{"numero_id": "ulb-art-moderne-1908-12-21-n52", "volume": "ELB-ULB-DL2864764-1908-f", "ocr_sha256": "e16c7e2eaeec13ff5a9ba2de1672385a1deafaad51d7a163a303e1ec21c33cd3", "articles": [{"article_id": "ulb-art-moderne-1908-12-21-n52-001", "volume": "ELB-ULB-DL2864764-1908-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1908-f.pdf", "ocr_sha256": "e16c7e2eaeec13ff5a9ba2de1672385a1deafaad51d7a163a303e1ec21c33cd3", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 409, "page_fin": 409, "titre_corps": "Sommaire", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "V IN GT-H U ITIEM E A N N EE.", "ancre_fin": "m atières", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 9, "fin_caractere_exclue": 38, "texte": "V IN GT-H U ITIEM E A N N EE."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 76, "fin_caractere_exclue": 82, "texte": "N° 52."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 132, "fin_caractere_exclue": 161, "texte": "27 D é c e m b re       1908."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 166, "fin_caractere_exclue": 178, "texte": "L’ARTMODERNE"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 221, "fin_caractere_exclue": 248, "texte": "REVUE CRITIQUE HEBDOMADAIRE"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 291, "fin_caractere_exclue": 334, "texte": "BUREAUX : RUE DE L’INDUSTRIE, 32, BRUXELLES"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 343, "fin_caractere_exclue": 460, "texte": "ABO NNEM ENT : B E L G IQ U E , 10 FR A N C S L ’A N ; U N IO N PO ST A L E, 13 FRA N CS — L E NU M ÉRO, 25 CENTIM ES"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 493, "fin_caractere_exclue": 507, "texte": "S O M M A IR E"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 739, "fin_caractere_exclue": 814, "texte": "F . -A. Gevaert ( O c t a v e M a u s ) . — La Société centrale d’architec­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 955, "fin_caractere_exclue": 1032, "texte": "tu re ( O . M .) . — « L a Dame qui n’est plus aux Camélias » ( F r a n c i s"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1165, "fin_caractere_exclue": 1239, "texte": "d e M i o m a n d r e ) . — Chronique théâtrale : Boccace (G. R ). — Chro­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1240, "fin_caractere_exclue": 1311, "texte": "nique judiciaire des A rts : Une définition ju rid iq u e des Musées. —"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1378, "fin_caractere_exclue": 1439, "texte": "Nécrologie : Siebe ten Cale. — P etite Chronique. — Table des"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1517, "fin_caractere_exclue": 1527, "texte": "m atières."}]}, {"article_id": "ulb-art-moderne-1908-12-21-n52-002", "volume": "ELB-ULB-DL2864764-1908-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1908-f.pdf", "ocr_sha256": "e16c7e2eaeec13ff5a9ba2de1672385a1deafaad51d7a163a303e1ec21c33cd3", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 409, "page_fin": 411, "titre_corps": "F.-A. Gevaert", "titre_sommaire": "", "rubrique": "", "signature_source": "Octave Maus", "ancre_debut": "F.-A . G EVAERT", "ancre_fin": "Octa v e M aus", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2085, "fin_caractere_exclue": 2109, "texte": "F.-A .          G EVAERT"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2305, "fin_caractere_exclue": 2354, "texte": "Ce n’est pas en Belgique seulement que la mort de"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2430, "fin_caractere_exclue": 2479, "texte": "M. Gevaert aura un douloureux écho. En France, où"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2566, "fin_caractere_exclue": 2620, "texte": "l ’illustre musicologue fit ses premières armes, où le"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2701, "fin_caractere_exclue": 2753, "texte": "compositeur trouva un public accueillant, la funèbre"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2839, "fin_caractere_exclue": 2895, "texte": "nouvelle attristera tous ceux qui ont le culte de l ’art"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2970, "fin_caractere_exclue": 3021, "texte": "musical. Aucune nation étrangère ne sera d’ailleurs"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3106, "fin_caractere_exclue": 3160, "texte": "indifférente à l ’événement, car la renommée du défunt"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3242, "fin_caractere_exclue": 3260, "texte": "était universelle."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3381, "fin_caractere_exclue": 3433, "texte": "C’était, dans la plus haute et complète acception du"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3514, "fin_caractere_exclue": 3565, "texte": "terme, un « Représentative man ». Il incarnait, aux"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3649, "fin_caractere_exclue": 3705, "texte": "yeux de tous, la Musique, et avec elle tout ce que l’in­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3706, "fin_caractere_exclue": 3763, "texte": "telligence, la culture, l’érudition, l ’expérience appor­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4049, "fin_caractere_exclue": 4105, "texte": "tent au service d’un art qui exige, plus que tout autre,"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4142, "fin_caractere_exclue": 4183, "texte": "l’accord de la science et de l ’instinct."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4471, "fin_caractere_exclue": 4522, "texte": "Son autorité était indiscutable. Elle s’exerçait, —"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4632, "fin_caractere_exclue": 4686, "texte": "non sans tyrannie parfois, mais avec une tyrannie tem­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4959, "fin_caractere_exclue": 5014, "texte": "pérée par l’affabilité des manières et la plus parfaite"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5120, "fin_caractere_exclue": 5177, "texte": "courtoisie, — sur tous ceux que la vie mettait en contact"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5372, "fin_caractere_exclue": 5427, "texte": "avec lui. Les plus altières compétences musicales s’in­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 547, "fin_caractere_exclue": 604, "texte": "clinaient devant la sienne, et le respect qu’il inspirait"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 687, "fin_caractere_exclue": 735, "texte": "n’avait d’égal que l ’ardeur de ses convictions."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 900, "fin_caractere_exclue": 954, "texte": "A une époque où nul n'échappe à la critique, à la dis­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1115, "fin_caractere_exclue": 1164, "texte": "cussion, au dénigrement, la considération unanime"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1322, "fin_caractere_exclue": 1377, "texte": "dont jouissait cette personnalité d’élite est peut-être"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1460, "fin_caractere_exclue": 1516, "texte": "unique. Si l ’on eût ouvert un referendum pour désigner,"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1599, "fin_caractere_exclue": 1653, "texte": "ainsi qu’on le fit pour élire un Prince des Poètes, un"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1736, "fin_caractere_exclue": 1792, "texte": "artiste digne d’occuper le Siège apostolique de la Musi­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1875, "fin_caractere_exclue": 1930, "texte": "que, il est probable que le vénérable directeur du Con­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2013, "fin_caractere_exclue": 2066, "texte": "servatoire de Bruxelles eût réuni tous les suffrages."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2148, "fin_caractere_exclue": 2205, "texte": "L’infaillibilité de ses avis lui en conférait l’incontes­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2287, "fin_caractere_exclue": 2299, "texte": "table titre."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2385, "fin_caractere_exclue": 2429, "texte": "Cet ascendant, M. Gevaert ne le dut qu’à son"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2511, "fin_caractere_exclue": 2565, "texte": "mérite et à la fermeté de son caractère. Ici encore le"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2647, "fin_caractere_exclue": 2700, "texte": "fait est assez rare pour être mentionné. Prix de Rome"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2782, "fin_caractere_exclue": 2838, "texte": "à dix-huit ans, il fit représenter ses premiers ouvrages"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2920, "fin_caractere_exclue": 2969, "texte": "lyriques avant même d’avoir entrepris les voyages"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3051, "fin_caractere_exclue": 3105, "texte": "réglementaires qui devaient ouvrir à sa jeune intelli­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3187, "fin_caractere_exclue": 3241, "texte": "gence les horizons les plus étendus (1). Nommé en 1867"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3323, "fin_caractere_exclue": 3376, "texte": "directeur de la musique à l’Opéra, poste créé pour le"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3458, "fin_caractere_exclue": 3513, "texte": "musicien belge en raison de l ’exceptionnelle valeur de"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3595, "fin_caractere_exclue": 3648, "texte": "celui-ci et qui fut supprimé à son départ, il imprima"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3790, "fin_caractere_exclue": 3878, "texte": "(1) F r a n ç o i s - A u g u s t e [ G e v a e r t n a q u it à H u y s se (F la n d re"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3960, "fin_caractere_exclue": 4048, "texte": "o rie n ta le ) le 31 j a n v i e r 1828. P r i x d e R o m e (à l ’u n a n im ité ) e n"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4130, "fin_caractere_exclue": 4141, "texte": "m a i 1847."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4226, "fin_caractere_exclue": 4308, "texte": "Œ u v r e s l y r i q u e s : H u g u e s de S o m e rg e m , 3 a c te s (1848). —"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4390, "fin_caractere_exclue": 4466, "texte": "L a C om édie à la V ille, 1 a c te (m êm e a n n é e ). — G eorgette o u le"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4548, "fin_caractere_exclue": 4631, "texte": "M o u lin de F o n te n o y , 1 a c te (1853). — L e B ille t d e M a rg u e rite ,"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4713, "fin_caractere_exclue": 4799, "texte": "3 a c te s (1854). — L e s L a v a n d iè r e s de S a n ta r e m , 3 a c te s (1855)."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4881, "fin_caractere_exclue": 4958, "texte": "— Q u e n tin Du r w a r d , 3 a c te s (1858). — L e D iable a u m o u lin ,"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5040, "fin_caractere_exclue": 5119, "texte": "1 a c te (1859). — L e C h â tea u -T ro m p e tte , 3 a c te s (1860). — L e s"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5201, "fin_caractere_exclue": 5282, "texte": "D e u x A m o u r s , 2 a c te s (1861). — L e C apitaine H e n rio t, 3 a c te s"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5364, "fin_caractere_exclue": 5371, "texte": "(1864)."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5456, "fin_caractere_exclue": 5544, "texte": "C o m p o s i t i o n s d i v e r s e s : Jacques V a n A rte v e ld e , c a n ta te . —"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 83, "fin_caractere_exclue": 137, "texte": "au x études m usicales de l ’A cadém ie im périale une"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 232, "fin_caractere_exclue": 299, "texte": "d irectio n où se m a rq u a ie n t so n g o û t su r et sa volonté"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 383, "fin_caractere_exclue": 434, "texte": "p ersév éran te. Les événem ents politiques de 1870"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 524, "fin_caractere_exclue": 585, "texte": "l’a y a n t ram en é en Belgique, il p rit en a v ril 1871 la"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 670, "fin_caractere_exclue": 734, "texte": "d irectio n du C o n serv ato ire de B ruxelles que la m o rt de"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 819, "fin_caractere_exclue": 887, "texte": "P étis v e n a it de la isse r v acan te. C’e st là, dans cet é ta ­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 958, "fin_caractere_exclue": 1028, "texte": "blissem ent d o n t il fu t d u ra n t tre n te -se p t ans l ’âm e et"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1104, "fin_caractere_exclue": 1173, "texte": "qui lui doit sa célébrité, q u ’il a lla it tro u v er l’o rie n ta ­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1241, "fin_caractere_exclue": 1267, "texte": "tion définitive de sa vie."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1389, "fin_caractere_exclue": 1452, "texte": "Un hom m e de cette trem p e n ’a ssu je ttit p o in t sa n a ­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1525, "fin_caractere_exclue": 1592, "texte": "tu re au x fon ctio n s q u ’il rem p lit : il dom ine celles-ci et"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1675, "fin_caractere_exclue": 1736, "texte": "les élève au n iveau de son esp rit. D u ran t ce long règne,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1816, "fin_caractere_exclue": 1878, "texte": "M. G evaert identifia si é tro ite m e n t le C onservatoire à"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1955, "fin_caractere_exclue": 2009, "texte": "sa conception individuelle que sa pensée en ré g la it"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2096, "fin_caractere_exclue": 2160, "texte": "l’org an ism e ju sq u ’en ses m oin d res détails. C’é ta it le"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2240, "fin_caractere_exclue": 2308, "texte": "clav ier su r lequel il p ro m e n a it avec a m o u r ses doigts de"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2376, "fin_caractere_exclue": 2441, "texte": "m usicien ferv en t. Il l ’a im a it d ’une passion ja lo u se et"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2521, "fin_caractere_exclue": 2582, "texte": "exclusive. M algré son g ra n d âge, il ne to léra ja m a is,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2664, "fin_caractere_exclue": 2729, "texte": "p a r exem ple, q u ’un chef d’o rc h e s tre le re m p laçâ t au"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2799, "fin_caractere_exclue": 2863, "texte": "p u p itre. E t la m o rt seule a r r ê ta le b ra s qui, chaque"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2944, "fin_caractere_exclue": 3005, "texte": "hiver, en des so len n ités d ans lesquelles le culte .esthé­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3084, "fin_caractere_exclue": 3144, "texte": "tique é ta it célébré avec une pom pe m agnifique, m a îtri­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3227, "fin_caractere_exclue": 3291, "texte": "sait et d isciplinait une arm ée d ’in stru m e n tiste s e t de"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3366, "fin_caractere_exclue": 3433, "texte": "c h a n te u rs e x a lta n t la g lo ire de B ach, de H aendel, de"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3509, "fin_caractere_exclue": 3549, "texte": "G luck, de B eethoven ou de W a g n e r."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3664, "fin_caractere_exclue": 3727, "texte": "La fo rte p e rso n n a lité de M. G evaert, sa cu ltu re ency­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3806, "fin_caractere_exclue": 3865, "texte": "clopédique, la certitu d e de ses connaissances ex cluaient"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3939, "fin_caractere_exclue": 4005, "texte": "les d an g ers que p o u rra it offrir u n e a b so rp tio n de ce"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4082, "fin_caractere_exclue": 4144, "texte": "g en re. Les griefs que su scita p a rfo is celle-ci s’ém ous­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4231, "fin_caractere_exclue": 4301, "texte": "sè re n t su r son im passibilité. E t l’on to lé ra it v o lo n tiers"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4378, "fin_caractere_exclue": 4443, "texte": "q u ’il e û t re p ris p o u r son com pte, avec une h a u tain e"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4520, "fin_caractere_exclue": 4582, "texte": "in tran sig ean ce, l’axiom e célèbre que L ouis X IV ap p li­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4664, "fin_caractere_exclue": 4731, "texte": "q u ait à l ’É ta t. M ais qui donc a ffro n te rait le p érilleu x"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4805, "fin_caractere_exclue": 4852, "texte": "h o n n e u r de lui succéder d ans cette voie?"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4904, "fin_caractere_exclue": 4964, "texte": "Son influence s’é ten d ait, au su rp lu s, bien au delà des"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5039, "fin_caractere_exclue": 5107, "texte": "lim ites de l’édifice officiel s u r lequel il ex erçait les p r é ­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5184, "fin_caractere_exclue": 5252, "texte": "ro g ativ es de la m o n arch ie absolue. Il fut l’in itia te u r de"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5329, "fin_caractere_exclue": 5394, "texte": "toute une g é n é ra tio n . Il ra m e n a en Belgique l’am o u r"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5471, "fin_caractere_exclue": 5532, "texte": "des belles œ uvres classiques qui re p rire n t le u r place,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5611, "fin_caractere_exclue": 5672, "texte": "g râce à ses c o n sta n ts efforts, su r les scènes lyriques"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5754, "fin_caractere_exclue": 5819, "texte": "d o n t elles a v a ie n t été dépossédées. C’e st à lui que nous"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5897, "fin_caractere_exclue": 5954, "texte": "devons les ém ouvantes rec o n stitu tio n s d 'O rph ée,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6046, "fin_caractere_exclue": 6112, "texte": "d'A lceste, d ’I p h ig é n ie , d ’A r m id e , de F id e lio que"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6186, "fin_caractere_exclue": 6248, "texte": "réalisa, sous son im pulsion, le th é â tre de la M onnaie, de"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6327, "fin_caractere_exclue": 6393, "texte": "m êm e que les au d itio n s q u ’il d o n n a de l’O r d u R h in"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6469, "fin_caractere_exclue": 6540, "texte": "p ré p a rè re n t l’av ènem ent, su r le mêm e th é â tre , d’un chef-"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6613, "fin_caractere_exclue": 6660, "texte": "d’œ uvre, a lo rs m éconnu, du dram e m oderne."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6767, "fin_caractere_exclue": 6824, "texte": "Son actio n fu t double. Aux m usiciens il offrit, en des"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 7047, "fin_caractere_exclue": 7113, "texte": "Fantaisie espagnole p o u r o rc h estre . — Messe de R equiem . —"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 7192, "fin_caractere_exclue": 7250, "texte": "P saum es.         Chœurs. — Messe p o u r voix d'enfants."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 7254, "fin_caractere_exclue": 7327, "texte": "O u v r a g e s d id a c t iq u e s : H istoire et théorie de la m usique"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 7397, "fin_caractere_exclue": 7462, "texte": "d ans l'antiquité. — T raité d 'instrum entation. — Cours m étho­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 7538, "fin_caractere_exclue": 7600, "texte": "dique d orchestration. — L es Origines d u Chant liturgique. —"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 7601, "fin_caractere_exclue": 7664, "texte": "L a Mélopée antique dans le chant de l’Eglise latine. — T raité"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 7665, "fin_caractere_exclue": 7677, "texte": "d'harm onie."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 162, "fin_caractere_exclue": 231, "texte": "tra v a u x didactiques qui fo n t a u to rité , le fil destiné à les"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 311, "fin_caractere_exclue": 382, "texte": "gu id er dans le la b y rin th e de l’h a rm o n ie et de l’in s tr u ­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 462, "fin_caractere_exclue": 523, "texte": "m en ta tio n ; au public, une éducation esthétique em b ras­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 603, "fin_caractere_exclue": 669, "texte": "sa n t to u te une époque d 'a rt, la plus féconde et la plus élo­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 749, "fin_caractere_exclue": 818, "texte": "quente de l’h isto ire m usicale, tan d is qu’il la issa it à d’a u ­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 898, "fin_caractere_exclue": 957, "texte": "tres le soin de la com pléter p a r l’exposé de l’évolution"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1037, "fin_caractere_exclue": 1103, "texte": "co n te m p o rain e. Cette m ission, il l’accom plit sans défail­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1183, "fin_caractere_exclue": 1240, "texte": "lances, indifférent au x critiques com m e au x éloges de"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1320, "fin_caractere_exclue": 1384, "texte": "la presse, so u rd au x conseils d’a u tru i, obstiném ent e n ­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1464, "fin_caractere_exclue": 1524, "texte": "ferm é d an s le cercle de ses devoirs e t de ses études, ne"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1604, "fin_caractere_exclue": 1674, "texte": "re c h e rch a n t d’a u tre s satisfactio n s que les joies a r tis ­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1754, "fin_caractere_exclue": 1815, "texte": "tiques q u ’il en re sse n ta it. Depuis so n accession à des"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1895, "fin_caractere_exclue": 1954, "texte": "fonctions publiques, il av a it oublié, ou peu s ’en fau t,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2034, "fin_caractere_exclue": 2095, "texte": "le co m positeur qui, en lui, a v a it précédé le sav an t et"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2175, "fin_caractere_exclue": 2239, "texte": "l’a p ô tre. S a m odestie, doublée d ’une p o inte de m alice —"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2319, "fin_caractere_exclue": 2375, "texte": "il y av a it en lui l’étoffe du plus fin diplom ate — ne"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2455, "fin_caractere_exclue": 2520, "texte": "to lé ra ja m a is q u ’on re m ît en scène les com édies ly r i­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2600, "fin_caractere_exclue": 2663, "texte": "ques q u ’il écriv it d an s sa jeunesse. D ans une fo rt belle"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2743, "fin_caractere_exclue": 2798, "texte": "étude co nsacrée à sa m ém oire (1), M. M aurice Kuffe­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2878, "fin_caractere_exclue": 2943, "texte": "ra th rap p elait h ie r avec quelle sim plicité so u ria n te il"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3023, "fin_caractere_exclue": 3083, "texte": "déclina l’offre qui lui fu t faite d ’in scrire l ’un de ces"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3163, "fin_caractere_exclue": 3226, "texte": "ouvrages au p ro g ram m e des spectacles ju b ila ire s p ro ­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3306, "fin_caractere_exclue": 3365, "texte": "je té s en 1905 au th é â tre de la M onnaie : \" Mes ch ers"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3445, "fin_caractere_exclue": 3508, "texte": "am is, ne p a rlo n s pas de cela. à ne fa u t pas m e jo u e r"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3588, "fin_caractere_exclue": 3659, "texte": "m a in te n a n t. L a p o stérité décidera s’il fau t le faire . J ’ai"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3739, "fin_caractere_exclue": 3805, "texte": "le tem ps d ’a tte n d re ... E t puis, e n tre nous, il ne fa u t"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3885, "fin_caractere_exclue": 3938, "texte": "p as qu’on discute le D irecteur du C onservatoire. \""}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4022, "fin_caractere_exclue": 4081, "texte": "E t M. K ufferath a jo u te : \" T o u t l’hom m e e st dans"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4161, "fin_caractere_exclue": 4230, "texte": "cette saillie. Il sa v a it sa v aleu r, m ais il n ’ig n o ra it pas"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4310, "fin_caractere_exclue": 4377, "texte": "ses faiblesses e t il tenait à son p restige, qui é ta it g ran d ."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4457, "fin_caractere_exclue": 4519, "texte": "Dans la h au te situ atio n qu’il occupait com m e m a ître de"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4599, "fin_caractere_exclue": 4663, "texte": "chapelle du R oi e t chef de la p rem ière in stitu tio n m usi­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4743, "fin_caractere_exclue": 4804, "texte": "cale du pays, il av a it ra iso n de ne pas v o u lo ir qu’on"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4884, "fin_caractere_exclue": 4899, "texte": "l’e n tam ât. \""}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4983, "fin_caractere_exclue": 5038, "texte": "Ceci achève d’un co n to u r expressif l’esquisse p a r"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5118, "fin_caractere_exclue": 5183, "texte": "laquelle j ’ai te n té de décrire cette ém inente et o rig in ale"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5263, "fin_caractere_exclue": 5328, "texte": "p erso n n alité. C austique, ra ille u r, infinim ent spirituel,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5408, "fin_caractere_exclue": 5470, "texte": "il ne re d o u ta it pas de s’offrir com m e cible aux tra its"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5550, "fin_caractere_exclue": 5610, "texte": "qu'il décochait avec une verve to u jo u rs juvénile. P e r­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5690, "fin_caractere_exclue": 5753, "texte": "sonne n ’échappa plus com plètem ent à l’h y p e rtro p h ie du"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5833, "fin_caractere_exclue": 5896, "texte": "« m oi » qui a tte in t habitu ellem en t les hom m es su r qui"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5976, "fin_caractere_exclue": 6045, "texte": "p leu v en t les h o n n eu rs et qu’au réo le la célébrité. C’était,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6125, "fin_caractere_exclue": 6185, "texte": "d an s la vie privée, l ’hom m e le plus dépouillé de vanité"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6265, "fin_caractere_exclue": 6326, "texte": "qu’on p û t re n c o n tre r. C auseur délicieux, doué d ’une"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6406, "fin_caractere_exclue": 6467, "texte": "m ém oire prodigieuse, ce p u r in tellectuel, qui lisait les"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6547, "fin_caractere_exclue": 6612, "texte": "poètes grecs dan s le tex te, co n n aissait l’h éb reu et p a r­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6692, "fin_caractere_exclue": 6762, "texte": "lait co u ra m m en t cinq ou six langues, é g ay a it de rép a rtie s"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6842, "fin_caractere_exclue": 6903, "texte": "im prévues et de piquantes anecdotes d o n t la source, a li­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6983, "fin_caractere_exclue": 7046, "texte": "m entée p a r des souvenirs personnels, é ta it in tarissab le,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 7126, "fin_caractere_exclue": 7191, "texte": "les réu n io n s d’am is auxquelles il se p laisait à a ssiste r."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 7330, "fin_caractere_exclue": 7396, "texte": "P lu s s’accum ulaient su r lui les dignités et les titre s , plus"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 7476, "fin_caractere_exclue": 7537, "texte": "il a ccen tu ait la fam iliarité de son accueil. Sa bonhom ie"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 7746, "fin_caractere_exclue": 7783, "texte": "(1) L a Chronique , 25 décembre 1908."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 155, "fin_caractere_exclue": 228, "texte": "su ivait, sem ble-t-il, u n e p ro g re ssio n p a ra llè le à l ’o rd re"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 302, "fin_caractere_exclue": 371, "texte": "des d istin ctio n s qui lui é ta ie n t conférées. H aussé, m alg ré"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 585, "fin_caractere_exclue": 655, "texte": "lui, au som m et de l’échelle h ié ra rc h iq u e, créé b a ro n p a r"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 694, "fin_caractere_exclue": 760, "texte": "u n g o u v ern em en t qui a v a it épuisé la série com plète des"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 838, "fin_caractere_exclue": 908, "texte": "g rad es d o n t il p o u v a it l’in v estir, il s’affirm a, plus que"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 909, "fin_caractere_exclue": 983, "texte": "ja m a is, le F la m a n d g o g u en ard e t fro n d e u r d an s lequel,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1033, "fin_caractere_exclue": 1104, "texte": "sous la re d in g o te d ire c to ria le ou l ’h ab it de c o u r, bat­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1105, "fin_caractere_exclue": 1178, "texte": "ta it le cœ u r h éro ïq u e e t jo v ia l d ’un descen d an t d irect de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1404, "fin_caractere_exclue": 1426, "texte": "T h y l E ulenspiegel."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1551, "fin_caractere_exclue": 1608, "texte": "Sa fin fu t digne d ’une vie à laq uelle la p a ssio n de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1690, "fin_caractere_exclue": 1753, "texte": "l ’étude, la bo n té, la g én éro sité, le d ésin téressem en t"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1974, "fin_caractere_exclue": 2036, "texte": "c o n fé rè re n t sa v ra ie noblesse. M. G ev aert ig n o ra"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2118, "fin_caractere_exclue": 2183, "texte": "l'h u m ilia tio n du déclin. L a c la ire lu e u r de son esprit"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2258, "fin_caractere_exclue": 2326, "texte": "n ’e u t p o in t de crép u scu le. J u s q u ’à 1 h e u re suprêm e"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2555, "fin_caractere_exclue": 2615, "texte": "il g a rd a , avec son activ ité q u o tidienne et sa s u r­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2700, "fin_caractere_exclue": 2771, "texte": "p re n a n te v e rd e u r, la lucidité in té g ra le de son in te lli­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2844, "fin_caractere_exclue": 2908, "texte": "gence. Il eû t pu d ire fièrem en t, com m e le h éro s d’Ém ile"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3132, "fin_caractere_exclue": 3193, "texte": "V erh aeren : » On m e u rt deb o u t dans m a fam ille ». Le"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3253, "fin_caractere_exclue": 3318, "texte": "g ra n d so u v en ir q u ’il laisse dem eure in ta c t d an s sa"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3396, "fin_caractere_exclue": 3459, "texte": "sé ré n ité , avec l ’exem ple d ’une existence inflexiblem ent"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3689, "fin_caractere_exclue": 3699, "texte": "d ro ite ."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3882, "fin_caractere_exclue": 3896, "texte": "Octa v e M aus"}]}, {"article_id": "ulb-art-moderne-1908-12-21-n52-003", "volume": "ELB-ULB-DL2864764-1908-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1908-f.pdf", "ocr_sha256": "e16c7e2eaeec13ff5a9ba2de1672385a1deafaad51d7a163a303e1ec21c33cd3", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 411, "page_fin": 411, "titre_corps": "La Société centrale d'architecture", "titre_sommaire": "", "rubrique": "", "signature_source": "O. M.", "ancre_debut": "L a S ociét é centrale d ’architecture.", "ancre_fin": "O. M", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4409, "fin_caractere_exclue": 4448, "texte": "L a S ociét é centrale d ’architecture."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4694, "fin_caractere_exclue": 4758, "texte": "L orsqu’ils participent aux Salons officiels, les architectes se"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4836, "fin_caractere_exclue": 4903, "texte": "plaignent souvent, et à bon droit, d ’être relégués en des Sibéries"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4976, "fin_caractere_exclue": 5041, "texte": "dont l ’exploration ne tente aucun visiteur. Mais ne faut-il s’en"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5120, "fin_caractere_exclue": 5187, "texte": "prendre q u ’aux commissions organisatrices? Les plans, les épures,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5265, "fin_caractere_exclue": 5330, "texte": "d ’une compréhension un peu ardue pour qui n ’est pas du m étier,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5395, "fin_caractere_exclue": 5458, "texte": "ont une m édiocre vertu attractive. Et si le public m ontre peu"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5536, "fin_caractere_exclue": 5608, "texte": "d ’em pressem ent à l ’égard des sections d ’architecture, c’est q u ’il"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5679, "fin_caractere_exclue": 5716, "texte": "sait d ’avance l’ennui qui l’a ttend."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5824, "fin_caractere_exclue": 5885, "texte": "C’est pour vaincre cette indifférence que la Société centrale"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5966, "fin_caractere_exclue": 6027, "texte": "d ’architecture organise chaque année un salonnet dans lequel"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6059, "fin_caractere_exclue": 6127, "texte": "elle s’( fforce de com biner avec la partie technique propre à inté­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6202, "fin_caractere_exclue": 6269, "texte": "resser les spécialistes des élém ents accessibles à tous : dessins,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6344, "fin_caractere_exclue": 6409, "texte": "aquarelles, maquettes, spécimens de statuaire m onum entale, etc."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6484, "fin_caractere_exclue": 6547, "texte": "Grâce à l’activité et au goût de M. Léon Bochoms, qui en assuma"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6635, "fin_caractere_exclue": 6700, "texte": "l’organisation, l ’exposition ouverte cette année au Palais de la"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6785, "fin_caractere_exclue": 6855, "texte": "Bourse, et dont la durée fut m alheureusem ent trop restreinte, offrit"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6932, "fin_caractere_exclue": 6973, "texte": "une heureuse diversité et un vif intérêt."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7079, "fin_caractere_exclue": 7137, "texte": "Cette exposition rassem bla, entre autres, quelques œuvres"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7218, "fin_caractere_exclue": 7284, "texte": "décoratives de M. Ch. Samuel, m em bre associé de la Société : une"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7362, "fin_caractere_exclue": 7419, "texte": "réduction du Monument De Coster, la Cérès de la Maison du"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7457, "fin_caractere_exclue": 7521, "texte": "Cygne, un Sa in t-M ich el, une figure tom bale; la m aquette du"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7601, "fin_caractere_exclue": 7665, "texte": "nouvel hôtel comm unal de Laeken par M. Barduelle et celle de la"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7747, "fin_caractere_exclue": 7815, "texte": "sépulture des ducs d ’Ursel à Hingene p a r M. Caluwaers, qui exposa"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7892, "fin_caractere_exclue": 7959, "texte": "en outre la façade de l’Athénée d ’Ostende, un maître-autel et plu­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8042, "fin_caractere_exclue": 8107, "texte": "sieu rs m onum ents funéraires; de beaux croquis de Notre-Dame de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8168, "fin_caractere_exclue": 8232, "texte": "Paris, de la Cathédrale de Laon et de la cascade de Saint-Cloud,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8311, "fin_caractere_exclue": 8374, "texte": "par M. Dhuicque ; de nom breux projets d ’édifices dus à W. Van"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8453, "fin_caractere_exclue": 8519, "texte": "Montfort et présentés à divers concours; des façades d'hôtels par­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8600, "fin_caractere_exclue": 8667, "texte": "ticuliers, récem m ent édifies, par M. Dumont; le projet de galerie"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8745, "fin_caractere_exclue": 8803, "texte": "en staff proposé pour la Montagne de la Cour par M. Dewin,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8870, "fin_caractere_exclue": 8935, "texte": "auteur d’une élégante villa à Uccle ; divers dessins de construc­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9016, "fin_caractere_exclue": 9076, "texte": "tions érigées ou projetées par MM. Anciaux, Bodson, Peeters."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9159, "fin_caractere_exclue": 9219, "texte": "L’envoi de M. Bochoms, le plus varié et ’e plus attrayant du"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9300, "fin_caractere_exclue": 9360, "texte": "Salon, com prenait une vingtaine de cadres parmi lesquels on"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9444, "fin_caractere_exclue": 9510, "texte": "adm ira surtout divers aspects, traduits à l’aquarelle, du Château"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9511, "fin_caractere_exclue": 9578, "texte": "des Comtes, à Gand, e n des interprétations à la plum e, largem ent"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9659, "fin_caractere_exclue": 9719, "texte": "dessinées, de vieilles constructions du Surrey et du Sussex."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9810, "fin_caractere_exclue": 9872, "texte": "Le concours ouvert cette année par la Société avait pour objet"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 231, "fin_caractere_exclue": 301, "texte": "l'E n trée d 'un parc public. Il a donné d ’assez bons résultats, à en"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 379, "fin_caractere_exclue": 441, "texte": "juger par les projets de MM. Van Montfort, Hebbelynck, Devroye"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 519, "fin_caractere_exclue": 584, "texte": "et Alquit, que le jury classa dans cet ordre et dont l’exposition"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 663, "fin_caractere_exclue": 693, "texte": "compléta l’ensem ble du Salon."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 832, "fin_caractere_exclue": 837, "texte": "O. M."}]}, {"article_id": "ulb-art-moderne-1908-12-21-n52-004", "volume": "ELB-ULB-DL2864764-1908-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1908-f.pdf", "ocr_sha256": "e16c7e2eaeec13ff5a9ba2de1672385a1deafaad51d7a163a303e1ec21c33cd3", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 411, "page_fin": 412, "titre_corps": "La Dame qui n'est plus aux Camélias", "titre_sommaire": "", "rubrique": "", "signature_source": "Francis de Miomandre", "ancre_debut": "L a D a m e qui n ’est plus aux Camélias ».", "ancre_fin": "F r a n c is d e M io m a n d r e", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 987, "fin_caractere_exclue": 1032, "texte": "« L a D a m e qui n ’est plus aux Camélias »."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1187, "fin_caractere_exclue": 1252, "texte": "Eh b ien ! elle est fort amusante cette pièce (1), et le public y"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1332, "fin_caractere_exclue": 1403, "texte": "riait malgré lui. C’est très curieux de voir le public rire malgré lui."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1482, "fin_caractere_exclue": 1546, "texte": "Visiblement, il était venu mal disposé parce que le nom dé M. de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1625, "fin_caractere_exclue": 1689, "texte": "Faram ond n ’a pas le même genre de notoriété que ceux des four­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1769, "fin_caractere_exclue": 1832, "texte": "nisseurs de brioche des boulevards. Visiblement aussi, il était"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1911, "fin_caractere_exclue": 1973, "texte": "désorienté. La comédie m anque d ’action à un point rare, à un"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2052, "fin_caractere_exclue": 2117, "texte": "point absolu, et il ne faudrait pas que ça devint une esthétique,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2196, "fin_caractere_exclue": 2257, "texte": "car tout u n théâtre sans action deviendrait vite impossible."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2340, "fin_caractere_exclue": 2403, "texte": "Mais ce défaut — ou peut-être ce parti pris — était racheté par"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2482, "fin_caractere_exclue": 2554, "texte": "la drôlerie, la fantaisie, l’observation, e t cette suite de tableaux de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2633, "fin_caractere_exclue": 2699, "texte": "la vie des courtisanes reliés par le fil lâche et indifférent d’un"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2778, "fin_caractere_exclue": 2843, "texte": "sem blant d ’intrigue constituait à elle seule et sans le secours"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2922, "fin_caractere_exclue": 2987, "texte": "d ’une « composition » un spectacle suffisamment intéressant pour"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3066, "fin_caractere_exclue": 3131, "texte": "em pêcher le public de se rappeler q u ’il n ’aime à entendre que"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3210, "fin_caractere_exclue": 3252, "texte": "toujours la même pièce, depuis A m a n ts."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3335, "fin_caractere_exclue": 3395, "texte": "M. de Faram ond est u n auteur qui parle enfin des « grues »"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3474, "fin_caractere_exclue": 3544, "texte": "avec le ton juste. Il ne les réhabilite pas. et c'est bien e n ce sens"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3623, "fin_caractere_exclue": 3688, "texte": "que sa dame n ’est plus a u x camélias. Mais il ne leur tombe pas"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3767, "fin_caractere_exclue": 3829, "texte": "dessus à la Zola en les accusant des m alheurs de la tribu. Sa"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3908, "fin_caractere_exclue": 3972, "texte": "dame n ’est pas plus Marion Delorme que Nana. Elle serait plutôt"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4051, "fin_caractere_exclue": 4114, "texte": "sœ u r de mon amie N a n e, de P.-J. Toulet. Vaniteuse et bête,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4193, "fin_caractere_exclue": 4257, "texte": "criarde, cabotine, posant pour la froideur distinguée mais rap ­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4336, "fin_caractere_exclue": 4403, "texte": "pelée à toute m inute à son origine populaire par lès circonstances"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4482, "fin_caractere_exclue": 4547, "texte": "et l’instinct, ne pouvant pas adm ettre de se trouver sans amant,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4626, "fin_caractere_exclue": 4688, "texte": "ne pouvant aim er personne mais ne supportant pas la solitude,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4767, "fin_caractere_exclue": 4834, "texte": "toujours entourée d ’une volière d ’oiseaux bizarres e t bruyants :"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4913, "fin_caractere_exclue": 4974, "texte": "de petites grues complimenteuses et nerveuses, des m essieurs"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5053, "fin_caractere_exclue": 5118, "texte": "tarés et élégants, des gens chics, des gens moins chics, em bras­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5197, "fin_caractere_exclue": 5263, "texte": "sant tout le m onde, pavanés pour tout le m o n d e , — m onum ent"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5342, "fin_caractere_exclue": 5393, "texte": "d ’inutilité sociale, ni bonne, ni mauvaise, nulle."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5475, "fin_caractere_exclue": 5534, "texte": "Je ne sais pas si M. de Faramond a voulu nous donner toutes"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5613, "fin_caractere_exclue": 5677, "texte": "ces im pressions; il est probable que non, car on ne fait jamais"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5755, "fin_caractere_exclue": 5818, "texte": "rien de bien quand on se propose d ’avance un but aussi défini,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5896, "fin_caractere_exclue": 5964, "texte": "m ais à coup sûr il y est arrivé, et cela p ar la seule force de son"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6042, "fin_caractere_exclue": 6057, "texte": "« exposition. »"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6139, "fin_caractere_exclue": 6200, "texte": "Tout ce monde-là ressem ble à des fantoches. Mais c’est vrai,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6278, "fin_caractere_exclue": 6343, "texte": "aussi. Ce sont des fantoches dans la réalité. Les gens qui appro­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6421, "fin_caractere_exclue": 6483, "texte": "chent des filles très cher peuvent être chez eux des gens très"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6561, "fin_caractere_exclue": 6633, "texte": "sérieu x ; chez elles, ils deviennent ce q u ’il faut qu’ils soient pour"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6711, "fin_caractere_exclue": 6784, "texte": "leur plaire, pour faire bien d ans le tableau : ils participent à la fri­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6862, "fin_caractere_exclue": 6931, "texte": "vole nullité de la m aîtresse de maison La « fille cher » n ’aime que"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7009, "fin_caractere_exclue": 7074, "texte": "l’argent, ne parle que de lui. Le m onsieur qui fréquente chez la"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7152, "fin_caractere_exclue": 7217, "texte": "fille cher — à moins d ’être un am ant de cœ ur — disparait quand"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7295, "fin_caractere_exclue": 7361, "texte": "il n'a plus d ’argent. I l va faire du dram e ailleurs, il va être"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7439, "fin_caractere_exclue": 7456, "texte": "sérieux ailleurs."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7538, "fin_caractere_exclue": 7600, "texte": "M. de Faram ond a très bien compris cela, ou, plus exactement,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7678, "fin_caractere_exclue": 7746, "texte": "il l’a senti. Et j ’aime surtout dans sa pièce cette absence de pré­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7824, "fin_caractere_exclue": 7891, "texte": "tention dans l’observation, cette fantaisie bon enfant, ce désordre"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7969, "fin_caractere_exclue": 8041, "texte": "élégant, ce laisser-aller si à sa place. Et puis, c’est bien écrit. Il y"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8119, "fin_caractere_exclue": 8167, "texte": "a de très jolies tirades, amenées sans artifice."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8249, "fin_caractere_exclue": 8310, "texte": "Je serais content que L a D am e qui n'est plus a ux Camélias"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8388, "fin_caractere_exclue": 8452, "texte": "eût beaucoup de succès. Elle le m érite, ne serait-ce que par la"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8530, "fin_caractere_exclue": 8599, "texte": "différence q u ’elle présente avec l ’horrible et banale petite chose"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8677, "fin_caractere_exclue": 8744, "texte": "truquée q u ’on appelle une pièce dans les théâtres du Boulevard et"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8822, "fin_caractere_exclue": 8869, "texte": "qui devrait n ’avoir de nom dans aucune langue."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8951, "fin_caractere_exclue": 9015, "texte": "La troupe de Lugné-Poe est, comme toujours, excellente et d ’une"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9093, "fin_caractere_exclue": 9158, "texte": "cohésion parfaite. Les m ouvem ents d ’ensem ble sont réglés avec"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9236, "fin_caractere_exclue": 9299, "texte": "une justesse adm irable. Mme Carlier réalise un type complet de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9377, "fin_caractere_exclue": 9443, "texte": "courtisane et M. Lugné-Poe lui-même, par la science et l ’intelli-"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9591, "fin_caractere_exclue": 9658, "texte": "(1) L a Dame q u i n'est plus a u x Camélias, comédie en trois par­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9736, "fin_caractere_exclue": 9805, "texte": "ties, par M. d e F a r a m o n d , représentée la semaine dernière au"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9883, "fin_caractere_exclue": 9911, "texte": "Théâtre de l’Œuvre, à Paris."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 89, "fin_caractere_exclue": 151, "texte": "gence prodigieuses de son jeu, trouve moyen de faire du simple"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 202, "fin_caractere_exclue": 267, "texte": "personnage de financier allem and qui lui est confié une sorte de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 268, "fin_caractere_exclue": 325, "texte": "symbole puissant, quelque chose comme le Thomas P o llack"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 414, "fin_caractere_exclue": 451, "texte": "Naqeoire de cette séduisante comédie."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 610, "fin_caractere_exclue": 643, "texte": "F r a n c is d e M io m a n d r e"}]}, {"article_id": "ulb-art-moderne-1908-12-21-n52-005", "volume": "ELB-ULB-DL2864764-1908-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1908-f.pdf", "ocr_sha256": "e16c7e2eaeec13ff5a9ba2de1672385a1deafaad51d7a163a303e1ec21c33cd3", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 412, "page_fin": 412, "titre_corps": "Chronique théâtrale : Boccace", "titre_sommaire": "Boccace", "rubrique": "", "signature_source": "G. R.", "ancre_debut": "CHRONIQUE TH EA TR A LE", "ancre_fin": "G. R", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1149, "fin_caractere_exclue": 1172, "texte": "CHRONIQUE TH EA TR A LE"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1463, "fin_caractere_exclue": 1471, "texte": "B occace"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1715, "fin_caractere_exclue": 1779, "texte": "Le théâtre Molière est un heureux théâtre. Le public qui le fré­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1780, "fin_caractere_exclue": 1845, "texte": "quente y apporte, a chaque pièce nouvelle, des réserves inépuisa­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1926, "fin_caractere_exclue": 1993, "texte": "bles d’enthousiasme, et le délire y est l’état habituel des specta­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2067, "fin_caractere_exclue": 2131, "texte": "teurs. Comment pourrait-on se dérober à l'influence d'u n milieu"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2211, "fin_caractere_exclue": 2269, "texte": "aussi bruyam m ent sympathique ? Une bonne volonté commune"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2358, "fin_caractere_exclue": 2423, "texte": "semble anim er les acteurs et ceux qui les écoutent. La critique,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2507, "fin_caractere_exclue": 2575, "texte": "ici, doit se borner à enregistrer le succès. Elle le fait avec bonne"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2653, "fin_caractere_exclue": 2714, "texte": "grâce, et même avec conviction, quand c ’est Boccace que l’on"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2800, "fin_caractere_exclue": 2869, "texte": "joue, et qu’il est joué comme il le fut jeudi soir, à la prem ière de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2943, "fin_caractere_exclue": 3008, "texte": "cette reprise. Le gentil opéra comique de Suppé n ’est nullem ent"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3009, "fin_caractere_exclue": 3071, "texte": "désagréable à réentendre. Le livret en est charm ant, avec ses"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3153, "fin_caractere_exclue": 3221, "texte": "allures de fabliau naïf et doucement libertin, et la m usique en est"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3300, "fin_caractere_exclue": 3365, "texte": "séduisante sans banalité. La troupe du Molière, cette année, pos­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3445, "fin_caractere_exclue": 3503, "texte": "sède quelques éléments de choix. Mmes Delormes et de Brasy"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3586, "fin_caractere_exclue": 3653, "texte": "Boccace et Béatrice — ont une jolie voix et un jeu intelligent. Les"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3740, "fin_caractere_exclue": 3807, "texte": "comiques font ce qu’ils peuvent pour être drôles, et ils y réussis­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3808, "fin_caractere_exclue": 3877, "texte": "sent quelquefois. Le reste de l’interprétation est très satisfaisant."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4012, "fin_caractere_exclue": 4017, "texte": "G. R."}]}, {"article_id": "ulb-art-moderne-1908-12-21-n52-006", "volume": "ELB-ULB-DL2864764-1908-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1908-f.pdf", "ocr_sha256": "e16c7e2eaeec13ff5a9ba2de1672385a1deafaad51d7a163a303e1ec21c33cd3", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 412, "page_fin": 412, "titre_corps": "Chronique judiciaire des Arts : Une définition juridique des Musées", "titre_sommaire": "Une définition juridique des Musées", "rubrique": "", "signature_source": "", "ancre_debut": "Chronique judiciaire des Arts", "ancre_fin": "devant la Cour d ’assises son innocence", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4226, "fin_caractere_exclue": 4255, "texte": "Chronique judiciaire des Arts"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4525, "fin_caractere_exclue": 4577, "texte": "U n e d é fin itio n ju r id iq u e d e s M u sé es."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4809, "fin_caractere_exclue": 4869, "texte": "Un musée est-il, dans le sens juridique du terme, u n « lieu"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4908, "fin_caractere_exclue": 4917, "texte": "habité »?"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4921, "fin_caractere_exclue": 4987, "texte": "Il parait que oui. C’est, du m oins, ce qu’a décidé la Cour d ap ­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5061, "fin_caractere_exclue": 5127, "texte": "pel de Paris, en réform ant un jugem ent du tribunal correctionnel"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5200, "fin_caractere_exclue": 5262, "texte": "de la Seine qui avait condamné à quatre années d ’em prisonne­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5346, "fin_caractere_exclue": 5411, "texte": "ment un certain Vavasseur, l’un des auteurs du vol des statuettes"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5489, "fin_caractere_exclue": 5542, "texte": "égyptiennes dérobées l’an dernier au Musée du Louvre."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5583, "fin_caractere_exclue": 5655, "texte": "' L’arrêt déclare qu’u n édifice est réputé habité lo rsq u ’il renferme"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5723, "fin_caractere_exclue": 5786, "texte": "des surveillants et des gardiens. On ne s’aperçut guère de leur"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5869, "fin_caractere_exclue": 5933, "texte": "présence lorsque la déesse Isis disparut de sa v itrine... Mais,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6015, "fin_caractere_exclue": 6082, "texte": "théoriquem ent, ils y étaient, ou devaient y être. Le tribunal cor­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6115, "fin_caractere_exclue": 6180, "texte": "rectionnel fut, par suite, incom pétent pour juger Vavasseur, qui"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6259, "fin_caractere_exclue": 6328, "texte": "devra, en raison de cette circonstance aggravante, s’efforcer d ’éta­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6394, "fin_caractere_exclue": 6439, "texte": "blir devant la Cour d ’assises son innocence."}]}, {"article_id": "ulb-art-moderne-1908-12-21-n52-007", "volume": "ELB-ULB-DL2864764-1908-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1908-f.pdf", "ocr_sha256": "e16c7e2eaeec13ff5a9ba2de1672385a1deafaad51d7a163a303e1ec21c33cd3", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 412, "page_fin": 412, "titre_corps": "Nécrologie : Siebe ten Cate", "titre_sommaire": "Siebe ten Cate", "rubrique": "", "signature_source": "", "ancre_debut": "NÉCROLOGIE", "ancre_fin": "ise par l ’État pour le musée Carnavalet", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6895, "fin_caractere_exclue": 6905, "texte": "NÉCROLOGIE"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7184, "fin_caractere_exclue": 7204, "texte": "S ie b e te n C ate."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7452, "fin_caractere_exclue": 7513, "texte": "Le peintre hollandais Siebe ten Cate vient de m ourir à Paris"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7601, "fin_caractere_exclue": 7663, "texte": "où il s’était fixé après avoir passé, jadis, quelques années à"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7746, "fin_caractere_exclue": 7809, "texte": "Bruxelles. C’éiait l’un des mieux doués d’entre les paysagistes"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7891, "fin_caractere_exclue": 7957, "texte": "actuels de la Hollande. Ses toiles, d’un coloris fin, harm onieux,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7959, "fin_caractere_exclue": 8021, "texte": "avaient généralement pour « m otif » quelque aspect de Paris :"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8105, "fin_caractere_exclue": 8171, "texte": "vieilles façades, quais, ponts sur la Seine, embarcadères, rues de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8253, "fin_caractere_exclue": 8322, "texte": "banlieue, fortifs. Il choisissait de préférence ces sites à « l’heure"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8400, "fin_caractere_exclue": 8462, "texte": "exquise » où déclinent les lueurs du jour. Les brouillards que"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8544, "fin_caractere_exclue": 8609, "texte": "perce la flamme rougeoyante d’un réverbère, les ciels bas et plu­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8643, "fin_caractere_exclue": 8706, "texte": "vieux, la neige trouvaient en lui u n interprète attendri. Sans"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8708, "fin_caractere_exclue": 8773, "texte": "doute éveillaient-ils dans son cœ ur le souvenir de l’a tmosphère"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8802, "fin_caractere_exclue": 8809, "texte": "natale."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8943, "fin_caractere_exclue": 9005, "texte": "M. ten Cate avait à peine cinquante ans. Ses œuvres sont épar­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 9084, "fin_caractere_exclue": 9148, "texte": "pillées dans les collections privées. L’une d ’elles, exécutée à"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 9186, "fin_caractere_exclue": 9249, "texte": "Montmartre, a été acquise par l ’État pour le musée Carnavalet."}]}, {"article_id": "ulb-art-moderne-1908-12-21-n52-008", "volume": "ELB-ULB-DL2864764-1908-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1908-f.pdf", "ocr_sha256": "e16c7e2eaeec13ff5a9ba2de1672385a1deafaad51d7a163a303e1ec21c33cd3", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 412, "page_fin": 413, "titre_corps": "Petite Chronique", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "PE T IT E CHRONIQUE", "ancre_fin": "vient de publier sous le titre M o za rt", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 182, "fin_caractere_exclue": 201, "texte": "PE T IT E CHRONIQUE"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 351, "fin_caractere_exclue": 413, "texte": "Les funérailles de M. Gevaert seront célébrées mardi prochain,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 494, "fin_caractere_exclue": 565, "texte": "à I l heures, à l’église paroissiale d u Sablon. U n e chapelle ardente"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 646, "fin_caractere_exclue": 710, "texte": "sera dressée au Conservatoire, sous le péristyle de la salle des"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 791, "fin_caractere_exclue": 854, "texte": "concerts. Suivant la volonté expresse du défunt, aucun discours"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 935, "fin_caractere_exclue": 995, "texte": "ne sera prononcé. La partie musicale de la cérémonie, réglée"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1076, "fin_caractere_exclue": 1141, "texte": "dans ses détails par M. Gevaert lui-m êm e, a été confiée par lui"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1222, "fin_caractere_exclue": 1285, "texte": "à MM. W otquenne, préfet des études au Conservatoire, e t Mari-"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1366, "fin_caractere_exclue": 1431, "texte": "voet, m aître de chapelle à l’église du Sablon. Seules des œuvres"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1512, "fin_caractere_exclue": 1571, "texte": "de plain-chant seront exécutées pendant le service funèbre."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1652, "fin_caractere_exclue": 1711, "texte": "L’inhum ation aura lieu au cim etière de la Ville, à Evere."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1863, "fin_caractere_exclue": 1925, "texte": "Les études d 'A ria n e et B arbe-B leue sont poursuivies sans"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2006, "fin_caractere_exclue": 2066, "texte": "relâche au théâtre de la Monnaie, dont la direction n’a rien"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2147, "fin_caractere_exclue": 2210, "texte": "négligé pour assurer au conte lyrique de MM. Paul Dukas et Mau­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2291, "fin_caractere_exclue": 2357, "texte": "rice Maeterlinck une interprétation de prem ier ordre. Artistes du"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2438, "fin_caractere_exclue": 2506, "texte": "chant, chœ urs, orchestre sont entièrem ent prêts. Les décors seront"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2587, "fin_caractere_exclue": 2652, "texte": "plantés demain et l’on réglera pendant toute la semaine les d er­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2733, "fin_caractere_exclue": 2799, "texte": "niers détails de la mise en scène. La prem ière représentation est"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2880, "fin_caractere_exclue": 2942, "texte": "définitivement fixée à samedi prochain, 2 janvier, à 8 heures."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3091, "fin_caractere_exclue": 3152, "texte": "La Chambre des députés des Pays-Bas a voté un subside de huit"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3233, "fin_caractere_exclue": 3299, "texte": "cent mille francs pour la participation hollandaise à l’Exposition"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3380, "fin_caractere_exclue": 3444, "texte": "universelle de Bruxelles. C’est le plus gros subside accordé par"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3525, "fin_caractere_exclue": 3585, "texte": "un gouvernem ent étranger en faveur de notre future W orld’s"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3734, "fin_caractere_exclue": 3739, "texte": "Fair."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3890, "fin_caractere_exclue": 3951, "texte": "Mlle Jenny Martigny, MM. R. De Saegher et A. Heins ont ouvert"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4032, "fin_caractere_exclue": 4097, "texte": "avant-hier, au Cercle artistique de Gand, une exposition de leurs"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4178, "fin_caractere_exclue": 4216, "texte": "œuvres qui sera clôturée le 7 janvier."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4301, "fin_caractere_exclue": 4367, "texte": "Une exposition internationale d ’instrum ents de m usique, divisée"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4448, "fin_caractere_exclue": 4513, "texte": "en dix-huit groupes, sera ouverte à Rotterdam, dans les salons de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4594, "fin_caractere_exclue": 4658, "texte": "la Société «H arm onie », du 19 mai au 1er juin 1909. S’adresser"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4739, "fin_caractere_exclue": 4805, "texte": "pour tous renseignem ents au secrétariat général, 17, Spoorsingel,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4886, "fin_caractere_exclue": 4907, "texte": "Rotterdam (Hollande)."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5002, "fin_caractere_exclue": 5060, "texte": "Les solistes engagés par M. F. Durant pour l ’exécution du"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5142, "fin_caractere_exclue": 5199, "texte": "Requiem de Mozart, qui aura lieu à l’Alhambra le dimanche"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5281, "fin_caractere_exclue": 5345, "texte": "10 janvier, à 2 h. 1/2 (répétition générale la veille, à la même"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5427, "fin_caractere_exclue": 5488, "texte": "heure), sont Mmes Ceuppens-Houzé et J. Flam ent, MM. Lheureux"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5570, "fin_caractere_exclue": 5581, "texte": "et Brétiny."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5666, "fin_caractere_exclue": 5722, "texte": "L’audition du Requiem sera précédée de l’exécution de la"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5804, "fin_caractere_exclue": 5868, "texte": "Symphonie n° 1, de l’air d' Idoménée (Mlle A. Delhaye) et d e la"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5950, "fin_caractere_exclue": 6014, "texte": "Symphonie concertante avec violon et alto soli (MM. Lucien Capet"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6096, "fin_caractere_exclue": 6114, "texte": "et Léon Van Hout)."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6199, "fin_caractere_exclue": 6258, "texte": "Les chœ urs seront chantés par la section chorale mixte des"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6340, "fin_caractere_exclue": 6393, "texte": "Concerts Durant sous la direction de M. Henri Carpay."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6524, "fin_caractere_exclue": 6582, "texte": "Le troisième concert Ysaye est fixé au dimanche 17 janvier"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6664, "fin_caractere_exclue": 6724, "texte": "prochain. MM. Jacques Thibaud et Pablo Casals y joueront, en"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6806, "fin_caractere_exclue": 6871, "texte": "prem ière audition, le Double concerto pour violon et violoncelle"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6953, "fin_caractere_exclue": 7013, "texte": "de Brahms et, avec M. Alfred Cortot, le Triple concerto pour"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7095, "fin_caractere_exclue": 7156, "texte": "piano, violon et violoncelle de Beethoven. Au programme figu­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7238, "fin_caractere_exclue": 7302, "texte": "ren t en outre : une ouverture de Mozart, des fragm ents sympho­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7384, "fin_caractere_exclue": 7448, "texte": "niques de P s yché de Franck, des soli pour piano par M. Cortot,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7530, "fin_caractere_exclue": 7599, "texte": "les M u rm u res de la F orêt de Siegfried e t l ’ouverture du V ais­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7681, "fin_caractere_exclue": 7744, "texte": "seau fantôme, de W agner, sous la direction de M. Eugène Ysaye."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7826, "fin_caractere_exclue": 7889, "texte": "La location est dès à présent ouverte chez Breitkopf et Hærtel."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8041, "fin_caractere_exclue": 8103, "texte": "On nous écrit d ’Ostende qu’au Cercle Cæcilia, la semaine der­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8185, "fin_caractere_exclue": 8251, "texte": "nière, le public a ratifié par ses applaudissem ents le succès qui"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8333, "fin_caractere_exclue": 8398, "texte": "accueillit au Kursaal, l’été passé, les débuts de Mlle L. Van den"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8480, "fin_caractere_exclue": 8542, "texte": "Eeden, désormais classée parm i les cantatrices de concert les"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8624, "fin_caractere_exclue": 8641, "texte": "mieux appréciées."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8790, "fin_caractere_exclue": 8800, "texte": "De Paris :"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8884, "fin_caractere_exclue": 8938, "texte": "L’Opéra annonce la répétition générale de M onna Vanna"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 9020, "fin_caractere_exclue": 9082, "texte": "pour dimanche prochain, 3 janvier; la prem ière représentation"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 9164, "fin_caractere_exclue": 9184, "texte": "pour le m ercredi 6."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 209, "fin_caractere_exclue": 270, "texte": "M. Paul Spaak a fait le -16 décem bre au Théâtre des Arts une"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 359, "fin_caractere_exclue": 420, "texte": "conférence sur les Poètes belges. Mme Léa Siria, Berthe Bovy,"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 519, "fin_caractere_exclue": 579, "texte": "Véra Sergine, Marie Kalff, Georgette Leblanc et M. Durée ont"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 675, "fin_caractere_exclue": 741, "texte": "illustré ceite causerie d ’exemples tirés de l’œuvre d ’Émile Ver­"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 793, "fin_caractere_exclue": 855, "texte": "haeren et de Maeterlinck. On a applaudi, en outre, d ’exquises"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 954, "fin_caractere_exclue": 1013, "texte": "mélodies de M. Léon Jongen chantées par Mlle Madeleine Bon­"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1114, "fin_caractere_exclue": 1177, "texte": "nard, le Poème pour violoncelle de M. Vreuls et une Valse (iné­"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1274, "fin_caractere_exclue": 1339, "texte": "dite) de M. Joseph Jongen, l ’un et l’autre exécutés d ’une façon"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1434, "fin_caractere_exclue": 1499, "texte": "parfaite par M Georges Pitsch Pour clore cette attrayante séance,"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1591, "fin_caractere_exclue": 1657, "texte": "l'A nd a n te et le F inale du Trio de M. Joseph Jongen pour piano"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1749, "fin_caractere_exclue": 1809, "texte": "et cordes, joué par MM. Léon Jongen, Jean Lensens et Georges"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1900, "fin_caractere_exclue": 1907, "texte": "Pitsch."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2003, "fin_caractere_exclue": 2067, "texte": "L’Exposition de la Sécession, qui s ’ouvre aujourd'hui à Berlin,"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2109, "fin_caractere_exclue": 2175, "texte": "com prendra une exposition rétrospective de l’œuvre, presque inté­"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2271, "fin_caractere_exclue": 2341, "texte": "gralem ent réunie, du peintre H an s von Marées. C’e st à M. J. Meier-"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2392, "fin_caractere_exclue": 2440, "texte": "Graefe qu’est due cette intéressante initiative."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2556, "fin_caractere_exclue": 2620, "texte": "Le Cercle artistique de Nice organise pour la fin de janvier une"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2711, "fin_caractere_exclue": 2772, "texte": "exposition de l’œuvre du peintre Ziem à l’occasion du quatre-"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2869, "fin_caractere_exclue": 2925, "texte": "vingt-dixième anniversaire de la naissance de l’artiste."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3141, "fin_caractere_exclue": 3202, "texte": "Le Dr G. Schünem ann vient de publier sous le titre M o za rt"}]}, {"article_id": "ulb-art-moderne-1908-12-21-n52-009", "volume": "ELB-ULB-DL2864764-1908-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1908-f.pdf", "ocr_sha256": "e16c7e2eaeec13ff5a9ba2de1672385a1deafaad51d7a163a303e1ec21c33cd3", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 413, "page_fin": 416, "titre_corps": "Annonces", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "L IB R A IR IE N A TIO N A L E D’A RT E T D 'H IST O IR E", "ancre_fin": "n d y (H. L e s b r o u s s a r t ) . 36", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3251, "fin_caractere_exclue": 3308, "texte": "L IB R A IR IE N A TIO N A L E D’A RT E T D 'H IST O IR E"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3366, "fin_caractere_exclue": 3368, "texte": "de"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3453, "fin_caractere_exclue": 3473, "texte": "G. V A N O EST & Cte"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3484, "fin_caractere_exclue": 3545, "texte": "16,     p la c e    du     M u sée,       B R U X E L L E S ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3614, "fin_caractere_exclue": 3641, "texte": "V ien t d e p a r a îtr e :"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3793, "fin_caractere_exclue": 3810, "texte": "A U G U STE RODIN"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3816, "fin_caractere_exclue": 3835, "texte": "L’OEUVRE ET L’HOMME"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4003, "fin_caractere_exclue": 4006, "texte": "PAR"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4122, "fin_caractere_exclue": 4152, "texte": "J U D I T H        C L A D E L"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4310, "fin_caractere_exclue": 4363, "texte": "P r é fa c e     de    C a m ille    L E M O N N IE R"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4367, "fin_caractere_exclue": 4444, "texte": "L’ouvrage l'orme un m agnifique volum e gran d in-4°. digne en tous points de"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4445, "fin_caractere_exclue": 4526, "texte": "l'universelle renom m ée du plus grand scu lp teu r mod- rne. Le volum e est orné"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4527, "fin_caractere_exclue": 4614, "texte": "d ’une splendide illustration : 92 planches toutes hors tex te, dont 71 d ’a p rè s les"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4615, "fin_caractere_exclue": 4705, "texte": "sculptures du m aître, 12 d ’a p rè s ses c u rie u x dessins, certa in s repro d u its en"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4706, "fin_caractere_exclue": 4789, "texte": "cou eur, 7 pointes-sèches et deux p o rtraits du m aître, ad m irablem ent tirés en"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4919, "fin_caractere_exclue": 4970, "texte": "héliogravure et en héüotypie s u r p resse à b ra s"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5092, "fin_caractere_exclue": 5176, "texte": "Le tex te de l’o u vrage e st im prim é s ir p ap ier à la cuve des P a p e te rie s"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5177, "fin_caractere_exclue": 5255, "texte": "d’A rches, flligrané « AUGUSTE RODIN n ; les planches sont tirées s u r papier"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5336, "fin_caractere_exclue": 5415, "texte": "de H ollande des P ap eteries R o y ales de Ileelsum , spécialem ent cuvé à cet"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5416, "fin_caractere_exclue": 5489, "texte": "flet. Le tirag e e st lim ite à un nom bre re s tre in t d’e.sem plaires."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5688, "fin_caractere_exclue": 5709, "texte": "P r ix : 1 0 0 francs"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6219, "fin_caractere_exclue": 6251, "texte": "DEMANDER CHEZ TOUS LES PAPETIERS"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6573, "fin_caractere_exclue": 6600, "texte": "L’Encre à écrire indélébile"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6796, "fin_caractere_exclue": 6821, "texte": "BLUE BLACK Van Loey-Noury"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6831, "fin_caractere_exclue": 6869, "texte": "SUPERIEURE A TOUTES LES AUTRES MARQUES"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 299, "fin_caractere_exclue": 358, "texte": "als A c h tjähriger Komponist un curieux ouvrage de Mozart,"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 452, "fin_caractere_exclue": 518, "texte": "demeuré inédit, et dont l’original a été tout dernièrem ent offert"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 612, "fin_caractere_exclue": 674, "texte": "à l ’em pereur d ’Allemagne par son propriétaire, M. Ernst von"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 768, "fin_caractere_exclue": 792, "texte": "M endelssohn-Bartholdy ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 889, "fin_caractere_exclue": 953, "texte": "C’est un carnet de poche sur lequel Mozart transcrivait ses com­"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1047, "fin_caractere_exclue": 1113, "texte": "positions musicales en 1764. Il avait alors huit ans. Ces composi­"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1207, "fin_caractere_exclue": 1273, "texte": "tions inédites, antérieures à celles publiées par les soins de son"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1367, "fin_caractere_exclue": 1433, "texte": "père lorsque tous deux term inaient à Paris u n voyage triom phal,"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1527, "fin_caractere_exclue": 1590, "texte": "sont des m enuets, des adagios, qui donnent déjà une idée de ce"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1684, "fin_caractere_exclue": 1748, "texte": "que sera la richesse d ’inspiration musicale de Mozart. Le livre"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1842, "fin_caractere_exclue": 1899, "texte": "contient même une fugue où le futur maître se révèle tout"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1993, "fin_caractere_exclue": 2000, "texte": "entier."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2097, "fin_caractere_exclue": 2108, "texte": "Sottisier :"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2205, "fin_caractere_exclue": 2270, "texte": "Un m onsieur très riche (et que pour cette raison nous ap p elle­"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2364, "fin_caractere_exclue": 2391, "texte": "rons S ...) vint à m ourir."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2521, "fin_caractere_exclue": 2552, "texte": "L e X X e Siècle, 20 décem bre."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2649, "fin_caractere_exclue": 2710, "texte": "La liberté de conscience est toujours vivante dans nos cœ urs"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2804, "fin_caractere_exclue": 2868, "texte": "et dans l’âme de la nation. Elle ne peut pas périr, car elle est"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2962, "fin_caractere_exclue": 2973, "texte": "immortelle."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3070, "fin_caractere_exclue": 3137, "texte": "Ch . Gr a u x , discours prononcé le 2 0 décembre à l’Université de"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3231, "fin_caractere_exclue": 3241, "texte": "Bruxelles."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3336, "fin_caractere_exclue": 3344, "texte": "Fabrique"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3377, "fin_caractere_exclue": 3428, "texte": "cadres                  pour              tableaux."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3591, "fin_caractere_exclue": 3608, "texte": "Ch. X H R O U E T"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3717, "fin_caractere_exclue": 3783, "texte": "19 2 , r u e R o y a l e ,                          B ru x e lle s"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3905, "fin_caractere_exclue": 3960, "texte": "Cadre de tous styles et d ’après dessin po u r tableaux"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4069, "fin_caractere_exclue": 4094, "texte": "aquarelles, pastels, etc."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4254, "fin_caractere_exclue": 4297, "texte": "Le plus grand choix du pays. — Prix modérés"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4888, "fin_caractere_exclue": 4918, "texte": "E. D EM A N , Libraire-Editeur"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5034, "fin_caractere_exclue": 5088, "texte": "B u re a u x e t m a g a s in s r e tr a n s f é r é s"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5282, "fin_caractere_exclue": 5335, "texte": "8 6 , B U E D E L A M O N T A G N E ( E n tr e s o l)"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5583, "fin_caractere_exclue": 5666, "texte": "É d itio n s     d ’A r t . — Œ u v re s d e J . B a r b e y d ’A u r e v i l l y ,"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5763, "fin_caractere_exclue": 5857, "texte": "M a l l a r m é , M a e t e r l i n c k , V e r h a e r e n , \\ i l l i e r s d e l ’I s l e -"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5954, "fin_caractere_exclue": 6032, "texte": "A d a m , C o n s t a n t i n M e u n i e r , F é l i c i e n R o p s , e tc ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6136, "fin_caractere_exclue": 6210, "texte": "L iv r e s r a r e s o u p ré c ie u x , a n c ie n s e t m o d e rn e s ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6307, "fin_caractere_exclue": 6376, "texte": "ESTA M PES A N C IEN N ES, EA U X -FO R T ES e t DESSINS d e F . ROPS"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6478, "fin_caractere_exclue": 6572, "texte": "C o m m is s io n , A c h a t. E x p e rtis e s , D ir e c tio n de v en tes p u b liq u e s ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6678, "fin_caractere_exclue": 6778, "texte": "—            S a lle de V en te e t d’E x p o sltlo n s.                                     -------"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6918, "fin_caractere_exclue": 7017, "texte": "Im p r im é s u r p a p ie r d e la M a is o n K E Y M , r u e d e la B u a n d e rie , 1 2 - 1 4 ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7077, "fin_caractere_exclue": 7116, "texte": "Maison Félix M O M M E N & C°, Brevetés"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7160, "fin_caractere_exclue": 7198, "texte": "FABRIQUE ET ATELIERS : 3 7 , R u e d e"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7349, "fin_caractere_exclue": 7366, "texte": "T é l é p h o n e"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7253, "fin_caractere_exclue": 7297, "texte": "la        C h a r it é ,           BRUXELLES"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7386, "fin_caractere_exclue": 7393, "texte": "1 9 4 7"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7438, "fin_caractere_exclue": 7496, "texte": "Fabrique de Couleurs, Panneaux, Toiles, Vernis, etc., etc."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7540, "fin_caractere_exclue": 7609, "texte": "Spécialité de tous les articles concernant la peinture, la sculpture,"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7669, "fin_caractere_exclue": 7709, "texte": "la gravure, l’architecture et le dessin."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7759, "fin_caractere_exclue": 7840, "texte": "R E N T O IL A G E , N E T T O Y A G E E T V E R N IS S A G E D E T A B L E A U X"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7904, "fin_caractere_exclue": 7963, "texte": "GRAND PRIX ET MÉDAILLE D’OR A L’EXPOSITION DE St LOUIS 1904"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7974, "fin_caractere_exclue": 8083, "texte": "Prem ières médailles aux Expositions d’Amsterdam, P aris, Liverpool, Le H avre, Bruxelles, Chicago, etc. etc."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 39, "fin_caractere_exclue": 57, "texte": "TABLE DES MATIÈRES"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 73, "fin_caractere_exclue": 132, "texte": "CONTENUES                                              DANS"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 154, "fin_caractere_exclue": 175, "texte": "LA VI NGT- HUI TI ÈME"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 351, "fin_caractere_exclue": 363, "texte": "DE L ' A R T"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 628, "fin_caractere_exclue": 633, "texte": ".   ."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 676, "fin_caractere_exclue": 724, "texte": "ÉTU D ES ET                     P O R T R A IT S"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 947, "fin_caractere_exclue": 952, "texte": ".   ."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 1203, "fin_caractere_exclue": 1327, "texte": "D e l a S o p h i s t i c a t i o n d e l ’œ u v r e d ’a r t (V i n c e n t ( d’I n d y ).                                1"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 1435, "fin_caractere_exclue": 1558, "texte": "L a C i v i l i s a t i o n j a p o n a i s e ( P a u l - L o u is C o u c h o u d )                      . .            25"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 1668, "fin_caractere_exclue": 1791, "texte": "U n J u b i l e (O c t a v e M a u s ) ....................................................................              57"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 1890, "fin_caractere_exclue": 1895, "texte": ".   ."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 1907, "fin_caractere_exclue": 2019, "texte": "L a L i br e E s t h e t i q u e , ( i D . ) ..................................................................."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 2020, "fin_caractere_exclue": 2143, "texte": "L e G r a n d H a l l d e s c u l p t u r e d u M u s é e (C h .- L . 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D e M o t )                              385"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 2586, "fin_caractere_exclue": 2708, "texte": "I l l u m i n a t i o n s (O c t a v e M a u s ) .............................................................         225"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 2709, "fin_caractere_exclue": 2831, "texte": "C o n s i d é r a t i o n s s u r l e f r o i d (A n d r é F o n t a in a s ) . . .                                    129"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 2952, "fin_caractere_exclue": 3074, "texte": "R e t 'l e x i o n s s u r l e b e a u t e m p s (O c t a v e M a u s ) . . . .                                        161"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 3185, "fin_caractere_exclue": 3308, "texte": "S u p p r e s s i o n d u M i n i s t è r e d e s S c i e n c e s e t d e s A r t s ( id .)                            3 23"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 3450, "fin_caractere_exclue": 3572, "texte": "L ’a r t d e J e a n è s ( L o u i s V a u x c e l l e s ) .........................................                   145"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 3706, "fin_caractere_exclue": 3828, "texte": "A c t u a l i t é s l i t t é r a i r e s ( F r a n c is d e M io m a n d r e )                    . . .               217"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 3982, "fin_caractere_exclue": 4087, "texte": "Id .                    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H .) , . . . . .                                                       .         396"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 12048, "fin_caractere_exclue": 12147, "texte": "d u C e r c l e l’É lan, ( I d . ) ..............................                               302"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 12296, "fin_caractere_exclue": 12411, "texte": "d e s Indépendants ( O c t a v e M a u s ) . . . .                                                              219"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 12560, "fin_caractere_exclue": 12672, "texte": "d u C e r c l e P o u r l’A rt ( F r a n z H e l l e n s ) .                                          . 3 6 , 62"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 12821, "fin_caractere_exclue": 12920, "texte": "d u Sillon ( I d . ) ...................................................                        371"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 13069, "fin_caractere_exclue": 13184, "texte": "d e Vie et L um ière ( L . 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M .)                                        3 97"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 102, "fin_caractere_exclue": 130, "texte": "T A B L E DES M A T IÈ R E S"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 242, "fin_caractere_exclue": 373, "texte": "L ’A r t à S c h a e r b e e k d a n s l e p a s s é ( F r a n z H e l l e n s ) .                                      .       371"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 482, "fin_caractere_exclue": 564, "texte": "A n v e r s . L e S a l o n d e l'A r t contem porain ( J . S .) . . .1 1 8 ,1 2 3"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 717, "fin_caractere_exclue": 720, "texte": "223"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 721, "fin_caractere_exclue": 853, "texte": "D o u r . E x p o s i t i o n C h a r l e s B e r n i e r ( L ou i s P i é r a r d )                                    .       3 40"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 960, "fin_caractere_exclue": 1091, "texte": "P a r is . S o c ié té N a tio n a le d e s B e a u x - A r ts ( 0 . M a ds).                                           .       193"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 1202, "fin_caractere_exclue": 1330, "texte": "L e s p r i x d u S a l o n ...................................................................                              199"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 1441, "fin_caractere_exclue": 1569, "texte": "L e S a l o n d e s H u m o r is t e s                       .......................................................         119"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 1573, "fin_caractere_exclue": 1701, "texte": "B i b l io t h è q u e N a t io n a l e . 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M .) .                                               377"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 9093, "fin_caractere_exclue": 9161, "texte": "A nthologie des poètes belges ( P a u l C o r n e z ) .............."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 9313, "fin_caractere_exclue": 9428, "texte": "A lm a n a c h d e s E tu d ia n ts d e G and (F . d e M iomandre ) .                                            99"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 9539, "fin_caractere_exclue": 9648, "texte": "Ubu R oi e x p liq u é p a r A l f r e d J a r r y ..........................                              13"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 9758, "fin_caractere_exclue": 9868, "texte": "A lfre d J a r r y à la Libre E sthétique ................................                                 191"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 9978, "fin_caractere_exclue": 10088, "texte": "U n p o r t r a i t d ’E m e rs o n p a r M 11 D u g a r d ..............                                   71"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 10198, "fin_caractere_exclue": 10313, "texte": "S ty le f le u r i. U n c h e f d ’o rc h e s tre , p a r M . E . C a ttie r .                                  119"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 10423, "fin_caractere_exclue": 10533, "texte": "U n a u to g r a p h e d e S h a k e s p e a r e .....................................                     143"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 10643, "fin_caractere_exclue": 10753, "texte": "T h é o d o re d e B a n v ille e t l ’A c a d é m ie . . ..............                                   183"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 10863, "fin_caractere_exclue": 10973, "texte": "L e s B ib lio p h ile s f a n ta is is te s ...........................................                   254"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 11083, "fin_caractere_exclue": 11192, "texte": "A p ro p o s d e s C hâtim ents d e V ic to r H u g o - ..............                                    239"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 11302, "fin_caractere_exclue": 11412, "texte": "L e M usco B a l z a c .............................................................                       271"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 11522, "fin_caractere_exclue": 11632, "texte": "P é rio d iq u e s n o u v e a u x . A m a r y llis ( P a r i s ) ..............                           191"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 11746, "fin_caractere_exclue": 11852, "texte": "Comica ( I d .) ........................................................................               319"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 11966, "fin_caractere_exclue": 12077, "texte": "L ’E xpa n sio n belge (B ru x e lle s ) . . . . . . . .                                                     79"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 12191, "fin_caractere_exclue": 12302, "texte": "L e F u re teu r ( U . ) .....................................................                              351"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 12416, "fin_caractere_exclue": 12527, "texte": "L e s M arges ( P a ris ) . . . . . . . . . . . .                                                           399"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 12640, "fin_caractere_exclue": 12752, "texte": "L a N o uvelle R evue fra n ça ise (P a ris ). . . . . . .                                                   391"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 12866, "fin_caractere_exclue": 12977, "texte": "P a n (M o n tp e llie r)..............................................                                     191"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 13090, "fin_caractere_exclue": 13126, "texte": "L a Presse (B ru x e lle s ) . . . ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 13199, "fin_caractere_exclue": 13202, "texte": "127"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 13316, "fin_caractere_exclue": 13375, "texte": "Stra rije G odij (S a in t-P é te rs b o u rg ) . . . . . ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 13424, "fin_caractere_exclue": 13427, "texte": "158"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 13537, "fin_caractere_exclue": 13652, "texte": "E x p o s itio n de p é rio d iq u e s à la M aiso n d u L iv re . . .                                          383"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 13762, "fin_caractere_exclue": 13877, "texte": "V e n te d ’a u t o g r a p h e s ........................................                                 191, 206"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 13987, "fin_caractere_exclue": 14102, "texte": "G la n u re s .............................                                                                     286"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 14212, "fin_caractere_exclue": 14299, "texte": "A ccu sés d e r é c e p tio n . .                      14, 62, 150, 158, 174, 190, 198,"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 14495, "fin_caractere_exclue": 14513, "texte": "222, 254, 342, 398"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 14623, "fin_caractere_exclue": 14738, "texte": "N écrologie . F rançois C o p p é e (F . d e M iomandre ) . .                                                   169"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 14852, "fin_caractere_exclue": 14963, "texte": "J.-G . F reson . ..........................................................................                 270"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 15077, "fin_caractere_exclue": 15188, "texte": "M écislas G o lberg .                                          ..................................            14"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 15302, "fin_caractere_exclue": 15413, "texte": "V ictorien S ardou (F . d e M iomandre ) ....................... ......                                     363"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 15844, "fin_caractere_exclue": 15856, "texte": "M U S IQ U E"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16176, "fin_caractere_exclue": 16288, "texte": "L a M usique au P a rle m e n t b e l g e ......................................                             132"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16398, "fin_caractere_exclue": 16510, "texte": "D iscours de M. J . D estrée à la C h am b re . • . . .                                                      227"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16620, "fin_caractere_exclue": 16732, "texte": "D e la S o p histication de l’œ uvre d ’a rt ( V i n c e n t d ’I n d y ) .                                    1"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16881, "fin_caractere_exclue": 16954, "texte": "( C a m ille S a in t- S a ë n s ).                                    28"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17064, "fin_caractere_exclue": 17176, "texte": "L e G rand C oncours in tern a tio n a l de m usique . . . .                                                 279"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17286, "fin_caractere_exclue": 17398, "texte": "L e s Souvenirs de M. V incent d ’In d y (H. L e s b r o u s s a r t ) .                                      36"}]}], "pages_ocr_originales": [{"page_pdf": 416, "texte": "         V IN GT-H U ITIEM E A N N EE.                                      N° 52.                                                  27 D é c e m b re       1908.\n\n\n\n\nL’ARTMODERNE\n                                          REVUE CRITIQUE HEBDOMADAIRE\n\n\n\n                                       BUREAUX : RUE DE L’INDUSTRIE, 32, BRUXELLES\n        ABO NNEM ENT : B E L G IQ U E , 10 FR A N C S L ’A N ; U N IO N PO ST A L E, 13 FRA N CS — L E NU M ÉRO, 25 CENTIM ES\n\n\n\n\n                            S O M M A IR E                                        clinaient devant la sienne, et le respect qu’il inspirait\n                                                                                  n’avait d’égal que l ’ardeur de ses convictions.\n   F . -A. Gevaert ( O c t a v e M a u s ) . — La Société centrale d’architec­\n                                                                                     A une époque où nul n'échappe à la critique, à la dis­\ntu re ( O . M .) . — « L a Dame qui n’est plus aux Camélias » ( F r a n c i s\n                                                                                  cussion, au dénigrement, la considération unanime\nd e M i o m a n d r e ) . — Chronique théâtrale : Boccace (G. R ). — Chro­\nnique judiciaire des A rts : Une définition ju rid iq u e des Musées. —           dont jouissait cette personnalité d’élite est peut-être\nNécrologie : Siebe ten Cale. — P etite Chronique. — Table des                     unique. Si l ’on eût ouvert un referendum pour désigner,\nm atières.                                                                        ainsi qu’on le fit pour élire un Prince des Poètes, un\n                                                                                  artiste digne d’occuper le Siège apostolique de la Musi­\n                                                                                  que, il est probable que le vénérable directeur du Con­\n                                                                                  servatoire de Bruxelles eût réuni tous les suffrages.\n                  F.-A .          G EVAERT                                       L’infaillibilité de ses avis lui en conférait l’incontes­\n                                                                                 table titre.\n     Ce n’est pas en Belgique seulement que la mort de                               Cet ascendant, M. Gevaert ne le dut qu’à son\nM. Gevaert aura un douloureux écho. En France, où                                mérite et à la fermeté de son caractère. Ici encore le\nl ’illustre musicologue fit ses premières armes, où le                           fait est assez rare pour être mentionné. Prix de Rome\ncompositeur trouva un public accueillant, la funèbre                             à dix-huit ans, il fit représenter ses premiers ouvrages\nnouvelle attristera tous ceux qui ont le culte de l ’art                         lyriques avant même d’avoir entrepris les voyages\nmusical. Aucune nation étrangère ne sera d’ailleurs                              réglementaires qui devaient ouvrir à sa jeune intelli­\nindifférente à l ’événement, car la renommée du défunt                           gence les horizons les plus étendus (1). Nommé en 1867\nétait universelle.                                                               directeur de la musique à l’Opéra, poste créé pour le\n    C’était, dans la plus haute et complète acception du                         musicien belge en raison de l ’exceptionnelle valeur de\nterme, un « Représentative man ». Il incarnait, aux                              celui-ci et qui fut supprimé à son départ, il imprima\nyeux de tous, la Musique, et avec elle tout ce que l’in­\ntelligence, la culture, l’érudition, l ’expérience appor­                           (1) F r a n ç o i s - A u g u s t e [ G e v a e r t n a q u it à H u y s se (F la n d re\n                                                                                 o rie n ta le ) le 31 j a n v i e r 1828. P r i x d e R o m e (à l ’u n a n im ité ) e n\ntent au service d’un art qui exige, plus que tout autre,                         m a i 1847.\nl’accord de la science et de l ’instinct.                                           Œ u v r e s l y r i q u e s : H u g u e s de S o m e rg e m , 3 a c te s (1848). —\n                                                                                 L a C om édie à la V ille, 1 a c te (m êm e a n n é e ). — G eorgette o u le\n    Son autorité était indiscutable. Elle s’exerçait, —                          M o u lin de F o n te n o y , 1 a c te (1853). — L e B ille t d e M a rg u e rite ,\nnon sans tyrannie parfois, mais avec une tyrannie tem­                           3 a c te s (1854). — L e s L a v a n d iè r e s de S a n ta r e m , 3 a c te s (1855).\n                                                                                 — Q u e n tin Du r w a r d , 3 a c te s (1858). — L e D iable a u m o u lin ,\npérée par l’affabilité des manières et la plus parfaite                          1 a c te (1859). — L e C h â tea u -T ro m p e tte , 3 a c te s (1860). — L e s\ncourtoisie, — sur tous ceux que la vie mettait en contact                        D e u x A m o u r s , 2 a c te s (1861). — L e C apitaine H e n rio t, 3 a c te s\n                                                                                 (1864).\navec lui. Les plus altières compétences musicales s’in­                             C o m p o s i t i o n s d i v e r s e s : Jacques V a n A rte v e ld e , c a n ta te . —\n"}, {"page_pdf": 417, "texte": "410                                                           L 'A R T MODERNE\n\n\n\n\nau x études m usicales de l ’A cadém ie im périale une                         tra v a u x didactiques qui fo n t a u to rité , le fil destiné à les\nd irectio n où se m a rq u a ie n t so n g o û t su r et sa volonté            gu id er dans le la b y rin th e de l’h a rm o n ie et de l’in s tr u ­\np ersév éran te. Les événem ents politiques de 1870                            m en ta tio n ; au public, une éducation esthétique em b ras­\nl’a y a n t ram en é en Belgique, il p rit en a v ril 1871 la                  sa n t to u te une époque d 'a rt, la plus féconde et la plus élo­\nd irectio n du C o n serv ato ire de B ruxelles que la m o rt de               quente de l’h isto ire m usicale, tan d is qu’il la issa it à d’a u ­\nP étis v e n a it de la isse r v acan te. C’e st là, dans cet é ta ­           tres le soin de la com pléter p a r l’exposé de l’évolution\nblissem ent d o n t il fu t d u ra n t tre n te -se p t ans l ’âm e et         co n te m p o rain e. Cette m ission, il l’accom plit sans défail­\nqui lui doit sa célébrité, q u ’il a lla it tro u v er l’o rie n ta ­          lances, indifférent au x critiques com m e au x éloges de\ntion définitive de sa vie.                                                     la presse, so u rd au x conseils d’a u tru i, obstiném ent e n ­\n    Un hom m e de cette trem p e n ’a ssu je ttit p o in t sa n a ­            ferm é d an s le cercle de ses devoirs e t de ses études, ne\ntu re au x fon ctio n s q u ’il rem p lit : il dom ine celles-ci et            re c h e rch a n t d’a u tre s satisfactio n s que les joies a r tis ­\nles élève au n iveau de son esp rit. D u ran t ce long règne,                  tiques q u ’il en re sse n ta it. Depuis so n accession à des\nM. G evaert identifia si é tro ite m e n t le C onservatoire à                 fonctions publiques, il av a it oublié, ou peu s ’en fau t,\nsa conception individuelle que sa pensée en ré g la it                         le co m positeur qui, en lui, a v a it précédé le sav an t et\nl’org an ism e ju sq u ’en ses m oin d res détails. C’é ta it le               l’a p ô tre. S a m odestie, doublée d ’une p o inte de m alice —\nclav ier su r lequel il p ro m e n a it avec a m o u r ses doigts de           il y av a it en lui l’étoffe du plus fin diplom ate — ne\nm usicien ferv en t. Il l ’a im a it d ’une passion ja lo u se et              to lé ra ja m a is q u ’on re m ît en scène les com édies ly r i­\nexclusive. M algré son g ra n d âge, il ne to léra ja m a is,                  ques q u ’il écriv it d an s sa jeunesse. D ans une fo rt belle\np a r exem ple, q u ’un chef d’o rc h e s tre le re m p laçâ t au              étude co nsacrée à sa m ém oire (1), M. M aurice Kuffe­\np u p itre. E t la m o rt seule a r r ê ta le b ra s qui, chaque               ra th rap p elait h ie r avec quelle sim plicité so u ria n te il\nhiver, en des so len n ités d ans lesquelles le culte .esthé­                  déclina l’offre qui lui fu t faite d ’in scrire l ’un de ces\ntique é ta it célébré avec une pom pe m agnifique, m a îtri­                   ouvrages au p ro g ram m e des spectacles ju b ila ire s p ro ­\nsait et d isciplinait une arm ée d ’in stru m e n tiste s e t de               je té s en 1905 au th é â tre de la M onnaie : \" Mes ch ers\nc h a n te u rs e x a lta n t la g lo ire de B ach, de H aendel, de            am is, ne p a rlo n s pas de cela. à ne fa u t pas m e jo u e r\nG luck, de B eethoven ou de W a g n e r.                                       m a in te n a n t. L a p o stérité décidera s’il fau t le faire . J ’ai\n    La fo rte p e rso n n a lité de M. G evaert, sa cu ltu re ency­            le tem ps d ’a tte n d re ... E t puis, e n tre nous, il ne fa u t\nclopédique, la certitu d e de ses connaissances ex cluaient                    p as qu’on discute le D irecteur du C onservatoire. \"\nles d an g ers que p o u rra it offrir u n e a b so rp tio n de ce                 E t M. K ufferath a jo u te : \" T o u t l’hom m e e st dans\ng en re. Les griefs que su scita p a rfo is celle-ci s’ém ous­                 cette saillie. Il sa v a it sa v aleu r, m ais il n ’ig n o ra it pas\nsè re n t su r son im passibilité. E t l’on to lé ra it v o lo n tiers         ses faiblesses e t il tenait à son p restige, qui é ta it g ran d .\nq u ’il e û t re p ris p o u r son com pte, avec une h a u tain e              Dans la h au te situ atio n qu’il occupait com m e m a ître de\nin tran sig ean ce, l’axiom e célèbre que L ouis X IV ap p li­                 chapelle du R oi e t chef de la p rem ière in stitu tio n m usi­\nq u ait à l ’É ta t. M ais qui donc a ffro n te rait le p érilleu x            cale du pays, il av a it ra iso n de ne pas v o u lo ir qu’on\nh o n n e u r de lui succéder d ans cette voie?                                l’e n tam ât. \"\n    Son influence s’é ten d ait, au su rp lu s, bien au delà des                   Ceci achève d’un co n to u r expressif l’esquisse p a r\nlim ites de l’édifice officiel s u r lequel il ex erçait les p r é ­           laquelle j ’ai te n té de décrire cette ém inente et o rig in ale\nro g ativ es de la m o n arch ie absolue. Il fut l’in itia te u r de           p erso n n alité. C austique, ra ille u r, infinim ent spirituel,\ntoute une g é n é ra tio n . Il ra m e n a en Belgique l’am o u r              il ne re d o u ta it pas de s’offrir com m e cible aux tra its\ndes belles œ uvres classiques qui re p rire n t le u r place,                  qu'il décochait avec une verve to u jo u rs juvénile. P e r­\ng râce à ses c o n sta n ts efforts, su r les scènes lyriques                  sonne n ’échappa plus com plètem ent à l’h y p e rtro p h ie du\nd o n t elles a v a ie n t été dépossédées. C’e st à lui que nous              « m oi » qui a tte in t habitu ellem en t les hom m es su r qui\ndevons les ém ouvantes rec o n stitu tio n s d 'O rph ée,                      p leu v en t les h o n n eu rs et qu’au réo le la célébrité. C’était,\nd'A lceste, d ’I p h ig é n ie , d ’A r m id e , de F id e lio que             d an s la vie privée, l ’hom m e le plus dépouillé de vanité\nréalisa, sous son im pulsion, le th é â tre de la M onnaie, de                 qu’on p û t re n c o n tre r. C auseur délicieux, doué d ’une\nm êm e que les au d itio n s q u ’il d o n n a de l’O r d u R h in             m ém oire prodigieuse, ce p u r in tellectuel, qui lisait les\n p ré p a rè re n t l’av ènem ent, su r le mêm e th é â tre , d’un chef-       poètes grecs dan s le tex te, co n n aissait l’h éb reu et p a r­\nd’œ uvre, a lo rs m éconnu, du dram e m oderne.                                lait co u ra m m en t cinq ou six langues, é g ay a it de rép a rtie s\n    Son actio n fu t double. Aux m usiciens il offrit, en des                  im prévues et de piquantes anecdotes d o n t la source, a li­\n                                                                               m entée p a r des souvenirs personnels, é ta it in tarissab le,\nFantaisie espagnole p o u r o rc h estre . — Messe de R equiem . —             les réu n io n s d’am is auxquelles il se p laisait à a ssiste r.\nP saum es.         Chœurs. — Messe p o u r voix d'enfants.\n   O u v r a g e s d id a c t iq u e s : H istoire et théorie de la m usique   P lu s s’accum ulaient su r lui les dignités et les titre s , plus\nd ans l'antiquité. — T raité d 'instrum entation. — Cours m étho­              il a ccen tu ait la fam iliarité de son accueil. Sa bonhom ie\ndique d orchestration. — L es Origines d u Chant liturgique. —\nL a Mélopée antique dans le chant de l’Eglise latine. — T raité\nd'harm onie.                                                                     (1) L a Chronique , 25 décembre 1908.\n"}, {"page_pdf": 418, "texte": "                                                               L 'A R T M ODERNE                                                                 41 1\n\n\n\n\n su ivait, sem ble-t-il, u n e p ro g re ssio n p a ra llè le à l ’o rd re   l'E n trée d 'un parc public. Il a donné d ’assez bons résultats, à en\ndes d istin ctio n s qui lui é ta ie n t conférées. H aussé, m alg ré        juger par les projets de MM. Van Montfort, Hebbelynck, Devroye\n                                                                             et Alquit, que le jury classa dans cet ordre et dont l’exposition\nlui, au som m et de l’échelle h ié ra rc h iq u e, créé b a ro n p a r        compléta l’ensem ble du Salon.\nu n g o u v ern em en t qui a v a it épuisé la série com plète des                                                                        O. M.\ng rad es d o n t il p o u v a it l’in v estir, il s’affirm a, plus que\nja m a is, le F la m a n d g o g u en ard e t fro n d e u r d an s lequel,    « L a D a m e qui n ’est plus aux Camélias ».\nsous la re d in g o te d ire c to ria le ou l ’h ab it de c o u r, bat­\nta it le cœ u r h éro ïq u e e t jo v ia l d ’un descen d an t d irect de         Eh b ien ! elle est fort amusante cette pièce (1), et le public y\n                                                                               riait malgré lui. C’est très curieux de voir le public rire malgré lui.\nT h y l E ulenspiegel.                                                        Visiblement, il était venu mal disposé parce que le nom dé M. de\n    Sa fin fu t digne d ’une vie à laq uelle la p a ssio n de                 Faram ond n ’a pas le même genre de notoriété que ceux des four­\nl ’étude, la bo n té, la g én éro sité, le d ésin téressem en t                nisseurs de brioche des boulevards. Visiblement aussi, il était\n                                                                              désorienté. La comédie m anque d ’action à un point rare, à un\nc o n fé rè re n t sa v ra ie noblesse. M. G ev aert ig n o ra                point absolu, et il ne faudrait pas que ça devint une esthétique,\nl'h u m ilia tio n du déclin. L a c la ire lu e u r de son esprit             car tout u n théâtre sans action deviendrait vite impossible.\nn ’e u t p o in t de crép u scu le. J u s q u ’à 1 h e u re suprêm e              Mais ce défaut — ou peut-être ce parti pris — était racheté par\n                                                                              la drôlerie, la fantaisie, l’observation, e t cette suite de tableaux de\nil g a rd a , avec son activ ité q u o tidienne et sa s u r­                  la vie des courtisanes reliés par le fil lâche et indifférent d’un\np re n a n te v e rd e u r, la lucidité in té g ra le de son in te lli­       sem blant d ’intrigue constituait à elle seule et sans le secours\ngence. Il eû t pu d ire fièrem en t, com m e le h éro s d’Ém ile              d ’une « composition » un spectacle suffisamment intéressant pour\n                                                                              em pêcher le public de se rappeler q u ’il n ’aime à entendre que\nV erh aeren : » On m e u rt deb o u t dans m a fam ille ». Le                 toujours la même pièce, depuis A m a n ts.\ng ra n d so u v en ir q u ’il laisse dem eure in ta c t d an s sa                 M. de Faram ond est u n auteur qui parle enfin des « grues »\nsé ré n ité , avec l ’exem ple d ’une existence inflexiblem ent               avec le ton juste. Il ne les réhabilite pas. et c'est bien e n ce sens\n                                                                              que sa dame n ’est plus a u x camélias. Mais il ne leur tombe pas\nd ro ite .                                                                    dessus à la Zola en les accusant des m alheurs de la tribu. Sa\n                                                    Octa v e M aus            dame n ’est pas plus Marion Delorme que Nana. Elle serait plutôt\n                                                                              sœ u r de mon amie N a n e, de P.-J. Toulet. Vaniteuse et bête,\n                                                                              criarde, cabotine, posant pour la froideur distinguée mais rap ­\n                                                                              pelée à toute m inute à son origine populaire par lès circonstances\n     L a S ociét é centrale d ’architecture.                                  et l’instinct, ne pouvant pas adm ettre de se trouver sans amant,\n                                                                              ne pouvant aim er personne mais ne supportant pas la solitude,\n     L orsqu’ils participent aux Salons officiels, les architectes se         toujours entourée d ’une volière d ’oiseaux bizarres e t bruyants :\n plaignent souvent, et à bon droit, d ’être relégués en des Sibéries          de petites grues complimenteuses et nerveuses, des m essieurs\n dont l ’exploration ne tente aucun visiteur. Mais ne faut-il s’en            tarés et élégants, des gens chics, des gens moins chics, em bras­\n prendre q u ’aux commissions organisatrices? Les plans, les épures,          sant tout le m onde, pavanés pour tout le m o n d e , — m onum ent\n d ’une compréhension un peu ardue pour qui n ’est pas du m étier,            d ’inutilité sociale, ni bonne, ni mauvaise, nulle.\n ont une m édiocre vertu attractive. Et si le public m ontre peu                 Je ne sais pas si M. de Faramond a voulu nous donner toutes\n d ’em pressem ent à l ’égard des sections d ’architecture, c’est q u ’il     ces im pressions; il est probable que non, car on ne fait jamais\n sait d ’avance l’ennui qui l’a ttend.                                       rien de bien quand on se propose d ’avance un but aussi défini,\n     C’est pour vaincre cette indifférence que la Société centrale           m ais à coup sûr il y est arrivé, et cela p ar la seule force de son\n d ’architecture organise chaque année un salonnet dans lequel               « exposition. »\n elle s’( fforce de com biner avec la partie technique propre à inté­            Tout ce monde-là ressem ble à des fantoches. Mais c’est vrai,\n resser les spécialistes des élém ents accessibles à tous : dessins,         aussi. Ce sont des fantoches dans la réalité. Les gens qui appro­\naquarelles, maquettes, spécimens de statuaire m onum entale, etc.            chent des filles très cher peuvent être chez eux des gens très\nGrâce à l’activité et au goût de M. Léon Bochoms, qui en assuma              sérieu x ; chez elles, ils deviennent ce q u ’il faut qu’ils soient pour\n l’organisation, l ’exposition ouverte cette année au Palais de la           leur plaire, pour faire bien d ans le tableau : ils participent à la fri­\nBourse, et dont la durée fut m alheureusem ent trop restreinte, offrit       vole nullité de la m aîtresse de maison La « fille cher » n ’aime que\nune heureuse diversité et un vif intérêt.                                    l’argent, ne parle que de lui. Le m onsieur qui fréquente chez la\n    Cette exposition rassem bla, entre autres, quelques œuvres               fille cher — à moins d ’être un am ant de cœ ur — disparait quand\ndécoratives de M. Ch. Samuel, m em bre associé de la Société : une           il n'a plus d ’argent. I l va faire du dram e ailleurs, il va être\nréduction du Monument De Coster, la Cérès de la Maison du                    sérieux ailleurs.\nCygne, un Sa in t-M ich el, une figure tom bale; la m aquette du                 M. de Faram ond a très bien compris cela, ou, plus exactement,\nnouvel hôtel comm unal de Laeken par M. Barduelle et celle de la             il l’a senti. Et j ’aime surtout dans sa pièce cette absence de pré­\nsépulture des ducs d ’Ursel à Hingene p a r M. Caluwaers, qui exposa         tention dans l’observation, cette fantaisie bon enfant, ce désordre\nen outre la façade de l’Athénée d ’Ostende, un maître-autel et plu­          élégant, ce laisser-aller si à sa place. Et puis, c’est bien écrit. Il y\nsieu rs m onum ents funéraires; de beaux croquis de Notre-Dame de            a de très jolies tirades, amenées sans artifice.\nParis, de la Cathédrale de Laon et de la cascade de Saint-Cloud,                 Je serais content que L a D am e qui n'est plus a ux Camélias\npar M. Dhuicque ; de nom breux projets d ’édifices dus à W. Van              eût beaucoup de succès. Elle le m érite, ne serait-ce que par la\nMontfort et présentés à divers concours; des façades d'hôtels par­           différence q u ’elle présente avec l ’horrible et banale petite chose\nticuliers, récem m ent édifies, par M. Dumont; le projet de galerie          truquée q u ’on appelle une pièce dans les théâtres du Boulevard et\nen staff proposé pour la Montagne de la Cour par M. Dewin,                   qui devrait n ’avoir de nom dans aucune langue.\nauteur d’une élégante villa à Uccle ; divers dessins de construc­                La troupe de Lugné-Poe est, comme toujours, excellente et d ’une\ntions érigées ou projetées par MM. Anciaux, Bodson, Peeters.                 cohésion parfaite. Les m ouvem ents d ’ensem ble sont réglés avec\nL’envoi de M. Bochoms, le plus varié et ’e plus attrayant du                 une justesse adm irable. Mme Carlier réalise un type complet de\nSalon, com prenait une vingtaine de cadres parmi lesquels on                 courtisane et M. Lugné-Poe lui-même, par la science et l ’intelli-\nadm ira surtout divers aspects, traduits à l’aquarelle, du Château\ndes Comtes, à Gand, e n des interprétations à la plum e, largem ent             (1) L a Dame q u i n'est plus a u x Camélias, comédie en trois par­\ndessinées, de vieilles constructions du Surrey et du Sussex.                 ties, par M. d e F a r a m o n d , représentée la semaine dernière au\n    Le concours ouvert cette année par la Société avait pour objet           Théâtre de l’Œuvre, à Paris.\n"}, {"page_pdf": 419, "texte": "412                                                                L 'A R T M ODERNE\n\n\n\n\ngence prodigieuses de son jeu, trouve moyen de faire du simple                               PE T IT E CHRONIQUE\npersonnage de financier allem and qui lui est confié une sorte de\nsymbole puissant, quelque chose comme le Thomas P o llack                          Les funérailles de M. Gevaert seront célébrées mardi prochain,\nNaqeoire de cette séduisante comédie.                                           à I l heures, à l’église paroissiale d u Sablon. U n e chapelle ardente\n                                            F r a n c is d e M io m a n d r e   sera dressée au Conservatoire, sous le péristyle de la salle des\n                                                                                concerts. Suivant la volonté expresse du défunt, aucun discours\n                                                                                ne sera prononcé. La partie musicale de la cérémonie, réglée\n                                                                                dans ses détails par M. Gevaert lui-m êm e, a été confiée par lui\n       CHRONIQUE TH EA TR A LE                                                  à MM. W otquenne, préfet des études au Conservatoire, e t Mari-\n                                                                                voet, m aître de chapelle à l’église du Sablon. Seules des œuvres\n                               B occace                                         de plain-chant seront exécutées pendant le service funèbre.\n                                                                                L’inhum ation aura lieu au cim etière de la Ville, à Evere.\n   Le théâtre Molière est un heureux théâtre. Le public qui le fré­\nquente y apporte, a chaque pièce nouvelle, des réserves inépuisa­                  Les études d 'A ria n e et B arbe-B leue sont poursuivies sans\nbles d’enthousiasme, et le délire y est l’état habituel des specta­             relâche au théâtre de la Monnaie, dont la direction n’a rien\nteurs. Comment pourrait-on se dérober à l'influence d'u n milieu                négligé pour assurer au conte lyrique de MM. Paul Dukas et Mau­\naussi bruyam m ent sympathique ? Une bonne volonté commune                      rice Maeterlinck une interprétation de prem ier ordre. Artistes du\nsemble anim er les acteurs et ceux qui les écoutent. La critique,               chant, chœ urs, orchestre sont entièrem ent prêts. Les décors seront\nici, doit se borner à enregistrer le succès. Elle le fait avec bonne            plantés demain et l’on réglera pendant toute la semaine les d er­\ngrâce, et même avec conviction, quand c ’est Boccace que l’on                   niers détails de la mise en scène. La prem ière représentation est\njoue, et qu’il est joué comme il le fut jeudi soir, à la prem ière de           définitivement fixée à samedi prochain, 2 janvier, à 8 heures.\ncette reprise. Le gentil opéra comique de Suppé n ’est nullem ent\ndésagréable à réentendre. Le livret en est charm ant, avec ses                    La Chambre des députés des Pays-Bas a voté un subside de huit\nallures de fabliau naïf et doucement libertin, et la m usique en est            cent mille francs pour la participation hollandaise à l’Exposition\nséduisante sans banalité. La troupe du Molière, cette année, pos­               universelle de Bruxelles. C’est le plus gros subside accordé par\nsède quelques éléments de choix. Mmes Delormes et de Brasy                      un gouvernem ent étranger en faveur de notre future W orld’s\nBoccace et Béatrice — ont une jolie voix et un jeu intelligent. Les\n                                                                                Fair.\ncomiques font ce qu’ils peuvent pour être drôles, et ils y réussis­\nsent quelquefois. Le reste de l’interprétation est très satisfaisant.             Mlle Jenny Martigny, MM. R. De Saegher et A. Heins ont ouvert\n                                                            G. R.               avant-hier, au Cercle artistique de Gand, une exposition de leurs\n                                                                                œuvres qui sera clôturée le 7 janvier.\n\n        Chronique judiciaire des Arts                                              Une exposition internationale d ’instrum ents de m usique, divisée\n                                                                                en dix-huit groupes, sera ouverte à Rotterdam, dans les salons de\n           U n e d é fin itio n ju r id iq u e d e s M u sé es.                 la Société «H arm onie », du 19 mai au 1er juin 1909. S’adresser\n                                                                                pour tous renseignem ents au secrétariat général, 17, Spoorsingel,\n   Un musée est-il, dans le sens juridique du terme, u n « lieu                 Rotterdam (Hollande).\nhabité »?\n   Il parait que oui. C’est, du m oins, ce qu’a décidé la Cour d ap ­               Les solistes engagés par M. F. Durant pour l ’exécution du\npel de Paris, en réform ant un jugem ent du tribunal correctionnel               Requiem de Mozart, qui aura lieu à l’Alhambra le dimanche\nde la Seine qui avait condamné à quatre années d ’em prisonne­                   10 janvier, à 2 h. 1/2 (répétition générale la veille, à la même\nment un certain Vavasseur, l’un des auteurs du vol des statuettes                heure), sont Mmes Ceuppens-Houzé et J. Flam ent, MM. Lheureux\négyptiennes dérobées l’an dernier au Musée du Louvre.                            et Brétiny.\n ' L’arrêt déclare qu’u n édifice est réputé habité lo rsq u ’il renferme           L’audition du Requiem sera précédée de l’exécution de la\ndes surveillants et des gardiens. On ne s’aperçut guère de leur                  Symphonie n° 1, de l’air d' Idoménée (Mlle A. Delhaye) et d e la\nprésence lorsque la déesse Isis disparut de sa v itrine... Mais,                 Symphonie concertante avec violon et alto soli (MM. Lucien Capet\nthéoriquem ent, ils y étaient, ou devaient y être. Le tribunal cor­              et Léon Van Hout).\nrectionnel fut, par suite, incom pétent pour juger Vavasseur, qui                   Les chœ urs seront chantés par la section chorale mixte des\ndevra, en raison de cette circonstance aggravante, s’efforcer d ’éta­            Concerts Durant sous la direction de M. Henri Carpay.\nblir devant la Cour d ’assises son innocence.\n                                                                                    Le troisième concert Ysaye est fixé au dimanche 17 janvier\n                                                                                 prochain. MM. Jacques Thibaud et Pablo Casals y joueront, en\n                                                                                 prem ière audition, le Double concerto pour violon et violoncelle\n                       NÉCROLOGIE                                                de Brahms et, avec M. Alfred Cortot, le Triple concerto pour\n                                                                                 piano, violon et violoncelle de Beethoven. Au programme figu­\n                           S ie b e te n C ate.                                  ren t en outre : une ouverture de Mozart, des fragm ents sympho­\n                                                                                 niques de P s yché de Franck, des soli pour piano par M. Cortot,\n   Le peintre hollandais Siebe ten Cate vient de m ourir à Paris                 les M u rm u res de la F orêt de Siegfried e t l ’ouverture du V ais­\n où il s’était fixé après avoir passé, jadis, quelques années à                  seau fantôme, de W agner, sous la direction de M. Eugène Ysaye.\n Bruxelles. C’éiait l’un des mieux doués d’entre les paysagistes                 La location est dès à présent ouverte chez Breitkopf et Hærtel.\n actuels de la Hollande. Ses toiles, d’un coloris fin, harm onieux,\n avaient généralement pour « m otif » quelque aspect de Paris :                    On nous écrit d ’Ostende qu’au Cercle Cæcilia, la semaine der­\n vieilles façades, quais, ponts sur la Seine, embarcadères, rues de              nière, le public a ratifié par ses applaudissem ents le succès qui\n banlieue, fortifs. Il choisissait de préférence ces sites à « l’heure           accueillit au Kursaal, l’été passé, les débuts de Mlle L. Van den\n exquise » où déclinent les lueurs du jour. Les brouillards que                  Eeden, désormais classée parm i les cantatrices de concert les\n perce la flamme rougeoyante d’un réverbère, les ciels bas et plu­               mieux appréciées.\n vieux, la neige trouvaient en lui u n interprète attendri. Sans\n doute éveillaient-ils dans son cœ ur le souvenir de l’a tmosphère                 De Paris :\n natale.                                                                           L’Opéra annonce la répétition générale de M onna Vanna\n    M. ten Cate avait à peine cinquante ans. Ses œuvres sont épar­               pour dimanche prochain, 3 janvier; la prem ière représentation\n pillées dans les collections privées. L’une d ’elles, exécutée à                pour le m ercredi 6.\n Montmartre, a été acquise par l ’État pour le musée Carnavalet.\n"}, {"page_pdf": 420, "texte": "                                                                        l ’a r t      moderne                                                                                                         413\n\n\n\n\n   M. Paul Spaak a fait le -16 décem bre au Théâtre des Arts une                             als A c h tjähriger Komponist un curieux ouvrage de Mozart,\nconférence sur les Poètes belges. Mme Léa Siria, Berthe Bovy,                                demeuré inédit, et dont l’original a été tout dernièrem ent offert\nVéra Sergine, Marie Kalff, Georgette Leblanc et M. Durée ont                                 à l ’em pereur d ’Allemagne par son propriétaire, M. Ernst von\nillustré ceite causerie d ’exemples tirés de l’œuvre d ’Émile Ver­                           M endelssohn-Bartholdy .\nhaeren et de Maeterlinck. On a applaudi, en outre, d ’exquises                                  C’est un carnet de poche sur lequel Mozart transcrivait ses com­\nmélodies de M. Léon Jongen chantées par Mlle Madeleine Bon­                                  positions musicales en 1764. Il avait alors huit ans. Ces composi­\nnard, le Poème pour violoncelle de M. Vreuls et une Valse (iné­                              tions inédites, antérieures à celles publiées par les soins de son\ndite) de M. Joseph Jongen, l ’un et l’autre exécutés d ’une façon                            père lorsque tous deux term inaient à Paris u n voyage triom phal,\nparfaite par M Georges Pitsch Pour clore cette attrayante séance,                            sont des m enuets, des adagios, qui donnent déjà une idée de ce\nl'A nd a n te et le F inale du Trio de M. Joseph Jongen pour piano                           que sera la richesse d ’inspiration musicale de Mozart. Le livre\net cordes, joué par MM. Léon Jongen, Jean Lensens et Georges                                 contient même une fugue où le futur maître se révèle tout\nPitsch.                                                                                      entier.\n  L’Exposition de la Sécession, qui s ’ouvre aujourd'hui à Berlin,                              Sottisier :\ncom prendra une exposition rétrospective de l’œuvre, presque inté­                              Un m onsieur très riche (et que pour cette raison nous ap p elle­\ngralem ent réunie, du peintre H an s von Marées. C’e st à M. J. Meier-                       rons S ...) vint à m ourir.\nGraefe qu’est due cette intéressante initiative.                                                                                 L e X X e Siècle, 20 décem bre.\n   Le Cercle artistique de Nice organise pour la fin de janvier une                             La liberté de conscience est toujours vivante dans nos cœ urs\nexposition de l’œuvre du peintre Ziem à l’occasion du quatre-                                et dans l’âme de la nation. Elle ne peut pas périr, car elle est\nvingt-dixième anniversaire de la naissance de l’artiste.                                     immortelle.\n                                                                                                Ch . Gr a u x , discours prononcé le 2 0 décembre à l’Université de\n   Le Dr G. Schünem ann vient de publier sous le titre M o za rt                             Bruxelles.\n\n        L IB R A IR IE N A TIO N A L E D’A RT E T D 'H IST O IR E                            Fabrique                      de         cadres                  pour              tableaux.\n                        G. V A N O EST & Cte\n          16,     p la c e    du     M u sée,       B R U X E L L E S .                                              Ch. X H R O U E T\n     V ien t d e p a r a îtr e :                                                                            19 2 , r u e R o y a l e ,                          B ru x e lle s\n\n        A U G U STE RODIN\n     L’OEUVRE ET L’HOMME                                                                      Cadre de tous styles et d ’après dessin po u r tableaux\n                                          PAR                                                               aquarelles, pastels, etc.\n                           J U D I T H        C L A D E L\n                                                                                                     Le plus grand choix du pays. — Prix modérés\n            P r é fa c e     de    C a m ille    L E M O N N IE R\n   L’ouvrage l'orme un m agnifique volum e gran d in-4°. digne en tous points de\nl'universelle renom m ée du plus grand scu lp teu r mod- rne. Le volum e est orné\nd ’une splendide illustration : 92 planches toutes hors tex te, dont 71 d ’a p rè s les\nsculptures du m aître, 12 d ’a p rè s ses c u rie u x dessins, certa in s repro d u its en\ncou eur, 7 pointes-sèches et deux p o rtraits du m aître, ad m irablem ent tirés en\n                                                                                                  E. D EM A N , Libraire-Editeur\nhéliogravure et en héüotypie s u r p resse à b ra s                                                                B u re a u x e t m a g a s in s r e tr a n s f é r é s\n   Le tex te de l’o u vrage e st im prim é s ir p ap ier à la cuve des P a p e te rie s\nd’A rches, flligrané « AUGUSTE RODIN n ; les planches sont tirées s u r papier                           8 6 , B U E D E L A M O N T A G N E ( E n tr e s o l)\nde H ollande des P ap eteries R o y ales de Ileelsum , spécialem ent cuvé à cet\nflet. Le tirag e e st lim ite à un nom bre re s tre in t d’e.sem plaires.\n                                                                                             É d itio n s     d ’A r t . — Œ u v re s d e J . B a r b e y d ’A u r e v i l l y ,\n                     P r ix : 1 0 0 francs                                                      M a l l a r m é , M a e t e r l i n c k , V e r h a e r e n , \\ i l l i e r s d e l ’I s l e -\n                                                                                                A d a m , C o n s t a n t i n M e u n i e r , F é l i c i e n R o p s , e tc .\n                                                                                                       L iv r e s r a r e s o u p ré c ie u x , a n c ie n s e t m o d e rn e s .\n        DEMANDER CHEZ TOUS LES PAPETIERS                                                        ESTA M PES A N C IEN N ES, EA U X -FO R T ES e t DESSINS d e F . ROPS\n                                                                                                     C o m m is s io n , A c h a t. E x p e rtis e s , D ir e c tio n de v en tes p u b liq u e s .\nL’Encre à écrire indélébile                                                                              —            S a lle de V en te e t d’E x p o sltlo n s.                                     -------\n                 BLUE BLACK Van Loey-Noury\n         SUPERIEURE A TOUTES LES AUTRES MARQUES                                                 Im p r im é s u r p a p ie r d e la M a is o n K E Y M , r u e d e la B u a n d e rie , 1 2 - 1 4 .\n\n\n\n\n                                                       Maison Félix M O M M E N & C°, Brevetés\n                                           FABRIQUE ET ATELIERS : 3 7 , R u e d e                                                       la        C h a r it é ,           BRUXELLES\n                                                   T é l é p h o n e                    1 9 4 7\n\n                                           Fabrique de Couleurs, Panneaux, Toiles, Vernis, etc., etc.\n                                           Spécialité de tous les articles concernant la peinture, la sculpture,\n                                                           la gravure, l’architecture et le dessin.\n                                                 R E N T O IL A G E , N E T T O Y A G E E T V E R N IS S A G E D E T A B L E A U X\n                                                               GRAND PRIX ET MÉDAILLE D’OR A L’EXPOSITION DE St LOUIS 1904\n\n         Prem ières médailles aux Expositions d’Amsterdam, P aris, Liverpool, Le H avre, Bruxelles, Chicago, etc. etc.\n"}, {"page_pdf": 421, "texte": "                                       TABLE DES MATIÈRES\n               CONTENUES                                              DANS                      LA VI NGT- HUI TI ÈME                                                                          ANNÉE (1 9 0 8 )\n\n                                                                                    DE L ' A R T                               MODERNE\n\n\n\n\n                                                                                                                               F é l i c i e n R o p s é p i s t o l i e r (C a m il l e L e m o n n ie r ) .                 .   .        3 47\n                              ÉTU D ES ET                     P O R T R A IT S\n                                                                                                                               R o u s s e l , B o n n a r d , V u il l a r d (O c t a v e M i r b e a u ) .                  .   .        209\n                                                                                                                               B e r n a r d S h a w (G e o r g e t t e L e b l a n c ) .......................................... 2 9 7 , 305\nD e l a S o p h i s t i c a t i o n d e l ’œ u v r e d ’a r t (V i n c e n t ( d’I n d y ).                                1   E m il e V e r h a e r e n ( P a u l S p a a k )          ....................................       369\nL a C i v i l i s a t i o n j a p o n a i s e ( P a u l - L o u is C o u c h o u d )                      . .            25    A n t o in e W i e r t z ( H . F i e r e n s - G e v a e r t ) ......................                2 68\nU n J u b i l e (O c t a v e M a u s ) ....................................................................              57    C o l e t t e W i l l y é c r i v a i n f r a n ç a i s (M . S . M .) . .                      .   .        377\nL a L i br e E s t h e t i q u e , ( i D . ) ...................................................................\nL e G r a n d H a l l d e s c u l p t u r e d u M u s é e (C h .- L . C a r d o n )                                      41\nL e V i e u x - B r u x e l l e s ( O c t a v e M a u s ) .........................................                    329\n                                                                                                                                                                                     P E IN T U R E\nL ’A r t a l l e m a n d à l ’E x p o s i t i o n d e B r u x e l l e s ( J . D e M o t )                              385\nI l l u m i n a t i o n s (O c t a v e M a u s ) .............................................................         225\nC o n s i d é r a t i o n s s u r l e f r o i d (A n d r é F o n t a in a s ) . . .                                    129     A u M u s é e a n c i e n (O . M . ) ..................................................................... 173, 206\nR e t 'l e x i o n s s u r l e b e a u t e m p s (O c t a v e M a u s ) . . . .                                        161        N o u v e l l e s a c q u i s i t i o n s ( F i e r e n s -G e v a e r t ) 1 8 9 , 1 9 7 , 2 0 3 , 228\nS u p p r e s s i o n d u M i n i s t è r e d e s S c i e n c e s e t d e s A r t s ( id .)                            3 23       A c q u is itio n s d e la S o c ié té d e s « A m is d e s M u s é e s »                                                            6\nL ’a r t d e J e a n è s ( L o u i s V a u x c e l l e s ) .........................................                   145        I d e n t i f i c a t i o n d ’u n t a b l e a u . ...........................................                            335\nA c t u a l i t é s l i t t é r a i r e s ( F r a n c is d e M io m a n d r e )                    . . .               217        L e l e g s D u v a l .............................................................................                       2 06\n                   Id .                    L a b o u s c u l a d e ( I d . ) ............................               2 33   L ’A r t a u P a r l e m e n t . D i s c o u r s d e M . J . D e s t r é e . 2 1 2 , 2 1 9 , 227\n                   Id .                   L e G o û t d u P u b l i c ( I d .) . . . .                                 273     A l a L i b r e A c a d é m i e . L ’A d m i n i s t r a t i o n d e s m u s é e s                                       .           151\n                   Id .                   L e B a v a r d a g e ( I d .) . . . . .                                     3 13    L e M u s é e d ’I x e l l e s (O c t a v e M a u s )                            .......................................... 2 7 4 , 2 9 2\nH o m m a g e à V a n L e r b e r g h e ( J e a n D o m in iq u e ) . . .                                         6 5 , 73     L e M u s é e d p B r u g e s ...............................................................                                   6\nL 'E n fe r ( F r a n c i s d e M i o m a n d r e ) ................................................                     89    L e s P r i s o n s d e l ’a r t ( L . M a e t e r l in c k ) .......................                                           3\nL es H éros ( F r a n z H e l l e n s ) .............................................................                          U n M u s é e m o d è l e ( I d . ) .................................................................... 6 0 , 8 3 , 125\nL ’E sp o ir ( G e o r g e s R e n c y ) ....................................................................          361     U n C o m m i s s a r i a t b e l g e d e s e x p o s i t i o n s (M . H o r t e l o u p ).                                          2 43\nD e u x d r a m e s l y r i q u e s (V i n c e n t d ’I nd y ) ..................................                      17 7    L e s •- V i o l o n s d ’I n g r e s \" (G i s b e r t C o m b a z ) .................                                       166\nA u T h e â t r e d ’O r a n g e ( J u l e s D e s t r é e ) ..................................                        2 57    M a n i f e s t a t i o n E u g è n e S m i t s .................................................                            109\nK a a tje ( G e o r g e s R e n c y ) ...................................................................                 9    Belle n u it p a r A .- J . H e y m a n s ...........................................                                        2 14\nL a V i l l e d e s m o n u m e n t s ( L . M a e t e r l in c k ) ...........................                           49    U n E v e n e p o e l a u M u s é e d e L i é g e ....................................                                      3 18\nG . J e a n -A u b r y ( F r a n c is d e M io m a n d r e ) ..................................                          18    C o n c o u r s d e l ’A c a d é m i e r o y a l e d e s B e a u x - A r t s .                                           . .         206\nH e n r y B e c q u e (G e o r g e s L e c o m t e ) ...............................................                   1 85    L e t r i p y t q u e m u t i l é d e Z i e r i c k s é e ....................................                               351\nE m il e B e r n a r d ( L o u is T h o m a s ) ......................................................                 130     L a c o l l e c t i o n S i x a u R i j k s m u s e u m .............................                                        167\nC h a r l e s B e r n i e r ( L o u is P i é r a r d ) ...............................................                 340     L e M u s é e S e g a n t i n i à S a i n t - M o r i t z. .                                                                         279\nJ o s e p h B o s s i ( L o u is T h o m a s ) ......................................................                  235     U n e Descente de croix d e R u b e n s à K a l i s z ................                                                       311\nM a r c e l B o u l e n g e r ( I d . ) ...................................................................              12    S u r d e u x p a s t e l s d u XVIIIe s i è c l e ( A d . J u l l ie n )                                   . . .                    251\nT h ie r r i B o u t s ( E d m o nd d e B ru y n )                      .........................................        33    N o t e s s u r l a p e i n t u r e f r a n ç a i s e ( É t ie n n e A v e n a r d ) . .                                             299\nR e n é B o y l e s v e ( F r a n c is d e M io m a n d r e ) ..................................                       153     L ’A r t i n d é p e n d a n t ( R o g e r M a r x ) ....................................                                   2 30\nT hom as B rau n (E dmond d e B r u y n )                               .........................................      105     L e T r i b u t d e l a G l o i r e (O c t a v e M a u s ) .......................                                           323\nR o d o l p h e B r e s d in ( L o u is V a u x c e l l e s ) ..................................                       2 93    P o u r l a p r o t e c t i o n d u L o u v r e ( L o u is P i é r a r d ) .3 6 5 , 3 8 8 , 3 96\nF r a n ç o is C o p p é e ( F r a n c is d e M io m a n d r e ) ............................                          169     A m a t e u r s d ’a r t                              ...................................................................            228\nL é o p o l d C o u r o u b l e vR a y m o n d P o in c a r é ) ...........................                            308     L e S a l o n j u b i l a i r e d e l a L i b r e E s t h é t iq u e (O . M a u s ) .                                           7 0 , 81\nE dm ond d e B ruyn d é m a s q u é ( T h o m a s B r a u n ) . . . .                                                  403        L e s D e s s i n s d e R o d i n ( E .- A . B o u r d e l l e )                                  . . . .                           67\n L u c ie D e l a r u e -M a r d r u s ( F r a n c is d e M io m a n d r e ) . .                                         58       L a S c u l p t u r e ( F r a n z H e l l e n s ) ....................................                                      75\nE u g è n e D e m o l d e r ( R a y m o n d P o in c a r é ) ..................................                        317        L a L ibre Esthétique e t l a P r e s s e (O . M . ) ............................... 123, 150\n L ’a q u a f o r t i s t e G . 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R e n é P io t ( I d . ) ...............................................................                              196\n J u l e s d e G a u l t i e r ( F r a n c is d e M io m a n d r e )                        . . . .                      51       A c q u i s i t i o n s d e l ’E t a t ........................................................                           230\n F . - A . G e v a e r t (O c t a v e M a u s ) ......................................................                 409     E x p o s i t i o n Aes A q u a r e l l i s t e s . H .) , . . . . .                                                       .         396\n G u id o G e z e l l e ( E m . 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D u m o n t - W i l d e n ) .                                              .         113\n P a u l M a r g u e r i t t e ( F r a n c is d e M io m a n d r e ) . . . .                                           249     C e r c l e a r t i s t i q u e . E x p o s i t i o n E m il e C l a u s (O . M a u s ).                                               91\n C a m il l e M a u c l a ir ( I d . ) .........................................................................       281                     Id .                  J . G o u w e l o o s (M . S ir t a in e ) . . .                                               107\n M a r c - H e n r y M e u n ie r ( O c t a v e M a u s ) ........................................                     1 37                    Id .                  A . D e l a u n o is e t S . D e t i l l e u x (O . M a u s ) 114\n P i e r r e M i l l e ( F r a n c is d e M io m a n d r e ) .................................                         121                     Id .                  A l f r e d B a s t ie n ( F . H .) .                         . .                 ..           349\n F r a n c is d e M io m a n d r e (M a u b e l ) ...............................................                      393                     Id .                  C h .- W . B a r t l e t t ( I d . ) .............................                             355\n G a b r ie l N ig o n d (A . d e R o t h m a l e r ) ........................................                         401                     Id .                  W il l ia m D e g o u v e d e N u n c q u e s (O . M .)                                        3 97\n"}, {"page_pdf": 422, "texte": "                                                                                                      T A B L E DES M A T IÈ R E S                                                                                                        415\n\n\n\n\nL ’A r t à S c h a e r b e e k d a n s l e p a s s é ( F r a n z H e l l e n s ) .                                      .       371     L a P la q u e tte d u P .-L .M ..........................................................          191\nA n v e r s . L e S a l o n d e l'A r t contem porain ( J . S .) . . .1 1 8 ,1 2 3                                                      L e R o d in d u M usée d e N e w - Y o r k .........................................              223\nD o u r . E x p o s i t i o n C h a r l e s B e r n i e r ( L ou i s P i é r a r d )                                    .       3 40    C o n c o u rs d e s c u lp tu re                     .........................................    277\nP a r is . S o c ié té N a tio n a le d e s B e a u x - A r ts ( 0 . M a ds).                                           .       193     N é c r o l o g i e . H e n r i B o n c q u e t ...............................................    126\n   L e s p r i x d u S a l o n ...................................................................                              199        J e f L a m b e a u x ( O c t a v e M a u s ) .........................................         187\n   L e S a l o n d e s H u m o r is t e s                       .......................................................         119\n   B i b l io t h è q u e N a t io n a l e . E x p o s i t i o n R e m b r a n d t .                                    .       151\n   L e S a l o n d ’a u t o m n e . G r e c o e t M o n t i c e l l i ( G . J e a n -A u b r y .) 321\n                   Id.                       L e s j e u n e s ( i d . ) ..................................                     3 45                                        A R C H IT E C T U R E\n                    Id .                     C e r t a i n s ( i d . ) .........................................                3 53\n   U n e R é t r o s p e c t i v e d e s r e f u s é s ( L . - C . ) ..................................                           52\n   L es In d épen d a n ts ( G u s t a v e K a h n ) .........................................                                  2 37    L e M o n t d e s A rts ( P a u l O t l e t ) ................................................ 107, 115\n   E x p o s i t i o n A n n a B o c h (O c t a v e M a u s ) ..................................                                3 95                Id .             L e ttr e d e M . M a q u e t ........                      148\n        Id .       P a u l D e l t o m b e ( E m il e V e r h a e r e n .) .                                   . .              1 63                Id .             L e ttr e s d ’u n a rtis te . . . .                      156, 164, 187\n        Id .       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F o n t a in a s .) . .                                               1 47    L a P la c e d e s P a la is ( B u l s ) ............................. ; . . .                      226\n        Id .       K . - X . R o u s s e l ( L . - V . ) ................................................                     3 56      L a M u tila tio n d u P a r c (I d . ) .....................................................       348\n        Id .       T h é o V a n R y s s e l b e r g h e (A . F o n t a in a s .) .                                             1 47    L e M u sée d ’Ix e lle s ( O c t a v e M a u s ) . . . . . . . 274, 292\n        Id .       d ’A r t r u s s e m o d e r n e ...............................................                               4     L a S o c ié té c e n tr a le d ’a r c h ite c tu r e ( I d . ) .............................       411\nB e r l i n . L ’E x p o s i t i o n d ’A r t b e l g e ( H . R . ) ............................                                3 39    A u R y k s m u s e u m (L . M a e t e r l i n c k ) ....................................           205\nL a H a y e . U n e e x p o s i t i o n d ’œ u v r e s m o d e r n e s .                                 . . .                  2 79    A u C asin o d e S p a (J. S . ) ...........................................................        284\nF r a n c f o r t . E x p o s i t i o n V a n G o g h ....................................................... _ 215                     N é c ro lo g ie . Jo se p h O lb ric h (F ie re n s -G e v a e rt) . . .                           309\nA p r o p o s d u G r e c o ....................................................................                 8 7 , 1 7 5 , 2 87\nF a u x t a b l e a u x d e T u r n e r ........................................................................ 8 7 , 3 19\nL e g s d e M . D r o u e t a u x M u s é e s p a r i s i e n s ............................                                    2 95\nU n p o r tr a i t d e B a lz a c .                                                                                             2 29                     A R T D É C O R A T IF , A R C H É O L O G IE ,\nR a p h a ë l e t M a n e t ................................................................... . . .                           2 53                                       A R T S A P P L IQ U É S\nQ u e l q u e s a n e c d o t e s s u r M o n t i c e l l i ................................................                    3 03\nL e s m o t s d e D e g a s ..................................................................................                  1 59\nV o l d ’u n V a n D y c k à l ’é g l i s e N o t r e - D a m e d e C o u r t r a i .                                             31    L e M u sée d ’a r t a n c ie n a u C i n q u a n t e n a i r e ........................               286\nL e s v o l e u r s d ’o b j e t s d ’a r t i t a l i e n s e t f r a n ç a i s . . . .                                         215     A c q u isitio n s d e la Société des A m is des Musées . . .                                          134\nL e s e n t i m e n t a r t i s t i q u e d e G u i l l a u m e I I ..................................                          1 27    D isc o u rs d e M . J . D e s tré e à la C h a m b re . L e C a b in e t\nV e n t e d e l a c o l l e c t i o n R o b a u t ( P a r i s ) ..................................                                  7      d e s e sta m p e s . U n e C a lc o g ra p h ie n a tio n a le . . . .                             219\n   I d . d e l ’œ u v r e d e T h . V e r s t r a e t e ( A n v e r s )                                  . . .                    76    V itr a u x d ’a r t ( O c t a v e M a u s ) .....................................................     314\n   Id . d e la c o lle c tio n J u le s C ro n ie r (P a ris )                                    . . . .                         94    Illu m in a tio n s           (I d .)                                                                  225\n   I d . d e l a c o l l e c t i o n C h é r a m y ( P a r i s ) ..................................                             167     L e P a n o r a m a d u C a ir e ................................................................ 102, 291\n   Id . d e la c o lle c tio n H u m p h re y R o b e r ts (L o n d re s) .                                                     1 83    U n e E x p o s itio n n a tio n a le d ’a r t d é c o ra tif à L iè g e . .                           117\n   I d . d e t a b l e a u x i m p r e s s i o n n i s t e s à l ’h ô t e l D r o u o t                               .         190     C o n c o u rs. L ’a ffic h e illu s tr é e d u P etit B le u ........................ 238, 278\n   Id . d e ta b le a u x d e C o u rb e t                                          ..................................          215     L e s F a u x e n m a tiè r e d ’a r t ...........................................................     167\nN é c r o l o g i e . B o t t i n i ...........................................................................                     6   D e u x le g s a u M u sée d e C l u n y ...............................................               287\n   W il h e l m B u s c h ..................................................................................                      31\n   J . - H . - L . D e H a a s ...............................................                                                  262\n   C a m il l e G r o u l t .................................................................................                     22\n   W a l t e r L e i s t i k o w ...........................................................................                    2 62                                          L IT T É R A T U R E\n   S i e b e T e n C a t e ..................................................................................                   412\n   P i e t V e r h a e r t ........................................................................................             262\n                                                                                                                                        L e s É c riv a in s b e lg e s j u g é s p a r M . R . P o in c a r é . . . 307, 316\n                                                                                                                                        L a P r o m o tio n d e s é c riv a in s ( O c t a v e M a u s ) . . . . 371, 383\n                                                                                                                                        L a M a n ife s ta tio n C a m ille L e m o n n i e r ............................. 362, 373\n                                                  SCU LPTU RE                                                                            C a m ille L e m o n n ie r s é n a t e u r ...............................................           227\n                                                                                                                                        L a M a n ife s ta tio n E m ile V e r h a e r e n ( G e o r g e s R e n c y ) . 378, 390\nL a M a d o n e d e B r u g e s ( F i e r e n s -G e v a e r t )                        . . . .               2 83                      L e P r i x N o b e l p o u r la lit t é r a tu r e . . . . 178, 259, 379, 398\nL e B u s t e d e C h a r l e s - Q u i n t ( L . M a e t e r l in c k ) . . . .                              180                       L e P r i x q u in q u e n n a l d e l i t t é r a tu r e : M. F . S é v e r i n 246, 366\nL a S t a t u e d e p r o v i n c e (G u s t a v e K a h n ) ..................................               285                       L e P r i x d e la fo n d a tio n E . P ic a r d : M. E d m . d e B r u y n                            398\nE x p o s i t i o n B o n c q u e t a u C e r c l e a r t i s t i q u e ( F . H .) . .                        349                           E d m o n d d e B ru y n d é m a sq u é ( T h o m a s B r a u n ) .                     . .        403\nP a r is . E x p o s itio n T r o u b e t z k o ï (L . V a u x c e l l e s) . . .                             198                       L e P r i x G o n c o u rt : F . d e M i o m a n d r e ...................................             386\n   E x p o s i t i o n R e m b r a n d t B u g a t t i ( L . - V . ) .............................            221                           F r a n c is d e M io m a n d re ( M a u b e l ) .........................................         393\nL e m o n u m e n t d e J . -S . B a c h à L e i p z i g ..................................                   2 39                      L e s \" A m is d e la L it t é r a tu r e \" (O. M .) . . . . . .                                        51\n           Id .        H e n r y B e c q u e à P a r i s ........................................... 1 8 3 , 185                            C o n fé re n c e d ’É m ile V e rh a e re n (G. R .) . . . . .                                    372\n           Id .         P e t e r B e n o it à A n v e r s ...................................                2 14                          C o n fé re n c e d e M lle M . V an d e W ie le (Id .) . . . .                                    405\n           Id .         C é z a n n e à A i x - e n - P r o v e n c e ............................            1 74                      L e C o n g rè s l i t t é r a i r e d ’A r lo n ............................. .....              284, 308\n           Id .           F r a n ç o is C o p p é e à P a r i s ..............................               2 23                      C o n c o u rs d u Cercle v e r v i é t o i s ...............................................           85\n           Id .           D a u m ie r à V a l m o n d o i s ....................................             2 70                      L e L iv re de fa v e u r ( C l a u d e A n e t ) . . . . . . . .                                      221\n           Id .           J o s e p h D u p o n t à B r u x e l l e s .............................           3 98                      L e S a lo n d e s P o è te s ( E d m o n d H a r a u c o u r t ) . . .                     . .157, 204\n           Id .           G r i e g à B e r g e n .........................................................   1 83                      V ic to r H u g o d e s s in a te u r e t m e n u is ie r (A . D a y o t )                      .      140\n           Id .           E d o u a r d L a l o à L i l l e ...........................................       2 07                      J e u x d ’a c a d é m ic ie n s ( C l a u d e F a r r è r e ) .............................           100\n           Id .           F r a n ç o i s L a u r e n t à G a n d ............................. 2 6 3 , 2 94                            A ria n e e t le Choix de la Vie (J. E r n e s t - C h a r l e s )                          . .        133\n           Id .           M o n t e f i o r e - L e v i à L i é g e .............................             1 82                      B a rb o u ille u rs d e m a r g e s (G. K a h n ) ...................................                 230\n           Id .           R u y s b r o e c k l ’A d m i r a b l e ............................ 1 0 3 , 3 34                            P a u l A d a m . L a M orale de la F r a n c e ...................................                    205\n           Id .           S t r o o b a n t à B r u x e l l e s ....................................          2 22                      C l a u d e An e t . N otes su r l'a m o u r (F . d e M i o m a n d r e ) . .                          330\n           Id .           C h a r l e s v a n L e r b e r g h e .............................                   78                      G J e a n - A u b r y . Essai su r Ju les Tellier — M auclair (Ld .) .                                  18\n           Id .           R ic h a r d W a g n e r à V e n i s e .............................                167                       E.      B a e s . Couronne d e g iv re e t fleurs d'illusion ( P . C o r n e z )                         141\n           Id .           d e l a R é p u b l iq u e a r g e n t in e . . . .                                 279                       H e n r i B a r b u s s e . L ’E n fer (F . d e M i o m a n d r e ) . . . .                             89\n           Id .           a u T r a v a i l d e R o d i n ...........................................           76                      H e n r y B a r g y . F ra n ce d ’e x il ( I d . ) .........................................          196\nP r o j e t d e fê te            à l a m é m o i r e d e M e u n i e r ........................                   4                     C. B a y e t . G io tto .........................................................................      252\nL e J u b ilé V an               d e r S t a p p e n ....................................................     116                       R . de B eau p l a n . L       esRegrets d e J. d u B e lla y ( F . d e M i o m a n d r e ) 165\nL a S o c i é t é h o l l a n d o - b e l g e d e s A m i s d e l a m é d a i l l e (W .) 4 2 , 111                                     A l b e r t d e B e r s a u c o u r t . A lbert S a m a in ( I d .) . . . .                             83\n   C o n c o u r s d e la S o c i é t é ....................................................................      7                     J o s é d e B è r y s . L e P rofesseur de b lu ff (I d .)                     . . . .                 245\n   L a M é d a ille d e M . d e D o m p ie r r e d e C h a u f e p ié . .                                    .3 6 7                     N a p o l é o n B o n a p a r t e . L e souper de B eaucaire ( I d .) . .                              195\n"}, {"page_pdf": 423, "texte": "m ;                                                                            T A B LE DES M A TIE R E S\n\n\n\n\n S y lv a in B o n m a ria g e. Tristesses (l'en fa n t gâté (ID.) . .                               165     A l b e r t M o c k e l. Contes p o u r les e n fa n ts d ’hier (Id.)                                 .         132\n                  Id.              L e s aventures m e rveilleuses de                                        G a b r ie l M o u re y . L e M iroir ( I d . ) ................................                           245\n    l'abbé de L assas ( I d . ) ................................................................     245     A l b e r t N e u v i ll e . K a ïha ïs et T a n h a s ( I d . ) ..............                            165\nJ o s e p h B o ssi. Les E rreu rs — A d a m (L o u is T hom as) .                                   235     P . e t G. N o rm a n d . B ila n d e S a lo n .(P a u l C o rn e z ) . .                                       141\nM ar c e l B o u l e n g e r . L e P a g e — L ’A m a zo n e blessée(l d .)                           12     N o v a lis . H enri d ’O fte r d in g e n .....................................                           205\nR e n é B o y le s v e . M on a m o u r (F . d e M iom andre) . . .                                  153     J u l i e n O ch sé. L ’invisible Concert (F . d e M iom andre) .                                                43\nT h . B r a u n . P ropos d ’hier et d ’a u jo u rd ’h u i (E . d e B ru y n )                       105     M . O lé n in e d ’A l h eim. L e L egs de M oussorgski (O. M .) .                                              306\nH . d e B r u c h a r d . L a F rance au soleil (F . d e M iom andre)                                195     O s s it. Cyrène (F . d e M i o m a n d r e ) ..................................                      .         356\nM .-D . C a lv o c o r e s s i. M oussorgsky ( C h . V an d e n B o r r en)                          134     O vide. L ’a rt d 'a im er .................................................... .....                 .         205\nR ic c i o tt o C a n u d o . L ’H o m m e (F . d e M io m an d re). . .                             331     C. P h o t i a d è s . L es H auts et les B as (F . d e M iom andre) .                                          291\nG e o rg e s C a s e l l a . J.-H . R osny ( I d . ) ...................................              83     V i t t o r i o P ic a . E d g a r D egas . — Victor Rousseau                                   . .             182\nJ o s e p h C h o t.L e G énie d ’A th èn es (Id .)...................................               356                Id .            G li Im pressionnisti fra n cesi (O. M .). .                                         284\nV i c to r C la i r v a u x . L a B arque am arrée (Id .) . . . .                                    456                Id .            Ig o r G rabar. — Carl. W ilhelm son. —\nM axim e C o llig n o n . Scopas et P r a x i t è l e .............................                   93         L a G alleria d ’arte m oderna a V enezia (Id .) . . .                                                      300\nH . D a g u e rc h e s . Consolata, fille d u soleil ( F .d e M iom andre)                             299   S. P i e r r o n . Les Im ages d u chem in (F . d e M io m an d re) .                                           100\nL u cie D e l a r u e - M a r d r u s . Occident — F erveu r — h ori ­                                       P i e r r e P l e s s i s . A n x ié té (Id .)...........................................                  166\n    zo n s — La F ig u re de proue (Id .)                                                             58     J . R e b o u l. L es F lorida d e C ip ria n o d a R o r e (Id .) . .                                          165\nM a u r ic e d e s O m biaux. L a p etite reine blanche ( Id.). .                                    100     H e n r i d e R é g n ie r . L es Scrupules de Sganarelle (Id .) .                                              291\nE m ile D e s p re c h in s . L es Tanagréennes ( P a u l C o rn e z) .                              141     A d o lp h e R e t t é . L e R ègne de la B ête (Id).                               . . .                .      245\nF e r n a n d D iv o ire . Poètes ( F r a n c is d e M io m an d re) . .                             165     P r o s p e r R o id o t. F erveu r ( l d . )                                  ........................           4\nP a u l D r o u o t . L a chanson d ’E lia cin (Id.) . . . . .                                       356     J . R om ains. L e B ourg régénéré.—L a V ie un anim e. (Id .)                                                  165\nJ o ë l D um as. Délicieusem ent ( I d . ) ........................................                   43     J e a n R o y è iîe . S œ u r de N arcisse n u e (ld .) . . . . .                                                44\nC la u d e F a r r è r e . M lle D a x , je u n e fille (Id .) . . . .                               131     G a b r i e l l e R o s e n t h a l . L ’E veil ( I d . ) ............................                 .        245\nG . F a u r e . H eures d'ombrée (F . d e M iom andre) . . :                                         195     E l o i S e lv a is . Vie de province ( P a u l C o rn e z) . . .                                        .      141\nAmy F a y . L ettres intim es d ’une m usicienne (O. M aus)                                          354     F e r n a n d S é v e rin . P oèm es ( F r a n c is d e M iom andre)                                  .         245\nF ie r e n s - G e v a e r t. L a Tristesse contem poraine(F . d e M .)                              292     C. S m u ld e rs . L a correspondance de S . D artois (P . C o rn e z) 141\n              Id .            E ssai su r B ru g e s ( I d . ) .........................             292     A n d r é S p ir e . Versets (F . d e M io m an d re )...................                                  139\nP a u l F l a m a n t . Isa rin a ( I d . ) .....................................................      3     A r t h u r Sym ons. Poésies ( I d ) ..........................................................                     ;43\nH e n r i F o c i ll o n . L e D emi-Dieu ( I d . ) ...................................              131     A . Sym ons e t L. T hom as. Poésies de Choderlos de Laclos                                                     245\nF . F o u lo n . L e P u r M étal ( P a u l C o r n e z ) ....................                       141     A l b e r t T hom as. L e po èm e du désir e t du re g ret (Id .) .                                             165\n        Id .        Contes d'idées. (F . d e M iom andre) . . .                                      245     L . M a r ie T h y lie n n e . P assio n n ém en t ( I d . ) ..............                                245\nH e n r i G ad o n . L e C halum eau de P a n ( I d . ) ........................                      43     A . T o r c y . A l’om bre des saules ( I d . ) ..........................                                 245\nL . G a r n ic a d e l a C r u z . L ’A rè n e a u x cru cifiés (I D.)                               131     G a s to n d ’U r v i l l e L e Désir errant ( Id .)....................                                   166\nG e o rg e s G a r n i r . L e conservateur de la T our N oire (Id .)                                100     V an B a s t e l a e r . L es estampes de P . B ru e g h el (O. M.) .                                           246\nM a u ric e G au ch ez. L es Sym phonies voluptueuses (Id .)                                         100     G. V an Z ype. V erm eer de D elft ( F r a n z H e l l e n s ) .                                         .      270\nJ u l e s d e G a u l t i e r . L a D épendance de la m orale et                                             J .-L . V a u d o y e r L a Comédie (F . d e M iom andre) . .                                            .      165\n    l'Indépendance des m œ u rs ( I d . ) .....................................                       51     A l b e r t V e r d o o t. Vers les couchants (Id.) . . . .                                              .      166\nC h a r l e s G ém iaux. C om m ent on devient colon (Id .) . .                                      196     E m ile V e r h a e r e n . L es H éros ( F r a n z H e i.le n s ) . . .                                         97\nA n d r é G e rm ain . L a Cousine et l ’A m i ( ld.) . . . .                                          4     O. d e V u y s t. L es H eures de Jeunesse (F . d e M io m an d re)                                             245\nA l b e r t G ir a u d . A nthologie ( P a u l C o rn e z ) . . . .                                  141     C o l e t t e W il l y . L es V rilles de la Vigile (M. S. M .) .                                               377\nA r n o ld G o ffin . Thierri B outs (Edm. d e B ru y n ) . .                                         33     A nthologie des poètes belges ( P a u l C o r n e z ) ..............                                       141\n              Id .          P intu ricch io (J e a n Dominique) . . .                                315     A lm a n a c h d e s E tu d ia n ts d e G and (F . d e M iomandre ) .                                            99\nJ e a n d e G o u rm o n t. H en ri de R égnier ( F . d e M iom an d re )                            195      Ubu R oi e x p liq u é p a r A l f r e d J a r r y ..........................                              13\n               Id .           L a Toison d ’or (I d . ) .................................            292     A lfre d J a r r y à la Libre E sthétique ................................                                 191\nRem y d e G o u rm o n t. P ro m en a d es philosophiques (Id .).                                     29     U n p o r t r a i t d ’E m e rs o n p a r M 11 D u g a r d ..............                                   71\nAimé G r a f f ig n e . L a B lessure ( I d . ) ....................................                 245     S ty le f le u r i. U n c h e f d ’o rc h e s tre , p a r M . E . C a ttie r .                                  119\nH e n r i F a u v e t t e . G h ir la n d a io ...............................................       197     U n a u to g r a p h e d e S h a k e s p e a r e .....................................                     143\nM . H a n k e s -D rie s m a . L es âm es m uettes (Id .) . . . .                                    245     T h é o d o re d e B a n v ille e t l ’A c a d é m ie . . ..............                                   183\nA l b e r t H e n n eq u in . A l' a iguaïl. (F . d e M io m an d re) . .                            356     L e s B ib lio p h ile s f a n ta is is te s ...........................................                   254\nE m ile H e n r i o t. E u ryn ice ( I d . ) ...................................                      43     A p ro p o s d e s C hâtim ents d e V ic to r H u g o - ..............                                    239\nG é r a r d d ’H o u v ille . L e tem ps d ’aim er (Id .)........................                    201     L e M usco B a l z a c .............................................................                       271\nE dm ond J a l o u x . L e D ém on de la vie ( I d . ) .......................                       211     P é rio d iq u e s n o u v e a u x . A m a r y llis ( P a r i s ) ..............                           191\nA lbert J u h ellé . Z a GareWeite (I d .). .                             ........................   245         Comica ( I d .) ........................................................................               319\nT r i s t a n K l i n g s o r . L e Valet de cœ u r ( I d . ) .......................                356         L ’E xpa n sio n belge (B ru x e lle s ) . . . . . . . .                                                     79\nH u b e r t K r a in s . F ig u res d u p a y s ( G e o rg e s R e n cy ) . .                        241         L e F u re teu r ( U . ) .....................................................                              351\nL . L a f a g e . L a , chèvre de pescadoire (F . d e M iom andre)                                   355         L e s M arges ( P a ris ) . . . . . . . . . . . .                                                           399\nL . d e l a L a u r e n c ie . R a m ea u (O c ta v e M aus) . . . .                                 289        L a N o uvelle R evue fra n ça ise (P a ris ). . . . . . .                                                   391\nL o u is L a lo y . R a m ea u ( C h . V a n d e n B o r r e n ) . . . .                             260         P a n (M o n tp e llie r)..............................................                                     191\nP a u l L a m b o tte . H en ri Evenepoel (O c ta v e M aus) . .                                     265        L a Presse (B ru x e lle s ) . . . .                                                               .         127\nE r n e s t d e L am inne. L es R egrets (F . d e M io m an d re). .                                 166         Stra rije G odij (S a in t-P é te rs b o u rg ) . . . . . .                                       .         158\nG uy L a v a u d . L a F loraison des ea u x ( I d . ) ........................                       43     E x p o s itio n de p é rio d iq u e s à la M aiso n d u L iv re . . .                                          383\nM .-A . L e b lo n d . L ’Ile de M adagascar i I d . ) ........................                       27     V e n te d ’a u t o g r a p h e s ........................................                                 191, 206\nG e o rg e s L ec o m te . L ’Espoir (G e o rg e s R e n cy ) . . . .                                361     G la n u re s .............................                                                                     286\nA l b e r t L eco cq . V ieu x Thèm es (F . d e .M iom andre) . .                                    356     A ccu sés d e r é c e p tio n . .                      14, 62, 150, 158, 174, 190, 198,\nL e g r a n d - C h a b r ie r . L a jo u r n é e d ’A rles (Id .) . . . .                           355                                                                                           222, 254, 342, 398\nL o u is L o rm e l. T ableaux d ’âm e (Id.)                       .............................      43     N écrologie . F rançois C o p p é e (F . d e M iomandre ) . .                                                   169\n C la u d e L o r r is . L es N uages s’am oncellent (Id.) . .                                     . 356         J.-G . F reson . ..........................................................................                 270\nP . M a e s. L 'œ u vre de M m e Blanch e Rousseau (Id .) .                                        . 195         M écislas G o lberg .                                          ..................................            14\nP a u l M a r g u e r i t t e . L e P a s su r le sable. — L es Jo urs                                           V ictorien S ardou (F . d e M iomandre ) ....................... ......                                     363\n    s'allongent (Id .) .              . . . .                                                        249\n L u c ie - P a u l M a r g u e r i t t e . P aillettes (Id . ) ........................             195\n F .-E . M a r i n e t t i . L a V ille charnelle. — Les d ieu x\n     s’en vont, d 'A n n u n zio reste (Id .) . . . . . . . .                                        292                                                   M U S IQ U E\n C a m ille M a u c la ir . L 'A m o u r tragique (Id .)                        . . .              . 281\n A l e x a n d r e M e r c e r e a u . Gens de là et d ’ailleurs (Id .)                            . 245\n J a n e M e r c ie r - V a le n to n . Choses qui fu r e n t (Id.) . .                            . 166     L a M usique au P a rle m e n t b e l g e ......................................                             132\n L . M e r l e t . A uguste Lepère p ein tre et g ra veu r (O. M .)                                  277     D iscours de M. J . D estrée à la C h am b re . • . . .                                                      227\n A. M ic h e l. H éroïnes et actrices ( P a u l C o rn e z). . . .                                   141     D e la S o p histication de l’œ uvre d ’a rt ( V i n c e n t d ’I n d y ) .                                    1\n         Id .       Cas de conscience (F . d e M iom andre) .                                      . 245                         Id .               ( C a m ille S a in t- S a ë n s ).                                    28\n P i e r r e M i l le . B a rn a v a u x .         S u r la vaste te ire (Id.).                      121     L e G rand C oncours in tern a tio n a l de m usique . . . .                                                 279\n A d rie n M ith o u a r d . L es P a s su r la terre (Id.) . . . .                                  195     L e s Souvenirs de M. V incent d ’In d y (H. L e s b r o u s s a r t ) .                                      36\n"}], "calendrier": {"precision": "jour", "ordre_dans_volume": 52, "mois_verifie": true, "numero_verifie": true, "mois_reconstitue": false, "numero_reconstitue": false, "date_tri": "1908-12-21", "signet_source": "N° 52. - 21 décembre 1908", "preuve": "Date et numéro lus en tête du numéro, PDF 416", "methode_reconstitution": "Date et numéro du signet de l’ULB, contrôlés sur l’en-tête du numéro."}}