{"numero_id": "ulb-art-moderne-1909-12-26-n52", "volume": "ELB-ULB-DL2864764-1909-f", "ocr_sha256": "747a65d5fa0c14bbafaf96be1b71f465876e7a77400e5d9fa70f09e83a39c4bf", "articles": [{"article_id": "ulb-art-moderne-1909-12-26-n52-001", "volume": "ELB-ULB-DL2864764-1909-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1909-f.pdf", "ocr_sha256": "747a65d5fa0c14bbafaf96be1b71f465876e7a77400e5d9fa70f09e83a39c4bf", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 407, "page_fin": 407, "titre_corps": "Sommaire", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "V in g t - n e u v iè m e a n n é e .", "ancre_fin": "des m atières", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 7, "fin_caractere_exclue": 44, "texte": "V in g t - n e u v iè m e a n n é e ."}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 102, "fin_caractere_exclue": 108, "texte": "N° 52."}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 135, "fin_caractere_exclue": 157, "texte": "26 D éc em b r e 1909."}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 163, "fin_caractere_exclue": 178, "texte": "l 'Art M oderne"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 237, "fin_caractere_exclue": 285, "texte": "R E V U E C R I T I Q U E H E B D O M A D A IR E"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 339, "fin_caractere_exclue": 382, "texte": "BUREAUX : RUE DE L’INDUSTRIE, 32, BRUXELLES"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 388, "fin_caractere_exclue": 535, "texte": "A B O N N E M E N T : B E L G I Q U E , 1 0 F R A N C S L ’A N ; U N I O N P O S T A L E , 13 F R A N C S . — L E N U M É R O , 2 5 C E N T I M E S"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 577, "fin_caractere_exclue": 590, "texte": "SO M M A IR E"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 849, "fin_caractere_exclue": 927, "texte": "A S. M . A lb ert, R o i des B elges (O c t a v e M a u s ) . — L e P ay sag e"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 1002, "fin_caractere_exclue": 1073, "texte": "u rb a in   : Faut-il employer l'or dans là décoration sculpturale de s"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 1074, "fin_caractere_exclue": 1165, "texte": "villes ? ( C h . - L é o n C a r d o n ) . — N o t e s d e m u s i q u e : le Deuxième Con­"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 1228, "fin_caractere_exclue": 1307, "texte": "cert populaire ( C h V.). — N é c r o lo g i e : W .-P . Frith. — A c c u s é s"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 1385, "fin_caractere_exclue": 1488, "texte": "d e r é c e p ti o n . — C o n c e r t s a n n o n c é s . — P e t i t e C h r o n i q u e . — T a b le"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 1533, "fin_caractere_exclue": 1547, "texte": "des m atières."}]}, {"article_id": "ulb-art-moderne-1909-12-26-n52-002", "volume": "ELB-ULB-DL2864764-1909-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1909-f.pdf", "ocr_sha256": "747a65d5fa0c14bbafaf96be1b71f465876e7a77400e5d9fa70f09e83a39c4bf", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 407, "page_fin": 409, "titre_corps": "À S. M. Albert, Roi des Belges", "titre_sommaire": "", "rubrique": "", "signature_source": "Octave Maus", "ancre_debut": "A S. M. A L B E R T", "ancre_fin": "OCTA V E M A US", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 2023, "fin_caractere_exclue": 2042, "texte": "A S. M. A L B E R T"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 2183, "fin_caractere_exclue": 2201, "texte": "RO I D ES B ELG ES"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 2445, "fin_caractere_exclue": 2451, "texte": "Sire ,"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 2583, "fin_caractere_exclue": 2625, "texte": "Les artistes saluent avec confiance l’avè­"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 2735, "fin_caractere_exclue": 2779, "texte": "nement de Votre Majesté et tendent vers Elle"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 2888, "fin_caractere_exclue": 2900, "texte": "leur espoir."}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 3044, "fin_caractere_exclue": 3088, "texte": "Le monarque illustre auquel Elle succède, le"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 3183, "fin_caractere_exclue": 3230, "texte": "R o i qu’absorba le constant souci d ’une B el­"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 3335, "fin_caractere_exclue": 3381, "texte": "gique plus prospère, plus grande et plus forte"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 3483, "fin_caractere_exclue": 3527, "texte": "n’attribuait à notre Renaissance littéraire,"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 3636, "fin_caractere_exclue": 3685, "texte": "musicale et artistique q u 'une importance secon­"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 3790, "fin_caractere_exclue": 3835, "texte": "daire et presque négligeable. Ignorait-il que"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 3946, "fin_caractere_exclue": 3997, "texte": "l ’A rt est une fo rce sociale dont la puissance ne"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 4099, "fin_caractere_exclue": 4141, "texte": "le cède ni à celle du Droit, ni à celle de"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 4254, "fin_caractere_exclue": 4265, "texte": "l ’A rgent?"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 4412, "fin_caractere_exclue": 4453, "texte": "Lorsque notre pays sortit de sa léthargie"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 4530, "fin_caractere_exclue": 4576, "texte": "intellectuelle et prit conscience de lui-même,"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 646, "fin_caractere_exclue": 692, "texte": "Léopold I I régnait depuis plus de quinze ans."}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 800, "fin_caractere_exclue": 845, "texte": "Peut-être était-il déjà trop tard pour que sa"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 954, "fin_caractere_exclue": 1001, "texte": "Volonté se détournât de la direction inflexible"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 1181, "fin_caractere_exclue": 1227, "texte": "qu’elle avait choisie. Peut-être aussi le Sou­"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 1335, "fin_caractere_exclue": 1384, "texte": "verain jugeait-il qu’avant de fa ire fleu rir les"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 1491, "fin_caractere_exclue": 1532, "texte": "parterres de l’A rt une nation jeune doit"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 1655, "fin_caractere_exclue": 1702, "texte": "assurer sa Vie économique et sociale, accroître"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 1810, "fin_caractere_exclue": 1858, "texte": "ses richesses, affermir son crédit et consolider"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 1965, "fin_caractere_exclue": 2007, "texte": "son indépendance. Le siècle de Thémistocle"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 2114, "fin_caractere_exclue": 2155, "texte": "n ’a t-il pas précédé et préparé celui de"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 2262, "fin_caractere_exclue": 2272, "texte": "Périclès ?"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 2383, "fin_caractere_exclue": 2424, "texte": "Mais l'essor de l'Art est incompressible."}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 2531, "fin_caractere_exclue": 2578, "texte": "Peu secondé et souvent contrarié p a r les pou­"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 2685, "fin_caractere_exclue": 2734, "texte": "voirs publics, ignoré de la Cour, il s’est accom­"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 2841, "fin_caractere_exclue": 2887, "texte": "p li hors du rayon de la protection royale, et"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 2994, "fin_caractere_exclue": 3039, "texte": "ses seules forces expansives l’ont miraculeu­"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 3146, "fin_caractere_exclue": 3182, "texte": "sement élevé au niveau qu'il occupe."}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 3293, "fin_caractere_exclue": 3334, "texte": "Cette situation a créé entre l’A rt et la"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 3441, "fin_caractere_exclue": 3482, "texte": "Monarchie une sorte d ’incompatibilité de"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 3589, "fin_caractere_exclue": 3635, "texte": "vues et de sympathies dont les artistes ont pu"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 3742, "fin_caractere_exclue": 3789, "texte": "souffrir, bien que ces gens, Sire, — Votre M a­"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 3896, "fin_caractere_exclue": 3945, "texte": "jesté a pu le constater, E lle qui les interroge,"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 4052, "fin_caractere_exclue": 4098, "texte": "les comprend et les aime, — aient la fierté de"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 4205, "fin_caractere_exclue": 4253, "texte": "n ’entendre asservir à aucune contrainte, fût-ce"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 4360, "fin_caractere_exclue": 4407, "texte": "celle de la Volonté royale, la libre expression"}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 4514, "fin_caractere_exclue": 4529, "texte": "de leur Pensée."}, {"page_pdf": 417, "page_imprimee": 407, "debut_caractere": 4640, "fin_caractere_exclue": 4683, "texte": "I l appartient à Votre Majesté de consacrer"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 58, "fin_caractere_exclue": 107, "texte": "par une Bienveillance, une Cordialité d ’accueil,"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 109, "fin_caractere_exclue": 152, "texte": "dance anime les nations d’une vie profonde,"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 153, "fin_caractere_exclue": 247, "texte": "une Déférence qui leur ont manquéjusqu’ici les fertile et généreuse. En favoriser l'expansion,"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 248, "fin_caractere_exclue": 295, "texte": "laborieux efforts des citoyens qui, depuis plus"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 346, "fin_caractere_exclue": 393, "texte": "d ’un quart de siècle, donnent à la Belgique sa"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 444, "fin_caractere_exclue": 490, "texte": "physionomie intellectuelle, — la seule dont se"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 542, "fin_caractere_exclue": 585, "texte": "souvienne la postérité. Que serait la Grèce"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 299, "fin_caractere_exclue": 345, "texte": "activer son cours, c'est assurer le développe­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 397, "fin_caractere_exclue": 443, "texte": "ment logique des forces de l ’État. Au cœur de"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 495, "fin_caractere_exclue": 541, "texte": "celui-ci, les artistes érigent en trophées les"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 593, "fin_caractere_exclue": 636, "texte": "œuvres issues de leur souffrance et de leur"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 637, "fin_caractere_exclue": 737, "texte": "sans ses sculpteurs, l'Italie sans ses poètes et fièvre. Elles marquent l ’étiage de la civilisation"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 738, "fin_caractere_exclue": 784, "texte": "ses peintres, et sans Shakespeare la coloniale"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 827, "fin_caractere_exclue": 866, "texte": "A ngleterre? Qu’on supprime du Panthéon"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 924, "fin_caractere_exclue": 965, "texte": "germanique Gœthe. Bach, Beethoven et Wag­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1022, "fin_caractere_exclue": 1068, "texte": "ner, quelle sera la gloire de l ’Em pire alle­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1119, "fin_caractere_exclue": 1166, "texte": "m and? Et l ’héroïsme de ses armées a-t-il con­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1212, "fin_caractere_exclue": 1254, "texte": "féré à la France une noblesse comparable à"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1308, "fin_caractere_exclue": 1354, "texte": "celle que lui assignent le siècle de Racine et"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1406, "fin_caractere_exclue": 1455, "texte": "celui des Encyclopédistes, et la théorie ininter­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1484, "fin_caractere_exclue": 1530, "texte": "rompue des artistes qui se transmettent d ’une"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1581, "fin_caractere_exclue": 1625, "texte": "génération à l'autre les pures traditions du"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1680, "fin_caractere_exclue": 1693, "texte": "génie latin ?"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1779, "fin_caractere_exclue": 1818, "texte": "Maintes fois Votre Majesté a prouvé que"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1873, "fin_caractere_exclue": 1921, "texte": "les manifestations de l ’A rt avaient en Elle un"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1935, "fin_caractere_exclue": 1979, "texte": "observateur attentif et un admirateur clair­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2033, "fin_caractere_exclue": 2081, "texte": "voyant, tandis qu'elles fixaient, de même l ’in­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2128, "fin_caractere_exclue": 2172, "texte": "térêt d’une Reine exceptionnellement compré­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2223, "fin_caractere_exclue": 2270, "texte": "hensive et avertie de toutes les productions de"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2319, "fin_caractere_exclue": 2366, "texte": "l’esprit. Prince héritier, en présidant naguère"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 789, "fin_caractere_exclue": 826, "texte": "et survivent seules aux vicissitudes."}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 881, "fin_caractere_exclue": 923, "texte": "L e libéralisme de Votre Majesté, Sa Haute"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 975, "fin_caractere_exclue": 1021, "texte": "culture, le sentiment de la solidarité humaine"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1073, "fin_caractere_exclue": 1118, "texte": "qui L a pénètre nous rapprochent instinctive­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1170, "fin_caractere_exclue": 1211, "texte": "ment du nouveau Roi, dans la joie d'avoir"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1263, "fin_caractere_exclue": 1307, "texte": "entendu proclamer par L u i que « seules les"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1359, "fin_caractere_exclue": 1405, "texte": "forces intellectuelles et morales d’une nation"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1457, "fin_caractere_exclue": 1483, "texte": "fécondent sa prospérité. »"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1538, "fin_caractere_exclue": 1580, "texte": "En faisant dans son Discours inaugural une"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1632, "fin_caractere_exclue": 1679, "texte": "spéciale allusion aux artistes et aux écrivains"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1731, "fin_caractere_exclue": 1775, "texte": "de Flandre et de Wallonie, n'a-t-Il pas ren­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1827, "fin_caractere_exclue": 1872, "texte": "versé une barrière élevée par d'injustes pré­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1924, "fin_caractere_exclue": 1934, "texte": "ventions ?"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 1989, "fin_caractere_exclue": 2032, "texte": "Ce n ’est pas, Sire, sous le règne de Votre"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2084, "fin_caractere_exclue": 2127, "texte": "Majesté que l’administration des Beaux-Arts"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2179, "fin_caractere_exclue": 2222, "texte": "eût été, comme elle le fu t trop longtemps,"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2274, "fin_caractere_exclue": 2318, "texte": "dédaigneusement reléguée dans le département"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2370, "fin_caractere_exclue": 2419, "texte": "de l'Agriculture. Et certes n’eût-Elle pas toléré"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2420, "fin_caractere_exclue": 2505, "texte": "une assemblée d’hommes de lettres où io n • qu’on fit au plus noble statuaire du pays"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2506, "fin_caractere_exclue": 2553, "texte": "acclama le plus illustre et le moins académique"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2599, "fin_caractere_exclue": 2648, "texte": "de nos poètes, Votre Majesté a établi le prem ier"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2697, "fin_caractere_exclue": 2744, "texte": "contact entre la Royauté et l'Art. Dès ce jour,"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2795, "fin_caractere_exclue": 2841, "texte": "une aube d ’espérance a lui aux y eu x de ceux"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2863, "fin_caractere_exclue": 2908, "texte": "qui rêvent pour la Belgique une destinée plus"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2961, "fin_caractere_exclue": 3008, "texte": "haute que celle d ’étonner les nations voisines"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3054, "fin_caractere_exclue": 3101, "texte": "par l ’extension de son négoce, la multiplicité"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3154, "fin_caractere_exclue": 3199, "texte": "de ses travaux publics et la hardiesse de ses"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3252, "fin_caractere_exclue": 3297, "texte": "spéculations financières. Des sculpteurs, des"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3350, "fin_caractere_exclue": 3395, "texte": "peintres, des musiciens ont été familièrement"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3445, "fin_caractere_exclue": 3489, "texte": "reçus à la table de Votre Majesté. L e futur"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3542, "fin_caractere_exclue": 3586, "texte": "Souverain n’a pas craint de déroger en péné­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3634, "fin_caractere_exclue": 3682, "texte": "trant dans les ateliers. et le geste de F ra n ­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3729, "fin_caractere_exclue": 3773, "texte": "çois I er doit paraître à Votre Majesté trop"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3823, "fin_caractere_exclue": 3865, "texte": "naturel pour mériter d ’être consigné dans"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3917, "fin_caractere_exclue": 3950, "texte": "l ’Histoire à titre exceptionnel."}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2557, "fin_caractere_exclue": 2598, "texte": "l’affront de refuser à son œuvre capitale"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2650, "fin_caractere_exclue": 2696, "texte": "l’honneur d’une place publique parce que cette"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2748, "fin_caractere_exclue": 2794, "texte": "œuvre exalte le Travail et glorifie l'Ouvrier."}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2857, "fin_caractere_exclue": 2862, "texte": "Sire,"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 2917, "fin_caractere_exclue": 2960, "texte": "L ’heure est propice aux décisions que sou­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3012, "fin_caractere_exclue": 3053, "texte": "haite le pays, aux réformes qu’il attend."}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3105, "fin_caractere_exclue": 3153, "texte": "Orienter le troisième stade de notre patrie vers"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3205, "fin_caractere_exclue": 3251, "texte": "le culte esthétique, perfectionner l’éducation"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3303, "fin_caractere_exclue": 3349, "texte": "artistique du peuple, contribuer à répandre et"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3401, "fin_caractere_exclue": 3444, "texte": "à épurer le goût, créer autout du Trône une"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3496, "fin_caractere_exclue": 3541, "texte": "atmosphère de beauté et d’intelligence, c’est"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3593, "fin_caractere_exclue": 3633, "texte": "répondre aux vœux d ’une nation dont les"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3685, "fin_caractere_exclue": 3728, "texte": "racines ataviques plongent dans un sol fer­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3780, "fin_caractere_exclue": 3822, "texte": "tile en chefs-d’œuvre. La période d’utili­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3874, "fin_caractere_exclue": 3916, "texte": "tarisme quelle vient de traverser n ’a pas"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 3968, "fin_caractere_exclue": 4014, "texte": "altéré l’orgueil de son passé artistique. Léo­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 4019, "fin_caractere_exclue": 4115, "texte": "L ’évolution des idées modernes et le souffle pold I I a construit l’édifice, et ses proportions"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 4116, "fin_caractere_exclue": 4205, "texte": "démocratique qui agite tous les peuples impo­ surprennent nos regards. Votre Majesté vou­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 4206, "fin_caractere_exclue": 4251, "texte": "sent aux Rois des devoirs nouveaux. La pensée"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 4305, "fin_caractere_exclue": 4355, "texte": "d’aujourd’hui s’est libérée, l ’esprit d ’indépen­"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 4257, "fin_caractere_exclue": 4304, "texte": "dra le parer et l’orner. En restituant l’Art au"}, {"page_pdf": 418, "page_imprimee": 408, "debut_caractere": 4356, "fin_caractere_exclue": 4401, "texte": "rang qu'il occupa jadis dans la vie publique,"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 147, "fin_caractere_exclue": 195, "texte": "E lle renouera, Sire, la plus glorieuse des tra­"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 283, "fin_caractere_exclue": 334, "texte": "ditions et E lle complétera, saluée p a r la recon­"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 419, "fin_caractere_exclue": 463, "texte": "naissance des Belges, la tâche opiniâtrement"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 691, "fin_caractere_exclue": 721, "texte": "accomplie par le R o i défunt."}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 996, "fin_caractere_exclue": 1011, "texte": "OCTA V E M A US"}]}, {"article_id": "ulb-art-moderne-1909-12-26-n52-003", "volume": "ELB-ULB-DL2864764-1909-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1909-f.pdf", "ocr_sha256": "747a65d5fa0c14bbafaf96be1b71f465876e7a77400e5d9fa70f09e83a39c4bf", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 409, "page_fin": 409, "titre_corps": "Le Paysage urbain : Faut-il employer l'or dans la décoration sculpturale des villes ?", "titre_sommaire": "", "rubrique": "", "signature_source": "Ch.-Léon Cardon", "ancre_debut": "LE PAYSAGE U RBAIN", "ancre_fin": "re de la Commission royale des Monuments", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 1617, "fin_caractere_exclue": 1635, "texte": "LE PAYSAGE U RBAIN"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 1902, "fin_caractere_exclue": 1926, "texte": "F au t-il em ployer l’or"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 2171, "fin_caractere_exclue": 2220, "texte": "d ans la décoration scu lp tu ra le des v ille s?"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 2430, "fin_caractere_exclue": 2493, "texte": "Sur nos places publiques, dans nos squares et jardins, l’emploi"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 2567, "fin_caractere_exclue": 2633, "texte": "de la statuaire est toujours d’un effet heureux. Que le sujet soit"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 2687, "fin_caractere_exclue": 2755, "texte": "em prunté à l'allégorie ou à l’histoire, qu ’il évoque une personna­"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 2822, "fin_caractere_exclue": 2880, "texte": "lité m arquante ou ne soit que le prétexte d’un beau m or­"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 2882, "fin_caractere_exclue": 2943, "texte": "ceau de sculpture, c’est toujours, pour le passant, une bonne"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3017, "fin_caractere_exclue": 3081, "texte": "fortune de pouvoir détacher pendant quelques instants son esprit"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3083, "fin_caractere_exclue": 3145, "texte": "des ordinaires préoccupations de la vie. Aussi ne faut il rien"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3146, "fin_caractere_exclue": 3207, "texte": "négliger pour m ettre en valeur la plastique beauté des monu­"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3208, "fin_caractere_exclue": 3273, "texte": "m ents et songer à l’appoint sérieux que peut apporter à celui-ci"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3274, "fin_caractere_exclue": 3327, "texte": "le choix des m atériaux destinés à leur présentation."}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3386, "fin_caractere_exclue": 3452, "texte": "Si les anciens n ’ont pas utilisé le bronze dans la décoration des"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3506, "fin_caractere_exclue": 3568, "texte": "jardins, c’est évidemment parce que la coloration foncée de ce"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3569, "fin_caractere_exclue": 3633, "texte": "métal ne se m arie pas à la verdure. La pierre et le m arbre lui"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3708, "fin_caractere_exclue": 3774, "texte": "sont préférables : bien entretenus, ils résistent au temps et nous"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3845, "fin_caractere_exclue": 3906, "texte": "donnent pleine satisfaction. La statuaire de notre vieux Parc"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3984, "fin_caractere_exclue": 4050, "texte": "s’harm onise de la façon la plus parfaite avec son architecture de"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 4120, "fin_caractere_exclue": 4131, "texte": "feuillages."}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 4264, "fin_caractere_exclue": 4331, "texte": "Il en est tout autrem ent de la décoration sculpturale d ’une place"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 4398, "fin_caractere_exclue": 4461, "texte": "publique ou d’un édifice, à laquelle conviennent indifféremment"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 4532, "fin_caractere_exclue": 4596, "texte": "la pierre, le m arbre et le bronze — même doré. Mais pour l ’em­"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 4669, "fin_caractere_exclue": 4731, "texte": "ploi du bronze, de sérieuses réserves s’imposent. Est ce notre"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 4809, "fin_caractere_exclue": 4868, "texte": "climat humide ou le manque de procédés d ’entretien qui lui"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 4950, "fin_caractere_exclue": 5013, "texte": "donne cette couleur m orne rappelant le ton de la fonte de fer,"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 5089, "fin_caractere_exclue": 5151, "texte": "tandis que la beauté des patines antiques hante nos souvenirs?"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 5206, "fin_caractere_exclue": 5276, "texte": "Jusqu’ici les différents essais tentés pour am éliorer cette situation"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 5350, "fin_caractere_exclue": 5411, "texte": "sont demeurés à peu près vains. Quelque énergiques que soient"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 5494, "fin_caractere_exclue": 5561, "texte": "les recurages, iis n ’arrivent pas à enlever au métal cette couleur"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 5633, "fin_caractere_exclue": 5696, "texte": "antipathique. La question mérite d’être étudiée par les spécia­"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 5773, "fin_caractere_exclue": 5807, "texte": "listes de l’Académie des Sciences."}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 5919, "fin_caractere_exclue": 5978, "texte": "Pourquoi ne pas recourir dans certains cas à l’emploi de la"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 6052, "fin_caractere_exclue": 6116, "texte": "dorure, qui, dans l’antiquité et à la Renaissance, a produit des"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 6192, "fin_caractere_exclue": 6258, "texte": "résultats excellents, encore visibles de nos jours ? Citons, entre"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 6329, "fin_caractere_exclue": 6395, "texte": "autres exemples, la statue équestre de Marc-Aurèle sur la place du"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 6468, "fin_caractere_exclue": 6534, "texte": "Capitale, à Rome; celle du Coleone, à Venise, el, de nos jours, la"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 6606, "fin_caractere_exclue": 6671, "texte": "Jeanne d’Arc de Frémiet qui décore à Paris l’entrée de la rue des"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 6744, "fin_caractere_exclue": 6806, "texte": "Pyram ides. [Maintenant que sous l’action du temps la dorure a"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 6878, "fin_caractere_exclue": 6946, "texte": "pris une patine harm onieuse, il faut reconnaître que l’effet en est"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 7020, "fin_caractere_exclue": 7080, "texte": "très heureux. Combien le bronze du Godefroid de Bouillon sur"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 7156, "fin_caractere_exclue": 7214, "texte": "notre Place Royale nous sem ble lourd, noir et opaque ! Ne"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 7293, "fin_caractere_exclue": 7356, "texte": "serait-il pas beaucoup mieux doré ? La question se pose aujour­"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 7430, "fin_caractere_exclue": 7493, "texte": "d ’hui pour le quadrige de Vinçotte qui domine l’arcade du Cin­"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 7565, "fin_caractere_exclue": 7625, "texte": "quantenaire, et même pour toute la statuaire de ce monument."}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 7696, "fin_caractere_exclue": 7760, "texte": "L’appoint de la dorure donnerait certainem ent aux sculptures de"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 7831, "fin_caractere_exclue": 7883, "texte": "l’édifice l’aspect de légèreté qui leur fait défaut."}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 7966, "fin_caractere_exclue": 8022, "texte": "Rappelons-nous la présentation somptueuse des pylônes du"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 8099, "fin_caractere_exclue": 8162, "texte": "Pont Alexandre, à Paris, grâce aux groupes dorés qui les dom i­"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 8237, "fin_caractere_exclue": 8301, "texte": "nent et les accordent si heureusem ent avec la splendeur du ciel"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 8377, "fin_caractere_exclue": 8443, "texte": "dont ils reflètent la lum ière. L’emploi du bronze qui se détache­"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 8517, "fin_caractere_exclue": 8581, "texte": "rait en noir ne pourrait provoquer cette im pression esthétique."}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 8660, "fin_caractere_exclue": 8723, "texte": "Insistons en passant sur le mode d’application de la dorure, et"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 8798, "fin_caractere_exclue": 8859, "texte": "constatons que si des témoignages de son ancienneté sont par­"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 8936, "fin_caractere_exclue": 9001, "texte": "venus jusqu’à nous, c’est à cause de l’emploi de la dorure au feu"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 9076, "fin_caractere_exclue": 9134, "texte": "ou d’un procédé qui semble perdu. La dorure à froid, telle"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 9135, "fin_caractere_exclue": 9195, "texte": "qu’elle se pratique de nos jours, ne peut, lorsqu’elle subit"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 9196, "fin_caractere_exclue": 9257, "texte": "l’épreuve du plein air, produire que des résultats éphémères."}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 224, "fin_caractere_exclue": 282, "texte": "Pour revenir à l’œuvre de Simonis, souhaitons lui aussi un"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 357, "fin_caractere_exclue": 418, "texte": "piédestal plus simple de lignes et en beau m arbre. La pierre"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 493, "fin_caractere_exclue": 554, "texte": "grise dont il est actuellement composé n’a rien de séduisant;"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 629, "fin_caractere_exclue": 690, "texte": "l’aspect en est triste et sale. Et pour compléter la toilette"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 765, "fin_caractere_exclue": 821, "texte": "du monument, ne conviendrait-il pas de le délivrer de sa"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 896, "fin_caractere_exclue": 957, "texte": "« grille », ferronnerie de forme lamentable qui, sans raison,"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 1032, "fin_caractere_exclue": 1094, "texte": "em prisonne le héros campé en plein mouvement sur son destrier"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 1169, "fin_caractere_exclue": 1181, "texte": "de bataille?"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 1259, "fin_caractere_exclue": 1318, "texte": "Dans nos pays du Nord si souvent assombris par l’inclémence"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 1393, "fin_caractere_exclue": 1465, "texte": "de la tem pérature, il faut réagir par de l’éclat, par l’emploi de l’or,"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 1540, "fin_caractere_exclue": 1604, "texte": "de la verdure et des fleurs. A ce propos, souhaitons que bientôt"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 1679, "fin_caractere_exclue": 1742, "texte": "on crée sur la place des Palais des jardins et des squares qui,"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 1817, "fin_caractere_exclue": 1881, "texte": "dans la mesure la plus large, enlèveront de cette place (si bien"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 1956, "fin_caractere_exclue": 2022, "texte": "siluée entre un palais et un parc) le plus de pavés possible. Il y"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 2097, "fin_caractere_exclue": 2162, "texte": "aura là un bel emplacement pour la sculpture décorative, entourée"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 2237, "fin_caractere_exclue": 2284, "texte": "et mise en valeur de la façon la plus heureuse."}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 2362, "fin_caractere_exclue": 2424, "texte": "Ayons toujours le souci de l’embellissement de Bruxelles et ne"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 2499, "fin_caractere_exclue": 2565, "texte": "négligeons rien pour que cette noble cité puisse rivaliser de goût"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 2640, "fin_caractere_exclue": 2685, "texte": "et d’élégance avec les plus belles capitales."}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 2793, "fin_caractere_exclue": 2820, "texte": "C h .-L é o n C a r d o n ,"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 2971, "fin_caractere_exclue": 3016, "texte": "Membre de la Commission royale des Monuments."}]}, {"article_id": "ulb-art-moderne-1909-12-26-n52-004", "volume": "ELB-ULB-DL2864764-1909-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1909-f.pdf", "ocr_sha256": "747a65d5fa0c14bbafaf96be1b71f465876e7a77400e5d9fa70f09e83a39c4bf", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 409, "page_fin": 409, "titre_corps": "Notes de musique : le Deuxième Concert populaire", "titre_sommaire": "", "rubrique": "", "signature_source": "Ch. V.", "ancre_debut": "NOTES DE M U SIQ U E", "ancre_fin": "Ch . V", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3361, "fin_caractere_exclue": 3381, "texte": "NOTES DE M U SIQ U E"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3472, "fin_caractere_exclue": 3505, "texte": "L e D euxièm e Concert populaire."}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3647, "fin_caractere_exclue": 3707, "texte": "L’ouverture dramatique écrite par M. Lunssens pour la Phèdre"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3783, "fin_caractere_exclue": 3844, "texte": "de Racine, et par laquelle débutait le concert, est une œuvre"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 3920, "fin_caractere_exclue": 3983, "texte": "programmatique solidement construite, orchestrée avec talent et"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 4059, "fin_caractere_exclue": 4119, "texte": "basée sur un matériel thématique qui, pour m anquer dans une"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 4195, "fin_caractere_exclue": 4259, "texte": "certaine mesure de variété et d’originalité, n ’en est pas moins"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 4335, "fin_caractere_exclue": 4397, "texte": "traité avec un grand souci de noblesse et d ’expression juste."}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 4473, "fin_caractere_exclue": 4531, "texte": "Malgré quelques longueurs, malgré une abondance romantico-"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 4607, "fin_caractere_exclue": 4668, "texte": "m oderne qui fait trop contraste avec la clarté symétrique du"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 4744, "fin_caractere_exclue": 4808, "texte": "chef-d’œuvre racinien, l’intéressante composition de M. Lunssens"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 4884, "fin_caractere_exclue": 4949, "texte": "plait par son allure générale d’un caractère vraiment dramatique,"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 5025, "fin_caractere_exclue": 5088, "texte": "très influencé — trop peut-être — par la tradition wagnérienne,"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 5164, "fin_caractere_exclue": 5205, "texte": "si lourde à porter pour la musique belge."}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 5285, "fin_caractere_exclue": 5349, "texte": "Mme Jeanne Delune, violoncelliste, était la soliste du concert :"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 5425, "fin_caractere_exclue": 5493, "texte": "soliste parfaitem ent discrète, interprète classique, plus soucieuse"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 5569, "fin_caractere_exclue": 5632, "texte": "du style que de l’effet, possédant une technique correcte et un"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 5708, "fin_caractere_exclue": 5772, "texte": "son menu qui ferait mieux dans un salon que dans le vaste espace"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 5848, "fin_caractere_exclue": 5914, "texte": "d ’une salle de théâtre. Elle a exécuté dans un mode sobre et dis­"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 5990, "fin_caractere_exclue": 6051, "texte": "tingué un concerto de Tartini dont le deuxième mouvement seul"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 6126, "fin_caractere_exclue": 6191, "texte": "(Grave ed espressivo) dégageait une impression de beauté profonde"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 6266, "fin_caractere_exclue": 6328, "texte": "et durable, et un concerto de son m ari, M. Louis Delune, dont"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 6403, "fin_caractere_exclue": 6467, "texte": "la principale qualité est la concision : l'on n’a jamais entendu"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 6542, "fin_caractere_exclue": 6605, "texte": "un concerto aussi court; grâce à ces dimensions restreintes, on"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 6680, "fin_caractere_exclue": 6743, "texte": "en a accepté sans protester la sécheresse et le m anque de sens"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 6818, "fin_caractere_exclue": 6877, "texte": "expressif. M. Delune a, heureusement, écrit mieux que cela,"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 6952, "fin_caractere_exclue": 7019, "texte": "et il est à espérer qu’il nous donnera encore à l’avenir des œuvres"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 7094, "fin_caractere_exclue": 7155, "texte": "aussi agréables à entendre que ses belles Variations et Fugue"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 7230, "fin_caractere_exclue": 7292, "texte": "sur un thème de H ändel, entendues naguère aux Concerts Ysaye."}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 7371, "fin_caractere_exclue": 7429, "texte": "Le temps est aux sérénades. M. Durant vient de nous donner"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 7504, "fin_caractere_exclue": 7564, "texte": "la plus importante de celles écrites par Brahm s; le Quatuor"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 7639, "fin_caractere_exclue": 7695, "texte": "Piano et Archets nous en a fait entendre une de M. Sini­"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 7770, "fin_caractere_exclue": 7830, "texte": "gaglia. Voici qu ’à son tour M. Sylvain Dupuis tente de nous"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 7905, "fin_caractere_exclue": 7961, "texte": "dérider en nous offrant une composition appartenant à ce"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 8036, "fin_caractere_exclue": 8098, "texte": "genre musical cher au XVIIIe siècle : il s'agit d’une sérénade"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 8173, "fin_caractere_exclue": 8236, "texte": "(op. 14) pour onze instrum ents solo de M. Bernhard Sekles — un"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 8311, "fin_caractere_exclue": 8376, "texte": "Hongrois, disait-on dans la salle; œuvre ingénieuse, variée, car­"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 8451, "fin_caractere_exclue": 8516, "texte": "navalesque, pleine de détails piquants et originaux. Exécutée par"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 8591, "fin_caractere_exclue": 8659, "texte": "les m eilleurs solistes de l’orchestre et dirigée avec les soins les"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 8734, "fin_caractere_exclue": 8797, "texte": "plus attentifs par M. Dupuis, — comme tout le reste du concert,"}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 8872, "fin_caractere_exclue": 8935, "texte": "— elle a amusé les auditeurs par l’imprévu de ses combinaisons."}, {"page_pdf": 419, "page_imprimee": 409, "debut_caractere": 9068, "fin_caractere_exclue": 9075, "texte": "Ch . V."}]}, {"article_id": "ulb-art-moderne-1909-12-26-n52-005", "volume": "ELB-ULB-DL2864764-1909-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1909-f.pdf", "ocr_sha256": "747a65d5fa0c14bbafaf96be1b71f465876e7a77400e5d9fa70f09e83a39c4bf", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 410, "page_fin": 410, "titre_corps": "Nécrologie : W.-P. Frith", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "NÉCROLOGIE", "ancre_fin": "Musée Tate", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 122, "fin_caractere_exclue": 132, "texte": "NÉCROLOGIE"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 435, "fin_caractere_exclue": 451, "texte": "W .-P . F rith ."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 549, "fin_caractere_exclue": 607, "texte": "L’auteur du curieux tableau le Jour du Derby qui figure au"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 704, "fin_caractere_exclue": 763, "texte": "Musée de Bruxelles (et dont la Galerie Nationale de Londres"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 860, "fin_caractere_exclue": 922, "texte": "possède une réplique), W illiam Power Frith, est m ort le mois"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 1013, "fin_caractere_exclue": 1074, "texte": "dernier à Londres, dans sa quatre-vingt douzième année. Parmi"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 1118, "fin_caractere_exclue": 1184, "texte": "ses œuvres, presque toutes inspirées par l’observation des m œ urs"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 1275, "fin_caractere_exclue": 1339, "texte": "populaires, il faut citer aussi la Station de chemin de fer , du"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 1387, "fin_caractere_exclue": 1398, "texte": "Musée Tate."}]}, {"article_id": "ulb-art-moderne-1909-12-26-n52-006", "volume": "ELB-ULB-DL2864764-1909-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1909-f.pdf", "ocr_sha256": "747a65d5fa0c14bbafaf96be1b71f465876e7a77400e5d9fa70f09e83a39c4bf", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 410, "page_fin": 410, "titre_corps": "Accusés de réception", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "ACCUSÉS DE RÉCEPTION", "ancre_fin": "m ière partie. Paris, A . Durand et fils", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 2038, "fin_caractere_exclue": 2058, "texte": "ACCUSÉS DE RÉCEPTION"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 2132, "fin_caractere_exclue": 2197, "texte": "P o é s i e . — Anacréon (Odes érotiques), transposition de L.-M."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 2337, "fin_caractere_exclue": 2407, "texte": "T h y l i e n n e . Liège, Société belge d’éditions. — Les M atinales,"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 2484, "fin_caractere_exclue": 2557, "texte": "par F r a n c e D a r g e t . Paris, librairie générale et internationale"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 2632, "fin_caractere_exclue": 2702, "texte": "G. Ficker. — Quelques Vers, par le comte d ’A r s c h o t . Bruxelles,"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 2777, "fin_caractere_exclue": 2855, "texte": "P. Lacomblez. — Les Sagesses, par C.- F r a n c i s C a i l l i a r d . Paris,"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 2921, "fin_caractere_exclue": 2976, "texte": "Bibliothèque du Temps Présent (H. Falque). — Les M ains"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 3063, "fin_caractere_exclue": 3117, "texte": "Jointes, par F r a n ç o i s Ma u r i a c . Paris, id."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 3221, "fin_caractere_exclue": 3301, "texte": "R o m a n . — Aventurine , par S a i n t -M a r c e t . Paris, P.-V. S t o c k ."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 3371, "fin_caractere_exclue": 3434, "texte": "C r i t i q u e . — Ferrer (l’Homme et son œuvre, Sa Mort, Cas-"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 3516, "fin_caractere_exclue": 3588, "texte": "tille contre Aragon) par G. N o r m a n d y et E. L e s u e u r ; avant-"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 3662, "fin_caractere_exclue": 3727, "texte": "propos d 'A l f r e d N a q u e t . Paris, A. Méricant. — Camille"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 3812, "fin_caractere_exclue": 3874, "texte": "Lemonnier , monographie anecdotique et documentaire, illustrée"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 3961, "fin_caractere_exclue": 4044, "texte": "d ’héliogravures, etc., par M a u r i c e d e s O m b i a u x . Paris et Bruxelles,"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 4115, "fin_caractere_exclue": 4184, "texte": "Ch. Carrington. — L 'A r t et le Geste , par J e a n d ’ÜDiNE. Paris,"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 4283, "fin_caractere_exclue": 4345, "texte": "Bibliothèque d e philosophie contemporaine, F. Alcan. — Heures"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 4441, "fin_caractere_exclue": 4506, "texte": "d'Italie (Lombardie, Vénétie, Marches, Ombrie), par G a b r i e l"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 4596, "fin_caractere_exclue": 4654, "texte": "F a u r e . Paris, Eugène Fasquelle. — Neben meiner Kunst,"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 4655, "fin_caractere_exclue": 4711, "texte": "Flugstudien, Briefe und Persönliches von und über Arnold"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 4812, "fin_caractere_exclue": 4890, "texte": "Böcklin, herausgegeben von F e r n . R u n k e l und C a r l o B ö c k l i n ."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 4972, "fin_caractere_exclue": 5036, "texte": "Mit 125 illustrationen. Berlin-Ch., Vita. Deutsches Verlagshaus."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 5095, "fin_caractere_exclue": 5157, "texte": "M u s i q u e . — Fantaisie sur un thème populaire wallon pour"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 5252, "fin_caractere_exclue": 5331, "texte": "grand orchestre, par T h é o Y s a y e . Partition. N e w - Y o r k , G. Schir­"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 5407, "fin_caractere_exclue": 5479, "texte": "mer. — Quatre Mélodies, par Vi c t o r B u f f i n . E nfant, si j'étais"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 5568, "fin_caractere_exclue": 5634, "texte": "roi (Y . H u g o ) ; Parfois lorsque tout dort (I d . ) ; L a Lune"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 5722, "fin_caractere_exclue": 5812, "texte": "(A. F i a m m e t t a - S o d e r i n i ); Dieu, qui sourit et qui donne... (V. H u g o )."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 5882, "fin_caractere_exclue": 5913, "texte": "Bruxelles, Breitkopf et Hârtel."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 6024, "fin_caractere_exclue": 6097, "texte": "A r t M u s i c a l . — Cours de Composition musicale , par V i n c e n t"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 6179, "fin_caractere_exclue": 6249, "texte": "d ’I n d y . II me livre; prem ière partie. Paris, A . Durand et fils."}]}, {"article_id": "ulb-art-moderne-1909-12-26-n52-007", "volume": "ELB-ULB-DL2864764-1909-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1909-f.pdf", "ocr_sha256": "747a65d5fa0c14bbafaf96be1b71f465876e7a77400e5d9fa70f09e83a39c4bf", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 410, "page_fin": 410, "titre_corps": "Concerts annoncés", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "CONCERTS A NN O N C ÉS", "ancre_fin": "ette soirée chez MM. Breitkopf et Hærtel", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 6669, "fin_caractere_exclue": 6691, "texte": "CONCERTS A NN O N C ÉS"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 6807, "fin_caractere_exclue": 6866, "texte": "Le Groupe des Compositeurs belges donnera à la Salle Patria"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 6943, "fin_caractere_exclue": 7004, "texte": "les jeudis 20 janvier, 17 février, 17 mars et 21 avril quatre"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 7005, "fin_caractere_exclue": 7051, "texte": "séances consacrées aux œuvres de ses mem bres."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 7141, "fin_caractere_exclue": 7205, "texte": "Le pianiste Backhaus, dont l a presse a été unanim e à constater"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 7283, "fin_caractere_exclue": 7345, "texte": "le brillant succès au Cercle artistique, donnera le 15 janvier"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 7346, "fin_caractere_exclue": 7407, "texte": "un récital Chopin dans la nouvelle salle du palais de Somzée,"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 7408, "fin_caractere_exclue": 7427, "texte": "22, rue des Palais."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 7544, "fin_caractere_exclue": 7607, "texte": "Le célèbre pianiste Émile Sauer annonce pour le lundi 24 ja n ­"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 7608, "fin_caractere_exclue": 7670, "texte": "vier, Salle Patria, un récital de piano. On peut dès à présent"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 7746, "fin_caractere_exclue": 7804, "texte": "s’inscrire pour cette soirée chez MM. Breitkopf et Hærtel."}]}, {"article_id": "ulb-art-moderne-1909-12-26-n52-008", "volume": "ELB-ULB-DL2864764-1909-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1909-f.pdf", "ocr_sha256": "747a65d5fa0c14bbafaf96be1b71f465876e7a77400e5d9fa70f09e83a39c4bf", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 410, "page_fin": 410, "titre_corps": "Petite Chronique", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "P E T IT E CHRO NIQ UE", "ancre_fin": "igea tant d’expériences à un grand poète", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 7954, "fin_caractere_exclue": 7976, "texte": "P E T IT E CHRO NIQ UE"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 8239, "fin_caractere_exclue": 8302, "texte": "Le Salon des Aquarellistes sera irrévocablement clôturé demain,"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 8380, "fin_caractere_exclue": 8398, "texte": "lundi, à 4 heures."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 8540, "fin_caractere_exclue": 8600, "texte": "La Compagnie de l’Exposition de Bruxelles vient d’éditer une"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 8701, "fin_caractere_exclue": 8767, "texte": "nouvelle affiche, d’un caractère particulièrem ent artistique. Les"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 8853, "fin_caractere_exclue": 8915, "texte": "collectionneurs peuvent se la procurer au prix d ’un franc aux"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 9004, "fin_caractere_exclue": 9063, "texte": "bureaux de l’Exposition, 34, rue des Douze-Apôtres, de même"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 9147, "fin_caractere_exclue": 9202, "texte": "que celle de M. Cassiers. Celle-ci est presque épuisée."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 9278, "fin_caractere_exclue": 9338, "texte": "M. Anton Van Rooy, dont le succès dans les Maîtres Chanteurs"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 9431, "fin_caractere_exclue": 9497, "texte": "fut triom phant, chantera au théâtre de la Monnaie, les 13 janvier"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 188, "fin_caractere_exclue": 253, "texte": "et 3 février, le rôle de Wotan de la Valkyrie. Il sera entouré de"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 347, "fin_caractere_exclue": 408, "texte": "Mmes Pacary (Brunnhilde), Béral (Sieglinde), Croiza (Fricka),"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 502, "fin_caractere_exclue": 545, "texte": "MM. Sw olfs (Siegmund) et Weldon (Hunding)."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 642, "fin_caractere_exclue": 703, "texte": "Dans le courant d ’avril, M. Van Rooy donnera quelques repré­"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 797, "fin_caractere_exclue": 859, "texte": "sentations du Vaisseau Fantôme, que la direction de la Monnaie"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 953, "fin_caractere_exclue": 1012, "texte": "rem ontera à neuf. L’œ uvre sera interprétée par une troupe"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 1106, "fin_caractere_exclue": 1117, "texte": "allem ande."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 1214, "fin_caractere_exclue": 1274, "texte": "Prochainement, reprise de Carmen pour les représentations de"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 1368, "fin_caractere_exclue": 1386, "texte": "Mme Claire Friché."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 1483, "fin_caractere_exclue": 1546, "texte": "Il y a un an, débutait, à la Libre Esthétique, une jeune canta­"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 1640, "fin_caractere_exclue": 1707, "texte": "trice qui depuis émigra à Paris. L’autre jour, l’un de nos collabo­"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 1801, "fin_caractere_exclue": 1866, "texte": "rateurs parlait d ’un concert Debussy qu’elle vient de donner. Et"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 1960, "fin_caractere_exclue": 2027, "texte": "les poètes aussi lui ont fait un succès, ainsi qu’en témoignent ces"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 2121, "fin_caractere_exclue": 2127, "texte": "vers :"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 2310, "fin_caractere_exclue": 2336, "texte": "A M me Raymonde Delaunois."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 2440, "fin_caractere_exclue": 2483, "texte": "Une forme aux contours délicats et fragiles"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 2587, "fin_caractere_exclue": 2631, "texte": "Ainsi qu’un bibelot très rare et précieux..."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 2735, "fin_caractere_exclue": 2776, "texte": "Un iris noir surgi d'un lac mystérieux..."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 2880, "fin_caractere_exclue": 2920, "texte": "Une apparition... Un fantôme immobile..."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 3024, "fin_caractere_exclue": 3062, "texte": "Le piano prélude, et, du fantôme noir."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 3166, "fin_caractere_exclue": 3215, "texte": "Soudain, dans le silence, une voix sort et vibre,"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 3319, "fin_caractere_exclue": 3365, "texte": "Lente et câline et fluide comme un vers libre,"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 3469, "fin_caractere_exclue": 3515, "texte": "Qui se déploie, écharpe souple dans le soir. ."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 3619, "fin_caractere_exclue": 3661, "texte": "La voix monte, voluptueuse, puis descend :"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 3765, "fin_caractere_exclue": 3811, "texte": "Une caresse dans l’oreille et jusqu’à l’âme..."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 3915, "fin_caractere_exclue": 3960, "texte": "Puis la musique a des douceurs de jeune femme"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 4064, "fin_caractere_exclue": 4114, "texte": "Et la voix meurt très doucement, si doucement !..."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 4258, "fin_caractere_exclue": 4282, "texte": "C h a r l e s M o u l ié"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 4379, "fin_caractere_exclue": 4440, "texte": "Un comité vient de se constituer a Londres en vue de créer un"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 4534, "fin_caractere_exclue": 4595, "texte": "musée destiné à recevoir tout ce qui se rapporte à Dickens et"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 4748, "fin_caractere_exclue": 4811, "texte": "qui sera analogue au musée Victor Hugo de Paris. L’inauguration"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 4905, "fin_caractere_exclue": 4971, "texte": "du musée Dickens aura lieu en 1912 pendant les fêtes du centenaire"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 5065, "fin_caractere_exclue": 5090, "texte": "de l’illustre rom ancier."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 5187, "fin_caractere_exclue": 5251, "texte": "Il existe à Grimstad, petite ville de la côte sud de la Norvège,"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 5345, "fin_caractere_exclue": 5406, "texte": "une officine du pharmacien célèbre pour avoir abrité le jeune"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 5500, "fin_caractere_exclue": 5567, "texte": "apprenti Ibsen. C’est là qu’il a découvert sa vocation poétique, là"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 5661, "fin_caractere_exclue": 5721, "texte": "qu’il a eu les vibrants échos des révolutions de 1848, de là"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 5815, "fin_caractere_exclue": 5881, "texte": "prem ière guerre dano-allem ande, là enfin qu’il a écrit son poème"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 5975, "fin_caractere_exclue": 6018, "texte": "A la Hongrie et son drame célèbre Catilina."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 6115, "fin_caractere_exclue": 6178, "texte": "George Brandès, le célèbre critique, s’élève très vivement dans"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 6272, "fin_caractere_exclue": 6337, "texte": "le Politiken de Copenhague contre l’aliénation prochaine de cette"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 6431, "fin_caractere_exclue": 6495, "texte": "demeure historique. Il estime justem ent qu’il est du devoir des"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 6589, "fin_caractere_exclue": 6654, "texte": "lettrés et de l’État même de conserver dans son état cette maison"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 6748, "fin_caractere_exclue": 6803, "texte": "où la vie infligea tant d’expériences à un grand poète."}]}, {"article_id": "ulb-art-moderne-1909-12-26-n52-009", "volume": "ELB-ULB-DL2864764-1909-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1909-f.pdf", "ocr_sha256": "747a65d5fa0c14bbafaf96be1b71f465876e7a77400e5d9fa70f09e83a39c4bf", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 410, "page_fin": 410, "titre_corps": "Librairie Nationale d'Art et d'Histoire", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "LIBRAIRIE NATIONALE D’ART ET D’HISTOIRE", "ancre_fin": "E nvoi fra n co su r d em a n d e", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 6903, "fin_caractere_exclue": 6942, "texte": "LIBRAIRIE NATIONALE D’ART ET D’HISTOIRE"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 7117, "fin_caractere_exclue": 7137, "texte": "G-. V A N OEST & Cie"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 7239, "fin_caractere_exclue": 7282, "texte": "1 6 , place d u M usée, B R U X E L L E S ."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 7505, "fin_caractere_exclue": 7540, "texte": "V ie n t d e p a r a ît r e dans la"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 7701, "fin_caractere_exclue": 7745, "texte": "Collection des Artistes Belges contemporains"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 7905, "fin_caractere_exclue": 7936, "texte": "H enri                 BONCQUET"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 8052, "fin_caractere_exclue": 8077, "texte": "par SA N D ER -PIER R O N"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 8176, "fin_caractere_exclue": 8235, "texte": "Un beau volume in- 8°, illustré de 19 croquis dans le texte"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 8350, "fin_caractere_exclue": 8379, "texte": "et de 34 planches hors texte."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 8482, "fin_caractere_exclue": 8536, "texte": "P r ix : bro ch é, 1 0 fra n c s ; relié, 1 2 f r. 5 0"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 8633, "fin_caractere_exclue": 8700, "texte": "Il a été tiré de ce livre 5o exemplaires de luxe, sur papier Im pé­"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 8794, "fin_caractere_exclue": 8852, "texte": "rial du Japon, à grandes marges, texte réimposé. Ces exem­"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 8946, "fin_caractere_exclue": 9003, "texte": "plaires contiennent trois esquisses inédites de Boncquet."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 9125, "fin_caractere_exclue": 9146, "texte": "Prix : 4 0 fra n c s."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 9257, "fin_caractere_exclue": 9274, "texte": "En distribution :"}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 9375, "fin_caractere_exclue": 9430, "texte": "Lé catalogue illustré des publications de notre maison."}, {"page_pdf": 420, "page_imprimee": 410, "debut_caractere": 9543, "fin_caractere_exclue": 9576, "texte": "E nvoi fra n co su r d em a n d e"}]}, {"article_id": "ulb-art-moderne-1909-12-26-n52-010", "volume": "ELB-ULB-DL2864764-1909-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1909-f.pdf", "ocr_sha256": "747a65d5fa0c14bbafaf96be1b71f465876e7a77400e5d9fa70f09e83a39c4bf", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 411, "page_fin": 414, "titre_corps": "Table des matières", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "TABLE DES MATIÈRES", "ancre_fin": "..................................... 33", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 56, "fin_caractere_exclue": 74, "texte": "TABLE DES MATIÈRES"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 100, "fin_caractere_exclue": 178, "texte": "C O N T E N U E S D A N S LA V I N G T - N E U V I È M E A N N É E ( 1 9 0 9 )"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 229, "fin_caractere_exclue": 248, "texte": "DE L ’A R T MODERNE"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 285, "fin_caractere_exclue": 317, "texte": "É T U D E S E T P O R T R A IT S"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 788, "fin_caractere_exclue": 919, "texte": "A S . M . A lb e r t, R o i d e s B e lg e s (O c t a v e M a u s ) . .                                                         407"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 1056, "fin_caractere_exclue": 1187, "texte": "L ’A r t m o d e r n e (X . M e l l e r y ) . . .                                                                               399"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 1188, "fin_caractere_exclue": 1319, "texte": "A la m é m o ir e d e F a n t i n - L a to u r (O c t a v e M a u s ) - . .                                                     137"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 1320, "fin_caractere_exclue": 1452, "texte": "P o r t r a i t s e t f i g u r e s ( I d . ) ..................................                                                  65"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 1523, "fin_caractere_exclue": 1654, "texte": "U n e p r é f a c e (O c t a v e M ir b e a u ) .                                                                               311"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 1655, "fin_caractere_exclue": 1786, "texte": "L e t t r e s u r l ’E x p o s itio n M e u n ie r à L o u v a in (X . M e l l e r y )                                          247"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 1927, "fin_caractere_exclue": 2018, "texte": "A c tu a lité s l i t t é r a i r e s . 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S l-H .). . . . . . .                                                                   327"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 4000, "fin_caractere_exclue": 4131, "texte": "L a L é g e n d e d e J e a n - J a c q u e s (M . S . 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R e b o u l ) . . . . . . .                                                            202"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 11773, "fin_caractere_exclue": 11904, "texte": "F r a n z H e l l e n s ( H u b e r t K r a in s ) .................................................                            357"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 12045, "fin_caractere_exclue": 12176, "texte": "H e n r i H u sso n ( L é a n d r e V a il l a t ) .................................................                            243"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 12318, "fin_caractere_exclue": 12448, "texte": "M a x im il ie n L u c e ( É m il e V e r h a e r e n ) .                                                                      123"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 12590, "fin_caractere_exclue": 12721, "texte": "M a u r ic e M a e t e r l in c k (H . 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V . ) . . . .                                                                            188"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 13406, "fin_caractere_exclue": 13537, "texte": "M o n t ic e l l i (A n d r é G o u ir a n d )                                                                                  121"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 13679, "fin_caractere_exclue": 13809, "texte": "R e g n a r d ( J u l e s C l a r it i e ) . . . . ..............................................                              291"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 13951, "fin_caractere_exclue": 14083, "texte": "R o u v e y r e ( L o u is T h o m a s ), ...                                                                           2 1 5 ,2 2 3"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 14196, "fin_caractere_exclue": 14201, "texte": ". . ."}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 14223, "fin_caractere_exclue": 14354, "texte": "S em (H . 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E x p o s itio n d e Mme C l u y s e n a a r ( I d ) .                                                     68"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 12725, "fin_caractere_exclue": 12861, "texte": "S t u d io . E x p o s itio n i n a u g u r a l e (H .). .                                   ................................        378"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 12997, "fin_caractere_exclue": 13133, "texte": "E x p o s itio n d e l ’U n iv e r s ité l i b r e (O . 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F a b r y à l a M o n n a ie . .                                                     292"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 14902, "fin_caractere_exclue": 14970, "texte": "A n v e r s . L'A rt Contemporain (G e o r g e s S e r ig ie r s ) ."}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 15037, "fin_caractere_exclue": 15039, "texte": "S9"}, {"page_pdf": 421, "page_imprimee": 411, "debut_caractere": 15180, "fin_caractere_exclue": 15311, "texte": "I d . E x p o s itio n J aco b S m it s ( J ea n L a e n e n j . .                                                              369"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 1, "fin_caractere_exclue": 4, "texte": "412"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 83, "fin_caractere_exclue": 101, "texte": "TABLE DES MATIÈRES"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 105, "fin_caractere_exclue": 209, "texte": "B r u g e s . L a collection Steinmetz                                 ....................          301"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 289, "fin_caractere_exclue": 385, "texte": "G a n d . L e Salon triennal (F . 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L ’Exposition des B eau x -A rts . . . . . . .                                     93. 108"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 1270, "fin_caractere_exclue": 1273, "texte": ". ."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 1296, "fin_caractere_exclue": 1411, "texte": "La   Mangeuse d’huitres               de M . E n s o r (O . M ).                . . . 217, 226                  Id."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 1505, "fin_caractere_exclue": 1620, "texte": "Exposition D e lco u r . .                                                                        276           Id."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 1671, "fin_caractere_exclue": 1790, "texte": "L o n d r e s . Acquisitions de la N atio n al G a lle r y . . . .                                       7          Id."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 1850, "fin_caractere_exclue": 1965, "texte": "Découverte de tableaux de T u r n e r ......................                              261                   Id."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 2051, "fin_caractere_exclue": 2054, "texte": "357"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 2055, "fin_caractere_exclue": 2174, "texte": "L o u v a in . L ’Exposition C. M eu n ier ( X a v ie r M e l l e r y ) .                            247            Id."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 2264, "fin_caractere_exclue": 2383, "texte": "M u n ic h . L es B e lg e s à l ’Exposition des B eau x-A rts                                       219            Id."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 2476, "fin_caractere_exclue": 2591, "texte": "L a B e lg iq u e au       Glaspalast       (W illia m R i t t e r )              . . 255. 263                  Id."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 2681, "fin_caractere_exclue": 2800, "texte": "P a r is . L e Salon des Indépendants (L . 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V an R y sse lb ergh e à N e u illy .                                     301            Id."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 6162, "fin_caractere_exclue": 6266, "texte": "R o m e . L ’E xposition internationale                           ...........................        299"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 6329, "fin_caractere_exclue": 6433, "texte": "R o tte r d a m Exposition V an R y sse lb ergh e                           . . . .                  357"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 6501, "fin_caractere_exclue": 6605, "texte": "V enise L es B e lg e s à l’E x p o s ition internationale - .                                       252"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 6672, "fin_caractere_exclue": 6732, "texte": "A chats d ’œuvres b elges en Italie . . . 111, 167, 175, 386"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 6848, "fin_caractere_exclue": 6949, "texte": "Découverte de tableau x an cien s...................................                              285"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 7010, "fin_caractere_exclue": 7115, "texte": "U n Musée Ziem à M artigu es . . .                                                                     39"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 7378, "fin_caractere_exclue": 7381, "texte": ". ."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 7557, "fin_caractere_exclue": 7558, "texte": "."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 7559, "fin_caractere_exclue": 7663, "texte": "U n G reco à T o l è d e ................................................                            261"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 7664, "fin_caractere_exclue": 7769, "texte": "U n V elasquez au Musée de B u d a p e s t ...................                             .           79"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 7834, "fin_caractere_exclue": 7936, "texte": "L a ressem blance d’un portrait (M a x L i e b e r m a n n )                               .     . 159"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 8011, "fin_caractere_exclue": 8017, "texte": ".. . ."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 8091, "fin_caractere_exclue": 8102, "texte": "La peinture"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 8103, "fin_caractere_exclue": 8154, "texte": "P u b licatio n s artistiq u e s. — L . B én édite."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 8309, "fin_caractere_exclue": 8410, "texte": "au X IX e siècle             ...........................................................          284"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 8414, "fin_caractere_exclue": 8515, "texte": "Ch. B u ls .Le Vieux Bruxelles                    (O M ) . .                  . . .               131"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 8540, "fin_caractere_exclue": 8577, "texte": "Le Livre des Mille Nuits et une Nuit."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 8581, "fin_caractere_exclue": 8681, "texte": "D r J.-C. M a rd ru s .                                                                         .157"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 8883, "fin_caractere_exclue": 8911, "texte": "Les chefs-d'œuvre des grands"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 8915, "fin_caractere_exclue": 8947, "texte": "C h . M o re a u -V a u th ie r."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 8953, "fin_caractere_exclue": 9054, "texte": "maitres       ( L . ) .....................................................                         4"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 9111, "fin_caractere_exclue": 9212, "texte": "J. Ochs. Le Tot Lidge               (L . P ié r a r d ) . . .                 . . .               227"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 9216, "fin_caractere_exclue": 9317, "texte": "V . Pica. A travers les albums et les portefeuilles                            (O. 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W a lt e r Sickert (P a r is )                               .           197"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 11672, "fin_caractere_exclue": 11675, "texte": "175"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 11679, "fin_caractere_exclue": 11773, "texte": "ld.      d’eaux-fortes de R em brand t (Id ). .                              . . . 2 1 3 , 285"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 11878, "fin_caractere_exclue": 11978, "texte": "Id. de M. A . 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Lam beaux............................ 159, 229"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 397, "fin_caractere_exclue": 455, "texte": "Le M onument au Travail, par Ch. Vanderstappen . . 63, 404"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 565, "fin_caractere_exclue": 664, "texte": "La Mort d'Ompdrailles de Ch. V anderstappen. . . .                                               95"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 774, "fin_caractere_exclue": 873, "texte": "La Statue du général B elliard ((J.-B. L ecomte) . . .                                          323"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 983, "fin_caractere_exclue": 1082, "texte": "Le M onument Abbe à Iéna par H. van de Velde . .                                                119"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 1199, "fin_caractere_exclue": 1237, "texte": "H.        Barbey d'Aurevilly par Rodin"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 1288, "fin_caractere_exclue": 1291, "texte": "405"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 1418, "fin_caractere_exclue": 1500, "texte": "Beethoven à V ie n n e ...................................                     135"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 1627, "fin_caractere_exclue": 1670, "texte": "du Centenaire à Buenos-Ayres . . . 229, 252"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 1797, "fin_caractere_exclue": 1845, "texte": "Léon Cladel à P aris (Octave M aus) . . 200, 219"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 1972, "fin_caractere_exclue": 2004, "texte": "Delcour à Liège . . . . . .- . ."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 2181, "fin_caractere_exclue": 2263, "texte": "Dillens à B r u x e lle s ...................................                  183"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 2390, "fin_caractere_exclue": 2471, "texte": "Dupont par P. Du B o i s .............................                        22o"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 2598, "fin_caractere_exclue": 2680, "texte": "Gogol à Moscou.............................................                    151"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 2807, "fin_caractere_exclue": 2848, "texte": "Charles Guérin (R ené d’A vril) . . . 354"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 2975, "fin_caractere_exclue": 3057, "texte": "Constantin Guys par Godebski . . .                                             191"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 3184, "fin_caractere_exclue": 3265, "texte": "Victor Hugo par R o d in .............................                        333"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 3392, "fin_caractere_exclue": 3473, "texte": "Joachim à B e r lin ........................................                  253"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 3601, "fin_caractere_exclue": 3662, "texte": "Lam berm ont (concoùrs)............................. 111, 117"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 3789, "fin_caractere_exclue": 3870, "texte": "de la Réform ation à Genève . . . .                                           253"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 3997, "fin_caractere_exclue": 4059, "texte": "E rnest R eyer au Lavandou............................. 39, 45"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 4186, "fin_caractere_exclue": 4267, "texte": "A. Rodenbach par J. Lagae à R oulers                                          277"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 4394, "fin_caractere_exclue": 4428, "texte": "de l’Union Postale par R. de Saint"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 4560, "fin_caractere_exclue": 4624, "texte": "M arcéaux à Berne                                        . . 365"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 4751, "fin_caractere_exclue": 4789, "texte": "V anderkindere par S. V anderkindere à"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 4921, "fin_caractere_exclue": 4977, "texte": "U cclej; i . .                    , . . . . . . '. . 213"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 5104, "fin_caractere_exclue": 5153, "texte": "Théodore V erstraete p a r G. C harlier à J . A ."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 5285, "fin_caractere_exclue": 5295, "texte": "Anvers . ."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 5489, "fin_caractere_exclue": 5569, "texte": "Vestrepain par A. Mercié à Toulouse                                       . .349"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 5696, "fin_caractere_exclue": 5777, "texte": "Max W allor . .. . .... . v . . . .                                           396"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 5905, "fin_caractere_exclue": 5985, "texte": "Oscar -Wilde-par J .;;Epstein à P aris                                     . 205"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 6112, "fin_caractere_exclue": 6161, "texte": "Zola par A. C harpentier et C. M eunier. -63, 219"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 6271, "fin_caractere_exclue": 6328, "texte": "Le M émorial P aul H ankar . . . . . ... ... i .... . 159"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 6438, "fin_caractere_exclue": 6500, "texte": "Statues de M. M arin auPavillon de la Villede Bruxelles ...308"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 6610, "fin_caractere_exclue": 6668, "texte": "La Société des Am is de la Médaille-d’art . : ; . . ; . 38"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 6778, "fin_caractere_exclue": 6844, "texte": "A la mémoire de F -A. Gevaert (O. M.) . . . . .................322"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 6954, "fin_caractere_exclue": 7009, "texte": "M édailles de MM. G. Devreese, J. L ecro artet C h..Sa­"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 7121, "fin_caractere_exclue": 7190, "texte": "muel (I d . ) ..................................      .. 333 357,.394"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 7300, "fin_caractere_exclue": 7347, "texte": "La M édaille à l’Exposition de 1910 (Id .). . ."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 7395, "fin_caractere_exclue": 7398, "texte": "394"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 7773, "fin_caractere_exclue": 7833, "texte": "N écrologie. 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M aeterlinck )"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 9572, "fin_caractere_exclue": 9665, "texte": "Miséricordes belges (Id.) . . . v ; - . .• • . • . . -                                    188"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 9775, "fin_caractere_exclue": 9868, "texte": "A rt et Proverbes (I d .) . . . . . . . ;                                                 275"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 10058, "fin_caractere_exclue": 10111, "texte": "Faut-il em ployer l’or dans la décoration sculpturale"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 10241, "fin_caractere_exclue": 10294, "texte": "des villes? (Ch .-L. C ardon) . . . . . . . . . : 409"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 10404, "fin_caractere_exclue": 10497, "texte": "Les Peintures à fresque de N.-D. d’Anvers. . . . .                                        183"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 10607, "fin_caractere_exclue": 10660, "texte": "Liège. Causerie du Dr Jorissenne sur l'École de Lam ­"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 10772, "fin_caractere_exclue": 10863, "texte": "bert L o m b a r t...........................                                            95"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 11176, "fin_caractere_exclue": 11269, "texte": "L’A rt décoratif en Allem agne (H. 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V.). . . . . . . . .                                           198"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 12699, "fin_caractere_exclue": 12786, "texte": "P aul Cl a e s s e n s ..........................................................   204"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 13257, "fin_caractere_exclue": 13318, "texte": "H enri M a q u et ..........................................."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 13595, "fin_caractere_exclue": 13615, "texte": "L IT T É R A T U R E"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 13933, "fin_caractere_exclue": 14023, "texte": "George Sand à Nohant (A. dis R o t h m a l e r ). . . .                            35 , 42"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 14136, "fin_caractere_exclue": 14215, "texte": "Le legs de George Sand .                ......................................."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 14333, "fin_caractere_exclue": 14423, "texte": "Réflexions sur Anatole France (F. d é M io m a n d r e ) .                             353"}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 14533, "fin_caractere_exclue": 14595, "texte": "A propos du prix Nobel ( H e n r i G u ii . b e a u x ). . . ."}, {"page_pdf": 422, "page_imprimee": 412, "debut_caractere": 14733, "fin_caractere_exclue": 14836, "texte": "La Bibliothèque royale (O. 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F o n t a i n a s . La N ef désemparée (G . R e n c y ) . . . .                                        57"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 10707, "fin_caractere_exclue": 10709, "texte": "12"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 10710, "fin_caractere_exclue": 10784, "texte": "O . F r i e d r i c h s Autour d’un problème (F . d e M .) . . 2 4 1 , 265"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 10951, "fin_caractere_exclue": 11054, "texte": "L e t t r e d e M . O t t o F r i e d r ic h s ..................................................   259"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 11182, "fin_caractere_exclue": 11290, "texte": "E u g è n e F r o m e n t i n Lettres de jeunesse (M . S . M .) .                                        337"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 11417, "fin_caractere_exclue": 11527, "texte": "R é m y d e G o u r m o n t. 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Maurice Maeterlinck (Id .) . . . .                                               241"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 13704, "fin_caractere_exclue": 13707, "texte": "107"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 13708, "fin_caractere_exclue": 13794, "texte": "F r a n z . H e l l e n s . Les Hors-le-Vent ( H u b e r t K r a i n s ) . 3 6 7 , 385"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 13938, "fin_caractere_exclue": 14046, "texte": "N . H e n n iq u e . Du Vent sur la plaine ( F . d e M io m a n d re )                                   139"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 14174, "fin_caractere_exclue": 14282, "texte": "E m ile H e n r i o t . X I portraits dont un de femme (Id .) .                                          107"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 14409, "fin_caractere_exclue": 14517, "texte": "E d m o n d J a l o u x . 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Les prisonniers politiques en Sibérie (Id .) . . .                                                 283"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 15492, "fin_caractere_exclue": 15556, "texte": "R u d y a r d K ip l i n g . Simples contes des collines. — Nou­"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 15676, "fin_caractere_exclue": 15729, "texte": "veaux contes des collines — Trois troupiers. — Autres"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 15912, "fin_caractere_exclue": 16040, "texte": "troupiers (Id .) .                                                                                     19                   Id ."}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 16144, "fin_caractere_exclue": 16276, "texte": "G r e y L a v a u d . D u Livre de la mort ( I d . ) .............................                         12                   Id ."}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 16335, "fin_caractere_exclue": 16443, "texte": "M a r iu s - A r y L e b lo n d . L'idéal au X IX e siècle (Id .) . .                                    106"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 16571, "fin_caractere_exclue": 16680, "texte": "P a u l L e c l e r c q . Aventures de Bécot ( I d . ) ............................                        12"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 16806, "fin_caractere_exclue": 16914, "texte": "C a m i l le L e m e r c i e r d ’E rm . Les Exils (Id .) . . .                                        . 140"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 17010, "fin_caractere_exclue": 17118, "texte": "C a m i l le L e m o n n ie r . 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R o d r i g u e . Fernand S é v e r i n ...........................................                         15 7"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 7156, "fin_caractere_exclue": 7276, "texte": "L u c ie n R o l m e r . Maïvine (F . d e M io m a n d re ) ............................                             122"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 7392, "fin_caractere_exclue": 7512, "texte": "J .- H . R o s n y . Marthe Baraquin I d .) .                                                  ..................    163"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 7652, "fin_caractere_exclue": 7699, "texte": "Traduction des œuvres deShakespeare ( Id .) 195"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 7815, "fin_caractere_exclue": 7935, "texte": "A . T h . R o u v e z . Cités et villages belges (F H ) . .                                                          244"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 8051, "fin_caractere_exclue": 8124, "texte": "H i p p o l y t e S c h i î f f e r . Sept nouvelles (F . d e M .). . . ."}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 8288, "fin_caractere_exclue": 8352, "texte": "A S e g a r d . La Sicile ( I d . ) ............................"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 8523, "fin_caractere_exclue": 8586, "texte": "A . C h S w in b u r n e . 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L ’Esprit de M. de Talleyrand (Id .) . .                                                      199"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 9410, "fin_caractere_exclue": 9492, "texte": "T o u n y - L e r y s La Pâque des roses (Id ) ..................................."}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 9645, "fin_caractere_exclue": 9689, "texte": "R e n é e d ’U l mès. Sybille mère (Id ) . ."}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 9881, "fin_caractere_exclue": 9930, "texte": "J . V a c h e r . Ma meilleure pensée(i d ) . . ."}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 10117, "fin_caractere_exclue": 10180, "texte": "B on C h v a n B e n e d e n La peste de Tirgarlet I d .) . . ."}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 10353, "fin_caractere_exclue": 10419, "texte": "F irm in v a n d e v B o s c h . 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La Passion de Claude Bernier (F . d e M .)                                                    400"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 11532, "fin_caractere_exclue": 11580, "texte": "H e n r y V ig n e m a l. Le Fruit défendu (Id.)"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 11768, "fin_caractere_exclue": 11887, "texte": "G e o r g e s V i r r è s . Ailleurs et che; nous (Id ) . . . .                                                     385"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 12002, "fin_caractere_exclue": 12067, "texte": "G i l b e r t d e V o is in s . Le Bar de la Fourche (Id .) . . ."}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 12250, "fin_caractere_exclue": 12302, "texte": "Id         Las moments perdus de John Shag ( Id .) ."}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 12473, "fin_caractere_exclue": 12565, "texte": "O m e r d e V u y s t . Icônes féodales ( I d . ) .........................................."}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 12708, "fin_caractere_exclue": 12766, "texte": "H .-G . W e l l s . Douse histoires et un rêve. — Quand le"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 12886, "fin_caractere_exclue": 12949, "texte": "dormeur s’éveillera I d . ) ..................................."}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 12998, "fin_caractere_exclue": 13001, "texte": "130"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 13116, "fin_caractere_exclue": 13236, "texte": "L é o n W é r y . Une Philosophie de l'art flamand . . .                                                             158"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 13351, "fin_caractere_exclue": 13444, "texte": "W i l l y . Pimprenette (F . d e M ) ........................................................"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 13592, "fin_caractere_exclue": 13700, "texte": "I d . La journée du petit Duc (Id .) .                                                     ................."}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 13822, "fin_caractere_exclue": 13937, "texte": "W a l t W h itm a n n . Feuilles d'herbe ( I d . ) .............                                                272"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 14052, "fin_caractere_exclue": 14173, "texte": "L e t t r e o u v e r te à M F . d e M io m a n d r e (V a l b e r t ) . .                                             91"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 14288, "fin_caractere_exclue": 14408, "texte": "L a S o c ié té d e s Bibliophiles fa n ta isistes ....................................                              405"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 14523, "fin_caractere_exclue": 14589, "texte": "P é r i o d i q u e s n o u v e a u x . — La Revue française. — La"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 14709, "fin_caractere_exclue": 14826, "texte": "Flandre artiste . — La Nouvelle Revue française . .                                                                 7"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 14946, "fin_caractere_exclue": 15010, "texte": "A k a d e m o s ................................................"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 15182, "fin_caractere_exclue": 15298, "texte": "L ’Idéal philosophique .                                                                                          79"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 15413, "fin_caractere_exclue": 15491, "texte": "C o n f é r e n c e s d e s A m is d e l a L i t t é r a t u r e . M . I w a n"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 15635, "fin_caractere_exclue": 15671, "texte": "G ilk in : Les origines du mouvement"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 15815, "fin_caractere_exclue": 15907, "texte": "poétique belge (G . R . ) ....................................                            22"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 16051, "fin_caractere_exclue": 16143, "texte": "M . E d s i. P i c a r d : Le Théâtre belge (Id .)                                        62"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 16287, "fin_caractere_exclue": 16334, "texte": "M . F i e r e n s - G e v a e r t : L ’Indépen­"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 16478, "fin_caractere_exclue": 16570, "texte": "dance des lettres belges (Id .) . . . .                                                   84"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 16685, "fin_caractere_exclue": 16805, "texte": "C o n f é r e n c e s d e M . J o s e p h B é d i e r e n A m é r iq u e . . .                                       373"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 16920, "fin_caractere_exclue": 17009, "texte": "M . F i r m i n v a n d e n B o s c h e t A lb . R o d e n b a c h . .2 2 1 ,2 2 7 ,2 8 5"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 17124, "fin_caractere_exclue": 17244, "texte": "U n e tr a d u c t i o n d e s Fioretti p a r M . P e r a t é .............................                          199"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 17359, "fin_caractere_exclue": 17479, "texte": "V il l i e r s d e l ’I s le A d a m e t V e r l a i n e ...........................................                 237"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 17594, "fin_caractere_exclue": 17714, "texte": "U n e t r a d u c t i o n a n g l a is e d ’Escal V ig o r ....................................                      245"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 17829, "fin_caractere_exclue": 17949, "texte": "U n e a n e c d o te s u r G œ th e                                                 .............................    245"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 18064, "fin_caractere_exclue": 18184, "texte": "U n r o m a n p r o j e t é p a r F l a u b e r t : La Spirale . . . .                                               245"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 18299, "fin_caractere_exclue": 18419, "texte": "L e t r a d u c t e u r d e K i p l i n g .......................................................................    245"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 18534, "fin_caractere_exclue": 18654, "texte": "I n é d i t s d e B a r b e y d ’A u r e v i l l y .........................................................         292"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 18769, "fin_caractere_exclue": 18889, "texte": "L e s li v r e s le s p lu s r é p a n d u s d u m o n d e ...................................                       373"}, {"page_pdf": 423, "page_imprimee": 413, "debut_caractere": 19004, "fin_caractere_exclue": 19124, "texte": "L e s P r i x d e l i t t é r a t u r e d u B r a b a n t ..........................................                 381"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 0, "fin_caractere_exclue": 3, "texte": "414"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 104, "fin_caractere_exclue": 124, "texte": "TA BLE DES MA TIERES"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 127, "fin_caractere_exclue": 258, "texte": "L e s C o n c o u r s d e l ’A c a d é m i e p o u r 1 9 1 1 ......................................                             234"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 408, "fin_caractere_exclue": 540, "texte": "F l e u r s d e s t y l e ................................................................................................      29 3"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 689, "fin_caractere_exclue": 783, "texte": "A c c u s é s d e r é c e p t i o n . 126, 1 7 4 , 2 0 4, 2 3 6 , 2 6 0 , 2 8 4 , 3 7 2 , 41 0"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 969, "fin_caractere_exclue": 1100, "texte": "V e n t e d ’a u t o g r a p h e s à B e r l i n ............................................................                   253"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 1250, "fin_caractere_exclue": 1340, "texte": "V e r h a e r e n e t l ’i n s t i n c t n a t a l ( S a i n t - G e o r g e s d e B o u ­"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 1534, "fin_caractere_exclue": 1662, "texte": "h é l i e r ............................................................................................................... 17 2"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 1810, "fin_caractere_exclue": 1941, "texte": "A M me R a y m o n d e D e l a u n o i s ( C h . 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V . ) . . . .                                                                   44"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 19633, "fin_caractere_exclue": 19756, "texte": "C o n c e r t M me H e n r ie t t e S c h m id t (I d . ) ....................                                           51"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 19906, "fin_caractere_exclue": 19908, "texte": "21"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 19918, "fin_caractere_exclue": 19977, "texte": "I d . d e M lle G e r m a in e L ie v e n s (I d .) . . . ."}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 20186, "fin_caractere_exclue": 20189, "texte": "101"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 20199, "fin_caractere_exclue": 20250, "texte": "I d . d u Groupe des Compositeurs belges (Id .) . ."}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 20409, "fin_caractere_exclue": 20500, "texte": "G r a n d e H a r m o n ie . 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M .) .                                                             61"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 834, "fin_caractere_exclue": 968, "texte": "L e Q u a t u o r Z im m e r (C h . V . ) ........................................................                                 356"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 1111, "fin_caractere_exclue": 1249, "texte": "É c o l e d e m u s iq u e d ’I x e l l e s . L a Musik-Austellung (C h . V .)                                                          45"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 1395, "fin_caractere_exclue": 1529, "texte": "R é c ita l J e a n J a c o b (I d ) . ...............................................................                             133"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 1675, "fin_caractere_exclue": 1809, "texte": "C o n c o u r s ........................................................                                                           268"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 1952, "fin_caractere_exclue": 2089, "texte": "S co la M u s ic æ . 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C o n c e r t d u C o n s e r v a to ir e (G e o r g e s R i t t e r ) . .                                                 395"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 3832, "fin_caractere_exclue": 3950, "texte": "L e s C o n c e r ts B r a h y ( I d . ) ................................................................ 6 , 6 1 , 77"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 4096, "fin_caractere_exclue": 4216, "texte": "C o n c e r ts d e l'Œuvre des artistes ( I d .) .                                                      . 125, 190, - 95"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 4362, "fin_caractere_exclue": 4498, "texte": "L e 125e c o n c e r t d e c h a r i t é d e s Amateurs ( I d .) . . .                                                                 5"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 4644, "fin_caractere_exclue": 4778, "texte": "L e F e s t i v a l w a llo n (I d . i . . .                                  . . . .                                              190"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 4924, "fin_caractere_exclue": 5058, "texte": "R é c i t a l s d e M M . 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C o n c e r t d e l ’E c o le d e m u s iq u e . .                                           . . .                       96"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 6003, "fin_caractere_exclue": 6137, "texte": "F e s tiv a l m u s ic a l d e s f ê te s d e l ’U n iv e r s :lo N .: .                                                .          182"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 6280, "fin_caractere_exclue": 6417, "texte": "M o n s . C o n c e r ts G e o r g e s P it s c h . . .                                                                       3 7 1 , 244"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 6560, "fin_caractere_exclue": 6697, "texte": "T o u r n a i . L a Sainte Ludmile d e D v o r a k ...................................                                                133"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 6812, "fin_caractere_exclue": 6817, "texte": ". . ."}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 6840, "fin_caractere_exclue": 6977, "texte": "V e r v ie r s . C o n c e r t d ’h i v e r ( J . S . i . . . .                                             . . .                     347"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 7120, "fin_caractere_exclue": 7253, "texte": "P a r is . C o n c e r ts L a m o u r e u x (O . M .) .                                              . . .                4 6, 52, 61"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 7399, "fin_caractere_exclue": 7533, "texte": "C o n c e r ts d u S a lo n d ’A u to m n e (M . D C a l v o c o r e s s i ) .                                                     377"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 7679, "fin_caractere_exclue": 7810, "texte": "A u d itio n s E n g e l -B a t h o r i (O . M .) . .                                            . . . .                     52, 61"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 7956, "fin_caractere_exclue": 8031, "texte": "C o n f é r e n c e s - a u d itio n s d e M lle M a r y P ir o n n a y e t"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 8156, "fin_caractere_exclue": 8157, "texte": "."}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 8181, "fin_caractere_exclue": 8312, "texte": "M . L a n d o r m y ( I d .) . . .                                                                                               46"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 8458, "fin_caractere_exclue": 8593, "texte": "S a l l e É r a r d . C o n c e r t P it s c h (I d . ) ..........................................                                   31"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 8739, "fin_caractere_exclue": 8874, "texte": "S a l l e P l e y e l S é a n c e B l a n c h e S el v a ( I d .) . . . .                                                            46"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 9020, "fin_caractere_exclue": 9155, "texte": "S a l l e G a v e a u . C o n c e r t d e la Schola Cantorum ( Id .).                                                                46"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 9301, "fin_caractere_exclue": 9435, "texte": "S a l l e M o r s . S é a n c e C l a u d e D e b u ssy (F . M ) . . .                                                             395"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 9578, "fin_caractere_exclue": 9716, "texte": "C o l o g n e . C o n c e r t c o n s a c r é à M . N e i t z e l ............................                                          95"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 9859, "fin_caractere_exclue": 9995, "texte": "C o n c o u r s m u s ic a u x .                                                                                               5 2 , 380"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 10098, "fin_caractere_exclue": 10105, "texte": ". . . ."}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 10138, "fin_caractere_exclue": 10217, "texte": "L e C e n te n a ir e d e H a y d n e t le 3 e C o n g r è s d e l a S .I . M ."}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 10418, "fin_caractere_exclue": 10555, "texte": "A p r o p o s d u 150e a n n i v e r s a ir e d e la m o r t d e H æ n d e l .                                                        174"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 10698, "fin_caractere_exclue": 10782, "texte": "B ib l i o g r a p h i e m u s ic a le — O s c a r C h i l o s e t t i . L a Biblio­"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 10932, "fin_caractere_exclue": 11062, "texte": "theca di Rarita musicali (C h . V ) ...................................                                                        165"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 11208, "fin_caractere_exclue": 11342, "texte": "A . C o q u a r d . Hector B e r lio z .........................................                                        .          132"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 11488, "fin_caractere_exclue": 11553, "texte": "E r g o Dans les propylées de l’instrumentation (C h . V .). 2 88"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 11678, "fin_caractere_exclue": 11760, "texte": "347                  P a u l M a g n e t t e Contribution à l’histoire de la sym ­"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 11910, "fin_caractere_exclue": 12040, "texte": "phonie post-beethovénienne (O . M .i . . .                                                                   . .               273"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 12186, "fin_caractere_exclue": 12320, "texte": "R . S t r a u s s . Le Traité d’orchestration d'Hector Berlioz                                                                     125"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 12466, "fin_caractere_exclue": 12527, "texte": "V in c e n t d ’I n d y . Nouvelle édition française de musi­"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 12663, "fin_caractere_exclue": 12807, "texte": "52        que cla ssiq u e .................................................                                                                 203"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 12950, "fin_caractere_exclue": 13088, "texte": "L e s M a n u s c r its d e P a g a n i n i . .                                        .              . . . .                           47"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 13199, "fin_caractere_exclue": 13204, "texte": ". . ."}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 13231, "fin_caractere_exclue": 13368, "texte": "U n e l e t t r e in é d ite d e L i s z t ...............................................................                            138"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 13511, "fin_caractere_exclue": 13648, "texte": "U n e a c c u s a tio n d e p l a g i a t c o n t r e R ic h a r d S tr a u s s .                                                     151"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 13791, "fin_caractere_exclue": 13932, "texte": "L e s d é fis e n t r e c h a n t e u r s .                                                                                             ..236"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 14075, "fin_caractere_exclue": 14212, "texte": "D o n d ’a u t o g r a p h e s à G u illa u m e I I                                     . . . .                                       245"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 14346, "fin_caractere_exclue": 14492, "texte": "363      R e y e r c r i t i q u e m u s ic a l.                                                                                               277"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 14635, "fin_caractere_exclue": 14773, "texte": "L e t e s t a m e n t d e P a b l o S a r a s a t e ..................................                                      ..          47"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 14916, "fin_caractere_exclue": 15053, "texte": "L e t e s t a m e n t m u s ic a l d e V e r d i . . . .                                                     . . .                    142"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 15196, "fin_caractere_exclue": 15333, "texte": "N é c r o l o g ie . — É m il e A g n ie z (O M . ) ..........................................                                        182"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 15479, "fin_caractere_exclue": 15614, "texte": "I sa a c A l b e n iz (I d . ) ..............................................................                           ..           79"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 15761, "fin_caractere_exclue": 15894, "texte": "O sc a r B y s t r ö m .                   ...................................            . . .                         .         276"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 16041, "fin_caractere_exclue": 16174, "texte": "M a r ie -A u g u s t e D u r a n d (O . M . ) ..........................................                                         182"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 16321, "fin_caractere_exclue": 16454, "texte": "C y p r ie n G o d e b s k i ...................................................................................                  388"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 16601, "fin_caractere_exclue": 16734, "texte": "L u c ie n H il l e m a c h e r (O . M . ) ............................                                  . . .                    190"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 16881, "fin_caractere_exclue": 17014, "texte": "P a u l d ’H o o g iie .....................................................................                                      380"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 17161, "fin_caractere_exclue": 17294, "texte": "J o s e p h J a co b (O . M .) .............................................................................                      348"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 17441, "fin_caractere_exclue": 17575, "texte": "C l o t il d e K l e e b e r g -S a m u e l (H e n r y L e s b r o u s s a r t ) .                                                  54"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 17722, "fin_caractere_exclue": 17855, "texte": "G iu s e p p e M a r t u c c i ............................................................................                       228"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 18002, "fin_caractere_exclue": 18136, "texte": "E r n e s t R e y e r (O . M .) .                                                                                                   27"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 18283, "fin_caractere_exclue": 18416, "texte": "F r a n c is T h o m é ................................................                                                           372"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 18553, "fin_caractere_exclue": 18555, "texte": "45"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 18811, "fin_caractere_exclue": 18813, "texte": ".."}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 19147, "fin_caractere_exclue": 19154, "texte": "THÉÂTRE"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 19491, "fin_caractere_exclue": 19627, "texte": "L e t h é â t r e d e H u g o d e H o f m a n n s t h a l ( M A R C E L D O L IG N Y )                                               288"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 19771, "fin_caractere_exclue": 19846, "texte": "A p r o p o s d e Monna Vanna ( l e t t r e d e M . M a e t e r l i n c k )"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 20045, "fin_caractere_exclue": 20146, "texte": "61     L e t h é â t r e b e l g e à l ’ E x p o s i t i o n d e 19 1 0 ( M . G é r a r d H a r r y )"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 20324, "fin_caractere_exclue": 20407, "texte": "133      T h é â t r e d e l a M o n n a i e . S a i s o n 19 08 -1 909 . Ariane et"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 20555, "fin_caractere_exclue": 20687, "texte": "Barbe Bleue, p a r P a u l D u k a s ( O c t a v e M a u s ). . .                                                               3, 9"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 20822, "fin_caractere_exclue": 20907, "texte": "363          Monna Vanna, p a r M a e t e r l i n c k e t F é v r i e r ( C h . V a n"}, {"page_pdf": 424, "page_imprimee": 414, "debut_caractere": 21058, "fin_caractere_exclue": 21188, "texte": "d e n B o r r e n ) .................................................................................................           33"}]}], "pages_ocr_originales": [{"page_pdf": 417, "texte": "       V in g t - n e u v iè m e a n n é e .                                                          N° 52.                           26 D éc em b r e 1909.\n\n\n\n\n l 'Art M oderne\n                                                          R E V U E C R I T I Q U E H E B D O M A D A IR E\n\n                                                    BUREAUX : RUE DE L’INDUSTRIE, 32, BRUXELLES\n     A B O N N E M E N T : B E L G I Q U E , 1 0 F R A N C S L ’A N ; U N I O N P O S T A L E , 13 F R A N C S . — L E N U M É R O , 2 5 C E N T I M E S\n\n\n\n                                      SO M M A IR E                                                        Léopold I I régnait depuis plus de quinze ans.\n                                                                                                           Peut-être était-il déjà trop tard pour que sa\n   A S. M . A lb ert, R o i des B elges (O c t a v e M a u s ) . — L e P ay sag e                           Volonté se détournât de la direction inflexible\nu rb a in   : Faut-il employer l'or dans là décoration sculpturale de s\nvilles ? ( C h . - L é o n C a r d o n ) . — N o t e s d e m u s i q u e : le Deuxième Con­                qu’elle avait choisie. Peut-être aussi le Sou­\ncert populaire ( C h V.). — N é c r o lo g i e : W .-P . Frith. — A c c u s é s                            verain jugeait-il qu’avant de fa ire fleu rir les\nd e r é c e p ti o n . — C o n c e r t s a n n o n c é s . — P e t i t e C h r o n i q u e . — T a b le   parterres de l’A rt une nation jeune doit\ndes m atières.\n                                                                                                           assurer sa Vie économique et sociale, accroître\n                                                                                                           ses richesses, affermir son crédit et consolider\n                                                                                                          son indépendance. Le siècle de Thémistocle\n               A S. M. A L B E R T                                                                        n ’a t-il pas précédé et préparé celui de\n                           RO I D ES B ELG ES                                                             Périclès ?\n                                                                                                              Mais l'essor de l'Art est incompressible.\n                    Sire ,                                                                                Peu secondé et souvent contrarié p a r les pou­\n    Les artistes saluent avec confiance l’avè­                                                            voirs publics, ignoré de la Cour, il s’est accom­\nnement de Votre Majesté et tendent vers Elle                                                              p li hors du rayon de la protection royale, et\nleur espoir.                                                                                              ses seules forces expansives l’ont miraculeu­\n    Le monarque illustre auquel Elle succède, le                                                          sement élevé au niveau qu'il occupe.\nR o i qu’absorba le constant souci d ’une B el­                                                               Cette situation a créé entre l’A rt et la\ngique plus prospère, plus grande et plus forte                                                            Monarchie une sorte d ’incompatibilité de\nn’attribuait à notre Renaissance littéraire,                                                              vues et de sympathies dont les artistes ont pu\nmusicale et artistique q u 'une importance secon­                                                         souffrir, bien que ces gens, Sire, — Votre M a­\ndaire et presque négligeable. Ignorait-il que                                                             jesté a pu le constater, E lle qui les interroge,\nl ’A rt est une fo rce sociale dont la puissance ne                                                       les comprend et les aime, — aient la fierté de\nle cède ni à celle du Droit, ni à celle de                                                                n ’entendre asservir à aucune contrainte, fût-ce\nl ’A rgent?                                                                                               celle de la Volonté royale, la libre expression\n    Lorsque notre pays sortit de sa léthargie                                                             de leur Pensée.\nintellectuelle et prit conscience de lui-même,                                                                I l appartient à Votre Majesté de consacrer\n"}, {"page_pdf": 418, "texte": "408                                    L 'A R T MODERNE\n\n\npar une Bienveillance, une Cordialité d ’accueil,  dance anime les nations d’une vie profonde,\nune Déférence qui leur ont manquéjusqu’ici les fertile et généreuse. En favoriser l'expansion,\nlaborieux efforts des citoyens qui, depuis plus    activer son cours, c'est assurer le développe­\nd ’un quart de siècle, donnent à la Belgique sa    ment logique des forces de l ’État. Au cœur de\nphysionomie intellectuelle, — la seule dont se     celui-ci, les artistes érigent en trophées les\nsouvienne la postérité. Que serait la Grèce        œuvres issues de leur souffrance et de leur\nsans ses sculpteurs, l'Italie sans ses poètes et fièvre. Elles marquent l ’étiage de la civilisation\nses peintres, et sans Shakespeare la coloniale     et survivent seules aux vicissitudes.\nA ngleterre? Qu’on supprime du Panthéon               L e libéralisme de Votre Majesté, Sa Haute\ngermanique Gœthe. Bach, Beethoven et Wag­          culture, le sentiment de la solidarité humaine\nner, quelle sera la gloire de l ’Em pire alle­     qui L a pénètre nous rapprochent instinctive­\nm and? Et l ’héroïsme de ses armées a-t-il con­    ment du nouveau Roi, dans la joie d'avoir\nféré à la France une noblesse comparable à         entendu proclamer par L u i que « seules les\ncelle que lui assignent le siècle de Racine et     forces intellectuelles et morales d’une nation\ncelui des Encyclopédistes, et la théorie ininter­  fécondent sa prospérité. »\nrompue des artistes qui se transmettent d ’une        En faisant dans son Discours inaugural une\ngénération à l'autre les pures traditions du       spéciale allusion aux artistes et aux écrivains\ngénie latin ?                                      de Flandre et de Wallonie, n'a-t-Il pas ren­\n   Maintes fois Votre Majesté a prouvé que         versé une barrière élevée par d'injustes pré­\nles manifestations de l ’A rt avaient en Elle un   ventions ?\nobservateur attentif et un admirateur clair­          Ce n ’est pas, Sire, sous le règne de Votre\nvoyant, tandis qu'elles fixaient, de même l ’in­   Majesté que l’administration des Beaux-Arts\ntérêt d’une Reine exceptionnellement compré­       eût été, comme elle le fu t trop longtemps,\nhensive et avertie de toutes les productions de    dédaigneusement reléguée dans le département\nl’esprit. Prince héritier, en présidant naguère    de l'Agriculture. Et certes n’eût-Elle pas toléré\nune assemblée d’hommes de lettres où io n • qu’on fit au plus noble statuaire du pays\nacclama le plus illustre et le moins académique    l’affront de refuser à son œuvre capitale\nde nos poètes, Votre Majesté a établi le prem ier  l’honneur d’une place publique parce que cette\ncontact entre la Royauté et l'Art. Dès ce jour,    œuvre exalte le Travail et glorifie l'Ouvrier.\nune aube d ’espérance a lui aux y eu x de ceux                Sire,\nqui rêvent pour la Belgique une destinée plus         L ’heure est propice aux décisions que sou­\nhaute que celle d ’étonner les nations voisines    haite le pays, aux réformes qu’il attend.\npar l ’extension de son négoce, la multiplicité    Orienter le troisième stade de notre patrie vers\nde ses travaux publics et la hardiesse de ses      le culte esthétique, perfectionner l’éducation\nspéculations financières. Des sculpteurs, des      artistique du peuple, contribuer à répandre et\npeintres, des musiciens ont été familièrement      à épurer le goût, créer autout du Trône une\nreçus à la table de Votre Majesté. L e futur       atmosphère de beauté et d’intelligence, c’est\nSouverain n’a pas craint de déroger en péné­       répondre aux vœux d ’une nation dont les\ntrant dans les ateliers. et le geste de F ra n ­   racines ataviques plongent dans un sol fer­\nçois I er doit paraître à Votre Majesté trop       tile en chefs-d’œuvre. La période d’utili­\nnaturel pour mériter d ’être consigné dans         tarisme quelle vient de traverser n ’a pas\nl ’Histoire à titre exceptionnel.                  altéré l’orgueil de son passé artistique. Léo­\n    L ’évolution des idées modernes et le souffle pold I I a construit l’édifice, et ses proportions\ndémocratique qui agite tous les peuples impo­ surprennent nos regards. Votre Majesté vou­\nsent aux Rois des devoirs nouveaux. La pensée      dra le parer et l’orner. En restituant l’Art au\nd’aujourd’hui s’est libérée, l ’esprit d ’indépen­ rang qu'il occupa jadis dans la vie publique,\n"}, {"page_pdf": 419, "texte": "                                                            L'A R T MODERNE                                                                  409\n\n\nE lle renouera, Sire, la plus glorieuse des tra­                             Pour revenir à l’œuvre de Simonis, souhaitons lui aussi un\nditions et E lle complétera, saluée p a r la recon­                       piédestal plus simple de lignes et en beau m arbre. La pierre\nnaissance des Belges, la tâche opiniâtrement                              grise dont il est actuellement composé n’a rien de séduisant;\n                                                                          l’aspect en est triste et sale. Et pour compléter la toilette\naccomplie par le R o i défunt.                                            du monument, ne conviendrait-il pas de le délivrer de sa\n                                                                          « grille », ferronnerie de forme lamentable qui, sans raison,\n                                      OCTA V E M A US                     em prisonne le héros campé en plein mouvement sur son destrier\n                                                                          de bataille?\n                                                                             Dans nos pays du Nord si souvent assombris par l’inclémence\n                                                                          de la tem pérature, il faut réagir par de l’éclat, par l’emploi de l’or,\n                                                                          de la verdure et des fleurs. A ce propos, souhaitons que bientôt\n            LE PAYSAGE U RBAIN                                            on crée sur la place des Palais des jardins et des squares qui,\n                                                                          dans la mesure la plus large, enlèveront de cette place (si bien\n                    F au t-il em ployer l’or                              siluée entre un palais et un parc) le plus de pavés possible. Il y\n                                                                          aura là un bel emplacement pour la sculpture décorative, entourée\n        d ans la décoration scu lp tu ra le des v ille s?                 et mise en valeur de la façon la plus heureuse.\n                                                                             Ayons toujours le souci de l’embellissement de Bruxelles et ne\n     Sur nos places publiques, dans nos squares et jardins, l’emploi      négligeons rien pour que cette noble cité puisse rivaliser de goût\n de la statuaire est toujours d’un effet heureux. Que le sujet soit       et d’élégance avec les plus belles capitales.\n em prunté à l'allégorie ou à l’histoire, qu ’il évoque une personna­                                      C h .-L é o n C a r d o n ,\n lité m arquante ou ne soit que le prétexte d’un beau m or­\n ceau de sculpture, c’est toujours, pour le passant, une bonne                            Membre de la Commission royale des Monuments.\nfortune de pouvoir détacher pendant quelques instants son esprit\n des ordinaires préoccupations de la vie. Aussi ne faut il rien\nnégliger pour m ettre en valeur la plastique beauté des monu­\nm ents et songer à l’appoint sérieux que peut apporter à celui-ci\nle choix des m atériaux destinés à leur présentation.                                  NOTES DE M U SIQ U E\n    Si les anciens n ’ont pas utilisé le bronze dans la décoration des                    L e D euxièm e Concert populaire.\njardins, c’est évidemment parce que la coloration foncée de ce\nmétal ne se m arie pas à la verdure. La pierre et le m arbre lui              L’ouverture dramatique écrite par M. Lunssens pour la Phèdre\nsont préférables : bien entretenus, ils résistent au temps et nous         de Racine, et par laquelle débutait le concert, est une œuvre\ndonnent pleine satisfaction. La statuaire de notre vieux Parc              programmatique solidement construite, orchestrée avec talent et\ns’harm onise de la façon la plus parfaite avec son architecture de         basée sur un matériel thématique qui, pour m anquer dans une\nfeuillages.                                                                certaine mesure de variété et d’originalité, n ’en est pas moins\n    Il en est tout autrem ent de la décoration sculpturale d ’une place    traité avec un grand souci de noblesse et d ’expression juste.\npublique ou d’un édifice, à laquelle conviennent indifféremment            Malgré quelques longueurs, malgré une abondance romantico-\nla pierre, le m arbre et le bronze — même doré. Mais pour l ’em­           m oderne qui fait trop contraste avec la clarté symétrique du\nploi du bronze, de sérieuses réserves s’imposent. Est ce notre             chef-d’œuvre racinien, l’intéressante composition de M. Lunssens\nclimat humide ou le manque de procédés d ’entretien qui lui                plait par son allure générale d’un caractère vraiment dramatique,\ndonne cette couleur m orne rappelant le ton de la fonte de fer,            très influencé — trop peut-être — par la tradition wagnérienne,\ntandis que la beauté des patines antiques hante nos souvenirs?             si lourde à porter pour la musique belge.\nJusqu’ici les différents essais tentés pour am éliorer cette situation         Mme Jeanne Delune, violoncelliste, était la soliste du concert :\nsont demeurés à peu près vains. Quelque énergiques que soient              soliste parfaitem ent discrète, interprète classique, plus soucieuse\nles recurages, iis n ’arrivent pas à enlever au métal cette couleur        du style que de l’effet, possédant une technique correcte et un\nantipathique. La question mérite d’être étudiée par les spécia­            son menu qui ferait mieux dans un salon que dans le vaste espace\nlistes de l’Académie des Sciences.                                         d ’une salle de théâtre. Elle a exécuté dans un mode sobre et dis­\n    Pourquoi ne pas recourir dans certains cas à l’emploi de la            tingué un concerto de Tartini dont le deuxième mouvement seul\ndorure, qui, dans l’antiquité et à la Renaissance, a produit des          (Grave ed espressivo) dégageait une impression de beauté profonde\nrésultats excellents, encore visibles de nos jours ? Citons, entre        et durable, et un concerto de son m ari, M. Louis Delune, dont\nautres exemples, la statue équestre de Marc-Aurèle sur la place du        la principale qualité est la concision : l'on n’a jamais entendu\nCapitale, à Rome; celle du Coleone, à Venise, el, de nos jours, la        un concerto aussi court; grâce à ces dimensions restreintes, on\nJeanne d’Arc de Frémiet qui décore à Paris l’entrée de la rue des         en a accepté sans protester la sécheresse et le m anque de sens\nPyram ides. [Maintenant que sous l’action du temps la dorure a            expressif. M. Delune a, heureusement, écrit mieux que cela,\npris une patine harm onieuse, il faut reconnaître que l’effet en est      et il est à espérer qu’il nous donnera encore à l’avenir des œuvres\ntrès heureux. Combien le bronze du Godefroid de Bouillon sur              aussi agréables à entendre que ses belles Variations et Fugue\nnotre Place Royale nous sem ble lourd, noir et opaque ! Ne                sur un thème de H ändel, entendues naguère aux Concerts Ysaye.\nserait-il pas beaucoup mieux doré ? La question se pose aujour­               Le temps est aux sérénades. M. Durant vient de nous donner\nd ’hui pour le quadrige de Vinçotte qui domine l’arcade du Cin­           la plus importante de celles écrites par Brahm s; le Quatuor\nquantenaire, et même pour toute la statuaire de ce monument.              Piano et Archets nous en a fait entendre une de M. Sini­\nL’appoint de la dorure donnerait certainem ent aux sculptures de          gaglia. Voici qu ’à son tour M. Sylvain Dupuis tente de nous\nl’édifice l’aspect de légèreté qui leur fait défaut.                      dérider en nous offrant une composition appartenant à ce\n    Rappelons-nous la présentation somptueuse des pylônes du              genre musical cher au XVIIIe siècle : il s'agit d’une sérénade\nPont Alexandre, à Paris, grâce aux groupes dorés qui les dom i­           (op. 14) pour onze instrum ents solo de M. Bernhard Sekles — un\nnent et les accordent si heureusem ent avec la splendeur du ciel          Hongrois, disait-on dans la salle; œuvre ingénieuse, variée, car­\ndont ils reflètent la lum ière. L’emploi du bronze qui se détache­        navalesque, pleine de détails piquants et originaux. Exécutée par\nrait en noir ne pourrait provoquer cette im pression esthétique.          les m eilleurs solistes de l’orchestre et dirigée avec les soins les\nInsistons en passant sur le mode d’application de la dorure, et           plus attentifs par M. Dupuis, — comme tout le reste du concert,\nconstatons que si des témoignages de son ancienneté sont par­             — elle a amusé les auditeurs par l’imprévu de ses combinaisons.\nvenus jusqu’à nous, c’est à cause de l’emploi de la dorure au feu                                                                   Ch . V.\nou d’un procédé qui semble perdu. La dorure à froid, telle\nqu’elle se pratique de nos jours, ne peut, lorsqu’elle subit\nl’épreuve du plein air, produire que des résultats éphémères.\n"}, {"page_pdf": 420, "texte": "410                                                                          L 'AR T MODERNE\n\n\n                           NÉCROLOGIE                                                        et 3 février, le rôle de Wotan de la Valkyrie. Il sera entouré de\n                                                                                             Mmes Pacary (Brunnhilde), Béral (Sieglinde), Croiza (Fricka),\n                          W .-P . F rith .                                                   MM. Sw olfs (Siegmund) et Weldon (Hunding).\n   L’auteur du curieux tableau le Jour du Derby qui figure au                                   Dans le courant d ’avril, M. Van Rooy donnera quelques repré­\nMusée de Bruxelles (et dont la Galerie Nationale de Londres                                  sentations du Vaisseau Fantôme, que la direction de la Monnaie\npossède une réplique), W illiam Power Frith, est m ort le mois                               rem ontera à neuf. L’œ uvre sera interprétée par une troupe\ndernier à Londres, dans sa quatre-vingt douzième année. Parmi                                allem ande.\nses œuvres, presque toutes inspirées par l’observation des m œ urs                              Prochainement, reprise de Carmen pour les représentations de\npopulaires, il faut citer aussi la Station de chemin de fer , du                             Mme Claire Friché.\nMusée Tate.                                                                                     Il y a un an, débutait, à la Libre Esthétique, une jeune canta­\n                                                                                             trice qui depuis émigra à Paris. L’autre jour, l’un de nos collabo­\n                                                                                             rateurs parlait d ’un concert Debussy qu’elle vient de donner. Et\n                                                                                             les poètes aussi lui ont fait un succès, ainsi qu’en témoignent ces\n          ACCUSÉS DE RÉCEPTION                                                               vers :\n    P o é s i e . — Anacréon (Odes érotiques), transposition de L.-M.\n                                                                                                                A M me Raymonde Delaunois.\nT h y l i e n n e . Liège, Société belge d’éditions. — Les M atinales,                                 Une forme aux contours délicats et fragiles\npar F r a n c e D a r g e t . Paris, librairie générale et internationale                              Ainsi qu’un bibelot très rare et précieux...\nG. Ficker. — Quelques Vers, par le comte d ’A r s c h o t . Bruxelles,                                 Un iris noir surgi d'un lac mystérieux...\nP. Lacomblez. — Les Sagesses, par C.- F r a n c i s C a i l l i a r d . Paris,                         Une apparition... Un fantôme immobile...\nBibliothèque du Temps Présent (H. Falque). — Les M ains                                                Le piano prélude, et, du fantôme noir.\nJointes, par F r a n ç o i s Ma u r i a c . Paris, id.                                                 Soudain, dans le silence, une voix sort et vibre,\n     R o m a n . — Aventurine , par S a i n t -M a r c e t . Paris, P.-V. S t o c k .                  Lente et câline et fluide comme un vers libre,\n     C r i t i q u e . — Ferrer (l’Homme et son œuvre, Sa Mort, Cas-                                   Qui se déploie, écharpe souple dans le soir. .\ntille contre Aragon) par G. N o r m a n d y et E. L e s u e u r ; avant-                               La voix monte, voluptueuse, puis descend :\npropos d 'A l f r e d N a q u e t . Paris, A. Méricant. — Camille                                      Une caresse dans l’oreille et jusqu’à l’âme...\nLemonnier , monographie anecdotique et documentaire, illustrée                                         Puis la musique a des douceurs de jeune femme\nd ’héliogravures, etc., par M a u r i c e d e s O m b i a u x . Paris et Bruxelles,                    Et la voix meurt très doucement, si doucement !...\nCh. Carrington. — L 'A r t et le Geste , par J e a n d ’ÜDiNE. Paris,                                                                          C h a r l e s M o u l ié\nBibliothèque d e philosophie contemporaine, F. Alcan. — Heures                                  Un comité vient de se constituer a Londres en vue de créer un\nd'Italie (Lombardie, Vénétie, Marches, Ombrie), par G a b r i e l                            musée destiné à recevoir tout ce qui se rapporte à Dickens et\nF a u r e . Paris, Eugène Fasquelle. — Neben meiner Kunst,\nFlugstudien, Briefe und Persönliches von und über Arnold                                     qui sera analogue au musée Victor Hugo de Paris. L’inauguration\nBöcklin, herausgegeben von F e r n . R u n k e l und C a r l o B ö c k l i n .               du musée Dickens aura lieu en 1912 pendant les fêtes du centenaire\nMit 125 illustrationen. Berlin-Ch., Vita. Deutsches Verlagshaus.                             de l’illustre rom ancier.\n    M u s i q u e . — Fantaisie sur un thème populaire wallon pour                              Il existe à Grimstad, petite ville de la côte sud de la Norvège,\ngrand orchestre, par T h é o Y s a y e . Partition. N e w - Y o r k , G. Schir­              une officine du pharmacien célèbre pour avoir abrité le jeune\nmer. — Quatre Mélodies, par Vi c t o r B u f f i n . E nfant, si j'étais                     apprenti Ibsen. C’est là qu’il a découvert sa vocation poétique, là\nroi (Y . H u g o ) ; Parfois lorsque tout dort (I d . ) ; L a Lune                           qu’il a eu les vibrants échos des révolutions de 1848, de là\n(A. F i a m m e t t a - S o d e r i n i ); Dieu, qui sourit et qui donne... (V. H u g o ).   prem ière guerre dano-allem ande, là enfin qu’il a écrit son poème\nBruxelles, Breitkopf et Hârtel.                                                              A la Hongrie et son drame célèbre Catilina.\n     A r t M u s i c a l . — Cours de Composition musicale , par V i n c e n t                  George Brandès, le célèbre critique, s’élève très vivement dans\nd ’I n d y . II me livre; prem ière partie. Paris, A . Durand et fils.                       le Politiken de Copenhague contre l’aliénation prochaine de cette\n                                                                                             demeure historique. Il estime justem ent qu’il est du devoir des\n                                                                                             lettrés et de l’État même de conserver dans son état cette maison\n              CONCERTS A NN O N C ÉS                                                         où la vie infligea tant d’expériences à un grand poète.\n   Le Groupe des Compositeurs belges donnera à la Salle Patria                                     LIBRAIRIE NATIONALE D’ART ET D’HISTOIRE\nles jeudis 20 janvier, 17 février, 17 mars et 21 avril quatre\nséances consacrées aux œuvres de ses mem bres.                                                                  G-. V A N OEST & Cie\n   Le pianiste Backhaus, dont l a presse a été unanim e à constater                                  1 6 , place d u M usée, B R U X E L L E S .\nle brillant succès au Cercle artistique, donnera le 15 janvier\nun récital Chopin dans la nouvelle salle du palais de Somzée,\n22, rue des Palais.                                                                              V ie n t d e p a r a ît r e dans la\n   Le célèbre pianiste Émile Sauer annonce pour le lundi 24 ja n ­\nvier, Salle Patria, un récital de piano. On peut dès à présent                               Collection des Artistes Belges contemporains\ns’inscrire pour cette soirée chez MM. Breitkopf et Hærtel.\n                                                                                                    H enri                 BONCQUET\n                 P E T IT E CHRO NIQ UE                                                                            par SA N D ER -PIER R O N\n                                                                                                  Un beau volume in- 8°, illustré de 19 croquis dans le texte\n   Le Salon des Aquarellistes sera irrévocablement clôturé demain,                                                et de 34 planches hors texte.\nlundi, à 4 heures.                                                                                    P r ix : bro ch é, 1 0 fra n c s ; relié, 1 2 f r. 5 0\n   La Compagnie de l’Exposition de Bruxelles vient d’éditer une                                 Il a été tiré de ce livre 5o exemplaires de luxe, sur papier Im pé­\nnouvelle affiche, d’un caractère particulièrem ent artistique. Les                           rial du Japon, à grandes marges, texte réimposé. Ces exem­\ncollectionneurs peuvent se la procurer au prix d ’un franc aux                               plaires contiennent trois esquisses inédites de Boncquet.\nbureaux de l’Exposition, 34, rue des Douze-Apôtres, de même                                                              Prix : 4 0 fra n c s.\nque celle de M. Cassiers. Celle-ci est presque épuisée.                                                       En distribution :\n   M. Anton Van Rooy, dont le succès dans les Maîtres Chanteurs                                     Lé catalogue illustré des publications de notre maison.\nfut triom phant, chantera au théâtre de la Monnaie, les 13 janvier                                              E nvoi fra n co su r d em a n d e\n"}, {"page_pdf": 421, "texte": "                                                        TABLE DES MATIÈRES\n                         C O N T E N U E S D A N S LA V I N G T - N E U V I È M E A N N É E ( 1 9 0 9 )\n                                                  DE L ’A R T MODERNE\n\n\n\n                                 É T U D E S E T P O R T R A IT S                                                                      E d m o n d V e r s t r a e t e ( F r a n z H e l l e n s )........................................                              153\n                                                                                                                                       H a n s von M a r é e s (M a r c e l M o n t a n d o n ) ...................................                                     173\nA S . M . A lb e r t, R o i d e s B e lg e s (O c t a v e M a u s ) . .                                                         407    W a l t W h it m a n ( J .- B . L e c o m t e ) .................................................                                208\nL ’A r t m o d e r n e (X . M e l l e r y ) . . .                                                                               399\nA la m é m o ir e d e F a n t i n - L a to u r (O c t a v e M a u s ) - . .                                                     137\nP o r t r a i t s e t f i g u r e s ( I d . ) ..................................                                                  65                                                        P E IN T U R E\nU n e p r é f a c e (O c t a v e M ir b e a u ) .                                                                               311\nL e t t r e s u r l ’E x p o s itio n M e u n ie r à L o u v a in (X . M e l l e r y )                                          247    L e R o m a n tis m e d e T i n t o r e t (A d r ie n M it h o u a r d ) . .                                                         173\nA c tu a lité s l i t t é r a i r e s . L e p r é j u g e d e la je u n e s s e ( F r a n ­                                            D e G a u g u in e t d e V a n G o g h a u c la s s ic is m e (M a u r ic e\n        c is DE MIOMANDRE) .........................................                                                              41       D e n is ) ................................................................................... 2 42, 251, 266, 274\n    L a L i t t é r a t u r e e t le C in é m a t o g r a p h e ( I d .) . .                                          .         305    “ S o u v e n ir d e R o m e » (O c t a v e P ir m e z ) . ............................                                              330\n    L a B o n té d e N ie tz c h e ( I d . ) ..........................................                             .           335    L e D e s s in (O c t a v e M ir b e a u ) ..........................................                                . .             338\n    L i t t é r a t u r e a n g l a is e ( I d .) .                                                                             129    L e B o v a r y s m e d u c o l l e c t i o n n e u r (L o u is P ié r a r d ) . .                                                    181\n    L ’E s p r i t d e M . d e T a l l e y r a n d (I d . ) ..........................................                          199    L a C o lle c tio n r o y a l e (C h .- L éo n C a r d o n ) ...................................                                     316\n    L e s L e ç o n s d e la p r é h i s t o i r e (I d . ) ..........................................                          295    M u s é e d e B r u x e l l e s . L e s c o lle c tio n s d u R o i (F . H .) .                                                      362\nA p r o p o s d e la Porte étroite (L . S l-H .). . . . . . .                                                                   327    L a v e n te d e s t a b le a u x d u R o i ,..........................................................167, 174\nL a L é g e n d e d e J e a n - J a c q u e s (M . S . M . ) . ............................                                     319    Les Amis des Musées. D o n s à l ’É t a t ............................                                                      .        402\nD iv e r g e n c e s m u s ic a le s (O c t a v e M aus? ) ...........................................17, 25                           A c q u is itio n s d u M u s é e d e B r u x e lle s . 86, 212, 2 60, 397. 402, 405\nAriane et Barbe-Bleue (I d . ) ...............................................................                                     9   U n O ffic e d e r e n s e ig n e m e n ts .                                .................................................        317\nMonna Vanna (C h . V an d e n B o r r e n ) ..........................................                                            33   L a L ib r e E s t h é t iq u e . P o r t r a i t s e t f i g u r e s (O c t a v e M a u s ). 65\nU n e É ta p e (O c t a v e M a u s )......................................................................                       97       A u to u r d e la Libre Esthétique ( I d . ) ....................................................... 105\nL a S a is o n r u s s e à P a r i s (I d ) ...............................................................                     109        L e s p e i n t r e s b e lg e s ( F r a n z H e l l e n s ) . . . .                                                               81\nL e B a l l e t r u s s e ( I d ) ..................................                                                            193        L a s c u lp tu r e (G r é g o ir e L e R o y ) ..........................................                                        113\nS h a k e s p e a r e c h e z M a e te r lin c k (I d . ) ..........................................                            207        L a g r a v u r e (R o b e r t S a n d ) ............................                              . . . .                        114\n P r o f ils d e m o n ta g n e s ( I d . ) ............................                       . . . .                          303        T r a n s p o s itio n s ( J e a n H o s t ie ) . . . . . . . . .                                                                180\nP a u l A d a m s o c io lo g u e ( F . d e M io m a n d r e ) ............................                                       58       L a Libre Esthétique e t le s A c a d é m ie s .                                                                                   95\nI sa a c A l b e n iz O c t a v e M a u s )...............................................................                      179        L a Libre Esthétique e t le Peuple ( L . P . ) .............................                                                       85\nA u b r e y B e a r d s l e y (G e o r g e s K e r b r a t ...................................                                  239        L a Libre Esthétique e t la p r e s s e ............................                                             . .             134\nH e n r y B a t a il l e (L o u is T h o m a s ) .................................................                              30 9       A c q u is itio n s . . . , . .                                        . . . .                      95, 111, 127, 260\nM a u r ic e B e a u b o u r g ( F . d e M io m a n d r e ) ...................................                                 17 1   L e S a l o n d e p r in t e m p s (G r é g o ir e L e R o y ). . . 7 6. 16 1, 177\nH e n r i B o n c q u e t ( F . H .) .                                                                                          330    E x p o s itio n d e Vie et Lum ière ( F . H . ) ..........................................                                          149\nC h a r l e s B o r d e s (O c t a v e M a u s ) ........................................................                       359        M o n t ic e l l i (A n d r é G o uir a n d ) .................................................. 121, 134\nR e n é B o y l e s v e ( L o u is T h o m a s ) ....................................................... 2 71 , 279                    L e L e S a lo n d e s Aquarellistes (F . H . ) ..........................................                                           393\nC h a p l e t (A r s è n e A l e x a n d r e ) . . . . .                                              . . .                     233    L e X V I I e S a lo n d e P our l’A rt (I d ).................................................                                        44\nA l e x a n d r e C h a r p e n t ie r (O c t a v e M a u s ) ...................................                                 73   L e I I Ie S a lo n d e l’Estampe (I d . ) .................................................                                           11\nC h o d e r l o s d e L a c l o s (C h a r l e s M o u l ié ) .                                . . . .                          375    L e X e S a lo n d e s Aquarellistes et Pastellistes ( I d .) . .                                                                    179\nL é o n C l a d e l. (O c t a v e M a u s ) . .                                                                                 201    L e S a lo n d e s Indépendants (I d .) ........................................................                                     209\nL é o p o l d C o u r o u b l e (B . F .)                                                             . . .                     391    E x p o s itio n d u Sillon (I d . ) .........................................                                                       362\nL o u is D e l a t t r e ( F r a n c is d e M io m a n d r e ) ............................                                     145    E x p o s itio n d e C e n t p o r t r a i t s ...............................................................                       151\nJ e a n D o l e n t (I d .) ..................................                                        . . .                     287    C e r c l e a r t is t iq u e . E x p o s itio n d e M M H o u b en e t\nI s a d o r a D u n can (I d . ) ...........................                                                                      82                                             N ie k e r k (O . M . ) ..................                                        20\nA l b e r t E r l a n d e ( I d .)                                        .........................................                1                 Id.                         d e M . e t M me W y t sm a n ( F . H .) . .                                                 62\nA n d r é F o n t a in a s (G . R e n c y ) ....................................................... .                             57                 Id.                         d e M V an Z ev en b erg h en e t d e\nG u s t a v e G e f f r o y ( H a r l o r ) ..............................................................                      154                                                  M lle V e b o e c k h o v e n ( I d .) . . .                                             76\nT h o m a s H a r d y (F . d e M io m a n d r e ) ................................................                              313                  Id.                         d e M . M a u r ic e B l ie c k ( I d .) . . .                                              108\n H a y d n (H . G u il b e a u x e t J . R e b o u l ) . . . . . . .                                                            202    S a l l e B o u t e . E x p o s itio n d e .M . L . B e r t e a u l t (O . M .) .. . 68\nF r a n z H e l l e n s ( H u b e r t K r a in s ) .................................................                            357             Id.             d e M .'W il l y S c h l o b a c h (G r é g o ir e L e R o y )                                              346\nH e n r i H u sso n ( L é a n d r e V a il l a t ) .................................................                            243    G a l e r ie R o y a l e . E x p o s itio n d e M me H y n d e r ic k (O . M .).                                                     116\n M a x im il ie n L u c e ( É m il e V e r h a e r e n ) .                                                                      123    G a l e r i e R u b e n s . E x p o s itio n d e Mme C l u y s e n a a r ( I d ) .                                                     68\nM a u r ic e M a e t e r l in c k (H . M a il l e f a u d ) ...................................                                 289    S t u d io . E x p o s itio n i n a u g u r a l e (H .). .                                   ................................        378\nC a t u l l e M e n d è s ( F r a n c is d f . M io m a n d r e )                              . . . .                            49   E x p o s itio n d e l ’U n iv e r s ité l i b r e (O . M . ) ..................................                                     377\nC h a r l e s M i l c e n d e a u (L . V . ) . . . .                                                                            188    L ’a r t a u « V ie u x C o r n e t » .                                                                                              316\nM o n t ic e l l i (A n d r é G o u ir a n d )                                                                                  121    L a F é d é r a t i o n p r o f e s s io n n e lle d e s B e a u x - A rts . . . .                                                   174\n R e g n a r d ( J u l e s C l a r it i e ) . . . . ..............................................                              291    L e s A r t i s t e s e t l ’E x p o s itio n d e B r u x e l l e s ............................                                       66\nR o u v e y r e ( L o u is T h o m a s ), ...                                                                           2 1 5 ,2 2 3   A p ro p o s d u M u s é e W ils o n                                ............................              . . .             7 5 , 87\nS em (H . B a t a il l e ) .. . .                                                                                               104    L e p rix V e rh e y d e n                      . . . . . . . . . . . .                                                              103\n D é o d a t d e S é v e r a c (M .-D . C a l v o c o r e s s i ) . . .                                             .           3 -3   L e s p a n n e a u x d é c o r a tif s d e M . F a b r y à l a M o n n a ie . .                                                     292\n P a u l S é r u s ie r (M a u r ic e D e n is ).                                ...................................            147    A n v e r s . L'A rt Contemporain (G e o r g e s S e r ig ie r s ) .                                                          .        S9\nN ic o l a s T a r k h o f f ( P a sc a l F o r t h u n y )                             ............................ 296 ,3 0 5             I d . E x p o s itio n J aco b S m it s ( J ea n L a e n e n j . .                                                              369\n"}, {"page_pdf": 422, "texte": " 412                                                                               TABLE DES MATIÈRES\n\n\n B r u g e s . L a collection Steinmetz                                 ....................          301    Les Passions humaines de J. Lam beaux............................ 159, 229\n G a n d . L e Salon triennal (F . H . ) ..........................                           282            Le M onument au Travail, par Ch. Vanderstappen . . 63, 404\n    L e Jury du Salon t r ie n n a l....................................                      220            La Mort d'Ompdrailles de Ch. V anderstappen. . . .                                               95\n    Achats du g o u v e r n e m e n t ............................................                   221     La Statue du général B elliard ((J.-B. L ecomte) . . .                                          323\nH e lsing fo r s Exposition F in c h . .                                                                23   Le M onument Abbe à Iéna par H. van de Velde . .                                                119\nL iè g e . L ’Exposition des B eau x -A rts . . . . . . .                                     93. 108               H.        Barbey d'Aurevilly par Rodin                                 . .               405\n    La   Mangeuse d’huitres               de M . E n s o r (O . M ).                . . . 217, 226                  Id.       Beethoven à V ie n n e ...................................                     135\n    Exposition D e lco u r . .                                                                        276           Id.       du Centenaire à Buenos-Ayres . . . 229, 252\nL o n d r e s . Acquisitions de la N atio n al G a lle r y . . . .                                       7          Id.       Léon Cladel à P aris (Octave M aus) . . 200, 219\n    Découverte de tableaux de T u r n e r ......................                              261                   Id.       Delcour à Liège . . . . . .- . .                                               357\nL o u v a in . L ’Exposition C. M eu n ier ( X a v ie r M e l l e r y ) .                            247            Id.       Dillens à B r u x e lle s ...................................                  183\nM u n ic h . L es B e lg e s à l ’Exposition des B eau x-A rts                                       219            Id.       Dupont par P. Du B o i s .............................                        22o\n    L a B e lg iq u e au       Glaspalast       (W illia m R i t t e r )              . . 255. 263                  Id.       Gogol à Moscou.............................................                    151\nP a r is . L e Salon des Indépendants (L . V a u x c e ll e s ) . .                                  124            Id.       Charles Guérin (R ené d’A vril) . . . 354\n   L e s artistes b elges à la Société nationale des B eau x-                                                       Id.       Constantin Guys par Godebski . . .                                             191\n       A rts (O c t a v e M a u s ). . .                                                             185            Id.       Victor Hugo par R o d in .............................                        333\n    L ’art b e lg e à P a ris (I d . ) .........................................              370                   Id.       Joachim à B e r lin ........................................                  253\n   Exposition V a n D o n g e n ( L ouis V a u x c e l l e s ).. . .                                     5          Id.        Lam berm ont (concoùrs)............................. 111, 117\n           Id .      M a r y C a s sa tt ( I d . ) ............................                13                   Id.       de la Réform ation à Genève . . . .                                           253\n           Id .      B ra n g w y n (G a b r ie l M o r e y ) .............                   68                    Id.       E rnest R eyer au Lavandou............................. 39, 45\n           Id .      de    La Peinture à l’e a u            .......................            71                   Id.       A. Rodenbach par J. Lagae à R oulers                                          277\n           Id .      L ouis C h a r l o t (H e n r i G e n e t .............                  235                   Id.       de l’Union Postale par R. de Saint\n           Id .      P ier r e L a p r a d e (Lou is V a u x c e l l e s )            . .            109                           M arcéaux à Berne                                        . . 365\n           Id .      L ouis S u e iI d . ) .....................................              132                   Id.       V anderkindere par S. V anderkindere à\n           Id .      J.-F . R a f f a e l l i ................................                196                                  U cclej; i . .                    , . . . . . . '. . 213\n           Id .      L ouis V a l t a t ( L ouis V a u x c e l l e s )            . . .              109            Id.       Théodore V erstraete p a r G. C harlier à J . A .\n   Exposition d’estampes japon aises .                                                               205                           Anvers . .                                               .              .159\n   L e M usée du B a rre a u                  . .                                                      26           Id.        Vestrepain par A. Mercié à Toulouse                                       . .349\n   L e legs Chauch ard                                                                               196            ld.       Max W allor . .. . .... . v . . . .                                           396\n   L e testament C h a p l e t .................................................                     237            Id.        Oscar -Wilde-par J .;;Epstein à P aris                                     . 205\n   U n e décoration de M . V an R y sse lb ergh e à N e u illy .                                     301            Id.       Zola par A. C harpentier et C. M eunier. -63, 219\nR o m e . L ’E xposition internationale                           ...........................        299     Le M émorial P aul H ankar . . . . . ... ... i .... . 159\nR o tte r d a m Exposition V an R y sse lb ergh e                           . . . .                  357     Statues de M. M arin auPavillon de la Villede Bruxelles ...308\nV enise L es B e lg e s à l’E x p o s ition internationale - .                                       252     La Société des Am is de la Médaille-d’art . : ; . . ; . 38\n   A chats d ’œuvres b elges en Italie . . . 111, 167, 175, 386                                              A la mémoire de F -A. Gevaert (O. M.) . . . . .................322\n   Découverte de tableau x an cien s...................................                              285     M édailles de MM. G. Devreese, J. L ecro artet C h..Sa­\nU n Musée Ziem à M artigu es . . .                                                                     39      muel (I d . ) ..................................      .. 333 357,.394\n                                                                                                             La M édaille à l’Exposition de 1910 (Id .). . .                               . .              394\n\n\n\n\n                                                                                                                                                          .\nU n G reco à T o l è d e ................................................                            261\nU n V elasquez au Musée de B u d a p e s t ...................                             .           79    N écrologie. J ules Chaplain (Id.) . .. .. . .. . . . .. 236\nL a ressem blance d’un portrait (M a x L i e b e r m a n n )                               .     . 159         A lexandre Charpentier (Id,). . :..                               .. . .                       73\n                                                La peinture\nP u b licatio n s artistiq u e s. — L . B én édite.                                                            Cyprien Godebski..................................................................... t-i *\n   au X IX e siècle             ...........................................................          284\n   Ch. B u ls .Le Vieux Bruxelles                    (O M ) . .                  . . .               131\n                        Le Livre des Mille Nuits et une Nuit.\n   D r J.-C. M a rd ru s .                                                                         .157\n                                                                                                                             A R C H É O L O G IE , A R C H IT E C T U R E\n                              Les chefs-d'œuvre des grands\n   C h . M o re a u -V a u th ie r.\n     maitres       ( L . ) .....................................................                         4                             A R T S A P P L IQ U É S\n   J. Ochs. Le Tot Lidge               (L . P ié r a r d ) . . .                 . . .               227\n   V . Pica. A travers les albums et les portefeuilles                            (O. M .)           115     Nos Im agiers à Séville (L. M aeterlinck )                                                131\n        Id.La Galleria d'arte moderna à Venise\n                     «                                                              (Id.)            115     Miséricordes belges (Id.) . . . v ; - . .• • . • . . -                                    188\n   R o u vey re.Caricatures théâtrales, le Gynecée,                                  etc.                    A rt et Proverbes (I d .) . . . . . . . ;                                                 275\n      (L . T h om as ) . .\n   Bibliothèque des classiques de l’art. Michel-Ange\n                                                                                             2 1 6 , 223     Faut-il em ployer l’or dans la décoration sculpturale\n   Sicile-Calabre\n                                                                                    (L ) .               4     des villes? (Ch .-L. C ardon) . . . . . . . . . : 409\n                           ...........................................                         14, 37        Les Peintures à fresque de N.-D. d’Anvers. . . . .                                        183\nVente H enri Say ( P a r i s ) .................................................                       15    Liège. Causerie du Dr Jorissenne sur l'École de Lam ­\n   Id. de la collection G erbeau ( I d . ) .............................                             134       bert L o m b a r t...........................                                            95\n   Id       à l'hôtel D rou ot Id ) .\n                                             Sicile-Calabre\n                                                                                                     175\n                                                                                                             L’A rt décoratif en Allem agne (H. F iérens -G evaert) .                                  307\n   Id.      des œuvres d’art de                                      (B ru xelles) .                 1S3     La Maison du L iv re. . . . . . . .                                     .. . . .          362\n   Id.      d’œuvres de M . W a lt e r Sickert (P a r is )                               .           197     La Reconstruction du Campanile de Venise . . . .                                          175\n   ld.      d’eaux-fortes de R em brand t (Id ). .                              . . . 2 1 3 , 285            L’A rt à l’école (Louis D umont-W ilden) . .                                    . . . 299\n   Id. de M. A . B aille h a c he I d . ) ...................................                       213      Concours d’affiches......................................                                  53\n   Id      de la collection Coquelin ( I d . ) ..............................                       213\n                                                                                                             Une affiche de l’É tat belge en Suisse. . . . .                                     .     293\n   Id. de la collection du V 1-- Chabert ( I d . ) ....................                             213      N écrologie. — Chaplet (L. V.). . . . . . . . .                                           198\n   Id. de tableau x de V an D y c k ..................................                              261        P aul Cl a e s s e n s ..........................................................   204\n   Id. d’un H olb ein po u r la N atio n al G a lle ry (L o n d re s)\n   Id       de la collection R am bau d (P a ris )                     . . . . .\n                                                                                                    269\n                                                                                                    285\n                                                                                                               H enri M a q u et ...........................................                           388\nN é c r o lo g ie . — J u l es A d e l i n e .......................................                292\n   C h a r le s C o n d e r .......................................              . . .             102                                        L IT T É R A T U R E\n   W .- P . F r i t h ...............................................................               410\n   P e t e r -S ev e r in K r o y e r ......................................                        388\n   E dm ond L e m p e r e u r ......................................................                380      George Sand à Nohant (A. dis R o t h m a l e r ). . . .                            35 , 42\n   A l f r e d L e P e t i t ...........................................................           380          Le legs de George Sand .                .......................................     237\n   R ich ar d M u t h e r ..........................................................                228      Réflexions sur Anatole France (F. d é M io m a n d r e ) .                             353\n   P a u l -É l ie R a n s o n ......................................................                 70     A propos du prix Nobel ( H e n r i G u ii . b e a u x ). . . .                         357\n   M me H e n r ie t t e R o n n er.                         ............................             78     La Bibliothèque royale (O. M.)                             ......................      257            :\n                                                                                                                Le personnel de la Bibliothèque royale . . ’ .                                      228\n                                                                                                             P a u l A da m Les Disciplines de la France. — Le Pro­\n                                       SCULPTURE                                                                grès des races ( F r a n c is d e M io m a n d r e ) . . --. - .                     58\n                                                                                                     59                 Id          Dix ans d ’art français (Id.) . . . . :i 323\nL a C h apelle de R u ysbroeck (Thom as B ra u n ) . . .\n                                                                                                             J . A j a l b e r t . Les Destinées de l’Indo-Chine ( I d .)                     .     218\n   A propos du monum ent R u y sbro eck (Jean L a e nen) .                                           68      P a u l A n d r é . Maître Alice H énaidt (I d .) . .                            .     140\nLa Justice   de Julien D illen s (C h a m p a l) ........................                          259\n                                                                                                             A d r ie n A r e n n e s . La Route douloureuse. ( I d .) .- .                          211           ç\n"}, {"page_pdf": 423, "texte": "                                                                                       T A B L E D E S M A T IÈ R E S                                                                                                               413\n\n\n  G e o r g e s B a t a u l t . Crépuscules d'amour ( F . d e M .) .                                       140      C a m i l le M a u c l a i r . Victor Gilsoul (P. H . ) ............................\n  M a u r ic e B e a u b o u r g . Aventures du Petit prince de\n                                                                                                                                                                                                                                       197\n      Roussquiqui et de sa Roussquiquine (Id .) .                                                                                  Id .               La Beauté des formes — La Reli­\n  A n d r i e n B e r t r a n d Les Soirs ardents ( Id .) . . . .\n                                                                                               . .         171                                            gion de la musique ( F . d e M .) .                                          329\n                                                                                                             12     S t u a r t M e r r i l l . Une voix dans la foule ( Id .). . .                                                  . 241\n  F r a n c i s B œ u f . Le Cœur nu ( Id ) .............................                        188                A . M ic h e l. Promenades aux environs de Bruxelles (Id .)                                                        3S5\n  S . B o n m a r ia g e . Bobette, petite sœur dela Lune ( I d .) .                                        12      E .- W . M o e s . Frans Hals , sa vie et son œuvre ( F . H .) .                                                   201\n              Id .           Attitudes ( I d . ) .....................................           140                E u g è n e M o n f o r t . La chanson de Naples ( F . d e M . ) . .                                               361\n              Id .           L ’Automne ( I d .) ; Poèmes (Id .) . . . 241                                          A l f r e d M o r t i e r . Le Temple sans idoles (Id .) . . . .                                                   241\n  C h a r l e s B a u d o n . Le double dessin ( I d .) . — Le Flam­                                                C h a r l e s M o u lié . Les Mignardises ( Id .) . . . . . .                                                      361\n                                   beau de bronze ( I d . ) .............................                 107       J . J o a c h im - N in . Pour l’a r t ......................................................                      155\n A l b e r t d e B e r s a u c o u r t . Notules ( Id .) . .                            . . .             140       G . N o r m a n d y . Le nu à l'église, au théâtre et dans la\n                        Id .               Triptyques ( I d . ) ..............................              12                                  rue ( F . d e M .).                      ..........................................    250\n M a r c e l B o u l e n g e r . N os élégances ( I d . ) .............................                   139            R é p o n s e à M . d e M io m a n d r e (G . N o r m a n d y ). . . .                                        298\n R e n é B o y l e s v e . La Poudre aux yeux ( Id .) . . . .                                             187       P i e r r e N o th o m b . L’Arc-en-ciel ( F . d e M . ) .............................                             14 5\n                Id .          La Jeune fille bien élevée ( L . T h o m a s )                              271       R a y N y s t . La Caverne (Id .) . . . .                                          . .                  .          293\n                Id .          La Becquée ( I d . ) ............................................           279       J u l i e n O c h s é . Entre l'heure et la faux ( I d .) . .                                                    . 163\n R . B r a n c o u r . Félicien D a v id .........................................................        132       J e h a n n e d ’O r l ia c . Le Cahier des charges (Id .) .                                                     . 361\n P . B r o o d c o o r e n s Eglesygne et Flourdelys ( F . d e M .)                                       361       P é l a d a n . Rapport au public sur les Beaux-Arts ( Id .) .                                                       12\n O l i v i e r C a l l e m a r d d e l a F a y e t t e La Montée ( Id .).                                 107       C lé m e n t P e r d i e u s . Le poète Georges Ramaekers . .                                                      157\n E m m a n u e l C h a b r i e r . Lettres à Nanine ( I d .) . . . .                                      361       M a u r ic e P é z a r d . Les ténèbres illuminées ( F . d e M .)                                                  241\n C h o d e r l o s d e L a c l o s . Dans le parc (C h . M o u l i é ) . .                                375       L P i é r a r d Medardo Rosso (Id .) . . . . . . . .                                                               322\n L . C o u r o u b l e . Madame Kaekebroeck à Paris (B . F .) .                                           391      S a n d e r P i e r r o n . Henri Boncquet (F . H .)                                       . . .                    330\n F . d e C u r e l . Le Solitaire de la Lune ( F . d e M io m a n d re )                                  322       E . P s y c h a . Rêves païens ( F . d e M io m a n d re ) .                                            . .          12\n M a r i e D a u g u e t L e s Pastorales (I d.).                                                           12      R o b e r t R a n d a u . Les Explorateurs ( Id ) . . .                                                            107\n G u s t a v e D a v o is . Les Bonaparte littérateurs (Id .) . .                                           13      P a u l i n R e n a u l t . Henry Carton de W ia r t ............................                                  355\n L . D e l a r u e M a r d r u s . Marie, Fille-Mère ( I d .) . . .                                         11      C l a u d e R e n é . Mariages n o u v e a u x ...........................................                          107\n                   Id .            Le Roman de six petites filles (Ld.)                                   187      E . R e v i l Georges Rodenbach . . .                                                                                157\n L . D e l a t t r e . Le Jeu des petites gens (Id .) . . . .                                             145      G . M . R o d r i g u e . Fernand S é v e r i n ...........................................                         15 7\n                Id .       Le Roman du chien et de l’enfant (Id .) .                                      146      L u c ie n R o l m e r . Maïvine (F . d e M io m a n d re ) ............................                             122\n J e a n D o m in iq u e . L ’Aile mouillée ( I d . ) ....................................                  28     J .- H . R o s n y . Marthe Baraquin I d .) .                                                  ..................    163\n A l b e r t d u B o is . Le premier livre des poèmes impé­                                                                  Id .          Traduction des œuvres deShakespeare ( Id .) 195\n     riaux. — Les Wallons ( I d . ) ........................................................              140      A . T h . R o u v e z . Cités et villages belges (F H ) . .                                                          244\n I d . Le second livre des poèmes impériaux. — Paris                                                               H i p p o l y t e S c h i î f f e r . Sept nouvelles (F . d e M .). . . .                                              12\n     la Prostituée (Id .)               ...................................        . . . .                140      A S e g a r d . La Sicile ( I d . ) ............................                                                    322\nJ .- F . E l s l a n d e r . Le Musée de M Dieulafoit (Id .) .                                            140      A . C h S w in b u r n e . Les Chants d'avant l'aube . — Poèmes\n A l b e r t E r l a n d e . Le défaut de l’armure (Id .) . . .                                               2         et ballades. — Nouveaux poèmes et ballades (Id .) . .                                                           129\n M a r c E v ia n . L'Etoile (Id ) ...............................................................        361      A d o lp h e T h a l a s s o Le Théâtre libre (I d . ) ............................                                  194\n B l a i s e F a l e r g e s . Mariage d'inclination ( I d .) . . .                                      241       L o u is T h o m a s . L ’Esprit de M. de Talleyrand (Id .) . .                                                      199\n C la u d e F a r r è r e La Bataille ( I d j ..........................................                 210       T o u n y - L e r y s La Pâque des roses (Id ) ...................................                                  241\nÉ l i e F a u r e Eugène Carrière .                                                                        31      R e n é e d ’U l mès. Sybille mère (Id ) . .                                         . .                 . .         140\nG a b r i e l F a u r e . Paysages passionnés (F . d e M .) . .                                             12     J . V a c h e r . Ma meilleure pensée(i d ) . . .                                                 . . .              211\nC h a r l e s F é n e s t r i e r . La Vie des frelons (Id .) . . .                                       140      B on C h v a n B e n e d e n La peste de Tirgarlet I d .) . . .                                                       12\nF e r s e n . Et le feu s'éteignit sur la mer... ( Id .) . . .                                           240       F irm in v a n d e v B o s c h . Littérature d’aujourd’hui (Id.) .                                                    12\nA . F o n t a i n a s . La N ef désemparée (G . R e n c y ) . . . .                                        57      M a r g u e r i t e V a n d e W i e l e . Ame blanche (Id i. . . .                                                    12\nO . F r i e d r i c h s Autour d’un problème (F . d e M .) . . 2 4 1 , 265                                         G . V a n Z y p e Frans Courtens (F . H e l l e n s ) ............................                                    67\n     L e t t r e d e M . O t t o F r i e d r ic h s ..................................................   259       E m ile V e r h a e r e n James E n s o r ..................................................                          76\nE u g è n e F r o m e n t i n Lettres de jeunesse (M . S . M .) .                                        337      J e a n V ig n a u d . La Passion de Claude Bernier (F . d e M .)                                                    400\nR é m y d e G o u r m o n t. Couleurs ( F . d e M . ) .............................                         72     H e n r y V ig n e m a l. Le Fruit défendu (Id.)                                        . . .                        140\nM a u r ic e G e h r i Prisons russes I d ) ....................................                         283       G e o r g e s V i r r è s . Ailleurs et che; nous (Id ) . . . .                                                     385\nA , G e r m a in . Les Néerlandais en Bourgogne ( F . H .) .                                             299      G i l b e r t d e V o is in s . Le Bar de la Fourche (Id .) . . .                                                    211\nJ . G e r n a e r t . Les Yeux de Louise ( F . d e M .) . . .                                            323                   Id         Las moments perdus de John Shag ( Id .) .                                                      11\nA n d r é G id e La Porte étroite (L S t - H . ) .............................                           327      O m e r d e V u y s t . Icônes féodales ( I d . ) ..........................................                         140\nG e o r g e s G r a p p e Dans lejardin de Sainte-Beuve (F . d e M .) 139                                         H .-G . W e l l s . Douse histoires et un rêve. — Quand le\nL é o p o l d G r o s . La Dame aux œillets ( I d .) . . . .                                             18 8          dormeur s’éveillera I d . ) ...................................                               . . .             130\nT u H a n n o n . A u clair de la dune ( I d . ) .............................                           323      L é o n W é r y . Une Philosophie de l'art flamand . . .                                                             158\nT h o m a s H a r d y . La Bien-aimée (Id .i.                                     . . . .                313      W i l l y . Pimprenette (F . d e M ) ........................................................                          12\nG é r a r d H a r r y . Maurice Maeterlinck (Id .) . . . .                                               241           I d . La journée du petit Duc (Id .) .                                                     .................    107\nF r a n z . H e l l e n s . Les Hors-le-Vent ( H u b e r t K r a i n s ) . 3 6 7 , 385                            W a l t W h itm a n n . Feuilles d'herbe ( I d . ) .............                                                272\nN . H e n n iq u e . Du Vent sur la plaine ( F . d e M io m a n d re )                                   139      L e t t r e o u v e r te à M F . d e M io m a n d r e (V a l b e r t ) . .                                             91\nE m ile H e n r i o t . X I portraits dont un de femme (Id .) .                                          107      L a S o c ié té d e s Bibliophiles fa n ta isistes ....................................                              405\nE d m o n d J a l o u x . Le reste en silence ( I d . i ............................                     116      P é r i o d i q u e s n o u v e a u x . — La Revue française. — La\nJ a c q u e s J a r y . Le dogmatisme d'Anatole France (la.) .                                           353           Flandre artiste . — La Nouvelle Revue française . .                                                                 7\nA d o lp h e J u l l i e n . Fantin-Latour ( O c ta v e M a u s )                                    .   137           A k a d e m o s ................................................                                                  31\nG . K e n n a n . La Sibérie et la déportation ( F . d e M .) .                                          283           L ’Idéal philosophique .                                                                                          79\nI d . Les prisonniers politiques en Sibérie (Id .) . . .                                                 283      C o n f é r e n c e s d e s A m is d e l a L i t t é r a t u r e . M . I w a n\nR u d y a r d K ip l i n g . Simples contes des collines. — Nou­                                                                               G ilk in : Les origines du mouvement\n    veaux contes des collines — Trois troupiers. — Autres                                                                                      poétique belge (G . R . ) ....................................                            22\n    troupiers (Id .) .                                                                                     19                   Id .           M . E d s i. P i c a r d : Le Théâtre belge (Id .)                                        62\nG r e y L a v a u d . D u Livre de la mort ( I d . ) .............................                         12                   Id .           M . F i e r e n s - G e v a e r t : L ’Indépen­\nM a r iu s - A r y L e b lo n d . L'idéal au X IX e siècle (Id .) . .                                    106                                   dance des lettres belges (Id .) . . . .                                                   84\nP a u l L e c l e r c q . Aventures de Bécot ( I d . ) ............................                        12     C o n f é r e n c e s d e M . J o s e p h B é d i e r e n A m é r iq u e . . .                                       373\nC a m i l le L e m e r c i e r d ’E rm . Les Exils (Id .) . . .                                        . 140      M . F i r m i n v a n d e n B o s c h e t A lb . R o d e n b a c h . .2 2 1 ,2 2 7 ,2 8 5\nC a m i l le L e m o n n ie r . La Maison qui dort iI d .) . . . .                                       3S5      U n e tr a d u c t i o n d e s Fioretti p a r M . P e r a t é .............................                          199\nH e n r i L i e b r e c h t . Histoire de la littérature belge ( I d .) .                                3S4      V il l i e r s d e l ’I s le A d a m e t V e r l a i n e ...........................................                 237\nR e n é L y r . Dans le Silence (Id. ) .................................................                 108      U n e t r a d u c t i o n a n g l a is e d ’Escal V ig o r ....................................                      245\nA l f r e d M a c h a r d . Frimousses ( Id .) . .                                . . . .                241      U n e a n e c d o te s u r G œ th e                                                 .............................    245\nM me F . M a c d o n a ld . La légende de J.-J. Rousseau                                                          U n r o m a n p r o j e t é p a r F l a u b e r t : La Spirale . . . .                                               245\n                                     rectifiée (M . S . M . ) .............................              3 17     L e t r a d u c t e u r d e K i p l i n g .......................................................................    245\nP i e r r e M a r c e l . Charles Le B r u n .................................................           2 52     I n é d i t s d e B a r b e y d ’A u r e v i l l y .........................................................         292\nP a u l M a r g u e r i t t e . La Flamme ( F . d e M io m a n d re ) .                                  231      L e s li v r e s le s p lu s r é p a n d u s d u m o n d e ...................................                       373\nE u g è n e M a r s a n . Les cannes de Paul Bourget (Id .) . .                                          211      L e s P r i x d e l i t t é r a t u r e d u B r a b a n t ..........................................                 381\n"}, {"page_pdf": 424, "texte": "414                                                                                                     TA BLE DES MA TIERES\n\n\nL e s C o n c o u r s d e l ’A c a d é m i e p o u r 1 9 1 1 ......................................                             234              Les origines de la musique de clavier (C h . V .). . .                                                                               52\nF l e u r s d e s t y l e ................................................................................................      29 3          É c o l e a l l e m a n d e . M M . N . e t E . L a o u r e u x (M . M .) .                                                             61\nA c c u s é s d e r é c e p t i o n . 126, 1 7 4 , 2 0 4, 2 3 6 , 2 6 0 , 2 8 4 , 3 7 2 , 41 0                                                   L e Q u a t u o r Z im m e r (C h . V . ) ........................................................                                 356\nV e n t e d ’a u t o g r a p h e s à B e r l i n ............................................................                   253           É c o l e d e m u s iq u e d ’I x e l l e s . L a Musik-Austellung (C h . V .)                                                          45\nV e r h a e r e n e t l ’i n s t i n c t n a t a l ( S a i n t - G e o r g e s d e B o u ­                                                       R é c ita l J e a n J a c o b (I d ) . ...............................................................                             133\n    h é l i e r ............................................................................................................... 17 2             C o n c o u r s ........................................................                                                           268\nA M me R a y m o n d e D e l a u n o i s ( C h . M o u l i é ) ..............................                                   410           S co la M u s ic æ . R é c i t a l D em b l o n ( I d . ) ..........................................                                  363\nE u g è n e D e m o ld e r ( S a c h a G u i t r y ) .                                      . . .                             .  63              C o n c e r t V r e u l s (O . M . ) .....................................................................                         395\nN é c r o l o g ie . — E d g a r B a e s ......................................................................                      62       P a l a i s S o m z ée . L e Q u a t u o r Piano et Archets (C h . V . ) . 3 87, 403\nJ e a n D o l e n t ( F . d e M io m an d r e ) ......................................... •                                     28 7          L a M e s s e d e S a in te - C é c ile à S a in t- B o n if a c e I d . . . .                                                        378\n    E d o u a r d F é t is ...................................................................                                                A u d itio n s46m u s ic a le s d e M me B e a u c k ............................................1 18 , 371\n   J e a n L a h o r ( O . M . ) .....................................                                                               220      A u d itio n d e M . e t M me D e m e s t .......................................................                                     379\n    C a t u l l e M e n d è s ( F r a n c is d e M io m a n d r e ) . . . .                                                            49     L iè g e . C o n c e r t d u C o n s e r v a to ir e (G e o r g e s R i t t e r ) . .                                                 395\n    C h a r l e s T a r d ie u (O . M .) .                                 .........................................................       30    L e s C o n c e r ts B r a h y ( I d . ) ................................................................ 6 , 6 1 , 77\n                                                                                                                                                 C o n c e r ts d e l'Œuvre des artistes ( I d .) .                                                      . 125, 190, - 95\n                                                                                                                                                 L e 125e c o n c e r t d e c h a r i t é d e s Amateurs ( I d .) . . .                                                                 5\n                                                                                                                                                 L e F e s t i v a l w a llo n (I d . i . . .                                  . . . .                                              190\n                                                     M U S IQ U E                                                                                R é c i t a l s d e M M . L a v o y e e t R o b e r t ( I d ...................................                                    190\n                                                                                                                                                 R é c ita l L is z t. M . K ô n ig e t M lle T o m b e ur (id ) . . .                                                              396\n                                                                                                                                                 S e c tio n m u s ic a le d u C o n g r è s d ’a r c h é o l o g i e d e L ié g e (lD .) 268\nD iv e r g e n c e s m u s ic a le s (O c t a v e M a u s ) . . . .                                                        . 1 7, 25          L o u v a in . C o n c e r t d e l ’E c o le d e m u s iq u e . .                                           . . .                       96\nL e Q u a tu o r à c o r d e s (V in c e n t d ’I n d y ) ...................................                                        147         F e s tiv a l m u s ic a l d e s f ê te s d e l ’U n iv e r s :lo N .: .                                                .          182\nL e C a s D u p in (A l b e r t G r o z ) ..............................................................                             211      M o n s . C o n c e r ts G e o r g e s P it s c h . . .                                                                       3 7 1 , 244\nP ie r r e d e B r é v il l e .....................................................................                         309               T o u r n a i . L a Sainte Ludmile d e D v o r a k ...................................                                                133\nC o n s e ils a u x m u s is ie n s .....................................................                         . . .              156      V e r v ie r s . C o n c e r t d ’h i v e r ( J . S . i . . . .                                             . . .                     347\nP r é c e p t e s d e M o u s s o r g s k i. . . . .                                            ............................         166      P a r is . C o n c e r ts L a m o u r e u x (O . M .) .                                              . . .                4 6, 52, 61\nL e P r i x d e R o m e .........................................................................................                    333         C o n c e r ts d u S a lo n d ’A u to m n e (M . D C a l v o c o r e s s i ) .                                                     377\nL e P r i x d e s y m p h o n ie d e l ’A c a d é m i e ...................................                                          389         A u d itio n s E n g e l -B a t h o r i (O . M .) . .                                            . . . .                     52, 61\nL a D ir e c tio n d u C o n s e r v a to ir e (O . M . ) ..................................                                             3       C o n f é r e n c e s - a u d itio n s d e M lle M a r y P ir o n n a y e t\nL e M u s é e d u C o n s e r v a to ir e (I d . ) ...................................                                      .          51            M . L a n d o r m y ( I d .) . . .                                                                                               46\n   L e D o n C a v e n s ............................................................................                       119                  S a l l e É r a r d . C o n c e r t P it s c h (I d . ) ..........................................                                   31\nC o n s e r v a t o i r e d e B r u x e l l e s . S a is o n 1908-1909. 1er C o n ­                                                              S a l l e P l e y e l S é a n c e B l a n c h e S el v a ( I d .) . . . .                                                            46\n       c e r t . L ’Héroïque. H o m m a g e à G e v a e r t (C h . V .). .                                                             51        S a l l e G a v e a u . C o n c e r t d e la Schola Cantorum ( Id .).                                                                46\n    3 e e t 4 e C o n c e r ts . Samson d e H æ n d e l (Id .) . . . . 118, 140                                                                  S a l l e M o r s . S é a n c e C l a u d e D e b u ssy (F . M ) . . .                                                             395\n    C o n c o u r s ....................................................................... 198, 2 03, 2 12, 220, 227                         C o l o g n e . C o n c e r t c o n s a c r é à M . N e i t z e l ............................                                          95\nC o n c e r t s p o p u l a ir e s . S a is o n 1908-1909. 2 e C o n c e r t.                                                                 C o n c o u r s m u s ic a u x .                                                                                               5 2 , 380\n       L e p e t i t Z im b a l is t (C h . V .) . . . .                                              . . . .                          36     L e C e n te n a ir e d e H a y d n e t le 3 e C o n g r è s d e l a S .I . M .                                                       166\n   3e C o n c e r t. Werther, p a r V . V r e u ls . M . T a g l i a f e r r o                                                                A p r o p o s d u 150e a n n i v e r s a ir e d e la m o r t d e H æ n d e l .                                                        174\n       e t M me S ch u m a n n - H e in k ( I d . ) ...................................                                       60              B ib l i o g r a p h i e m u s ic a le — O s c a r C h i l o s e t t i . L a Biblio­\n    4 e C o n c e r t. Le Déluge d e S a in t S a ë n s , la Sulamite d e                                                                            theca di Rarita musicali (C h . V ) ...................................                                                        165\n        C lia b r ie r , l a Kaisermarsch (O . M . ) ...................................                                               93        A . C o q u a r d . Hector B e r lio z .........................................                                        .          132\n    S a is o n 1909-1910. 1er C o n c e r t. L e C e n te n a ir e d e                                                                           E r g o Dans les propylées de l’instrumentation (C h . V .). 2 88\n       H a y d n M . S a u e r (C h . V . ) ..........................................                                      347                  P a u l M a g n e t t e Contribution à l’histoire de la sym ­\n    2e C o n c e r t. Phèdre, p a r M . L u n s s e n s . M lne J . D e l u n e . 409                                                                phonie post-beethovénienne (O . M .i . . .                                                                   . .               273\nC o n c e r t s Y s a y e . S a is o n 1908-1909.3\" C o n c e r t. M M . C o r -                                                                 R . S t r a u s s . Le Traité d’orchestration d'Hector Berlioz                                                                     125\n       t o t , T h ib a u d e t C a s a l s (C h . V . ) ..........................................                                    29        V in c e n t d ’I n d y . Nouvelle édition française de musi­\n    4e C o n c e r t. M M . B ir n b a u m e t P u g n o (I d .) . . . .                                                               52        que cla ssiq u e .................................................                                                                 203\n    5° C o n c e r t. M M . F . va n d e r S t u c k e n e t F . K r e is l e r (O. M . ) 93                                                  L e s M a n u s c r its d e P a g a n i n i . .                                        .              . . . .                           47\n    6e C o n c e r t. M . A . V a n R ooy (I d .) . . .                                                       . . .                  109      U n e l e t t r e in é d ite d e L i s z t ...............................................................                            138\n    C o n c e rt e x tr a o r d in a ir e . M M . E . Y sa y e, D eru e t                                                                     U n e a c c u s a tio n d e p l a g i a t c o n t r e R ic h a r d S tr a u s s .                                                     151\n        C iia u m o n t (C h . V . ) .....................................................................                           140      L e s d é fis e n t r e c h a n t e u r s .                                                                                             ..236\n    S a is o n 1 9 0 9 -1 9 1 0 . 1er C o n c e r t. M M . Y s a y e e t                                                                      D o n d ’a u t o g r a p h e s à G u illa u m e I I                                     . . . .                                       245\n        R . P u g n o (I d . ) ...................................................................................                   363      R e y e r c r i t i q u e m u s ic a l.                                                                                               277\n    2° C o n c e r t. ( I d . ) .....................................................................                       386               L e t e s t a m e n t d e P a b l o S a r a s a t e ..................................                                      ..          47\nL e s C o n c e r t s D u r a n t (I d .) . . .                                        22, 37, 102, 149, 3 70, 403                            L e t e s t a m e n t m u s ic a l d e V e r d i . . . .                                                     . . .                    142\nC o n c e r t s d e la L ib r e E s t h é t iq u e . L ’A c tiv ité m u s ic a le                                                             N é c r o l o g ie . — É m il e A g n ie z (O M . ) ..........................................                                        182\n        d e l a Libre Esthétique ( M a u b e l ) ..........................................                                            83        I sa a c A l b e n iz (I d . ) ..............................................................                           ..           79\n    1er C o n c e r t M m e M .-A . W e b e r , M M . J . T u r in a e t                                                                          O sc a r B y s t r ö m .                   ...................................            . . .                         .         276\n        J . J o n g e n (C h V . ) .....................................................................                               93         M a r ie -A u g u s t e D u r a n d (O . M . ) ..........................................                                         182\n    2° C o n c e r t. M lle M . R o l l e t , M M . L a u w e r y n s , D e l -                                                                   C y p r ie n G o d e b s k i ...................................................................................                  388\n        c r o ix e t L a m b o t t e ( I d . ) ...............................................................                       101          L u c ie n H il l e m a c h e r (O . M . ) ............................                                  . . .                    190\n    3 e C o n c e r t. M lles B l a n c h e S e l v a e t M . R o l l e t ;                                                                       P a u l d ’H o o g iie .....................................................................                                      380\n        M . C h a u m o n t (I d . ) ............................................................................                    108          J o s e p h J a co b (O . M .) .............................................................................                      348\n    4 e C o n c e r t. M . R . V in è s . Œ u v r e s d e M M . D e b u ssy                                                                       C l o t il d e K l e e b e r g -S a m u e l (H e n r y L e s b r o u s s a r t ) .                                                  54\n        e t R a v e l (I d . ) ..................................                                                                     116         G iu s e p p e M a r t u c c i ............................................................................                       228\n C e r c l e a r t is t iq u e . M M . C o r t o t , T h ib a u d e t C a s a l s .                                                               E r n e s t R e y e r (O . M .) .                                                                                                   27\n        L ’Œ u v r e d e B e e th o v e n (I d . ) .................................................                                    21        F r a n c is T h o m é ................................................                                                           372\n     M u s iq u e r u s s e . C a u s e r ie d e M . C a l v o c o r e s s i . . .                                                      45\n     L e Q u a tu o r “ P i a n o e t A r c h e ts » (O . M . ) .............8                                                   4\n     R é c ita l S a u e r (C h . V .)                        ................................................              ..        102\n     Lieber Abend V a n R o o y ( Id .) . . . . • .............                                                             109\n     R é c i t a l B a c k h a u s (I d . ) ......................................................                          371                                                                   THÉÂTRE\n S a l l e P a t r i a . C o n c e r ts d e la Société J.-S. Bach (O . M .\n        e t C il V . ) ............................................................................ 3 6, 85, 109, 394\n     L e C h œ u r A Capella d ’A m s te r d a m (C h . V . ) . . . .                                                                   44     L e t h é â t r e d e H u g o d e H o f m a n n s t h a l ( M A R C E L D O L IG N Y )                                               288\n     C o n c e r t M me H e n r ie t t e S c h m id t (I d . ) ....................                                           51               A p r o p o s d e Monna Vanna ( l e t t r e d e M . M a e t e r l i n c k )                                                            21\n         I d . d e M lle G e r m a in e L ie v e n s (I d .) . . . .                                                                    61     L e t h é â t r e b e l g e à l ’ E x p o s i t i o n d e 19 1 0 ( M . G é r a r d H a r r y )                                        101\n         I d . d u Groupe des Compositeurs belges (Id .) . .                                                                          133      T h é â t r e d e l a M o n n a i e . S a i s o n 19 08 -1 909 . Ariane et\n G r a n d e H a r m o n ie . C o n c e r ts J en n y M e id e t M a x R o g e r (I d .) 362                                                       Barbe Bleue, p a r P a u l D u k a s ( O c t a v e M a u s ). . .                                                               3, 9\n T h é â t r e d e l a M o n n a ie . C o n c e r t V an R ooy (I d .) . .                                                            363          Monna Vanna, p a r M a e t e r l i n c k e t F é v r i e r ( C h . V a n\n U n iv e r s it é n o u v e l l e . M M . G .-J . A u b r y e t J . - J . N in .                                                                     d e n B o r r e n ) .................................................................................................           33\n"}], "calendrier": {"precision": "jour", "ordre_dans_volume": 52, "mois_verifie": true, "numero_verifie": true, "mois_reconstitue": false, "numero_reconstitue": false, "date_tri": "1909-12-26", "signet_source": "N° 52. - 26 décembre 1909", "preuve": "Date et numéro lus en tête du numéro, PDF 417", "methode_reconstitution": "Date et numéro du signet de l’ULB, contrôlés sur l’en-tête du numéro."}}