{"numero_id": "ulb-art-moderne-1899-10-01-n40", "volume": "DL2864764_1899_f", "ocr_sha256": "2151b59d8390b37eee00226e14b73605822e00dd2c0d2865e5ea61a611c2794b", "articles": [{"article_id": "ulb-art-moderne-1899-10-01-n40-001", "volume": "DL2864764_1899_f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/DL2864764_1899_f.pdf", "ocr_sha256": "2151b59d8390b37eee00226e14b73605822e00dd2c0d2865e5ea61a611c2794b", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 325, "page_fin": 325, "titre_corps": "Sommaire", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "DIX-NEUVIÈME ANNÉE. — N° 40. LE", "ancre_fin": "NAZA. — Nos THÉÂTRES. — PETITE CHRONIQUE", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 0, "fin_caractere_exclue": 53, "texte": "DIX-NEUVIÈME ANNÉE. — N° 40. LE"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 56, "fin_caractere_exclue": 79, "texte": "NCTIÉRO : 2 5 CENTIMES."}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 99, "fin_caractere_exclue": 127, "texte": "DIMANCHE 1 e r OCTOBRE 1899."}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 172, "fin_caractere_exclue": 195, "texte": "PARAISSANT L E DIMANCHE"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 207, "fin_caractere_exclue": 251, "texte": "RBVDE CRITIQUE DES ARTS ET DE LA LITTÉRATURE"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 268, "fin_caractere_exclue": 344, "texte": "Comité d e r é d a c t i o n » OCTAVE MAUS — EDMOND PICARD — EMILE VERHAEREN"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 352, "fin_caractere_exclue": 473, "texte": "A B O N N E M E N T S : Belgique, un a n , fr. 10.00 ; Union postale, fr. 13.00. — A N N O N C E S : On traite à forfait."}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 519, "fin_caractere_exclue": 555, "texte": "Adresser toutes les communications à"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 568, "fin_caractere_exclue": 602, "texte": "L'ADMINISTRATION GÉNÉRALE DE l'Art"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 612, "fin_caractere_exclue": 668, "texte": "Moderne, r u e de l'Industrie, 3 2 , B r u x e l l e s ."}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 816, "fin_caractere_exclue": 825, "texte": "{SOMMAIRE"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 915, "fin_caractere_exclue": 973, "texte": "LE SALON DE GAND. Les Peintres belges. — L A TOUR D'AMOUR,"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 1035, "fin_caractere_exclue": 1096, "texte": "par Rachilde. — GIL NAZA. — Nos THÉÂTRES. — PETITE CHRONIQUE."}]}, {"article_id": "ulb-art-moderne-1899-10-01-n40-002", "volume": "DL2864764_1899_f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/DL2864764_1899_f.pdf", "ocr_sha256": "2151b59d8390b37eee00226e14b73605822e00dd2c0d2865e5ea61a611c2794b", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 325, "page_fin": 328, "titre_corps": "Le Salon de Gand. Les Peintres belges", "titre_sommaire": "", "rubrique": "", "signature_source": "Octave Maus", "ancre_debut": "LE SALON DE GAND", "ancre_fin": "OCTAVE MAUS", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 1516, "fin_caractere_exclue": 1532, "texte": "LE SALON DE GAND"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 1762, "fin_caractere_exclue": 1781, "texte": "LES PEINTRES BELGES"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 736, "fin_caractere_exclue": 791, "texte": "aux artistes d'avant-garde, en ces festins périodiques,"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 855, "fin_caractere_exclue": 911, "texte": "que les bas-bouts de la table du banquet dont on n'osait"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 975, "fin_caractere_exclue": 1033, "texte": "pas les exclure, ils occupent cette fois les places d'hon-"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 1097, "fin_caractere_exclue": 1151, "texte": "neur» Le public, d'abord surpris, semble avoir compris"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 1215, "fin_caractere_exclue": 1272, "texte": "que c'est vers eux, à qui l'avenir est ouvert, qu'il doit"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 1336, "fin_caractere_exclue": 1389, "texte": "porter ses préférences. Le référendum organisé par un"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 1453, "fin_caractere_exclue": 1506, "texte": "journal gantois sur le choix des cinq toiles les plus"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 1570, "fin_caractere_exclue": 1626, "texte": "remarqubles du Salon sera, à cet égard, significatif. Et"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 1690, "fin_caractere_exclue": 1744, "texte": "s'il faut en croire les indiscrétions commises, Eugène"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 1845, "fin_caractere_exclue": 1896, "texte": "Laermans, qui faisait récemment encore l'effroi des"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 1902, "fin_caractere_exclue": 2006, "texte": "L'influence des idées novatrices est sensible en ce amateurs et des critiques, passera en première ligne"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2008, "fin_caractere_exclue": 2063, "texte": "Salon de Gand qui, au rebours de la plupart des exposi-"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2129, "fin_caractere_exclue": 2185, "texte": "tions officielles, s'est largement ouvert à l'Art jeune."}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2214, "fin_caractere_exclue": 2267, "texte": "Grâces en soient rendues à MM. Scribe, Buysse et Del-"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2331, "fin_caractere_exclue": 2383, "texte": "vin, à qui revient principalement l'honneur d'avoir,"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2447, "fin_caractere_exclue": 2501, "texte": "avec un éclectisme éclairé, réuni un ensemble d'œuvres"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2559, "fin_caractere_exclue": 2613, "texte": "qui, malgré la promiscuité inévitable des non-valeurs,"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2667, "fin_caractere_exclue": 2721, "texte": "marque une orientation nette vers l'esthétique indivi-"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2787, "fin_caractere_exclue": 2843, "texte": "dualiste, affranchie des souvenirs d'école et des canons"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2908, "fin_caractere_exclue": 2920, "texte": "académiques."}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 3027, "fin_caractere_exclue": 3078, "texte": "Les triomphateurs, ce sont, incontestablement, ceux"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 3138, "fin_caractere_exclue": 3193, "texte": "qu'on proclamait naguère destructeurs des sacro-saintes"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 3252, "fin_caractere_exclue": 3308, "texte": "traditions nationales parce qu'ils eurent la témérité de"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 3373, "fin_caractere_exclue": 3429, "texte": "croire et d'affirmer que le respect dû aux chefs-d'œuvre"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 3487, "fin_caractere_exclue": 3544, "texte": "du passé n'est pas inconciliable avec le concept d'évolu-"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 3600, "fin_caractere_exclue": 3658, "texte": "tion. Le placement lui-même s'est ressenti de cette direc-"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 3716, "fin_caractere_exclue": 3776, "texte": "tion nouvelle des esprits. Et tandis qu'on n'accordait jadis"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2070, "fin_caractere_exclue": 2127, "texte": "parmi les peintres auxquels les visiteurs du Salon accor-"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2191, "fin_caractere_exclue": 2212, "texte": "dent leur suffrage..."}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2280, "fin_caractere_exclue": 2329, "texte": "La déroute est complète dans le camp des soutiens"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2393, "fin_caractere_exclue": 2445, "texte": "de l'art arbitraire, figé, rétrograde et vétusté qui"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2509, "fin_caractere_exclue": 2557, "texte": "garda trop longtemps un prestige usurpé. A peine"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2621, "fin_caractere_exclue": 2665, "texte": "les chromographies de M. Geets (Un accident,"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2729, "fin_caractere_exclue": 2785, "texte": "Enfants de chœur de Saint-Rombaut à Matines"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2849, "fin_caractere_exclue": 2906, "texte": "chantant Noël devant Marguerite d'Autriche et"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 2970, "fin_caractere_exclue": 3022, "texte": "Charles-Quint enfant), les glaciales images pour"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 3086, "fin_caractere_exclue": 3136, "texte": "boîtes de baptême de M. Van Hove (Les trois villes"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 3200, "fin_caractere_exclue": 3250, "texte": "sœurs : Gand la Vaillante, Bruges la Belle, Anvers"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 3314, "fin_caractere_exclue": 3371, "texte": "l'Opulente), la banale et fade illustration de M. Lybaert"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 3435, "fin_caractere_exclue": 3485, "texte": "[Soir de la vie), les compositions anecdotiques de"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 3549, "fin_caractere_exclue": 3598, "texte": "M. Vander Ouderaa {Massacre des Innocents, Retour"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 3662, "fin_caractere_exclue": 3714, "texte": "au tabernacle), inspirées par la plus décevante con-"}, {"page_pdf": 327, "page_imprimee": 325, "debut_caractere": 3778, "fin_caractere_exclue": 3827, "texte": "vention, les séniles réminiscences helléniques de"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 67, "fin_caractere_exclue": 116, "texte": "M. Stallaert (Femme peignant un vase grec, Sylvie"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 185, "fin_caractere_exclue": 239, "texte": "pleurant son cerf, etc.) rencontrent elles des admira-"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 301, "fin_caractere_exclue": 354, "texte": "teurs chez les visiteurs du dimanche. Ces nourritures"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 416, "fin_caractere_exclue": 466, "texte": "édulcorées répugnent aux estomacs sains, avides de"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 523, "fin_caractere_exclue": 538, "texte": "mets nutritifs."}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 643, "fin_caractere_exclue": 687, "texte": "De même, la toile panoramique de M. Vanaise,"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 756, "fin_caractere_exclue": 802, "texte": "Pierre l'Ermite prêchant la croisade, avec ses"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 871, "fin_caractere_exclue": 922, "texte": "innombrables personnages aux gestes de théâtre, aux"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 988, "fin_caractere_exclue": 1045, "texte": "attitudes de mannequins d'atelier, laisse-t-elle la foule"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1109, "fin_caractere_exclue": 1160, "texte": "indifférente malgré l'effort considérable auquel on"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1227, "fin_caractere_exclue": 1281, "texte": "s'accorde à rendre hommage. Le temps n'est plus de ces"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1344, "fin_caractere_exclue": 1395, "texte": "toiles gigantesques, aussi encombrantes que dénuées"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1460, "fin_caractere_exclue": 1512, "texte": "d'intérêt. Les Nicaise De Keyser, les Wappers et les"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1580, "fin_caractere_exclue": 1634, "texte": "Slingeneyer du Musée ont du moins l'excuse du fougueux"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1696, "fin_caractere_exclue": 1742, "texte": "romantisme dans l'atmosphère duquel on les vit"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1813, "fin_caractere_exclue": 1865, "texte": "éclore... Envisagée comme œuvre purement décorative,"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1930, "fin_caractere_exclue": 1976, "texte": "Pierre l'Ermite manque même son but. Car on ne"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2045, "fin_caractere_exclue": 2093, "texte": "saurait concevoir un travail de ce genre exécuté"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2162, "fin_caractere_exclue": 2213, "texte": "ex abrupto, sans nul souci de l'architecture, de la"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2281, "fin_caractere_exclue": 2334, "texte": "lumière, de la coloration de l'édifice dans lequel il"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2361, "fin_caractere_exclue": 2411, "texte": "est destiné à prendre place. « Si j'étais marchand"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2472, "fin_caractere_exclue": 2521, "texte": "de couleurs ou encadreur, » a, paraît-il, inscrit"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2589, "fin_caractere_exclue": 2647, "texte": "un loustic sur son bulletin de vote, « c'est au tableau de"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2703, "fin_caractere_exclue": 2753, "texte": "Vanaise que je donnerais la préférence! » Mais une"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2823, "fin_caractere_exclue": 2873, "texte": "œuvre de grandes dimensions n'est pas toujours une"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2945, "fin_caractere_exclue": 2958, "texte": "grande œuvre."}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3059, "fin_caractere_exclue": 3105, "texte": "On pourrait appliquer cet axiome à la toile de"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3124, "fin_caractere_exclue": 3177, "texte": "M. Struys, Désespéré, dont le mince sujet épisodique,"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3244, "fin_caractere_exclue": 3295, "texte": "le viatique porté dans une chaumière à un moribond,"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3362, "fin_caractere_exclue": 3417, "texte": "parait hors de proportion avec les dimensions du cadre."}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3486, "fin_caractere_exclue": 3540, "texte": "Il y a là un défaut d'équilibre, une faute de goût que"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3602, "fin_caractere_exclue": 3652, "texte": "compensent imparfaitement les qualités d'exécution"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3716, "fin_caractere_exclue": 3770, "texte": "et l'expression, d'ailleurs sincère, d'un sentiment un"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3833, "fin_caractere_exclue": 3882, "texte": "peu factice qui frise la sentimentalité. L'art de"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3947, "fin_caractere_exclue": 3999, "texte": "M. Struys est fait pour émouvoir les âmes sensibles."}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4063, "fin_caractere_exclue": 4113, "texte": "Il est keepsake et romance. L'Étoile belge doit en"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4142, "fin_caractere_exclue": 4199, "texte": "raffoler. Et de fait, il serait injuste de ne pas voir en"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4259, "fin_caractere_exclue": 4313, "texte": "son auteur un peintre consciencieux, observateur, d'un"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4371, "fin_caractere_exclue": 4423, "texte": "talent sérieux et ordonné, d'un métier sûr. Mais ses"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4491, "fin_caractere_exclue": 4544, "texte": "œuvres n'en demeurent pas moins à mes yeux des illus-"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4605, "fin_caractere_exclue": 4660, "texte": "trations agrandies, des « scènes » habilement combinées"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4721, "fin_caractere_exclue": 4775, "texte": "en vue d'un effet pathétique, et non la synthèse d'une"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4837, "fin_caractere_exclue": 4890, "texte": "sensation profonde... L'anecdote occupe trop de place"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4951, "fin_caractere_exclue": 5005, "texte": "dans ces interprétations des détresses humaines. L'art"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5071, "fin_caractere_exclue": 5123, "texte": "pictural a en lui-même assez de ressources, de puis-"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5188, "fin_caractere_exclue": 5241, "texte": "sance et de variété pour pouvoir repousser cette con-"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5304, "fin_caractere_exclue": 5324, "texte": "tribution adventice."}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5419, "fin_caractere_exclue": 5471, "texte": "Je n'en veux d'autre preuve que la toile de M. Henri"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5532, "fin_caractere_exclue": 5584, "texte": "Evenepoel, LEspagnol à Paris, dans laquelle le jeune"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5601, "fin_caractere_exclue": 5656, "texte": "peintre réalise, sans la moindre visée littéraire ni le"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5717, "fin_caractere_exclue": 5768, "texte": "soupçon d'un exposé narratif, une œuvre savoureuse,"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5832, "fin_caractere_exclue": 5887, "texte": "forte, d'une merveilleuse santé, — la plus personnelle,"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5946, "fin_caractere_exclue": 6004, "texte": "peut-être, au point de vue de la vision optique, de toutes"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 6059, "fin_caractere_exclue": 6115, "texte": "celles que nous offre le Salon. J'ai vanté, lors du der-"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 128, "fin_caractere_exclue": 184, "texte": "nier Salon de Paris, et aussi lors d'une exposition par-"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 246, "fin_caractere_exclue": 300, "texte": "ticulière que fit de ses œuvres M. Evenepoel au Cercle"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 362, "fin_caractere_exclue": 415, "texte": "artistique de Bruxelles, les dons exceptionnels de ce"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 477, "fin_caractere_exclue": 522, "texte": "quasi débutant. L'Espagnol à Paris atteste un"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 584, "fin_caractere_exclue": 639, "texte": "épanouissement magnifique des qualités dont la Fête des"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 701, "fin_caractere_exclue": 755, "texte": "Invalides, les Folies-Bergère et divers portraits nous"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 817, "fin_caractere_exclue": 870, "texte": "donnèrent l'aperçu. L'harmonie du coloris, la fermeté"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 932, "fin_caractere_exclue": 987, "texte": "du dessin, la sobriété et le goût qui confèrent à cette"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1049, "fin_caractere_exclue": 1108, "texte": "œuvre la plus rare distinction, tout est réuni, cette fois,"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1170, "fin_caractere_exclue": 1226, "texte": "pour le régal des yeux. Les relations tonales des noirs,"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1288, "fin_caractere_exclue": 1343, "texte": "des bleus, des ocres, avec le vermillon intense du Mou-"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1405, "fin_caractere_exclue": 1459, "texte": "lin-Rouge qui sonne une éclatante fanfare dans ce con-"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1521, "fin_caractere_exclue": 1579, "texte": "cert de couleurs à la fois lumineuses et puissantes révèle"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1641, "fin_caractere_exclue": 1695, "texte": "un maître coloriste dans toute la force du terme. Tout"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1757, "fin_caractere_exclue": 1812, "texte": "est sonore, franc, vibrant dans cette .superbe page que"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1874, "fin_caractere_exclue": 1929, "texte": "je voudrais voir entrer, dès l'issue du Salon, au Musée"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 1991, "fin_caractere_exclue": 2044, "texte": "de Bruxelles. Mieux que toute autre, elle caractérise"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2106, "fin_caractere_exclue": 2161, "texte": "l'art belge d'aujourd'hui par une heureuse alliance des"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2223, "fin_caractere_exclue": 2280, "texte": "formules nouvelles d'expression avec les qualités fonciè-"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2342, "fin_caractere_exclue": 2360, "texte": "res de notre race."}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2425, "fin_caractere_exclue": 2471, "texte": "Deux compositions de M. Laermans, L'Aveugle et"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2533, "fin_caractere_exclue": 2588, "texte": "L'Ivrogne, admirées l'une et l'autre à la Maison d'Art,"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2650, "fin_caractere_exclue": 2702, "texte": "marquent, par le caractère tragique des figures, par"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2764, "fin_caractere_exclue": 2822, "texte": "l'aspect saisissant des paysages de banlieue qui encadrent"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 2884, "fin_caractere_exclue": 2944, "texte": "celles-ci, par l'âpreté d'un coloris qui ressuscite le vieux"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3006, "fin_caractere_exclue": 3055, "texte": "Breughel, parmi les œuvres les plus émouvantes du"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3117, "fin_caractere_exclue": 3123, "texte": "Salon."}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3188, "fin_caractere_exclue": 3243, "texte": "M. Frédéric brille, lui aussi,au premier rang. Ses deux"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3305, "fin_caractere_exclue": 3361, "texte": "toiles, Le Printemps et La Nuit, burinées avec la préci-"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3423, "fin_caractere_exclue": 3485, "texte": "sion et la volonté habituelles à ce très personnel artiste, et"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3547, "fin_caractere_exclue": 3601, "texte": "son dessin Sur le chemin unissent la grâce des maîtres"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3663, "fin_caractere_exclue": 3715, "texte": "gothiques à une interprétation moderne et originale."}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3780, "fin_caractere_exclue": 3832, "texte": "Pour qu'on n'oublie pas que s'il est un statuaire de"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 3894, "fin_caractere_exclue": 3946, "texte": "génie, il fut aussi un peintre de talent, Constantin"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4008, "fin_caractere_exclue": 4062, "texte": "Meunier expose une toile caractéristique : Les Mineurs"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4124, "fin_caractere_exclue": 4141, "texte": "du pays de Liège."}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4206, "fin_caractere_exclue": 4258, "texte": "Dans le groupe des peintres anversois dans lequel se"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4320, "fin_caractere_exclue": 4370, "texte": "distinguent MM. Dierckx et Luyten, M. Charles Mer-"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4432, "fin_caractere_exclue": 4490, "texte": "tens a droit, pour la sincérité de son art et le sentiment"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4552, "fin_caractere_exclue": 4604, "texte": "intense de ses compositions, à une mention spéciale."}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4666, "fin_caractere_exclue": 4720, "texte": "Les Trois femmes et \\e Jour de congé sont d'un peintre"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4782, "fin_caractere_exclue": 4836, "texte": "ému et d'un observateur pénétrait. Un choix de dessins"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 4898, "fin_caractere_exclue": 4950, "texte": "de premier ordre complète cet envoi d'un artiste sur"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5012, "fin_caractere_exclue": 5070, "texte": "lequel j'appelle l'attention particulière de nos lecteurs."}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5132, "fin_caractere_exclue": 5187, "texte": "En ses scrupuleuses notations, dénuées de rhétorique et"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5249, "fin_caractere_exclue": 5303, "texte": "de littérature, il est infiniment plus expressif qu'un"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5365, "fin_caractere_exclue": 5415, "texte": "Frans Simons par exemple, dont la Mater dolorosa à"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5477, "fin_caractere_exclue": 5531, "texte": "visées sociales est plus mélodramatique que réellement"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5593, "fin_caractere_exclue": 5600, "texte": "sentie."}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5665, "fin_caractere_exclue": 5716, "texte": "Le souci des toiles kilométriques haussant un fait-"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5778, "fin_caractere_exclue": 5831, "texte": "divers aux proportions du décor, pour être moins fré-"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 5893, "fin_caractere_exclue": 5945, "texte": "quent que jadis, n'a pas disparu complètement de nos"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 6007, "fin_caractere_exclue": 6058, "texte": "ateliers. On en trouve l'indice dans le vaste trip-"}, {"page_pdf": 328, "page_imprimee": 326, "debut_caractere": 6120, "fin_caractere_exclue": 6168, "texte": "tyque de M. Franz Charlet, Le Pêcheur, dont j'ai"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 124, "fin_caractere_exclue": 175, "texte": "parlé lorsqu'il fut exposé au Champ-de-Mars : toile"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 240, "fin_caractere_exclue": 297, "texte": "d'ailleurs louable, qui atteste, malgré les réminiscences"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 358, "fin_caractere_exclue": 416, "texte": "qu'elle avère, d'incontestables mérites d'exécution. D'au-"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 474, "fin_caractere_exclue": 524, "texte": "tres œuvres, les Communiantes de M. Van den Eeden,"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 588, "fin_caractere_exclue": 644, "texte": "le Viatique de M. Van Melle, dérivent, avec des qualités"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 706, "fin_caractere_exclue": 745, "texte": "moindres, d'une préoccupation analogue."}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 825, "fin_caractere_exclue": 875, "texte": "Les vastes compositions de M. Levêque {Le Triomphe"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 943, "fin_caractere_exclue": 993, "texte": "de la Mort, Circé, Le Repos) ont une ambition plus"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1055, "fin_caractere_exclue": 1110, "texte": "haute. Manifestement décoratives, elles n'utilisent les"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1169, "fin_caractere_exclue": 1222, "texte": "données de la plastique qu'en vue d'exprimer une idée"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1283, "fin_caractere_exclue": 1334, "texte": "philosophique. Mais peut-être y a-t-il un désaccord"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1400, "fin_caractere_exclue": 1456, "texte": "entre la matérialité des figures, qui évoquent les somp-"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1514, "fin_caractere_exclue": 1569, "texte": "tueuses « académies » des maîtres de la Renaissance, et"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1635, "fin_caractere_exclue": 1687, "texte": "les symboles qu'elles sont appelées à susciter. Plus"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1755, "fin_caractere_exclue": 1812, "texte": "intellectuel que réellement pictural, l'art de M. Levêque"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1872, "fin_caractere_exclue": 1929, "texte": "rie paraît pas encore avoir trouvé son expression défini-"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1990, "fin_caractere_exclue": 2047, "texte": "tive. Les musées l'obsèdent, et la pensée dépasse souvent"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2106, "fin_caractere_exclue": 2163, "texte": "Ta réalisation graphique. Pareilles manifestations gagne-"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2218, "fin_caractere_exclue": 2274, "texte": "raient, semble-t-il, à être simplifiées, condensées dans"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2334, "fin_caractere_exclue": 2388, "texte": "leurs éléments synthétiques, unifiées en un style plus"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2451, "fin_caractere_exclue": 2472, "texte": "sévère et plus sobre."}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2570, "fin_caractere_exclue": 2613, "texte": "La Harpe et Lassitude, de M. Médard Tydgat,"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2686, "fin_caractere_exclue": 2736, "texte": "peuvent être rapprochées des œuvres de M. Levêque,"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2805, "fin_caractere_exclue": 2865, "texte": "avec lesquelles elles s'apparentent. Traitées en grisailles,"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2925, "fin_caractere_exclue": 2980, "texte": "elles décèlent, comme celles-ci, le dessein de combiner"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3041, "fin_caractere_exclue": 3098, "texte": "avec les exigences décoratives l'expression d'une pensée."}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3157, "fin_caractere_exclue": 3214, "texte": "Mais le modèle d'atelier apparaît, trop visiblement, dans"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3275, "fin_caractere_exclue": 3331, "texte": "ces figures de rêve. Et je me suis expliqué déjà sur les"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3393, "fin_caractere_exclue": 3444, "texte": "périls de cet empiétement de la littérature dans le"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3511, "fin_caractere_exclue": 3539, "texte": "domaine des arts plastiques."}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3626, "fin_caractere_exclue": 3673, "texte": "Dans sa composition Ils enfantèrent la douleur,"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3737, "fin_caractere_exclue": 3788, "texte": "M. Van Biesbroeck ramène son idéal à une expression"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3855, "fin_caractere_exclue": 3912, "texte": "plus littérale de la nature. Le sculpteur l'emporte, dans"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3967, "fin_caractere_exclue": 4020, "texte": "le modelé des figures, sur le peintre. C'est un début"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4091, "fin_caractere_exclue": 4117, "texte": "intéressant et qui promet."}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4213, "fin_caractere_exclue": 4260, "texte": "Les œuvres d'imagination sommairement passés en"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4326, "fin_caractere_exclue": 4384, "texte": "revue, voici les portraits, les paysages, les marines, les"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4442, "fin_caractere_exclue": 4498, "texte": "intérieurs et les tableaux d'accessoires, en nombre con-"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4554, "fin_caractere_exclue": 4609, "texte": "sidérable. Les premiers sont faibles. Depuis la mort de"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4644, "fin_caractere_exclue": 4698, "texte": "De Winne et celle d'Agneessens, la Belgique attend son"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4765, "fin_caractere_exclue": 4819, "texte": "portraitiste. On remarquera toutefois le Major Schmid,"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4886, "fin_caractere_exclue": 4938, "texte": "de M. Gouweloos, les portraits d'hommes et de femmes"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5005, "fin_caractere_exclue": 5058, "texte": "de M. Albert Roelofs et de M. G.-M. Stevens, celui de"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5120, "fin_caractere_exclue": 5175, "texte": "Mme Streel, par M. Richir, le portrait de M. Surmont de"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5235, "fin_caractere_exclue": 5290, "texte": "Volsberghe,parMlle De Hem,le très caractéristique auto-"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5352, "fin_caractere_exclue": 5403, "texte": "portrait de M. Laermans, d'une construction presque"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5469, "fin_caractere_exclue": 5524, "texte": "sculpturale, etc. Que ceux qui aiment la manière de Van"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5587, "fin_caractere_exclue": 5636, "texte": "Beers et de Leempoels lèvent le doigt : voici, de"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5700, "fin_caractere_exclue": 5754, "texte": "l'un, un portrait de dame digne de ressusciter les mé-"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5819, "fin_caractere_exclue": 5874, "texte": "morables polémiques de jadis; de l'autre, les portraits"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5895, "fin_caractere_exclue": 5947, "texte": "de M. Van den Heuvel, ministre de la Justice, en son"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 6013, "fin_caractere_exclue": 6062, "texte": "costume de professeur à la Faculté de Louvain, de"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 6129, "fin_caractere_exclue": 6166, "texte": "Mm8 Waedemon, du père de l'artiste..."}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 6251, "fin_caractere_exclue": 6304, "texte": "Les paysagistes se divisent en deux catégories, qu'on"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 187, "fin_caractere_exclue": 239, "texte": "pourrait dénommer les blancs et les noirs, comme les"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 303, "fin_caractere_exclue": 357, "texte": "deux factions rivales de quelque lutte civile. En tête"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 421, "fin_caractere_exclue": 473, "texte": "des premiers, Emile Claus, très heureusement inspiré"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 537, "fin_caractere_exclue": 587, "texte": "dans sa Maison « Zonneschijn », baignée de clartés"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 651, "fin_caractere_exclue": 705, "texte": "blondes, et mieux encore dans sa Journée de soleil qui"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 769, "fin_caractere_exclue": 821, "texte": "montre, dans uoeatmosphèrelumineuse, des lavandières"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 885, "fin_caractere_exclue": 942, "texte": "notées avec une saisissante vérité d'attitudes et de mou-"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1006, "fin_caractere_exclue": 1054, "texte": "vements. Puis Orner Coppens, Rodolphe Wytsman et"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1118, "fin_caractere_exclue": 1168, "texte": "Mme Wytsman, en progrès constants, F. Nys, Meyers,"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1232, "fin_caractere_exclue": 1282, "texte": "Mlle Marcotte, R. De Saegher... L'autre groupe est"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1346, "fin_caractere_exclue": 1399, "texte": "formé de ceux que les problèmes de la lumière ne pas-"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1463, "fin_caractere_exclue": 1513, "texte": "sionnent pas au même degré, bien que la palette de"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1577, "fin_caractere_exclue": 1634, "texte": "certains d'entre eux ait subi, sous l'influence des chefs"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1698, "fin_caractere_exclue": 1754, "texte": "defilede l'impressionnisme, des modifications sensibles."}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1818, "fin_caractere_exclue": 1871, "texte": "Je note au courant de la plume, à défaut de Courtens,"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 1935, "fin_caractere_exclue": 1989, "texte": "qui s'abstient, MM. V. Gilsoul, Verheyden, C. De Cock,"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2053, "fin_caractere_exclue": 2105, "texte": "Willaert, Van der Hecht, Rosseels, C'rabeels, Binjé,"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2169, "fin_caractere_exclue": 2217, "texte": "Verdyen, J. François, L. Franck, A. Heins, Otte-"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2281, "fin_caractere_exclue": 2333, "texte": "vaere, Delgoufïre, Verdussen, Mmes Beernaert, Héger,"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2397, "fin_caractere_exclue": 2450, "texte": "Collart, Lacroix, et le bataillon ténébreux et roman-"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2514, "fin_caractere_exclue": 2566, "texte": "tique du Sillon : MM. Bastien, Blieck, Smeers, Wage-"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2630, "fin_caractere_exclue": 2685, "texte": "mans, également orientés, qu'ils peignent le paysage ou"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2749, "fin_caractere_exclue": 2804, "texte": "la figure, vers les pratiques-de jadis, et sur lesquels"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2868, "fin_caractere_exclue": 2924, "texte": "tranche, par la sincérité de sa vision, M. Paul Mathieu."}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 2991, "fin_caractere_exclue": 3040, "texte": "Parmi les peintres d'intérieurs et d'accessoires,"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3104, "fin_caractere_exclue": 3156, "texte": "M. Alfred Verhaeren tient incontestablement, par son"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3220, "fin_caractere_exclue": 3274, "texte": "art robuste et viril, la première place. On s'arrêtera"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3338, "fin_caractere_exclue": 3392, "texte": "aussi avec intérêt devant les envois de MM. René Jans-"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3456, "fin_caractere_exclue": 3510, "texte": "sens et A. Hannotiau. Le Balcon de Vhôtel de ville, du"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3574, "fin_caractere_exclue": 3622, "texte": "premier, est particulièrement digne d'attention."}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3689, "fin_caractere_exclue": 3736, "texte": "Les marines de Théodore Verstraete, d'Alexandre"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3800, "fin_caractere_exclue": 3854, "texte": "Marcette (celles-ci surtout), d'Adrien Le Mayeur et de"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 3918, "fin_caractere_exclue": 3966, "texte": "Franz Hens occupent honorablement la cimaise. Et"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4030, "fin_caractere_exclue": 4090, "texte": "parmi les débuts qu'il convient de signaler, je citerai ceux"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4154, "fin_caractere_exclue": 4209, "texte": "de M. Dopchie, un jeune artiste gantois qui paraît bien"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4273, "fin_caractere_exclue": 4325, "texte": "doué sous le rapport de la couleur, de M. Vierin, de"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4389, "fin_caractere_exclue": 4441, "texte": "Courtrai, et de deux Verviétois en qui revit quelque"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4505, "fin_caractere_exclue": 4553, "texte": "chose de l'art concentré de Mellery, MM. Maurice"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4617, "fin_caractere_exclue": 4643, "texte": "Pirenne et Georges Lebrun."}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4710, "fin_caractere_exclue": 4764, "texte": "C'est dans les salles excentriques où s'accumulent les"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4828, "fin_caractere_exclue": 4885, "texte": "dessins, les pastels, les aquarelles, les estampes et les"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 4949, "fin_caractere_exclue": 5004, "texte": "gravures qu'il faut se rendre pour découvrir, au milieu"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5068, "fin_caractere_exclue": 5119, "texte": "de cent œuvres de mérites divers, ces deux artistes"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5183, "fin_caractere_exclue": 5234, "texte": "nouveaux. Dans la même section, parmi maintes pages"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5298, "fin_caractere_exclue": 5351, "texte": "de Cassiers, de Stacquet, d'Uytterschaut, de Romberg,"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5415, "fin_caractere_exclue": 5468, "texte": "de Danse, de Mmes Gilsoul, Art, Dupré, etc., quelques"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5532, "fin_caractere_exclue": 5586, "texte": "très intenses dessins d'Alfred Delaunois, L'Intrus, Le"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5650, "fin_caractere_exclue": 5699, "texte": "Manteau,L'Ame qui monte, Maison de défunte, fleu-"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5763, "fin_caractere_exclue": 5818, "texte": "rissent d'une note d'art raffiné les halls encombrés de"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5882, "fin_caractere_exclue": 5894, "texte": "médiocrités."}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 5961, "fin_caractere_exclue": 6012, "texte": "Dans les galeries supérieures du Salon de Gand, les"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 6076, "fin_caractere_exclue": 6128, "texte": "œuvres semblent d'ailleurs rangées au petit bonheur."}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 6192, "fin_caractere_exclue": 6247, "texte": "Et tandis que les salles du rez-de-chaussée sont dispo-"}, {"page_pdf": 329, "page_imprimee": 327, "debut_caractere": 6311, "fin_caractere_exclue": 6362, "texte": "avec beaucoup de soins et de goût, le premier étage"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 73, "fin_caractere_exclue": 126, "texte": "offre l'image d'une confusion dans laquelle Dieu lui-"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 214, "fin_caractere_exclue": 270, "texte": "même aurait quelque peine à reconnaître les siens. C'est"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 356, "fin_caractere_exclue": 409, "texte": "la conséquence presque inévitable de ces gigantesques"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 634, "fin_caractere_exclue": 689, "texte": "déballages qui jettent à la fois dans un local trois ou"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 828, "fin_caractere_exclue": 886, "texte": "quatre fois plus d'œuvres qu'il n'en faudrait pour consti-"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 967, "fin_caractere_exclue": 1034, "texte": "t u e r une exposition réellement a t t r a y a n t e , instructive"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 1107, "fin_caractere_exclue": 1161, "texte": "et dont la visite ne provoque point la fâcheuse cépha-"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 1250, "fin_caractere_exclue": 1257, "texte": "lalgie."}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 1379, "fin_caractere_exclue": 1390, "texte": "OCTAVE MAUS"}]}, {"article_id": "ulb-art-moderne-1899-10-01-n40-003", "volume": "DL2864764_1899_f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/DL2864764_1899_f.pdf", "ocr_sha256": "2151b59d8390b37eee00226e14b73605822e00dd2c0d2865e5ea61a611c2794b", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 328, "page_fin": 328, "titre_corps": "La Tour d'amour", "titre_sommaire": "", "rubrique": "", "signature_source": "Eugène Demolder", "ancre_debut": "LA T O U R D'AMOUR", "ancre_fin": "EUGÈNE DEMOLDER", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 1771, "fin_caractere_exclue": 1789, "texte": "LA T O U R D'AMOUR"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 2041, "fin_caractere_exclue": 2089, "texte": "Roman, par RACHILDR. — Paris, Mercure de France."}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 2233, "fin_caractere_exclue": 2293, "texte": "La Tour d'amour ? Quelle perversité, quelle splendeur diabo-"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 2371, "fin_caractere_exclue": 2431, "texte": "lique et amoureuse, quels tableaux voluptueux va contenir le"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 2505, "fin_caractere_exclue": 2568, "texte": "roman ainsi titré par celle qui écrivit Monsieur Vénus, Y Heure"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 2642, "fin_caractere_exclue": 2704, "texte": "sexuelle, et, il y a deux ans, ce livre compliqué et charmant,"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 2783, "fin_caractere_exclue": 2849, "texte": "buriné avec une pointe taillée en une topaze byzantine qui se sou-"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 2919, "fin_caractere_exclue": 2984, "texte": "viendrait des belles décadences : Les Hors-Nature! Eh bien, non !"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 3058, "fin_caractere_exclue": 3116, "texte": "La Tour d'amour est un monument d'épouvante où les cauche-"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 3198, "fin_caractere_exclue": 3264, "texte": "mars battent les murs, où la mort suinte des pierres, et d'où l'on"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 3339, "fin_caractere_exclue": 3402, "texte": "sort avec l'âme oppressée et tremblante. C'est étrange comme de"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 3479, "fin_caractere_exclue": 3543, "texte": "l'Edgard Poe et c'est d'une haute beauté romantique. A mon avis,"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 3619, "fin_caractere_exclue": 3687, "texte": "voilà l'œuvre la plus forte de Rachilde et certes un des plus drama-"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 3760, "fin_caractere_exclue": 3821, "texte": "tiques romans de ces dernières années. Lisez-le tous. Dès les"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 3901, "fin_caractere_exclue": 3963, "texte": "premières pages il vous intrigue, vous subjugue, vous inquiète"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 4040, "fin_caractere_exclue": 4104, "texte": "et il vous enlève dans le mystère atroce qui entoure ses person-"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 4184, "fin_caractere_exclue": 4246, "texte": "nages haletants. Vous tournerez les pages avec des frissons et"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 4322, "fin_caractere_exclue": 4384, "texte": "souvent, pendant la lecture, la terreur viendra se pencher au-"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 4461, "fin_caractere_exclue": 4484, "texte": "dessus de votre épaule."}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 4600, "fin_caractere_exclue": 4656, "texte": "Voici l'histoire. Jean Maleux, un Breton, est adjoint au"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 4739, "fin_caractere_exclue": 4797, "texte": "chef du phare Ar-Men, le vieux Mathurin Barnabas. La phare"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 4880, "fin_caractere_exclue": 4945, "texte": "s'érige en pleine mer, sur un roc, battu par un courant qui vient"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 5013, "fin_caractere_exclue": 5083, "texte": "de la. baie des Trépassés ; il est seul sous le grand ciel et les tem-"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 5149, "fin_caractere_exclue": 5213, "texte": "pêtes. Un vapeur-passeur y dépose Jean Maleux. Et voilà le jeune"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 5287, "fin_caractere_exclue": 5353, "texte": "marin en tête à tête avec son chef Mathurin Barnabas. Ah ! l'épou-"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 5426, "fin_caractere_exclue": 5490, "texte": "vantable vieillard ! « Un vieil homme frimant l'oiseau de proie,"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 5566, "fin_caractere_exclue": 5634, "texte": "parce qu'il marchait plié en deux, laissant traîner des bras ouverts"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 5702, "fin_caractere_exclue": 5762, "texte": "comme des ailes déplumées. » Après le débarquement, commence"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 5842, "fin_caractere_exclue": 5908, "texte": "pour Jean Maleux la vie à l'intérieur d'Ar-Men.Cette vie, Rachilde"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 5976, "fin_caractere_exclue": 6044, "texte": "la décrit merveilleusement : l'âme d'un vieux loup de mer s'est-elle"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 6119, "fin_caractere_exclue": 6177, "texte": "par miracle réveillée au fond de sa propre âme féminine et"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 6261, "fin_caractere_exclue": 6326, "texte": "moderne? C'est prodigieux d'intuition et de pénétration! Il règne"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 6401, "fin_caractere_exclue": 6463, "texte": "par tout le livre ce malaise qu'on ressent au-dessus des ondes"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 6512, "fin_caractere_exclue": 6583, "texte": "mouvantes et salées, le vertige de ces tours solitaires où l'aspiration"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 6647, "fin_caractere_exclue": 6713, "texte": "de l'eau est, en cas de tempête, si violente qu'elle attire dehors"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 6714, "fin_caractere_exclue": 6778, "texte": "tous les objets libres et même les chrétiens ; puis se développe"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 6779, "fin_caractere_exclue": 6845, "texte": "l'atmosphère étouffante provoquée par les grandes lampes à huile :"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 6846, "fin_caractere_exclue": 6907, "texte": "on monte vers elle comme vers un incendie. Dans la chambre de"}, {"page_pdf": 330, "page_imprimee": 328, "debut_caractere": 6953, "fin_caractere_exclue": 7016, "texte": "Maleux,