinensi\n1165. Chiesa Colleg. insigne di S. M, in\nTrastevere\n1166. Orat. e Contr. del Sagr. in d. Chiesa\n1167. Palazzo Ossoli\n1168. Palazzo Lconi\n1169. Chiesa di S. Apollouia e Monast.\ndi Monache del 3 Ordine di S. Franc.\n1170. Chiesa di S. Marg.ta, e Monast. d.\nMonache del 3 ordine di S. Franc0"}, {"page_pdf": 44, "page_imprimee": "34", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.44", "debut_caractere": 0, "fin_caractere_exclue": 6465, "texte": "1171. Chiesa delle SS. Rufina, e Seconda\nMonast di Oblate Agostiniane\n1172. Piazza Ruaccia\n1173. Yicolo della Benella\n1174. Yicolo del Moro\n1175. Piazza di Benzi\n117*>. Yicolo del Pelliccia\n1177. Yicolo del Cipresso\n1178. Piazza e Yicolo del Cinque\n1179. Piazza di Ponte Sisto\n1180. Yicolo del Bologna\n1181. Strada della Scala\n1182. Chiesa di S. Egidioero e Monastero\ndi Carmelitane Scalze\n1183. Yicolo del Leoncino\n1184. Yicolo del Merangolo\n1185. Yicolo della Frusta\n1186. Chiesa di S. Pietro in Montorio T.\nT, e Conv. de Min. Osservanti Bi-\nformati\n1187. Cap. della Crucifissione di S. Pietro\n1188. Piazza Pensile con Fontana\n1189. Cap. di S. Antonio di Padova\n1190. Fontana dell'acqua Paola\n1191. Acquedotto dell'acqua Paola\n1192. Orto Botanico della Sapienza\n1193. Bosco Parrasio degli Arcadi\n1194. Conservatorio dell'Assunta\n1195. Fabbrica del Tabacco\n1196 Chiesa di S. Maria de 7 dolori e\nMonastero di Oblate Agostiniane\n1197. Strada del Mattonato\n1198. Yicolo del Cauestraro\n1199. Chiesa di S. Maria della Scala D.\nC. e Conv. de' Carmelit. Scalzi\n1200. Orat. e Confr. di S. Teresa in d. Ch.\n1201. Piazza degli Fornaci\n1202. Strada Benedetta\n1203. C. P. di S. Gio. della Malva e easa\nde Ministri degli Infermi\n1204. Orat. e Confr. del Sagr. in d. Chiesa\n1205. Yicolo de' Moroni\n1206. Chiesa di S. Dorotea, e Ospiz. de'\nMin. Conventuali della Provincia\nBomana\n1207. Porta Settimiana\n1208. Strada della Longara\n1209. Yicolo de' Biari\n1210. Palazzo e Orti Corsini\n1211. Palazzo e Giardino Farnese\n1212. Antieo Palazzo di Agostino Ghigi\noggi Farnese\n1213. Strada de' Biari\n1214. Chiesa di S. Croce, e Monastero di\nAgostiniane della Lenitenza\n1215. Yicolo delle Scalette\n1216. Chiesa di S. Giacomo e Monast. di\nMonache di le Convertite\n1217. Strada di S. Giacomo gi& via Mas-\nsimi\n1218. Palazzo Lanti\n1219. Yicolo di Spagna\n1220. Chiesa della Concezione e Monastero\ndi Oblate Camaldolesi\n1221. Chiesa di S. M. Regina Coeli, e\nMonast. di Carmelitane Scalze\n1222. Strada di Begina Coeli\n1223. Chiesa della Yisitazioue e Monast.\ndi Monache di S. Franc, di Sales\n1224. Vicolo d'Aliberti\n1225. Chiesa di S. Giusep., e Casa de'\nPii Operari\n1226. Chiesa di S. Leonardo e Ospiz. di\nEremiti Camaldolesi di Monte Ca-\nrona\n1227. Palazzo Salviati\n1228. Chiesa di S. Onofrio T. C. e conv.\nd'Eremiti del B. Pietro da Pisa\n1229. Luogo ove SermoneggianO i PP.\ndella Congr. dell'Orat.\n1230. Conserv. di S. M. dell'Bifugio detto\ndelle Penitenti del P.re Bussi\n1231. Conserv. di S. M. della Clemenza\ndetta delle Malm ar it ate\n1232. Cap. di S. Maddalena nello Sped,\nde' Pazzi\n1233. Sped, de Pazzi per Gli IJomini\n1234. Sped, per le donne\n1235. Cap. del SS. Crocifisso nel Ceme-\nterio di S. Spirito\nRIONEXIY. - BORGO\n1236. Bastioni a' S. Spirito\n1237. Porta di S. Spirito\n1238. Chiesa Paroc. di S. Spirito in Sascia,\ne Casa de' Canonici Regolari Ospi-\ntalieri\n1239. Palazzo della Residenza del Com-\nmendator di S. Spirito i\n1240 Chiesa di S. Tecla in S. Spirito, e\nconserv. delle Fancinlle Projette\n1241. Conserv. de' Fanciulle Projette\n1242. Sped, di S. Spirito\n1243. Aggiunta a' as they should be done.\n5 Mr Masefield will do them like a sim-\nple English poet, and that means he will\n> do them just as well as they can pos-\nsibly be done; and those of us who\n, cannot be there, will feel envious of those\nwho can, and who will hear beautiful\nverse spoken as it should be spoken.\nSee plate 2 and page 75 for some\nidea of what a little private Theatre\n\\ meant in the 18th century, Ed,\n\nVALUELESS NEWS.\nTHE Observer in its issue for No-\nvember 2nd. had an exceptionally\nfunny twenty-five lines about a Berlin\nTheatre. Here it is :\nEVEN BERLIN SHOCKED.\nTHE DRAMA TIC THE A TRE\nCOMES TO GRIEF.\nThe movement of a few enthu-\nsiasts to help forward the great band\nof unacted dramatists has received a\ncrushing blow. The new \" Dramatic\nTheatre \", which opened with every\nencouragement from the critics, and\nwhich produced George Kaiser's \" Bil-\nles and Jeanne \" as its first Venture,\nhas since alienated every type of au-\ndience by a succession of extravagant\nplays violating all canons of good\ntaste even in so exceptionally broad-\nminded a city as Berlin.\nThe result is a triumph for the\nwatchful Clerical Centre party, whose\nmembers have their own theatre league,\nbut needed their own house. While\nthe Social-Democrats support their own\nexcellent \" People's Theatre which\ncarefully avoids plays of reactionary\ntendency, the t€Dramatic Theatre\"\nhas now become the home of the po-\nlitical Catholics, whose taste in drama\nis characterised not so much by pro-\npaganda as by elimination. This rules\nout, for instance, not only three-cor-\nnered problems, but divorce in its\nentirety. This is a triumph for the\nideals of the Centre, which would pass\nunnoticed in a Catholic province, but\nis a sign of its renewed activity in\nBerlin.\nWhat foolery and what cliches !\nReally, it is time to ask even this\nwell-nigh perfect journal to make a\nscrap of its Foreign Theatre Correspon-\ndents and start afresh.\nFor some time we have studied\ncarefully the theatrical news sent to\n44 The Observer \" from Wien, Berlin,\nand Budapest; and have wondered how\nlong Mr Garvin would let it go on.\ns Why is . foreign theatrical news\n£ necesary to \"The Observer\", unless\ni it be either very entertaining or very\ninforming ?\nWe suppose that the only people\n1 who feel the necessity are those who\nare ever active in informing London\n> that the North European Theatre is\n: quite the most important upon earth.\nI Hundreds of English actors doubt-\nless read 44 The Observer \", but they\nwill surely not be impressed by the\nnonsense which week after week is\nsent from Wien, Berlin and Pest.\nFor example what the dickens is\nthere of interest in this twaddle from\nBerlin about some Theatre which is\n44 the home of the political Catholics\"\nand 4 4 whose taste is characterised by\nelimination \" ? And how comes it that\nthis or any taste 44 rules out \" divorce\nin its entirety, and how is this 44 a\ntriumph for the ideals of the Centre \" ?\nAnd then, 44 Catholic province 44 re-\nnewed activity \", 44 watchful clerical\ncentre party \", 44 broadminded city of\nBerlin .—Really, 44 Observer \"! you\nwho are the very pride of journalism\nand our delight, to accept such Pro-\npaganda from the Theatre of Elimi-\nnation in Berlin is not what you came\ninto existence to do. To hear from\nWien or Budapest that an audience\nhas sat spellbound, or that one could\nhave heard a pin drop, hardly carries\nas far as London.\nBesides, what Austria and Germany\ndo in Theatres, is not half as important\nas the good 44 Observer\" seems to\nthink. If there is space that needs fill-\ning, we know of a good number of peo-\nple who could make that space glitter.\nThere is much being done in the\nEuropean and American Theatre week\nby week; but, strange as this may\nsound to some ears, it is not always\nto be found inside a playhouse.\nFor example, a book now and\nagain appears which does more to\nadvance the European Theatre than\ntwo years of energetic acting and pro-\nducing will do. Yet we hear nothing\nof this b00k,... or next to nothing. A\nfoolish conference is held, and it is re-\nported gravely. Or a new society for-\nmed, and reported as gravely. No dis-\ncernment is shown by the reports\ntwixt what is of value and what worth-\nless. This is a pity and a great waste\nof valuable space, time and money.\nw Observer n will pardon this pre-\nsumption from the smallest serious paper\non earth to the largest and most im-\nportant;... but it is n The Mask's \"\nspeciality, this little matter of Thea-\ntres. Like all specialists it things it\nknows. Who knows,... perhaps it may."}, {"page_pdf": 66, "page_imprimee": "52", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.66", "debut_caractere": 0, "fin_caractere_exclue": 6825, "texte": "VENEZIA AND PROGRESS.\nTO judge from some recent articles\nin 44 The Manchester Guardian \"\nand 44 The Daily Telegraph \" people\ndo not seem to realize in England that\nItaly is not a Museum or a Theatre,\nand that its Cities, however superb,\nhave no wish to crumble just to oblige\nthe tourists and the archeologists.\nItaly looks on it that life comes\nfirst, and all the rest comes after.\nAnd if electric motors are to be\nof any aid towards bringing to life\npart of Venezia or of any other city in\nItaly, what sort of being is it that will\ncry out about this ? Venezia and the\ncities of Italy are not for him, they\nare for those who live and work and\ndie there.\n44 The Mask \" is all for the Arts.\nYou know that, we think. But only\nfor Art which comes along because a\npeople is alive. When a city is dead,\na nation drugged, a continent dulled,\nArt had better wait awhile in that\ncity, nation or continent.\nTrue, perhaps, that around some\ncities (did the Italian nation wish it)\na wall or a line might be drawn with\norders given that it was too good an\nexample of ancient work to be dis-\nturbed. Such a place might be roped\noff and put apart as a National Mo-\nnument, and outside its walls a new\ncity built. Inside its walls the very\nplainest but cleanest accommodation\nmight be provided for all who wished\nto study and work there in the monu-\nment, as in a vast Biblioteca, and\nspecial permissions granted to such on\nthat understanding. We have often\nfelt that cities like Venezia or San Gi-\nmignano might well be reserved for\nsuch a purpose.\nBut if the cities must be used, and\nmust be brought up to date, why not ?\nWhere is Shakespeare's, Bacon's and\nElizabeth's London ? Has the loss of\nthat particular place (and lost it is)\nbeen no gain ? And if Titian's, Tie-\npolo's and the Doges' Venezia should\nwhere would be the loss ? To\nus, yes; to you, yes, to many thou-\nsands yes, ....but to many millions,\nprobably no. * What use in architecture\nfor which the millions of people have no\ncare, which new laws no longer love ?\nGondolas are pretty boats, and to\nglide is sometimes a pleasant necessity,\nand a canal is not always as bad as\nit seems. But, since Shakespeare's Plays\nare not valued by us, Englishmen had\nbetter, we think, pause before too has-\ntily criticizing their Venetian friends.\nHow comes it that we English\ncriticize ?\nIs it just because we somehow be-\nlieve Venezia to belong to us, ....to be\nour honeymoon spot, our playground.\nAnd what are we ? a nation of\npeople more forward than any in prai-\nsing speed, electricity, cinema, liste-\nning-in ; ....and we quickly produce a\nmillion pounds if promised a safe in-\nvestment in something up-to-date and\na curse to everyone.\nIn Manchester we weakly give over\na poor cheap little National Theatre\nto a Cinema firm: with a lot of word\nprotest yet without read resistence, we\nyield it up; yet we have the audacity\nto tell Venezia from Manchester to keep\nitself unspotted from the monopoly for\nthe supply of .motors.\nPrivate enterprise could have saved\nfor Manchester its Theatre Royal; and\nhad the 44 Manchester Guardian \" spo-\nken with the spirit it so often shows\nin other matters, (ie, in money matters)\nno commonplace motor-driven cinema\ncould have come into the Theatre\nRoyal.\nWhen Manchester can save one\nTheatre, and a grand old place like the\nTheatre Royal, it will be quite time\nenough for Manchester to lecture Ve-\nnezia.\n\nAS OTHERS SEE ....LONDON.\nJ. S.\nCAN anyone tell us what caused\nSir Alfred Butt or the Drury\nLane Committee to place Mr Basil\nDean at the head of Drury Lane\nTheatre ?\nAccording to George Jean Nathan\nof New York, Dean would seem to\nbe a man of very small talent, as\nthe following passage from an article\nin 44 The American Mercury \" will\nshow. Dean has been over in New\nYork producing plays. We want to\nsee a man put into Drury Lane who\nhas no time to go to New York or\nNewhaven to produce anything.\nNathan says that \"It is not James\n44 Elroy Flecker's 44 Hassan \" that has\n44 failed, it is Mr Basil Dean's. Flecker\n44 wrote a play rich in the music of\n44 romance and poesy, as beautiful a\n\" thing of its kind as has appeared\n44 in recent dramatic literature ; Dean\n\" staged it with all the imagination\n4 4 and rhythm of a sailor's smoker.\n44 The production, indeed, served as a\n44 piquant example of the low level to\n44 which the English stage, in this\n44 respect, has sunk. Dean is regarded\n44 as one of the best and most artistic\n44 of London producers, Over here,\n44 they do finer work up alleys;\n\" I have passed an eye over seven\n44 or eight of Dean's productions, three\n44 in New York and the others in\n44 England. All of them have been\n44 drolly incompetent. Not only has\n4 4 the gentleman apparently no sense of\n44 the dramatic, not only is he seeming-\n44 ly quite innocent of the technic of\n44 projecting a manuscript over the\n44 footlights, but he is, to boot, utterly\n44 without a sense of beauty and a\n44 sense of form. His ideas of scenic\n44 investiture go back to the day when\n44 furniture was painted on the back-\n44 drop and when a 'big production '\n44 was any one in which the stage\n44 was so packed and crowded with\n44 scenery and irrelevant but costly\n44 props that the actors had to make\n44 their entrances from the wings side-\n44 ways. His ideas of lighting are so\n44 absurdly antiquated that even some\n44 of the most patriotic London re-\n44 viewers have difficulty in concealing\n44 their derisory hiccups. For Dean\n44 appears to believe that all that is\n44 necessary to achieve some exception-\n44 ally nobby illumination effects are\n44 a half dozen vari coloured gelatine\n44 slides supplemented by an indefati-\n44 gable fellow stationed at the dimmer,\n44 He sought to evolve mystery with\n44 a mere blue light and romance with\n44 a pink one. In the matter of dra-\n44 matic suggestion, he was equally\n44 unhappy. His scenes of melodrama\n44 were painstakingly languid ; his scenes\n44 of physical passion, as, for exam-\n44 pie, the one wherein the fair Yasmin\n44 conquers the flesh of Hassan, were\n44 as sexual as playing postoffice.\n44 Thus was a beautiful poem with\n*4 its beautiful incidental music of Fre-\n44 derick Delius and with all its poten-\n44 tial stage wonder reduced to no-\n44 thing \".\nThis comes of being possessed of an\nability to push into Drury Lane with-\nout credentials* This comes of dis-\nhonest theatrical Criticism.\nLondon is slowly being made a\nlaughing stock by this sort of thing,\nand it is time the London Press said\nso clearly.\nUnfortunately Walkley, Archer,\nGrein and a few others do nothing to\nimprove matters. They either are cy-\nnical about our stage or gush about\nits worst elements. Not that Walkley\nor Archer err about playwrights ; but\nto Theatricals they are sense-blind,\nGrein is not blind; he is merely ut-\nterly unfitted for a responsible position\nas a critic of our English Theatre."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c078", "article_bluemountain": "bmtnaau_1925-01_01#c078", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "50", "page_fin": "50", "image_debut": 64, "image_fin": 64, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.17.2", "titre_corps": "THE ITALIAN THEATRE", "titre_sommaire": "THE ITALIAN THEATRE", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 64, "page_imprimee": "50", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.64", "debut_caractere": 18, "fin_caractere_exclue": 4057, "texte": "THE ITALIAN THEATRE.\nTHE old Italian Theatre, and by\nthat we mean its professional Thea-\ntre as it is today, pleases us so much\nthat, unless very fine innovations are\nmade, we would respectfully suggest\nthat it is perhaps better for the Ita-\nlians to avoid novelties.\nThek Theatre is not the first in\nEurope because of the elegance and\ncomfort of its poltrone and its palchi\n(there England and America lead),\nnor because scenographically it is suf-\nficient, or because it is developing a\nnew group of excellent playwrights.\nIt is first by virtue of its first-class\nacting and singing, because acting and\nsinging come to Italians apparently with\nimmense ease ....not because of any\ncleverness, which after all is a very\nsmall thing at best.\nFirst they have a language; they\nknow how to speak it : they never\nmumble, drawl, are never foggy; all\nis crisp, deliberate, and rapid. They\nknow how to carry themselves ; they\nare born professionals ; they 44 act\nthey do not pretend to deceive us\nthat they are 44 real\nYet while acting they never play at\n44 make believe \" ; they do not imi-\ntate toy soldiers and fashion plates and\nstatuary. While they are never unreal\nin that sense, 44 Realism\" has never\nbeen thinkable to them, for they know\nwhat is what, and find Realism a6\nlaughable as they find forced arti-\nficiality depressing.\nThis it is which we think places\nall Italian actors in another sphere to\nthe actors of Russia, who are born\nrealists and deuced serious about it all,\nor born copyists of statuary, engra-\nvings, wooden toys and the like. Ita-\nlian actors are not like German actors,\nwho are always earnest and clever but\nnever quite the thing. Certainly En-\nglish actors are the most gentlemanly\nin Europe ; and French actors, ever\nthe neatest; but Italian actors are ac-\ntors before Abraham was,\nSo that when nowadays innovations\nare made in the way that the 44 Indepen-\ndenti \", the 44 Tetiteatro \" or T£thys-\nTheatre make them, or as Signor Bra-\ngaglia makes them, we regret to say\nthat they ring false. The 44 innovators \"\ndo nothing original.\nIt is all what we call rather cheap.\nWe have seen the designs for the\nnew 44 Teatro del Convegno \" and it\nstrikes us they are curiously poor.\nIf Italy possessed the knack for imi-\ntating northern nations, it would not\nhave waited twenty years to seize on\nthe notion used now as an inn vation\nfor the new stage of the 44 Teatro del\nConvegno\nThe 44 Piccola Canobbiana \" de-\nsigns for stage machines and audito-\nrium and proscenium are no better.\nSironi's designs for 44 I cavalieri \"\nare influenced by northern notions but\nare not at all good.\nAs for Signor Bragaglia, he has\nmuch excellent energy, little judgment\nand no originality. He catches hold\nof all the notions he can find in the\nbooks of the last twenty-five years,\nand on a small stage he manages to\nhuddle them all together, bringing out\nmuch printed matter to announce their\nexistence. The whole effect is that of\na mis-fit. Of course he does not\nadmit where he has gathered most of\nthese notions : he seems to think that\nthey are public property. By thus using\nthem he becomes one of the public.\nWe don't like it a bit. Signor Bra-\ngaglia can, we feel sure, do better, ....or\ndo less. It's not at all worthy of the\nimmense tradition of the Italian stage.\nItalians have imagination, have always\nhad it. So that to echo and to copy\nis, in an Italian, very poor, and in no\nway represents the new spirit which\nhas inspired Italy to stand on its own\nmerits in all things, and which seems\nto possess enough force to last out the\ncenturies.\nThe Facist Theatre, when it comes,\nwill be one of the blossoms of this\nNew Italy which today has no time\nto turn to thoughts of blossoming, since\nits sole thought is the natural one, ....that\nof spreading roots.\nPlenty of time for the arts later on.\nInevitably those arts will blossom in\ntime. Meanwhile these sad attempts\nto 44 innovate *' in the grand Italian\ntheatre are rather ridiculous; and the\nnotion that the Italian spectators, are\ntaken in cannot be maintained for a\nmoment."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c079", "article_bluemountain": "bmtnaau_1925-01_01#c079", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "50", "page_fin": "51", "image_debut": 64, "image_fin": 65, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.17.3", "titre_corps": "A POET'S THEATRE", "titre_sommaire": "A POET'S THEATRE", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 64, "page_imprimee": "50", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.64", "debut_caractere": 4059, "fin_caractere_exclue": 6653, "texte": "A POET'S THEATRE.\nMR John Masefield has built him-\nself a theatre at Boar's Hill, near\nOxford.\n44 What ridiculous nonsense \" is the\n• verdict of those foik who cannot al-\nr low that a Theatre may be other than\nthe swagger Teatro Fenice in Venezia\nor the Prinz Regenten in Munchen,\nAs though Selva and Semper (or\n: whoever built the Wagner Theatre)\nare to be the only model husbandmen.\nWho knows better than a Dramatic\npoet what kind of Theatre is suited to his\nplays ? We understand that the Poetic\nDrama by several poets will be presented\nby Mr Masefield at his playhouse, which\nis a simply constructed building in his\ngarden, and is designed to accommodate\nabout one hundred persons. A first\nproduction has been already given, and\nafter Christmas it is hoped that an Eliza-\nbethan comedy may be produced. The\nstage is broad and sceneries are not\ngoing to be allowed to be a nuisance.\nOne London paper was cruel enough\nto say that 44 artistic curtains \" would\nbe used in place of the sceneries. As\na matter of fact we believe A that Mr\nMasefield has around him a group of\ndisciples, not studying how to write,\nbut helping Mr Masefield how to play\nat theatres.\nAnd in our opinion to play at Thea-\ntres in England is the very best thing\none could possibly do. And if in the\ncountry, the country way of doing this\nis the right way. That is why we\nutterly disbelieve the shocking suggestion\nof 44 artistic curtains Country thatch\ncountry wattles, country oak planks,...\nany of these as a background if you\nlike; there is danger in \"artistic curtains *\nthey are apt to catch fire. But then this\nwould assuredly bring Mr Masefield's\nplayhouse all the advertisement from\nwhich we think a country theatre should\nbe entirely exempt, but which the prac-\ntical man, even if he be in the desert,\nthinks is necessary.\nThe unfortunate fate of too many\na country playhouse is that it becomes\nthrough advertisement, just what the\npoet would hate it to be, ....what the\npoet never for a moment suspected it\nwas being lured to be ; that is to say,\na bit of a sensation.\nWe recall the fate of several coun-\ntry, or semi-rural, playhouses, Before a\nyear was out someone (assuredly not\nthe Poet) had been over-energetic;\n(that 4 practical * person over again) it\nhad been dragged or pushed up to\nLondon, where it played a while and\nwent out, puff, like a lamp.\nWhy, after having chosen a noble\nrural spot as the place of places for\na Theatre, a dash should be made at\nthe first chance for London, is puzzling.\nGoethe, who played with Theatres,\nplayed with a real playhouse ....in\nWeimar.... with a Court as well as"}, {"page_pdf": 65, "page_imprimee": "51", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.65", "debut_caractere": 0, "fin_caractere_exclue": 2975, "texte": "the towns-people as spectators. He\nworked hard at this playhouse of his,\nand it was even less than the poodle\nyou will remember which caused his\ndownfall as Theatre Director. It was\neven Fraulein Caroline Jagemann.\nAnd there have been other poets who\nfor a time have had little playhouses.\nVoltaire had one at Ferney. Here,\nabout 1776, Lekain stopped for some\ndays to perform to a select and ap-\npreciative audience. At Cirey, too,\nVoltaire had a playhouse of his own :\nand some years earlier had one in his\nvilla at Vernier, but we never hear of\nhim suddenly carrying his charming if\namateur troupe to Paris or Berlin.\nWe have not seen any drawings or\nengravings of these Theatres, but in\n1772, (about the time of the Ver-\nnier theatricals) it was customary to\nbe too magnificent rather than too\nsimple. The playhouse was a word\nwhich stood for something with style,\na sparkle of swagger in it. The poet\nAlbergatti liked things to look well-\ndressed, and so his theatre in Zola\nnear Bologna was the very thing. A\nlittle bit of a village this same Zola,\nbut then a big piece of a Chateau,\nand in the Chateau some Teatrino\nas Mr Stein would say, to seat three\nhundred people. And the poet Pe-\npoli.... how many theatres he built in\nhis houses in Venezia and Bologna\nand in his villas at Codalunga and\nelsewhere has not yet been decided.\nBut it is on record that he not only\nhad his own plays and those of other\npoets performed in them, but also\noperas in prose and ballets, in which\nPepoli danced, 44 the best dancer of\nthem all \" says the historian.\nBut of all private country theatres\nthat at Esterhaz, whpre Haydn lived\nfor many years writing his divine things\nfor the only quite divine performers....\nfor marionnefctes.... is the country thea-\ntre we like to think of most. Haydn\nand Masefield would have got on well\ntogether, we believe. What a pity\nthat the old Count Esterhazy of those\ndays is no more among us to show us\nall h0w.... exactly h0w.... a country\ntheatre should be set before the King :\n—or rather before himself and his\nhousehold. But as he is not with us,\nand as no lord seems to have retained\nthe old tricks that lords once played,\nwe must be content when a poet or\nany other artist rigs out a theatre for\nhimself. Its not the thing to d 0;...\n6 Art for Art s sake* is no fun at all;\nand theatre for theatre's even less: but\nwhat would you ?... when a poet is\nat the same time a grand Signore he\ncan do these things as some of us\n5 think they should be done ; when he\n, has only his crown of laurels, even if\ni he do them better, he cannot do them\n> as they should be done.\n5 Mr Masefield will do them like a sim-\nple English poet, and that means he will\n> do them just as well as they can pos-\nsibly be done; and those of us who\n, cannot be there, will feel envious of those\nwho can, and who will hear beautiful\nverse spoken as it should be spoken.\nSee plate 2 and page 75 for some\nidea of what a little private Theatre\n\\ meant in the 18th century, Ed,"}]}, {"article_id": "bm-bmtnaau-1925-01-01-c080", "article_bluemountain": "bmtnaau_1925-01_01#c080", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "51", "page_fin": "51", "image_debut": 65, "image_fin": 65, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.17.4", "titre_corps": "VALUELESS NEWS", "titre_sommaire": "VALUELESS NEWS", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 65, "page_imprimee": "51", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.65", "debut_caractere": 2977, "fin_caractere_exclue": 7085, "texte": "VALUELESS NEWS.\nTHE Observer in its issue for No-\nvember 2nd. had an exceptionally\nfunny twenty-five lines about a Berlin\nTheatre. Here it is :\nEVEN BERLIN SHOCKED.\nTHE DRAMA TIC THE A TRE\nCOMES TO GRIEF.\nThe movement of a few enthu-\nsiasts to help forward the great band\nof unacted dramatists has received a\ncrushing blow. The new \" Dramatic\nTheatre \", which opened with every\nencouragement from the critics, and\nwhich produced George Kaiser's \" Bil-\nles and Jeanne \" as its first Venture,\nhas since alienated every type of au-\ndience by a succession of extravagant\nplays violating all canons of good\ntaste even in so exceptionally broad-\nminded a city as Berlin.\nThe result is a triumph for the\nwatchful Clerical Centre party, whose\nmembers have their own theatre league,\nbut needed their own house. While\nthe Social-Democrats support their own\nexcellent \" People's Theatre which\ncarefully avoids plays of reactionary\ntendency, the t€Dramatic Theatre\"\nhas now become the home of the po-\nlitical Catholics, whose taste in drama\nis characterised not so much by pro-\npaganda as by elimination. This rules\nout, for instance, not only three-cor-\nnered problems, but divorce in its\nentirety. This is a triumph for the\nideals of the Centre, which would pass\nunnoticed in a Catholic province, but\nis a sign of its renewed activity in\nBerlin.\nWhat foolery and what cliches !\nReally, it is time to ask even this\nwell-nigh perfect journal to make a\nscrap of its Foreign Theatre Correspon-\ndents and start afresh.\nFor some time we have studied\ncarefully the theatrical news sent to\n44 The Observer \" from Wien, Berlin,\nand Budapest; and have wondered how\nlong Mr Garvin would let it go on.\ns Why is . foreign theatrical news\n£ necesary to \"The Observer\", unless\ni it be either very entertaining or very\ninforming ?\nWe suppose that the only people\n1 who feel the necessity are those who\nare ever active in informing London\n> that the North European Theatre is\n: quite the most important upon earth.\nI Hundreds of English actors doubt-\nless read 44 The Observer \", but they\nwill surely not be impressed by the\nnonsense which week after week is\nsent from Wien, Berlin and Pest.\nFor example what the dickens is\nthere of interest in this twaddle from\nBerlin about some Theatre which is\n44 the home of the political Catholics\"\nand 4 4 whose taste is characterised by\nelimination \" ? And how comes it that\nthis or any taste 44 rules out \" divorce\nin its entirety, and how is this 44 a\ntriumph for the ideals of the Centre \" ?\nAnd then, 44 Catholic province 44 re-\nnewed activity \", 44 watchful clerical\ncentre party \", 44 broadminded city of\nBerlin .—Really, 44 Observer \"! you\nwho are the very pride of journalism\nand our delight, to accept such Pro-\npaganda from the Theatre of Elimi-\nnation in Berlin is not what you came\ninto existence to do. To hear from\nWien or Budapest that an audience\nhas sat spellbound, or that one could\nhave heard a pin drop, hardly carries\nas far as London.\nBesides, what Austria and Germany\ndo in Theatres, is not half as important\nas the good 44 Observer\" seems to\nthink. If there is space that needs fill-\ning, we know of a good number of peo-\nple who could make that space glitter.\nThere is much being done in the\nEuropean and American Theatre week\nby week; but, strange as this may\nsound to some ears, it is not always\nto be found inside a playhouse.\nFor example, a book now and\nagain appears which does more to\nadvance the European Theatre than\ntwo years of energetic acting and pro-\nducing will do. Yet we hear nothing\nof this b00k,... or next to nothing. A\nfoolish conference is held, and it is re-\nported gravely. Or a new society for-\nmed, and reported as gravely. No dis-\ncernment is shown by the reports\ntwixt what is of value and what worth-\nless. This is a pity and a great waste\nof valuable space, time and money.\nw Observer n will pardon this pre-\nsumption from the smallest serious paper\non earth to the largest and most im-\nportant;... but it is n The Mask's \"\nspeciality, this little matter of Thea-\ntres. Like all specialists it things it\nknows. Who knows,... perhaps it may."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c081", "article_bluemountain": "bmtnaau_1925-01_01#c081", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "52", "page_fin": "52", "image_debut": 66, "image_fin": 66, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.17.5", "titre_corps": "VENEZIA AND PROGRESS", "titre_sommaire": "VENEZIA AND PROGRESS", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 66, "page_imprimee": "52", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.66", "debut_caractere": 0, "fin_caractere_exclue": 3385, "texte": "VENEZIA AND PROGRESS.\nTO judge from some recent articles\nin 44 The Manchester Guardian \"\nand 44 The Daily Telegraph \" people\ndo not seem to realize in England that\nItaly is not a Museum or a Theatre,\nand that its Cities, however superb,\nhave no wish to crumble just to oblige\nthe tourists and the archeologists.\nItaly looks on it that life comes\nfirst, and all the rest comes after.\nAnd if electric motors are to be\nof any aid towards bringing to life\npart of Venezia or of any other city in\nItaly, what sort of being is it that will\ncry out about this ? Venezia and the\ncities of Italy are not for him, they\nare for those who live and work and\ndie there.\n44 The Mask \" is all for the Arts.\nYou know that, we think. But only\nfor Art which comes along because a\npeople is alive. When a city is dead,\na nation drugged, a continent dulled,\nArt had better wait awhile in that\ncity, nation or continent.\nTrue, perhaps, that around some\ncities (did the Italian nation wish it)\na wall or a line might be drawn with\norders given that it was too good an\nexample of ancient work to be dis-\nturbed. Such a place might be roped\noff and put apart as a National Mo-\nnument, and outside its walls a new\ncity built. Inside its walls the very\nplainest but cleanest accommodation\nmight be provided for all who wished\nto study and work there in the monu-\nment, as in a vast Biblioteca, and\nspecial permissions granted to such on\nthat understanding. We have often\nfelt that cities like Venezia or San Gi-\nmignano might well be reserved for\nsuch a purpose.\nBut if the cities must be used, and\nmust be brought up to date, why not ?\nWhere is Shakespeare's, Bacon's and\nElizabeth's London ? Has the loss of\nthat particular place (and lost it is)\nbeen no gain ? And if Titian's, Tie-\npolo's and the Doges' Venezia should\nwhere would be the loss ? To\nus, yes; to you, yes, to many thou-\nsands yes, ....but to many millions,\nprobably no. * What use in architecture\nfor which the millions of people have no\ncare, which new laws no longer love ?\nGondolas are pretty boats, and to\nglide is sometimes a pleasant necessity,\nand a canal is not always as bad as\nit seems. But, since Shakespeare's Plays\nare not valued by us, Englishmen had\nbetter, we think, pause before too has-\ntily criticizing their Venetian friends.\nHow comes it that we English\ncriticize ?\nIs it just because we somehow be-\nlieve Venezia to belong to us, ....to be\nour honeymoon spot, our playground.\nAnd what are we ? a nation of\npeople more forward than any in prai-\nsing speed, electricity, cinema, liste-\nning-in ; ....and we quickly produce a\nmillion pounds if promised a safe in-\nvestment in something up-to-date and\na curse to everyone.\nIn Manchester we weakly give over\na poor cheap little National Theatre\nto a Cinema firm: with a lot of word\nprotest yet without read resistence, we\nyield it up; yet we have the audacity\nto tell Venezia from Manchester to keep\nitself unspotted from the monopoly for\nthe supply of .motors.\nPrivate enterprise could have saved\nfor Manchester its Theatre Royal; and\nhad the 44 Manchester Guardian \" spo-\nken with the spirit it so often shows\nin other matters, (ie, in money matters)\nno commonplace motor-driven cinema\ncould have come into the Theatre\nRoyal.\nWhen Manchester can save one\nTheatre, and a grand old place like the\nTheatre Royal, it will be quite time\nenough for Manchester to lecture Ve-\nnezia."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c082", "article_bluemountain": "bmtnaau_1925-01_01#c082", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "52", "page_fin": "52", "image_debut": 66, "image_fin": 66, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.17.6", "titre_corps": "AS OTHERS SEE ....LONDON", "titre_sommaire": "AS OTHERS SEE ....LONDON", "signature_source": "J. S", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 66, "page_imprimee": "52", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.66", "debut_caractere": 3387, "fin_caractere_exclue": 6825, "texte": "AS OTHERS SEE ....LONDON.\nJ. S.\nCAN anyone tell us what caused\nSir Alfred Butt or the Drury\nLane Committee to place Mr Basil\nDean at the head of Drury Lane\nTheatre ?\nAccording to George Jean Nathan\nof New York, Dean would seem to\nbe a man of very small talent, as\nthe following passage from an article\nin 44 The American Mercury \" will\nshow. Dean has been over in New\nYork producing plays. We want to\nsee a man put into Drury Lane who\nhas no time to go to New York or\nNewhaven to produce anything.\nNathan says that \"It is not James\n44 Elroy Flecker's 44 Hassan \" that has\n44 failed, it is Mr Basil Dean's. Flecker\n44 wrote a play rich in the music of\n44 romance and poesy, as beautiful a\n\" thing of its kind as has appeared\n44 in recent dramatic literature ; Dean\n\" staged it with all the imagination\n4 4 and rhythm of a sailor's smoker.\n44 The production, indeed, served as a\n44 piquant example of the low level to\n44 which the English stage, in this\n44 respect, has sunk. Dean is regarded\n44 as one of the best and most artistic\n44 of London producers, Over here,\n44 they do finer work up alleys;\n\" I have passed an eye over seven\n44 or eight of Dean's productions, three\n44 in New York and the others in\n44 England. All of them have been\n44 drolly incompetent. Not only has\n4 4 the gentleman apparently no sense of\n44 the dramatic, not only is he seeming-\n44 ly quite innocent of the technic of\n44 projecting a manuscript over the\n44 footlights, but he is, to boot, utterly\n44 without a sense of beauty and a\n44 sense of form. His ideas of scenic\n44 investiture go back to the day when\n44 furniture was painted on the back-\n44 drop and when a 'big production '\n44 was any one in which the stage\n44 was so packed and crowded with\n44 scenery and irrelevant but costly\n44 props that the actors had to make\n44 their entrances from the wings side-\n44 ways. His ideas of lighting are so\n44 absurdly antiquated that even some\n44 of the most patriotic London re-\n44 viewers have difficulty in concealing\n44 their derisory hiccups. For Dean\n44 appears to believe that all that is\n44 necessary to achieve some exception-\n44 ally nobby illumination effects are\n44 a half dozen vari coloured gelatine\n44 slides supplemented by an indefati-\n44 gable fellow stationed at the dimmer,\n44 He sought to evolve mystery with\n44 a mere blue light and romance with\n44 a pink one. In the matter of dra-\n44 matic suggestion, he was equally\n44 unhappy. His scenes of melodrama\n44 were painstakingly languid ; his scenes\n44 of physical passion, as, for exam-\n44 pie, the one wherein the fair Yasmin\n44 conquers the flesh of Hassan, were\n44 as sexual as playing postoffice.\n44 Thus was a beautiful poem with\n*4 its beautiful incidental music of Fre-\n44 derick Delius and with all its poten-\n44 tial stage wonder reduced to no-\n44 thing \".\nThis comes of being possessed of an\nability to push into Drury Lane with-\nout credentials* This comes of dis-\nhonest theatrical Criticism.\nLondon is slowly being made a\nlaughing stock by this sort of thing,\nand it is time the London Press said\nso clearly.\nUnfortunately Walkley, Archer,\nGrein and a few others do nothing to\nimprove matters. They either are cy-\nnical about our stage or gush about\nits worst elements. Not that Walkley\nor Archer err about playwrights ; but\nto Theatricals they are sense-blind,\nGrein is not blind; he is merely ut-\nterly unfitted for a responsible position\nas a critic of our English Theatre."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c083", "article_bluemountain": "bmtnaau_1925-01_01#c083", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "n. p.", "page_fin": "n. p.", "image_debut": 3, "image_fin": 3, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.18", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 3, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.3", "debut_caractere": 0, "fin_caractere_exclue": 3683, "texte": "STANLEY PAUL & C.°'s LIST.\nTHE GERMAN SECRET SERVICE. By\nColonel W. NICOLAI (Chief of the German\nIntelligence Department during the War).\nTranslated by GEORGE RENWICK. {Daily\nChronicle Special Correspondent). Demy\nBvo. ios. 6d. net.\nIn additition to Colonel Nicolai's revelations, the\nbook contains the full story of the greatest espionage\ndrama of modern times.\nTHE CORNISH COAST & MOORS. By\nA. G. FOLLIOTT-STOKES. Demy Bvo. With\nover 150 half-tone illustrations, ios. 6d. net.\nSecond large edition now ready.\nExtract from a two-page review by Mr. Richard\nKing in \" The Tatler One of the most delightful\nbooks about Cornwall that I have ever read\nTHE STORY OF THE SAVOY OPERA.\nA Record of Events and Productions. By\nS. J. ADAIR FITZ-GERALD. With an Intro-\nduction by THE RIGHT HON. T. P. O'CON-\nNOR, M. P., with full casts and particulars\nof all Plays done at the Opera Comique\nand Savoy Theatre down to the year 1909.\nFully Illustrated. Cr. Bvo, cloth. ss. net.\nSecond edition.\n\" Most of the books which we have had about\nGilbert and Sullivan have been good; but this is one\nof the best of them Westminster Gazette\nSIMS REEVES. Fifty Years of Music in\nEngland. By CHARLES E. PEARCE. Demy\nBvo, cloth. Illustrated. 16s. net. Second\nedition.\nAn excellent book \".—lllustrated London News.\nTHE MYSTERIOUS MEDIUM. By SYDNEY\nA. MOSELEY. Crown Bvo, cloth. ss. net.\nTruth says:—\" A book that deserves the attention\nof all candid students of Spiritualism\nLOVE STORIES OF ENGLISH QUEENS.\nHistory seen Through the Glamour of Ro-\nmance. By ELIZABETH VILLIERS. Large Cr.\nBvo., cloth, fully illustrated. 7s. 6d. net.\nA GALLERY OF ROGUES. By CHARLES\nKINGSTON, author of Dramatic Days at\nthe Old Bailey etc. Demy Bvo. 12s.\n6d. net.\nUNSOLVED MURDER MYSTERIES. By\nCHARLES E. PEARCE. Demy Bvo. 16s. net.\nLABOUR, SOCIAL REFORM & DEMO-\nCRACY or The Cry offustice Throughout\nthe Ages. By Dr. A. S. RAPPOPORT. 2 vols.\nDemy Bvo, Illustrated. 21s. net. each.\nVol. I shortly.\nTHE CHEAPEST BOOKS IN\nENGLAND Volumes which\nshould be in every Library.\nNEW AND CHEAPER EDITION THE\nCOLLECTORS' SERIES. Written by\nExperts, tastefully produced, plentifully il-\nlustrated and strongly bound. Each volume,\nin Demy Bvo, cloth. Bs. 6d. net.\nTHE AB C OF COLLECTING OLD EN-\nGLISH CHINA. By J. F. BLACKER.\nProfusely illustrated with numerous line\nand 64 pages of half-tone illustrations,\nprinted on art paper. Demy Bvo. Bs. 6d. I\nnet. Third Edition. '\nTHE ABC OF COLLECTING OLD EN-\nGLISH POTTERY. By J. F. BLACKER.\nIllustrated with about 40 line and 32 pages\nof half-tone illustrations. Demy Bvo. Bs.\n6d. net. Fourth Edition.\nTHE ABC OF 19th CENTURY ENGLISH\nCERAMIC ART. By J. F. BLACKER. Demy\nBvo, cloth, with 1,200 illustrations in half-\ntone and line. Bs. 6d. net.\nMORE ABOUT . COLLECTING. By SIR\nJAMES YOXALL. With over 100 illustrations.\nDemy Bvo. Bs. 6d. net. Third Edition.\nTHE AB C OF ENGLISH SALT-GLAZE\nSTONEWARE : From Dwight to Doulton. .\nBy J. F. BLACKER. Illustrated with line\ndrawings and 64 full pages of half-tones\nprinted on art paper. Demy Bvo. Bs. 6d. net.\nTHE ABC OF INDIAN ART. By J. F.\nBLACKER. Demy Bvo, fully illustrated in\nhalf-tone and line, also a three-colour fron-\ntispiece. Bs. 6d. net.\nTHE ABC ABOUT COLLECTING. By |\nSIR JAMES YOXALL. With numerous line\nand half-tone illustrations. Demy Bvo.\n15s. net. Fourth Edition.\nTHE LIFE OF CESARE BORGIA. By\nRAFAEL SABATINI. Demy Bvo, cloth, illu-\nstrated. 12s. 6d, net. Eighth Edition.\n(16th thousand).\nTORQUEMADA AND THE SPANISH\nINQUISITION. By RAFAEL SABATINI.\nDemy Bvo, fully illustrated. 12s. 6d. net.\nFourth Edition.\nNew Autumn Announcement List sent gratis on application to\nLONDON: STANLEY PAUL & Co. LTD.\n8, ENDSLEIGH GARDENS. LONDON W. C. i."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c084", "article_bluemountain": "bmtnaau_1925-01_01#c084", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "n. p.", "page_fin": "n. p.", "image_debut": 4, "image_fin": 4, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.19", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 4, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.4", "debut_caractere": 0, "fin_caractere_exclue": 835, "texte": "THE PRINT COLLECTORS QUARTERLY\nWILL APPEAL TO ALL READERS OF THE\nMASK AS IT IS DEVOTED ENTIRELY TO\nTHE WORK OF OLD AND MODERN MAS-\nTERS WHO HAVE MADE A NAME FOR\nTHEMSELVES THROUGH THE SINCERITY\nAND BEAUTY OF THEIR WORK : THE IL-\nLUSTRATIONS ARE MADE WITH GREAT\nCARE AND EACH NUMBER IS FULLY IL-\nLUSTRATED WITH THE WORK OF FOUR\nDIFFERENT ARTISTS AND USEFUL AND\nVALUABLE CATALOGUES ARE ADDED IN\nCASES WHERE THEY HAVE NOT HITHERTO\nBEEN PUBLISHED: THE ANNUAL SUBSCRIP-\nTION IS SEVENTEEN SHILLINGS AND SIX\nPENCE PER ANNUM POST FREE AND THE\nFOUR NUMBERS ARE ISSUED IN THE\nMONTHS OF FEBRUARY APRIL OCTOBER\nAND DECEMBER: SUBSCRIBERS CAN BE-\nGIN WITH ANY NUMBER & CAN FORWARD\nTHEIR SUBSCRIPTIONS THROUGH ANY\nBOOKSELLER PRINT SELLER OR PUBLI-\nSHER OR DIRECT TO THE PRINT COLLEC-\nTORS OUARTERLY AT TEN BEDFORD\nSTREET LONDON WEST CENTRAL TWO\no o o"}]}, {"article_id": "bm-bmtnaau-1925-01-01-c085", "article_bluemountain": "bmtnaau_1925-01_01#c085", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "n. p.", "page_fin": "n. p.", "image_debut": 5, "image_fin": 5, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.20", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 5, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.5", "debut_caractere": 0, "fin_caractere_exclue": 241, "texte": "TOWARDS A\nNEW THEATRE\nFORTY DESIGNS FOR\nSTAGE SCENES, WITH\nCRITICAL NOTES BY\n4k\nTHE INVENTOR.\nEDWARD GORDON CRAIG.\n(J. M. DENT <6 SONS)\n1912.\nNET PRICE\n265. $ 6.50\nPostage extra.\nO\nPROCURABLE FROM\nTHE MASK PUBLISHERS\nBOX 444, FLORENCE\nITALY."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c086", "article_bluemountain": "bmtnaau_1925-01_01#c086", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "n. p.", "page_fin": "n. p.", "image_debut": 5, "image_fin": 5, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.21", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 5, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.5", "debut_caractere": 243, "fin_caractere_exclue": 418, "texte": "CANTAGALLI\nARTISTIC MAJOLICAS\nARCHITECTURAL\nDECORATIONS\nREPRODUCTIONS OF\nWORKS OF\nDELLA ROBBIA\nMANUFACTURY\nFLORENCE\n(PORTA ROMANA)\no\nBRANCH ESTABLISHMENT\nROME\nVIA BABUINO 182."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c087", "article_bluemountain": "bmtnaau_1925-01_01#c087", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "n. p.", "page_fin": "n. p.", "image_debut": 5, "image_fin": 5, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.22", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 5, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.5", "debut_caractere": 420, "fin_caractere_exclue": 669, "texte": "zm\nA LIVING\nTHEATRE\nCONTAINING AN\nACCOUNT OF\n\" THE MASK \"\nAND SOME ARTICLES\nON THE WORK OF\nGORDON CRAIG.\nWITH 20 ILLUSTRATIONS.\nPUBLISHED 1913.\no\nA FEW COPIES REMAIN\nFOR SALE.\nPRICE 4s. ($ 1.)\nPOST FREE.\nTHE MASK PUBLISHERS\nBOX 444, FLORENCE,\nITALY."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c088", "article_bluemountain": "bmtnaau_1925-01_01#c088", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "n. p.", "page_fin": "n. p.", "image_debut": 5, "image_fin": 5, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.23", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 5, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.5", "debut_caractere": 671, "fin_caractere_exclue": 1548, "texte": "THE GINNER-MAWER SCHOOL\nTRAINS STUDENTS IN THE ARTS OF THE DANCE AND THE THEATRE\nI ) ÜBY Ginner and Irene Mawer are working to promote the right\nunderstanding of Dance, Drama, Poetry and Mime as Educa-\ntional forces and as expressions of individual and national life.\nStudents may train for the Stage or for the Teaching Profession.\n*1 A special feature of the School is the Children's Section, in which\nthe children are helped to develope personality, originality and a love\nof the beautiful through the medium of Dance, Poetry and Drama.\nO O O\nCHANGE OF ADDRESS\nParticulars of the various branches of the School Work may be obtained from :\nTHE REGISTRAR, THE GINNER-MAWER SCHOOL\nTHE PHILBEACH HALL, PHILBEACH GARDENS, S.W. 5.\nThe School is close to Earls Court Station (District Railway and Piccadilly Tube)\nand is near the following Bus routes : 31, 74, 30, & 9, 28, 33, 73."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c089", "article_bluemountain": "bmtnaau_1925-01_01#c089", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "n. p.", "page_fin": "n. p.", "image_debut": 6, "image_fin": 6, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.24", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 6, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.6", "debut_caractere": 0, "fin_caractere_exclue": 381, "texte": "lllillllllllUlllllllllllllllUlllNllEllllillHlßlililllllllilllllllflilllllllllllllllllllllllllltllllltlllllllllf\n,«■\nG\nI LEICESTER SQUARE\n1 ERNEST BROWN AND PHILLIP*\n5\n*\nMr!\nTHE RESORT OF DISCRIMINATIN\nIN SEARCH OF THE\nMODERN AR'\ny'iv'y.A-\nSCULPTURE. PAINTI\nETCHINGS\n■r:S U'li?'. \"3K\nDRAWINGS.\ns\ni\ni\n■\nJ\nh:'i\n■\nBQ;; K tVQQ\n:\n»\n;\nBLAMPIED\nBONE\nCAMERON\nDEGAS\nFORAIN\nHADEN\nJOHN\nMATISSE"}]}, {"article_id": "bm-bmtnaau-1925-01-01-c090", "article_bluemountain": "bmtnaau_1925-01_01#c090", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "n. p.", "page_fin": "n. p.", "image_debut": 7, "image_fin": 7, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.25", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 7, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.7", "debut_caractere": 0, "fin_caractere_exclue": 537, "texte": "GIORGIO & PIERO ALINARI\nPUBLISHERS. VIA STROZZI i, FLORENCE.\nGRAND COLLECTION OF PHOTOGRAPHS\n50.000 SUBJECTS OF ALL THE TOWNS OF ITALY. GREECE, PARIS, DRESDEN.\nPLATINUM, BROMIDE, CARBON PRINTS, ETC. ARTISTIC REPRODUCTIONS\nOF VIEWS, PICTURES, SCULPTURES, ARCHITECTURAL DETAILS, ETC.\n• *\nA View of the Ponte Vecchio. Florence.\nBOOK EDITIONS RECENTLY PUBLISHED,\nFLORENCE\nORIGINAL ETCHINGS BY ANTONIO CARBONATI WITH PREFACE\nBY VITTORIO PICA.\nORIGINAL ALBUM ON JAPANESE PAPER; 100 COPIES NUMBERED AND\nSIGNED, ENCLOSED IN A FINE LEATHER COVER."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c091", "article_bluemountain": "bmtnaau_1925-01_01#c091", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "n. p.", "page_fin": "n. p.", "image_debut": 8, "image_fin": 8, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.26", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 8, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.8", "debut_caractere": 0, "fin_caractere_exclue": 609, "texte": "JUNK!\nAn expressive, transatlantic term applied\nto useless, ugly or pretentious furniture.\nWe are all apt to have some of it—in the\nspare bedroom, if nowhere else.\nSome perhaps we inherited, some was\nthrust upon us at marriage; some is an\nindiscretion of our own which maturer\ntaste rejects.\nFIEALS take the greatest care to make\nit impossible to buy JUNK at their shop\n—not so easy a thing to ensure or so\nlight a claim to make, as may at first\nsight appear.\nHeal & Son Isl\nTOTTENHAM COURT ROAD. Wl.\nBedding, Bedstead, Upholstery, and Furniture Makers.\nDealers in Carpets, China, Fabrics & Decorative things."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c092", "article_bluemountain": "bmtnaau_1925-01_01#c092", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "53", "page_fin": "53", "image_debut": 67, "image_fin": 67, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.27", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 67, "page_imprimee": "53", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.67", "debut_caractere": 0, "fin_caractere_exclue": 930, "texte": "BOOKS ON THE DRAMA\nTHE STORY OF ELIZABETHAN DRAMA\nBy G. B. HARRISON, M. A.\nWith 5 illustrations. Crown Bvo. ss. net.\nThe author gives in connected narrative the main facts about the lives of the\nplaywrights and the theatrical conditions and some criticism of the greatest plays\nof the period, interspersed with scenes from the plays themselves.\nA HISTORY OF\nRESTORATION DRAMA\n1660-1700.\nBy ALLARDYCE NICOLL.\nDemy Bvo. 16s net.\n\" Should be in the hands of every lover of our\ntheatre. It is not only indispensable for reference,\nbut full of insight and illumination. \"\nThe Referee.\nA HISTORY OF\nEARLY XVIII CENTURY\nDRAMA, 1700-1750.\nBy ALLARDYCE NICOLL.\nDemy Bvo. About 16s net.\nReady shortly.\nA continuation, on similar lines, of the author's\nrecent History of Restoration Diama. As before,\nthe volume is divided into three parts dealing\nwith the Theatre, Tragedy, and Comedy,\nCAMBRIDGE UNIVERSITY\nFetter Lane PRESS London E. C. 4."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c093", "article_bluemountain": "bmtnaau_1925-01_01#c093", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "53", "page_fin": "53", "image_debut": 67, "image_fin": 67, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.28", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 67, "page_imprimee": "53", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.67", "debut_caractere": 932, "fin_caractere_exclue": 1573, "texte": "NOTHING\nTHE BOOKPLATE\nBY\nEDWARD GORDON CRAIG\nA COLLECTION of FIFTY-ONE BOOKPLATES by Mr. Cordon Craig,\ntwenty-six being reproduced in colour and twenty-five in black and white,\ntogether with an essay on the bookplate by Mr. Craig and a complete list of his\nwork in this field. There is also a design specially printed from one of Mr. Craig's\ncwn wood-blocks and signed by himself.\nTHE EDITION IS LIMITED TO 250 COPIES FOR SALE\nPRICE 3 GUINEAS NET.\nIt will be printed on hand-made paper and bound at the Cuiwen Press and\npublished this autumn.\nPROSPECTUS ON APPLICATION.\nPublished by CHATTO & WINDUS\n97 &99 ST. MARTIN'S LANE. LONDON, W. C. 2."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c094", "article_bluemountain": "bmtnaau_1925-01_01#c094", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "54", "page_fin": "54", "image_debut": 68, "image_fin": 68, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.29", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 68, "page_imprimee": "54", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.68", "debut_caractere": 0, "fin_caractere_exclue": 473, "texte": "THE BRITISH DRAM\nPRESIDENT: LORD HOWAR\no o o\n\" THE DRAMA LEAGUE GOES FROM STRL\no o\nWHAT THE LEAGUE\n(1) A Federation of over 350 Societies i\nworking for the development of the Dr,\nas a Social necessity.\n(2) A union of individual Members, Professi\nto give or to receive help in any matte\nof the Theatre.\nWHAT THE LEAGUE OI\n'\n(1) The Right to consult the League's Info\n(2) The Right to borrow Plays and Books fr<\nsupported by the Carnegie Trust.\n(3) Expert criticism of Plays."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c095", "article_bluemountain": "bmtnaau_1925-01_01#c095", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "55", "page_fin": "55", "image_debut": 69, "image_fin": 69, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.30", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 69, "page_imprimee": "55", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.69", "debut_caractere": 0, "fin_caractere_exclue": 773, "texte": "Biiiiiiiiniiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiuiiiiiiiiiiil\nA SHORT LIST S\nH or 5\nS SOME ENGRAVING WOOD ||\n| BLACK FIGURES |\n§ EDWARD GORDON CRAIG.\nH i\nS DESIGNED AND CUT ON WOOD BETWEEN THE =\nH YEARS 1907-1919 AND EVERY COPY PERSO- E§\nS NALLY HAND-PRINTED BY THE DESIGNER. j=\nMM* MM\n1 0 0 ° n\nEE COLLECTIONS OF THESE PRINTS CAN BE SEEN\n£E AT THE VICTORIA AND ALBERT MUSEUM, J|JJ\n£EJ LONDON ; THE KUNSTGEWERBE MUSEUM, EE\n§§ ZURICH ; AND THE RYKS MUSEUM, AMSTERDAM. E5\nREUS CBMO\n5 O ° F=\nm M\nB85? aw\nH THIS LIST WILL BE SENT ON REQUEST. EE\n5 A SECOND LIST OF BOX-WOOD CUTS EE\nEE' HAS BEEN PREPARED. EE\nEE O EE\n§j .. MASK\" PUBLISHERS. BOX 444• |jj\n= FLORENCE. ITALY. gjj\ngiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiuiiißiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiiHii"}]}, {"article_id": "bm-bmtnaau-1925-01-01-c096", "article_bluemountain": "bmtnaau_1925-01_01#c096", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "55", "page_fin": "55", "image_debut": 69, "image_fin": 69, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.31", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 69, "page_imprimee": "55", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.69", "debut_caractere": 775, "fin_caractere_exclue": 1195, "texte": "@UIIlI!IIHI!l!ll!ilf!HIlIiil!lllilIlH12lllilllIIIiHllilIllIi!IIIIIIl!l!U!llllllM\nIS\nas\nm\nm\nm\nCHELSEA PUBLISHING COMPANY\n| LONDON AGENCY- [\nFOR i\n\" THE MASK\" j\n| O I\nj COPIES ON SALE. \\\nj ALL INFORMATION FURNISHED :\nBOOK-SELLERS SUPPLIED :\nSUBSCRIPTIONS RECEIVED\nj 16 ROYAL HOSPITAL ROAD !\nI CHELSEA,LONDON \\\nj TEL : KENSINGTON 6650. j\nillllllillllilllil!llii!ll!lllllllllllllfill!IIIIIIIIIIIi!!!!lllllllllilllll!llllll|:"}]}, {"article_id": "bm-bmtnaau-1925-01-01-c097", "article_bluemountain": "bmtnaau_1925-01_01#c097", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "55", "page_fin": "55", "image_debut": 69, "image_fin": 69, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.32", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 69, "page_imprimee": "55", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.69", "debut_caractere": 1197, "fin_caractere_exclue": 1720, "texte": "WE OFFER\nOUR SERVICES TO LIBRARIANS,\nSTUDENTS AND OTHERS WHO\nARE INTERESTED IN\nSpecialized Literature\nWHETHER NEW OR SECOND HAND,\nENGLISH OR FOREIGN. ABLE\nASSISTANTS ARE IN CHARGE OF\nTHE VARIOUS DEPARTMENTS.\nCATALOGUES ARE ISSUED COVERING EVERY\nFIELD OF LITERATURE, SCIENCE AND THE\nARTS, AND ARE SUPPLIED POST FREE ON\nAPPLICATION.\nA RECENTLY ORGANIZED DEPARTMENT\nDEALS WITH PUBLISHERS' SURPLUS\nSTOCKS. WRITE FOR LISTS OF LATEST\nBOOK BARGAINS.\nW. HEFFER & SONS LTD.\nCAMBRIDGE. ENGLAND.\nTel. 862. Telegrams 1 Hefier Cambridge"}]}, {"article_id": "bm-bmtnaau-1925-01-01-c098", "article_bluemountain": "bmtnaau_1925-01_01#c098", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "55", "page_fin": "55", "image_debut": 69, "image_fin": 69, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.33", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 69, "page_imprimee": "55", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.69", "debut_caractere": 1722, "fin_caractere_exclue": 1809, "texte": "THE LONDON\n- OBSERVER\"\nCALLS \" THE MASK \"\n\" THE BEST THEATRICAL MAGAZINE\nIN THE WORLD '"}]}, {"article_id": "bm-bmtnaau-1925-01-01-c099", "article_bluemountain": "bmtnaau_1925-01_01#c099", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "55", "page_fin": "55", "image_debut": 69, "image_fin": 69, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.34", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 69, "page_imprimee": "55", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.69", "debut_caractere": 1811, "fin_caractere_exclue": 2283, "texte": "BOOKS ON THE THEATRE,\nART, COLLECTING.\nAND KINDRED SUBJECTS. RARE BOOKS, FIRST EDITIONS,\nSETS OF AUTHORS ETC. €J ALSO AN IMMENSE STOCK\n(SECOND-HAND & NEW) ON EVERY CONCEIVABLE SUBJECT.\n#| WRITE FOR CATALOGUE 252 (SENT GRATIS & POST\nFREE), MENTIONING REQUIREMENTS OR INTERESTS.\nBOOKS SENT ON APPROVAL.\n€][ Books ~,a Library or a small Parcel... Purchased.\nO\nFOYLES' BOOK LOVERS' PARADISE.\n121-125, Charing Cross Rd. London W. C. 2.\nThat Book you want! Foyles can supply it."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c100", "article_bluemountain": "bmtnaau_1925-01_01#c100", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "56", "page_fin": "56", "image_debut": 70, "image_fin": 70, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.35", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 70, "page_imprimee": "56", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.70", "debut_caractere": 0, "fin_caractere_exclue": 501, "texte": "■■■■—— ii Kb i\nTHE MASK\nVOLUME NINE. 1923.\nSOME COPIES OF THIS\nVOLUME REMAIN FOR SALE.\nPOPULAR EDITION, (BROCHURE)\n10/- ($ 2.50) POST FREE.\nFINE PAPER EDITION, BOUND,\n20/- ($ 5.OO) POST FREE.\nO\n<3 A \" rich budget crammed full of live\ntheatrical ideas, with something brilliant\non every page \". Referee\nSept. 23, 1923.\n\" It is ever a delight to see it, to handle it,\nto read itProfessor William Rothenstein.\nRoyal College op Art, S. , London.\no\nTHE MASK PUBLISHERS.\nBOX 444. FLORENCE. ITALY.\n'■ —. —fl!"}]}, {"article_id": "bm-bmtnaau-1925-01-01-c101", "article_bluemountain": "bmtnaau_1925-01_01#c101", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "56", "page_fin": "56", "image_debut": 70, "image_fin": 70, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.36", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 70, "page_imprimee": "56", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.70", "debut_caractere": 503, "fin_caractere_exclue": 821, "texte": "m\nm\nTHE MARIONNETTE\nARTICLES ON THE MARIONNETTES,\nBURATTINI AND SHADOW FIGURES\nOF MANY LANDS AND PERIODS,\nWITH MARIONNETTE PLAYS, & MANY\nILLUSTRATIONS.\nA FEW VOLUMES REMAIN\nON HAND-MADE PAPER.\nBOUND HALF VELLUM.\nPRICE £ 1.12.0 ($ S.OO)\nPOST FREE.\nAPPL Y TO THE MASK PUBLISHERS,\nBOX444, FLORENCE, ITALY.\nn\n1918\nCONTAINS"}]}, {"article_id": "bm-bmtnaau-1925-01-01-c102", "article_bluemountain": "bmtnaau_1925-01_01#c102", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "56", "page_fin": "56", "image_debut": 70, "image_fin": 70, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.37", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 70, "page_imprimee": "56", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.70", "debut_caractere": 823, "fin_caractere_exclue": 1489, "texte": "THE MASK\nTHERE REMAIN FOR SALE\nSOME COPIES OF THE\nFOLLOWING VOLUMES OF\nTHE MASK\nBOUND IN HALF-VELLUM.\nVol. 1. 1908. £ 2. 0.0 ($ 10.00)\nVol. 3. 1910. £ 2. 0.0 ($ 10.00)\nVol. 5. 1912. £ 1. 5.0 ($ 6.00)\nVol. 6. 1913. £I. 5.0 ($ 6.00)\nVol. 7. 1914. 16.0 ($ 4.00)\nAlso some copies of the Large Paper Edition of\nVols. 5&6 at £ 1.15.0 ($5 9.00) each; and\nof Vol. 7 at £ 1.0.0 ($ 5.00) each.\nNOT A PAGE •. .WHICH IS NOT INTERESTING AND\nSTIMULATING IN A FINE WAY. {Pall Mall Gazette).\nA DELIGHT TO BIBLIOPHILES, N. V. Dramatic Mirror.\nTHE MOST ARTISTIC AND FASCINATING THEATRICAL\nPUBLICATION IN THE WORLD. Current Opinion. U.S.A.\nTHE MASK PUBLISHERS\nBOX 444, FLORENCE, ITALY."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c103", "article_bluemountain": "bmtnaau_1925-01_01#c103", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "56", "page_fin": "56", "image_debut": 70, "image_fin": 70, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.38", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 70, "page_imprimee": "56", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.70", "debut_caractere": 1491, "fin_caractere_exclue": 1687, "texte": "© ©\nWANTED.\nCOPIES OF THE FOLLOWING\nQUARTERLY PARTS OF\nTHE MASK.\nO\nVOLUME 2. PART I. JULY 1909.\nVOLUME 4. PART I. JULY 1911.\no\nPlease address Offers to\nIHE MASK PUBLISHERS\nBOX 444, FLORENCE\nITALY."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c104", "article_bluemountain": "bmtnaau_1925-01_01#c104", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "57", "page_fin": "57", "image_debut": 71, "image_fin": 71, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.39", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 71, "page_imprimee": "57", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.71", "debut_caractere": 0, "fin_caractere_exclue": 532, "texte": "TO\nPRINT COLLECTORS\nq The MASK Publishers have pleasure in announcing that\nthey are Agents for Mr GORDON CRAIG'S Woodcuts.\nPRICE LISTS 6- COMPLETE INFORMATION\nSENT FREE ON REQUEST.\nP. G. KONODY IN THE DAILY MAIL. DEC : 6 and THE\nOBSERVER. DEC: 9, 1923. \"Mr Gordon Craig's \"The Storm—\nKing Lear \" ....is a marvel of dramatic intensity achieved by \"strictly\neconomic use of the black line.... it must be\nplaced among the supreme masterpieces of\nwood engraving. \"\nADDRESS ALWAYS TO\nTHE MASK PUBLISHERS\nWOODCUTS\nBOX444, FLORENCE, ITALY."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c105", "article_bluemountain": "bmtnaau_1925-01_01#c105", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "57", "page_fin": "57", "image_debut": 71, "image_fin": 71, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.40", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 71, "page_imprimee": "57", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.71", "debut_caractere": 534, "fin_caractere_exclue": 627, "texte": "THE \"OBSERVER\"\nLONDON\nCALLS\nTHE MASK\nTHE BEST\nTHEATRICAL MAGAZINE\nIN THE WORLD.\nOCTOBER 1924."}]}, {"article_id": "bm-bmtnaau-1925-01-01-c106", "article_bluemountain": "bmtnaau_1925-01_01#c106", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "58", "page_fin": "58", "image_debut": 72, "image_fin": 72, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.41", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 72, "page_imprimee": "58", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.72", "debut_caractere": 0, "fin_caractere_exclue": 2911, "texte": "WHAT OUR FRIENDS\nSAY OF \"THE MASK'\nTHE REFEREE.\nA RICH BUDGET CRAMMED FULL OF LIVE\nTHEATRICAL IDEAS, WITH SOMETHING\nBRILLIANT ON EVERY PAGE 5\\\nSeptember 23. 1923.\n\" CONTAINS A MASS OF INTERESTING,\nNOT TO SAY INTREPID, UTTERANCES IN\nTHEATRICAL MATTERS AND THE DRAMA\nGENERALLY. IN FACT IT TOUCHES THE\nSTAGE OF ALL NATIONS.\nFebruary 24. 1924.\nCHRISTIAN SCIENCE MONITOR.\nIT HAS BEEN THE FIRMEST FRIEND AND\nCHAMPION OF THE ACTOR... IT HAS PRO-\nVED ITSELF THE FRIEND OF THE DRAMA-\nTIST, THE DANCER, THE SCENOGRAPHER,\nTHE MACHINIST \\ OF ALL WORKERS OF\nEVERY KIND SO THEY BE GENUINE THEA-\nTRE WORKERS. November 10. 1922.\nDAILY TELEGRAPH.\nA VERY AMUSING AND STIMULATING, AS\nWELL AS A MOST BEAUTIFUL MAGAZINE.\nPALL MALL GAZETTE.\nNOT A PAGE IN IT WHICH IS NOT INTE-\nRESTING AND STIMULATING IN A FINE WAY.\nWESTMINSTER GAZETTE.\nA QUITE REMARKABLE MAGAZINE, RICH\nIN INTELLIGENCE.\nN. Y. DRAMATIC MIRROR. U. S. A.\nA DELIGHT TO BIBLIOPHILES, WITH ITS\nBUDGET OF FRANK, ORIGINAL NOTIONS.\nProf. WILLIAM ROTHENSTEIN.\nIT IS EVER A DELIGHT TO SEE IT, TO\nHANDLE IT, TO READ IT. January 1924.\nTHE MANCHESTER GUARDIAN.\nI RECOMMEND PEOPLE WHO ARE INTERES-\nTED IN THE THEATRE TO GET HOLD OF\nTHE MASK.\nFebruary 13. 1924. A. N. M.\nTHE TIMES.\n.... THE MASK FULL OF AMUSING WOOD-\nCUTS AND EQUALLY AMUSING LETTER\nPRESS. May 1924.\nTODAY.\nTHE ONLY MAGAZINE DEALING WITH THE\nTHEATRE WHICH I CAN READ WITH PLEA-\nSURE AND PROFIT. December 1923.\nw\\ i\nV\n€>-\nt f\nU\n«€\nOK\nCURRENT OPINION. U. S. A.\nIT STILL REMAINS THE MOST ARTISTIC\nAND FASCINATING THEATRICAL PUBLICA-\nTION IN THE WORLD.\nTHEATRE ARTS MAGAZINE.\nU. S, A.\nTHE MASK IS REAPPEARING WITH ALL\nITS OLD VIGOR, HUMOR, AUTHORITY AND\nBEAUTY.... May 1924.\nGLASGOW NEWS.\nANYONE WITH ANYTHING LIKE A PASSIO-\nNATE INTEREST IN THE THEATRE SHOULD\nHAVE FOUND THE MASK BY THIS TIME\nFOR IT IS IN ITS TENTH VOLUME.\nApril 28. J924.\nDAILY EXPRESS.\nTHERE IS QUITE A LOT IN IT THAT IS\nSTIMULATING, MUCH THAT IS TRUE, VERY\nMUCH THAT IS BITING IN THIS PUBLICA-\nTION. September 26. 1924.\nGRAPHIC.\nAPART FROM ITS ARTISTIC INTEREST IT\nIS A GOOD INVESTMENT, FOR THE FIRST\n8 VOLUMES, BEGINNING IN 1908, ARE VERY\nRARE. November 10. 1923.\nSPORTING AND DRAMATIC.\nTHE DAY OF THE PIONEERS REPRESENTED\nBV \" THE MASK \" WILL COME. THE MOVE-\nMENT OF THE THEATRE IS IN THEIR\nDIRECTION.\nAshley Dukes. April 26. 1924.\nEXTRACTS FROM SOME\nSUBSCRIBERS5 LETTERS.\n\" SUCH VALUE FOR ONE'S MONEY NEVER\nWAS, I THINK, IN THE WORLD BEFORE\n\" THE DELIGHT AND ENCHANTMENT I\nRECEIVE FROM\nTHE MASK\nIS EVEN\nGREATER THAN IT WAS, THOUGH THAT\nHAD SEEMED IMPOSSIBLE. IT IS A WON-\nDERFUL HANDFUL OF ALLURING PAGES\nWHICH IN THE SUBTLEST WAY BEGETS\nIN ONE THE DISCONTENT WITH THINGS\nAS THEY ARE IN THE THEATRE, AND SFITS\nONE KEENLY ON EDGE FOR THE THINGS\nWHICH SHOULD BE 55.\n\" THE DELICIOUS IRONY OF IT, THE\nEQUALLY DELICIOUS HUMOUR TOGETHER,\nWITH THE BITING, CUTTING, SCATHING*\nHUMOUR OF ITS DELICATE SARCASM MAKES\nONE CRY U OH, MASK! LIVE FOR EVER ! \"\n\\"}]}, {"article_id": "bm-bmtnaau-1925-01-01-c107", "article_bluemountain": "bmtnaau_1925-01_01#c107", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "59", "page_fin": "59", "image_debut": 73, "image_fin": 73, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.42", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 73, "page_imprimee": "59", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.73", "debut_caractere": 0, "fin_caractere_exclue": 1715, "texte": "I\"\"l\nIII)\nI'M\n111 l\nI'M\n111 l\nTHE MASK\nAN ILLUSTRATED QUARTERLY\nJOURNAL OF THE ART OF THE THEATRE.\nTHE PUBLISHERS HAVE PLEASURE IN ANNOUNCING\nTHE PUBLICATION IN VOLUME ELEVEN OF\nSOME LARGE PLANS OF CITIES.\nTHE first Plan consists of twenty four full page Plates showing\nthe City of Rome in 1748, and appears in this number.\n(Volume XI, Number /).\nIt is a superb Plan, every street, church, palace, academy, theatre, and\nalmost every house being indicated clearly.\nWe shall follow this by a reproduction in about forty Plates of the\n1734-39 Plan of Paris by Turgot.\nSUCH PLANS ARE ESSENTIAL TO STUDENTS ; AND THE FIRST WILL\nPROVE INVALUABLE TO THE STUDY OF IHE FOLLOWING BOOKS:\nEVELYN'S \"DIARY\";\nGOLDONI'S \" MEMOIRS '';\nDE BROSSE'S \" LEI TRES FAMILIERES ECRITES D' ITALIE\nEN 1739 ET 1740\";\nCASANOVA'S \" MEMOIR'S \" ;\nADEMOLLO'S \" TEATRI DI ROMA \" ;\nGOET HE'S \" TRAVELS IN ITALY \" 1766-1790;\nDUMONT'S \" PARALLELE DE PLANS DES PLUS BELLES\nSALLES DE SPECTACLES D' ITALiE \" E'i C. 1766 ;\nDR BURNEY'S \" jOURNAL OF A TOUR\" (1769-1770);\nMICHAEL KELLY'S \"REMINISCENCES \" 1826;\nWRIGHT'S \"TRAVELS IN ITALY\", 1744;\nGROVE'S \" DICTIONARY OF MUSIC \" ;\nSTENDHAL'S \" PROMENADES EN ROME \" (1827-28).\nIT ILLUSTRATES EVERY PAGE OF GREGOROViUS, NiBBY, J. COOPER\nWALKER (1798), RADICIOTTi ; GiORGI (1795), AND MANY MORE.\n€J But no student will need more than a first quick glance at these Plans to\nestimate, in that moment, the immense value to his studies, be he architect,\nhistorian, musician, man of the theatre, painter, or one who merely reads\nior the vivid interest of recapturing the spirit of the old times.\ni\"i\nI\ni\" i\nlnl\nI'M\n111 l\nI'M\nhit\nFOR SUBSCRIPTION RATES SEE NEXT PAGE.\nTHE MASK PUBLISHERS. BOX 444. FLORENCE, ITALY.\nI U;"}]}, {"article_id": "bm-bmtnaau-1925-01-01-c108", "article_bluemountain": "bmtnaau_1925-01_01#c108", "volume": "bmtnaau_1925-01_01", "ocr_source": "OCR Blue Mountain (ALTO), transcription TEI : lignes lb/@facs", "texte_sans_correction": true, "page_debut": "60", "page_fin": "60", "image_debut": 74, "image_fin": 74, "pages_selon": "pagination imprimée relevée dans le METS Blue Mountain (ORDERLABEL) ; [n] = page sans folio restituée", "url_article": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.2.43", "titre_corps": "[Publicité]", "titre_sommaire": "[Publicité]", "signature_source": "", "controle": "bornes données par la structure logique METS/ALTO de Blue Mountain (blocs ALTO de chaque constituant)", "pages": [{"page_pdf": 74, "page_imprimee": "60", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.74", "debut_caractere": 0, "fin_caractere_exclue": 1141, "texte": "3iili]iiiiiiilllllllllllllllllltlllllllll!ili[iliIllllillllllHiiiii!!ii>illll[il!IIIIIIIIIIIII!lll!lllilllllllill!lllllllllllllllllllllllllllllltllllllll!llllllimiltllilllllllliia\nSUBSCRIPTIONS.\nIF YOU FIND ANY DIFFICULTY IN OBTAINING\nTHE MASK WRITE DIRECT TO THE MASK\nPUBLISHERS, BOX 444. FLORENCE, ITALY,\nAND WE WILL SUPPLY YOU IMMEDIATELY.\nSUBSCRIBE NOW FOR VOLUME ELEVEN.\nCOMMENCING WITH THIS JANUARY 1925 NUMBER.\nANNUAL SUBSCRIPTION. POST FREE.\nPOPULAR EDITION.\nShillings. 10. Dollars. 2.50\nSPECIAL EDITION (WITH COVER FOR BINDING)\nShillings. 20. Dollars. 5.00\nVOLUME TEN, 1924, IS STILL ON SALE.\nPopular Edition. Four Quarterly parts: 10/-: $ 2.50\nBound: 14/-: $ 3.50\n) Post free.\nFine Paper Edition. Four Quarterly parts: 20/-: $ 5.00\nBound, half vellum: 25/- : $ 6.25\nX\n'A-rr,\n111\nJ. I\n%\n•'fill\n-GL fesA\nm\nw •IT\nritelltno.\nTr anca Trima.\nFROM THE \" BALLI DI SFESSANIA \" BY JACQUES CALLOT.\nONE OF THE MANY DESIGNS REPRODUCED\nIN \" THE MASK \" IN 1923-1924.\nyy\niiiitiHiiiiiiiiiiiiiiiifiiiiiiiiiiiiiiiiiiiiiiiiiifiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiitmiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiuiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiitiiiiitmfimiiiai"}]}], "pages_ocr_originales": [{"page_pdf": 1, "page_imprimee": "couv. 1", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.1", "texte": "THE MASK\nAN ILLUSTRATED\nQUARTERLY OF THE\nART OF THE THEATRE\nVOLUME ELEVEN. NUMBER ONE\nJANUARY 1925\nADDRESS: BOX 444.\nFLORENCE\nITALY.\n\"v:- ->■ •.r ■=. v-c ■ T v'■ ■•-''% . ■■■'vV--.v'. v.-■■ :vv.;-\"\",\nANNUAL SUBSCRIPTION\nTEN SHILLINGS {DOLLARS 2.50) POST FREE.\nSINGLE COPY 2/6.\nORDER, GIVING THIS ADDRESS, THROUGH ANY BOOK SELLEE"}, {"page_pdf": 2, "page_imprimee": "couv. 2", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.2", "texte": "THE MASK. JANUARY 1925\nmmmi . \"* ' , . , . ,\nNOTICE TO CONTRIBUTORS. The Editor is always glad to consider articles and illustrations from\nexperts in theatre history and art, and which result from special research or personal experience. Where stamped\nand addressed envelopes are included, every effort will be made to return in due course rejected contributions :\nbut under no circumstances can he hold himself responsable for safe custody or return. All articles should be\ntypewritten.\nI Address : The Editor : n The Maskn, Box 444, Florence, Italy.\n\nLITERARY CONTENTS.\nFOREWORD John Semar . . . . Page I\nA NEW PLAN OF ROMA. FOREWORD, Followed by I\ncomplete list of streets and buildings . , . . Giovan Battista Nolli. ... 5\nA NOTE ON SOME THEATRE PLANS. . . . J. S. . . ... .35\nTHE PRETTY THEATRE (continued) . . . . X. Y. Z 37\nIMITATION, with an anecdote by Dumas P£re . . . Jan Klaassen . . . . .40\n\" THE SACKBUT \" AND THE NEED FOR MUSIC . Gordon Craig 43\n. . ' ....\nCORRESPONDENCE. FOREIGN NOTES. BOOK REVIEWS. EDITORIAL NOTES.\n\nILLUSTRATIONS.\nPLAN OF ROMA, (COMPLETE) Giovan Battista Nolli. Plate LFacePg. 1\nTWO DESIGNS SHOWING THE TEATRINO OF CAR- ( Baldasar Gabbuggini )\n\\ > n 2, n ■ 36\nDINAL OTTOBONI . ( &F. Vasconi, 1729 )\nPALAZZO BARBERINI Anon. . . ■ 3, ■ » 44\nPLAN OF ROME, IN SECTIONS. 24 FULL PAGE\nPLATES, issued In 1748 . . . . . Giovan Battista Nolli . . Pages 6-29\n{1 M ffi \\r> »$} ** ' . -v , ■ & , , ~* # : ' : - - ■. -\\r ■ -\nTWO DESIGNS ILLUSTRATING THE PRIVATE TEA- / From a work by Dumont )\n) > Page 35\nTRINO IN THE COLLEGIO ROMANO, ROMA . ( dated 1775 . . . )\n■■';.''. ' . ' ■ - 5 %\nTHREE PLANS OF ROMAN THEATRES \"36\n. ■■\nHead and Tail Pieces front original Woodcuts and old Designs."}, {"page_pdf": 3, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.3", "texte": "STANLEY PAUL & C.°'s LIST.\nTHE GERMAN SECRET SERVICE. By\nColonel W. NICOLAI (Chief of the German\nIntelligence Department during the War).\nTranslated by GEORGE RENWICK. {Daily\nChronicle Special Correspondent). Demy\nBvo. ios. 6d. net.\nIn additition to Colonel Nicolai's revelations, the\nbook contains the full story of the greatest espionage\ndrama of modern times.\nTHE CORNISH COAST & MOORS. By\nA. G. FOLLIOTT-STOKES. Demy Bvo. With\nover 150 half-tone illustrations, ios. 6d. net.\nSecond large edition now ready.\nExtract from a two-page review by Mr. Richard\nKing in \" The Tatler One of the most delightful\nbooks about Cornwall that I have ever read\nTHE STORY OF THE SAVOY OPERA.\nA Record of Events and Productions. By\nS. J. ADAIR FITZ-GERALD. With an Intro-\nduction by THE RIGHT HON. T. P. O'CON-\nNOR, M. P., with full casts and particulars\nof all Plays done at the Opera Comique\nand Savoy Theatre down to the year 1909.\nFully Illustrated. Cr. Bvo, cloth. ss. net.\nSecond edition.\n\" Most of the books which we have had about\nGilbert and Sullivan have been good; but this is one\nof the best of them Westminster Gazette\nSIMS REEVES. Fifty Years of Music in\nEngland. By CHARLES E. PEARCE. Demy\nBvo, cloth. Illustrated. 16s. net. Second\nedition.\nAn excellent book \".—lllustrated London News.\nTHE MYSTERIOUS MEDIUM. By SYDNEY\nA. MOSELEY. Crown Bvo, cloth. ss. net.\nTruth says:—\" A book that deserves the attention\nof all candid students of Spiritualism\nLOVE STORIES OF ENGLISH QUEENS.\nHistory seen Through the Glamour of Ro-\nmance. By ELIZABETH VILLIERS. Large Cr.\nBvo., cloth, fully illustrated. 7s. 6d. net.\nA GALLERY OF ROGUES. By CHARLES\nKINGSTON, author of Dramatic Days at\nthe Old Bailey etc. Demy Bvo. 12s.\n6d. net.\nUNSOLVED MURDER MYSTERIES. By\nCHARLES E. PEARCE. Demy Bvo. 16s. net.\nLABOUR, SOCIAL REFORM & DEMO-\nCRACY or The Cry offustice Throughout\nthe Ages. By Dr. A. S. RAPPOPORT. 2 vols.\nDemy Bvo, Illustrated. 21s. net. each.\nVol. I shortly.\nTHE CHEAPEST BOOKS IN\nENGLAND Volumes which\nshould be in every Library.\nNEW AND CHEAPER EDITION THE\nCOLLECTORS' SERIES. Written by\nExperts, tastefully produced, plentifully il-\nlustrated and strongly bound. Each volume,\nin Demy Bvo, cloth. Bs. 6d. net.\nTHE AB C OF COLLECTING OLD EN-\nGLISH CHINA. By J. F. BLACKER.\nProfusely illustrated with numerous line\nand 64 pages of half-tone illustrations,\nprinted on art paper. Demy Bvo. Bs. 6d. I\nnet. Third Edition. '\nTHE ABC OF COLLECTING OLD EN-\nGLISH POTTERY. By J. F. BLACKER.\nIllustrated with about 40 line and 32 pages\nof half-tone illustrations. Demy Bvo. Bs.\n6d. net. Fourth Edition.\nTHE ABC OF 19th CENTURY ENGLISH\nCERAMIC ART. By J. F. BLACKER. Demy\nBvo, cloth, with 1,200 illustrations in half-\ntone and line. Bs. 6d. net.\nMORE ABOUT . COLLECTING. By SIR\nJAMES YOXALL. With over 100 illustrations.\nDemy Bvo. Bs. 6d. net. Third Edition.\nTHE AB C OF ENGLISH SALT-GLAZE\nSTONEWARE : From Dwight to Doulton. .\nBy J. F. BLACKER. Illustrated with line\ndrawings and 64 full pages of half-tones\nprinted on art paper. Demy Bvo. Bs. 6d. net.\nTHE ABC OF INDIAN ART. By J. F.\nBLACKER. Demy Bvo, fully illustrated in\nhalf-tone and line, also a three-colour fron-\ntispiece. Bs. 6d. net.\nTHE ABC ABOUT COLLECTING. By |\nSIR JAMES YOXALL. With numerous line\nand half-tone illustrations. Demy Bvo.\n15s. net. Fourth Edition.\nTHE LIFE OF CESARE BORGIA. By\nRAFAEL SABATINI. Demy Bvo, cloth, illu-\nstrated. 12s. 6d, net. Eighth Edition.\n(16th thousand).\nTORQUEMADA AND THE SPANISH\nINQUISITION. By RAFAEL SABATINI.\nDemy Bvo, fully illustrated. 12s. 6d. net.\nFourth Edition.\nNew Autumn Announcement List sent gratis on application to\nLONDON: STANLEY PAUL & Co. LTD.\n8, ENDSLEIGH GARDENS. LONDON W. C. i."}, {"page_pdf": 4, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.4", "texte": "THE PRINT COLLECTORS QUARTERLY\nWILL APPEAL TO ALL READERS OF THE\nMASK AS IT IS DEVOTED ENTIRELY TO\nTHE WORK OF OLD AND MODERN MAS-\nTERS WHO HAVE MADE A NAME FOR\nTHEMSELVES THROUGH THE SINCERITY\nAND BEAUTY OF THEIR WORK : THE IL-\nLUSTRATIONS ARE MADE WITH GREAT\nCARE AND EACH NUMBER IS FULLY IL-\nLUSTRATED WITH THE WORK OF FOUR\nDIFFERENT ARTISTS AND USEFUL AND\nVALUABLE CATALOGUES ARE ADDED IN\nCASES WHERE THEY HAVE NOT HITHERTO\nBEEN PUBLISHED: THE ANNUAL SUBSCRIP-\nTION IS SEVENTEEN SHILLINGS AND SIX\nPENCE PER ANNUM POST FREE AND THE\nFOUR NUMBERS ARE ISSUED IN THE\nMONTHS OF FEBRUARY APRIL OCTOBER\nAND DECEMBER: SUBSCRIBERS CAN BE-\nGIN WITH ANY NUMBER & CAN FORWARD\nTHEIR SUBSCRIPTIONS THROUGH ANY\nBOOKSELLER PRINT SELLER OR PUBLI-\nSHER OR DIRECT TO THE PRINT COLLEC-\nTORS OUARTERLY AT TEN BEDFORD\nSTREET LONDON WEST CENTRAL TWO\no o o"}, {"page_pdf": 5, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.5", "texte": "TOWARDS A\nNEW THEATRE\nFORTY DESIGNS FOR\nSTAGE SCENES, WITH\nCRITICAL NOTES BY\n4k\nTHE INVENTOR.\nEDWARD GORDON CRAIG.\n(J. M. DENT <6 SONS)\n1912.\nNET PRICE\n265. $ 6.50\nPostage extra.\nO\nPROCURABLE FROM\nTHE MASK PUBLISHERS\nBOX 444, FLORENCE\nITALY.\n\nCANTAGALLI\nARTISTIC MAJOLICAS\nARCHITECTURAL\nDECORATIONS\nREPRODUCTIONS OF\nWORKS OF\nDELLA ROBBIA\nMANUFACTURY\nFLORENCE\n(PORTA ROMANA)\no\nBRANCH ESTABLISHMENT\nROME\nVIA BABUINO 182.\n\nzm\nA LIVING\nTHEATRE\nCONTAINING AN\nACCOUNT OF\n\" THE MASK \"\nAND SOME ARTICLES\nON THE WORK OF\nGORDON CRAIG.\nWITH 20 ILLUSTRATIONS.\nPUBLISHED 1913.\no\nA FEW COPIES REMAIN\nFOR SALE.\nPRICE 4s. ($ 1.)\nPOST FREE.\nTHE MASK PUBLISHERS\nBOX 444, FLORENCE,\nITALY.\n\nTHE GINNER-MAWER SCHOOL\nTRAINS STUDENTS IN THE ARTS OF THE DANCE AND THE THEATRE\nI ) ÜBY Ginner and Irene Mawer are working to promote the right\nunderstanding of Dance, Drama, Poetry and Mime as Educa-\ntional forces and as expressions of individual and national life.\nStudents may train for the Stage or for the Teaching Profession.\n*1 A special feature of the School is the Children's Section, in which\nthe children are helped to develope personality, originality and a love\nof the beautiful through the medium of Dance, Poetry and Drama.\nO O O\nCHANGE OF ADDRESS\nParticulars of the various branches of the School Work may be obtained from :\nTHE REGISTRAR, THE GINNER-MAWER SCHOOL\nTHE PHILBEACH HALL, PHILBEACH GARDENS, S.W. 5.\nThe School is close to Earls Court Station (District Railway and Piccadilly Tube)\nand is near the following Bus routes : 31, 74, 30, & 9, 28, 33, 73."}, {"page_pdf": 6, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.6", "texte": "lllillllllllUlllllllllllllllUlllNllEllllillHlßlililllllllilllllllflilllllllllllllllllllllllllltllllltlllllllllf\n,«■\nG\nI LEICESTER SQUARE\n1 ERNEST BROWN AND PHILLIP*\n5\n*\nMr!\nTHE RESORT OF DISCRIMINATIN\nIN SEARCH OF THE\nMODERN AR'\ny'iv'y.A-\nSCULPTURE. PAINTI\nETCHINGS\n■r:S U'li?'. \"3K\nDRAWINGS.\ns\ni\ni\n■\nJ\nh:'i\n■\nBQ;; K tVQQ\n:\n»\n;\nBLAMPIED\nBONE\nCAMERON\nDEGAS\nFORAIN\nHADEN\nJOHN\nMATISSE"}, {"page_pdf": 7, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.7", "texte": "GIORGIO & PIERO ALINARI\nPUBLISHERS. VIA STROZZI i, FLORENCE.\nGRAND COLLECTION OF PHOTOGRAPHS\n50.000 SUBJECTS OF ALL THE TOWNS OF ITALY. GREECE, PARIS, DRESDEN.\nPLATINUM, BROMIDE, CARBON PRINTS, ETC. ARTISTIC REPRODUCTIONS\nOF VIEWS, PICTURES, SCULPTURES, ARCHITECTURAL DETAILS, ETC.\n• *\nA View of the Ponte Vecchio. Florence.\nBOOK EDITIONS RECENTLY PUBLISHED,\nFLORENCE\nORIGINAL ETCHINGS BY ANTONIO CARBONATI WITH PREFACE\nBY VITTORIO PICA.\nORIGINAL ALBUM ON JAPANESE PAPER; 100 COPIES NUMBERED AND\nSIGNED, ENCLOSED IN A FINE LEATHER COVER."}, {"page_pdf": 8, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.8", "texte": "JUNK!\nAn expressive, transatlantic term applied\nto useless, ugly or pretentious furniture.\nWe are all apt to have some of it—in the\nspare bedroom, if nowhere else.\nSome perhaps we inherited, some was\nthrust upon us at marriage; some is an\nindiscretion of our own which maturer\ntaste rejects.\nFIEALS take the greatest care to make\nit impossible to buy JUNK at their shop\n—not so easy a thing to ensure or so\nlight a claim to make, as may at first\nsight appear.\nHeal & Son Isl\nTOTTENHAM COURT ROAD. Wl.\nBedding, Bedstead, Upholstery, and Furniture Makers.\nDealers in Carpets, China, Fabrics & Decorative things."}, {"page_pdf": 10, "page_imprimee": "n. p.", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.10", "texte": "THE MASK\n19 2 5\n\nLA TOPOGRAF IA D1 ROMA.\nDouble Plate of NolWs Plan of Roma, independent of the other Plates, Showing the whole Plan on a smaller scale, Piranesi, the Elder, has worked on this Plate.\nPlate I."}, {"page_pdf": 11, "page_imprimee": "1", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.11", "texte": "THE MASK\n11925\n\nFOREWORD\n\nIN Nolli's Plan of Roma, which is here offered for the\nfirst time in a handy form and at a popular price, we\nhave a leaf of genuine History, for it is all fact.\nBooks about the Roma of the 18th century may con-\ntain as much fancy as fact, and that in time renders them\nof little use to the historian. We talk of the Roman streets,\nof the Palaces, Theatres, Churches and other monuments;\nwe write of the Piazza Navona or the Palazzo Rospigliosi,\nand though all these may be known by hearsay to us they\nstill remain vague, ....vague as to position, form, size, and\nin their relation to their surroundings.\nWe may have seen these places, but perhaps forgotten\none of them, and, certainly, quite forgotten where they are\nplaced, how surrounded, or how one reaches them bom\nthe Porta del Popolo or bom the Porta di S. Giovanni\nLaterano.\nAsk yourself to define the track leading from Porta\ndel Popolo to the Piazza Navona without looking at any"}, {"page_pdf": 12, "page_imprimee": "2", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.12", "texte": "plan. It is only a matter of pulling down a few streets\n....but can you do it?\nTo save you the trouble here is Nolli. He can stand\non your desk in his present form: in 1 748 he was far too\nbig a book to be handy: and even if you can get a copy\nnow it is too large to serve you as reference book, for it is\na folio of thirty six pages, and measures one foot seven\ninches by one foot two inches.\n\" The Mask \" having seen that, besides this plan of\nRoma being one of the very best, it was used frequently by\nthe most active students of the Theatre, thought that, by\nreducing it to a practical size it would be doing some ser-\nvice. So now you can have your Nolli's Plan of Roma\nclose at hand to refer to when rereading the many books\nwhich deal with Roma, no matter what the subject. Not\nonly theatrical students but scholars of all kinds will find\nit useful.\nThe Plan illustrates many hundreds of books, but it\nalso corrects, and with authority, a number of them, sup-\nplementing others. Errors have sometimes crept into these\npooks because the chief guide, Roma itself, was not\nproperly followed.\nNolli shows us eight Theatres, most of them very\nclearly defined. Teatro Alibert, 296:\nTeatro Argentina, 771:\nTeatro Capranica, 332 :\nTeatro de' Granari, 618 :\nTeatro della Pace, 611:\nTeatro della Pallaccorda, 444:\nTeatro di Tordinona, 536:\nTeatro della Valle, 795.\nBut we must not forget that this short list of eight thea-\ntres represents none but the \" public playhouses \": and that\nin many a palace was a magnificent Teatro privato or"}, {"page_pdf": 13, "page_imprimee": "3", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.13", "texte": "a Teatrino. And, lest we develope any wrong notion about\nRoma and its manner of doing things of this kind in the\nseventeenth and eighteenth Centuries, let us state what a\nprivate Theatre was not in those days.\nMerely because it was private, it was not anything\nwhich today we call \"amateurish but inasmuch as it was\nan \" amatore delle arti\", a lover of the arts, who devoted a\nlarge portion of his wealth and time to the care of his\nTeatro, so was the work amateurish, but only in this sense.\nDevoting time and money to his Teatro did not as\na rule mean that he interfered with the work, the con-\nstruction of the place, the production or composition of plays,\nopera or ballet. Counts Pepoli and Albergatti, two of the\nforemost amatori d'arte of Italy, did assuredly write plays,\nand perform in them; but as a rule the great people of\nRoma made and kept their private theatres more for the\nentertainment of their guests and to avoid the inconvenien-\nces of the public playhouses with their crush, draughts,\nnoise and suffocation.\nAmongst those who had Private Theatres in Roma\nwere the Queen of Poland, Maria Casimira, who in 1709\nlived in Pal azzo de Torres alia Trinita del Monte: Olimpia\nAldobrandini, the famous Principessa di Rossano; the\nSpanish Ambassador whose private theatre in the Spanish\nPalace was built in 1688: the Barberini family, whose\ntheatre it is said seated 3000 people and was opened in\n1634. The Prince Galicano had a private Theatre at\nwhich Evelyn in 1645 witnessed \" a magnificent opera \".\nThen there was the teatro of Palazzo Rospigliosi; those of\nPalazzo Corsini; of Palazzo Colonna in Borgo, (the Co-\nlonna family had it seems two private theatres, one of these\nknown as \"il grand teatro del Contestabile Colonna \"); of\nthe Palazzo Panfili in the Corso; and of the Collegio Ro-\nmano. The most fashionable theatre of 1639 was a pri-"}, {"page_pdf": 14, "page_imprimee": "4", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.14", "texte": "vate Theatre built by Bernini in the Fonderia del Vati-\ncano. Lastly there was the teatrino built for Cardinal Pietro\nOttoboni by Juvarra in about 1 700, a building of three\ntiers and most beautifully designed interior. We have seen\nthe almost unknown original designs. In 1678 during the\ncarneval there were 130 comedies given in the private\ntheatres of Roma.\nBut most of our readers probably know all about\nthese places and what was performed there, and the Plan\nis onlv to serve as a means of locating their exact positions.\n\nJ. S."}, {"page_pdf": 15, "page_imprimee": "5", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.15", "texte": "A NEW PLAN OF ROMA\nPUBLISHED IN THE YEAR MDCCXLVIII.\nBY GIOVAN BATTISTA NOLLI.\nFOREWORD BY THE DESIGNER.\n(i)\nALTHOUGH the leaves of the large Plan\nof Roma ought to be all united\ntogether, so as to have them all extended\nbefore the eye, as are usually all Geo-\ngraphical Maps, yet, if it should please\nanyone to have them bound, in book form,\nit is to be noted that, to be able to make\nuse of its indexes, desiring to find those\nBuildings or Places which are in the same\nPlan, it is necessary first to find in the\nalphabetical Index the name of that Buil-\nding or Place which one is seeking, and\nio see what is the number by which it\nts indicated on the sheets ; then the same\nnumber is found in the other numerical\nIndex, and in this wise one will know in\nwhich Rione it is described : and, seeing\nin that same Rione the number already\nfound, one will see the Place or Building\ndesired. At the top of each sheet are\nrepeated the Rione, and, some being de-\nscribed in a single sheet, others in several\nsheets, there is indicated, beside the name\nof each one, those sheets in which some\npart of this same Rione is included, and\nin one of which there will be found the\nnumber of the Building, or Place, which\none seeks.\nRIONI OR DIVISIONS OF THE CITY.\nRione I. Monti Sheet 14. 15. 16. Rione VIII. S. Eustacio 19.\n20. 21. 22.27. » ]X pi 19\nZo.\n\" 11. Trevi 20.21.26.27. X. Campitelli 6.9.14.15.19.\n11 111. Colonna 19. 20. 25. 26. \" Angelo 19.\n27. » XII. Ripa 5.6.8.12.13.\n\" IV. Campo Marzo 19. 25. 26. 19.\n\" V. Ponte 18. 19.24. 25. \" XIII. Trastevere 12. 13. 18. 19.\n11 VI. Parione 18. 19. 24.\n\" VII. Regola 18.19. « XIV. Borgo 23.24.\n\n(1) IA MBA TTISTA, or Giovan Battista Nolliwas born at\nVJT Como, in Italy, about thebeginning of the eighteeyith\ncentury. architect by Profession, built the church of\nS. Dorotea in Roma, and in 1748 made a plan of that city,\nwhich was issued under the title of\" Nuova Fianta di Roma\nIt is a plan of the modern city with indications of the ancient\nruins, and zvas considered the finest which had been executed\nup to that time. Some years later, about 1755, he made another\nplan op ancient Roma.\nHe died in 1780, ten years after his son Cqrlo, whoy a\npainter a?id engraver, predeceased him, in Naples where he\nhad gone to work for the King of Naples, in 1770,\n(2) are two Indexes in the original edition. We\nX have not included the Alphabetical Index, thinking that\none Index would be e?iough for the moment. We have used\nthe two, and find the one included here to be the more useful\nof the two.\nBUT we will give the Alphabetical Index in the next\nnumber op '* The Mask and those who wish can\nbind the whole worfc together."}, {"page_pdf": 16, "page_imprimee": "6", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.16", "texte": "INDEX OF NUMBERS ON THE PLAN.\nRIONE I. - MONTI.\n1. Chiesa di S. Stefano Rotondo T.C. 43\n2. Strada del la Ferratella\n3. Ruine Antiche > 1 44\n4. Abitazione de' PP. Penitenzieri di\nS. Gio. Laterano\n5. Cliiesa patriarc. e Paroc. di S. Gio.\nLaterano\n6. Palaz Pontificio ora Conservatorio di\nZitelle\n7. Chiesa di S. Maria in Fonte\n8. Chiesa delle SS. Kufina, e Seconda\n9. Chiesa di S. Gio. in Fonte\n10. Obelisco gik del Circo Massimo\n11. Sped, di S. Gio. per gli Uomini\n12. Cliiesa di S. Andrea unita al d. Sped.\n13. Sped, di S. Gio. per le Donne\n14. Obelisco Lodovisio giacente\n15. Sancta, Sanctorum e Scala santa\n16. Orate Confrat del Sagramento in\nS. Gio. Laterano"}, {"page_pdf": 17, "page_imprimee": "7", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.17", "texte": "17. Triclinio Leoniano rinovato da IST. S.\nhenedetto XIV\n18. Cap. di S. Margar ta\n19. Cap. di S. M, de Cistercitnsi\n20. Anfiteatro Castrense\n21. Chiesa di S. Croce in Gerusalem T.C.\ne Monast. de Cisterci Lombardi\n22. Tempio di Yenere, e Cupidine\n23. Strada Felice\n24. Terme di S. Elena\n25. Acquedotto di Claudio Imp.\n26. Tempio di Minerva Medica\n27. Chiesa di S. Bibiana\n28. Chiesa di S. Matteo in Mercnlana T.C.\ne conv. di Agostiniani Jrland.\n29. Chiesa di SS. Pietro, e Marcellino\nT. C. e Monast. de Maroniti di S. An-\ntonio Abate\n30. Chiesa di S. Clemente T. C. e Conven.\nde' Domenieani Tbernesi\n31. Chiesa di S. Maria di Lore to, e Ospi-\nzio de Convalescenti\n32. Terme di Tito Imp."}, {"page_pdf": 18, "page_imprimee": "8", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.18", "texte": "33. Conserve d'acqua per d. Terme dette\nle sette sale\n34. Strada delle sette sale\n35. Palaz, e Villa Gaetani\n36. Chiesa di S. Ginliano, e Ospiz. Dei\nCarmelit. della Provin. Rom an a\n37. R. A. d' volgarmente, i Trofei di\nMario\n38. Chiesa di S. Ensebio I. C. e Monast\nde' Celestini\n39. Rnine credute della Villa di Mecenate\n40. Chiesa de' SS. Vito e Modesto D.C. e\nMonasterio de Cistercien. della Pro-\nYin ci a Rom an a\n41 Arco di Gallieno Imp.\n42. Chiesa della Conceze e con servatorio\ndetto delle Viperesche\n43. Memoria della Reconciliazione di En-\nrico IV\n44. Argine di Tarquinio\n45. Chiesa di S. Antonio Abate, e casa\nde' Canonici Reg. di d. Santo di Vien-\nna in Erancia\n46. Sped, di S. Antonio Abate\n47. Abitazione de' PP. Penitenzieri d.\nS. Maria Maggiore"}, {"page_pdf": 19, "page_imprimee": "9", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.19", "texte": "48. Colonna gi& del Tempio della Pace\n49. Chiesa patriarc. di S. M. Maggiore\n50. Obelisco gia del Mausol d'Aug.\n51. Palazzo Ciampini.\n52. Strada Paolina\n53. Palazzo Pavenna\n54. Strada dell' Olmo\n55. Palazzo Pocavena\n56. C. P. di S. Prassede T. 0. e Monast.\nde Vallombrosani\n57. Strada della Coroncina\n58. 0. P. di S. Martino a' Monti T. C. e\nconv. de' Carmelitani con mine cre-\ndute delle Terme di Tito\n59. Chiesa di S. Lucia in selce e Monast.\ndi Agostiniane con P. A. e Torre\n60. Chiesa di S. M. della Purificazione e\nMonast di Monaclie di S. Cliiara\ncon P. A.\n61. Cap. gia S. M. in Monasterio\n6*2. Monast. di Oblate di S. Francesco di\nPaola\n63. Vicolo di Monti Pollacco\n64. Chiesa di S. Pietro in Vincoli T. C. e"}, {"page_pdf": 20, "page_imprimee": "10", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.20", "texte": "Monasterio di Canonici Reg. di S Sal-\nvatore\n65. C. P. di S. Franc, di Paol i o con v.\nde' Minimi di.Calabria con Tore\n66. Orafc. e confr. di d. Santo\n67. Chiesa della conce7don e Monast. di\ncappuccine dette Farnesiane\n68. Vicolo delPAgnello d° Scelerato\n69. Vicolo del Cardello\n70. Chiesa di SS. Andrea Apost. e Ber-\nnardino de' Rigattieri\n71. Tenipio ereduto d' Isside e Serapide\n72 Chiesa di S. Francesca Roman t e\nMonasterio d' Olivetani\n73. Arco di Tito Imp.\n74. Tempio della Pace\n75. Conservatorio delle Zitelle Mendicanti\ndel P. caravita\n76. Chiesa di S Pantaleone a'Monti e\nconvitto di Preti Secolari\n77. Vicolo del Pozzolo"}, {"page_pdf": 21, "page_imprimee": "11", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.21", "texte": "78. Vicolo de'Pozzi\n79. Strada Alessandrina\n80. Chiesa de SS. Cosmo, e Damiano D.Q.\necon. de' PP. del 3 online di S. Franc0\n81. Cliiesa di S. Lorenzo in Miranda de'gli\nspeziali giA Tenipio d'Antoniuo, e\nFaustina\n82. Strada della salara veccbia\n83. Vicolo del Lauro\n84. Strada del Sole\n85. Avanzi del Foro Palladio, o di Xerva\n86. Torre di Conti\n87. Piazza delle Carrette\n88. Vicolo delle Pernicone\n89. C. P. de SS. Qairico, e Griulitta T. C.\ne Ospizio de' Domenicani di S. Marco\ndi Firenze\n90. Orat. e Confr. del Sagramento in detta\nchiesa\n91. Strada di Torre de' conti\n92. Cliiesa di S. Agata de' Tessitori"}, {"page_pdf": 22, "page_imprimee": "12", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.22", "texte": "93. Strada della Croce Bianca\n94. Chiesa di S. Adriano D. C. e cony,\nde' PP. della Mercede della prov.\nRomana\n95. Orat. di S. M. del Riscatto degli\nAcquavitari e Tabaccari\n96. Arco di Settimio Sovero\n97. Chiesa de SS. Martina e Luca del-\nl'accademia de'Pittori\n98. Strada Bonella\n99. Strada del Priorato\n100. Palazzo Ghislieri\n101. Strada Cremona, e Marmorella\n102. Strada delle Chiavi d'oro\n103. Chiesa di S. TTrbano, e Monastero delle\nMonache Cappuccine\n104. Vicolo di Carbonari\n105. Palazzino Conti\n106. C. P. di S. Lorenzo a' Monti\n107. Strada di Testa Spaccata\n108. Strada di Marforio\n109. Palazzino Carandini\n110. Palazzino Mantica con sepolcro di\nCajo Publicio\n111. Luogo della Ripresa de' Barbari\n112. Piazza di' Marcel de' Corvi\n113. Piazza e colonna Trajana"}, {"page_pdf": 23, "page_imprimee": "13", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.23", "texte": "|ll4. Chiesa delJo Spirito Santo, e Mona-\nlir sier.° Canonichesse Lateranensi\n1110. Chiesa di S. Fafemia, e ConserYa-\nt.orio di Zitelle\n9|16. Yieolo de' Taroli\n1117. Palazzi Ceva\n|llB. Salita di Monte Magnanapoli\n■ 19. Rnine de' Bagni di Paolo\n120. Ospizio per le vedove\n121. C. P. di S- Min. Campo Carleo\n122. Strada di Campo Carleo\n123. Chiesa dell' Annunziata, e Monast.\ndi Domenicane nel Foro di Nerva\n124. Arco di Pontani\n125. Yieolo degli Ibernesi\n126. Collegio degli Ibernesi\n127. Piazza del Grillo\n128. Palazzo del Grillo con Torre\n129. Salita del Grillo\n130. Chiesa di S. Caterina di Siena, e\nMonastero di Domenicane con Torre\n131. Chiesa di SS. Domenico, e Sisto, e\nMonastero di Domenicane della Pro-\nvincia di Lombardia"}, {"page_pdf": 24, "page_imprimee": "14", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.24", "texte": "132. Ohiesa di S. Bernardino, e Monast.\ndi Monacbe del 3 ordine di S. Franco\n133. Collegio Faccioli\n134. Strada Bacciua\n135. C. P. di S. Salvatore, e Casa de' Ca-\ntecuineni\n136. Orat. di S. Gio. Battista de'Neofiti\ne conservat. delle Neofiti\n137. Chiesa di S. Maria de Monti e Col-\nlegiode' Neofiti in curade Pij Operari\n138. Orat. e Confr. di S M della Neve\n139. Strada Leonina\n140. Chiesa di S. M. del Pasrolo, e Ospiz.\nde Monaci Basiliaui Kutoni\n141. Strada de Serpen ti\n14*2. Strada delle Oarrette\n143 Abitaze Stefanoni con Torre\n144. Yicolo del Sambuco"}, {"page_pdf": 25, "page_imprimee": "15", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.25", "texte": "145. Piazza de' Zingari\n146. Strada Clementina\n147. Yicolo di Cimarra\n148. Palazzo Passarini\n149. Palazzo Cimarra\n150. Vicolo di Ciancaleone\n151. Strada Paradisi\n152. Strada Urban a\n153. Cliiesa di S. Lorenzo in Fonte o\nOspiz XJrbano de'Coitegiani\n154. Piazza, e Strada della Subiirra\n155. Ospiz. de Benfratelli Spagnuoli\n156. Strada Graziosa\n157. Cliiesa delPAnnnnziata © Monast. di\nAgostiniane de le Turchine\n158. Monfist, delle Filippine\n159 Abitazione Cantarelli coil Torre\n160. Salita di Sforza\n161. Vicolo di Euinaglia"}, {"page_pdf": 26, "page_imprimee": "16", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.26", "texte": "162. Chiesa del Bambino Gesu e convitto\ndi oblate Agostiniani\n163. Yicolo della Caprareccia\n164. Chiesa di S. Lorenzo in Pane, e\nPerna T. C. e Monast. di Monache\ndi S. Chiara con P. A.\n165. Torre nella Yigna di Monache\n166. Strada del Boschetto\n167. Palazzino Corasoli\n168. Chiesa di S. Agata in Stiburra D. C. e\nMonast. de' Monaci di Monte Yergine\n169. Palazzo Panfili\n170. Palazzino Keali\n171. Yicolo de' Mazzarini\n172. Palazzo Pianetti\n173. Palazzo Pospigliosi\n174. Palazzo della Consulta\n175. Chiesa di S- M. Maddal. a Monte\nCavallo e Monast. di Doraenicane\n176. Chiesa del Sagramento, e Monast.\ndi Cappuccine"}, {"page_pdf": 27, "page_imprimee": "17", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.27", "texte": "177. Chiesa di S. Andrea, e Noviziato\nde Gesuiti\n178. Chiesa di S. Vitale unita a detto\nNoviziato\n179. Chiesa di S. Anna e S. Gioacliino,\na Ospiz. de' Carmelitani Scalzi\n180 Chiesa di S. Carlo, e Ospiz. de'Tri-\nnitari Scalzi Spagnuoli\n181. Quattro Fontane\n182. Cliiesa di S. Dionisio, e conv. de\nTrinitari Scalzi Francesi\n183. Strada di S. Vitale\n184. Palazzino dell' Erno Albani S. Cleme\n185. Chiesa di S. Paolo p. Eremita e Ospiz\ndi Eremiti TJngari di d° Santo\n186. Chiesa di S. M. della Sanitii, e\nS. Efreni, e Ospiz. per Siriaci\n187. Palazzino dell' Enio Alessandro Al-\nbani\n188. Cliiesa di S. Pudenziana T. C. e\nMonast. de Cistercien. Riforni; di\nS. Bernardino con R. A."}, {"page_pdf": 28, "page_imprimee": "18", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.28", "texte": "189. Chiesa di S. Norberto. e Collegio de\nMonaci Premostratensi\n190. Palazzo Albani\n191. Chiesa di S. Teresa, e Monast. di\nCarmelitane Scalze\n192. Cliiesa dellMncarnazione e Monast.\ndelle Oarmelit di S. M. Maddalena\nda' Pazzi de le Barberine\n193. Cliiesa di S. Caionnita al d°Monast.\n194. Ospiz. di Ermiti Carnaldolesi To-\nscani\n195. Chiesa di S. Bernardo T. C , e Mo-\nnast. di Cistercien Hi form, di d.\nSanto\n196. Orat. di S. Caterina uuita alia Sudetta\n197. Grauari Pubblici\n198. Piazza di Termine\n199. Palaz, e Villa Negroni gia Moutaltq"}, {"page_pdf": 29, "page_imprimee": "19", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.29", "texte": "200. Conserve d'acqua delle Terme Dio-\ncleziaue\n201. Luogo dove si seppelliscono i prote-\nstanti\n202. Castro Pretorio\n203. Chiesa di S. M. degli Angeli T. C, e\nMonast. de' Certosini nelle Term©\nDiocleziane\n204. Granari pubblici\n205. Fontaua dell'acqua Felice\no RIONE 11, - TREYI. o\n206. C. P. di Susanna T. C. e Monastero\ndi Mouache Cisterci"}, {"page_pdf": 30, "page_imprimee": "20", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.30", "texte": "207. Cliiesa di S. Maria della Vittoria e\nconv : de' Carmelit Scalzi Italiani\n208. Tempio detto di Yenere\n209. Avauzi del Circo do di Flora\n210. Yicolo del Falcone\n211. Chiesadi S. Nicold di Tolentino e con\"\nvento di Agostiniani Scalze con Torre\n212. Vicolo della Colonna\n213. Cliiesa di S. Basilio, e Monastero\ndi Basiliani Italo-Greci\n214. Piazza Barberina gia Sforza e Gri\nmaim\n215. Palazzo Barberini coil Guglia gia\ncente nel Cor tile\n216. Palazzo Barberini per la famiglia"}, {"page_pdf": 31, "page_imprimee": "21", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.31", "texte": "217. Palazzino Galloppi\n218. Cliiesa di S. Andrea e Collegio Seoz-\nzese\n219. Palazzo Grimani\n220. Strada Rasella\n221. Cliiesa di S. Maria della Neve e\nOspiz. de Cistercien. Risorm. Fuliensi\n222. Vicolo degli Avignonesi\n223. Vicolo dell a Pal ma\n224. C P di S. Nieolo in Arcione, e\nOspiz. de' Sorvi di Maria\n225. Orat, del B>mo Crocif. agonizante"}, {"page_pdf": 32, "page_imprimee": "22", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.32", "texte": "della Confr. del Sagramt0 di detta\nChiesa\n226. Palazzo dell' Emo Gentili\n227. Yicolo de Gallinaccio\n228. Chiesa di S. Gio. 'e Colleg de' Ma-\nroniti\n229. Strada de Maroniti\n230. Palazzo del Emo Alberooi\n231. Cliiesa e Confr. de SS. Angeli Cu-\nstodi\n232. Palazzo Panfili\n233. Acquedotto dell'acqua Vergine\n234. Palazzo Bufalo\n235. Strada della Chiavica del Bufalo\n236. Chiesa di S. Claudio de Boigoguonl\n237. Yicolo del Merangolo\n238. C. P. di S. M. in Via T. C. e con v.\nde' Servi di Maria"}, {"page_pdf": 33, "page_imprimee": "23", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.33", "texte": "239. Orat. e Confr. del Sagr. in d. Chiesa\n240. Piazza di Poli\n241. Palazzo Conti\n242. 0. P, di S. M. in Trivio, e casa de\nMinistri degli Infermi\n243. Fontana di Trevi e sua Piazza\n244 Palazzo Cavalieri\n245. Strada Nuova\n246. Piazza e Vicolo di Scanderbecli\n247. C. P. de' SS. Vineenzo ed Anastasio,\ne Casa de' Chierici Minori\n248. Vicolo del Babuccio\n249. Dataria Apostolica, e Eesidenza del\nDatario\n250. Palazzo Pontificio nel Quirinale\n251. Orat. del Bento jSTicold de' Rnpe\nnella Guardia de' Svizzeri\n252. Piazza di Monte Cavallo con Font."}, {"page_pdf": 34, "page_imprimee": "24", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.34", "texte": "253. Quartieri per la Gnardia Reale\n254. Scuderia Pontificia\n255. Abitazione per la Famiglia Pontif.\n256. Cbiesa di S. Croce, e Bonaventura\nde' Luccbesi con Spedale\n257. Palazzo Testa Piccolomini\n258. Palazzo e Giardino del Contestabile\nColonna con R. A.\n259. Cbiesa di S. Silvestro, e FToviziato\nde' Teatini\n300. Palazzo Vidman, e Ospizio de' Ye-\nscovi Yeneti\n261. Palazzo Florenzi\n262. Palazzo Molara\n263. Piazza delle 3 Cannelle, e Fontana\n264. Palazzino Stella\n265. Abitazione della Famiglia di Casa\nColonna con Torre\n266. Palazzo Grassi\n267. S. M. del Carmine Orat della Confr.\naggregata alia Cbiesa di S. Martiuo\na' Monti\n268. Yicolo de' Colonnesi con Arco\n269. Palazzo Cigolini"}, {"page_pdf": 35, "page_imprimee": "25", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.35", "texte": "270. Palazzo Scarlatti\n271. Palazzo Papi\n272. Cliiesa e confr. del Nome di Maria\n273. Palazzo Bonelli\n274. Cliiesa di S. M. di Loreto dell' Uni-\nversity de' Fornari Italiani\n275. Spedale dell' university sud.a\n276. Palazzo Parracciaui\n277. Palazzo Bolognetti\n278. Cliiesa di S, Romualdo, e Ospizio\nde' Camaldolesi\n279. Palazzo Altemps Isimbardi S, Casa\ndi Lore to\n280. Vicolo del Piombo\n281. Palazzo e Giardino Colonna\n282. Strada della Pilotta con due Ar-\nch i\n283. C. P. de' S.S. XII Apostoli T. C. e\nconv. de' Minimi Conventuali\n284. Palazzo Odescalco\n285. Palazzo dell'Accademia di Francia"}, {"page_pdf": 36, "page_imprimee": "26", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.36", "texte": "286. C. P. di S. Marcello T. C. e Con-\nvento de' Serviti\n287. Orat. e Conf. del Crocif. in d. Chiesa\n288. Palazzo Millini\n289. Palazzo Muti Papazzurri\n290. Palazzino della Corap. de' SS. XII\nApostoli\n291. Strada del Umilta\n292. Palazzo Muti Papazzurri\n393. Piazza della Pilotta\n294. Palazzo Ciogni\n295. Palazzo Grimaldi\n296. Chiesa di S. M. dell' Umilta, e Mo-\nnastero di Domenicane\n297. Palazzo Maccarani\n298 Strada delle Vergini\n299. Chiesa di S. M. delle Vergini, e Mo-\nnaster di Agostiniane\n300. Palazzo Colonna di Oarbognano\n301. Strada delle Muratte\n302. Piazza di Sciarra, e Arco di Carbo-\ngnano\nR 1 ONE IT I . - COLONNA.\n303. Palazzo dell' Ereditk Lanci\n304. Ospiz. di S. Croce de' Monaci Ci-\nst ercien di Lombardia\n305. Piazza Rosa"}, {"page_pdf": 37, "page_imprimee": "27", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.37", "texte": "306. Palazzo Spada\n307. Yicolo del Pozzo\n308. Yicolo di Cacciabove\n30ib Palazzo Gbigi\n310. Colonna di Marco Aurelio, e Piazza\ndetta Colonna\n311. Palazzo dell' Ospizio Apostolico Abi-\ntazione di Monsig Yicegerente\n312. Palazzo della Casa degli Orl'ani\n313. Palazzo ciei Unique\n314. Palazzo delle Monaclie Agostiniane\ndella Terra di Calvi\n315. Piazza di Pietra\n316. Cliiesa de SS* Bartolomeo e Alessan-\ndro e Sped, de Bergamascbi, e Colleg.\nCerasoli\n317. Palazzo Niccolini\n318. Palazzo Guelfi Camaiani Montauti e\nRo varolii\n319. Yicolo dell'Arcbetto\n320. Palazzo Monteeatini\n321. Palazzo di S. Giac. degli Incurabili\n322. Dogana di Terra con Colon ue An-\ntiche\n323. Cliiesa di S. Mauto\n324. Seminario Bomano"}, {"page_pdf": 38, "page_imprimee": "28", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.38", "texte": "325. Palazzo Serlupi\n326. Yicolo de'Pastini\n327. Yicolo della Spada d' Orlando\n328. Palazzo della Confr. del Rosario con\ndue Colonne Anticlie nel Cortile\n329. Piazza Capranica\n330. C. P. di S. M. in Aquiro D. C. e Col-\nlegio Salviati e casa degli Orfani\n331. TEATRO CAPRAISTICA\n332. Teatro Cap-ranica\n333. Collegio Capranica\n334. Chiesa di S. M. Maddalena, e Casa\nde' Ministri degli Infermi\n335. Yicolo delle Colonnelle\n336. Palazzo delle Monac. di Campo Marzo\n337. Strada di Monte Citorio\n338. Piazza di Monte Citorio, e Piedestallo\ndella Colonna Antonina\n339. Palazzo dell'Ospiz. Apostolico d°\nLa Curia Innocenziana\n340. Colonna Antonina giacente\n341. Chiesa della Sma Trinity, e Casa\nde' Missionari\n342. Palazzo Mariscotti\n243. Palazzo Rondinini\n344. Palazzo Conti con Obelisco Solare\ngiacente"}, {"page_pdf": 39, "page_imprimee": "29", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.39", "texte": "345. Palazzo Palombara\n346. Palazzo Verospi\n347. Palazzo Teodoli\n348. Palazzo Ghigi per la famiglia\n349. Palazzo Magnani\n350. C. P. di S. Lorenzo in Lucina T. C.\ne Casa di Chierici Minori\n351. Palazzo Ottoboni con Torre\n352. Palazzo Amadori Prelatnra\n353. Sito dell'Arco di Marco Anrelio gi&\nd° di Portogallo\n354. Strada del Gambaro\n355. Palazzo Baggi\n356. Chiesa diS. M. Maddalena e Monast.\ndi Agostiniane dette le Convertite\n357. Chiesa di S. Silvestroin Capite T. C.\ne Mona9t. di monache di S. Chiara\n358. Strada delia Vite\n359. Strada Frattina\n360. Strada del Moretto\n361. Chiesa di S. G-io. e Ospiz de' P. P.\ndella Mercede Scalzi Spagnuoli\n362. Paiazzi Bernini\n363. Palazzo Olgiati\n361. Chiesa de* SS. Be' Magi, e Collegio\nIJrbano di Propaganda Fide"}, {"page_pdf": 40, "page_imprimee": "30", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.40", "texte": "365. C. P. di S. Andrea delle Fratte, e\nConvento de' Minimi\n366. S.S. Andrea Apost. e Franc, di Paola\norat della confr. del Sagramento in\nd. Chiesa\n367. Collegio Nazzareno\n368. Palazzi de'Angelis\n369. Piazza de' due Macelli\n370. Strada Paolina\n371. Yicolo de Zucchelli\n3 72. Chiesa di S. M. dell'ldria detta di\nCostantinopoli de' Siciliani\n373. Chiesa di S. Giuseppe a' Capole\nCase e Monastero di Teresiane\n374. Chiesa de SS. Iddfonso, e Tomaso\ndi Villanova, e Ospiz. di Agostiniani\nScalzi Spagnuoli\n375. Chiesa di S. Francesca Romana e\nconvento di Trinitari Italiani\n376. Orat. dell'Assunta della Confr. del\nSagram. di S. Susanna\n377. Ospiz. di Benedettini Spagnuoli\n378. Palazzino Perucclii\n379. Strada della Purificazione\n380. Chiesa della Sma concezione, e\nconvento de' Cappuccini\n381. Palazzo Lucatelli\n382. Palazzo e Yilla Ludovisi\n383. Strada Salara\n384. Chiesa di S. Isidoro e Collegio de'\nMin Osservanti Irlandesi\n385. Palazzo Guarnieri\no RIONE IY. - CAMPO MARZO. o\n386. Palazzo Tomati %\n387. Strada Gregoriaiia\n388. Piazza Mignanelli\n389. Palazzi Mignanelli\n390. Palazzo Zuccari, Nazari Comp. della\nNunziata\n391. Chiesa della Trinity de' Monte T. C.\ne Convento de' Minimi Francesi\n392. Palazzo, e Villa Medici\n393. Obolisco in detta Yilla\n394. Cap. di S. Gaetano in da Yilla\n395. Piazza di Spagna\n396. TEATRO DETTO D'A LIBERT\n397. Strada Margutta\n398. Palazzo Boncompagni\n399. Fontana, e Strada del Babuino\n400. Yicolo del Borghetto\n401. Chiesa P. di S. M del Popolo T C.\ne conv. di Agostiniani Lombardi\n402. I.uogo dove si sepelliscono gP Impe-\nnitenti e Muro Torto\n403. Piazza del Popolo con Fontana, e\nObelisco giy del Circo Massimo\n404. Chiesa di S. M. di Morte Santo, e\nconvento di Carmelitani Riformati\n405. Strada Laurina\n406. Strada Orsini\n407. Chiesa di Gesti, e Maria, e Convento\nd'Agostiniani Scalzi\n408. Oratorio e Confr. di Gesii, Me Giu-\nseppe\n409. Chiesa di S. Atanasio de' Greci\n410. Arco, e Strada de' Greci\n411. Collegio Greco\n412. Chiesa di S. Orsola, e Monastero di\nAgostiniane dette le Orsoline\n413. Strada Yittoria\n414. Strada de' Sediari\n415. Palazzo Gomez\n416. Strada della Croce\n417. Strada delle Carozze\n418. Palazzo della Religione di Malta\n419. Palazzo della Porta\n420. Strada della Serena\n421. Palazzo della Trinita de' Pellegrini\n422. Strada Condotti\nChiesa della Trinity e ospizio de'\nTrinitari Castigliani\n424. Oratorio e Conf. del Sagramento in\nS. Lorenzo in Lucina\n425. Palazzo Avogadri\n426. Palazzo Nunez\n427. Palazzo Maiuscelli\n428. Strada Porgognona\n429. Palazzo di Spagna\n430. Strada di Boccaleone\n431. Yicolo del Gambaro\n432. Palazzo Manfroni\n433. Strada del Corso\n434. Palazzo Ruspoli\n435. Strada del Leoncino\n436. Piazza della Torretta\n437. Palazzo della S. Casa de' Loreto\n438. Piazza di Campo Marzo\n439. Palazzo Yaldina Cremona\n440. Cbiesa di S. M. in Campo Marzo e\nMonast. di Benedettine, con 2 chiese\ninteriori di S. Maria, e di S. Grego-\nrio Nazzinzeno\n441. Strada di Campo Marzo\n442. Piazza di Firenze\n443. Yicolo di Ascanio\n444. TEATRO DELLA PA LL ACCORD A\n445. Palazzo Cardelli\n446. Palazzo di Firenze\n447. C. P. di S. Nicolb de' Perfetti e\nospizio di Domenicani di S. Sabina\n448. Oratorio e Confr. del Sagramento e\nS. Catarina di Siena in d*. Chiesa\n449. Yicolo della Lupa\n450. Chiesa di SS. Biagio, e Cecilia de'\nMaterassari\n451. Palazzo Borghese\n452. Piazza Borghese\n453. Palazzo Borghese per la Famiglia\n454. Yicolo del Merangolo\n455. Piazza di Monte d'Oro\n456. Ospizio de' Liegesi\n457. Palazzino Quarantotto\n458. Strada del Macello\n459. CliiesaColleg: di S. GirolamodeSchia-\nvoni T. C. con Spedale per Nazionali\n460. Strada del Grottino\n461. Chiesa di S. Ambrogio, e S. Carlo\ndi Milanesi con Spedale\n462. Oratorio e Confr. de' Milanesi\n463. Strada di Schiavoni\n464. Piazza delle Carrette\n465. Piazza degli Otto Cantoni\n466. Strada, e vicolo delle ColonnelJe\n467. Yicolo della Pergola\n468. Chiesa e Confr. di S. Rocco\n469. Oratorio sotto la detta Invocazione\n470. Spedale per gli Uomini\n471. Spedale per le donne partorienti\n472. Mans, di Angnsto, e Palazzo Correa\n473. Strada de' Pontefici\n474. Yicolo della Frezza\n4 75. Palazzo Minucci\n476. Chiesa di S. Giacomo deglTncurabili\n477. Spedale per le donne\n478. Spedale per gli Uomini\n479. Chiesa di S. M. Porta Paradisi\n480. Sped, dismesso di S. Giacomo sud.\n481. Palazzo di S. Giacomo sudetto\n482. Yicolo del Yantaggio\nPalazzo Rondinini\n484 Chiesa di S. M. de' Miracoli de\nPP. del 3 ordine Riformati di S. Fian-\ncesco Francesi\n485. Yicolo dell'lnferno\n486. Piazza de' Miracoli\n487. Yicolo de' Miracoli\n488. Piazza dell' Oca\n489. Yicolo della Penna\n490. Yicolo delle Scalette\n491. Palazzo Cardelli gi& Capponi\n492. Chiesa di S. M. della providdenza, e\nconserv. di zitelle a Ripetta\n493. Dogana di Ripetta\n494. Strada e Porto di Ripetta\n495. Chiesa di S. Gregorio deli' University\nde' Mora tori\n496. Oratorio di d°. Santo della da. Uni-\nversity\n497. Strada Leccosa\n498. Palazzo de' Aste de' Genova\n499. Collegio Clemeutino\n500. Torre del detto Collegio\n501. Piazza Nicosia\n502. Palazzo Negroni\n503. Palazzo Celesi ora Negroni\n504. C. P. di S. Ivo de' Biitanni\n505. Yicolo della Campana\n506. Chiesa di S. Antonio di Padova de'\nPortoghesi con conv. di Preti e Spe.\n507. Yicolo del Leoncino\n508. C, P. e Colleg. di S. Lucia della Tinta\n509. Strada di Monte Brianzo\no RIONE Y. - PONTE o\n510. Palazzo de' Romanis\n511. Palazzo Carafa Prelatura\n512. Palazzo della confr. del Confalone\ncon Torre\n513. Yicolo della Palombella\n514. Strada de' Gigli d' Oro\n515. Chiesa di S. Apollinare e Collegio\nGermanico Ungarico\n516. A rco detto di S. Agostino\n517. Piazza Palomha\n518. Torre Sanguigna in Casa Conti\n519. Palazzo A1 temps con cap. Insigne di\nS. Aniceto Papa e Martire\n520. Yicolo de' Soldati\n521. Palazzo Gottifredi\n522. C. P. di S. M. in Posterula e Mo-\nnastero di Celestini\n523. Arco detto di Parma\n524. Strada dell'Orso\n525. C. P. di Simone Profeta\n526. Palazzo Cesi\n527. Strada della Maschera d'Oro\nStrada Gaetana\n529. Palazzo Sacripanti\n530. Piazza Fiammetta\n531. Palazzo Sampieri\n532. Chiesa di S. Trifone\n533. Palazzo Lancellotti\n534. Yicolo de' Matriciani\n535. Chiesa di S. Salvatorein Lauro della\nNazione Picena, e 2 collegi annessi\n536. TEATRO DI TOR DI NONA\n537. Yicolo di Yeccliiarelli\n538. Yicolo della Palma\n539. Confortaria pei condannati a morte\n540. Palazzo Altoviti\n541. Yestigie del Ponte Trionfale\n542. Yicolo dell'Agnello\n543. Yicolo del Grancio\n544. Strada di S. Gio. de' Eiorentini\n545. Yicolo delle Telline\n546. Palazzo Lavaiani\n547. Palazzo Niccolini\n548. Piazza del Agnello\n549. C. P. di Gio. de' Fiorentini con Spe-\ndali pei Nazionali\n550. Oratoiio di S. Orsola detto il con-\nsolato.\n551. Yicolo dell'Oio\n552. Palazzo de Rossi\n553. Chiesa di S. M. della Purificazione\nde' Transalpini\n554. Yicolo de' Cimatori\n555. Collegio di Bandinelle\n556. Yicolo delle Palle\n557. Palazzo Sacchetti\n558. C. P. di S. Biagio della Pagnotta\n559. Chiesa de SS. Faustino e Giovita\ndetta ancora di S. Anna de Bresciani\n560. Chiesa e Confr. di S. M. del Sufiragio\n561. Oratorio annesso a detta Chiesa\n562. Oratorio e Confr. del Confalone con\nChiesa sotterranea di S. Lucia\n563. Yicolo della Scimia\n564. Strada Ginlia\n565. Chiesa di S- Elisabetta della Uni-\nversity de' Mendicanti Invalidi\n566. Strada di Banchi vecchi.\n567. Palazzo del Nero\n568. Piazza di Sforza\n569. Palazzo Sforza e Cesarini\n570. Palazzo Spada\n571. Vicolo del Pavone\n572. Banco di S. Spirito\n573. Strada de' Banchi, con 2 fontane\n574. Palazzo Cicciaporci\n575. C. P. e collegio de' SS. Celso e Giu-\n-1 ano\n576. Oratorio e Confr. del Sagr in detta\nChiesa\n577. Strada di Panico"}, {"page_pdf": 41, "page_imprimee": "31", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.41", "texte": "578. Chiesa e Confr. di S. Giuliano\n579. Palazzo Capponi di Firenze\n580. Palazzo Camerata\n581. Piazza di Monte G iordano con Fontana\n582. Palazzo Gabrielli\n583. Vicolo della Gatta\n584. Casa di ltafaelle d'Urbino.\n585. Strada de Coronari\n586. C. P. de' SS. Simone, e Giuda\n587. Palazzo Tanara\n588. Strada della Pallaccorda al Fico\n589. Piazza del Avila\n590. Vicolo del Corallo\n591. Piazza del Fico\n592. Chiesa di S Biagio della Fossa del-\nl'univers:ty degli Osti\n593. Palazzo Sala\n594. Palazzo del Drago\n595. Palazzo del Antico Monte di Piety\n596. Palazzo Bonaventura\n597. Piazza della Pace\n598. Palazzo di S. M. dell'Anima\n599. C. P. di S. M. della Pace T. C. e\nMonastero de' Canonici Lateranensi\n600. Chiesa di S. M. dell'Aniuia della\nNazione Teutonica con convitto de'\nPreti ed Ospizio\n601. Vicolo della Volpe\n602. Vicolo del Sole\no RIONE VI. - PARI ONE o\n603. Chiesa di S. Nicolb de' Lorenesi\n604. Palazzo Ornani\n605. Piazza Navona con 3 Fontane e Obe-\nlisco del circo di Caiacalla\n606. Chiesa di S. Giacomo de' Spagnuoli\ncon convitto de' Preti e Spedale de'\nCastigiioni\n607. Palazzo Panfili\n608. Chiesa di S. Agnese e Palaz. Panfili\n609. Palazzo Maculani\n610. Torre Mi lli n a\n611. TEATRO DELLA PACE\n612. Strada della Pace\n613. Collegio Nardini\n614. Palazzo della comp. di Sancta Sanc-\ntorum Residenza del Governatore\ndi Roma\n615. C. P. di S. Tomaso in Parione T. C.\n616. Palazzo Galli e Colloretti\n617. Vicolo de' Granari\n618. TEVTIIO DE' GRANARI\n619. Chiesa e Conf. della Nativity di N.\nS. G. C. detta degli Agonizanti\n620. Piazza di Pasquino\n621. Palazzo Caraccioli P. di Santobuono\n622. Vicolo della Cuccagna\n623. Palazzo Lancellotti\n624. Chiesa di S. Pantaleone, e casa de'\n, PP. delle scuole pei scuole pubbliche\n625. Palazzi Massimi\n626. Palazzo della Compag. de' SS. XII\nApostoli\n627. Palazzo Trulli\n628. Strada del Paradiso\n629. Palazzo Manfroni\n630. Piazza del Paradiso\n631. Chiesa di S. Elisabetta del univer-\nsity dei Garzoni Tedeschi de Fornare\ncon Spedale\n632. Strada de' Chiavari\n633. Piazza de' Satiri\n634. Chiesa di S. Barbara dell'Univ. de'\nLibrari\n635. C. P di S. M. di Grotta Pinta\n636. Palazzo Pio con ruine del Teatro di\nPompeo\n637. Piazza del Biscione\n638. Piazza di Campo di Fiore con Fontana\n639. Piazza Pollaroli\n640. Strada de' Baullari\n641. Vicolo dell'Acquila\n642. Palazzo Galli\n643. Palazzo Bonardi\n644. Vicolo do Leufcari\n645. Chiesa colleg. insigne, e P. di S. Lo-\nrenzo in Damaso\n646. Orat. e Confr. del Sagr, in d. Chiesa\n647. Cancelleria Apostolica\n648. Piazza, e Vicolo de' Ciraatori\n649. Strada del Pellegrino\n650. Vicolo di Savelli\n651. Palazzo Buoncompagni con Torre\n652. Piazza di Sovra\n653. Strada di Panone\n654. Vicolo del Governo\n655. Palazzo Gaucci\n656. Chiesa di S. M. in Vallicella, e Casa\nde' P. P. della Congregazione del-\n-I'Oratorio\n657. Orat. dell'Assunta e S. Cecilia de'\ndetti Padri\n658. Vicolo dei Cartari\n659. Vicolo di Calabraga\n660. C. P. di S. Stefano iii Piscinula\nRI O N E VII. - REGOLA\n661. Chiesa di S. Luc. della Confrat. del\nConfalone con convit. di Preti Se-\ncolari\n662. Carceri Nnove\n663. Piazza Padella\n604. C. P. di S. Nicold degli Incoronati\n665. Palazzo Mancini\n666. Chiesa di S. Filippo Neri\n667. Oratorio e Congr. delle Piaghe di\nGesh Cristo\n668. Piazza della Chiavica di S. Lucia\n669. Vicolo della Moretta\n670. Palazzo Bossi\n671. Palazzo Incoronati\n672. Palazzo de' Aste\n673. Palazzo Orsini ,\n674. Palazzo Rocci ora Spada\n675. Piazza di Kicci ,\n676. Vicolo dello Struzzo\n677. Collegio Ghislieri .\n678. Chiesa dello Spirito S. de' Napolitani\n679. Orat. e Confr. de' medesimi\n680. Palazzo Ricci\n681. C. P. di S. Gio. in Ayno\n682. Strada di Monserrato\n683. Palazzo Pannini\n684. Palazzo Capponi di Firenze\n685. Vicolo de' Cappellari\n686. Palazzo Ghigi Montorio\n687. Vicolo di Montorio\n688. Chiesa di S M. di Monserrato degli\nAragonesi con Sped.\n689. Vicolo della Lunetta *\n690. Chiesa di S. Eligio degli Orefici\n691. Strada dell'Armata\n692. Palazzo degli Atti\n693. Palazzo Falconieri\n694. Palazzo Falconiere\n695. Chiesa di S. Caterina de' Sanesi\n696. Palazzo Baldocci\n697. Chiesa di S. Tomaso Cantuariense\ne Collegio degi' Inglesi\n698. Palazzo del collegio Inglese\n699. Chiesa e Casa di S. Brigida dell'or-\ndine del Smo Salvatore\n700. Palazzo Fioravante\n701. Chiesa di S. Girolamo della Comp.\ndella Carity, e Casa per i Preti del-\n-I'Oratorio\n702. C. P. di S. Caterina della Rota\n703. Chiesa e Confr. di S. M. dell'Ora-\nzione detta della Morte.\n704. Fontana detta il Mascherone di Far-\nnese\n705. Palazzo Farnese con Arco sopra\nStrada Giulia\n706. Piazza Farnese con due Fontane\n707. Vicolo del Gallo >\n708. Palazzo Pighini\n709. Palazzo Mandosi\n710. Chiesa di S. M. della Quercia del-\nl'Universita de' Macellari\n711. Vicolo de' Venti\n712. Palazzo di Cavalieri dell' Ordine Teu-\ntonico\n713. Chiesa de' SS. Gio. Apost, e Petro-\nnio de' Bolognese\n714. Strada della Catena\n715. Palazzo Spada\n716. Palazzo Spada gia Campo di Ferro\n717. Strada e Vicolo di Capo di Ferro\n718. Piazza di Spada\n719. Vicolo de' Bates trari\n720. Vicolo delle Grotte\n721. Strada di Giupponari\n722. Ciiiesa di SS. Teresa, e Gio. della\nCroce, e Ospiz. de Carmelitani Scalzi\n723. Chiesa di S. Martino gia della Confr.\ndella Dottrina Cristiana\n724. Piazza di Monte di Pieta\n725. Cap. di S. M., e Sacro Monte di Piety\n726. Chiesa della Trinity, e Ospizio de*\nPellegrini, e Convalescenti\n727. Oratorio e confr. di detfca Chiesa\n728. Strada de' Pettinari\n729. Palazzo Cacoia\n730. C. P. di S.Salvatore in Onda e Ospiz,\nde' Min. Conventuali\n731. Chiesa diS. Franc, d'Assisi, e Colleg.\nEcclesiastico, e Sped, pei Sacerdoti\n732. Ponte Gianicolo ora Ponte Sisto\n733. Conserv. de' SS. Cleraente, e Ore-\nsceutino per Zitelle dettele Zoccolette\n731. Chiesa di S. Paolo Apost., e Conv.\nde' P.P. del 3 ordine di S. Francesco\nSiciliani\n735. Oratorio di S. Giacomo Apost. de'\nCappellari\n736. Piazza degli Specchi\n737. C. P. de' S. M. in Monticelli e Casa\nde' PP. della Dottrina Cristiana Avi-\ngnonesi\n738. C, P. di S. Salvafc. in Campo\n739. Palazzo Alibrandi\n740. Palazzo Santa Croce\n741. Palazzo S. Croce per la Famiglia\n742. Piazza di Branca\n743. Palazzo di Signoribns\n744. Vicolo de' Sediari\n745. Strada della Regola\n746. Chiesa P. de. S.S. Vinceuzo e Ana-\nstasio della Comp. di Cuochi\n747. Vicolo del Merangolo\n748. Chiesa di S. Bartolomeo de? Vaccinari\n749. Piazza de' Cenci\n750. Palazzi Cenci con due Archi\n751. C. P. di S. Toraaso a Cenci\n752. Vicolo de' Cenci\n753. Chiesa di g. Maria del Pi auto della\nConfr. della Dottr. Cristiana\n754. Oratorio della confr. suddetta\n755. Chiesa di S. Maria in Cacaherio de'\n, Cocchieri\n756. Avanzi d'un Antico Portico\nRIO N E VIII. - S. EFTTACHIO\n757. C. P. di S. Maria in Publicolis\n758. Strada del Falegname\n759. C P. di S. Carlo, a Catinari e casa.\ndi Bernabiti\n760. Palazzo Jacobelli\n761. Piazza del Monte della Farina.\n762. Strada del Monte della Farina\n763. Chiesa di S. Anna, e Monastero de'\nBenedettine\n764. Chiesa di S. Elena de' Credenzieri\n765. Palazzo Cavalieri\n766. Palazzo Cavalierini\n767. Strada Argentina\n768. Chiesa de' SS. Cosirao, e Damiano de'\nBarbieri\n769. Oratorio de' medesirai Santi de' detti\nBarbieri\n770. Strada de' Cesariui\n771. TEATRO D'ARGENT 11ST A\n772. Chiesa di S. Giuliano de' Fiammin-\nghi con Sped, pei Nazionali\n773. Torre Argentina nelle Case di Ce-\nsarini\n774. Chiesa del Sudario de' Piemontesi\n775. Chiesa di S. Andrea della Valle, e\ncasa de' Teatini\n776. Vicolo dell' Abate Luigi\n777. Palazzo Coltrolini\n778. Palazzo Alberini\n779., Strada della Valle\n780. Palazzo Conti •,"}, {"page_pdf": 42, "page_imprimee": "32", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.42", "texte": "781. Palazzo Pescatori\n782. Palazzi del Bufalo\n'783. Piazza della Valle\n784. Chiesa P. di S. M. in Monterone, e\nConvit. de' P.P. della Mercede Scalzi\nItaliani\n785. Arco Moderno della Ciambella\n786. Chiesa di S. Benedetto e Scolastica\nde' Norcini\n787. Palazzi Sinihaldi\n788. Vicolo di Nari\n?89. Palazzo Nari\n790. Strada della Palombella\n791. Piazza de' Caprettari\n792. Palazzo Cenci\n793. Palazzo Lanti\n794. Palazzo Capranica\n795. TEATRO DELLA VALLE\n796. Vicolo del Melone\n797. Strada de' Sediari, e Taccari\n798. Strada de' Canestrari, o della Catena\ndella Sapienza\n799. Universita e Scuole pubbliche dette\nla Sapienza\n800. Chiesa di S. Tvo nella Sapienza\n801. Piazza di S. Eustachio\n802. Chiesa Coll e paroc. di d Santo D. C.\n803. Vicolo delPAlbergo de' Marchegiani\n804. Palazzo Carpegna\n805. Piazza Madama\n806. Palazzo Medici detto di Madama con\nruine delle Terme Alessandrine\n807. Chiesa di S. Salvatore in Thermis\n808. C. P. di S. Luigi de Francesi\n809. Convit. di Preti, e Sped, dei Nazi.\n810. Vicolo de' Matriciani\n811. Piazza Lombarda\n812. Strada delle Cinque Lune\n813. Strada del Pinaco\n814. Palazzo del Collegio Gerraanico Un-\ngarico\n815. Collegio Germanico Ungarico\n816. C. P. di S. Agostino T. C. e Con v.\ndegli Agostiniani\n817. Fontanella, e strada della Scrofa\n818. Palazzo Casali\n819. Vicolo de' Spagnnoli\n820. Vicolo della Vaccarella\n821. Palazzo della Compagnia di Sancta\nSanctorum\n822. Palazzo Palma con Torre\n823. Palazzo Nari\n824. Palazzo Rita\n825. C. P. di S. Salvatore delle Cappelle\n826. Palazzo Accoramboni\n827. Piazza del Pozzo delle Cornacchie\n828. Palazzo di S. Giacomo de Spagnuoli\n829. Palazzo Patrizi\n830. Piazza Rondinina\n831. Palazzo Borghese\n832. Palazzo Giustiniani\n833. Avanzi di un antico Portico\n834. Piazza della Rotonda con iontana e\nGuodia\n835. Palazzo Crescenzi\n836. Palazzo Melchiorri\no RIONE IX. - PIGNA o\n837. Chiesa Colleg. e paroc. di S. Maria\nad Martyres detta la Rotonda D. C.\ngi& Pantheon\n838. Orat. e Confr. del Sagr, in d. Chiesa\n839. Palazzino Corsini Palombara\n840. A ccad em i a Ecclesiastiea\n841 Cap. di S. Caterina da Siena dentro\nla Casa della Comp. della Nunziata\n842. Piazza della Minerva con Elefante,\n© Gnglia\n843. Palazzo de' Domenicani della Mi-\nnerva\n844. C. P. di S. Maria Sopra Minerva T.\nC., e conv. de' Domenicani\n845. Strada di PiA di Marmo\n846. Fiazza del Collegio Romano\n847. Chiesa di S. Tgnazio Collegio de' Ge-\nsuiti. e Scuole pubbliche dette il\nCollegio Romano\n848. Orat. di S. Maria della Piet& detto\ndel P. Caravita con Arco\n849. Palazzo de' Carolis\n850. Fontaua del Facchino\n851. Chiesa colleg. e P. di S. Maria in\nVia Lata Diaconia Cardinalizia\n852. Palazzo Panfili con P. A.\n853. Palazzo Panfili\n854. Palazzo Panfili\n855. PHIPZZO Verospi\n856. Palazzo d'Aste\n857. Palazzo Gottifedi\n858. Vicolo della Gatta\n859. Chiesa di S. Marta, e Monast. di\nA gostiniane\n860. C. P. di S. Stefano del Cacco, ©Mo-\nnastero di Silvestrini\n861. Palazzo Altieri\n862. Palazzo Ingauni\n863. Palazzo Colonna\n864. Scuole delle Mastre Pie\n865. Palazzo Amadei\n866. Chiesa e Confr. delle Stimate di S.\nFrancesco\n867. Palazzi Marescotti\n868. Palazzo Cesi\n869. Chiesa di S. Gio. della Pigna\n870. Palazzo Nunez\n871. Palazzo Foseca\n872. Vicolo de Cestari\n873. Chiesa di S. Chiara e Monastero di\nMonache di detta Santa\n874; Ruine delle Terme di Marco Agrippa\n875. Strada detta l'Arco della Ciambella\n876. Palazzo della Prelatura Spinola\n877. Palazzo Mnti Sacclietti\n878. Palazzo della Prelatnra Bussi\n879. Palazzo Strczzi\n880. Palazzo On go\n881. Piazza Strozzi\n882. Palazzo Cesarini\n883. C. P. di S. Nicolo a Cresarini, e casa\nde Somaschi unita con arco\n884. Colonne 4 Antiche nel Cortile de'\ndette Somaschi\n885. Palazzo Colonna di Sonnino\n886. Torre nelPAbitazione Persiani\n887. Piazza, e Chiavica dell'Olmo\n888. Strada Florida\n889. Vicolo de' Cesarini\n890. Ospizio de' Preti Pellegrini\n891. Nuova Casa. e Scuole pie de' P. P.\ndelle Scuole pie\n892. Arco de' Ginnasi\n893. C. P. di S. Lucia delle Botteghe\nosoure e Monastero de' Teresiane\n894. Palazzo Ginnasi\n895. Collegio Ginnasi\n896 Via Celsa\n897. Palazzo Montemarte\n898. Palazzo della comp. del Salvat. ad\nSan eta Sanctorum\n899. Palazzo Viscardi\n900. Palazzo Petroni\n901. Palazzo Petroni\n902. Chiesa del Gesu, e Casa Professa\nde' Gesuiti\n903. Palazzo di Venezia\n904. Vicolo di Madonna Luerezia\n905. Cap. della B. V presso S. Marco\n906. Piazza di Venezia con Fontana\n907. Chiesa Colleg. e Paroc. di S. Marco\nT. C.\nRIO N E X. - CAMPITELLI\n908. Orat., e Confr. di S. Gregorio Tan-\nmaturgo\n909. Palazzo Circ?\n910. C. P. di S. Venanzo de' Camerinesi\n911. Palazzo Mnti Bussi\n912. Palazzo Silvestri\n913. Palazzo Gamherucci\n914. Chiesa della B. Rita de' Casciani\n915. Vicolo della Pedacchia\n916. Palazzo dell'eredita di Pietro da\nCortona\n917. Chiesa di S. Maria d'Araceli T. C.\ne conv. de' Min. Osservanti\n918. Palazzo del Museo Capitolino\n919. Palazzo detto dei Conservatori\n920. Residenza del Senator© con Torre e\nCarceri an nesse\n921. Chiesa di S.Giuseppe de' Falegnami\nsopra la Carcere di S. Pietro\n921. Chiesa della Carcere di S. Pietro detta\nMamertina e da molti Tulliana\n922. Orat. di S Giuseppe de' I alegnami\n923. Colonne del Tempio di GioveTonante\n924. Portico del Tempio della Concordia\n925. Colonna Antica\n926. Dogana della Grascia con Torre\n927. Piazza di Campo Vaccino con Fon-\ntana.\n928. Tre Antiche Colonne Scanellate\n929. Chiesa di S. M. Liberatrice\n930. R. dell'A. Palazzo de' Cesari\n931. Chiesa di S. Bonaventura e conv\nde' Min. Osservanti del Ritiro\n932. Chiesa di S. Sabastiano alia pol-\nveriera\n933. Torre alia via della Polveriera\n934. Meta Sudante\n935. Arco di Costantino Magno\n936. Camp, di S. Maria della Pieta dentro\nI'ANFITEATRO FLAVIO DETTO\nIL COLOSSEO\n937. Fenile prima sped, di S. Gio. La-\nterano\n938. Chiesa di SS. Quattro Coronati T. C.\ne monastero di A gostiniane e conserv.\ndelle Orfane con Torre\n939. Chiesa di S. Silvestro degli Scultori\ne Scarpellini annessa a d. Chiesa\n940. Chiesa di S. Maria Imperatrice\n941. Chiesa di S. Tomaso in Formis\n942. Chiesa di S. M. in Domenica T. C.\ne Monast. di Melchiti di S. Basilio\n943. Piazza della Navicella con Navi\nVoti va\n944. Obelisco nella Villa Mattei\n945. Cap. del Crocefisso nella Piazza\ndella Ferratella\n946. Chiesa di S. Gio. a Porta Latina T.\nC. e Conv. de' Minimi della Pro-\nvincia Romana\n947. Cap. di S. Gio. in Oleo\n948. Arco di Neron Claudio Druso\n949. Chiesa di S. Sisto T. C. e conv. di\nDomenicani Irlandesi\n950. Cap. di S. Domenico Annessa\n951. Strada di S. Sisto Vecchio\n952. Vicolo delle Mole\n953. Luogo del Settizonio di Severo Imp.\n954. Chiesa di S. G»egorio Magno sul\nMonte Celio, e Monast. di Camal-\ndolesi\n955. Cap. di S. Silvia in S. Gregorio\n956. Cap. di S. Andrea Apost. in S. Gre-\ngorio\n957. Cap. di S. Barbara in S Gregorio\n958. Chiesa di SS. Gio. e Paolo T. C. e\nNoviziato de' Missionari\n959. Ruina della Curia Ostilia\n960. Cap. di S. Maria de' Cerclii\n961. Chiesa Colleg. di S. Anastasia T. C.\n962. Chiesa di S. Teodoro creduta gi&\nTempio di Romolo\n963. Orat. e Confr. del Cuore di Gesu\n964. Strada delle Grazie\n965. Vicolo de' Fecili\n966. Chiesa di S. M. della Consolazione\n967. Sped pergli Uomini feriti\n968. Chiesa di S. Maria delle Grazie\n969. Spedale per le donne\n970. Strada di Monte Tarpeo\n971. Salita di Monte Caprino\n972,. Vicolo de' Saponari\n973. Vicolo della Bufola e Muri Anichi\n974. Piazza Montanara\n975. Chiesa di S. Maria in Vinci di Sa-\nponari\n976. Piazza della Catena, e Strada de'\nSn garari\n977. Oratorio di S. Andrea in Vinci degli\nScultori, e Scarpellini\n978. Rocca Tarpea\n979. Palazzo Catfarelli\n980. Strada e Torre de' Speechi"}, {"page_pdf": 43, "page_imprimee": "33", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.43", "texte": "981. Chiesa e Confr. di S. Orsola e Ca-\nterina\n982. Ospizio de' Cistercien. delle Tre\nFontane\n983. Ospizio de' Geronimini di S. Alessio\n984. Palazzo Massimi\n985. Palazzo Ruspoli\n986. Chiesa di S. Francesca Rom. e Mo-\nnastero di Oblate dette di Tor de'\nSpecchi\n987. Palazzo Capizucchi\n988. Palazzo Artieri con Arco\n989. C. P. di S. M. in Portico dadi Cam-\npitelli D. C. e Casa de Chierici Rego-\nlari della Madre di Dio\n990. Palazzo Cavalletti\n991. Piazza Capizucchi\n992. Palazzo Cardelli\n993. Palazzo Maccarani\n994. Piazza Margana\n995. Palazzo Astalli\nRIONK XT. - S. ANGELO\n996. Palazzo della Congr. de' Nobili al\nGesu con Torre\n997. Palazzo Mattei di Paganica\n998. Strada delle Botteghe oscure\n999. Chiesa del Salvat. e S. Stanislao, e\nOspiz de' Polacchi\n1000. Vicolo de' Polacchi\n1001. Palazzo Altieri\n1002. Palazzo Patrizi\n1003. Chiesa di S Caterina de Funari e\nMonastero di Agostinne, e conserv.\ndi Zitelle\n1004. Palazzo Mattei di Giove\n1005. Palazzo Negroni\n1006. Palazzo Mattei di Paganica\n1007. Piazza Paganica\n1008. Palazzo Moroni\n1009. Chiesa di S. Sehastiano de'Mercanti\n1010. Palazzo della comp. della Nunziata\nora depositaria Urbana\n1011. Palazzo Boccapaduli\n1012. Piazza Costaguti\n1013. Palazzo Santa Croce con Torre\n1014. Collegio dell'Umbria\nUl5. Palazzo Costaguti\n1016. Piazza Mattei con fontana\n1017. Chiesa di S. Ambrogio della Mas-\nsima, e monasterio di Benedettine\n1018. Piazza Serlupi\n1019. Palazzo Serlupi\n1020. Chiesa Colleg., e Paroc. di S. An-\ngelo in Pascaria D. C.\n1021. Orat. di S. Andrea de' Pescivendoli\n1022. Palazzo Orsini gia TEATRO DI\nMAR CELLO\n1023. Piazza di Pescaria e Colonne An-\ntichi\n1024. Strada di Pescaria\n1025. Piazza Gindea fuori del Ghetto con\nfontana Ghetto degli Ebrei\n1026. Piazza Gindea aentro del Ghetto\n1027. Strada della Rua\n1028. Piazza de' Marcelli\n1029. Piazza delle Scuole con Fontana\n1030. Cinque Scuole degli Ebrei cioe Ca-\ntalana Siciliana, Castigliana Scuola\nnuova, e Scuola del Tempio\n1031. Strada della Fiumara\n1032. Vicolo della Torre\n1033. Piazza delle 3 cannelle con fontUa\n1034. Vicolo de' Savelli con fontana\n1035. Strada Quattrocapi\no EIGNE X I T . - RIPA o\n1036. Chiesa di S. Gregorio a Ponte 4\nCapi e conpr. della divina Piety\n1037. Palazzo dell'Emo Lercari\n1038. C. Colleg. e P. di S. Niccolo in\nCarcere D. C.\n1039. Orat , e Confr. del Sagramento in\ndetta Chiesa\n1040. Chiesa di S. Galla, e Ospiz. per gli\nUomini\n1041. Ospiz. di S. Luigi Gonzaga per le\nDonne\n1042. Strada e Arco di Porta Leone\n1043. Piazza e Vicolo della Fontanella\n1044. Strada delle Carrozze\n1045. Vicolo di Buccimazza\n1046. Chiesa di S. Omobono de' Sartori\n1047. Chiesa di S. Eligio de' Ferrari\n1048. Orat. di S. Eligio de' medesimi\n1049. Chiesa di S. Gio. Decollato della\nConfr. della Misericordia\n1050. Orat. di S. Gio. della medesinia\n1051. Sepoltura de' Giustiziati\n1052. Sepoltura di S. Aniano de' Pia-\nnellari e Lavorati Calzolari\n1053. Arco detto di Giano\n1054. Arco eretto da Negozianti a Set-\ntimio Severo\n1055. Chiesa di S. Giorg'o in Velabro D.\nC. e Ospiz. di Agostiniani di Genova\n1056. Acqua Juturna\n1057. Luogo ove si seppelliscono i Giudei\n1058. Luogo del Circo Massimo\n1059. Chiesa di S. Prisca T. C. e Ospiz.\ndi Agostiniani Lombardi con R. A.\n1060. Chiesa di S. Balbina T. C e casa\ndi Pii Operari con Torre\n1061. Chiesa di SS. Nereo, e Achilleo T. C.\n1062. Chiesa di S. Cesareo T. C.\n1063. Acquedotto di Claudio\n1064. Terme Antoniane\n1065. Conserve dell'Acqua di d. Terme\n1066. Chiesa di S. Saba\n1067. Cap. di S. Maria dell'Arco in un\nTor ri one\n1068. Sepolcro di Caio Cestio\n1069. Luoao ove si seppelliscono i Pro-\ntestanti\n1070. Ruine dell'Emporio\n1071. Vicolo della Serpe\n1072. Strada della Marmorata con Arco\n1073. Cap. di S. Lazaro a Marmorata\n1074. Bastione di Paolo 111\n1075. Chiesa di S. M. del Priorato\n1076. Chiesa di S. Alessio T. C. e Monast.\ndi Geronimini Lombardi\n1077. Chiesa di S. Sabina T. C. e con-\nvento de' Domenicani\n1078. Cap di S. M. Maggiore in Aventino\n1079. Ruine delle Terme di Traian Decio\nImp.\n1080. Strada della Salara con Arco\n1081. Antiche Saline\n1082. Antiche ruine\n1083. Vestigie del Ponte Snblieio\n1084. Chiesa di S Anna de' Calzettari\n1085. Vioolo della Greca\n1086. Chiesa Colleg. insigne e paroc. di\nS. M, in Cosmedin D. C. detta la\nboccadella, Verita, e ruine del Tern-\npio della Pudicizia\n1087. Piazza della Bocca della Verita con\nfontana e fontanile\n1088. Sbocco della Cloaca Massima\n1089. Chiesa di S. M. del Sole prima\nS. Stefano delle Carozze giy Tem-\npi o Antico\n1090. Chiesa di S. M. Egiziaca e ospiz.\ndegli Armeni gia Tempio della For-\ntnna Virile\n1091. Casa del Volgo detta di Pilato\n1092. Ponte Fabricio or Quattro Capi\n1093. Chiesa di S. Gio. Calibita e conv.\nde' Benfratelli d'ltalia\n1094. Sped, de' Suddetti\n1095. Vicolo della Moletta\n1096. Muri Antichi\n1097. Vicolo del Isola, e muri antichi\n1098. C. P. di S- Bartolomeo all'lsola T.\nC. e conv. de' Min. osservanti con\nTorre\n1099. Ponte Cestio, or di S. Bartolomeo\nRIONE XIII. - TRASTEVERE\n1100. Piazza di Molara\n1101. Chiesa di S. Eligio de Sellari\n1102. Piazza delle Gensole\n1103. Vicolo delle Boccie\n1104. C. P. di S. Benedetto in Piscinola\n1105. Vicolo della Scarpetta\n1106. Strada della Malva\n1107. Ponte Senatorio or Ponte Rotto\n1108. C. P. di S. Salvatore a Ponte Rotto\n1109. Strada de' Vascellari\n1110. Orat. di S. Andrea de* Vascellari\n1111. Strada de* Salnnii\n1112. Vicolo de' Frati\n1113. Vicolo della Palma\n1114. Piazza de* Vascellari\n1115. Vicolo de' Vascellari\n1116. Chiesa di S. M. in Cappella\n1117. Strada anicia, e Frangipana\n1118. Strada Gregorian a\n1119. Conser. di S. Pasquale per Zitelle\n1120. Chiesa di S. Gio. de Genovesi con\nSpedale\n1121. C. P. di S. Cecilia T. C. e Monast.\nde' Benedettine\n1122. Cliiesa di S. M. dell'Orto di 13 Uni-\nversity unite\n1123. Sped, di d. University\n1124. Vicolo del Canale\n1125. Dogana da del passo del Vino\n1126. Dogana di Ripa Grande\n1127. Chiesa di S. M. del buon Viaggio\nannessa alia chiesa di S, Agata in\nTrastevere\n1128. Chiesa della Traffigurazione del\nSig. dentro l'Ospiz. Apost. detto di\nS. Michele\n1129. Ospiz. per le donne iuvalide\n1130. Ospiz. per gli Uomini invalidi\n1131. Ospiz. per i Fanciulli in cura de*\nPP. delle Scuole Pie\n1132. Casa di Correzion de' Fanciulli\n1133. Carceri delle donno\n1134. Chiesa di S. Franc, a Ripa e conv.\ndi Miu. Osserv. Riforinati\n1135. Strada di Monticelli\n1136. Chiesa di SS. Cosmo, e Damiano\ndetta di S. Cosmato e Monastero di\nMonache di S. Chiara\n1137. Mura di Settimo Severo\n1138. Piazza di Fontana Secca\n1139. Chiesa di S. Pasquale gia 40\nM. N. e conv. de' Min. Osserv.\nScalzi Spagnuoli\n1140. Strada delle Fratte\n1141. Strada delle Rimesse\n1142. Piazza di Monte di Fiore\n1143. C. P. di S. Grisogono T. C. e conv.\nde' Carmelit. della Congregazione di\nMantova\n1444. Orat. e Confr. della B.V. del Carmine\n1145. Piazza della Crocetta\n1146. Chiesa Paroc. di S. Salvat. della\nCorte, e Ospizio de Minimi della\nProv. Roman a\n1147. Vicolo del Bnco\n1148. Vicolo della Crociala\n1149. Strada delle due Mole\n1150. Vicolo della Stella\n1151. Piazza dell'Olmo\n1152. Strada. 1 iazza del Muro Novo\n1153. Vicolo di Sacchetti\n1154. Chiesa di S. Bonosa de' Calzolai\n1155. Vicolo deH'ATcaceio\n1156. Chiesa di S. Agata, e Colleg. de'\nPP. della Dottr. Cristiana di Roma,\ne Scuole Pie\n1157. Piazza Rom ana\n1158. Torre della S. Casa di Loreto\n1159. Chiesa di S. M , e S. Gallicano\n1160. Sped, per gli Uomini\n1161. Sped, per le donne\n1162. Vicolo del Pozzo\n1163. Palazzo delle Monache di S. Anna\n1164. Chiesa di S. Calisto T. C. e Ospiz.\nde' Monaci Cassinensi\n1165. Chiesa Colleg. insigne di S. M, in\nTrastevere\n1166. Orat. e Contr. del Sagr. in d. Chiesa\n1167. Palazzo Ossoli\n1168. Palazzo Lconi\n1169. Chiesa di S. Apollouia e Monast.\ndi Monache del 3 Ordine di S. Franc.\n1170. Chiesa di S. Marg.ta, e Monast. d.\nMonache del 3 ordine di S. Franc0"}, {"page_pdf": 44, "page_imprimee": "34", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.44", "texte": "1171. Chiesa delle SS. Rufina, e Seconda\nMonast di Oblate Agostiniane\n1172. Piazza Ruaccia\n1173. Yicolo della Benella\n1174. Yicolo del Moro\n1175. Piazza di Benzi\n117*>. Yicolo del Pelliccia\n1177. Yicolo del Cipresso\n1178. Piazza e Yicolo del Cinque\n1179. Piazza di Ponte Sisto\n1180. Yicolo del Bologna\n1181. Strada della Scala\n1182. Chiesa di S. Egidioero e Monastero\ndi Carmelitane Scalze\n1183. Yicolo del Leoncino\n1184. Yicolo del Merangolo\n1185. Yicolo della Frusta\n1186. Chiesa di S. Pietro in Montorio T.\nT, e Conv. de Min. Osservanti Bi-\nformati\n1187. Cap. della Crucifissione di S. Pietro\n1188. Piazza Pensile con Fontana\n1189. Cap. di S. Antonio di Padova\n1190. Fontana dell'acqua Paola\n1191. Acquedotto dell'acqua Paola\n1192. Orto Botanico della Sapienza\n1193. Bosco Parrasio degli Arcadi\n1194. Conservatorio dell'Assunta\n1195. Fabbrica del Tabacco\n1196 Chiesa di S. Maria de 7 dolori e\nMonastero di Oblate Agostiniane\n1197. Strada del Mattonato\n1198. Yicolo del Cauestraro\n1199. Chiesa di S. Maria della Scala D.\nC. e Conv. de' Carmelit. Scalzi\n1200. Orat. e Confr. di S. Teresa in d. Ch.\n1201. Piazza degli Fornaci\n1202. Strada Benedetta\n1203. C. P. di S. Gio. della Malva e easa\nde Ministri degli Infermi\n1204. Orat. e Confr. del Sagr. in d. Chiesa\n1205. Yicolo de' Moroni\n1206. Chiesa di S. Dorotea, e Ospiz. de'\nMin. Conventuali della Provincia\nBomana\n1207. Porta Settimiana\n1208. Strada della Longara\n1209. Yicolo de' Biari\n1210. Palazzo e Orti Corsini\n1211. Palazzo e Giardino Farnese\n1212. Antieo Palazzo di Agostino Ghigi\noggi Farnese\n1213. Strada de' Biari\n1214. Chiesa di S. Croce, e Monastero di\nAgostiniane della Lenitenza\n1215. Yicolo delle Scalette\n1216. Chiesa di S. Giacomo e Monast. di\nMonache di le Convertite\n1217. Strada di S. Giacomo gi& via Mas-\nsimi\n1218. Palazzo Lanti\n1219. Yicolo di Spagna\n1220. Chiesa della Concezione e Monastero\ndi Oblate Camaldolesi\n1221. Chiesa di S. M. Regina Coeli, e\nMonast. di Carmelitane Scalze\n1222. Strada di Begina Coeli\n1223. Chiesa della Yisitazioue e Monast.\ndi Monache di S. Franc, di Sales\n1224. Vicolo d'Aliberti\n1225. Chiesa di S. Giusep., e Casa de'\nPii Operari\n1226. Chiesa di S. Leonardo e Ospiz. di\nEremiti Camaldolesi di Monte Ca-\nrona\n1227. Palazzo Salviati\n1228. Chiesa di S. Onofrio T. C. e conv.\nd'Eremiti del B. Pietro da Pisa\n1229. Luogo ove SermoneggianO i PP.\ndella Congr. dell'Orat.\n1230. Conserv. di S. M. dell'Bifugio detto\ndelle Penitenti del P.re Bussi\n1231. Conserv. di S. M. della Clemenza\ndetta delle Malm ar it ate\n1232. Cap. di S. Maddalena nello Sped,\nde' Pazzi\n1233. Sped, de Pazzi per Gli IJomini\n1234. Sped, per le donne\n1235. Cap. del SS. Crocifisso nel Ceme-\nterio di S. Spirito\nRIONEXIY. - BORGO\n1236. Bastioni a' S. Spirito\n1237. Porta di S. Spirito\n1238. Chiesa Paroc. di S. Spirito in Sascia,\ne Casa de' Canonici Regolari Ospi-\ntalieri\n1239. Palazzo della Residenza del Com-\nmendator di S. Spirito i\n1240 Chiesa di S. Tecla in S. Spirito, e\nconserv. delle Fancinlle Projette\n1241. Conserv. de' Fanciulle Projette\n1242. Sped, di S. Spirito\n1243. Aggiunta a' as they should be done.\n5 Mr Masefield will do them like a sim-\nple English poet, and that means he will\n> do them just as well as they can pos-\nsibly be done; and those of us who\n, cannot be there, will feel envious of those\nwho can, and who will hear beautiful\nverse spoken as it should be spoken.\nSee plate 2 and page 75 for some\nidea of what a little private Theatre\n\\ meant in the 18th century, Ed,\n\nVALUELESS NEWS.\nTHE Observer in its issue for No-\nvember 2nd. had an exceptionally\nfunny twenty-five lines about a Berlin\nTheatre. Here it is :\nEVEN BERLIN SHOCKED.\nTHE DRAMA TIC THE A TRE\nCOMES TO GRIEF.\nThe movement of a few enthu-\nsiasts to help forward the great band\nof unacted dramatists has received a\ncrushing blow. The new \" Dramatic\nTheatre \", which opened with every\nencouragement from the critics, and\nwhich produced George Kaiser's \" Bil-\nles and Jeanne \" as its first Venture,\nhas since alienated every type of au-\ndience by a succession of extravagant\nplays violating all canons of good\ntaste even in so exceptionally broad-\nminded a city as Berlin.\nThe result is a triumph for the\nwatchful Clerical Centre party, whose\nmembers have their own theatre league,\nbut needed their own house. While\nthe Social-Democrats support their own\nexcellent \" People's Theatre which\ncarefully avoids plays of reactionary\ntendency, the t€Dramatic Theatre\"\nhas now become the home of the po-\nlitical Catholics, whose taste in drama\nis characterised not so much by pro-\npaganda as by elimination. This rules\nout, for instance, not only three-cor-\nnered problems, but divorce in its\nentirety. This is a triumph for the\nideals of the Centre, which would pass\nunnoticed in a Catholic province, but\nis a sign of its renewed activity in\nBerlin.\nWhat foolery and what cliches !\nReally, it is time to ask even this\nwell-nigh perfect journal to make a\nscrap of its Foreign Theatre Correspon-\ndents and start afresh.\nFor some time we have studied\ncarefully the theatrical news sent to\n44 The Observer \" from Wien, Berlin,\nand Budapest; and have wondered how\nlong Mr Garvin would let it go on.\ns Why is . foreign theatrical news\n£ necesary to \"The Observer\", unless\ni it be either very entertaining or very\ninforming ?\nWe suppose that the only people\n1 who feel the necessity are those who\nare ever active in informing London\n> that the North European Theatre is\n: quite the most important upon earth.\nI Hundreds of English actors doubt-\nless read 44 The Observer \", but they\nwill surely not be impressed by the\nnonsense which week after week is\nsent from Wien, Berlin and Pest.\nFor example what the dickens is\nthere of interest in this twaddle from\nBerlin about some Theatre which is\n44 the home of the political Catholics\"\nand 4 4 whose taste is characterised by\nelimination \" ? And how comes it that\nthis or any taste 44 rules out \" divorce\nin its entirety, and how is this 44 a\ntriumph for the ideals of the Centre \" ?\nAnd then, 44 Catholic province 44 re-\nnewed activity \", 44 watchful clerical\ncentre party \", 44 broadminded city of\nBerlin .—Really, 44 Observer \"! you\nwho are the very pride of journalism\nand our delight, to accept such Pro-\npaganda from the Theatre of Elimi-\nnation in Berlin is not what you came\ninto existence to do. To hear from\nWien or Budapest that an audience\nhas sat spellbound, or that one could\nhave heard a pin drop, hardly carries\nas far as London.\nBesides, what Austria and Germany\ndo in Theatres, is not half as important\nas the good 44 Observer\" seems to\nthink. If there is space that needs fill-\ning, we know of a good number of peo-\nple who could make that space glitter.\nThere is much being done in the\nEuropean and American Theatre week\nby week; but, strange as this may\nsound to some ears, it is not always\nto be found inside a playhouse.\nFor example, a book now and\nagain appears which does more to\nadvance the European Theatre than\ntwo years of energetic acting and pro-\nducing will do. Yet we hear nothing\nof this b00k,... or next to nothing. A\nfoolish conference is held, and it is re-\nported gravely. Or a new society for-\nmed, and reported as gravely. No dis-\ncernment is shown by the reports\ntwixt what is of value and what worth-\nless. This is a pity and a great waste\nof valuable space, time and money.\nw Observer n will pardon this pre-\nsumption from the smallest serious paper\non earth to the largest and most im-\nportant;... but it is n The Mask's \"\nspeciality, this little matter of Thea-\ntres. Like all specialists it things it\nknows. Who knows,... perhaps it may."}, {"page_pdf": 66, "page_imprimee": "52", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.66", "texte": "VENEZIA AND PROGRESS.\nTO judge from some recent articles\nin 44 The Manchester Guardian \"\nand 44 The Daily Telegraph \" people\ndo not seem to realize in England that\nItaly is not a Museum or a Theatre,\nand that its Cities, however superb,\nhave no wish to crumble just to oblige\nthe tourists and the archeologists.\nItaly looks on it that life comes\nfirst, and all the rest comes after.\nAnd if electric motors are to be\nof any aid towards bringing to life\npart of Venezia or of any other city in\nItaly, what sort of being is it that will\ncry out about this ? Venezia and the\ncities of Italy are not for him, they\nare for those who live and work and\ndie there.\n44 The Mask \" is all for the Arts.\nYou know that, we think. But only\nfor Art which comes along because a\npeople is alive. When a city is dead,\na nation drugged, a continent dulled,\nArt had better wait awhile in that\ncity, nation or continent.\nTrue, perhaps, that around some\ncities (did the Italian nation wish it)\na wall or a line might be drawn with\norders given that it was too good an\nexample of ancient work to be dis-\nturbed. Such a place might be roped\noff and put apart as a National Mo-\nnument, and outside its walls a new\ncity built. Inside its walls the very\nplainest but cleanest accommodation\nmight be provided for all who wished\nto study and work there in the monu-\nment, as in a vast Biblioteca, and\nspecial permissions granted to such on\nthat understanding. We have often\nfelt that cities like Venezia or San Gi-\nmignano might well be reserved for\nsuch a purpose.\nBut if the cities must be used, and\nmust be brought up to date, why not ?\nWhere is Shakespeare's, Bacon's and\nElizabeth's London ? Has the loss of\nthat particular place (and lost it is)\nbeen no gain ? And if Titian's, Tie-\npolo's and the Doges' Venezia should\nwhere would be the loss ? To\nus, yes; to you, yes, to many thou-\nsands yes, ....but to many millions,\nprobably no. * What use in architecture\nfor which the millions of people have no\ncare, which new laws no longer love ?\nGondolas are pretty boats, and to\nglide is sometimes a pleasant necessity,\nand a canal is not always as bad as\nit seems. But, since Shakespeare's Plays\nare not valued by us, Englishmen had\nbetter, we think, pause before too has-\ntily criticizing their Venetian friends.\nHow comes it that we English\ncriticize ?\nIs it just because we somehow be-\nlieve Venezia to belong to us, ....to be\nour honeymoon spot, our playground.\nAnd what are we ? a nation of\npeople more forward than any in prai-\nsing speed, electricity, cinema, liste-\nning-in ; ....and we quickly produce a\nmillion pounds if promised a safe in-\nvestment in something up-to-date and\na curse to everyone.\nIn Manchester we weakly give over\na poor cheap little National Theatre\nto a Cinema firm: with a lot of word\nprotest yet without read resistence, we\nyield it up; yet we have the audacity\nto tell Venezia from Manchester to keep\nitself unspotted from the monopoly for\nthe supply of .motors.\nPrivate enterprise could have saved\nfor Manchester its Theatre Royal; and\nhad the 44 Manchester Guardian \" spo-\nken with the spirit it so often shows\nin other matters, (ie, in money matters)\nno commonplace motor-driven cinema\ncould have come into the Theatre\nRoyal.\nWhen Manchester can save one\nTheatre, and a grand old place like the\nTheatre Royal, it will be quite time\nenough for Manchester to lecture Ve-\nnezia.\n\nAS OTHERS SEE ....LONDON.\nJ. S.\nCAN anyone tell us what caused\nSir Alfred Butt or the Drury\nLane Committee to place Mr Basil\nDean at the head of Drury Lane\nTheatre ?\nAccording to George Jean Nathan\nof New York, Dean would seem to\nbe a man of very small talent, as\nthe following passage from an article\nin 44 The American Mercury \" will\nshow. Dean has been over in New\nYork producing plays. We want to\nsee a man put into Drury Lane who\nhas no time to go to New York or\nNewhaven to produce anything.\nNathan says that \"It is not James\n44 Elroy Flecker's 44 Hassan \" that has\n44 failed, it is Mr Basil Dean's. Flecker\n44 wrote a play rich in the music of\n44 romance and poesy, as beautiful a\n\" thing of its kind as has appeared\n44 in recent dramatic literature ; Dean\n\" staged it with all the imagination\n4 4 and rhythm of a sailor's smoker.\n44 The production, indeed, served as a\n44 piquant example of the low level to\n44 which the English stage, in this\n44 respect, has sunk. Dean is regarded\n44 as one of the best and most artistic\n44 of London producers, Over here,\n44 they do finer work up alleys;\n\" I have passed an eye over seven\n44 or eight of Dean's productions, three\n44 in New York and the others in\n44 England. All of them have been\n44 drolly incompetent. Not only has\n4 4 the gentleman apparently no sense of\n44 the dramatic, not only is he seeming-\n44 ly quite innocent of the technic of\n44 projecting a manuscript over the\n44 footlights, but he is, to boot, utterly\n44 without a sense of beauty and a\n44 sense of form. His ideas of scenic\n44 investiture go back to the day when\n44 furniture was painted on the back-\n44 drop and when a 'big production '\n44 was any one in which the stage\n44 was so packed and crowded with\n44 scenery and irrelevant but costly\n44 props that the actors had to make\n44 their entrances from the wings side-\n44 ways. His ideas of lighting are so\n44 absurdly antiquated that even some\n44 of the most patriotic London re-\n44 viewers have difficulty in concealing\n44 their derisory hiccups. For Dean\n44 appears to believe that all that is\n44 necessary to achieve some exception-\n44 ally nobby illumination effects are\n44 a half dozen vari coloured gelatine\n44 slides supplemented by an indefati-\n44 gable fellow stationed at the dimmer,\n44 He sought to evolve mystery with\n44 a mere blue light and romance with\n44 a pink one. In the matter of dra-\n44 matic suggestion, he was equally\n44 unhappy. His scenes of melodrama\n44 were painstakingly languid ; his scenes\n44 of physical passion, as, for exam-\n44 pie, the one wherein the fair Yasmin\n44 conquers the flesh of Hassan, were\n44 as sexual as playing postoffice.\n44 Thus was a beautiful poem with\n*4 its beautiful incidental music of Fre-\n44 derick Delius and with all its poten-\n44 tial stage wonder reduced to no-\n44 thing \".\nThis comes of being possessed of an\nability to push into Drury Lane with-\nout credentials* This comes of dis-\nhonest theatrical Criticism.\nLondon is slowly being made a\nlaughing stock by this sort of thing,\nand it is time the London Press said\nso clearly.\nUnfortunately Walkley, Archer,\nGrein and a few others do nothing to\nimprove matters. They either are cy-\nnical about our stage or gush about\nits worst elements. Not that Walkley\nor Archer err about playwrights ; but\nto Theatricals they are sense-blind,\nGrein is not blind; he is merely ut-\nterly unfitted for a responsible position\nas a critic of our English Theatre.\n\nAll Rights reserved. January\nGerente responsabile Antonio Mar aim.\nTipografia Giuntina, Firenze."}, {"page_pdf": 67, "page_imprimee": "53", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.67", "texte": "BOOKS ON THE DRAMA\nTHE STORY OF ELIZABETHAN DRAMA\nBy G. B. HARRISON, M. A.\nWith 5 illustrations. Crown Bvo. ss. net.\nThe author gives in connected narrative the main facts about the lives of the\nplaywrights and the theatrical conditions and some criticism of the greatest plays\nof the period, interspersed with scenes from the plays themselves.\nA HISTORY OF\nRESTORATION DRAMA\n1660-1700.\nBy ALLARDYCE NICOLL.\nDemy Bvo. 16s net.\n\" Should be in the hands of every lover of our\ntheatre. It is not only indispensable for reference,\nbut full of insight and illumination. \"\nThe Referee.\nA HISTORY OF\nEARLY XVIII CENTURY\nDRAMA, 1700-1750.\nBy ALLARDYCE NICOLL.\nDemy Bvo. About 16s net.\nReady shortly.\nA continuation, on similar lines, of the author's\nrecent History of Restoration Diama. As before,\nthe volume is divided into three parts dealing\nwith the Theatre, Tragedy, and Comedy,\nCAMBRIDGE UNIVERSITY\nFetter Lane PRESS London E. C. 4.\n\nNOTHING\nTHE BOOKPLATE\nBY\nEDWARD GORDON CRAIG\nA COLLECTION of FIFTY-ONE BOOKPLATES by Mr. Cordon Craig,\ntwenty-six being reproduced in colour and twenty-five in black and white,\ntogether with an essay on the bookplate by Mr. Craig and a complete list of his\nwork in this field. There is also a design specially printed from one of Mr. Craig's\ncwn wood-blocks and signed by himself.\nTHE EDITION IS LIMITED TO 250 COPIES FOR SALE\nPRICE 3 GUINEAS NET.\nIt will be printed on hand-made paper and bound at the Cuiwen Press and\npublished this autumn.\nPROSPECTUS ON APPLICATION.\nPublished by CHATTO & WINDUS\n97 &99 ST. MARTIN'S LANE. LONDON, W. C. 2."}, {"page_pdf": 68, "page_imprimee": "54", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.68", "texte": "THE BRITISH DRAM\nPRESIDENT: LORD HOWAR\no o o\n\" THE DRAMA LEAGUE GOES FROM STRL\no o\nWHAT THE LEAGUE\n(1) A Federation of over 350 Societies i\nworking for the development of the Dr,\nas a Social necessity.\n(2) A union of individual Members, Professi\nto give or to receive help in any matte\nof the Theatre.\nWHAT THE LEAGUE OI\n'\n(1) The Right to consult the League's Info\n(2) The Right to borrow Plays and Books fr<\nsupported by the Carnegie Trust.\n(3) Expert criticism of Plays."}, {"page_pdf": 69, "page_imprimee": "55", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.69", "texte": "Biiiiiiiiniiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiuiiiiiiiiiiil\nA SHORT LIST S\nH or 5\nS SOME ENGRAVING WOOD ||\n| BLACK FIGURES |\n§ EDWARD GORDON CRAIG.\nH i\nS DESIGNED AND CUT ON WOOD BETWEEN THE =\nH YEARS 1907-1919 AND EVERY COPY PERSO- E§\nS NALLY HAND-PRINTED BY THE DESIGNER. j=\nMM* MM\n1 0 0 ° n\nEE COLLECTIONS OF THESE PRINTS CAN BE SEEN\n£E AT THE VICTORIA AND ALBERT MUSEUM, J|JJ\n£EJ LONDON ; THE KUNSTGEWERBE MUSEUM, EE\n§§ ZURICH ; AND THE RYKS MUSEUM, AMSTERDAM. E5\nREUS CBMO\n5 O ° F=\nm M\nB85? aw\nH THIS LIST WILL BE SENT ON REQUEST. EE\n5 A SECOND LIST OF BOX-WOOD CUTS EE\nEE' HAS BEEN PREPARED. EE\nEE O EE\n§j .. MASK\" PUBLISHERS. BOX 444• |jj\n= FLORENCE. ITALY. gjj\ngiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiuiiißiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiiHii\n\n@UIIlI!IIHI!l!ll!ilf!HIlIiil!lllilIlH12lllilllIIIiHllilIllIi!IIIIIIl!l!U!llllllM\nIS\nas\nm\nm\nm\nCHELSEA PUBLISHING COMPANY\n| LONDON AGENCY- [\nFOR i\n\" THE MASK\" j\n| O I\nj COPIES ON SALE. \\\nj ALL INFORMATION FURNISHED :\nBOOK-SELLERS SUPPLIED :\nSUBSCRIPTIONS RECEIVED\nj 16 ROYAL HOSPITAL ROAD !\nI CHELSEA,LONDON \\\nj TEL : KENSINGTON 6650. j\nillllllillllilllil!llii!ll!lllllllllllllfill!IIIIIIIIIIIi!!!!lllllllllilllll!llllll|:\n\nWE OFFER\nOUR SERVICES TO LIBRARIANS,\nSTUDENTS AND OTHERS WHO\nARE INTERESTED IN\nSpecialized Literature\nWHETHER NEW OR SECOND HAND,\nENGLISH OR FOREIGN. ABLE\nASSISTANTS ARE IN CHARGE OF\nTHE VARIOUS DEPARTMENTS.\nCATALOGUES ARE ISSUED COVERING EVERY\nFIELD OF LITERATURE, SCIENCE AND THE\nARTS, AND ARE SUPPLIED POST FREE ON\nAPPLICATION.\nA RECENTLY ORGANIZED DEPARTMENT\nDEALS WITH PUBLISHERS' SURPLUS\nSTOCKS. WRITE FOR LISTS OF LATEST\nBOOK BARGAINS.\nW. HEFFER & SONS LTD.\nCAMBRIDGE. ENGLAND.\nTel. 862. Telegrams 1 Hefier Cambridge\n\nTHE LONDON\n- OBSERVER\"\nCALLS \" THE MASK \"\n\" THE BEST THEATRICAL MAGAZINE\nIN THE WORLD '\n\nBOOKS ON THE THEATRE,\nART, COLLECTING.\nAND KINDRED SUBJECTS. RARE BOOKS, FIRST EDITIONS,\nSETS OF AUTHORS ETC. €J ALSO AN IMMENSE STOCK\n(SECOND-HAND & NEW) ON EVERY CONCEIVABLE SUBJECT.\n#| WRITE FOR CATALOGUE 252 (SENT GRATIS & POST\nFREE), MENTIONING REQUIREMENTS OR INTERESTS.\nBOOKS SENT ON APPROVAL.\n€][ Books ~,a Library or a small Parcel... Purchased.\nO\nFOYLES' BOOK LOVERS' PARADISE.\n121-125, Charing Cross Rd. London W. C. 2.\nThat Book you want! Foyles can supply it."}, {"page_pdf": 70, "page_imprimee": "56", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.70", "texte": "■■■■—— ii Kb i\nTHE MASK\nVOLUME NINE. 1923.\nSOME COPIES OF THIS\nVOLUME REMAIN FOR SALE.\nPOPULAR EDITION, (BROCHURE)\n10/- ($ 2.50) POST FREE.\nFINE PAPER EDITION, BOUND,\n20/- ($ 5.OO) POST FREE.\nO\n<3 A \" rich budget crammed full of live\ntheatrical ideas, with something brilliant\non every page \". Referee\nSept. 23, 1923.\n\" It is ever a delight to see it, to handle it,\nto read itProfessor William Rothenstein.\nRoyal College op Art, S. , London.\no\nTHE MASK PUBLISHERS.\nBOX 444. FLORENCE. ITALY.\n'■ —. —fl!\n\nm\nm\nTHE MARIONNETTE\nARTICLES ON THE MARIONNETTES,\nBURATTINI AND SHADOW FIGURES\nOF MANY LANDS AND PERIODS,\nWITH MARIONNETTE PLAYS, & MANY\nILLUSTRATIONS.\nA FEW VOLUMES REMAIN\nON HAND-MADE PAPER.\nBOUND HALF VELLUM.\nPRICE £ 1.12.0 ($ S.OO)\nPOST FREE.\nAPPL Y TO THE MASK PUBLISHERS,\nBOX444, FLORENCE, ITALY.\nn\n1918\nCONTAINS\n\nTHE MASK\nTHERE REMAIN FOR SALE\nSOME COPIES OF THE\nFOLLOWING VOLUMES OF\nTHE MASK\nBOUND IN HALF-VELLUM.\nVol. 1. 1908. £ 2. 0.0 ($ 10.00)\nVol. 3. 1910. £ 2. 0.0 ($ 10.00)\nVol. 5. 1912. £ 1. 5.0 ($ 6.00)\nVol. 6. 1913. £I. 5.0 ($ 6.00)\nVol. 7. 1914. 16.0 ($ 4.00)\nAlso some copies of the Large Paper Edition of\nVols. 5&6 at £ 1.15.0 ($5 9.00) each; and\nof Vol. 7 at £ 1.0.0 ($ 5.00) each.\nNOT A PAGE •. .WHICH IS NOT INTERESTING AND\nSTIMULATING IN A FINE WAY. {Pall Mall Gazette).\nA DELIGHT TO BIBLIOPHILES, N. V. Dramatic Mirror.\nTHE MOST ARTISTIC AND FASCINATING THEATRICAL\nPUBLICATION IN THE WORLD. Current Opinion. U.S.A.\nTHE MASK PUBLISHERS\nBOX 444, FLORENCE, ITALY.\n\n© ©\nWANTED.\nCOPIES OF THE FOLLOWING\nQUARTERLY PARTS OF\nTHE MASK.\nO\nVOLUME 2. PART I. JULY 1909.\nVOLUME 4. PART I. JULY 1911.\no\nPlease address Offers to\nIHE MASK PUBLISHERS\nBOX 444, FLORENCE\nITALY."}, {"page_pdf": 71, "page_imprimee": "57", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.71", "texte": "TO\nPRINT COLLECTORS\nq The MASK Publishers have pleasure in announcing that\nthey are Agents for Mr GORDON CRAIG'S Woodcuts.\nPRICE LISTS 6- COMPLETE INFORMATION\nSENT FREE ON REQUEST.\nP. G. KONODY IN THE DAILY MAIL. DEC : 6 and THE\nOBSERVER. DEC: 9, 1923. \"Mr Gordon Craig's \"The Storm—\nKing Lear \" ....is a marvel of dramatic intensity achieved by \"strictly\neconomic use of the black line.... it must be\nplaced among the supreme masterpieces of\nwood engraving. \"\nADDRESS ALWAYS TO\nTHE MASK PUBLISHERS\nWOODCUTS\nBOX444, FLORENCE, ITALY.\n\nTHE \"OBSERVER\"\nLONDON\nCALLS\nTHE MASK\nTHE BEST\nTHEATRICAL MAGAZINE\nIN THE WORLD.\nOCTOBER 1924."}, {"page_pdf": 72, "page_imprimee": "58", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.72", "texte": "WHAT OUR FRIENDS\nSAY OF \"THE MASK'\nTHE REFEREE.\nA RICH BUDGET CRAMMED FULL OF LIVE\nTHEATRICAL IDEAS, WITH SOMETHING\nBRILLIANT ON EVERY PAGE 5\\\nSeptember 23. 1923.\n\" CONTAINS A MASS OF INTERESTING,\nNOT TO SAY INTREPID, UTTERANCES IN\nTHEATRICAL MATTERS AND THE DRAMA\nGENERALLY. IN FACT IT TOUCHES THE\nSTAGE OF ALL NATIONS.\nFebruary 24. 1924.\nCHRISTIAN SCIENCE MONITOR.\nIT HAS BEEN THE FIRMEST FRIEND AND\nCHAMPION OF THE ACTOR... IT HAS PRO-\nVED ITSELF THE FRIEND OF THE DRAMA-\nTIST, THE DANCER, THE SCENOGRAPHER,\nTHE MACHINIST \\ OF ALL WORKERS OF\nEVERY KIND SO THEY BE GENUINE THEA-\nTRE WORKERS. November 10. 1922.\nDAILY TELEGRAPH.\nA VERY AMUSING AND STIMULATING, AS\nWELL AS A MOST BEAUTIFUL MAGAZINE.\nPALL MALL GAZETTE.\nNOT A PAGE IN IT WHICH IS NOT INTE-\nRESTING AND STIMULATING IN A FINE WAY.\nWESTMINSTER GAZETTE.\nA QUITE REMARKABLE MAGAZINE, RICH\nIN INTELLIGENCE.\nN. Y. DRAMATIC MIRROR. U. S. A.\nA DELIGHT TO BIBLIOPHILES, WITH ITS\nBUDGET OF FRANK, ORIGINAL NOTIONS.\nProf. WILLIAM ROTHENSTEIN.\nIT IS EVER A DELIGHT TO SEE IT, TO\nHANDLE IT, TO READ IT. January 1924.\nTHE MANCHESTER GUARDIAN.\nI RECOMMEND PEOPLE WHO ARE INTERES-\nTED IN THE THEATRE TO GET HOLD OF\nTHE MASK.\nFebruary 13. 1924. A. N. M.\nTHE TIMES.\n.... THE MASK FULL OF AMUSING WOOD-\nCUTS AND EQUALLY AMUSING LETTER\nPRESS. May 1924.\nTODAY.\nTHE ONLY MAGAZINE DEALING WITH THE\nTHEATRE WHICH I CAN READ WITH PLEA-\nSURE AND PROFIT. December 1923.\nw\\ i\nV\n€>-\nt f\nU\n«€\nOK\nCURRENT OPINION. U. S. A.\nIT STILL REMAINS THE MOST ARTISTIC\nAND FASCINATING THEATRICAL PUBLICA-\nTION IN THE WORLD.\nTHEATRE ARTS MAGAZINE.\nU. S, A.\nTHE MASK IS REAPPEARING WITH ALL\nITS OLD VIGOR, HUMOR, AUTHORITY AND\nBEAUTY.... May 1924.\nGLASGOW NEWS.\nANYONE WITH ANYTHING LIKE A PASSIO-\nNATE INTEREST IN THE THEATRE SHOULD\nHAVE FOUND THE MASK BY THIS TIME\nFOR IT IS IN ITS TENTH VOLUME.\nApril 28. J924.\nDAILY EXPRESS.\nTHERE IS QUITE A LOT IN IT THAT IS\nSTIMULATING, MUCH THAT IS TRUE, VERY\nMUCH THAT IS BITING IN THIS PUBLICA-\nTION. September 26. 1924.\nGRAPHIC.\nAPART FROM ITS ARTISTIC INTEREST IT\nIS A GOOD INVESTMENT, FOR THE FIRST\n8 VOLUMES, BEGINNING IN 1908, ARE VERY\nRARE. November 10. 1923.\nSPORTING AND DRAMATIC.\nTHE DAY OF THE PIONEERS REPRESENTED\nBV \" THE MASK \" WILL COME. THE MOVE-\nMENT OF THE THEATRE IS IN THEIR\nDIRECTION.\nAshley Dukes. April 26. 1924.\nEXTRACTS FROM SOME\nSUBSCRIBERS5 LETTERS.\n\" SUCH VALUE FOR ONE'S MONEY NEVER\nWAS, I THINK, IN THE WORLD BEFORE\n\" THE DELIGHT AND ENCHANTMENT I\nRECEIVE FROM\nTHE MASK\nIS EVEN\nGREATER THAN IT WAS, THOUGH THAT\nHAD SEEMED IMPOSSIBLE. IT IS A WON-\nDERFUL HANDFUL OF ALLURING PAGES\nWHICH IN THE SUBTLEST WAY BEGETS\nIN ONE THE DISCONTENT WITH THINGS\nAS THEY ARE IN THE THEATRE, AND SFITS\nONE KEENLY ON EDGE FOR THE THINGS\nWHICH SHOULD BE 55.\n\" THE DELICIOUS IRONY OF IT, THE\nEQUALLY DELICIOUS HUMOUR TOGETHER,\nWITH THE BITING, CUTTING, SCATHING*\nHUMOUR OF ITS DELICATE SARCASM MAKES\nONE CRY U OH, MASK! LIVE FOR EVER ! \"\n\\"}, {"page_pdf": 73, "page_imprimee": "59", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.73", "texte": "I\"\"l\nIII)\nI'M\n111 l\nI'M\n111 l\nTHE MASK\nAN ILLUSTRATED QUARTERLY\nJOURNAL OF THE ART OF THE THEATRE.\nTHE PUBLISHERS HAVE PLEASURE IN ANNOUNCING\nTHE PUBLICATION IN VOLUME ELEVEN OF\nSOME LARGE PLANS OF CITIES.\nTHE first Plan consists of twenty four full page Plates showing\nthe City of Rome in 1748, and appears in this number.\n(Volume XI, Number /).\nIt is a superb Plan, every street, church, palace, academy, theatre, and\nalmost every house being indicated clearly.\nWe shall follow this by a reproduction in about forty Plates of the\n1734-39 Plan of Paris by Turgot.\nSUCH PLANS ARE ESSENTIAL TO STUDENTS ; AND THE FIRST WILL\nPROVE INVALUABLE TO THE STUDY OF IHE FOLLOWING BOOKS:\nEVELYN'S \"DIARY\";\nGOLDONI'S \" MEMOIRS '';\nDE BROSSE'S \" LEI TRES FAMILIERES ECRITES D' ITALIE\nEN 1739 ET 1740\";\nCASANOVA'S \" MEMOIR'S \" ;\nADEMOLLO'S \" TEATRI DI ROMA \" ;\nGOET HE'S \" TRAVELS IN ITALY \" 1766-1790;\nDUMONT'S \" PARALLELE DE PLANS DES PLUS BELLES\nSALLES DE SPECTACLES D' ITALiE \" E'i C. 1766 ;\nDR BURNEY'S \" jOURNAL OF A TOUR\" (1769-1770);\nMICHAEL KELLY'S \"REMINISCENCES \" 1826;\nWRIGHT'S \"TRAVELS IN ITALY\", 1744;\nGROVE'S \" DICTIONARY OF MUSIC \" ;\nSTENDHAL'S \" PROMENADES EN ROME \" (1827-28).\nIT ILLUSTRATES EVERY PAGE OF GREGOROViUS, NiBBY, J. COOPER\nWALKER (1798), RADICIOTTi ; GiORGI (1795), AND MANY MORE.\n€J But no student will need more than a first quick glance at these Plans to\nestimate, in that moment, the immense value to his studies, be he architect,\nhistorian, musician, man of the theatre, painter, or one who merely reads\nior the vivid interest of recapturing the spirit of the old times.\ni\"i\nI\ni\" i\nlnl\nI'M\n111 l\nI'M\nhit\nFOR SUBSCRIPTION RATES SEE NEXT PAGE.\nTHE MASK PUBLISHERS. BOX 444. FLORENCE, ITALY.\nI U;"}, {"page_pdf": 74, "page_imprimee": "60", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.74", "texte": "3iili]iiiiiiilllllllllllllllllltlllllllll!ili[iliIllllillllllHiiiii!!ii>illll[il!IIIIIIIIIIIII!lll!lllilllllllill!lllllllllllllllllllllllllllllltllllllll!llllllimiltllilllllllliia\nSUBSCRIPTIONS.\nIF YOU FIND ANY DIFFICULTY IN OBTAINING\nTHE MASK WRITE DIRECT TO THE MASK\nPUBLISHERS, BOX 444. FLORENCE, ITALY,\nAND WE WILL SUPPLY YOU IMMEDIATELY.\nSUBSCRIBE NOW FOR VOLUME ELEVEN.\nCOMMENCING WITH THIS JANUARY 1925 NUMBER.\nANNUAL SUBSCRIPTION. POST FREE.\nPOPULAR EDITION.\nShillings. 10. Dollars. 2.50\nSPECIAL EDITION (WITH COVER FOR BINDING)\nShillings. 20. Dollars. 5.00\nVOLUME TEN, 1924, IS STILL ON SALE.\nPopular Edition. Four Quarterly parts: 10/-: $ 2.50\nBound: 14/-: $ 3.50\n) Post free.\nFine Paper Edition. Four Quarterly parts: 20/-: $ 5.00\nBound, half vellum: 25/- : $ 6.25\nX\n'A-rr,\n111\nJ. I\n%\n•'fill\n-GL fesA\nm\nw •IT\nritelltno.\nTr anca Trima.\nFROM THE \" BALLI DI SFESSANIA \" BY JACQUES CALLOT.\nONE OF THE MANY DESIGNS REPRODUCED\nIN \" THE MASK \" IN 1923-1924.\nyy\niiiitiHiiiiiiiiiiiiiiiifiiiiiiiiiiiiiiiiiiiiiiiiiifiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiitmiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiuiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiitiiiiitmfimiiiai"}, {"page_pdf": 75, "page_imprimee": "61", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.75", "texte": "I IS REGULARLY TO BE FOUND AT THE FOLLOWING BOOKSHOPS, j\nLONDON TOTTENHAM COURT Rd. HAARLEM (HOLLAND). I\nInternational Book Shop. J. H. De Bois. Kruisweg 68. I I\nSPECIAL AGENT. WIGMORE ST. 1 J\nTHE CHELSEA PUBLISHING Messrs Glaishers. AMERICA. | |\ncompany. EDINBURGH NEW YORK. | (;\nI6ROYCAHE°LSSPEAALROAD Robert Grant & Son. 126 Princes St. £ If\nT\"\" K|6N5s0\",OION FELIXTOWE. J 1\n— The Broadway Book Shop. Washington Square Bookshop. I J\nOTHER LONDON LIVERPOOL. Drama Shop. 23West 47th St. fill\nBOOKSTORES A/1 Mr ** Q Village Book Shop. 4 Christopher St. II\nWHERE THE MASK 8& 9 The ' ArcaV' St BenjaminHauser. 1285 sth Avenue. 1\nCAN BE SEEN AND ' BOSTON.\no ORDERED, o NOTTINGHAM. Smith & McCance. I 1\nvv, r ADELPHI M, Henry Saxton. King St. The Old Com\"^!'sUp. Ino. If\nXXI Gallery. 3 Durham House D Y PHD D 27-29 Bromfield St. I I\nTerrace. W T W . Ye Olde Grey House\nBAKER ST,. W. Basil Blackweli. Anderson St. at Myrtle, Beacon Hill. llt\nMessrs Jowitt. 50 & 51 Broad Street. CHICAGO 1\nBEAUCHAMP PLACE, S. W. PAR I Q Breutano's, Wabash near Adams. f\nThe Beauchamp Bookshop. r I D .The Walden Book Shop. I(.\nCHARING CROSS ROAD. SHAKESPEARE & COMPANY. 410 Michigan Avenue North; IS i\nMessrs Danielson, No. 64. 12 Rue de L' Od&>n. & 301 Plymouth Court. 1„t\nMr. F. Henderson, No. 76. BRENTANO'S. PHI! ADFI PHIA I I\nMr. C. W. Beaumont, No. 75. 37 Avenue de l'Op&a. Centaur Book Shop. | I\nEBURY ST. S. W. 1234 Chanceller St. 1 I\nMessrs Scotter & Law. ROMA. The Palette Book Shop. J\nOXFORD ST. Libreria \" Modernissima I 3735 Spruce Street. i |\nMessrs Selfridge. Via delle Convertite. LOS ANGELES 1 ll\nPATERNOSTER ROW. Treves, Galleria di Piazza Colonna. McManus & Morgan. T|f\nMessrs Simpkin, Marshall. Libreria Liberma. 37 Via Ludovisi. 712 Heliotrope Drive. | ll\nM, l>plsc^gliY- ~, n ORFNCF ■' SAN FRANCISCO. 1 I\nHatchards, 187, Piccadilly. JKL.NCt.. pauj Elj„ &Co 239 Post. St.\nQUEEN STREET. Seeber, Via Tornabuoni. P\" AMQ A C n\\T\"V\nMessrs Jones & Evans. on j T ' I ji\nREGENT STREET. I MILANO. yan venue' | ®\nMessrs Boot, Treves. 64 Galleria Vitt. Eman. TORONTO (CANADA), I I\nST. JOHN'S WOOD. N. W. Bottega di Poesia. The Don Quixote Book Shop I I\nThe Bookeries; High St. 14 Via del Monte Napoleone. 47 Richmond West. 1 M\nTHE MASK MAY BE ORDERED THROUGH ANY BOOKSELLER. 11\nIF YOU FIND ANY DIFFICULTY IN OBTAINING THE MASK IN ANY f\nCITY OR COUNTRY PLEASE WRITE DIRECT TO j I\nTHE MASK PUBLISHERS\no 80X444. FLORENCE, ITALY. o I\nwmmmmmmmmmammmmmmammam ■mm ■« im u iti»iiiaiiii«irt>niyijmiii—mil lIIMII n i iiminimiiiiiiiimiiiiii Ji"}, {"page_pdf": 76, "page_imprimee": "62", "url_page": "https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaau192501-01.1.76", "texte": "THE LONDON \" OBSERVER \" CALLS\nTHE MASK\n'• THE BEST THEATRICAL MAGAZINE\nIN THE WORLD\n■S : *X \" \\ V ,* _ V '\n&/'• • • -OV ' •' 7* : 1 . .. - ' -f. . ;?£,' -. V ; -A-\\ •,•\nBOX 4 44.\nFLORENCE\nITALY.\n-\nitllll ■ ••■ tit : «%"}]}