{"numero_id": "ulb-art-moderne-1907-12-29-n52", "volume": "ELB-ULB-DL2864764-1907-f", "ocr_sha256": "d3e03fd978e190ef73977b3d9bad80262432841ea91f4c4937d9dc2fd7ccfc47", "articles": [{"article_id": "ulb-art-moderne-1907-12-29-n52-001", "volume": "ELB-ULB-DL2864764-1907-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1907-f.pdf", "ocr_sha256": "d3e03fd978e190ef73977b3d9bad80262432841ea91f4c4937d9dc2fd7ccfc47", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 409, "page_fin": 409, "titre_corps": "Sommaire", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "v in g t -s e p tiè m e ANNEE.", "ancre_fin": "( J . S.). — P e tite Chronique", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 9, "fin_caractere_exclue": 41, "texte": "v in g t -s e p tiè m e   ANNEE."}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 83, "fin_caractere_exclue": 89, "texte": "N° 52."}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 129, "fin_caractere_exclue": 154, "texte": "29   D écem bre     1907."}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 159, "fin_caractere_exclue": 171, "texte": "L'ARTMODERNE"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 218, "fin_caractere_exclue": 250, "texte": "REVUE C R IT IQ U E HEBDOMADAIRE"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 296, "fin_caractere_exclue": 339, "texte": "BUREAUX : RUE DE L'INDUSTRIE, 32, BRUXELLES"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 348, "fin_caractere_exclue": 467, "texte": "ABO N N EM EN T : B E L G IQ U E , 10 FR A N C S L ’A N ; U N IO N PO ST A L E, 13 FRA NCS. — LE NU M ÉRO. 25 CENTIM ES"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 476, "fin_caractere_exclue": 549, "texte": "L ’A R T M O D E R N E e s t e n v o y é à l'e s s a i, p e n d a n t u n"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 622, "fin_caractere_exclue": 696, "texte": "m o is, a u x p e r so n n e s q u i n o u s en fo n t l a d em a n d e ou"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 767, "fin_caractere_exclue": 831, "texte": "q u i n o u s s o n t in d iq u é e s p a r n o s a b o n n é s."}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 913, "fin_caractere_exclue": 993, "texte": "L e s d e m a n d e s d ’a b o n n e m en t e t d e n u m é r o s à l ’e s s a i"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 1053, "fin_caractere_exclue": 1139, "texte": "d o iv e n t ê tr e a d r e s s é e s à. l'A d m in istr a tio n g é n é r a le , ru e"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 1285, "fin_caractere_exclue": 1329, "texte": "de l’In d u str ie , 3 2 , B r u x e lle s ."}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 1484, "fin_caractere_exclue": 1563, "texte": "On e s t p r ié d e r e n v o y e r la r e v u e à l ’A d m in istr a tio n s i"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 1710, "fin_caractere_exclue": 1754, "texte": "l ’on ne d é s ir e p a s s ’y a b o n n er."}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 1759, "fin_caractere_exclue": 1831, "texte": "L ’A R T M O D E R N E e s t en v e n te , à. P a r is , à la lib r a i­"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 1977, "fin_caractere_exclue": 2041, "texte": "r ie H F lo u r y , 1 , b o u le v a r d d e s C a p u c in e s."}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 2567, "fin_caractere_exclue": 2575, "texte": "SOMMAIRE"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 2687, "fin_caractere_exclue": 2761, "texte": "Paradoxe su r la Parodie ( F r a n c i s d e M io m a n d r e ). — Candeur"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 2827, "fin_caractere_exclue": 2900, "texte": "(O. M.). — L’A rt d e la Danse (M . K. M .) . — A lbert Geudens ( J e a n"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 2976, "fin_caractere_exclue": 3052, "texte": "L a e n e n ). — Sherlock Holmes (O . M . ). — L a M usique à L iè g e : Les"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 3122, "fin_caractere_exclue": 3186, "texte": "Concerts symphoniques ( M u .) . — Ecole de m usique de Verviers"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 3265, "fin_caractere_exclue": 3297, "texte": "( J . S.). — P e tite Chronique."}]}, {"article_id": "ulb-art-moderne-1907-12-29-n52-002", "volume": "ELB-ULB-DL2864764-1907-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1907-f.pdf", "ocr_sha256": "d3e03fd978e190ef73977b3d9bad80262432841ea91f4c4937d9dc2fd7ccfc47", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 409, "page_fin": 410, "titre_corps": "Paradoxe sur la Parodie", "titre_sommaire": "", "rubrique": "", "signature_source": "Francis de Miomandre", "ancre_debut": "Paradoxe sur la Parodie.", "ancre_fin": "F r a n c is de M io m a n d r e", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 3752, "fin_caractere_exclue": 3776, "texte": "Paradoxe sur la Parodie."}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 4008, "fin_caractere_exclue": 4065, "texte": "R éussir une parodie est très difficile. Il faut une con­"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 4153, "fin_caractere_exclue": 4206, "texte": "naissance approfondie de l’auteur im ité et une pres­"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 4303, "fin_caractere_exclue": 4362, "texte": "cience de ses intentions. Il faut de la culture, du tact et"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 4451, "fin_caractere_exclue": 4506, "texte": "beaucoup de goût. I l faut surtout — ceci peut paraître"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 4607, "fin_caractere_exclue": 4661, "texte": "bizarre — un grand respect de la littératu re que l’on"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 4750, "fin_caractere_exclue": 4807, "texte": "parodie ! Oui, un véritable parodiste doit aim er ce dont"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 4897, "fin_caractere_exclue": 4954, "texte": "il a l’air de sourire. Sinon, il ne rappellera qu’im par­"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 5041, "fin_caractere_exclue": 5099, "texte": "faitem ent l ’auteur qu’il prétend suggérer, et toutes ses"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 5206, "fin_caractere_exclue": 5237, "texte": "allusions perdront leur portée."}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 564, "fin_caractere_exclue": 621, "texte": "Le désir secret du bon parodiste n ’est pas d’a ttirer la"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 711, "fin_caractere_exclue": 766, "texte": "risée sur quelqu’un, il a des raisons autrem ent p ro ­"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 856, "fin_caractere_exclue": 908, "texte": "fondes. Lorsqu’on aime beaucoup un poème ou un m or­"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 998, "fin_caractere_exclue": 1052, "texte": "ceau de prose, on finit p ar en com prendre toutes les"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 1229, "fin_caractere_exclue": 1284, "texte": "nuances, p ar se rendre compte de ce que j ’appellerais"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 1419, "fin_caractere_exclue": 1479, "texte": "volontiers ses ressorts secrets. M algré soi, on le cite, on"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 1653, "fin_caractere_exclue": 1709, "texte": "est tenté d’appliquer ces citations aux circonstances de"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 1921, "fin_caractere_exclue": 1976, "texte": "la vie. Ce poème, ce m orceau vous deviennent familiers"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 2066, "fin_caractere_exclue": 2123, "texte": "et l ’on finit p ar ne plus bien distinguer soi-même dans"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 2213, "fin_caractere_exclue": 2268, "texte": "son propre sourire ce qu’il entre d’ironie sur l’espèce"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 2358, "fin_caractere_exclue": 2417, "texte": "de servitude intellectuelle où l’on en est réduit vis-à-vis"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 2507, "fin_caractere_exclue": 2531, "texte": "de ce texte dom inateur."}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 2624, "fin_caractere_exclue": 2681, "texte": "De là à parodier, il n ’y a qu’un pas. On p arfait ce que"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 2771, "fin_caractere_exclue": 2826, "texte": "l’on avait ébauché, on a la coquetterie de ne plus rien"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 2916, "fin_caractere_exclue": 2974, "texte": "laisser d’incohérent dans ce trav ail d’im itation On fait"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 3064, "fin_caractere_exclue": 3121, "texte": "une parodie d’autant m eilleure que l’on n ’a point envie"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 3211, "fin_caractere_exclue": 3264, "texte": "de se m oquer. Ceux qui veulent se m oquer forcent la"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 3387, "fin_caractere_exclue": 3444, "texte": "note, et p ar conséquent déform ent au lieu d’im iter. Le"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 3534, "fin_caractere_exclue": 3590, "texte": "parfait parodiste pénètre si intim em ent la pensée d’un"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 3680, "fin_caractere_exclue": 3744, "texte": "écrivain qu’il p a ra îtra it l’avoir eue si on ignorait l ’ori­"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 3834, "fin_caractere_exclue": 3859, "texte": "ginal en lisant la copie."}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 3952, "fin_caractere_exclue": 4004, "texte": "C’est ce qui est arrivé le plus souvent à MM. Muller"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 4094, "fin_caractere_exclue": 4152, "texte": "et Reboux, qui ont eu l’idée de réunir en un' petit volume"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 4242, "fin_caractere_exclue": 4302, "texte": "les m orceaux, si am usants et si spirituels, qu’ils avaient"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 4392, "fin_caractere_exclue": 4450, "texte": "publiés de tem ps à autre dans la revue L es L e ttr e s ,"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 4540, "fin_caractere_exclue": 4606, "texte": "sous le titre : A la m a n iè r e d e ..... (1). I l s rient de ce"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 4696, "fin_caractere_exclue": 4749, "texte": "qu’ils interprètent, mais ils ne cherchent point à le"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 4839, "fin_caractere_exclue": 4896, "texte": "rendre ridicule. On sent qu’ils s’am usent et qu’ils sont"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 4986, "fin_caractere_exclue": 5040, "texte": "parfaitem ent heureux de plaisanter. Ces plaisanteries"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 5132, "fin_caractere_exclue": 5205, "texte": "(1) Ch. M u l l e r et P a u l R e b o u x : A la manière de..... P aris,"}, {"page_pdf": 422, "page_imprimee": 409, "debut_caractere": 5295, "fin_caractere_exclue": 5334, "texte": "éd. des Lettres, 23. chaussée d'A ntin."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 83, "fin_caractere_exclue": 222, "texte": "so n t celles cle gens de g o û t : elles n 'o n t rien d ’a m er, n i ! Monet, d ’Eugène Carrière, c’est à-dire des peintres de la vie. En"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 223, "fin_caractere_exclue": 252, "texte": "m êm e d ’irrév éren cieu x ."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 365, "fin_caractere_exclue": 430, "texte": "Le choix des é criv ain s p a ro d ié s e st d’a ille u rs excel­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 508, "fin_caractere_exclue": 576, "texte": "len t : M aeterlin ck , B a rre s, T ris ta n B e rn ard , Jam m es,"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 792, "fin_caractere_exclue": 852, "texte": "Mme de N oailles, C harles-L ouis P h ilip p e, S h a k e s­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 991, "fin_caractere_exclue": 1052, "texte": "p e a re , etc. Il y a des pages fo llem en t drôles : Idro ­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 1180, "fin_caractere_exclue": 1241, "texte": "phile et Filigrane est un p e tit d ram e p o u r m a rio n ­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 1323, "fin_caractere_exclue": 1391, "texte": "n e tte s désossé au possible. L ’am o u r de l’a m a te u r d’âm es"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 1464, "fin_caractere_exclue": 1537, "texte": "p o u r la g ra n d ’m ère d’Ip h igénie est d’une in v en tio n c h a r­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 1606, "fin_caractere_exclue": 1675, "texte": "m an te. E t l’a v e n tu re du p au v re h è re e t de la fille dans"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 1747, "fin_caractere_exclue": 1796, "texte": "A la manière de Charles-Louis Philippe!... Q uant"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 1891, "fin_caractere_exclue": 1959, "texte": "à la scène du re s ta u ra n t, on ne p o u v ait pas p lu s sp iri­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 2028, "fin_caractere_exclue": 2075, "texte": "tu ellem en t b lag u er T ris ta n B ern ard ."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 2173, "fin_caractere_exclue": 2230, "texte": "Du reste, p erso n n e n e s’e st fâché. On ne p eu t pas"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 2431, "fin_caractere_exclue": 2497, "texte": "g a rd e r ra n c u n e à quelqu’u n qui vous a si bien lu . P a s"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 2635, "fin_caractere_exclue": 2698, "texte": "plus qu’on n ’en v e u t à u n c a ric a tu ris te, puisque son"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 2841, "fin_caractere_exclue": 2909, "texte": "dessin p ro u v e q u ’il s’est donné la peine d ’ob serv er v o tre"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 2991, "fin_caractere_exclue": 3007, "texte": "physio n o m ie."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 3133, "fin_caractere_exclue": 3197, "texte": "P a u l de S a in t-V ic to r p ré te n d a it que les religions"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 3268, "fin_caractere_exclue": 3336, "texte": "v ra im e n t fo rte s accu eillaien t facilem ent la ra ille rie et"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 3407, "fin_caractere_exclue": 3468, "texte": "que cette g énéreuse a ttitu d e é ta it m êm e une preuve de"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 3545, "fin_caractere_exclue": 3606, "texte": "le u r solidité. L o rsq u ’elles déclinent, elles deviennent"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 3686, "fin_caractere_exclue": 3750, "texte": "sérieuses et p ru d en tes. On ne les ra ille plus, c’e st qu’on"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 3939, "fin_caractere_exclue": 3950, "texte": "les oublie."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 3955, "fin_caractere_exclue": 4017, "texte": "T errib le chose que le resp ect lo rsq u ’il vient de l ’in ­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 4018, "fin_caractere_exclue": 4078, "texte": "différence. Il n ’y a, au c o n tra ire , qu’une chose qu’il"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 4080, "fin_caractere_exclue": 4146, "texte": "so it im possible de p a ro d ie r : la b an alité. T o u t ce qui"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 4197, "fin_caractere_exclue": 4264, "texte": "est sa illa n t, plein d ’une v e rtu secrète, to u t ce qui s’im ­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 4266, "fin_caractere_exclue": 4335, "texte": "pose tente le p a ro d iste . C’e st p arce q u ’ils sav e n t to u t"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 4387, "fin_caractere_exclue": 4448, "texte": "cela, et q u ’ils o n t de la m esu re, et une ten d resse de"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 4526, "fin_caractere_exclue": 4591, "texte": "cœ u r p o u r \" le u rs a u te u rs \" , que MM. M uller e t R e­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 4806, "fin_caractere_exclue": 4832, "texte": "boux o n t si bien réussi."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 5125, "fin_caractere_exclue": 5161, "texte": "F r a n c is   de   M io m a n d r e"}]}, {"article_id": "ulb-art-moderne-1907-12-29-n52-003", "volume": "ELB-ULB-DL2864764-1907-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1907-f.pdf", "ocr_sha256": "d3e03fd978e190ef73977b3d9bad80262432841ea91f4c4937d9dc2fd7ccfc47", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 410, "page_fin": 410, "titre_corps": "Candeur", "titre_sommaire": "", "rubrique": "", "signature_source": "O. M.", "ancre_debut": "CANDEUR", "ancre_fin": "O. M", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 5797, "fin_caractere_exclue": 5804, "texte": "CANDEUR"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 6066, "fin_caractere_exclue": 6125, "texte": "M. Jean Delville est d ’une belle candeur. Pour prouver que"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 6346, "fin_caractere_exclue": 6413, "texte": "« l'évolution esthétique s’opère, à cette heure, dans le sens d ’un"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 6558, "fin_caractere_exclue": 6624, "texte": "idéal assaini et virilisé par la valeur idéoplastique de la pensée"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 6699, "fin_caractere_exclue": 6771, "texte": "(sic) », il écrit dans la Belgique artistique et littéraire : « N’est-il"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 6836, "fin_caractere_exclue": 6906, "texte": "point significatif de voir l 'A r t moderne lui-m ême, le m oniteur du"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 6979, "fin_caractere_exclue": 7050, "texte": "réalism e et de l’im pressionnism e, im prim er les propositions n e t­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 7215, "fin_caractere_exclue": 7279, "texte": "tem ent idéalistes de M. Georges Geffroy sans protester? I l y a"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 7360, "fin_caractere_exclue": 7427, "texte": "quelque? années à peine, l'A r t moderne bafoua sans pitié les ten­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 7505, "fin_caractere_exclue": 7569, "texte": "dances idéalistes, les mêmes cependant qui se trouvent affirmées"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 7649, "fin_caractere_exclue": 7695, "texte": "dans la plume (re-sic) du critique français. »"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 7940, "fin_caractere_exclue": 8003, "texte": "Ceci vise l ’article A r t e t Solidarité que nous publiâmes le"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 8148, "fin_caractere_exclue": 8212, "texte": "16 juin dernier, et dans lequel M. Gustave (et non Georges) Gef­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 8236, "fin_caractere_exclue": 8305, "texte": "froy proclame le rôle social de l ’art, soutient que pour rem plir sa"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 8379, "fin_caractere_exclue": 8446, "texte": "m ission, l’art doit dispenser le bonheur non pas à une élite, mais"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 8633, "fin_caractere_exclue": 8666, "texte": "à « l ’immense troupeau humain »."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 8814, "fin_caractere_exclue": 8876, "texte": "M. Geffroy, nul ne l’ignore, — à l’exception de M. Delville, —"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 8954, "fin_caractere_exclue": 9019, "texte": "a combattu toute sa vie en faveur de Manet, de Cézanne, de Claude"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 297, "fin_caractere_exclue": 360, "texte": "faire le champion de l’idéologie (assurém ent respectable, mais"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 435, "fin_caractere_exclue": 507, "texte": "étrangère    à l’art pictural) que défend M. Delville tém oigne, chez ce"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 582, "fin_caractere_exclue": 650, "texte": "d ernier,  d ’une naïveté dont il fa it se borner à sourire, — comme"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 725, "fin_caractere_exclue": 791, "texte": "de la syntaxe de notre distingué contradicteur. Il suffirait, pour"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 927, "fin_caractere_exclue": 990, "texte": "s’en convaincre, de m ettre M. Geffroy en présence de l 'Homme-"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 1127, "fin_caractere_exclue": 1179, "texte": "Dieu et d ’observer à cet instant sa physionom ie..."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 1257, "fin_caractere_exclue": 1322, "texte": "Q uanta la définition im prévue que donne M. Delville de l 'A r t"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 1397, "fin_caractere_exclue": 1463, "texte": "moderne en l'appelant « le m oniteur du réalisme et de l ’im pres­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 1538, "fin_caractere_exclue": 1605, "texte": "sionnism e », elle n ’est pas moins inexacte que son interprétation"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 1680, "fin_caractere_exclue": 1746, "texte": "de l’article de M. Geffroy. L'A r t moderne n'a jam ais eu d’autre"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 1821, "fin_caractere_exclue": 1890, "texte": "but que de soutenir les artistes de talent, quelles que fussent leurs"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 1965, "fin_caractere_exclue": 2027, "texte": "tendances, et d ’attaquer les médiocrités, quelle que fut leur"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 2102, "fin_caractere_exclue": 2168, "texte": "renom m ée. Il n ’a jam ais été l'organe d ’aucune école — de même"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 2243, "fin_caractere_exclue": 2294, "texte": "qu’il ne fut jam ais à la solde de qui que ce soit."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 2372, "fin_caractere_exclue": 2430, "texte": "Notre journal a exalté, par exemple, Puvis de Chavannes et"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 2572, "fin_caractere_exclue": 2634, "texte": "Maurice Denis. Dira t-on que ce sont la des réalistes? Dieu me"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 2773, "fin_caractere_exclue": 2840, "texte": "pardonne, il a même vanté YÉcole de P la to n , de M. Delville lui-"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 2984, "fin_caractere_exclue": 2990, "texte": "même !"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 3068, "fin_caractere_exclue": 3128, "texte": "Qu’on ne nous attribue donc pas un parti pris dont nous nous"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 3203, "fin_caractere_exclue": 3266, "texte": "sommes toujours gardés, convaincus que la Beauté de l’art n’est"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 3341, "fin_caractere_exclue": 3406, "texte": "pas limitée à une formule, pas plus q u ’à une époque déterm inée"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 3481, "fin_caractere_exclue": 3544, "texte": "ou à un pays. Aimer Delacroix n ’empêche pas d’adm irer Ingres."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 3622, "fin_caractere_exclue": 3685, "texte": "L’un et l’autre furent de beaux peintres, et cela seul im porte"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 3760, "fin_caractere_exclue": 3797, "texte": "quand il s’agit de juger la peinture."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 3933, "fin_caractere_exclue": 3938, "texte": "O. M."}]}, {"article_id": "ulb-art-moderne-1907-12-29-n52-004", "volume": "ELB-ULB-DL2864764-1907-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1907-f.pdf", "ocr_sha256": "d3e03fd978e190ef73977b3d9bad80262432841ea91f4c4937d9dc2fd7ccfc47", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 410, "page_fin": 411, "titre_corps": "L'Art de la Danse", "titre_sommaire": "", "rubrique": "", "signature_source": "M. K. M.", "ancre_debut": "L ’A R T D E L A D A N S E", "ancre_fin": "M. K. M", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 4169, "fin_caractere_exclue": 4195, "texte": "L ’A R T D E L A D A N S E"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 4352, "fin_caractere_exclue": 4384, "texte": "C h e r « A rt m o d e r n e » ,"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 4464, "fin_caractere_exclue": 4524, "texte": "A propos de la Duncan, je voudrais tant qu’un encyclopédiste"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 4599, "fin_caractere_exclue": 4661, "texte": "am usant me parlât de la danse ! — depuis « celle des anim aux"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 4736, "fin_caractere_exclue": 4804, "texte": "ju sq u ’à nos jours », comme on eût dit au XVIIe siècle. Et je vou­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 4880, "fin_caractere_exclue": 4943, "texte": "drais bien « situer » dans m on esprit la danse d ’aujourd’hui;"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 5021, "fin_caractere_exclue": 5086, "texte": "savoir pourquoi je trouve les suppliciantes danses de ballet trop"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 5164, "fin_caractere_exclue": 5226, "texte": "orientales à mon goût, et pourquoi les tentatives duncanesques"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 5304, "fin_caractere_exclue": 5368, "texte": "m’intéressent en dépit des défauts qu’elles peuvent avoir, de la"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 5446, "fin_caractere_exclue": 5504, "texte": "congruité de leurs rapports avec certaines m usiques, etc."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 5585, "fin_caractere_exclue": 5644, "texte": "Je cherche, je fourre mon nez dans tous les bouquins que je"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 5722, "fin_caractere_exclue": 5770, "texte": "suspecte vaguem ent documentés d ansatoirem ent."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 5852, "fin_caractere_exclue": 5915, "texte": "J ’y rencontre B arrès qui regrette : « les beaux pas légers et"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 5993, "fin_caractere_exclue": 6061, "texte": "sûrs, la m usique délicate et spirituelle, la simplicité des moyens,"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 6139, "fin_caractere_exclue": 6205, "texte": "l’aimable danse française qui a si fort charm é le monde et devant"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 6283, "fin_caractere_exclue": 6344, "texte": "qui sont venus étudier les professeurs de l'Europe entière. »"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 6495, "fin_caractere_exclue": 6556, "texte": "Il parle aussi, en passant, des ballets q u’on dansa (oh ! en"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 6634, "fin_caractere_exclue": 6697, "texte": "Portugal!) pour la canonisation de saint Charles Borromée et de"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 6775, "fin_caractere_exclue": 6834, "texte": "saint Ignace de Loyola; et du temps où la duchesse du Maine"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 6912, "fin_caractere_exclue": 6977, "texte": "commanda un ballet su r la fin du quatrièm e acte d 'Horace, — ce"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 7055, "fin_caractere_exclue": 7119, "texte": "qui fit proposer p ar un plaisant qu'on dansât les M a xim es de"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 7197, "fin_caractere_exclue": 7213, "texte": "Larochefoucauld."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 7295, "fin_caractere_exclue": 7358, "texte": "Profanations de la danse, n ’est-ce p as? Au même titre que les"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 7436, "fin_caractere_exclue": 7503, "texte": "ballets lascifs dont Berlioz et B arrès disent tant de mal — exubé­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 7581, "fin_caractere_exclue": 7647, "texte": "rance im pulsive, ü son état naturel ; moyen d ’excitation employé"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 7725, "fin_caractere_exclue": 7789, "texte": "par les apôtres de tous les cultes primitifs, plaisir collectif,"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 7867, "fin_caractere_exclue": 7934, "texte": "a rt enfin, pratiqué de tant de façons suivant le tem péram ent des"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 8081, "fin_caractere_exclue": 8145, "texte": "races différentes — la danse ne serait que l’harm onie des m ou­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 8223, "fin_caractere_exclue": 8234, "texte": "vem ents..."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 8316, "fin_caractere_exclue": 8376, "texte": "Aux âges où les émotions vitales plus violentes engendraient"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 8454, "fin_caractere_exclue": 8517, "texte": "des mouvements plus vifs, la danse était un saut, u n bondisse­"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 8595, "fin_caractere_exclue": 8631, "texte": "m ent, voire parfois une contorsion."}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 8748, "fin_caractere_exclue": 8808, "texte": "A une époque où le travail lui-même demande moins d ’efforts"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 8886, "fin_caractere_exclue": 8952, "texte": "m usculaires, ou l ’im prévu perd de sa férocité, où les destinées"}, {"page_pdf": 423, "page_imprimee": 410, "debut_caractere": 9030, "fin_caractere_exclue": 9098, "texte": "sont moins brutales, où la vie enfin perd de sa véhém ence,       le"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 154, "fin_caractere_exclue": 214, "texte": "mouvem ent se fait plus doux, plus m esuré; il pourrait être"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 296, "fin_caractere_exclue": 346, "texte": "plus équilibré, plus gracieux; plus naturel aussi."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 440, "fin_caractere_exclue": 499, "texte": "Et c’est à ce point de vue que les tentatives de Mme Duncan"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 577, "fin_caractere_exclue": 642, "texte": "sont intéressantes. Il est évident qu’elle voudrait rem placer la"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 718, "fin_caractere_exclue": 784, "texte": "grâce d ’un élan im pétueux par la grâce d ’une m arche souple, la"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 849, "fin_caractere_exclue": 913, "texte": "grâce compatible avec les travaux d ’Hercule par la grâce d ’une"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 987, "fin_caractere_exclue": 1010, "texte": "époque plus méditative."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 1131, "fin_caractere_exclue": 1192, "texte": "Quel que soit le succès de ces tentatives, elles me sem blent"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 1262, "fin_caractere_exclue": 1326, "texte": "heureuses, singulières, inconscientes en leur signification pro­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 1403, "fin_caractere_exclue": 1473, "texte": "fonde, et sym ptom atiques : c’est assez pour justifier la joie et les"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 1545, "fin_caractere_exclue": 1608, "texte": "applaudissem ents d ’un public non moins inconscient, non moins"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 1684, "fin_caractere_exclue": 1716, "texte": "instinctif, quoi q u ’il en ait."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 1849, "fin_caractere_exclue": 1857, "texte": "M. K. M."}]}, {"article_id": "ulb-art-moderne-1907-12-29-n52-005", "volume": "ELB-ULB-DL2864764-1907-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1907-f.pdf", "ocr_sha256": "d3e03fd978e190ef73977b3d9bad80262432841ea91f4c4937d9dc2fd7ccfc47", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 411, "page_fin": 411, "titre_corps": "Albert Geudens", "titre_sommaire": "", "rubrique": "", "signature_source": "Jean Laenen", "ancre_debut": "ALBERT GEUDENS", "ancre_fin": "J ea n L aenen", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 2376, "fin_caractere_exclue": 2390, "texte": "ALBERT GEUDENS"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 2633, "fin_caractere_exclue": 2694, "texte": "L’Exposition, au Cercle artistique, des œuvres principales de"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 2839, "fin_caractere_exclue": 2901, "texte": "M. Albert Geudens me fournit l’occasion d ’essayer une analyse"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 2902, "fin_caractere_exclue": 2967, "texte": "du tem péram ent de ce peintre, dont l ’épanouissem ent définitif"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 2968, "fin_caractere_exclue": 2982, "texte": "paraît proche."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 2986, "fin_caractere_exclue": 3052, "texte": "Il V a plus de deux lustres que j ’étudie avec intérêt les hésita­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 3053, "fin_caractere_exclue": 3116, "texte": "tions de M. Albert Geudens à rendre exactement l’atm osphère de"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 3165, "fin_caractere_exclue": 3229, "texte": "Malines-la-morne. A ujourd’hui il sem ble tout près de donner sa"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 3230, "fin_caractere_exclue": 3293, "texte": "valeur exacte au Stilleben m alinois, qui ne ressem ble guère à"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 3366, "fin_caractere_exclue": 3434, "texte": "celui des autres anciennes petites villes flamandes. Ses intérieurs,"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 3435, "fin_caractere_exclue": 3496, "texte": "Quiétude, l ’A rm o ire rouge, l’attestent pérem ptoirem ent."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 3577, "fin_caractere_exclue": 3638, "texte": "M. Albert Geudens se pose hardim ent en peintre de la psycho­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 3717, "fin_caractere_exclue": 3782, "texte": "logie intim iste. Regardez sa M aison silencieuse, ce m anoir aux"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 3864, "fin_caractere_exclue": 3935, "texte": "issues grillées, dont on sent frissonner l ’âme d ’effroi m ystique, et"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 3989, "fin_caractere_exclue": 4057, "texte": "son P o rta il, dont les magnifiques élém ents décoratifs acquièrent"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 4133, "fin_caractere_exclue": 4198, "texte": "leu r maximum d ’expression en ce clair-obscur de reflets complé­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 4281, "fin_caractere_exclue": 4350, "texte": "m entaires que l’artiste affectionne exclusivem ent. L’habileté tech­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 4419, "fin_caractere_exclue": 4482, "texte": "nique de ce peintre malinois est incontestable ; néanmoins! ses"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 4542, "fin_caractere_exclue": 4609, "texte": "efligies accusent une faiblesse d ’exécution. I l nous m ontre, par"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 4684, "fin_caractere_exclue": 4744, "texte": "exem ple, un portrait de son frère absolum ent inférieur aux"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 4819, "fin_caractere_exclue": 4884, "texte": "tableautins scrupuleusem ent étudiés qui l ’entourent, et surtout"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 4955, "fin_caractere_exclue": 5021, "texte": "inférieur à ses caboches enfantines, si étonnam m ent expressives."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 5097, "fin_caractere_exclue": 5160, "texte": "J ’estim e, malgré ces inégalités, que M. Albert Geudens est en"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 5233, "fin_caractere_exclue": 5300, "texte": "pleine prom esse d ’avenir et q u ’il s’achem ine sûrem ent vers la"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 5364, "fin_caractere_exclue": 5402, "texte": "conscience définitive de sa direction."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 5558, "fin_caractere_exclue": 5572, "texte": "J ea n L aenen"}]}, {"article_id": "ulb-art-moderne-1907-12-29-n52-006", "volume": "ELB-ULB-DL2864764-1907-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1907-f.pdf", "ocr_sha256": "d3e03fd978e190ef73977b3d9bad80262432841ea91f4c4937d9dc2fd7ccfc47", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 411, "page_fin": 411, "titre_corps": "Sherlock Holmes", "titre_sommaire": "", "rubrique": "", "signature_source": "O. M.", "ancre_debut": "SHERLOCK HOLM ES", "ancre_fin": "O. M", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 6233, "fin_caractere_exclue": 6249, "texte": "SHERLOCK HOLM ES"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 6491, "fin_caractere_exclue": 6554, "texte": "Au fond, pour divertir le public, il n ’v a rien de tel que les"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 6627, "fin_caractere_exclue": 6689, "texte": "histoires de voleurs ! Et quand ces voleurs sont de la « haute"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 6769, "fin_caractere_exclue": 6836, "texte": "pègre », qu’ils revêtent pour forcer un coffre fort l’habit noir et"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 6908, "fin_caractere_exclue": 6976, "texte": "le gilet échancré sur u n plastron immaculé, le plaisir est décuplé."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 7048, "fin_caractere_exclue": 7112, "texte": "On l’a vu au Théâtre Réjane lors des représentations de Raftles."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 7189, "fin_caractere_exclue": 7254, "texte": "On le constate aujourd’hui au Théâtrc-Antoine, où Sherlock H o l­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 7309, "fin_caractere_exclue": 7373, "texte": "mes est, chaque soir, l’objet d ’enthousiastes manifestations de"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 7451, "fin_caractere_exclue": 7462, "texte": "sym pathie."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 7466, "fin_caractere_exclue": 7525, "texte": "Tout le monde connaît les pittoresques récits dans lesquels"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 7526, "fin_caractere_exclue": 7589, "texte": "M. Conan Doyle a mis en scène le t\\p e im prévu d ’nn détective"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 7610, "fin_caractere_exclue": 7675, "texte": "am ateur dont la sagacité dénoue l’echeveau des intrigues crim i­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 7731, "fin_caractere_exclue": 7799, "texte": "nelles les plus enchevêtrées. Qui n ’a pas frémi en lisant la B ande"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 7800, "fin_caractere_exclue": 7866, "texte": "mouchetée'! Qui n ’a pas suivi avec émotion les péripéties du Tes­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 7867, "fin_caractere_exclue": 7931, "texte": "tam ent volé ou de iEscarboucle bleuel à y a dans les volumes du"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 8003, "fin_caractere_exclue": 8064, "texte": "conteur anglais une source si abondante d'effets dram atiques"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 8065, "fin_caractere_exclue": 8131, "texte": "qu'on pouvait s'étonner que personne n ’eût songé à les m ettre en"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 8205, "fin_caractere_exclue": 8211, "texte": "scène."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 8350, "fin_caractere_exclue": 8416, "texte": "M. Pierre Decourcelle s’y est essayé, en utilisant, paraît-il, une"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 8485, "fin_caractere_exclue": 8553, "texte": "pièce récem m ent tirée par SI. William Gillette des histoires poli­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 8624, "fin_caractere_exclue": 8690, "texte": "cières de H. C )nan Doyle. Et M. Gému r s'est em pressé de m onter"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 8721, "fin_caractere_exclue": 8786, "texte": "Sherlock H olm es, — dont il joue supérieurem ent le rôle princi­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 8867, "fin_caractere_exclue": 8934, "texte": "pal, — avec les soins, la vérité illusionnante, le souci de détails"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 9009, "fin_caractere_exclue": 9060, "texte": "réalistes qu'il apporte à chacune de ses créations."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 232, "fin_caractere_exclue": 295, "texte": "Si la pièce ne dépasse guère la valeur d ’un mélo honorable, le"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 370, "fin_caractere_exclue": 436, "texte": "spectacle am use et captive. Le cabinet de travail du « professeur"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 511, "fin_caractere_exclue": 576, "texte": "Moriarty » est, notam m ent, truqué et machiné avec une im agina­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 651, "fin_caractere_exclue": 717, "texte": "tion si plaisante que ses déclanchements, ses sonneries, son télé­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 792, "fin_caractere_exclue": 848, "texte": "phone suffisent à égayer le public pendant tout un acte."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 927, "fin_caractere_exclue": 986, "texte": "Ce Moriartv, dont le personnage hofïmannesque fut créé avec"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 1061, "fin_caractere_exclue": 1127, "texte": "beaucoup de talent par M. Harry-Bour, est l ’adversaire redoutable"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 1202, "fin_caractere_exclue": 1261, "texte": "contre lequel Sherlock Holmes engage un duel sans merci. Il"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 1336, "fin_caractere_exclue": 1402, "texte": "s agit de retrouver une liasse de lettres com prom ettantes, et la"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 1477, "fin_caractere_exclue": 1544, "texte": "poursuite am ène, vous le devinez, les plus invraisem blables aven­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 1619, "fin_caractere_exclue": 1683, "texte": "tures. Comme il sied, le mal est puni, la vertu récom pensée, et"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 1758, "fin_caractere_exclue": 1794, "texte": "l ’on se marie au baisser du rideau."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 1873, "fin_caractere_exclue": 1934, "texte": "Il y avait évidemment des joyaux plus précieux à extraire des"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 2009, "fin_caractere_exclue": 2075, "texte": "mines^ inépuisables du rom ancier. Mais les M ém oires d'un détec­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 2150, "fin_caractere_exclue": 2219, "texte": "tive n ’ont été q u ’effleurés par M. Decourcelle. Et peut-être Sher­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 2294, "fin_caractere_exclue": 2361, "texte": "lock Holmès nous réserve-t-il dans l ’avenir d ’autres avatars : ce"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 2436, "fin_caractere_exclue": 2500, "texte": "Fregoli londonien se doit à lui-même de nous apparaître dans des"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 2575, "fin_caractere_exclue": 2629, "texte": "incarnations inattendues, d ’une nouveauté palpitante."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 2833, "fin_caractere_exclue": 2838, "texte": "O. M."}]}, {"article_id": "ulb-art-moderne-1907-12-29-n52-007", "volume": "ELB-ULB-DL2864764-1907-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1907-f.pdf", "ocr_sha256": "d3e03fd978e190ef73977b3d9bad80262432841ea91f4c4937d9dc2fd7ccfc47", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 411, "page_fin": 411, "titre_corps": "La Musique à Liège : Les Concerts symphoniques", "titre_sommaire": "", "rubrique": "", "signature_source": "Mo.", "ancre_debut": "LA M U S IQ U E A LIEG E", "ancre_fin": "Mo", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 3140, "fin_caractere_exclue": 3164, "texte": "LA M U S IQ U E A LIEG E"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 3323, "fin_caractere_exclue": 3365, "texte": "L e s C o n c e rts sy m p h o n iq u e s."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 3512, "fin_caractere_exclue": 3573, "texte": "Au prem ier de ses concerts, M. Debefve nous a donné une exé­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 3648, "fin_caractere_exclue": 3716, "texte": "cution très étudiée, très vivante, de la sym phonie en ut m ineur de"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 3791, "fin_caractere_exclue": 3863, "texte": "Saint-Saëns, dont les sonorités orchestrales pleines et chaudes s ’e n ­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 3938, "fin_caractere_exclue": 3988, "texte": "veloppent de la triom phante puissance de l’orgue."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 4066, "fin_caractere_exclue": 4132, "texte": "Au programme encore, entre autres choses intéressantes, le P r é ­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 4207, "fin_caractere_exclue": 4280, "texte": "lude à l'A p rès-m id i d'un faune de Debussy, d ’inspiration si sincère,"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 4355, "fin_caractere_exclue": 4418, "texte": "si spontanée, et que la mélodie exquise, la caresse des harm o­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 4493, "fin_caractere_exclue": 4541, "texte": "nies font délicieusement suggestive et musicale."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 4619, "fin_caractere_exclue": 4683, "texte": "La deuxième séance a retenu le vif intérêt du public par un pro­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 4758, "fin_caractere_exclue": 4818, "texte": "gram me historique comm enté de façon concise et érudite par"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 4893, "fin_caractere_exclue": 4954, "texte": "M. F.-V. Dwelshauvers. On y a entendu des œ uvres de quelques"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 5029, "fin_caractere_exclue": 5093, "texte": "précurseurs de la sym phonie : trios d ’orchestre et sym phonies"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 5168, "fin_caractere_exclue": 5232, "texte": "de Pergolèse, Stamtz, Gossec qui. par leur forme neuve, devaient"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 5307, "fin_caractere_exclue": 5363, "texte": "avoir tant d ’influence su r Haydn, Mozart et Beethoven."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 5441, "fin_caractere_exclue": 5506, "texte": "M. Diémer tenait le clavecin d ’accom pagnement avec sa m aîtrise"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 5581, "fin_caractere_exclue": 5647, "texte": "habituelle. La précision impeccable de son jeu , la netteté de son"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 5722, "fin_caractere_exclue": 5789, "texte": "toucher, la science des ressources sonores de l’instrum ent font de"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 5864, "fin_caractere_exclue": 5935, "texte": "lui un incom parable claveciniste. Il a ravi lé public par l ’interpré­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 6010, "fin_caractere_exclue": 6077, "texte": "tation charm ante de petites pages de Couperin. R am eau,D andrieu,"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 6152, "fin_caractere_exclue": 6219, "texte": "Daquin. Certes le clavecin reste archaïque et de moyens trop lim i­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 6294, "fin_caractere_exclue": 6359, "texte": "tés, mais il se prête à ravir à ces évocations puériles et ravis­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 6434, "fin_caractere_exclue": 6487, "texte": "santes d ’un art purem ent pittoresque et descriptif."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 6565, "fin_caractere_exclue": 6626, "texte": "La sym phonie en ré m ajeur de Haydn, le concerto en si bémol"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 6701, "fin_caractere_exclue": 6768, "texte": "de Mozart, en lequel M. Diémer a fait briller au piano ses qualités"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 6843, "fin_caractere_exclue": 6907, "texte": "bien françaises mais un peu froides de clarté, d ’élégance et de"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 6982, "fin_caractere_exclue": 7047, "texte": "précision, et enfin l’ouverture de Léonote de Beethoven ont m ar­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 7122, "fin_caractere_exclue": 7188, "texte": "qué l ’étape merveilleuse parcourue par l’orchestre depuis les dé­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 7263, "fin_caractere_exclue": 7308, "texte": "buts timides et naïfs des maîtres prim itifs."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 7447, "fin_caractere_exclue": 7450, "texte": "Mo."}]}, {"article_id": "ulb-art-moderne-1907-12-29-n52-008", "volume": "ELB-ULB-DL2864764-1907-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1907-f.pdf", "ocr_sha256": "d3e03fd978e190ef73977b3d9bad80262432841ea91f4c4937d9dc2fd7ccfc47", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 411, "page_fin": 412, "titre_corps": "Ecole de musique de Verviers", "titre_sommaire": "", "rubrique": "", "signature_source": "J. S.", "ancre_debut": "E c o l e de m u s i q u e de Verviers.", "ancre_fin": "J. S", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 7691, "fin_caractere_exclue": 7730, "texte": "E c o l e de m u s i q u e de Verviers."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 7953, "fin_caractere_exclue": 8002, "texte": "(Correspondance particulière de l’A r t moderne.)"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 8142, "fin_caractere_exclue": 8204, "texte": "Quatre heures et demie de m usique, coupées par la plus désor­"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 8279, "fin_caractere_exclue": 8346, "texte": "donnée des distributions de prix, tel est le bilan du concert donné"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 8421, "fin_caractere_exclue": 8484, "texte": "vendredi dernier. Comme longueur, il dépasse de plusieurs aunes"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 8559, "fin_caractere_exclue": 8623, "texte": "ceux des années antérieures; mais il s’en faut de beaucoup qu’il"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 8698, "fin_caractere_exclue": 8720, "texte": "l’em porte en intérêt."}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 8798, "fin_caractere_exclue": 8866, "texte": "Certes, ayant affaire à un public préparé, entraîné ainsi q u ’il le"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 8941, "fin_caractere_exclue": 9008, "texte": "fut par Louis Kefer, on peut se perm ettre de lui servir des œuvres"}, {"page_pdf": 424, "page_imprimee": 411, "debut_caractere": 9083, "fin_caractere_exclue": 9153, "texte": "telles que P sych é et E ros de C. Franck et le final du prem ier acte"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 81, "fin_caractere_exclue": 149, "texte": "de P ursifal. Mais, pour les mettre en pleine lum ière, il ne suffit"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 222, "fin_caractere_exclue": 286, "texte": "pas d’une bonne volonté incontestable, ni d'une habileté de chef"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 357, "fin_caractere_exclue": 420, "texte": "d’orchestre qui s’affirme dans l'exécution de Lucile de Grétry,"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 495, "fin_caractere_exclue": 559, "texte": "malgré l’enlèvement au pas de charge du quatuor O ù peut-on être"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 621, "fin_caractere_exclue": 688, "texte": "m ieux qu'au sein de sa famille. La précédente direction nous avait"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 758, "fin_caractere_exclue": 824, "texte": "habitués à une si grande noblesse de style, à une si parfaite com­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 894, "fin_caractere_exclue": 960, "texte": "préhension de la facture musicale et de la philosophie artistique,"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 984, "fin_caractere_exclue": 1047, "texte": "que les comparaisons se sont tout naturellem ent imposées. On a"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 1048, "fin_caractere_exclue": 1113, "texte": "été unanim e à regretter que le nouveau chef ne se soit pas mieux"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 1188, "fin_caractere_exclue": 1245, "texte": "et plus inspiré du haut enseignement de son prédécesseur."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 1326, "fin_caractere_exclue": 1386, "texte": "Nous r ndons toutefois et volontiers hommage aux qualités de"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 1458, "fin_caractere_exclue": 1521, "texte": "compositeur de M. A. Dupuis. Sa Fantaisie rhapsodique pour vio­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 1597, "fin_caractere_exclue": 1657, "texte": "lon, bien exécutée par M. Fauconier, renferm e notam ment un"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 1732, "fin_caractere_exclue": 1781, "texte": "lento de toute beauté et qui a été fort applaudi."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 1872, "fin_caractere_exclue": 1928, "texte": "Le programme se complétait par l’audition de deux autres"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 1929, "fin_caractere_exclue": 1993, "texte": "élèves de l ’école, Mlle Lotty Duckerts, qui possède une superbe"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 2067, "fin_caractere_exclue": 2131, "texte": "voix de mezzo soprano, et Mlle E. Lemaire, une vraie virtuose du"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 2210, "fin_caractere_exclue": 2274, "texte": "piano. Elles ont respectivement interprété E n P riè re (Fauré),"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 2345, "fin_caractere_exclue": 2413, "texte": "Chanson de M ia rk a (A Georges) et A fr ic a , fantaisie pour piano"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 2479, "fin_caractere_exclue": 2547, "texte": "et orchestre de Saint-Saëns. Ce n’est pas ce que celui-ci a écrit de"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 2619, "fin_caractere_exclue": 2625, "texte": "mieux."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 2761, "fin_caractere_exclue": 2822, "texte": "Dans la disposition de l’orchestre, M. Dupuis a introduit une"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 2899, "fin_caractere_exclue": 2968, "texte": "innovation : il déplace les violoncelles et altos qui faisaient corps"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 3039, "fin_caractere_exclue": 3102, "texte": "avec la masse des cordes et les remplace au pied du pupitre di­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 3154, "fin_caractere_exclue": 3223, "texte": "rectorial par les flûtes et les hautbois. Nous avons cherché la ra i­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 3300, "fin_caractere_exclue": 3363, "texte": "son de cette modification. Est-ce que par hasard il eût redouté"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 3438, "fin_caractere_exclue": 3505, "texte": "qu’on n ’entendit pas le prem ier hautbois ou qu’on l’entendit trop"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 3580, "fin_caractere_exclue": 3591, "texte": "à distance?"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 3777, "fin_caractere_exclue": 3782, "texte": "J. S."}]}, {"article_id": "ulb-art-moderne-1907-12-29-n52-009", "volume": "ELB-ULB-DL2864764-1907-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1907-f.pdf", "ocr_sha256": "d3e03fd978e190ef73977b3d9bad80262432841ea91f4c4937d9dc2fd7ccfc47", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 412, "page_fin": 413, "titre_corps": "Petite Chronique", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "PE T IT E CHRONIQUE", "ancre_fin": "« Croyez, etc. « A. D u m a s fils", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 4234, "fin_caractere_exclue": 4253, "texte": "PE T IT E CHRONIQUE"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 4604, "fin_caractere_exclue": 4664, "texte": "Divers journaux annoncent que le projet de créer à Bruxelles"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 4665, "fin_caractere_exclue": 4731, "texte": "une grande salle de fêtes est en bonne voie et que le Ministre des"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 4805, "fin_caractere_exclue": 4873, "texte": "Sciences et des Arts va s’entendre à ce sujet avec le Comité consti­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 4945, "fin_caractere_exclue": 4990, "texte": "tué parmi les m em bres du Cercle artistique."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 5086, "fin_caractere_exclue": 5151, "texte": "Ils ajoutent qu'en attendant, on va s’efforcer de décider le gou­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 5206, "fin_caractere_exclue": 5275, "texte": "vernem ent à m ettre certains locaux dont il est m aître, tels que le"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 5345, "fin_caractere_exclue": 5407, "texte": "Conservatoire et le Palais des Académies, à la disposition des"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 5482, "fin_caractere_exclue": 5510, "texte": "grandes auditions musicales."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 5604, "fin_caractere_exclue": 5664, "texte": "C’est ce que nous avons demandé à plusieurs reprises. Il est"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 5665, "fin_caractere_exclue": 5725, "texte": "vraiment inexplicable que tandis q u ’Eugène Ysaye ne trouve"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 5865, "fin_caractere_exclue": 5929, "texte": "aucune salle pour y donner ses concerts le dimanche, que M. F é­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 6068, "fin_caractere_exclue": 6131, "texte": "licien Durant est contraint de s'exiler avec son orchestre dans"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 6271, "fin_caractere_exclue": 6336, "texte": "un faubourg, on laisse sans emploi, durant toute l ’année (à part"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 6399, "fin_caractere_exclue": 6466, "texte": "les quatre jours réservés aux concerts du Conservatoire), une salle"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 6606, "fin_caractere_exclue": 6667, "texte": "construite par l’Etat et spécialement destinée à la m usique."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 6712, "fin_caractere_exclue": 6773, "texte": "Aujourd’hui dimanche, à 2 h. 1/2, deuxième Concert historique"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 6843, "fin_caractere_exclue": 6908, "texte": "Durant (Haydn et Mozart) au Musée communal d ’Ixelles. Solistes :"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 6983, "fin_caractere_exclue": 7014, "texte": "Mme H. Schm idtet M. J. Kühner."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 7258, "fin_caractere_exclue": 7317, "texte": "Le prix de 500 francs institué par la Société des Nouveaux-"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 7386, "fin_caractere_exclue": 7451, "texte": "Concerts d’Anvers pour une œuvre orchestrale vient d ’être attri­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 7521, "fin_caractere_exclue": 7582, "texte": "bué à Mlle Marguerite Laenen, auteur du poème sym phonique la"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 7630, "fin_caractere_exclue": 7646, "texte": "Tempête apaisée."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 7770, "fin_caractere_exclue": 7832, "texte": "Le jury était composé de MM. J. Blockx, P. Gilson, G. Huberti,"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 7910, "fin_caractere_exclue": 7938, "texte": "E. Mathieu et L. Mortelmans."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 8190, "fin_caractere_exclue": 8249, "texte": "La troisième séance du Quatuor Zimmer, fixée au 22 janvier,"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 8387, "fin_caractere_exclue": 8448, "texte": "aura lieu à l’Ecole allemande, le lundi 20, pour perm ettre à"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 8583, "fin_caractere_exclue": 8628, "texte": "S. A. R. la Comtesse de Flandre d’y assister."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 8772, "fin_caractere_exclue": 8828, "texte": "Au programme : Quatuors en la m ineur de Schubert, en ré"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 8963, "fin_caractere_exclue": 9025, "texte": "majeur de César Franck et en sol m ineur avec piano de Mozart."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 9166, "fin_caractere_exclue": 9218, "texte": "Mme C. Kleeberg prêtera son concours à cette séance."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 9356, "fin_caractere_exclue": 9421, "texte": "Une série de concerts sont annoncés, en janvier et février p ro ­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 9480, "fin_caractere_exclue": 9547, "texte": "chains, dans la nouvelle salle édifiée rue de la Chancellerie, dans"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 9548, "fin_caractere_exclue": 9583, "texte": "les locaux de la société P a tria :"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 9692, "fin_caractere_exclue": 9756, "texte": "Le 17 janvier, le violoniste Michel de Sicard y donnera un réci­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 9826, "fin_caractere_exclue": 9883, "texte": "tal avec orchestre, sous la direction de M. Eugène Ysaye;"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 156, "fin_caractere_exclue": 220, "texte": "Le 22 janvier, séance de Lieder, duos et quatuors, par Mmes Rose"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 294, "fin_caractere_exclue": 355, "texte": "Ettinger et Marie Brema, MM. Gervase Elwes et Francis Braun ;"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 432, "fin_caractere_exclue": 493, "texte": "Le 23 janvier, concert donné par le pianiste Marcel Laoureux,"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 567, "fin_caractere_exclue": 620, "texte": "avec le concours de Mlle Marie Teyrlinck, cantatrice."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 697, "fin_caractere_exclue": 757, "texte": "Puis, successivement, des séances par Mlles Frieda Lautmann,"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 831, "fin_caractere_exclue": 893, "texte": "cantatrice, Henrietle Eggermont, pianiste. M. Ferencz Hegedus,"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 967, "fin_caractere_exclue": 983, "texte": "violoniste, etc."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 1123, "fin_caractere_exclue": 1187, "texte": "L’Ecole de musique et de déclamation d ’Ixelles nous fait savoir"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 1261, "fin_caractere_exclue": 1322, "texte": "que les inscriptions pour le deuxième terme (du 3 janvier aux"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 1396, "fin_caractere_exclue": 1457, "texte": "vacances de Pâques) sont reçues, dès à présent, pour tous les"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 1531, "fin_caractere_exclue": 1596, "texte": "cours réservés aux élèves libres et professionnels, 59, rue de la"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 1670, "fin_caractere_exclue": 1731, "texte": "Longue-Haie, de 3 à 5 heures, sauf le dimanche. S’adresser au"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 1805, "fin_caractere_exclue": 1868, "texte": "secrétariat, ainsi que pour toutes demandes de renseignem ents."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 2005, "fin_caractere_exclue": 2066, "texte": "Parmi les publications nouvelles de la librairie Hachette, il"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 2140, "fin_caractere_exclue": 2209, "texte": "faut m ettre à part, cette année, A lb ert D urer. L’œ uvre du maître"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 2283, "fin_caractere_exclue": 2344, "texte": "y est réuni dans sa totalité et comporte, tant comme tableaux"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 2418, "fin_caractere_exclue": 2478, "texte": "que comme gravures sur acier et sur bois, 472 reproductions."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 2555, "fin_caractere_exclue": 2618, "texte": "Le livre, de form at moyen et de prix accessible, avec un texte"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 2692, "fin_caractere_exclue": 2757, "texte": "succinct, etc., son triple catalogue par dates, par musées et par"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 2831, "fin_caractere_exclue": 2898, "texte": "sujets, va mettre aux m ains des artistes et des connaisseurs toute"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 2972, "fin_caractere_exclue": 3038, "texte": "la majestueuse vie d ’art du prodigieux créateur en qui se résum e"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 3112, "fin_caractere_exclue": 3153, "texte": "un des aspects absolus du génie allemand."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 3230, "fin_caractere_exclue": 3299, "texte": "Les éditeurs, en partant de l’idée qu’il n ’existe point de meilleure"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 3373, "fin_caractere_exclue": 3437, "texte": "manière de connaître un maître dispersé, comme celui-là, en près"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 3511, "fin_caractere_exclue": 3574, "texte": "de quarante collections publiques et particulières d ’Europe et"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 3648, "fin_caractere_exclue": 3717, "texte": "d ’Amérique, ont servi la gloire du grand artiste et à la fois assuré"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 3791, "fin_caractere_exclue": 3814, "texte": "le succès de l’ouvrage."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 3891, "fin_caractere_exclue": 3950, "texte": "A signaler encore, à la même librairie, les deux volumes de"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 4024, "fin_caractere_exclue": 4083, "texte": "l’année 1907 du Tour du M onde, avec l ’appoint habituel de"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 4157, "fin_caractere_exclue": 4220, "texte": "neuves sensations d ’hum anité et de nature, et a collaboration"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 4294, "fin_caractere_exclue": 4369, "texte": "charm ante des plus spirituels artistes à ce Jo u rnal de l’E n fa n ce qui"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 4443, "fin_caractere_exclue": 4508, "texte": "trouve le moyen, chaque année, de m ériter son titre en se rajeu­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 4582, "fin_caractere_exclue": 4599, "texte": "nissant lui-même."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 4741, "fin_caractere_exclue": 4804, "texte": "Un comité vient d ’être constitué sous la présidence de M. Mau­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 4878, "fin_caractere_exclue": 4944, "texte": "rice Ba rrès et la présidence d ’honn eur de M. François Coppée en"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 5018, "fin_caractere_exclue": 5082, "texte": "vue de l’érection, à Lunévile, d ’un m onum ent au poète Charles"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 5156, "fin_caractere_exclue": 5205, "texte": "Guérin, prém aturém ent enlevé le 17 mars dernier"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 5282, "fin_caractere_exclue": 5344, "texte": "L’exécution de ce m onum ent a été confiée à MM. H. Daillon et"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 5418, "fin_caractere_exclue": 5481, "texte": "Lachenal. Les souscriptions sont reçues par M. Alfred Vallette,"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 5555, "fin_caractere_exclue": 5600, "texte": "trésorier du comité, 26, rue de Condé, Paris."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 5802, "fin_caractere_exclue": 5864, "texte": "Le « théâtre des Champs-Elysées ». C’est ainsi que s’appellera"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 6003, "fin_caractere_exclue": 6067, "texte": "le théâtre nouveau qui sera construit sur l’em placement concédé"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 6205, "fin_caractere_exclue": 6270, "texte": "par la ville de Paris entre l’avenue des Champs-Elysées, l’avenue"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 6344, "fin_caractere_exclue": 6398, "texte": "Gabriel et l ’avenue Matignon (ancien Cirque d ’Eté).'"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 6543, "fin_caractere_exclue": 6605, "texte": "La nouvelle salle com prendra 2.060 places, toutes de face, et"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 6679, "fin_caractere_exclue": 6709, "texte": "40 loges placées en corbeille."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 6786, "fin_caractere_exclue": 6842, "texte": "La scène, un peu plus grande que celle du théâtre Sarah-"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 6916, "fin_caractere_exclue": 6982, "texte": "Bernhardt; sera machinée suivant les principes qui ont été adoptés"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 7056, "fin_caractere_exclue": 7117, "texte": "pour le théâtre du Prince-Régent de Munich Les services élec­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 7191, "fin_caractere_exclue": 7255, "texte": "triques seront combinés de manière à donner les effets lum ineux"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 7329, "fin_caractere_exclue": 7385, "texte": "les plus parfaits. L’orchestre sera placé en contre-bas."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 7462, "fin_caractere_exclue": 7520, "texte": "Une salle annexe, de 600 à 700 places environ, servira aux"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 7594, "fin_caractere_exclue": 7629, "texte": "petites manifestations artistiques."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 7706, "fin_caractere_exclue": 7767, "texte": "Le fondateur du théâtre des Champs-Elysées est, nous l ’avons"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 7841, "fin_caractere_exclue": 7909, "texte": "dit, l’éditeur Gabriel Astruc, qui a eu l ’excellente idée de placer"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 7983, "fin_caractere_exclue": 8045, "texte": "le nouveau théâtre sous le patronage de comités internationaux"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 8119, "fin_caractere_exclue": 8186, "texte": "qui en assureront le succès par un concours perm anent. Les p rin ­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 8323, "fin_caractere_exclue": 8386, "texte": "cipaux adhérents sont, dès à présent, la princesse héritière de"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 8522, "fin_caractere_exclue": 8582, "texte": "Roumanie, la grande-duchesse Vladimir de Russie, la duchesse"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 8702, "fin_caractere_exclue": 8768, "texte": "de Gênes, l’infante Marie de la Paz, l ’infante Eulalie, le prince"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 8902, "fin_caractere_exclue": 8962, "texte": "Albert de Monaco, le prince Louis-Ferdinand de Bavière, etc."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 9099, "fin_caractere_exclue": 9165, "texte": "Pour la Belgique, le Comité de patronage, actuellem ent en form a­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 9292, "fin_caractere_exclue": 9352, "texte": "tion, se compose de Mme la baronne Lambert de Rothschild, de"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 9425, "fin_caractere_exclue": 9479, "texte": "JIM . Octave Maus, M. Schleisinger et Ernest Van Dyck."}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 9623, "fin_caractere_exclue": 9688, "texte": "C’est à la fin de janvier que l’Opéra-Comique reprendra A ria n e"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 9761, "fin_caractere_exclue": 9825, "texte": "et Barbe-Bleue, de P. Dukas et M. Maeterlinck. Mme Georgette Le­"}, {"page_pdf": 425, "page_imprimee": 412, "debut_caractere": 9898, "fin_caractere_exclue": 9952, "texte": "blanc interprétra le rôle d ’Briane, q u ’elle a créé."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 179, "fin_caractere_exclue": 244, "texte": "La distribution d 'Hippolyte et A ric ie , dont M. Vincent d'Indy"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 325, "fin_caractere_exclue": 391, "texte": "prépare l’exécution à l’Opéra, vient d ’être arrêtée. Les rôles de"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 470, "fin_caractere_exclue": 535, "texte": "Phèdre, d ’Aricie, de Diane et de l ’Amour ont été respectivement"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 618, "fin_caractere_exclue": 685, "texte": "confiés à Mmes Bréval, Gall, Hatto et Mastio ; ceux d ’Hippolyte et"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 764, "fin_caractere_exclue": 805, "texte": "de Thésée à MM. Plam ondon et Delmas. . »"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 874, "fin_caractere_exclue": 933, "texte": "Le. Crépuscule des dieux, qui passera en octobre, aura pour"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 1043, "fin_caractere_exclue": 1078, "texte": "interprète principale Mme Litvinne."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 1226, "fin_caractere_exclue": 1296, "texte": "L’Opéra reprendra en avril l'É tra n g er de M. Vincent d 'In d y . Il"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 1374, "fin_caractere_exclue": 1436, "texte": "compte m onter F e r vaal, du même auteur, au début de l’hiver"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 1527, "fin_caractere_exclue": 1536, "texte": "prochain."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 1830, "fin_caractere_exclue": 1892, "texte": "Les fêtes musicales qui auront lieu à Roanne (Loire) les 15 et"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 1893, "fin_caractere_exclue": 1958, "texte": "16 août 1908 prom ettent d ’égaler, sinon de surpasser, celles de"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 2159, "fin_caractere_exclue": 2223, "texte": "1898 et de 1888, dont le souvenir est dem euré si vif. La m uni­"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 2371, "fin_caractere_exclue": 2435, "texte": "cipalité apportera à l’entreprise un concours pécuniaire im por­"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 2584, "fin_caractere_exclue": 2649, "texte": "t â t qui perm ettra d ’offrir aux lauréats du concours d’honneur"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 2650, "fin_caractere_exclue": 2714, "texte": "des prix s’élevant ju sq u ’à 1,200 francs. De nom breux prix de"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 2949, "fin_caractere_exclue": 3013, "texte": "600, 500, 300 francs seront répartis dans les diverses divisions"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 3147, "fin_caractere_exclue": 3206, "texte": "du concours, dont le règlem ent sera publié prochainem ent."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 261, "fin_caractere_exclue": 324, "texte": "L a Route de Thèbes, l ’œuvre posthume d ’Alexandre Dumas fils,"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 406, "fin_caractere_exclue": 469, "texte": "n ’a, on le sait, jamais été représentée. Sait-on pourquoi? Une"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 551, "fin_caractere_exclue": 617, "texte": "lettre ju sq u ’ici inédite et connue des seuls intimes de l’écri­"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 699, "fin_caractere_exclue": 763, "texte": "vain en donne la raison. Elle fut écrite par Alexandre Dumas six"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 845, "fin_caractere_exclue": 870, "texte": "semaines avant sa m ort :"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 1026, "fin_caractere_exclue": 1042, "texte": "« Cher Monsieur,"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 1163, "fin_caractere_exclue": 1223, "texte": "« L’histoire de la Route de Thèbes est extrêm em ent simple."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 1305, "fin_caractere_exclue": 1373, "texte": "Quand je la croirai en état de paraître devant le public, je la don­"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 1455, "fin_caractere_exclue": 1526, "texte": "nerai ; mais il se peut que je ne la trouve jam ais en cet état. Alors,"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 1608, "fin_caractere_exclue": 1676, "texte": "elle rentrera da ns mon tiroir. Il y a bien des chances pour que les"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 1758, "fin_caractere_exclue": 1825, "texte": "choses se term inent ainsi. Je suis arrivé à l’âge où ce qu’on peut"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 1974, "fin_caractere_exclue": 2008, "texte": "faire de mieux, c’est de se taire."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 2093, "fin_caractere_exclue": 2157, "texte": "« Ce parfait écrivain et ce rem arquable observateur que fut Guy"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 2305, "fin_caractere_exclue": 2370, "texte": "de Maupassant me disait un jo u r : « Si j’étais assez riche pour"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 2517, "fin_caractere_exclue": 2583, "texte": "n'être pas forcé d ’écrire, mon rêve serait de ne plus faire qu’un"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 2731, "fin_caractere_exclue": 2797, "texte": "livre en un volume très court, auquel je travaillerais toujours et"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 2879, "fin_caractere_exclue": 2948, "texte": "que j ’ordonnerais qu’on brûlât le jo u r de ma m ort. » Je crois que"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 3095, "fin_caractere_exclue": 3146, "texte": "je suis en train de réaliser le rêve de Maupassant."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 3291, "fin_caractere_exclue": 3359, "texte": "« Croyez, etc.                                « A. D u m a s fils. »"}]}, {"article_id": "ulb-art-moderne-1907-12-29-n52-010", "volume": "ELB-ULB-DL2864764-1907-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1907-f.pdf", "ocr_sha256": "d3e03fd978e190ef73977b3d9bad80262432841ea91f4c4937d9dc2fd7ccfc47", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 413, "page_fin": 416, "titre_corps": "Annonces", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "M aison Félix M O M M E N & C°, Brevetés", "ancre_fin": "L ’A n n o n c ia t e u r", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 3414, "fin_caractere_exclue": 3454, "texte": "M aison Félix M O M M E N & C°, Brevetés"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 3494, "fin_caractere_exclue": 3523, "texte": "FABRIQUE ET A TE LIE RS : 37,"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 3665, "fin_caractere_exclue": 3674, "texte": "Téléphone"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 3552, "fin_caractere_exclue": 3617, "texte": "R ue         de      la       C h a r it é ,          B RUXE LLES"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 3695, "fin_caractere_exclue": 3699, "texte": "1947"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 3740, "fin_caractere_exclue": 3798, "texte": "Fabrique de Couleurs, Panneaux, Toiles, Vernis, etc., etc."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 3838, "fin_caractere_exclue": 3907, "texte": "Spécialité de tous les articles concernant la peinture, la sculpture,"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 3963, "fin_caractere_exclue": 4003, "texte": "la gravure, l’architecture et le dessin."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 4049, "fin_caractere_exclue": 4091, "texte": "R E N T O IL A G E , N E T T O Y A G E E T"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 4106, "fin_caractere_exclue": 4154, "texte": "V E R N IS S A G E                   DE TABLEAUX"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 4215, "fin_caractere_exclue": 4274, "texte": "GRAND PRIX ET MÉDAILLE D’OR A L’EXPOSITION DE S‘-L0UIS 1904"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 4283, "fin_caractere_exclue": 4391, "texte": "Prem ières médailles aux Expositions d’Amsterdam, P aris, Liverpool, Le Havre, Bruxelles, Chicago, etc. etc."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 4400, "fin_caractere_exclue": 4458, "texte": "L IB R A IR IE NA TIO N A L E D’A R T E T D 'H IS T O IR E"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 4552, "fin_caractere_exclue": 4576, "texte": "G . V A N O E S T & G le"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 4707, "fin_caractere_exclue": 4771, "texte": "16,    rue     du     M usée,       B R T J X E I X j Xj I ^ S ."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 4916, "fin_caractere_exclue": 4954, "texte": "V i e n t d e p a r a î t r e clans la"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 5168, "fin_caractere_exclue": 5198, "texte": "Collection des grands Artistes"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 5425, "fin_caractere_exclue": 5437, "texte": "des Pays-Bas"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 5441, "fin_caractere_exclue": 5506, "texte": "Q UENTIN             M E T S Y S , p a r J . D E B O SSC H ER E ."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 5631, "fin_caractere_exclue": 5691, "texte": "THIÉRY            B O U T S , p a r A R N O L D G O F F IN ."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 5779, "fin_caractere_exclue": 5851, "texte": "C h aq u e volum e de c ette collection c o n tie n t de 120 à 140 pages"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 5852, "fin_caractere_exclue": 5922, "texte": "de texte et u n e tre n ta in e de re p ro d u c tio n s h o rs texte."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 6162, "fin_caractere_exclue": 6212, "texte": "P r ix : 3 fr. 5o b r o c h é — 4 fr. 5o r e lié ."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 6529, "fin_caractere_exclue": 6562, "texte": "DEMANDE!» CHEZ TOUS LES PAPETIERS"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 6729, "fin_caractere_exclue": 6756, "texte": "L Encre à écr.re indélébile"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 6923, "fin_caractere_exclue": 6948, "texte": "BLUE-BLACK Van Loey-Noury"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 6956, "fin_caractere_exclue": 6994, "texte": "SUPERIEURE A TOUTES LES AUTRES MARQUES"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 4475, "fin_caractere_exclue": 4529, "texte": "F a b r i q u e de c a d r e s p o u r ta b le a u x ."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 4678, "fin_caractere_exclue": 4696, "texte": "C h. x h r o ü e t"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 4865, "fin_caractere_exclue": 4909, "texte": "19 2 , r u e R o y a l e , B r u x e l l e s"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 4993, "fin_caractere_exclue": 5045, "texte": "Cadre de tous styles et d'après dessin pour tableaux"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 5142, "fin_caractere_exclue": 5167, "texte": "aquarelles, pastels, etc."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 5257, "fin_caractere_exclue": 5284, "texte": "LE PLUS GRAND CHOIX DU PAYS"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 5397, "fin_caractere_exclue": 5415, "texte": "P R IX M O D ÉR ÉS"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 5598, "fin_caractere_exclue": 5624, "texte": "E. DEMAN, Libraire-Éditeur"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 5717, "fin_caractere_exclue": 5776, "texte": "1 4 , r u e d e la C h a n c e lle r ie , à B r u x e lle s"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 5939, "fin_caractere_exclue": 6006, "texte": "Œ U V R E S de M A LLA RM E, M A E TE R L IN C K , V ER H A ER EN ,"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 6115, "fin_caractere_exclue": 6145, "texte": "V IL L IE R S de l'IS L E ADAM"}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 6311, "fin_caractere_exclue": 6360, "texte": "C onstantin M E U N IE R , F élicien R O PS, etc."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 6444, "fin_caractere_exclue": 6521, "texte": "Bulletins périodiques d’ouvrages rares et précieux en vente aux prix marqués."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 6658, "fin_caractere_exclue": 6728, "texte": "C a ta lo g u e e n v o y é g r a tu ite m e n t s u r d e m a n d e ."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 6841, "fin_caractere_exclue": 6905, "texte": "Direction de ventes publiques de livres et estampes. Expertises."}, {"page_pdf": 426, "page_imprimee": 413, "debut_caractere": 7033, "fin_caractere_exclue": 7098, "texte": "Imprimé sur papier de la Maison KEYM, rue de la Buanderie, 12-14."}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 62, "fin_caractere_exclue": 80, "texte": "TABLE DES MATIÈRES"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 109, "fin_caractere_exclue": 173, "texte": "CONTENUES                                                   DANS"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 197, "fin_caractere_exclue": 227, "texte": "LA V I N G T - S E P T I È M E"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 282, "fin_caractere_exclue": 323, "texte": "ANNÉE                             ( 1907]"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 432, "fin_caractere_exclue": 458, "texte": "D E L ’A R T M O D E R N E"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 768, "fin_caractere_exclue": 802, "texte": "É T U D E S E T P O R T R A IT S ."}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 968, "fin_caractere_exclue": 995, "texte": "..........................."}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 1273, "fin_caractere_exclue": 1417, "texte": "A r t e t S o l i d a r i t é (G u s ta v e G ef f r o y )                                  ....................................             185"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 1543, "fin_caractere_exclue": 1681, "texte": "S o u v e n i r s e t E s p o i r s (O c t a v f . M a ü s ) ...................................                                        65"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 1813, "fin_caractere_exclue": 1957, "texte": "L e Saint-Sébastien d ’A i g u e p e r s e ( A . F o n t a i n a s ) .                                                      . .              249"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 2228, "fin_caractere_exclue": 2365, "texte": "L ’Œ u v r e d ’A l f r e c l S t e v e n s ( O c t a v e M a ü s ) ....................                                              129"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 2636, "fin_caractere_exclue": 2780, "texte": "L ’A r t s a t i r i q u e d ’a p r è s B a u d e l a i r e ( L . M a e t e r l i n c k ) .                                                  195"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 3051, "fin_caractere_exclue": 3154, "texte": "L e S a l o n d ’A u t o m n e ( O c t a v e M a ü s ) ................................... 2 9 7 ,3 0 5"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 3321, "fin_caractere_exclue": 3458, "texte": "E n S i c i l e : l e s M u s é e s ( J u l e s D e s t r é e ) ............................                                          321"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 3591, "fin_caractere_exclue": 3735, "texte": "L ’E x p o s i t i o n d ’A r t a n c i e n à P é r o u s e ( G . M o u r e y ) .                                                  .         241"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 4006, "fin_caractere_exclue": 4142, "texte": "L a T o i s o n d ’O r ( G e o r g e s H a c h e ) .........................................                                         203"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 4276, "fin_caractere_exclue": 4412, "texte": "T a l a c h k i n o ( F . M a l l ie u x )                     ........................................................              337"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 4683, "fin_caractere_exclue": 4820, "texte": "M a i s o n s d e r a p p o r t ( G a b r ie l M o u r e y )                                ...........................               193"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 4953, "fin_caractere_exclue": 5097, "texte": "D u S e n t i m e n t h é r o ï q u e ( S a in t - G e o r g e s d e B o u h é l ie r ).                                                      81"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 5368, "fin_caractere_exclue": 5506, "texte": "L a L i b r e A c a d é m i e ( C a m i l l e L e m o n n i e r ) ....................                                                  89"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 5777, "fin_caractere_exclue": 5921, "texte": "V o i c i l ’h o m m e ( F . d e M i o m a n d r e ) .                                                                                        83"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 6184, "fin_caractere_exclue": 6185, "texte": "."}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 6192, "fin_caractere_exclue": 6330, "texte": "L a C r i t i q u e d e M . H e n r i d e R é g n i e r ( I d . ) ....................                                                  91"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 6601, "fin_caractere_exclue": 6738, "texte": "L e s P o s t h u m e s d e J e a n L o r r a i n ( I d ) ..................................                                          105"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 7009, "fin_caractere_exclue": 7153, "texte": "P a r a d o x e s u r l e s C l a u d i n e s ( I d .)                                             .............................             137"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 7424, "fin_caractere_exclue": 7561, "texte": "D e u x p o i n t s d e v u e ( C l a u d e F a r r è r e ) ............................                                              169"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 7832, "fin_caractere_exclue": 7976, "texte": "L a r é s u r r e c t i o n d e la Société nouvelle ( M a u b e l ) .                                                       . .              225"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 8247, "fin_caractere_exclue": 8384, "texte": "L a M a i s o n d u P o è t e ( O c t a v e M a u s ) ...................................                                             201"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 8385, "fin_caractere_exclue": 8529, "texte": "U n e C o u r d ’A m o u r à M a r c i n e l l e ( J u l e s D e s t r é e )                                                . .              209"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 8530, "fin_caractere_exclue": 8674, "texte": "Y o n v i l l e - l 'A b b a y e ( O c t a v e M a u s ) .                          . . . . . . .                                            289"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 8675, "fin_caractere_exclue": 8819, "texte": "U n P h i l o s o p h e d e l a F r i v o l i t é ( F . d e M io m a n d r e )                                              . .              217"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 8889, "fin_caractere_exclue": 9026, "texte": "C e p a u v r e m a r i a g e ( I d . ) ...............................................................                               361"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 9027, "fin_caractere_exclue": 9164, "texte": "R é f l e x i o n s s u r R . K i p l i n g ( I d . ) .................................................                               369"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 9165, "fin_caractere_exclue": 9302, "texte": "P a r a d o x e s u r l a P a r o d i e ( I d . ) .................................................                                   409"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 9426, "fin_caractere_exclue": 9570, "texte": "L e P a r c d e B r u x e l le s a u p o in t d e v u e e s th é tiq u e J (B u L S )                                                        233"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 9687, "fin_caractere_exclue": 9824, "texte": "L e B e l A r s è n e ( O c t a v e M a u s ) ..................................................                                      273"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 9926, "fin_caractere_exclue": 10049, "texte": "S o n a t e s à K r e u t z e r ( F . M a l l i e u x ) ..........................................................5 7 , 7 3"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 10187, "fin_caractere_exclue": 10275, "texte": "M u s i q u e s e n s o r i e l l e e t m u s i q u e c é r é b r a l e (M .-D . C a l ­"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 10452, "fin_caractere_exclue": 10592, "texte": "v o c o r e s s i)     ...............................................................                                                   107"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 10709, "fin_caractere_exclue": 10853, "texte": "M u s i q u e a l l e m a n d e e t m u s i q u e f r a n ç a i s e (G . C a r r a u d )                                                     179"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 10970, "fin_caractere_exclue": 11114, "texte": "B e e th o v e n e t l a F r a n c e m u s i c a l e (A l f r e d M o r t ie r )                                                 .           213"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 11231, "fin_caractere_exclue": 11307, "texte": "L ’Œ u v r e d r a m a t i q u e d e C é s a r F r a n c k ( C h V a n d e n"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 11496, "fin_caractere_exclue": 11629, "texte": "B o r r e n ) ...................................................................................................                 153"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 11749, "fin_caractere_exclue": 11826, "texte": "J e a n d ’U d i n e e t l ’A m o u r d e l a m u s i q u e ( F . d e M i o ­"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 12014, "fin_caractere_exclue": 12154, "texte": "m a n d r e ) ...........................................................................................................                  2"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 12264, "fin_caractere_exclue": 12408, "texte": "P elléas et M élisande ( H e n r y L e s b r o u s s a r t ) . . . .                                                                           9"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 12525, "fin_caractere_exclue": 12579, "texte": "A rian e e t Barbe-Bleue ( O c t a v e M a u s ) . . ."}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 12666, "fin_caractere_exclue": 12669, "texte": "145"}, {"page_pdf": 427, "page_imprimee": 414, "debut_caractere": 12786, "fin_caractere_exclue": 12907, "texte": "S a lim é ( H e n r y L e s b r o u s s a r t ) ..............................................................9 7 , 1 1 3"}, {"page_pdf": 427, 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D u m o n t - W il d e n ) .                           ..........................................................          107             Id ."}, {"page_pdf": 428, "page_imprimee": 415, "debut_caractere": 747, "fin_caractere_exclue": 905, "texte": "L a L i b r e E s t h é t i q u e e t l a P r e s s e ...................................................                                 140             Id ."}, {"page_pdf": 428, "page_imprimee": 415, "debut_caractere": 988, "fin_caractere_exclue": 991, "texte": "167"}, {"page_pdf": 428, "page_imprimee": 415, "debut_caractere": 992, "fin_caractere_exclue": 1150, "texte": "E x p o s i t i o n d u C e r c l e P o u r l’A r t ( O c t a v e M a u s ) . . .                                                           58            Id ."}, {"page_pdf": 428, "page_imprimee": 415, "debut_caractere": 1233, "fin_caractere_exclue": 1236, "texte": "143"}, {"page_pdf": 428, "page_imprimee": 415, "debut_caractere": 1245, "fin_caractere_exclue": 1395, "texte": "Id .        d e l a Société des B e a u x-A rts ( I d .) . . . .                                                                  129             Id ."}, {"page_pdf": 428, "page_imprimee": 415, "debut_caractere": 1482, "fin_caractere_exclue": 1631, "texte": "Id .        d e l a Société des P eintres-G raveurs ( G . 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L a n t o i n e )                                                    366"}, {"page_pdf": 428, "page_imprimee": 415, "debut_caractere": 10539, "fin_caractere_exclue": 10677, "texte": "L e S a l o n d ’A u t o m n e e t l e Cri de P a r i s ..............................                                                 327"}, {"page_pdf": 428, "page_imprimee": 415, "debut_caractere": 10933, "fin_caractere_exclue": 10935, "texte": "84"}, {"page_pdf": 428, "page_imprimee": 415, "debut_caractere": 10937, "fin_caractere_exclue": 11024, "texte": "G a l e r ie G e o r g e s P e t i t . E x p o s i t i o n C h a r d in e t F r a g o ­"}, {"page_pdf": 428, "page_imprimee": 415, "debut_caractere": 11286, "fin_caractere_exclue": 11424, "texte": "n a r d (O . 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L e Cabinet des m édailles de l’É ta t"}, {"page_pdf": 428, "page_imprimee": 415, "debut_caractere": 5910, "fin_caractere_exclue": 6005, "texte": "(A. de W itte ) ......................................................................      341"}, {"page_pdf": 428, "page_imprimee": 415, "debut_caractere": 6152, "fin_caractere_exclue": 6251, "texte": "Nécrologie. H em u C ro s (O. 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V i s a i / e s ...................................................                                   223"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 20406, "fin_caractere_exclue": 20477, "texte": "C h a r l e s M o r i s s e a u x . L a Blessure et l’A m our ( F . d e"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 20692, "fin_caractere_exclue": 20830, "texte": "M i o m a n d r e ) ....................................................................................................               131"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 20968, "fin_caractere_exclue": 21111, "texte": "J . M o u r i e r . L'A rt au Caucase ( P a u l C o r n e z ) .                                                    .      .      .          363"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 21245, "fin_caractere_exclue": 21248, "texte": "230"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 21249, "fin_caractere_exclue": 21328, "texte": "C h . M u l l i e r e t P . R e b o u x . A l a m anière de . . . F r a n c i s"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 21334, "fin_caractere_exclue": 21472, "texte": "d e M io m a n d r e ) ,.              . . . . . . . . . . . . . .                                                                     409"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 298, "fin_caractere_exclue": 366, "texte": "C te sse D E N o a i l l e s . L es Eblouissements ( F . d e M i o ­"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 521, "fin_caractere_exclue": 654, "texte": "m a n d r e ) ..................................................                                                                  251"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 804, "fin_caractere_exclue": 873, "texte": "R . P e t r u c c i . Les Caractéristiques de la P ein tu re ja p o ­"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 1028, "fin_caractere_exclue": 1127, "texte": "naise ( O c t a v e M a u s ) . : ................................................................."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 1311, "fin_caractere_exclue": 1449, "texte": "V i t t o r i o P i c a . E dou ard M a n e t.                                                                                         166"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 1626, "fin_caractere_exclue": 1668, "texte": ".L'Art ja p o n a is au Musée Chiossone de"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 1835, "fin_caractere_exclue": 1956, "texte": ". .           Gènes (O, M .) , , . . . . ...............................                                              214"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 2134, "fin_caractere_exclue": 2173, "texte": "L a G alleria d'A rte Moderna a Venezia"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 2340, "fin_caractere_exclue": 2460, "texte": ". .            ( C h , V , ) .................................................................                  254, 286"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 2621, "fin_caractere_exclue": 2627, "texte": "I d .."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 2637, "fin_caractere_exclue": 2681, "texte": "L ’A rte m ondiale a lla V II Esposizione di"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 2864, "fin_caractere_exclue": 2963, "texte": "V e n e z ia ............................................................                       307"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 3113, "fin_caractere_exclue": 3250, "texte": "L o u i s P i é r a r d . Im ages bor aines ( F . d e M i o m a n d r e ) . .                                                         252"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 3400, "fin_caractere_exclue": 3532, "texte": "R . R a n d a u . Les Colons ( I d . ) .....................................................                                     355"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 3682, "fin_caractere_exclue": 3798, "texte": "C h a r l e s R é g i s m a n s e t L'Ascète ( I d . ) .                                    .      ................."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 3964, "fin_caractere_exclue": 4096, "texte": "H e n r i d e R é g n i e r . Sujets et P aysages ( I d . ) ..................                                                    91"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 4261, "fin_caractere_exclue": 4311, "texte": "I d .,       . . Figures et Caractères ( I d . ) ."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 4382, "fin_caractere_exclue": 4384, "texte": "91"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 4565, "fin_caractere_exclue": 4613, "texte": ". L a P e u r de l’am ou r ( C l a u d e F a r ­"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 4767, "fin_caractere_exclue": 4774, "texte": "rè re )"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 5050, "fin_caractere_exclue": 5133, "texte": "G e o r g e s R e n s . L a Cluse ( P a u l C o r n e z ) ........................."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 5308, "fin_caractere_exclue": 5316, "texte": ".      ."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 5331, "fin_caractere_exclue": 5411, "texte": "J e a n R ic q u e b o u rg               La. 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( P a u l"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 6105, "fin_caractere_exclue": 6198, "texte": "C orn ez)                          .........................................................."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 6385, "fin_caractere_exclue": 6429, "texte": "L e Journal d ’u n suicidé ( F . d e M i o ­"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 6614, "fin_caractere_exclue": 6716, "texte": "m a n d re )                                                                                       275"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 6865, "fin_caractere_exclue": 6998, "texte": "D i d i e r d e R o u x . L ’É vent des varechs ( I d . ) ..................                                                      132"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 7147, "fin_caractere_exclue": 7229, "texte": "L u c i e n R o l m e r Chants perdu s ( I d . ) ...............................,."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 7434, "fin_caractere_exclue": 7567, "texte": "J . - H R o s n y . L a Juive ( I d . ) ......................................................                                     51"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 7716, "fin_caractere_exclue": 7794, "texte": "J o h n R u s k i n . Les M atins à F lorence ................................"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 7975, "fin_caractere_exclue": 7984, "texte": ".       ."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 7998, "fin_caractere_exclue": 8074, "texte": "A n d r é R u y t e r s . L e M auvais riche ( F . d e M i o m a n d r e ) ."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 8285, "fin_caractere_exclue": 8423, "texte": "E m i l e S i c a r d . L a M ort des Yeux ( I d . ) .                                      . . . . . .                                188"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 8572, "fin_caractere_exclue": 8705, "texte": "P a u l S p a a k . Voyages vers mon p a y s ( I d . ) ..................                                                         378"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 8854, "fin_caractere_exclue": 8992, "texte": "H et Sprookje van B a ld er ( C h . V . ) .                                                                                            251"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 9141, "fin_caractere_exclue": 9209, "texte": "I w a n S t r a n n i c k . Les Mages sans étoiles ( F . d e M i o ­"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 9363, "fin_caractere_exclue": 9381, "texte": "m a n d re ) . . ."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 9646, "fin_caractere_exclue": 9779, "texte": "A n d r é S u a r è s . Voici l’homm e ( I d . ) ........................................                                          83"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 9928, "fin_caractere_exclue": 9988, "texte": "L o u i s T h o m a s . L a M aladie et la M ort de M aupas­"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 10142, "fin_caractere_exclue": 10270, "texte": "sant ( I d . ) .................................................................................................             117"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 10419, "fin_caractere_exclue": 10552, "texte": "L o u i s T h o m a s . Yette ( I d . ) .............................................................                             404"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 10701, "fin_caractere_exclue": 10764, "texte": "J e a n d ’U d i n e . L'Ecole des Am ateurs, la M eide tourne,"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 10918, "fin_caractere_exclue": 10970, "texte": "Glüch, l ’Orchestration des couleurs, De la corréla­"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 11124, "fin_caractere_exclue": 11251, "texte": "tion des sons et des couleurs en a r t .................................                                                      2"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 11400, "fin_caractere_exclue": 11470, "texte": "R e n é e T o n y d ’U l m è s . L es Forces p erdu es ( I d . ) . . ."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 11731, "fin_caractere_exclue": 11821, "texte": "L'Ombre du soir ( I d . ) . . . .                                                      355"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 11970, "fin_caractere_exclue": 12102, "texte": "H é l è n e V a c a r e s c o . N u its d'Orient ( I d . ) .........................                                             148"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 12251, "fin_caractere_exclue": 12320, "texte": "P i e r r e V a l d a g n e . L ’A m our du prochain, l'A m our p a r"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 12473, "fin_caractere_exclue": 12527, "texte": "principes. Mon F ils, sa Fem m e et mon A m ie, Touti,"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 12681, "fin_caractere_exclue": 12812, "texte": "les Fem m es charm antes, la Confession de Nicaise ( I d . )                                                                    217"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 12961, "fin_caractere_exclue": 13036, "texte": "R o b e r t V a l l é r y - R a d o t . Les G rains de m yrrh e ( I d . ) ."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 13222, "fin_caractere_exclue": 13235, "texte": ".           ."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 13246, "fin_caractere_exclue": 13320, "texte": "J e a n - L o u i s V a u d o y e r . Quarante p etits poèm es ( I d . ) ."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 13379, "fin_caractere_exclue": 13382, "texte": "251"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 13507, "fin_caractere_exclue": 13520, "texte": ".           ."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 13531, "fin_caractere_exclue": 13667, "texte": "L é o n V a u t i i y . L a Facile Liaison ( I d . ) ....................................                                            132"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 13816, "fin_caractere_exclue": 13944, "texte": "E m i l e V e r h a e r e n . L a G uirlaude des dunes ( I d . ) .                                                     .       ."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 14135, "fin_caractere_exclue": 14184, "texte": "Vers contemporains, t r a d u i t s e n r u s s e"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 14372, "fin_caractere_exclue": 14469, "texte": "p a r V a l e r o B r u s s o v ( F . M a l l ie u x ).                                       326"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 14617, "fin_caractere_exclue": 14705, "texte": "L é o n V é r y . Le Stylite ( F . d e M i o m a n d r e ) ............................."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 14903, "fin_caractere_exclue": 15039, "texte": "M a r i e V i é s s i é l o v s k a . L a Jeune Belgique ( F . M a l l i e u x )                                                     172"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 15187, "fin_caractere_exclue": 15251, "texte": "P i e r r e V i l l e t a r d . L a Maison des sourires, la Mon­"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 15404, "fin_caractere_exclue": 15465, "texte": "tagne d'am our, Monsieur et M adam e B ille ( F . d e M i o ­"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 15618, "fin_caractere_exclue": 15750, "texte": "m a n d r e ) ............................................................................................................       257"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 15874, "fin_caractere_exclue": 15888, "texte": ".            ."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 15898, "fin_caractere_exclue": 15968, "texte": "G i l b e r t d e V o i s i n s . 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L a R etraite sentim entale ( I d . )"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 17105, "fin_caractere_exclue": 17108, "texte": "137"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 17256, "fin_caractere_exclue": 17362, "texte": "G e o r g e s F r é m i è r e s . Yor ( I d . ) .........................................................."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 17541, "fin_caractere_exclue": 17678, "texte": "N é c r o l o g i e . C l o v i s H u g u e s .................................................................                       190"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 17826, "fin_caractere_exclue": 17963, "texte": "J . - K . H u y sm a n s ( F . M .)                                                 ...........................................       156"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 18111, "fin_caractere_exclue": 18248, "texte": "H e c t o r M a l o t ..............................................................................................                  238"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 18396, "fin_caractere_exclue": 18463, "texte": "S u l l y - P r u d h o m m e ( F r a n c is d e M io m a n d r e )"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 18530, "fin_caractere_exclue": 18533, "texte": "291"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 18681, "fin_caractere_exclue": 18818, "texte": "C h a r l e s d e S p o e l b e r c h d e L o v e n jo u l (O c t a v e M a u s).                                                     219"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 18941, "fin_caractere_exclue": 18949, "texte": ".      ."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 18966, "fin_caractere_exclue": 19055, "texte": "S o ttis ie r u n iv e rs e l .              . 6, 15, 31, 63, 95, 103, 111, 119, 183 207,"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 19179, "fin_caractere_exclue": 19187, "texte": ".      ."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 19285, "fin_caractere_exclue": 19314, "texte": "215, 231, 263, 359, 382, 407."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 19462, "fin_caractere_exclue": 19495, "texte": "A c c u sé s d e ré c e p tio n ."}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 19520, "fin_caractere_exclue": 19557, "texte": ". 62, 86,110,150, 174, 206, 229, 294,"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 19824, "fin_caractere_exclue": 19837, "texte": "310, 366, 381"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 19985, "fin_caractere_exclue": 20122, "texte": "A t r a v e r s l e s r e v u e s ( F r a n c is d e M io m a n d r e ) . . . .                                                       172"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 20270, "fin_caractere_exclue": 20405, "texte": "A n t é e ( F . d e M . ) ..............................................................................................             45"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 20553, "fin_caractere_exclue": 20686, "texte": "P é r i o d i q u e s n o u v e a u x . L a F ron de ...................................................                          103"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 20837, "fin_caractere_exclue": 20967, "texte": "L ’E s s o r ............................................................................................................      103"}, {"page_pdf": 429, "page_imprimee": 416, "debut_caractere": 21118, "fin_caractere_exclue": 21223, "texte": "L ’A n n o n c ia t e u r ..............................................................................."}]}], "pages_ocr_originales": [{"page_pdf": 422, "texte": "         v in g t -s e p tiè m e   ANNEE.                                          N° 52.                                        29   D écem bre     1907.\n\n\n\n\nL'ARTMODERNE\n                                              REVUE C R IT IQ U E HEBDOMADAIRE\n\n\n                                           BUREAUX : RUE DE L'INDUSTRIE, 32, BRUXELLES\n        ABO N N EM EN T : B E L G IQ U E , 10 FR A N C S L ’A N ; U N IO N PO ST A L E, 13 FRA NCS. — LE NU M ÉRO. 25 CENTIM ES\n\n\n\n\n    L ’A R T M O D E R N E e s t e n v o y é à l'e s s a i, p e n d a n t u n               Le désir secret du bon parodiste n ’est pas d’a ttirer la\nm o is, a u x p e r so n n e s q u i n o u s en fo n t l a d em a n d e ou               risée sur quelqu’un, il a des raisons autrem ent p ro ­\nq u i n o u s s o n t in d iq u é e s p a r n o s a b o n n é s.                         fondes. Lorsqu’on aime beaucoup un poème ou un m or­\n    L e s d e m a n d e s d ’a b o n n e m en t e t d e n u m é r o s à l ’e s s a i     ceau de prose, on finit p ar en com prendre toutes les\nd o iv e n t ê tr e a d r e s s é e s à. l'A d m in istr a tio n g é n é r a le , ru e\n                                                                                         nuances, p ar se rendre compte de ce que j ’appellerais\nde l’In d u str ie , 3 2 , B r u x e lle s .\n                                                                                         volontiers ses ressorts secrets. M algré soi, on le cite, on\n    On e s t p r ié d e r e n v o y e r la r e v u e à l ’A d m in istr a tio n s i\n                                                                                         est tenté d’appliquer ces citations aux circonstances de\nl ’on ne d é s ir e p a s s ’y a b o n n er.\n    L ’A R T M O D E R N E e s t en v e n te , à. P a r is , à la lib r a i­\n                                                                                         la vie. Ce poème, ce m orceau vous deviennent familiers\nr ie H F lo u r y , 1 , b o u le v a r d d e s C a p u c in e s.                         et l ’on finit p ar ne plus bien distinguer soi-même dans\n                                                                                         son propre sourire ce qu’il entre d’ironie sur l’espèce\n                                                                                         de servitude intellectuelle où l’on en est réduit vis-à-vis\n                                                                                         de ce texte dom inateur.\n                                   SOMMAIRE                                                 De là à parodier, il n ’y a qu’un pas. On p arfait ce que\n     Paradoxe su r la Parodie ( F r a n c i s d e M io m a n d r e ). — Candeur          l’on avait ébauché, on a la coquetterie de ne plus rien\n(O. M.). — L’A rt d e la Danse (M . K. M .) . — A lbert Geudens ( J e a n                laisser d’incohérent dans ce trav ail d’im itation On fait\n L a e n e n ). — Sherlock Holmes (O . M . ). — L a M usique à L iè g e : Les            une parodie d’autant m eilleure que l’on n ’a point envie\nConcerts symphoniques ( M u .) . — Ecole de m usique de Verviers                         de se m oquer. Ceux qui veulent se m oquer forcent la\n( J . S.). — P e tite Chronique.\n                                                                                         note, et p ar conséquent déform ent au lieu d’im iter. Le\n                                                                                         parfait parodiste pénètre si intim em ent la pensée d’un\n                                                                                         écrivain qu’il p a ra îtra it l’avoir eue si on ignorait l ’ori­\n       Paradoxe sur la Parodie.                                                          ginal en lisant la copie.\n                                                                                            C’est ce qui est arrivé le plus souvent à MM. Muller\n   R éussir une parodie est très difficile. Il faut une con­                             et Reboux, qui ont eu l’idée de réunir en un' petit volume\nnaissance approfondie de l’auteur im ité et une pres­                                    les m orceaux, si am usants et si spirituels, qu’ils avaient\ncience de ses intentions. Il faut de la culture, du tact et                              publiés de tem ps à autre dans la revue L es L e ttr e s ,\nbeaucoup de goût. I l faut surtout — ceci peut paraître                                  sous le titre : A la m a n iè r e d e ..... (1). I l s rient de ce\nbizarre — un grand respect de la littératu re que l’on                                   qu’ils interprètent, mais ils ne cherchent point à le\nparodie ! Oui, un véritable parodiste doit aim er ce dont                                rendre ridicule. On sent qu’ils s’am usent et qu’ils sont\nil a l’air de sourire. Sinon, il ne rappellera qu’im par­                                parfaitem ent heureux de plaisanter. Ces plaisanteries\nfaitem ent l ’auteur qu’il prétend suggérer, et toutes ses                                 (1) Ch. M u l l e r et P a u l R e b o u x : A la manière de..... P aris,\nallusions perdront leur portée.                                                          éd. des Lettres, 23. chaussée d'A ntin.\n"}, {"page_pdf": 423, "texte": "410                                                            L 'A R T MODERNE\n\n\n\nso n t celles cle gens de g o û t : elles n 'o n t rien d ’a m er, n i ! Monet, d ’Eugène Carrière, c’est à-dire des peintres de la vie. En\nm êm e d ’irrév éren cieu x .                                             faire le champion de l’idéologie (assurém ent respectable, mais\n    Le choix des é criv ain s p a ro d ié s e st d’a ille u rs excel­     étrangère    à l’art pictural) que défend M. Delville tém oigne, chez ce\nlen t : M aeterlin ck , B a rre s, T ris ta n B e rn ard , Jam m es,      d ernier,  d ’une naïveté dont il fa it se borner à sourire, — comme\n                                                                          de la syntaxe de notre distingué contradicteur. Il suffirait, pour\nMme de N oailles, C harles-L ouis P h ilip p e, S h a k e s­\n                                                                          s’en convaincre, de m ettre M. Geffroy en présence de l 'Homme-\np e a re , etc. Il y a des pages fo llem en t drôles : Idro ­\n                                                                          Dieu et d ’observer à cet instant sa physionom ie...\nphile et Filigrane est un p e tit d ram e p o u r m a rio n ­                Q uanta la définition im prévue que donne M. Delville de l 'A r t\nn e tte s désossé au possible. L ’am o u r de l’a m a te u r d’âm es      moderne en l'appelant « le m oniteur du réalisme et de l ’im pres­\np o u r la g ra n d ’m ère d’Ip h igénie est d’une in v en tio n c h a r­ sionnism e », elle n ’est pas moins inexacte que son interprétation\nm an te. E t l’a v e n tu re du p au v re h è re e t de la fille dans     de l’article de M. Geffroy. L'A r t moderne n'a jam ais eu d’autre\nA la manière de Charles-Louis Philippe!... Q uant                         but que de soutenir les artistes de talent, quelles que fussent leurs\nà la scène du re s ta u ra n t, on ne p o u v ait pas p lu s sp iri­      tendances, et d ’attaquer les médiocrités, quelle que fut leur\ntu ellem en t b lag u er T ris ta n B ern ard .                           renom m ée. Il n ’a jam ais été l'organe d ’aucune école — de même\n    Du reste, p erso n n e n e s’e st fâché. On ne p eu t pas             qu’il ne fut jam ais à la solde de qui que ce soit.\n                                                                             Notre journal a exalté, par exemple, Puvis de Chavannes et\ng a rd e r ra n c u n e à quelqu’u n qui vous a si bien lu . P a s\n                                                                          Maurice Denis. Dira t-on que ce sont la des réalistes? Dieu me\nplus qu’on n ’en v e u t à u n c a ric a tu ris te, puisque son\n                                                                          pardonne, il a même vanté YÉcole de P la to n , de M. Delville lui-\ndessin p ro u v e q u ’il s’est donné la peine d ’ob serv er v o tre\n                                                                          même !\nphysio n o m ie.                                                             Qu’on ne nous attribue donc pas un parti pris dont nous nous\n    P a u l de S a in t-V ic to r p ré te n d a it que les religions      sommes toujours gardés, convaincus que la Beauté de l’art n’est\n v ra im e n t fo rte s accu eillaien t facilem ent la ra ille rie et     pas limitée à une formule, pas plus q u ’à une époque déterm inée\nque cette g énéreuse a ttitu d e é ta it m êm e une preuve de             ou à un pays. Aimer Delacroix n ’empêche pas d’adm irer Ingres.\nle u r solidité. L o rsq u ’elles déclinent, elles deviennent                L’un et l’autre furent de beaux peintres, et cela seul im porte\nsérieuses et p ru d en tes. On ne les ra ille plus, c’e st qu’on          quand il s’agit de juger la peinture.\n                                                                                                                                       O. M.\nles oublie.\n    T errib le chose que le resp ect lo rsq u ’il vient de l ’in ­\ndifférence. Il n ’y a, au c o n tra ire , qu’une chose qu’il\n so it im possible de p a ro d ie r : la b an alité. T o u t ce qui                       L ’A R T D E L A D A N S E\n est sa illa n t, plein d ’une v e rtu secrète, to u t ce qui s’im ­\n pose tente le p a ro d iste . C’e st p arce q u ’ils sav e n t to u t                 C h e r « A rt m o d e r n e » ,\n\n cela, et q u ’ils o n t de la m esu re, et une ten d resse de                A propos de la Duncan, je voudrais tant qu’un encyclopédiste\n cœ u r p o u r \" le u rs a u te u rs \" , que MM. M uller e t R e­        am usant me parlât de la danse ! — depuis « celle des anim aux\n                                                                          ju sq u ’à nos jours », comme on eût dit au XVIIe siècle. Et je vou­\n boux o n t si bien réussi.                                                drais bien « situer » dans m on esprit la danse d ’aujourd’hui;\n                                                                             savoir pourquoi je trouve les suppliciantes danses de ballet trop\n                                      F r a n c is   de   M io m a n d r e   orientales à mon goût, et pourquoi les tentatives duncanesques\n                                                                             m’intéressent en dépit des défauts qu’elles peuvent avoir, de la\n                                                                             congruité de leurs rapports avec certaines m usiques, etc.\n                                                                                Je cherche, je fourre mon nez dans tous les bouquins que je\n                                                                             suspecte vaguem ent documentés d ansatoirem ent.\n                          CANDEUR                                                J ’y rencontre B arrès qui regrette : « les beaux pas légers et\n                                                                             sûrs, la m usique délicate et spirituelle, la simplicité des moyens,\n    M. Jean Delville est d ’une belle candeur. Pour prouver que              l’aimable danse française qui a si fort charm é le monde et devant\n                                                                             qui sont venus étudier les professeurs de l'Europe entière. »\n « l'évolution esthétique s’opère, à cette heure, dans le sens d ’un\n                                                                                 Il parle aussi, en passant, des ballets q u’on dansa (oh ! en\n idéal assaini et virilisé par la valeur idéoplastique de la pensée          Portugal!) pour la canonisation de saint Charles Borromée et de\n (sic) », il écrit dans la Belgique artistique et littéraire : « N’est-il    saint Ignace de Loyola; et du temps où la duchesse du Maine\n point significatif de voir l 'A r t moderne lui-m ême, le m oniteur du      commanda un ballet su r la fin du quatrièm e acte d 'Horace, — ce\n réalism e et de l’im pressionnism e, im prim er les propositions n e t­     qui fit proposer p ar un plaisant qu'on dansât les M a xim es de\n                                                                             Larochefoucauld.\n tem ent idéalistes de M. Georges Geffroy sans protester? I l y a                Profanations de la danse, n ’est-ce p as? Au même titre que les\n quelque? années à peine, l'A r t moderne bafoua sans pitié les ten­         ballets lascifs dont Berlioz et B arrès disent tant de mal — exubé­\n dances idéalistes, les mêmes cependant qui se trouvent affirmées            rance im pulsive, ü son état naturel ; moyen d ’excitation employé\n dans la plume (re-sic) du critique français. »                              par les apôtres de tous les cultes primitifs, plaisir collectif,\n                                                                             a rt enfin, pratiqué de tant de façons suivant le tem péram ent des\n     Ceci vise l ’article A r t e t Solidarité que nous publiâmes le\n                                                                             races différentes — la danse ne serait que l’harm onie des m ou­\n  16 juin dernier, et dans lequel M. Gustave (et non Georges) Gef­           vem ents...\n froy proclame le rôle social de l ’art, soutient que pour rem plir sa           Aux âges où les émotions vitales plus violentes engendraient\n  m ission, l’art doit dispenser le bonheur non pas à une élite, mais        des mouvements plus vifs, la danse était un saut, u n bondisse­\n                                                                             m ent, voire parfois une contorsion.\n à « l ’immense troupeau humain ».\n                                                                                 A une époque où le travail lui-même demande moins d ’efforts\n     M. Geffroy, nul ne l’ignore, — à l’exception de M. Delville, —          m usculaires, ou l ’im prévu perd de sa férocité, où les destinées\n a combattu toute sa vie en faveur de Manet, de Cézanne, de Claude           sont moins brutales, où la vie enfin perd de sa véhém ence,       le\n"}, {"page_pdf": 424, "texte": "                                                            L 'A R T MODERNE                                                                      411\n\n\n\n\nmouvem ent se fait plus doux, plus m esuré; il pourrait être                  Si la pièce ne dépasse guère la valeur d ’un mélo honorable, le\nplus équilibré, plus gracieux; plus naturel aussi.                        spectacle am use et captive. Le cabinet de travail du « professeur\n   Et c’est à ce point de vue que les tentatives de Mme Duncan            Moriarty » est, notam m ent, truqué et machiné avec une im agina­\nsont intéressantes. Il est évident qu’elle voudrait rem placer la         tion si plaisante que ses déclanchements, ses sonneries, son télé­\ngrâce d ’un élan im pétueux par la grâce d ’une m arche souple, la        phone suffisent à égayer le public pendant tout un acte.\ngrâce compatible avec les travaux d ’Hercule par la grâce d ’une              Ce Moriartv, dont le personnage hofïmannesque fut créé avec\népoque plus méditative.                                                   beaucoup de talent par M. Harry-Bour, est l ’adversaire redoutable\n   Quel que soit le succès de ces tentatives, elles me sem blent          contre lequel Sherlock Holmes engage un duel sans merci. Il\nheureuses, singulières, inconscientes en leur signification pro­          s agit de retrouver une liasse de lettres com prom ettantes, et la\nfonde, et sym ptom atiques : c’est assez pour justifier la joie et les    poursuite am ène, vous le devinez, les plus invraisem blables aven­\napplaudissem ents d ’un public non moins inconscient, non moins           tures. Comme il sied, le mal est puni, la vertu récom pensée, et\ninstinctif, quoi q u ’il en ait.                                          l ’on se marie au baisser du rideau.\n                                                      M. K. M.                Il y avait évidemment des joyaux plus précieux à extraire des\n                                                                          mines^ inépuisables du rom ancier. Mais les M ém oires d'un détec­\n                                                                          tive n ’ont été q u ’effleurés par M. Decourcelle. Et peut-être Sher­\n                                                                          lock Holmès nous réserve-t-il dans l ’avenir d ’autres avatars : ce\n              ALBERT GEUDENS                                              Fregoli londonien se doit à lui-même de nous apparaître dans des\n                                                                          incarnations inattendues, d ’une nouveauté palpitante.\n   L’Exposition, au Cercle artistique, des œuvres principales de\n                                                                                                                                          O. M.\nM. Albert Geudens me fournit l’occasion d ’essayer une analyse\ndu tem péram ent de ce peintre, dont l ’épanouissem ent définitif\nparaît proche.\n   Il V a plus de deux lustres que j ’étudie avec intérêt les hésita­\ntions de M. Albert Geudens à rendre exactement l’atm osphère de                        LA M U S IQ U E A LIEG E\nMalines-la-morne. A ujourd’hui il sem ble tout près de donner sa\nvaleur exacte au Stilleben m alinois, qui ne ressem ble guère à                              L e s C o n c e rts sy m p h o n iq u e s.\ncelui des autres anciennes petites villes flamandes. Ses intérieurs,\nQuiétude, l ’A rm o ire rouge, l’attestent pérem ptoirem ent.                Au prem ier de ses concerts, M. Debefve nous a donné une exé­\n   M. Albert Geudens se pose hardim ent en peintre de la psycho­          cution très étudiée, très vivante, de la sym phonie en ut m ineur de\nlogie intim iste. Regardez sa M aison silencieuse, ce m anoir aux         Saint-Saëns, dont les sonorités orchestrales pleines et chaudes s ’e n ­\nissues grillées, dont on sent frissonner l ’âme d ’effroi m ystique, et   veloppent de la triom phante puissance de l’orgue.\nson P o rta il, dont les magnifiques élém ents décoratifs acquièrent         Au programme encore, entre autres choses intéressantes, le P r é ­\nleu r maximum d ’expression en ce clair-obscur de reflets complé­         lude à l'A p rès-m id i d'un faune de Debussy, d ’inspiration si sincère,\nm entaires que l’artiste affectionne exclusivem ent. L’habileté tech­     si spontanée, et que la mélodie exquise, la caresse des harm o­\nnique de ce peintre malinois est incontestable ; néanmoins! ses           nies font délicieusement suggestive et musicale.\nefligies accusent une faiblesse d ’exécution. I l nous m ontre, par          La deuxième séance a retenu le vif intérêt du public par un pro­\nexem ple, un portrait de son frère absolum ent inférieur aux              gram me historique comm enté de façon concise et érudite par\ntableautins scrupuleusem ent étudiés qui l ’entourent, et surtout         M. F.-V. Dwelshauvers. On y a entendu des œ uvres de quelques\ninférieur à ses caboches enfantines, si étonnam m ent expressives.        précurseurs de la sym phonie : trios d ’orchestre et sym phonies\n   J ’estim e, malgré ces inégalités, que M. Albert Geudens est en        de Pergolèse, Stamtz, Gossec qui. par leur forme neuve, devaient\npleine prom esse d ’avenir et q u ’il s’achem ine sûrem ent vers la       avoir tant d ’influence su r Haydn, Mozart et Beethoven.\nconscience définitive de sa direction.                                       M. Diémer tenait le clavecin d ’accom pagnement avec sa m aîtrise\n                                                   J ea n L aenen         habituelle. La précision impeccable de son jeu , la netteté de son\n                                                                          toucher, la science des ressources sonores de l’instrum ent font de\n                                                                          lui un incom parable claveciniste. Il a ravi lé public par l ’interpré­\n                                                                          tation charm ante de petites pages de Couperin. R am eau,D andrieu,\n                                                                          Daquin. Certes le clavecin reste archaïque et de moyens trop lim i­\n             SHERLOCK HOLM ES                                             tés, mais il se prête à ravir à ces évocations puériles et ravis­\n                                                                          santes d ’un art purem ent pittoresque et descriptif.\n   Au fond, pour divertir le public, il n ’v a rien de tel que les           La sym phonie en ré m ajeur de Haydn, le concerto en si bémol\nhistoires de voleurs ! Et quand ces voleurs sont de la « haute            de Mozart, en lequel M. Diémer a fait briller au piano ses qualités\npègre », qu’ils revêtent pour forcer un coffre fort l’habit noir et       bien françaises mais un peu froides de clarté, d ’élégance et de\nle gilet échancré sur u n plastron immaculé, le plaisir est décuplé.      précision, et enfin l’ouverture de Léonote de Beethoven ont m ar­\nOn l’a vu au Théâtre Réjane lors des représentations de Raftles.          qué l ’étape merveilleuse parcourue par l’orchestre depuis les dé­\nOn le constate aujourd’hui au Théâtrc-Antoine, où Sherlock H o l­         buts timides et naïfs des maîtres prim itifs.\nmes est, chaque soir, l’objet d ’enthousiastes manifestations de                                                                          Mo.\nsym pathie.\n   Tout le monde connaît les pittoresques récits dans lesquels\nM. Conan Doyle a mis en scène le t\\p e im prévu d ’nn détective                   /\nam ateur dont la sagacité dénoue l’echeveau des intrigues crim i­                E c o l e de m u s i q u e de Verviers.\nnelles les plus enchevêtrées. Qui n ’a pas frémi en lisant la B ande\nmouchetée'! Qui n ’a pas suivi avec émotion les péripéties du Tes­\ntam ent volé ou de iEscarboucle bleuel à y a dans les volumes du                      (Correspondance particulière de l’A r t moderne.)\nconteur anglais une source si abondante d'effets dram atiques\nqu'on pouvait s'étonner que personne n ’eût songé à les m ettre en           Quatre heures et demie de m usique, coupées par la plus désor­\nscène.                                                                    donnée des distributions de prix, tel est le bilan du concert donné\n   M. Pierre Decourcelle s’y est essayé, en utilisant, paraît-il, une     vendredi dernier. Comme longueur, il dépasse de plusieurs aunes\npièce récem m ent tirée par SI. William Gillette des histoires poli­      ceux des années antérieures; mais il s’en faut de beaucoup qu’il\ncières de H. C )nan Doyle. Et M. Gému r s'est em pressé de m onter        l’em porte en intérêt.\nSherlock H olm es, — dont il joue supérieurem ent le rôle princi­            Certes, ayant affaire à un public préparé, entraîné ainsi q u ’il le\npal, — avec les soins, la vérité illusionnante, le souci de détails       fut par Louis Kefer, on peut se perm ettre de lui servir des œuvres\nréalistes qu'il apporte à chacune de ses créations.                       telles que P sych é et E ros de C. Franck et le final du prem ier acte\n"}, {"page_pdf": 425, "texte": " 412                                                        L 'A R T MODERNE\n\n\n\n de P ursifal. Mais, pour les mettre en pleine lum ière, il ne suffit       Le 22 janvier, séance de Lieder, duos et quatuors, par Mmes Rose\n pas d’une bonne volonté incontestable, ni d'une habileté de chef        Ettinger et Marie Brema, MM. Gervase Elwes et Francis Braun ;\n d’orchestre qui s’affirme dans l'exécution de Lucile de Grétry,            Le 23 janvier, concert donné par le pianiste Marcel Laoureux,\n malgré l’enlèvement au pas de charge du quatuor O ù peut-on être        avec le concours de Mlle Marie Teyrlinck, cantatrice.\nm ieux qu'au sein de sa famille. La précédente direction nous avait         Puis, successivement, des séances par Mlles Frieda Lautmann,\nhabitués à une si grande noblesse de style, à une si parfaite com­       cantatrice, Henrietle Eggermont, pianiste. M. Ferencz Hegedus,\npréhension de la facture musicale et de la philosophie artistique,       violoniste, etc.\nque les comparaisons se sont tout naturellem ent imposées. On a\nété unanim e à regretter que le nouveau chef ne se soit pas mieux          L’Ecole de musique et de déclamation d ’Ixelles nous fait savoir\net plus inspiré du haut enseignement de son prédécesseur.                que les inscriptions pour le deuxième terme (du 3 janvier aux\n   Nous r ndons toutefois et volontiers hommage aux qualités de          vacances de Pâques) sont reçues, dès à présent, pour tous les\ncompositeur de M. A. Dupuis. Sa Fantaisie rhapsodique pour vio­          cours réservés aux élèves libres et professionnels, 59, rue de la\nlon, bien exécutée par M. Fauconier, renferm e notam ment un             Longue-Haie, de 3 à 5 heures, sauf le dimanche. S’adresser au\nlento de toute beauté et qui a été fort applaudi.                        secrétariat, ainsi que pour toutes demandes de renseignem ents.\n   Le programme se complétait par l’audition de deux autres\nélèves de l ’école, Mlle Lotty Duckerts, qui possède une superbe            Parmi les publications nouvelles de la librairie Hachette, il\nvoix de mezzo soprano, et Mlle E. Lemaire, une vraie virtuose du         faut m ettre à part, cette année, A lb ert D urer. L’œ uvre du maître\npiano. Elles ont respectivement interprété E n P riè re (Fauré),         y est réuni dans sa totalité et comporte, tant comme tableaux\nChanson de M ia rk a (A Georges) et A fr ic a , fantaisie pour piano     que comme gravures sur acier et sur bois, 472 reproductions.\net orchestre de Saint-Saëns. Ce n’est pas ce que celui-ci a écrit de        Le livre, de form at moyen et de prix accessible, avec un texte\nmieux.                                                                   succinct, etc., son triple catalogue par dates, par musées et par\n   Dans la disposition de l’orchestre, M. Dupuis a introduit une         sujets, va mettre aux m ains des artistes et des connaisseurs toute\ninnovation : il déplace les violoncelles et altos qui faisaient corps    la majestueuse vie d ’art du prodigieux créateur en qui se résum e\navec la masse des cordes et les remplace au pied du pupitre di­          un des aspects absolus du génie allemand.\nrectorial par les flûtes et les hautbois. Nous avons cherché la ra i­       Les éditeurs, en partant de l’idée qu’il n ’existe point de meilleure\nson de cette modification. Est-ce que par hasard il eût redouté          manière de connaître un maître dispersé, comme celui-là, en près\nqu’on n ’entendit pas le prem ier hautbois ou qu’on l’entendit trop      de quarante collections publiques et particulières d ’Europe et\n     à distance?                                                         d ’Amérique, ont servi la gloire du grand artiste et à la fois assuré\n                                                           J. S.         le succès de l’ouvrage.\n                                                                            A signaler encore, à la même librairie, les deux volumes de\n                                                                         l’année 1907 du Tour du M onde, avec l ’appoint habituel de\n                                                                         neuves sensations d ’hum anité et de nature, et a collaboration\n             PE T IT E CHRONIQUE                                         charm ante des plus spirituels artistes à ce Jo u rnal de l’E n fa n ce qui\n                                                                         trouve le moyen, chaque année, de m ériter son titre en se rajeu­\n                                                                         nissant lui-même.\n    Divers journaux annoncent que le projet de créer à Bruxelles\nune grande salle de fêtes est en bonne voie et que le Ministre des          Un comité vient d ’être constitué sous la présidence de M. Mau­\nSciences et des Arts va s’entendre à ce sujet avec le Comité consti­     rice Ba rrès et la présidence d ’honn eur de M. François Coppée en\ntué parmi les m em bres du Cercle artistique.                            vue de l’érection, à Lunévile, d ’un m onum ent au poète Charles\n   Ils ajoutent qu'en attendant, on va s’efforcer de décider le gou­     Guérin, prém aturém ent enlevé le 17 mars dernier\nvernem ent à m ettre certains locaux dont il est m aître, tels que le       L’exécution de ce m onum ent a été confiée à MM. H. Daillon et\nConservatoire et le Palais des Académies, à la disposition des           Lachenal. Les souscriptions sont reçues par M. Alfred Vallette,\ngrandes auditions musicales.                                             trésorier du comité, 26, rue de Condé, Paris.\n   C’est ce que nous avons demandé à plusieurs reprises. Il est\nvraiment inexplicable que tandis q u ’Eugène Ysaye ne trouve\n                                                                            Le « théâtre des Champs-Elysées ». C’est ainsi que s’appellera\naucune salle pour y donner ses concerts le dimanche, que M. F é­\n                                                                         le théâtre nouveau qui sera construit sur l’em placement concédé\nlicien Durant est contraint de s'exiler avec son orchestre dans\n                                                                         par la ville de Paris entre l’avenue des Champs-Elysées, l’avenue\nun faubourg, on laisse sans emploi, durant toute l ’année (à part        Gabriel et l ’avenue Matignon (ancien Cirque d ’Eté).'\nles quatre jours réservés aux concerts du Conservatoire), une salle\n                                                                            La nouvelle salle com prendra 2.060 places, toutes de face, et\nconstruite par l’Etat et spécialement destinée à la m usique.            40 loges placées en corbeille.\n  Aujourd’hui dimanche, à 2 h. 1/2, deuxième Concert historique             La scène, un peu plus grande que celle du théâtre Sarah-\nDurant (Haydn et Mozart) au Musée communal d ’Ixelles. Solistes :        Bernhardt; sera machinée suivant les principes qui ont été adoptés\nMme H. Schm idtet M. J. Kühner.                                          pour le théâtre du Prince-Régent de Munich Les services élec­\n                                                                         triques seront combinés de manière à donner les effets lum ineux\n  Le prix de 500 francs institué par la Société des Nouveaux-            les plus parfaits. L’orchestre sera placé en contre-bas.\nConcerts d’Anvers pour une œuvre orchestrale vient d ’être attri­           Une salle annexe, de 600 à 700 places environ, servira aux\nbué à Mlle Marguerite Laenen, auteur du poème sym phonique la            petites manifestations artistiques.\nTempête apaisée.                                                            Le fondateur du théâtre des Champs-Elysées est, nous l ’avons\n  Le jury était composé de MM. J. Blockx, P. Gilson, G. Huberti,         dit, l’éditeur Gabriel Astruc, qui a eu l ’excellente idée de placer\nE. Mathieu et L. Mortelmans.                                             le nouveau théâtre sous le patronage de comités internationaux\n                                                                         qui en assureront le succès par un concours perm anent. Les p rin ­\n   La troisième séance du Quatuor Zimmer, fixée au 22 janvier,\n                                                                         cipaux adhérents sont, dès à présent, la princesse héritière de\naura lieu à l’Ecole allemande, le lundi 20, pour perm ettre à\n                                                                         Roumanie, la grande-duchesse Vladimir de Russie, la duchesse\nS. A. R. la Comtesse de Flandre d’y assister.\n                                                                         de Gênes, l’infante Marie de la Paz, l ’infante Eulalie, le prince\n   Au programme : Quatuors en la m ineur de Schubert, en ré\n                                                                         Albert de Monaco, le prince Louis-Ferdinand de Bavière, etc.\nmajeur de César Franck et en sol m ineur avec piano de Mozart.\n                                                                         Pour la Belgique, le Comité de patronage, actuellem ent en form a­\nMme C. Kleeberg prêtera son concours à cette séance.\n                                                                         tion, se compose de Mme la baronne Lambert de Rothschild, de\n   Une série de concerts sont annoncés, en janvier et février p ro ­    JIM . Octave Maus, M. Schleisinger et Ernest Van Dyck.\nchains, dans la nouvelle salle édifiée rue de la Chancellerie, dans\nles locaux de la société P a tria :                                        C’est à la fin de janvier que l’Opéra-Comique reprendra A ria n e\n   Le 17 janvier, le violoniste Michel de Sicard y donnera un réci­     et Barbe-Bleue, de P. Dukas et M. Maeterlinck. Mme Georgette Le­\ntal avec orchestre, sous la direction de M. Eugène Ysaye;               blanc interprétra le rôle d ’Briane, q u ’elle a créé.\n"}, {"page_pdf": 426, "texte": "                                                                        L 'A R T MODERNE                                                                                413\n\n\n\n\n   La distribution d 'Hippolyte et A ric ie , dont M. Vincent d'Indy                 L a Route de Thèbes, l ’œuvre posthume d ’Alexandre Dumas fils,\nprépare l’exécution à l’Opéra, vient d ’être arrêtée. Les rôles de               n ’a, on le sait, jamais été représentée. Sait-on pourquoi? Une\nPhèdre, d ’Aricie, de Diane et de l ’Amour ont été respectivement                lettre ju sq u ’ici inédite et connue des seuls intimes de l’écri­\nconfiés à Mmes Bréval, Gall, Hatto et Mastio ; ceux d ’Hippolyte et              vain en donne la raison. Elle fut écrite par Alexandre Dumas six\nde Thésée à MM. Plam ondon et Delmas. . »                                        semaines avant sa m ort :\n   Le. Crépuscule des dieux, qui passera en octobre, aura pour\n                                                                                            « Cher Monsieur,\ninterprète principale Mme Litvinne.\n                                                                                    « L’histoire de la Route de Thèbes est extrêm em ent simple.\n  L’Opéra reprendra en avril l'É tra n g er de M. Vincent d 'In d y . Il         Quand je la croirai en état de paraître devant le public, je la don­\ncompte m onter F e r vaal, du même auteur, au début de l’hiver                   nerai ; mais il se peut que je ne la trouve jam ais en cet état. Alors,\nprochain.                                                                        elle rentrera da ns mon tiroir. Il y a bien des chances pour que les\n                                                                                 choses se term inent ainsi. Je suis arrivé à l’âge où ce qu’on peut\n    Les fêtes musicales qui auront lieu à Roanne (Loire) les 15 et\n16 août 1908 prom ettent d ’égaler, sinon de surpasser, celles de                faire de mieux, c’est de se taire.\n                                                                                    « Ce parfait écrivain et ce rem arquable observateur que fut Guy\n 1898 et de 1888, dont le souvenir est dem euré si vif. La m uni­\n                                                                                 de Maupassant me disait un jo u r : « Si j’étais assez riche pour\ncipalité apportera à l’entreprise un concours pécuniaire im por­\n                                                                                 n'être pas forcé d ’écrire, mon rêve serait de ne plus faire qu’un\nt â t qui perm ettra d ’offrir aux lauréats du concours d’honneur\ndes prix s’élevant ju sq u ’à 1,200 francs. De nom breux prix de                 livre en un volume très court, auquel je travaillerais toujours et\n                                                                                 que j ’ordonnerais qu’on brûlât le jo u r de ma m ort. » Je crois que\n600, 500, 300 francs seront répartis dans les diverses divisions\n                                                                                 je suis en train de réaliser le rêve de Maupassant.\ndu concours, dont le règlem ent sera publié prochainem ent.\n                                                                                    « Croyez, etc.                                « A. D u m a s fils. »\n\n\n\n                                                   M aison Félix M O M M E N & C°, Brevetés\n                                       FABRIQUE ET A TE LIE RS : 37,                             R ue         de      la       C h a r it é ,          B RUXE LLES\n                                               Téléphone                     1947\n\n                                       Fabrique de Couleurs, Panneaux, Toiles, Vernis, etc., etc.\n                                       Spécialité de tous les articles concernant la peinture, la sculpture,\n                                                       la gravure, l’architecture et le dessin.\n                                             R E N T O IL A G E , N E T T O Y A G E E T               V E R N IS S A G E                   DE TABLEAUX\n\n                                                           GRAND PRIX ET MÉDAILLE D’OR A L’EXPOSITION DE S‘-L0UIS 1904\n\n       Prem ières médailles aux Expositions d’Amsterdam, P aris, Liverpool, Le Havre, Bruxelles, Chicago, etc. etc.\n\n       L IB R A IR IE NA TIO N A L E D’A R T E T D 'H IS T O IR E                 F a b r i q u e de c a d r e s p o u r ta b le a u x .\n                      G . V A N O E S T & G le\n                                                                                                     C h. x h r o ü e t\n          16,    rue     du     M usée,       B R T J X E I X j Xj I ^ S .\n                                                                                             19 2 , r u e R o y a l e , B r u x e l l e s\n\n     V i e n t d e p a r a î t r e clans la                                       Cadre de tous styles et d'après dessin pour tableaux\n                                                                                                aquarelles, pastels, etc.\nCollection des grands Artistes                                                           LE PLUS GRAND CHOIX DU PAYS\n                                                                                                                P R IX M O D ÉR ÉS\n         des Pays-Bas\n   Q UENTIN             M E T S Y S , p a r J . D E B O SSC H ER E .\n                                                                                           E. DEMAN, Libraire-Éditeur\n      THIÉRY            B O U T S , p a r A R N O L D G O F F IN .                          1 4 , r u e d e la C h a n c e lle r ie , à B r u x e lle s\n  C h aq u e volum e de c ette collection c o n tie n t de 120 à 140 pages\nde texte et u n e tre n ta in e de re p ro d u c tio n s h o rs texte.                 Œ U V R E S de M A LLA RM E, M A E TE R L IN C K , V ER H A ER EN ,\n                                                                                                            V IL L IE R S de l'IS L E ADAM\n                P r ix : 3 fr. 5o b r o c h é — 4 fr. 5o r e lié .\n                                                                                                  C onstantin M E U N IE R , F élicien R O PS, etc.\n\n                                                                                  Bulletins périodiques d’ouvrages rares et précieux en vente aux prix marqués.\n       DEMANDE!» CHEZ TOUS LES PAPETIERS\n                                                                                               C a ta lo g u e e n v o y é g r a tu ite m e n t s u r d e m a n d e .\nL Encre à écr.re indélébile\n                                                                                    Direction de ventes publiques de livres et estampes. Expertises.\n                 BLUE-BLACK Van Loey-Noury\n       SUPERIEURE A TOUTES LES AUTRES MARQUES                                       Imprimé sur papier de la Maison KEYM, rue de la Buanderie, 12-14.\n"}, {"page_pdf": 427, "texte": "                                                              TABLE DES MATIÈRES\n                            CONTENUES                                                   DANS                        LA V I N G T - S E P T I È M E                                                       ANNÉE                             ( 1907]\n\n                                                                                                           D E L ’A R T M O D E R N E\n\n\n\n\n                                                                                                                                                    G i l b e r t d e V o is in s ( F . d e M io m a n d r e ) . . . . . .                                                887\n                                   É T U D E S E T P O R T R A IT S .                                                                               E d w a r d G rie g ( O c ta v e M au s)                                               ...........................    283\n                                                                                                                                                    C h a r l e s G u é r i n (C om tesse M a t h i e u d e N o a i l l e s ) . .                                         117\nA r t e t S o l i d a r i t é (G u s ta v e G ef f r o y )                                  ....................................             185    J o r i s - K a r l H u y s m a n s ( F . d e M io m a n d r e ) . . . . .                                            161\nS o u v e n i r s e t E s p o i r s (O c t a v f . M a ü s ) ...................................                                        65          V i n c e n t d ’I n d y (G . J e a n - A u b r y ) ...............................................                   220\nL e Saint-Sébastien d ’A i g u e p e r s e ( A . F o n t a i n a s ) .                                                      . .              249\n                                                                                                                                                    E d m o n d J a l o u x ( F . d e M i o m a n d r e ) .........................................                        74\nL ’Œ u v r e d ’A l f r e c l S t e v e n s ( O c t a v e M a ü s ) ....................                                              129\n                                                                                                                                                    A lf r e d J a r r y (A n d ré F o n ta in a s ) . . . .                                            . . .             353\nL ’A r t s a t i r i q u e d ’a p r è s B a u d e l a i r e ( L . M a e t e r l i n c k ) .                                                  195\n                                                                                                                                                    P i e r r e L o u y s ( L o u is T h o m a s ) ..........................................................             313\nL e S a l o n d ’A u t o m n e ( O c t a v e M a ü s ) ................................... 2 9 7 ,3 0 5                                             M a x i m i l i e n L u c e ( G u s t a v e G e f f r o y ) .........................................                  49\nE n S i c i l e : l e s M u s é e s ( J u l e s D e s t r é e ) ............................                                          321           E d o u a r d M a s s o n ( F r é d é r i c C o ë r s ) ........................................                       67\nL ’E x p o s i t i o n d ’A r t a n c i e n à P é r o u s e ( G . M o u r e y ) .                                                  .         241\n                                                                                                                                                    C a m i l l e P i s s a r r o ( G e o r g e s L e c o m t e ) ..................................                      171\nL a T o i s o n d ’O r ( G e o r g e s H a c h e ) .........................................                                         203            A r m a n d R a s s e n f o s s e ( F r é d é r i c C o ë r s ) ..................................                    147\nT a l a c h k i n o ( F . M a l l ie u x )                     ........................................................              337\n                                                                                                                                                    M a u r i c e R a v e l (G . J e a n - A u b r y ) ...............................................                    277\nM a i s o n s d e r a p p o r t ( G a b r ie l M o u r e y )                                ...........................               193           J u l e s R e n a r d ( J u l e s B o i s ) .............................................................             364\nD u S e n t i m e n t h é r o ï q u e ( S a in t - G e o r g e s d e B o u h é l ie r ).                                                      81\n                                                                                                                                                    S a i n t - P o l - R o u x ( F . d e M i o m a n d r e ) ........................................                    281\nL a L i b r e A c a d é m i e ( C a m i l l e L e m o n n i e r ) ....................                                                  89\n                                                                                                                                                    D é o d a t d e S é v e r a c (G . J e a n - A u b r y ) ........................................                     331\nV o i c i l ’h o m m e ( F . d e M i o m a n d r e ) .                                                                                        83\n                                                                                                                                                    P a u l S i g n a c ( P a u l A d a m ) ............................................................              .    20\nL a C r i t i q u e d e M . H e n r i d e R é g n i e r ( I d . ) ....................                                                  91\n                                                                                                                                                    C h a r l e s S p o e lb e r c h d e L o v e n jo u l ( O c ta v e M au s) . .                                        219\nL e s P o s t h u m e s d e J e a n L o r r a i n ( I d ) ..................................                                          105\n                                                                                                                                                    S u l l y P r u d h o m m e ( F . d e M i o m a n d r e ) .................................                           291\nP a r a d o x e s u r l e s C l a u d i n e s ( I d .)                                             .............................             137\n                                                                                                                                                    C h a r l e s V a n L e r b e r g h e ( I d . ) .....................................................                 345\nD e u x p o i n t s d e v u e ( C l a u d e F a r r è r e ) ............................                                              169\n                                                                                                                                                    P i e r r e V i l l e t a r d ( I d . ) ..........................................................................    257\nL a r é s u r r e c t i o n d e la Société nouvelle ( M a u b e l ) .                                                       . .              225\n                                                                                                                                                    W i t o l d W o j t k i e w i c z ( A n d r é G i d e ) .........................................                     162\nL a M a i s o n d u P o è t e ( O c t a v e M a u s ) ...................................                                             201\nU n e C o u r d ’A m o u r à M a r c i n e l l e ( J u l e s D e s t r é e )                                                . .              209\nY o n v i l l e - l 'A b b a y e ( O c t a v e M a u s ) .                          . . . . . . .                                            289\nU n P h i l o s o p h e d e l a F r i v o l i t é ( F . d e M io m a n d r e )                                              . .              217                                                       P E IN T U R E\nC e p a u v r e m a r i a g e ( I d . ) ...............................................................                               361\nR é f l e x i o n s s u r R . K i p l i n g ( I d . ) .................................................                               369\nP a r a d o x e s u r l a P a r o d i e ( I d . ) .................................................                                   409           L a V isio n ch ez le s p e in tre s (C laudien F e r r ie r ) . . .                                         189\nL e P a r c d e B r u x e l le s a u p o in t d e v u e e s th é tiq u e J (B u L S )                                                        233    A u M usée a n c ie n (A. S.) .                                                                               99\nL e B e l A r s è n e ( O c t a v e M a u s ) ..................................................                                      273           L a S o c ié té d e s A m is d e s M usées (O. M .).............................. 354, 398\nS o n a t e s à K r e u t z e r ( F . M a l l i e u x ) ..........................................................5 7 , 7 3                         A rt o f f i c i e l             ............................                                                243\nM u s i q u e s e n s o r i e l l e e t m u s i q u e c é r é b r a l e (M .-D . C a l ­                                                            L e N o u v e a u s e c ré ta ire d e la C o m m issio n d e s M usées.                                      350\n    v o c o r e s s i)     ...............................................................                                                   107    U n V e rm e e r de D elft à B r u x e l l e s .........................................                     159\nM u s i q u e a l l e m a n d e e t m u s i q u e f r a n ç a i s e (G . C a r r a u d )                                                     179    L a R e s ta u r a tio n d e s ta b le a u x d e W i e r t z .......................                         230\nB e e th o v e n e t l a F r a n c e m u s i c a l e (A l f r e d M o r t ie r )                                                 .           213    L a D é c o ra tio n d u P a la is d e J u s t i c e ...................................                     358\nL ’Œ u v r e d r a m a t i q u e d e C é s a r F r a n c k ( C h V a n d e n                                                                        L e J u b ilé d ’A .-J. H e y m a n s ....................................................                   294\n    B o r r e n ) ...................................................................................................                 153           C o n c o u rs d e l ’A c a d é m ie . . ...........................................                      53\nJ e a n d ’U d i n e e t l ’A m o u r d e l a m u s i q u e ( F . d e M i o ­                                                                       L A c ad e m ie d e s B e a u x -A rts de B ru g e s (O. M.)                                  . . .           12\n    m a n d r e ) ...........................................................................................................                  2    L ’A ffa ire d e B ru g e s (C h .-L éon C ardon ) ...............                                     19\nP elléas et M élisande ( H e n r y L e s b r o u s s a r t ) . . . .                                                                           9                 Id .              (O. M .                                 )                                      60\nA rian e e t Barbe-Bleue ( O c t a v e M a u s ) . . .                                                           .          . .              145    L a D e s tru c tio n d e s œ u v re s d ’a r t ( F élix C oge n). . .                                        13\nS a lim é ( H e n r y L e s b r o u s s a r t ) ..............................................................9 7 , 1 1 3                           Id . (L e ttre s d e MM. P ... e t L . M a eterlinck ) ..................                                     29\nS a l o m é a u x c e n t V i s a g e s (G a b r ie l M o u r e y )                                       . . . .                            265    Id . ( L e ttre d e M. P aul B uéso fils ).........................................                           52\nA rian e ( O c t a v e M a u s ) ......................................................................                               377           Id . (L e ttre s d e MM. L . M a eterlinck e t B uls ).                                       . . .           61\nP a u l A d a m i d é o l o g u e ( F . d e M i o m a n d r e ) .....................                                                 211           U n e D é c o u v e rte a u M usée de G an d (L. M aeterlinck ).                                             275\nL o u i s A n q u e t i n ( L o u i s T h o m a s ) .................................................                                 177           L a P r o te c tio n d e s œ u v re s d ’a r t e n I t a l i e ..............                           213\nA l b e r t B a e r t s o e n a q u a f o r t is t e ( F r é d é r ic C o ë r s ) .                                                .         139    L e s V an D y c k d e G ê n e s .................................................                      109\nB eetho ven e t S chu bert (T . de W yzew a)                                                       ............................. 2 2 8 , 2 3 6      L e P o r t r a i t d u m a rq u is C a tta n e o , p a r V an D y c k . . .                                 311\nE m i l e B o u r d e l l e ( É l i e F a u r e ) .................................................                                   205           L ’In flu e n c e d e R u b e n s s u r V e lasq u ez ( le ttr e s de\nS t e p h e n C h a s e r a y ( F . d e M io m a n d r e )                                  ........................................... 2 5 , 3 3      MM. C h . H ermans e t L . S olvay ) . . . . . . 293.317, 324\nC l a u d e l e t S u a r è s ( I d . ) ...................................................................1 0 0 ( i à VI)                          L e s R e m b r a n d t d u L o u v r e ...........................................                     110\nL é o p o l d C o u r o u b l e ( I d .)                                                                                                     226    L a C o lle c tio n M o re a u a u L o u v re (O. M . ) ..............                                    45\nM m L u c i e C o u s t u r i e r ( G e o r g e s L e c o m t e ) ....................                                                  17          L e P o rt r a i t d e W a g n e r, p a r R e n o ir                     .............................       295\nP ie r r e C o r n e il l e (A l b e r t G ir a u d )                                ..................................                 41          U n e le ttr e d ’A lfred S isle y .................................................                    388\nH e n r i - E d m o n d C r o s s ( M a u r i c e D e n i s ) ...................................                                            121    L e C o n c o u rs d e R o m e .......................................................                  255\nJ u l e s D e B r u y c k e r ( F r a n z H e l l e n s ) ..........................................                                            1   L e s C o n d itio n s im p o s é e s p a r le s d o n a te u r s d e p rix aux\nG a u g u i n ( D r B é l a L a z a r ) ......................................................... 3 8 5 , 3 9 3 , 4 0 1                                a c a d é m i e s ................................................................                 215\n"}, {"page_pdf": 428, "texte": "                                                                                                              T A B L E DES M ATIÈRES                                                                                                                    415\n\n\n\n\nL e S a l o n d e L a L ib r e E s t h é t iq u e (O c t a v e M a u s) .                                                                   65    L e m o num ent B eethoven à P a r i s ......................................                  199\n   I d . ( L . D u m o n t - W il d e n ) .                           ..........................................................          107             Id .      d’E u g èn e Sue à A n n e c y ............................                  231\nL a L i b r e E s t h é t i q u e e t l a P r e s s e ...................................................                                 140             Id .      A lfred de V igny à P a r i s .............................                  167\nE x p o s i t i o n d u C e r c l e P o u r l’A r t ( O c t a v e M a u s ) . . .                                                           58            Id .      F a lg u iè re à T oulouse . . . . . . .                                     143\n        Id .        d e l a Société des B e a u x-A rts ( I d .) . . . .                                                                  129             Id .        G aribaldi à P a r i s ...................................... 143, 247\n        Id .        d e l a Société des P eintres-G raveurs ( G . L e m -                                                                                 Id.        C arriès à A rquian . .                                                     199\n                           m en)            .       .   .      .       .       .      ............................................          34            Id .       Jo se p h D upont à B ru x e lle s ........................                 374\n        Id .        d e l a Société des A quarellistes ( O c t a v e M a u s )                                                            395             Id.        E m m anuel Hiel à S ch aerb eek . . . .                                    303\nL e S a l o n t r i e n n a l . L ’é l e c t i o n d u j u r y .....................................                                       132            Id .       Ju lie n D illens à B r u x e l l e s .......................               391\n                 Id .                     L i s t e d ’a c q u i s i t i o n s ..................................... 3 5 6 , 4 0 6                         Id .       M inkelers à H êv erlé . .                          . . . .                231\nC e r c l e A r t is t iq u e . E x p o s i t i o n d e M M . M a r c e t t e ,                                                                            Id .     V an B ercken à A n v e r s .............................                    399\n   M e l s e n e t M e r c k a e r t ( O . M . ) ...................................................                                        76            Id.        Ch. L icot à V ille rs-la -V ille .......................                   158\n   E x p o s i t i o n d e M .J e a n v a n d e n E e c k h o u d t (O . M a u s) .                                                         84            Id .       F ran ç o is L a u re n t à G a n d ........................                407\n            Id .           de        M M . P o k it o n o w , L .                                   H errem a n s.                                U n m o num ent com m ém oratif à R ü tten sch eid . . . .                                        7\n                                M m es c l . L a c r o i x e t A n n a d e W e e r t                                                              U ne fête C onstantin M e u n i e r ..........................                            391, 407\n                                ( I d . ) .......................................................................................          116    L es S tatues tru q u ée s de V e r s a i l l e s .................................            143\n            I c i.         V e r h e y d e n ( I d . ) ..........................................................                          123    L es S tatues décoratives du m usée de G and.....................                              174\n      .     Id .           c le M lle L é o J o , d e M M . B e a u c k , L . H u y -                                                             L es A m is de la m édaille d’a rt (O. M.)........................... 28, 92, 350\n                                g e n s , G l a n s d o r f f e t B a s t i n ( I d .) .                                  .          .     130    E d o u a rd L a lo ire . Souvenirs num ism atiques des fêtes\n             Id .          A lbert G eudens (J. L aenen) . . . . .                                                                         411                                ju b ila ires de 1905 (O. M.) . . .                                   5\nE x p o s i t i o n d e M . C a r l W e r l e m a n n ( I d . ) .............................                                              397                Id .          L a Collection des m édailles de la\nL iè g e . E x p o s i t i o n d e M . E d . M a s so n ( F r é d é r ic C o ë r s ).                                                       67                                  Chambre des représentants (Id.) .                                285\n    Id .       A r m a n d R a s s e n f o s s e ( I d . ) ..................................................                              147    V ic to r T o u rn e u r. L e Cabinet des m édailles de l’É ta t\n    Id .       E x p o s i t i o n d e M . E d . H e i n t z ( I d . ) ............................                                        178       (A. de W itte ) ......................................................................      341\nL ’E x p o s i t o n d e T e r m o n d e                                                      .....................................        253    Nécrologie. H em u C ro s (O. M . ) ......................................                       55\nP a r is . L e s A r tis te s b e l g e s a u S a lo n (O c t a v e M a u s).                                                        .     211\n    L e S a lo n d e s A rtis te s in d é p e n d a n ts (Id ) .                                            .      .       .         .     140\n    L e S a l o n d e s H u m o r i s t e s ( I d . ) ..................................................... 1 6 7 , 1 9 6\n    L ’E x p o s i t i o n E u g è n e C a r r i è r e ( A n d r é F o n t a i n a s )                                               .     156\n                                                                                                                                                    A R C H IT E C T U R E , A R C H É O L O G IE , IN D U S T R I E S\n    L e S a l o n d ’A u t o m n e . L ’E x p o s i t i o n                                        d ’A r t           b e lg e                                                   D ’A R T\n         ( G . - J e a n A u b r y ) ...................................................                                                   315\n    Id .      R ê t r o p e c t i v e s B e r t h e M o r is o t , E va G o n z a l è s ,\n                   C é z a n n e ( I d . ) ............................................................................... 3 2 3 , 3 2 4\n                                                                                                                                                  L a R esta u ra tio n de Sainte-G udule.                              ...........................          245\n    Id .       Q u e l q u e s - u n s ( I d . ) ........................................................................                  339\n                                                                                                                                                  L e M usée colonial de T e r v u e r e n ......................................                            247\n   Id .       J .- B . C a r p e a u x . L a S c u l p t u r e . J .- M . S e r t (A n ­\n                                                                                                                                                  L e P a la is de la M alm aison .                           ......................................         261\n                   d r é F o n t a i n a s ) .........................................................................                     329\n                                                                                                                                                  L e P av illo n de F la u b e rt ( O c t a v e M a u s ) ...........................                       259\n    É c h o s d u v e r n i s s a g e ................................................................................                     327\n                                                                                                                                                  L ’E xposition d’a rt ancien à P é ro u se ( G . M o u r e y ) . .                                         241\n    N o m i n a t i o n d e s o c i é t a i r e s b e l g e s ...............................................3 5 0 , 3 5 6\n                                                                                                                                                  L a L am pe du tom beau de D ante à R avenne . . . .                                                       311\n    L ’E x p o s i t i o n d ’A r t b e l g e e t l a P r e s s e .....................................                                    388\n                                                                                                                                                  U n m usée de F o lk lo re à A nvers ( O . M . ) . . . . .                                        .2 6 9 ,4 0 6\n    L ’E s p r i t e t l e b u t d u S a l o n d ’A u t o m n e ( A . L a n t o i n e )                                                    366\n                                                                                                                                                  U ne œ uvre nouvelle : l’A r t a u f o y e r ................................. 198, 372\n    L e S a l o n d ’A u t o m n e e t l e Cri de P a r i s ..............................                                                 327\n                                                                                                                                                  Nos B ornes postales. L e ttre à M. L ie b a e rt (B uls) . .                                                84\n G a l e r ie G e o r g e s P e t i t . E x p o s i t i o n C h a r d in e t F r a g o ­\n                                                                                                                                                  C oncours d’E x-lib r i s ...........................................................                      222\n    n a r d (O . M             . ) .................................................................                                       188\n                                                                                                                                                  C oncours p o u r un m odèle de jo u e t d ’enfant . . . .                                                   29\n G a l e r i e B e r n h e i m . L e s D e s s i n s d e R o d in ( F . d e M .)                                                   .       332\n                                                                                                                                                  C oncours d ’a ffic h e s .................................................................                294\n G a l e r ie D r u e t . E x p o s i t i o n W o jt k ie v ic z (A n d r é G id e )                                                       162\n                                                                                                                                                  Nécrologie. A u g u s t e B é n a r d . . . . . . . . . .                                                  294\n                                                                                                                                                     G e o r g e s A l l e n ......................................................................          310\n B a r c e l o n e . E x p o s itio n d e s B e a u x -A rts . L e s A rtis te s\n    b e l g e s ...................................                                                                                  189, 358\n C r e f e l d . E x p o s i t i o n d e s P o r t r a i t i s t e s .....................................                                 254\n L e H a v r e . E x p o s i t i o n d u Cercle de l'A r t m oderne . .                                                                    199                                          L IT T É R A T U R E\n V e n is e . E x p o s it io n d e s B e a u x - A r ts . L e s A r t is t e s b e l g e s                                                191\n                                                                                                               191, 2 2 0 , 307, 356\n V e n te D r u e t ( P a r is )                                         ..........................................................          63   L ’in au g u ratio n de la M aison du L iv re (P aul Otlet ) 26, 43, 50\n    Id .       d e l a c o l l e c t i o n G . V i a u ( I d . ) ................................................ 7 7 , 1 0 9                     L e Musée du L iv re (Ch . V . ) ...........................................                 261\n    Ic i.      A u g u s te C o s te r ( I d .) .                                                                                          126    U n M inistère des Sciences et des A r t s .............................123, 149\n    Id .       H u y b e r e c h t s ( A n v e r s ) .........................................................                             126    M. F. S everin à l'U n iv ersité de Gand (O. M .)..........                                  316\n    Id .       G e o r g e s C h a r p e n t i e r ( P a r i s ) ...........................................                               133    Mme B elval et Mlle M arie C losset à l’In stitu tio n G atti                              .     335\n    Id .       T a v e r n i e r ( I d . ) ...............................................................................                 142    C am ille L e m o n n ier au M usée W iertz (O. M. ) . . . .                                     347\n    I c i . M ü h l b a c h e r ( I d . ) ...............................................................................                . 183    L e leg s B o u v ier-P arv illez à l ’A cadém ie de B elg ique .                                 87\n    Id .       R o d o l p h e K a n n ( I d . ) .................................................................                         262    L a résu rrec tio n de la Société n o u v e l l e ........................... 225, 253\n    Id .       d e l ’a t e l i e r T h a u l o w ( I d . ) ..................................................... 1 5 0 , 1 5 8                   M ystification. W illy e t L e Censeur (O. M .)................                              204\n    Id .       d ’e s t a m p e s a n c i e n n e s e t m o d e r n e s ( I d . ) . .                                             .        167    P en sées d ’a r t i s t e s ..........................................................      261\n    Ic i.      d ' e s t a m p e s a n g l a i s e s ( I d . ) ..................................................                          207    L es collections du vicom te S p o elb erch de L o v en joul . 287, 407\n Nécrologie. A l e x a n d r e C é s a r i n ...................................................                                           175    L a canne de Balzac . . , .................................................                      285\n    C h a r t r a n .....................................................................................................                  230    U n M usée des p oètes                               ..........................                  302\n    A u g u s t e D e l a t r e ......................................................................................                     262    L e nom cle S ully P r u d h o m m e .....................................                   309\n     N . - J . G r i g o r e s c o ( O . M . ) .................................................................                           276    L ’élection de M. de R é g n ie r à l’A cadém ie . . . . .                                       167\n    L é o n H e r b o .....................................................................................................                198    Ju g em en ts de B a rb ey d’A u r e v il ly ......................................              319\n    É m i l e L e c l e r c q ......................................................................................                       270    U ne le ttre de Guy de M a u p a ssa n t......................................                   284\n    F é l i x R e g a m e y .............................................................................................                  150    U ne le ttre in éd ite d e J.-K . H u y s m a n s ..................... .                        260\n     T h é o d o r e V e r s t r a e t e ( O . M . ) ...................................................                                     14   U ne le ttre de J.-K . H uysm ans à l ’abbé M oniquet. . .                                       319\n                                                                                                                                                  A p ropos de G. d’A n n u n z io ..........................................                  151\n                                                                                                                                                  L e m usée P o u c h k in e à S a in t-P é te rs b o u rg ...............                    223\n                                                      SC U LPTU R E                                                                               L e p rix N obel de litté ra tu re ...................................................               399\n                                                                                                                                                  C onférences de la L ib re E sth é tiq u e :\n                                                                                                                                                     M. F . de M iom andre. C laudel et Suarès (O. M.) . .                                          93\n P o u r le m onum ent B au d elaire (O. M . ) .................... 293                                                                              M. S ain t-G eo rg es d e B o u h é lie r. L a R éfo rm e du\n L a S cu lp tu re au Salon d ’A utom ne ( A . F o n t a i n a s ) . ' . ' 329                                                                           T h é â t r e ..................................................               .. ...      81\n In a u g u ra tio n du m onum ent H en ry Stacquet .                       . 243, 347, 406                                                       P a u l Adam. Irèn e et les E u n u q u es (F. d e M iomandre) . . 212\n In a u g u ra tio n du m onum ent F la u b e rt.              ......................   371                                                       Com te d ’A e rs c ho t. Quelques étapes (H. K .) . . . .                                         69\n L e m onum ent P a le s trin a à R o m e ......................                143                                                               F .-P . A lib e r t. L 'arbre qui saigne (F. de M iomandre): . .*                                331\n          Id .        du P é ru g in à P é ro u s e .................           151                                                               D .-H en ri A sselin . L e C endrier (Id.) .. .. . ... . . . .                                   300\n"}, {"page_pdf": 429, "texte": "  41 6                                                                                                                  T A B L E D E S MA TIÈRES\n\n\n\n  A u r e l . Comment les femmes deviennent écrivains ( I d . )                                                                              236     C te sse D E N o a i l l e s . L es Eblouissements ( F . d e M i o ­\n  I d . L a Crise du m ariage ( I d . ) ..........................................................                                           361          m a n d r e ) ..................................................                                                                  251\n  L é o n B a z a l g e t t e . Emile Verhaeren ( I d . ) .............................                                                      149     R . P e t r u c c i . Les Caractéristiques de la P ein tu re ja p o ­\n  C h a r l e s B a u d e l a i r e . L ettres ( I d . ) ...................................................                                 116          naise ( O c t a v e M a u s ) . : .................................................................                               235\n  M a r i a B i e r m é . Rayons d ’âm e ( P a u l C o r n e z ) . . . .                                                                     363     V i t t o r i o P i c a . E dou ard M a n e t.                                                                                         166\n  E r n e s t B l u m . D u M ariage ( F . d e M i o m a n d r e )                                                    . . .                  361                Id .            .L'Art ja p o n a is au Musée Chiossone de\n  L é o n B o c q u e t . L es Cygnes noirs ( I d . ) ....................................                                                   100                      . .           Gènes (O, M .) , , . . . . ...............................                                              214\n  S y l v a i n B o n m a r i a g e . F leu rs de vie ( I d . ) ....................................                                         100                Id .             L a G alleria d'A rte Moderna a Venezia\n  M . - D . C a l v o c o r e s s i . F ra n z L iszt ( C h . V a n d e n B o r r e n )                                                       59                      . .            ( C h , V , ) .................................................................                  254, 286\n  G . C a s e l l a . L eV ertige des cimes ( F . d e M i o m a n d r e )                                                             .      276                I d ..     .    L ’A rte m ondiale a lla V II Esposizione di\n  S t e p h e n C h a s e r a y . L e H aut plateau , le Cadi H adj-                                                                                                                  V e n e z ia ............................................................                       307\n      A m ar , le Targui ( I d . ) ........................................................................                                  33      L o u i s P i é r a r d . Im ages bor aines ( F . d e M i o m a n d r e ) . .                                                         252\n  P a u l C l a u d e l . Connaissance de l’Est ( I d . ) .............................                                                     245      R . R a n d a u . Les Colons ( I d . ) .....................................................                                     355\n             Id .                 A rt poétique ( I d . ) ...................................................                               245      C h a r l e s R é g i s m a n s e t L'Ascète ( I d . ) .                                    .      ..................             52\n A l b e r t C l o ü a r t . L a Sainte a u x Maisons ( I d . )                                                      .       .      .       331      H e n r i d e R é g n i e r . Sujets et P aysages ( I d . ) ..................                                                    91\n L o u i s C o d e t . L a Rose du ja r d in ( I d . ) ............................................                                         197                     I d .,       . . Figures et Caractères ( I d . ) .                                              . . .                    91\n L é o p o l d C o u r o u b l e . Contes et récits d ’u n Bruxellois,                                                                                              Id .            . L a P e u r de l’am ou r ( C l a u d e F a r ­\n      la Ligne des Hespérides ( I d ) ..........................................................                                            227          rè re )                                                                                                                           169\n C u r t i o ( G e o r g e s G a r n i r ) . Zievereer, K ro tt et Cte ( C h . V . )                                                        261      G e o r g e s R e n s . L a Cluse ( P a u l C o r n e z ) .........................                                              363\n M a x D e a u v i l l e . L a Fausse route ( P a u l C o r n e z ) .                                                        .      .       163     J e a n R ic q u e b o u rg               La. Terre du D ragon ( F . d e M i o ­\n J u l e s D e l a c r e . Les Roses blanches ( F . d e M i o m a n d r e ) .                                                                99          m a n d r e ) ............................................................................................................        132\n G . D e n y s - P é r i e r . Proses à Gilles L u ych ( P a u l C o r n e z ) .                                                            163     L u c a R i z z a r d i . P ein tres et Aquafortistes icallons. ( P a u l\n M a u r i c e d e s O m b i a u x . Io-Ié Bec de lièvre ( I d . )                                                   . . .                  163                                         C orn ez)                          ..........................................................      163\n E.       D e v e r i n . Le P assan t qui regarde ( F . d e M i o m a n d r e )                                                            100                 Id .             L e Journal d ’u n suicidé ( F . d e M i o ­\n J e a n D o l e n t . Le Cyclone ( I d . ) ..........................................................                                      235                                         m a n d re )                                                                                       275\n D o s t o ï e v s k y . Le Double ( I d . ) ......................................................                                 •        19     D i d i e r d e R o u x . L ’É vent des varechs ( I d . ) ..................                                                      132\n E d o u a r d D u c o t é . L ’A m our sans ailes ( I d . ) .............................                                                  187     L u c i e n R o l m e r Chants perdu s ( I d . ) ...............................,.                                                     100\n J e a n E r i e z . Ceux de V illaré ( I d . ) ...................................................                                         131     J . - H R o s n y . L a Juive ( I d . ) ......................................................                                     51\n J . E s d i n . Contes fu rtifs ( I d . ) .................................................................                                276     J o h n R u s k i n . Les M atins à F lorence ................................                                                    229\n C l a u d e F a r r è r e . L ’Homme qui assassina ( I d . ) .                                                              .       .      155     A n d r é R u y t e r s . L e M auvais riche ( F . d e M i o m a n d r e ) .                                                           308\n F i e r e n s - G e v a e r t . Figures et Sites de Belgique ( I d . ) .                                                            .      379     E m i l e S i c a r d . L a M ort des Yeux ( I d . ) .                                      . . . . . .                                188\n F e r n a n d F l e u r e t . Friperies ( I d . ) ...................................................                                      331     P a u l S p a a k . Voyages vers mon p a y s ( I d . ) ..................                                                         378\n A n d r é F o n t a i n a s . Hélène P ra d ie r ( I d . ) ....................................                                            1S8     H et Sprookje van B a ld er ( C h . V . ) .                                                                                            251\n H e n r i G a d o n . Le Chalumeau de P a n ( I d . ) .............................                                                        149     I w a n S t r a n n i c k . Les Mages sans étoiles ( F . d e M i o ­\n M a u r i c e G a u c h e z . J ardin d ’adolescent ( I d . )                                               . . . .                        149          m a n d re ) . . .                                                                                                                  19\n                Id .                      Sim ples croquis ( P a u l C o r n e z ) . .                                                      363     A n d r é S u a r è s . Voici l’homm e ( I d . ) ........................................                                          83\n C h a r l e s G h e u d e . L a Chanson populaire belge ( C h . V a n                                                                              L o u i s T h o m a s . L a M aladie et la M ort de M aupas­\n     d e n B o r r e n ) ....................................................................................................               669          sant ( I d . ) .................................................................................................             117\n A n d r é G i d e . Le retour de l’E nfant prodigu e ( F . d e                                                                                     L o u i s T h o m a s . Yette ( I d . ) .............................................................                             404\n     M i o m a n d r e ) ....................................................................................................               236     J e a n d ’U d i n e . L'Ecole des Am ateurs, la M eide tourne,\n I w a n G i l k i n . Etudiants russes ( I d . ) ............................................                                               19          Glüch, l ’Orchestration des couleurs, De la corréla­\n L o u i s G i l l e t . R aphaël.                                                             ....................................         181          tion des sons et des couleurs en a r t .................................                                                      2\n R e m y d e G o u r m o n t . Un Cœur virginal ( F . d e M i o -                                                                                   R e n é e T o n y d ’U l m è s . L es Forces p erdu es ( I d . ) . . .                                                                19\n      MANDRE ) ............................................................................................................                 187                      Id .                         L'Ombre du soir ( I d . ) . . . .                                                      355\n I d . Dialogues des A m ateurs ( I d . ) . . . . . . . .                                                                                   403     H é l è n e V a c a r e s c o . N u its d'Orient ( I d . ) .........................                                             148\nE u g è n e d ’H a r c o u r t . L a Musique actuelle en Italie                                                                                     P i e r r e V a l d a g n e . L ’A m our du prochain, l'A m our p a r\n     ( C H . V a n d e n B o r r e n ) ........................................................................                             243         principes. Mon F ils, sa Fem m e et mon A m ie, Touti,\nJ o s é H e n n e b i c q . L ’a r t et l’Idéal ( F . d e M i o m a n d r e )                                                           .   308          les Fem m es charm antes, la Confession de Nicaise ( I d . )                                                                    217\nM me G é r a r d d ’H o u v i l l e . Esclave ( C l a u d e F a r r è r e )                                                             .   169     R o b e r t V a l l é r y - R a d o t . Les G rains de m yrrh e ( I d . ) .                                                          100\nP a u l H o u y o u x . L a G rande Grèce ( P a u l C o r n e z )                                                           .           .   163     J e a n - L o u i s V a u d o y e r . Quarante p etits poèm es ( I d . ) .                                                     .     251\nA . I b e l s . Le L ivre du S l e i l ( F . d e M i o m a n d r e ) .                                                      .           .   253     L é o n V a u t i i y . L a Facile Liaison ( I d . ) ....................................                                            132\nE d m o n d J a l o u x . L ’Agonie de l’A m our, les Sangsues, le                                                                                  E m i l e V e r h a e r e n . L a G uirlaude des dunes ( I d . ) .                                                     .       .     331\n     Jeune homme au masque, L ’Ecole des m ariages ( I d . )                                                                                 75                Id .                   Vers contemporains, t r a d u i t s e n r u s s e\nJ o s s o t . V iande de borgeois ( I d . ) ...................................................                                              52                                            p a r V a l e r o B r u s s o v ( F . M a l l ie u x ).                                       326\nE d L a l o i r e . Le L ivre d ’Heures de P h ilippe de Clèves                                                                                    L é o n V é r y . Le Stylite ( F . d e M i o m a n d r e ) .............................                                              236\n     ( C h . V . ) ............................................................................................................             670     M a r i e V i é s s i é l o v s k a . L a Jeune Belgique ( F . M a l l i e u x )                                                     172\nS t a n i s l a s L a m i . Dictionnaire des Sculpteurs . . . .                                                                             179    P i e r r e V i l l e t a r d . L a Maison des sourires, la Mon­\nM a r i u s - A r y L e b l o n d . L ’Oued ( F . d e M i o m a n d r e )                                                  .                 52         tagne d'am our, Monsieur et M adam e B ille ( F . d e M i o ­\nL é o n L e g a v r e . L a Femme dans la Société ( I d . ) .                                                                     .         309         m a n d r e ) ............................................................................................................       257\nL e g r a n d - C h a b r i e r . L ’Amoureuse im prévue ( I d . ) .                                                       .            .   131    G i l b e r t d e V o i s i n s . Le Démon secret, les M oments p e r­\nC a m i l l e L e m o n n i e r L ’H allali ( I d . ) ...................................................                                    52         du s de John Shag ( I d . ) ........................................................................                             387\n                Id .                        A lfred Stevens et son Œ uvre ( O c t .                                                                W e l l s . Anticipations, Quand le dorm eur s'éveillera ( I d . )                                                                    308\n     M a u s ) ...................................................................................................................          129    W i l l y . Un P e tit Vieux bien p ro p re ( I d . ) .............................                                                   404\nH . - R . L e n o r m a n d . L e Jardin su r la glace ( F . d e M i o ­                                                                           C o l e t t e W i l l y . L a R etraite sentim entale ( I d . )                                                  .      .       .     137\n     m a n d r e ) ...............................................................................................................           52    G e o r g e s F r é m i è r e s . Yor ( I d . ) ..........................................................                            149\nG r é g o i r e L e R o y . La Chanson du pauvre ( I d . ) . .                                                                          .   149    N é c r o l o g i e . C l o v i s H u g u e s .................................................................                       190\nH.        L i e b r e c h t . Le Masque tombe ( I d . ) ................................                                                    276    J . - K . H u y sm a n s ( F . M .)                                                 ...........................................       156\nM a r i o L o b a . L a M ostra d i Antica A rte Umbra a P e ru ­                                                                                  H e c t o r M a l o t ..............................................................................................                  238\n     gia 1907 ( O . M ) ......................................................................................                              229    S u l l y - P r u d h o m m e ( F r a n c is d e M io m a n d r e )                                      . . . .                      291\nJ e a n L o r r a i n . L ’A ryenne ( F r a n c i s d e M i o m a n d r e ) .                                                     .         105    C h a r l e s d e S p o e l b e r c h d e L o v e n jo u l (O c t a v e M a u s).                                                     219\n            Id .              Le Tréteau                                             ( I d .) .                           .      .          105    S o ttis ie r u n iv e rs e l .              . 6, 15, 31, 63, 95, 103, 111, 119, 183 207,\nE l i e M a r c u s e . L ’Obole des heures ( I d . ) .                                                                    .      .         100                                                                                      215, 231, 263, 359, 382, 407.\nE d o u a r d M a y n i a l . La Vie et l’Œ uvre de G u y de Mau­                                                                                  A c c u sé s d e ré c e p tio n .                  .      . 62, 86,110,150, 174, 206, 229, 294,\n    passant ( I d . ) . . .............................................................................................                     116                                                                                                                           310, 366, 381\nA . M i c h e l . Héroïnes et Actrices ..........................................................                                           230    A t r a v e r s l e s r e v u e s ( F r a n c is d e M io m a n d r e ) . . . .                                                       172\nF r a n c i s d e M i o m a n d r e . V i s a i / e s ...................................................                                   223    A n t é e ( F . d e M . ) ..............................................................................................             45\nC h a r l e s M o r i s s e a u x . L a Blessure et l’A m our ( F . d e                                                                            P é r i o d i q u e s n o u v e a u x . L a F ron de ...................................................                          103\n     M i o m a n d r e ) ....................................................................................................               131       L ’E s s o r ............................................................................................................      103\nJ . M o u r i e r . L'A rt au Caucase ( P a u l C o r n e z ) .                                                    .      .      .          363       L ’A n n o n c ia t e u r ...............................................................................                      230\nC h . M u l l i e r e t P . R e b o u x . A l a m anière de . . . F r a n c i s\n     d e M io m a n d r e ) ,.              . . . . . . . . . . . . . .                                                                     409\n"}], "calendrier": {"precision": "jour", "ordre_dans_volume": 52, "mois_verifie": true, "numero_verifie": true, "mois_reconstitue": false, "numero_reconstitue": false, "date_tri": "1907-12-29", "signet_source": "N° 52. - 29 décembre 1907", "preuve": "Date et numéro lus en tête du numéro, PDF 422", "methode_reconstitution": "Date et numéro du signet de l’ULB, contrôlés sur l’en-tête du numéro."}}