{"numero_id": "ulb-art-moderne-1910-12-25-n52", "volume": "ELB-ULB-DL2864764-1910-f", "ocr_sha256": "594d641754698968806cfb7f4e4514f91c31db06e5f53aed8af7f97c2e4d3368", "articles": [{"article_id": "ulb-art-moderne-1910-12-25-n52-001", "volume": "ELB-ULB-DL2864764-1910-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1910-f.pdf", "ocr_sha256": "594d641754698968806cfb7f4e4514f91c31db06e5f53aed8af7f97c2e4d3368", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 409, "page_fin": 409, "titre_corps": "Sommaire", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "T r e n t iè m e année.", "ancre_fin": "— Petite Chronique. — Table des matières", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 7, "fin_caractere_exclue": 35, "texte": "T r e n t iè m e      année."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 83, "fin_caractere_exclue": 90, "texte": "N ° 52."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 124, "fin_caractere_exclue": 146, "texte": "25   Décem bre   1910."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 151, "fin_caractere_exclue": 164, "texte": "L'ART MODERNE"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 215, "fin_caractere_exclue": 250, "texte": "REV U E C R ITIQ U E H EBDOM ADAIRE"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 300, "fin_caractere_exclue": 343, "texte": "BUREAUX : RUE DE L’INDUSTRIE, 32, BRUXELLES"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 349, "fin_caractere_exclue": 490, "texte": "A B O N N E M E N T : B E L G IQ U E , 10 F R A N C S L A N ; U N IO N P O S T A L E , 13 F R A N C S . — L E N U M É R O , 25 C E N T IM E S"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 675, "fin_caractere_exclue": 686, "texte": "SO M M AIRE"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 974, "fin_caractere_exclue": 1035, "texte": "L ’Enseignement musical à la Schola C antorum . Blanche Selva"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1062, "fin_caractere_exclue": 1111, "texte": "Les Am is de la Littérature ( G . R . ) . — Notes"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1112, "fin_caractere_exclue": 1146, "texte": "( J a c q u e s H e r m a n n ). —"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1294, "fin_caractere_exclue": 1365, "texte": "de M usique : A u Cercle a rtistiq u e (O. M ). — Chronique théâtrale ."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1441, "fin_caractere_exclue": 1524, "texte": "Son E xcellence M o n sieu r le M in istre ( G e o r g e s R e n c y ). — A A nvers"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1589, "fin_caractere_exclue": 1661, "texte": "(O. M.). — P ublications musicales : Cours p ra tiq u e de transposition"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1732, "fin_caractere_exclue": 1802, "texte": "(Ch. V.). — Agenda m usical. — Petite Chronique. — Table des matières."}]}, {"article_id": "ulb-art-moderne-1910-12-25-n52-002", "volume": "ELB-ULB-DL2864764-1910-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1910-f.pdf", "ocr_sha256": "594d641754698968806cfb7f4e4514f91c31db06e5f53aed8af7f97c2e4d3368", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 409, "page_fin": 410, "titre_corps": "L'Enseignement musical à la Schola Cantorum. Blanche Selva", "titre_sommaire": "", "rubrique": "", "signature_source": "Jacques Hermann", "ancre_debut": "L’Enseignem ent musical", "ancre_fin": "J acques H e r m a n n", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2370, "fin_caractere_exclue": 2393, "texte": "L’Enseignem ent musical"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2663, "fin_caractere_exclue": 2686, "texte": "à la Schola C antorum ."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2983, "fin_caractere_exclue": 3002, "texte": "B la n c h e Selva."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3283, "fin_caractere_exclue": 3312, "texte": "P a r is , 20 décem bre 1910."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3457, "fin_caractere_exclue": 3506, "texte": "Blanche Selva vient de donner à la Schola C anto­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3597, "fin_caractere_exclue": 3655, "texte": "r u m quatre séances consacrées à l ’Histoire de la Sonate"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3737, "fin_caractere_exclue": 3790, "texte": "pour piano, de la fin du XVIIe siècle au commencement"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3879, "fin_caractere_exclue": 3912, "texte": "du XXe. Au total, quinze sonates."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4021, "fin_caractere_exclue": 4077, "texte": "Ce n’est point aux lecteurs de l 'A rt m o d ern e qu’il"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4159, "fin_caractere_exclue": 4210, "texte": "faut apprendre ce qu’est l’École musicale de la rue"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4298, "fin_caractere_exclue": 4348, "texte": "Saint-Jacques, ni ce que fut son fondateur Charles"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4443, "fin_caractere_exclue": 4496, "texte": "Bordes, ni ce qu’est le collaborateur de celui-ci, le"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4556, "fin_caractere_exclue": 4613, "texte": "directeur actuel de la Schola, le Maître Vincent d'Indy ."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4703, "fin_caractere_exclue": 4755, "texte": "Mais ne le saurait-on pas qu’on l ’eût appris en ces"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4849, "fin_caractere_exclue": 4905, "texte": "merveilleuses leçons par lesquelles Blanche Selva illus­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4994, "fin_caractere_exclue": 5043, "texte": "tra à la fois son École, son maître et elle-même."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5137, "fin_caractere_exclue": 5192, "texte": "Voilà donc l'A r t du P ia n o ! Beaucoup ont pu déses­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 585, "fin_caractere_exclue": 636, "texte": "pérer de jamais pouvoir, avec vérité, accoupler ces"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 777, "fin_caractere_exclue": 823, "texte": "deux mots depuis Clara Schumann et Rubinstein."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 917, "fin_caractere_exclue": 970, "texte": "La pénétration de l’ambiance chez ceux qui s’instrui­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1237, "fin_caractere_exclue": 1293, "texte": "sent, regardent, écoutent, est aujourd’hui si indéniable"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1384, "fin_caractere_exclue": 1440, "texte": "que l’affirmation en paraîtra presque banale aux esprits"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1531, "fin_caractere_exclue": 1588, "texte": "attentifs et cultivés. Mais ceux-ci sont encore l ’infime"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1679, "fin_caractere_exclue": 1731, "texte": "minorité. Il faut le redire, étendre et propager une"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1892, "fin_caractere_exclue": 1950, "texte": "vérité qui sera scientifique, — qui l ’est déjà pour beau­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2040, "fin_caractere_exclue": 2089, "texte": "coup, — et dont avec joie l ’on trouve une preuve"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2179, "fin_caractere_exclue": 2232, "texte": "vivante dans l ’œuvre d’interprétation exceptionnelle"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2322, "fin_caractere_exclue": 2369, "texte": "qu’apporte aujourd’hui en France Blanche Selva."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2462, "fin_caractere_exclue": 2514, "texte": "Ses interprétations, en effet, sont variées comme la"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2604, "fin_caractere_exclue": 2654, "texte": "vie, et comme les vies, au travers de plus de deux"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2744, "fin_caractere_exclue": 2803, "texte": "siècles dans lesquels elle choisit ces exemples : Philippe-"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2893, "fin_caractere_exclue": 2945, "texte": "Emmanuel Bach, Haydn, Mozart, Rust ; puis Beethoven,"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3035, "fin_caractere_exclue": 3091, "texte": "seul, dans l ’expression des trois existences psychiques"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3181, "fin_caractere_exclue": 3231, "texte": "qui formèrent sa vie terrestre (1797, 1803, 1818);"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3402, "fin_caractere_exclue": 3453, "texte": "ensuite les grands romantiques sentimentaux ou pas­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3543, "fin_caractere_exclue": 3596, "texte": "sionnels : Weber, Chopin, Schumann (l’âme intérieure)"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3686, "fin_caractere_exclue": 3736, "texte": "et Brahms (1786, 1849, 1856, 1897); enfin, un saut"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3826, "fin_caractere_exclue": 3878, "texte": "énorme : les contemporains, tous vivant actuellement"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3968, "fin_caractere_exclue": 4016, "texte": "leur art, ayant continué la Sonate, — qui jamais"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4106, "fin_caractere_exclue": 4158, "texte": "d’ailleurs ne fut interrompue depuis Schumann : Paul"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4248, "fin_caractere_exclue": 4297, "texte": "Dukas, Maurice Ravel, Vincent d’Indy (1900, 1905,"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4387, "fin_caractere_exclue": 4442, "texte": "1907). Telle fut l ’évolution historique que l ’artiste"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4532, "fin_caractere_exclue": 4555, "texte": "retraça magistralement."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4648, "fin_caractere_exclue": 4702, "texte": "Parlerai-je de sa technique impeccable, si variée dans"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4792, "fin_caractere_exclue": 4848, "texte": "ses moyens, si intéressante par la diversité des timbres"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4938, "fin_caractere_exclue": 4993, "texte": "et l’ingéniosité des trouvailles ? Mais cette technique"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5083, "fin_caractere_exclue": 5133, "texte": "compréhensive, raisonnée, consciente demanderait à"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5223, "fin_caractere_exclue": 5248, "texte": "elle seule une chronique."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 92, "fin_caractere_exclue": 143, "texte": "Voir un bon virtuose très bien jouer du piano ou du"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 224, "fin_caractere_exclue": 279, "texte": "violon, c’est « amusant » pour les professionnels. Voir"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 357, "fin_caractere_exclue": 411, "texte": "jouer Blanche Selva, c’est assister à un cours dé maî­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 483, "fin_caractere_exclue": 541, "texte": "trise. Voici des mains vivantes, et l ’innovation d’un jeu"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 612, "fin_caractere_exclue": 662, "texte": "qui évoque un orchestre suave ou formidable par la"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 739, "fin_caractere_exclue": 797, "texte": "multiple sonorité de l ’attaque et par l ’intelligence qui"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 863, "fin_caractere_exclue": 917, "texte": "pénètre la pensée et le sentiment de l’auteur, comman­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 999, "fin_caractere_exclue": 1053, "texte": "dant impérieusement à ces poignets, à ces mains, à ces"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1130, "fin_caractere_exclue": 1180, "texte": "doigts 'servilement obéissants. Union admirable du"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1255, "fin_caractere_exclue": 1309, "texte": "corps et de l ’âme, communion parfaite entre ces trois"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1386, "fin_caractere_exclue": 1444, "texte": "puissances : le Cœur, l ’Intelligence, la Matière (le cer­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1509, "fin_caractere_exclue": 1565, "texte": "veau et les mains), — telle est l’impression d’ensemble,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1642, "fin_caractere_exclue": 1695, "texte": "la quiétude de l ’auditeur, en qui afflue sans arrêts"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1768, "fin_caractere_exclue": 1818, "texte": "l’émotion des joies, des douleurs exprimées par la"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1901, "fin_caractere_exclue": 1933, "texte": "diversité infinie de la musique."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2038, "fin_caractere_exclue": 2089, "texte": "Blanche Selva a elle-même (et quelle œuvre utile !)"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2145, "fin_caractere_exclue": 2196, "texte": "exposé au public, dans une récente causerie faite a"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2274, "fin_caractere_exclue": 2330, "texte": "St-Jean-de-Luz, ses idées sur la noblesse de l’art musi­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2404, "fin_caractere_exclue": 2460, "texte": "cal et sur les qualités à acquérir pour s’élever jusqu’à"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2531, "fin_caractere_exclue": 2588, "texte": "l’enviable dignité d’interpréter le Don sacré. Cette cau­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2657, "fin_caractere_exclue": 2716, "texte": "serie honore la jeune artiste et éclaire aussi l’École dont"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2781, "fin_caractere_exclue": 2833, "texte": "elle est aujourd’hui la représentante la plus remar­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2908, "fin_caractere_exclue": 2915, "texte": "quable."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3043, "fin_caractere_exclue": 3087, "texte": "Très peu de femmes, — j’allais dire très peu"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3169, "fin_caractere_exclue": 3223, "texte": "d’hommes, exécutants et professionnels, — seraient ca­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3260, "fin_caractere_exclue": 3317, "texte": "pables d’énoncer de telle sorte un aussi magnifique idéal"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3388, "fin_caractere_exclue": 3444, "texte": "parce que très peu, je le crains, peuvent le rechercher,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3516, "fin_caractere_exclue": 3582, "texte": "très peu le désirer. La C auserie s u r l'a r t, s u r l'in te r ­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3642, "fin_caractere_exclue": 3712, "texte": "p r é ta tio n m u sic a le et s u r la tech n iqu e du p ia n o faite"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3771, "fin_caractere_exclue": 3828, "texte": "par cette très intéressante personnalité féminine devrait"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3895, "fin_caractere_exclue": 3948, "texte": "être répandue dans le monde musical, remise aux mains"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4020, "fin_caractere_exclue": 4077, "texte": "des professeurs et des élèves. Blanche Selva, au surplus,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4149, "fin_caractere_exclue": 4206, "texte": "n’est pas rhéteur : elle réalise au piano tout ce qu’elle"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4281, "fin_caractere_exclue": 4334, "texte": "nous apprend de son prestigieux métier, entretenu par"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4411, "fin_caractere_exclue": 4468, "texte": "un travail quotidien. Elle traduit plus encore parla Foi,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4534, "fin_caractere_exclue": 4588, "texte": "par l’Amour, le respect que lui inspire le génie, dont"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4661, "fin_caractere_exclue": 4716, "texte": "elle entend n’être que la servante fidèle. Ainsi la vie"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4789, "fin_caractere_exclue": 4841, "texte": "intérieure de chacun des créateurs reçoit d’elle son"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4916, "fin_caractere_exclue": 4970, "texte": "caractère propre. Elle définit la noblesse de l’exécu­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5042, "fin_caractere_exclue": 5099, "texte": "tant en la manifestant, et ce fut, au cours de ces quatre"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5171, "fin_caractere_exclue": 5225, "texte": "séances, la « félicité parfaite », comme parle le doux"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5299, "fin_caractere_exclue": 5317, "texte": "François d’Assise."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5434, "fin_caractere_exclue": 5487, "texte": "Nous voici enfin, après des années de stériles triom­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5554, "fin_caractere_exclue": 5607, "texte": "phes .mécaniques et tout extérieurs, convaincus qu’un"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5680, "fin_caractere_exclue": 5733, "texte": "“ métier extraordinaire » — ainsi que s’expriment les"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5795, "fin_caractere_exclue": 5857, "texte": "journaux         peut s allier à de l'intelligence, mais qu’il"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5937, "fin_caractere_exclue": 5992, "texte": "doit être asservi à un sentiment intérieur venu non des"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5993, "fin_caractere_exclue": 6049, "texte": "nerfs et de la sensibilité cérébrale, mais de l ’émotion"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6050, "fin_caractere_exclue": 6104, "texte": "qui guida le compositeur. Obéissance parfaite de l’in­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6165, "fin_caractere_exclue": 6217, "texte": "terprète à l’auteur : donc oubli absolu de soi et de"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6356, "fin_caractere_exclue": 6414, "texte": "l'effet produit, docilité absolue de l ’instrument inerte,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6498, "fin_caractere_exclue": 6544, "texte": "le piano, à l'instrument vivant, l’interprète."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6649, "fin_caractere_exclue": 6703, "texte": "Cette subordination du « métier » à la plus haute réa­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6915, "fin_caractere_exclue": 6969, "texte": "lisation psychique, c’est ce que Blanche Selva dévoila"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 161, "fin_caractere_exclue": 219, "texte": "à un public qui, enfin, se dégage à la fois du snobisme et"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 296, "fin_caractere_exclue": 352, "texte": "des très étroites conventions introduites dans l ’Europe"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 429, "fin_caractere_exclue": 478, "texte": "musicale par les conservatoires et les académies."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 557, "fin_caractere_exclue": 607, "texte": "La novatrice qui vint — et, je crois, à son heure,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 684, "fin_caractere_exclue": 734, "texte": "— tenter la plus pacifique des révolutions, ce fut"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 810, "fin_caractere_exclue": 859, "texte": "la Schola Cantorum.. Comme toutes les révolution­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 935, "fin_caractere_exclue": 995, "texte": "naires, elle a bataillé, bataille et bataillera. Déjà l’on a"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1071, "fin_caractere_exclue": 1126, "texte": "retracé ses premières années de luttes, rappelé que cet"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1202, "fin_caractere_exclue": 1251, "texte": "ardent Charles Bordes fut — là et à St-Gervais, —"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1327, "fin_caractere_exclue": 1382, "texte": "un vaillant soldat, qui mourut en plein combat. Mais le"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1458, "fin_caractere_exclue": 1505, "texte": "reste de la campagne n ’est pas moins héroïque."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1584, "fin_caractere_exclue": 1638, "texte": "Vincent d’Indy et ses fidèles collaborateurs, en rele­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1714, "fin_caractere_exclue": 1765, "texte": "vant le drapeau, l’élèvent assez haut pour qu'on en"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1841, "fin_caractere_exclue": 1898, "texte": "puisse voir flotter les couleurs depuis le vieux faubourg"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1974, "fin_caractere_exclue": 2031, "texte": "où ils l’ont planté jusqu’aux quartiers neufs qui s’éten­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2107, "fin_caractere_exclue": 2142, "texte": "dent aux extrémités de la capitale."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2221, "fin_caractere_exclue": 2271, "texte": "Beaucoup de \" personnes du monde » ignorent la rue"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2347, "fin_caractere_exclue": 2401, "texte": "Saint-Jacques et lés quartiers du Paris qui travaille,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2477, "fin_caractere_exclue": 2528, "texte": "qui pense et qui exprime. Cependant une lueur d’art"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2603, "fin_caractere_exclue": 2655, "texte": "musical vrai se répand sur la France; il ne faut que"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2730, "fin_caractere_exclue": 2779, "texte": "suivre quelque temps le mouvement musical à Paris"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2854, "fin_caractere_exclue": 2906, "texte": "et dans les provinces pour la voir voltiger, claire,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2981, "fin_caractere_exclue": 3036, "texte": "sur les pupitres des chefs d’orchestre, scintiller avec"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3111, "fin_caractere_exclue": 3167, "texte": "les violons et piquer les flûtes et les hautbois d’étin­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3242, "fin_caractere_exclue": 3258, "texte": "celles ardentes."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3336, "fin_caractere_exclue": 3386, "texte": "Cette flamme, c’est de la Schola C antorum qu’elle"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3461, "fin_caractere_exclue": 3514, "texte": "a jailli. Aux vieux murs, aux fenêtres monastiques du"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3589, "fin_caractere_exclue": 3641, "texte": "logis sont attachés les souvenirs d’un long passé de"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3716, "fin_caractere_exclue": 3769, "texte": "travail qui éclairent le labeur joyeux d’une jeunesse"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3844, "fin_caractere_exclue": 3893, "texte": "studieuse. Et si le génie musical de César Franck"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3968, "fin_caractere_exclue": 4018, "texte": "rayonne, tutélaire, sur la maison, son âme aimante"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4093, "fin_caractere_exclue": 4148, "texte": "et ingénue, pleine d'une inépuisable bonté, l’illumine."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4223, "fin_caractere_exclue": 4280, "texte": "Car le directeur de la Schola C antoru m , dont l ’ensei­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4354, "fin_caractere_exclue": 4409, "texte": "gnement s'inspire de l ’idéal le plus élevé, a réussi à"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4483, "fin_caractere_exclue": 4533, "texte": "créer autour de lui la bienfaisante atmosphère qui"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4607, "fin_caractere_exclue": 4660, "texte": "favorisa son propre développement. Il aime ses élèves"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4734, "fin_caractere_exclue": 4788, "texte": "comme son maître Alma les siens, attentif à tous leurs"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4862, "fin_caractere_exclue": 4915, "texte": "efforts, se dépensant pour eux sans compter. Aussi de"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4989, "fin_caractere_exclue": 5041, "texte": "quelle respectueuse affection n’est-il pas entouré !"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5119, "fin_caractere_exclue": 5170, "texte": "Blanche Selva attesté par la vérité essentielle qui"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5244, "fin_caractere_exclue": 5298, "texte": "ressort de ses prodigieuses interprétations comme par­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5372, "fin_caractere_exclue": 5428, "texte": "la noblesse de sa carrière la valeur éducative et morale"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5502, "fin_caractere_exclue": 5553, "texte": "d’un pareil enseignement. Nulle existence mieux que"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5627, "fin_caractere_exclue": 5679, "texte": "la sienne ne justifie la belle définition de Vincent"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5753, "fin_caractere_exclue": 5794, "texte": "d’Indy : « L’Art est un moyen de v ie » ."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5912, "fin_caractere_exclue": 5936, "texte": "J acques H e r m a n n ."}]}, {"article_id": "ulb-art-moderne-1910-12-25-n52-003", "volume": "ELB-ULB-DL2864764-1910-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1910-f.pdf", "ocr_sha256": "594d641754698968806cfb7f4e4514f91c31db06e5f53aed8af7f97c2e4d3368", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 410, "page_fin": 411, "titre_corps": "Les Amis de la Littérature", "titre_sommaire": "", "rubrique": "", "signature_source": "G. R.", "ancre_debut": "L E S A M IS D E LA L I T T É R A T U R E", "ancre_fin": "a récem ment institué. G. R", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6123, "fin_caractere_exclue": 6164, "texte": "L E S A M IS D E LA L I T T É R A T U R E"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6294, "fin_caractere_exclue": 6355, "texte": "M. Henry Carton de W iart a ouvert la campagne de cette année"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6429, "fin_caractere_exclue": 6497, "texte": "par une très belle conférence sur « le Bourgeois dans la littérature"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6571, "fin_caractere_exclue": 6643, "texte": "belge ». C’était un sujet aride et difficile. Notre littérature n ’a pas"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6717, "fin_caractere_exclue": 6781, "texte": "encore réu n i assez de documents hum ains pour qu’un type aussi"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6855, "fin_caractere_exclue": 6914, "texte": "complexe que le Bourgeois s’y retrouve à de nom breux exem­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6988, "fin_caractere_exclue": 6996, "texte": "plaires."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 183, "fin_caractere_exclue": 247, "texte": "Nos rom anciers, nos conteurs étudient plus volontiers, au su r­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 334, "fin_caractere_exclue": 398, "texte": "plus, le type de l’ouvrier ou du paysan que celui du bourgeois.;"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 484, "fin_caractere_exclue": 547, "texte": "M. Henry Carton de W iart, néanm oins, a réussi à intéresser le"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 636, "fin_caractere_exclue": 704, "texte": "public fidèle des A mis de la L ittéra tu re en évoquant ingénieuse­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 788, "fin_caractere_exclue": 854, "texte": "m ent, par l'analyse de trois bibliothèques, les trois générations"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 936, "fin_caractere_exclue": 998, "texte": "de bourgeois qui se sont succédé en Belgique depuis 1830. Il a"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1086, "fin_caractere_exclue": 1151, "texte": "ensuite indiqué quels sont ceux de nos écrivains qui ont créé des"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1238, "fin_caractere_exclue": 1304, "texte": "types de bourgeois et s ’est arrêté surtout à M. Léopold Courouble"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1388, "fin_caractere_exclue": 1455, "texte": "et à M. GeorgesVirrès. Sa causerie, élégante et bien dite, a obtenu"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1538, "fin_caractere_exclue": 1559, "texte": "le plus grand succès."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1690, "fin_caractere_exclue": 1750, "texte": "A la séance de l ’hôtel de ville de Bruxelles, M. Beernaert,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1835, "fin_caractere_exclue": 1901, "texte": "m inistre d'É tat. avait pris place au bureau, à côté de M. Picard"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1985, "fin_caractere_exclue": 2049, "texte": "et de M. le bourgm estre Max. M. Picard a profité de sa présence"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2132, "fin_caractere_exclue": 2197, "texte": "pour le rem ercier chaleureusem ent d ’avoir invité deux délégués"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2285, "fin_caractere_exclue": 2350, "texte": "des A m is de la L ittéra tu re à figurer dans le jury académique"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2440, "fin_caractere_exclue": 2510, "texte": "chargé de décerner, tous les deux ans, le prix de littératu re q u ’il"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2587, "fin_caractere_exclue": 2650, "texte": "a récem ment institué.                                    G. R."}]}, {"article_id": "ulb-art-moderne-1910-12-25-n52-004", "volume": "ELB-ULB-DL2864764-1910-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1910-f.pdf", "ocr_sha256": "594d641754698968806cfb7f4e4514f91c31db06e5f53aed8af7f97c2e4d3368", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 411, "page_fin": 411, "titre_corps": "Notes de musique", "titre_sommaire": "", "rubrique": "", "signature_source": "O. M.", "ancre_debut": "NOTES DE M USIQUE", "ancre_fin": "dessein qui en détermina le choix. O. M", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3155, "fin_caractere_exclue": 3172, "texte": "NOTES DE M USIQUE"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3468, "fin_caractere_exclue": 3502, "texte": "A u C e rc le a r t is t i q u e ."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3754, "fin_caractere_exclue": 3816, "texte": "La section chorale récem m ent fondée au Cercle artistique par"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3904, "fin_caractere_exclue": 3967, "texte": "M. Demest a fait mardi dernier un excellent début. On sait com­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4056, "fin_caractere_exclue": 4123, "texte": "bien il est malaisé d ’obtenir d ’am ateurs, en pleine saison m on­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4151, "fin_caractere_exclue": 4218, "texte": "daine, quelque assiduité aux répétitions. Aussi faut-il grandem ent"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4321, "fin_caractere_exclue": 4392, "texte": "féliciter M. Demest du résultat q u ’il a réussi à réaliser. La n o u ­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4394, "fin_caractere_exclue": 4463, "texte": "velle association chorale, forte d ’environ quatre-vingts exécutants,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4464, "fin_caractere_exclue": 4528, "texte": "a interprété avec beaucoup d ’ensem ble et de justesse deux œ u­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4591, "fin_caractere_exclue": 4655, "texte": "vres de Schumann, la Vie d ’une rose (op. 112) et le Cantique de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4656, "fin_caractere_exclue": 4677, "texte": "l ’A v e n t (op 71)."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4811, "fin_caractere_exclue": 4872, "texte": "La prem ière fut exécutée jadis à Bruxelles par la Société de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4967, "fin_caractere_exclue": 5032, "texte": "musique que dirigeait Henri W arnots et aux destinées de laquelle"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5117, "fin_caractere_exclue": 5184, "texte": "présidait H. Julien Becquet. Mais il y a de cela tant d ’années que"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5265, "fin_caractere_exclue": 5334, "texte": "peu d ’auditeurs en avaient gardé le souvenir. Ce fut, pour tous, une"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5418, "fin_caractere_exclue": 5485, "texte": "joyeuse surprise, car l’œuvre n ’a rien perdu de sa fraîcheur et de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5566, "fin_caractere_exclue": 5633, "texte": "son charme mélodique. On l’écouta — ou la réentendit — avec d ’au ­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5716, "fin_caractere_exclue": 5784, "texte": "tant plus d'agrém ent que les sonorités des chœ urs et le talent des"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5868, "fin_caractere_exclue": 5934, "texte": "solistes en tirent valoir à merveille la grâce rustique. Mme Dela­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6014, "fin_caractere_exclue": 6074, "texte": "cre (Marie-Anne Weber), dont quelques auditions à Paris et à"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6158, "fin_caractere_exclue": 6224, "texte": "Bruxelles ont mis en relief la diction expressive et la voix émou­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6309, "fin_caractere_exclue": 6375, "texte": "vante, chanta avec une grande distinction, e t peut-être avec trop"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6462, "fin_caractere_exclue": 6530, "texte": "de réserve, le rôle principal. Elle trouva en Mmes Janlet et Richir,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6613, "fin_caractere_exclue": 6676, "texte": "en Mlles C. Ysaye et Cassiers. en MM. V anderschrick' Surlemont"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6768, "fin_caractere_exclue": 6836, "texte": "et Vanderborght des partenaires excellents q u ’il convient de louer"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6923, "fin_caractere_exclue": 6937, "texte": "au même litre."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7081, "fin_caractere_exclue": 7147, "texte": "Le Cantique de l ’A v ent valut à Mmes Haart et Janlet, à MM. Van­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7227, "fin_caractere_exclue": 7290, "texte": "derschrick e t Vanderborght de chaleureux applaudissem ents. La"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7380, "fin_caractere_exclue": 7446, "texte": "partition, moins séduisante que la précédente, fournit aux chœ urs"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7530, "fin_caractere_exclue": 7595, "texte": "l’occasion de déployer leur maîtrise naissante. Et c’est bien, je"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7628, "fin_caractere_exclue": 7689, "texte": "pense, ce dessein qui en détermina le choix.          O. M. ."}]}, {"article_id": "ulb-art-moderne-1910-12-25-n52-005", "volume": "ELB-ULB-DL2864764-1910-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1910-f.pdf", "ocr_sha256": "594d641754698968806cfb7f4e4514f91c31db06e5f53aed8af7f97c2e4d3368", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 411, "page_fin": 411, "titre_corps": "Chronique théâtrale", "titre_sommaire": "", "rubrique": "", "signature_source": "Georges Rency", "ancre_debut": "CHRONIQUE TH ÉATR ALE", "ancre_fin": "Geo r g e s R ency", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8246, "fin_caractere_exclue": 8267, "texte": "CHRONIQUE TH ÉATR ALE"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8280, "fin_caractere_exclue": 8337, "texte": "Son E x c e lle n c e M o n s ie u r le M i n i s t r e ."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8492, "fin_caractere_exclue": 8556, "texte": "Il faut louer grandem ent MM. Fonson et Wicheler de n ’avoir pas"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8557, "fin_caractere_exclue": 8618, "texte": "cédé au désir de donner une fructueuse réplique au Mariage de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8890, "fin_caractere_exclue": 8953, "texte": "M ademoiselle B eulem ans. En écrivant Son Excellence M onsieur"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9121, "fin_caractere_exclue": 9186, "texte": "le M in istre, ils ont voulu créer une véritable pièce belge, em­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9276, "fin_caractere_exclue": 9340, "texte": "brassant tous les aspects de notre vie nationale, évoquant notre"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9341, "fin_caractere_exclue": 9404, "texte": "milieu politique et m ondain, et le savoureux mélange q u ’on y"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9489, "fin_caractere_exclue": 9552, "texte": "rencontre de culture française et de sans-gène bruxellois. Leur"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9636, "fin_caractere_exclue": 9702, "texte": "héros, Portai, est vigoureusement campé. Maintes scènes sont d ’un"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9780, "fin_caractere_exclue": 9845, "texte": "comique très fin et très am usant. Cependant, dans son ensem ble,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9926, "fin_caractere_exclue": 9988, "texte": "l’œ uvre m anque d ’homogénéité et de cohérence. Elle est trop"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 10078, "fin_caractere_exclue": 10143, "texte": "riche : elle contient, en puissance, quatre ou cinq pièces diffé­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 10228, "fin_caractere_exclue": 10294, "texte": "rentes. Si le public, parfois, est décontenancé, c’est qu’il passe"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 266, "fin_caractere_exclue": 333, "texte": "sans cesse de l ’une à l’autre, sans s’en apercevoir. Tantôt il est"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 420, "fin_caractere_exclue": 483, "texte": "dans la satire politique, tantôt dans les intimités d’un ménage"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 570, "fin_caractere_exclue": 635, "texte": "bourgeois ou sévit l’adultère, tantôt dans les mesquineries d ’un"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 722, "fin_caractere_exclue": 787, "texte": "petite localité provinciale, tantôt au plein milieu d’un grave et"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 874, "fin_caractere_exclue": 935, "texte": "douloureux débat entre un m ari athée et une épouse croyante."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1022, "fin_caractere_exclue": 1085, "texte": "Cette complexité, cette abondance déroutent et déçoivent. Elles"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1172, "fin_caractere_exclue": 1237, "texte": "ne perm ettent pas de s’intéresser assez à tel ou tel personnage,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1324, "fin_caractere_exclue": 1387, "texte": "à telle ou telle situation pour que l’émoi des acteurs du drame"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1474, "fin_caractere_exclue": 1537, "texte": "ou de la comédie (car la pièce est ceci et cela tour à tour) se"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1624, "fin_caractere_exclue": 1686, "texte": "communique aux spectateurs. Les plus belles scènes de l’œuvre,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1773, "fin_caractere_exclue": 1834, "texte": "à les prendre séparément, sem blent ne point passer la rampe."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1921, "fin_caractere_exclue": 1984, "texte": "Et c’est dommage, vraiment, car je crois Son Excellence M o n ­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2071, "fin_caractere_exclue": 2131, "texte": "sieur le M in istre très supérieur à Mademoiselle Beulemans."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2218, "fin_caractere_exclue": 2284, "texte": "MM. Wicheler et Fonson ont m ontré, en tout cas, qu’ils sont capa­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2371, "fin_caractere_exclue": 2439, "texte": "bles d ’écrire de grandes et belles pièces sans sortir de l’observa­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2526, "fin_caractere_exclue": 2586, "texte": "tion, du milieu belge. Leur œuvre prochaine, mieux au point,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2673, "fin_caractere_exclue": 2732, "texte": "moins surchargée, leur vaudra, nous n ’en doutons point, un"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2819, "fin_caractere_exclue": 2834, "texte": "succès complet."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2924, "fin_caractere_exclue": 2987, "texte": "En attendant, on applaudira avec plaisir Son Excellence M o n ­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3074, "fin_caractere_exclue": 3141, "texte": "sieur le M in istre pour la vigueur et la verve qui y sont si abon­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3228, "fin_caractere_exclue": 3292, "texte": "damm ent dépensées; pour les types pittoresques qui y défilent :"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3379, "fin_caractere_exclue": 3443, "texte": "le Président de la Libre-Pensée (l’excellent acteur Jacques), le"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3530, "fin_caractere_exclue": 3595, "texte": "vieux curé de campagne (M. Gildès) ; pour l’adm irable talent des"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3682, "fin_caractere_exclue": 3749, "texte": "interprètes : M. Candé, un Portai superbe, Mlle Delmar, Mlle Clarel"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3836, "fin_caractere_exclue": 3902, "texte": "et tous les autres, sans oublier Mme Daynes-Grassot; enfin pour la"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3989, "fin_caractere_exclue": 4054, "texte": "splendeur et l’animation d ’une mise en scène qui réalise la per­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4141, "fin_caractere_exclue": 4149, "texte": "fection."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4301, "fin_caractere_exclue": 4319, "texte": "Geo r g e s R ency"}]}, {"article_id": "ulb-art-moderne-1910-12-25-n52-006", "volume": "ELB-ULB-DL2864764-1910-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1910-f.pdf", "ocr_sha256": "594d641754698968806cfb7f4e4514f91c31db06e5f53aed8af7f97c2e4d3368", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 411, "page_fin": 411, "titre_corps": "A Anvers", "titre_sommaire": "", "rubrique": "", "signature_source": "O. M.", "ancre_debut": "A ANVERS", "ancre_fin": "vinciales. O. M", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4582, "fin_caractere_exclue": 4590, "texte": "A ANVERS"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4745, "fin_caractere_exclue": 4806, "texte": "De fâcheuses nouvelles nous parviennent d ’Anvers au sujet de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4893, "fin_caractere_exclue": 4966, "texte": "la Société pour l’Encouragem ent des B e a u x -A r ts . A la suite d’une"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5053, "fin_caractere_exclue": 5116, "texte": "élection dans laquelle l’assemblée, sans tenir compte du mérite"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5203, "fin_caractere_exclue": 5264, "texte": "des candidats proposés pour les fonctions de commissaires, se"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5351, "fin_caractere_exclue": 5417, "texte": "laissa guider dans son choix par des considérations exclusivem ent"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5504, "fin_caractere_exclue": 5565, "texte": "politiques, plusieurs m em bres du Comité, au nombre desquels"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5652, "fin_caractere_exclue": 5715, "texte": "le secrétaire M. Albert van Nieuwenhuyse. qui depuis quinze ans"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5802, "fin_caractere_exclue": 5867, "texte": "s’est dévoué à la prospérité de la Société et au développement du"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5954, "fin_caractere_exclue": 6013, "texte": "goût artistique, MM. Grisar, Huffmann. Ch. Alertens, Speth,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6100, "fin_caractere_exclue": 6157, "texte": "etc., donnèrent séance tenante leur démission Aujourd’hui"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6244, "fin_caractere_exclue": 6308, "texte": "c’est le président, M. Van den Nest, qui prend la même décision,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6395, "fin_caractere_exclue": 6461, "texte": "et sa retraite privera la Société du concours le plus précieux. On"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6548, "fin_caractere_exclue": 6612, "texte": "sait, — tous les artistes savent — que M. Van den Nest dirigeait"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6699, "fin_caractere_exclue": 6767, "texte": "avec prudence et avec fermeté la Société des B e a u x -A r ts parmi"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6854, "fin_caractere_exclue": 6922, "texte": "les courants divers qui, plus d ’une fois, faillirent la subm erger."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7009, "fin_caractere_exclue": 7076, "texte": "Eclectique, im partial, ouvert aux innovations, accueillant à tous,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7163, "fin_caractere_exclue": 7226, "texte": "il prit maintes initiatives heureuses et sous sa présidence les"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7313, "fin_caractere_exclue": 7378, "texte": "expositions organisées par la Société offrirent un attrait artis­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7465, "fin_caractere_exclue": 7528, "texte": "tique auquel les organisateurs précédents ne nous avaient guère"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7615, "fin_caractere_exclue": 7626, "texte": "accoutumes."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7716, "fin_caractere_exclue": 7786, "texte": "Il est désolant que la politique, qui n ’a rien à voir avec l’Art, ait"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7873, "fin_caractere_exclue": 7934, "texte": "brusquem ent interrom pu cet essor. Il est à craindre que les"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8021, "fin_caractere_exclue": 8082, "texte": "Salons anversois retom bent désormais aux pires routines pro­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8169, "fin_caractere_exclue": 8238, "texte": "vinciales.                                                      O. M."}]}, {"article_id": "ulb-art-moderne-1910-12-25-n52-007", "volume": "ELB-ULB-DL2864764-1910-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1910-f.pdf", "ocr_sha256": "594d641754698968806cfb7f4e4514f91c31db06e5f53aed8af7f97c2e4d3368", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 411, "page_fin": 412, "titre_corps": "Publications musicales", "titre_sommaire": "", "rubrique": "", "signature_source": "Ch. V.", "ancre_debut": "PUBLICATIONS MUSICALES", "ancre_fin": ", d ’accompagner et de lire à vue. Ch. V", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8429, "fin_caractere_exclue": 8488, "texte": "PUBLICATIONS                                      MUSICALES"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8643, "fin_caractere_exclue": 8729, "texte": "C o u rs p r a t iq u e de t r a n s p o s itio n , d ’a c c o m p a g n e m e n t e t"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8818, "fin_caractere_exclue": 8889, "texte": "de le c t u r e à v u e . à l ’u s a g e de to u s le s m u s ic ie n s"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9042, "fin_caractere_exclue": 9120, "texte": "e t p lu s p a r t ic u liè r e m e n t d es é lè v e s p ia n is te s , p a r"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9209, "fin_caractere_exclue": 9275, "texte": "L . V . D ec le r c q . B r u x e lle s , S c h o tt f r è r e s ."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9429, "fin_caractere_exclue": 9488, "texte": "M. Declercq, professeur de piano à l’Académie de musique de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9575, "fin_caractere_exclue": 9635, "texte": "Charleroi, est l’auteur d ’une méthode de piano (éditée chez"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9722, "fin_caractere_exclue": 9779, "texte": "Schott frères) qui, basée sur des principes aussi simples"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9866, "fin_caractere_exclue": 9925, "texte": "que rationnels, témoigne à la fois d ’une grande expérience"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 10012, "fin_caractere_exclue": 10077, "texte": "de l’enseignem ent et d ’une conception organique de l’apprentis­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 10164, "fin_caractere_exclue": 10227, "texte": "sage musical. La valeur de cette méthode consiste surtout en ce"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 10314, "fin_caractere_exclue": 10376, "texte": "qu’elle impose à l’élève non pas seulement l’étude progressive"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 87, "fin_caractere_exclue": 149, "texte": "de la technique pianistique, mais encore celle du rythm e, des"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 217, "fin_caractere_exclue": 282, "texte": "rudim ents de l’harmonie et de la figuration, que l’auteur consi­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 322, "fin_caractere_exclue": 384, "texte": "dère, à juste titre, comme les éléments de fond indispensables"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 459, "fin_caractere_exclue": 510, "texte": "à tout commençant qui veut devenir un bon musicien."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 599, "fin_caractere_exclue": 657, "texte": "Le Cours pratique de transposition vient compléter de très"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 693, "fin_caractere_exclue": 752, "texte": "heureuse manière la Méthode de piano ; il en adopte en tous"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 829, "fin_caractere_exclue": 888, "texte": "points l’ordonnance simple et claire ainsi que le caractère"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 968, "fin_caractere_exclue": 1035, "texte": "progressif, et établit de la sorte une base solide pour l’« entraî­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1106, "fin_caractere_exclue": 1169, "texte": "nem ent » à la fois em pirique et raisonné que suppose l’art de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1240, "fin_caractere_exclue": 1300, "texte": "transposer, d ’accompagner et de lire à vue.          Ch. V."}]}, {"article_id": "ulb-art-moderne-1910-12-25-n52-008", "volume": "ELB-ULB-DL2864764-1910-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1910-f.pdf", "ocr_sha256": "594d641754698968806cfb7f4e4514f91c31db06e5f53aed8af7f97c2e4d3368", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 412, "page_fin": 412, "titre_corps": "Agenda musical", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "AGENDA MUSICAL", "ancre_fin": "samedis à 8 h. 1/2 du soir", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1672, "fin_caractere_exclue": 1701, "texte": "AGENDA                MUSICAL"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1935, "fin_caractere_exclue": 1999, "texte": "A l’occasion de la Noël, la Maîtrise de Saint-Boniface exécutera"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2082, "fin_caractere_exclue": 2145, "texte": "aujourd’hui, à 40 heures du matin, la M issa in honorent B eati"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2146, "fin_caractere_exclue": 2209, "texte": "Joannis B aptistœ à 4 voix et orgue du Frère Bruno. Au salut de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2282, "fin_caractere_exclue": 2348, "texte": "4 heures, l'Association des Chanteurs interprétera, sous la direc­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2411, "fin_caractere_exclue": 2478, "texte": "tion de M. H. Carpay, le Dles sanctificatus à 4 voix de Palestrina,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2479, "fin_caractere_exclue": 2543, "texte": "le Laudate D om inum à 4 voix et orgue de M. Tinel et des œuvres"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2621, "fin_caractere_exclue": 2658, "texte": "de Bach, Boélmann, Stehle et F. Witt."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2763, "fin_caractere_exclue": 2819, "texte": "Le deuxième concert populaire aura lieu au théâtre de la"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2899, "fin_caractere_exclue": 2965, "texte": ".Monnaie le dim anche 22 janvier, à 2 heures, sous la direction de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3036, "fin_caractere_exclue": 3096, "texte": "M. Sylvain Dupuis et avec le concours de Mlle Clara Sansoni,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3173, "fin_caractere_exclue": 3238, "texte": "pianiste, qui exécutera le concerto de Schumann ainsi que Iberia,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3264, "fin_caractere_exclue": 3334, "texte": "l ’étincelante fantaisie d ’Isaac Albeniz, son m aître. Au program m e"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3400, "fin_caractere_exclue": 3464, "texte": "sym phonique : la Faust-Sym phonie de Liszt, tableaux sym phoni­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3541, "fin_caractere_exclue": 3602, "texte": "ques d ’après Goethe, une symphonie pour flûte et orchestre à"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3670, "fin_caractere_exclue": 3733, "texte": "cordes de Friedemann Bach, inconnue à Bruxelles, enfin l’ouver­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3757, "fin_caractere_exclue": 3825, "texte": "ture de Benvenuto Cellini de Berlioz. Répétition générale la veille,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3893, "fin_caractere_exclue": 3904, "texte": "à 2 heures."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4038, "fin_caractere_exclue": 4098, "texte": "Poursuivant son œuvre d ’extension musicale, M. Félicien Du­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4169, "fin_caractere_exclue": 4229, "texte": "rant organise quatre grands concerts symphoniques qui seront"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4304, "fin_caractere_exclue": 4361, "texte": "donnés dans la salle de la Madeleine aux dates ci-après :"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4448, "fin_caractere_exclue": 4505, "texte": "I. 28-29 janvier 1911. Musique russe, avec le concours de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4582, "fin_caractere_exclue": 4649, "texte": "M. Ricardo Vinès, pianiste. — II. 23-26 février. Musique française,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4650, "fin_caractere_exclue": 4719, "texte": "avec le concours d e M. Edouard Deru, violoniste. — III. 18-19 m ars."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4786, "fin_caractere_exclue": 4849, "texte": "Musique allem ande, avec le concours de M. Florizel Von Reuter,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4922, "fin_caractere_exclue": 4985, "texte": "violoniste. — IV. 29-30 avril. OEuvres de César Franck, avec le"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5055, "fin_caractere_exclue": 5117, "texte": "concours de M. A rthur De Greef, pianiste. Les concerts auront"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5183, "fin_caractere_exclue": 5245, "texte": "lieu les dimanches à 2 h. 1/2 et les répétitions générales les"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5246, "fin_caractere_exclue": 5273, "texte": "samedis à 8 h. 1/2 du soir."}]}, {"article_id": "ulb-art-moderne-1910-12-25-n52-009", "volume": "ELB-ULB-DL2864764-1910-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1910-f.pdf", "ocr_sha256": "594d641754698968806cfb7f4e4514f91c31db06e5f53aed8af7f97c2e4d3368", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 412, "page_fin": 412, "titre_corps": "Petite Chronique", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "P E T IT E CHRONIQUE", "ancre_fin": "nos ancêtres", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5815, "fin_caractere_exclue": 5835, "texte": "P E T IT E CHRONIQUE"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6076, "fin_caractere_exclue": 6130, "texte": "On vient d ’exposer au Musée m oderne, outre une étude"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6270, "fin_caractere_exclue": 6333, "texte": "d ’Agneessens récem ment acquise par l ’Etat, la belle toile de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6418, "fin_caractere_exclue": 6482, "texte": "M. Eugène Laermans, le M o r t, qui a valu à l’artiste la grande"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6483, "fin_caractere_exclue": 6546, "texte": "médaille au dernier Salon. Cette œuvre magistrale a été offerte"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6572, "fin_caractere_exclue": 6636, "texte": "au Musée par un am ateur d ’art de Bruxelles, M. Raymond Hottat."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6711, "fin_caractere_exclue": 6773, "texte": "Il serait à souhaiter que ce bel exemple de générosité trouvât"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6851, "fin_caractere_exclue": 6867, "texte": "des im itateurs."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7024, "fin_caractere_exclue": 7031, "texte": "_______"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7128, "fin_caractere_exclue": 7192, "texte": "Le m inistre des Sciences et des Arts a mis à la disposition des"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7328, "fin_caractere_exclue": 7391, "texte": "Musées le portrait de la princesse Clémentine par M. Emile Wau­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7515, "fin_caractere_exclue": 7576, "texte": "ters, ainsi que le buste de la reine Elisabeth par M. Charles"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7577, "fin_caractere_exclue": 7619, "texte": "Samuel et celui du roi Albert par M. Jules"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7718, "fin_caractere_exclue": 7775, "texte": "Le Gouvernement a acquis au Salon des Beaux-Arts, pour le"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7854, "fin_caractere_exclue": 7918, "texte": "Musée des Arts décoratifs, le panneau de M. Montald Sous l'arbre"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7993, "fin_caractere_exclue": 8059, "texte": "sacré. Il s’est, en outre, rendu acquéreur d ’un tableau de M. Ri­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8129, "fin_caractere_exclue": 8198, "texte": "chir, B la n c et N o ir , d ’un paysage de Mme W ytsman, les Genêts,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8263, "fin_caractere_exclue": 8325, "texte": "et d ’un torse en bronze de M. Vinçotte, fragment d ’un groupe"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8326, "fin_caractere_exclue": 8373, "texte": "décorant une vasque du château royal d'Ardenne."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8469, "fin_caractere_exclue": 8531, "texte": "Divers achats ont été faits dans les sections étrangères. Nous"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8546, "fin_caractere_exclue": 8609, "texte": "avons m entionné déjà, dans la Section française, les Danseuses"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8678, "fin_caractere_exclue": 8739, "texte": "de Forain, E n tre amies de Prinet et le B uste de D alou par"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8818, "fin_caractere_exclue": 8885, "texte": "Rodin (1). Dans la Section italienne, l’Etat a choisi le Roi-Soleil"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8959, "fin_caractere_exclue": 9017, "texte": "de M. G. Previati; dans la Section espagnole, la Juerga de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 9095, "fin_caractere_exclue": 9158, "texte": "J.-L. Mezquita; dans la Section hollandaise, un P o rtra it par"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 9337, "fin_caractere_exclue": 9374, "texte": "(1) Voir notre numéro du 11 décembre."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 160, "fin_caractere_exclue": 216, "texte": "Mme Th. van Duyl-Schwartze; enfin, un buste en bronze de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 290, "fin_caractere_exclue": 321, "texte": "M. Oppler, sculpteur allem and."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 398, "fin_caractere_exclue": 458, "texte": "Le ministre des Sciences et des Arts vient de désigner comme"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 532, "fin_caractere_exclue": 595, "texte": "suit les m em bres du Comité organisateur de l’Exposition Belge"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 669, "fin_caractere_exclue": 692, "texte": "des Beaux-Arts à Rome :"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 769, "fin_caractere_exclue": 828, "texte": "Commissaire du gouvernem ent, M. le baron H. Kervyn de Let­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 902, "fin_caractere_exclue": 967, "texte": "tenhove. Président du jury, M. F. Courtens; m em bres, MM H. R i­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1041, "fin_caractere_exclue": 1105, "texte": "chir, J. Lagae, E. Verlant, F. Khnopff et F lanneau; secrétaire-"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1179, "fin_caractere_exclue": 1239, "texte": "général-trésorier, M. P. Lambotte; secrétaire, M. R. Steens."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1316, "fin_caractere_exclue": 1377, "texte": "Le pavillon belge, dont M. l’architecte Flanneau a dressé les"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1451, "fin_caractere_exclue": 1519, "texte": "plans, est en construction. L’Exposition s’ouvrira le 10 avril 1911."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1596, "fin_caractere_exclue": 1657, "texte": "Au projet du budget de la Ville de Bruxelles pour 1911 figure"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1731, "fin_caractere_exclue": 1792, "texte": "un crédit de 3,000 francs destiné aux études pour l ’érection"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1866, "fin_caractere_exclue": 1930, "texte": "d ’un m onum ent à la mémoire de feu Emile De Mot, ancien bourg­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2073, "fin_caractere_exclue": 2081, "texte": "m estre."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2221, "fin_caractere_exclue": 2281, "texte": "MM. De Rudder et Maton vienne n t d 'être nommés professeurs"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2355, "fin_caractere_exclue": 2410, "texte": "de sculpture à l ’Académie des Beaux-Arts de Bruxelles."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2555, "fin_caractere_exclue": 2620, "texte": "Une exposition rétrospective de la Miniature groupera, au p rin ­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2694, "fin_caractere_exclue": 2758, "texte": "tem ps prochain, dans les salons du Cercle Noble, des œuvres des"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2832, "fin_caractere_exclue": 2897, "texte": "principaux spécialistes du genre, depuis le XVIIe siècle jusqu'au"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2971, "fin_caractere_exclue": 3035, "texte": "milieu du XIXe siècle. Des m eubles, de petites tapisseries, des"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3109, "fin_caractere_exclue": 3172, "texte": "pastels et autres menus objets précieux de l’époque encadreront"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3246, "fin_caractere_exclue": 3263, "texte": "cette collection."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3340, "fin_caractere_exclue": 3399, "texte": "Organisée par le baron H. Kervyn de Lettenhove et M. Ch.-L."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3473, "fin_caractere_exclue": 3540, "texte": "Cardon, l ’exposition est placée sous la direction d’un comité dont"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3614, "fin_caractere_exclue": 3669, "texte": "Mme la comtesse Jean de Mérode a accepté la présidence."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3746, "fin_caractere_exclue": 3756, "texte": "De Paris :"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3832, "fin_caractere_exclue": 3892, "texte": "La direction de l’Opéra se propose de donner dans le courant"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3966, "fin_caractere_exclue": 4033, "texte": "de l’année prochaine quelques représentations cycliques de l 'A n ­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4107, "fin_caractere_exclue": 4168, "texte": "neau du Nibelung. La prem ière série, à laquelle prendra part"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4242, "fin_caractere_exclue": 4303, "texte": "M. Ernest Van Dyck, est dès à présent fixée aux 11, 12, 13 et"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4377, "fin_caractere_exclue": 4447, "texte": "15 juin . Il y aura, en août, trente-cinq ans que le R in g fut repré­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4521, "fin_caractere_exclue": 4581, "texte": "senté à Bayreuth. Les œuvres lyriques voyagent lentem ent..."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4727, "fin_caractere_exclue": 4785, "texte": "Le Musée du Havre vient de s’enrichir de trois adm irables"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4859, "fin_caractere_exclue": 4921, "texte": "paysages de Claude Monet : la F alaise de Varangeville (1897),"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4995, "fin_caractere_exclue": 5054, "texte": "l 'Abbaye de W estm inster (1903) et les N ym phéas (1904)."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5132, "fin_caractere_exclue": 5182, "texte": "Ces œuvres ont été données par l’artiste au musée."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5322, "fin_caractere_exclue": 5384, "texte": "Le Concours international ouvert par le Conseil fédéral suisse"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5458, "fin_caractere_exclue": 5523, "texte": "pour l’érection à Berne d ’un m onum ent comm émoratif de l’Union"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5597, "fin_caractere_exclue": 5663, "texte": "Télégraphique n ’ayant pas donné de résultat satisfaisant, un nou­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5737, "fin_caractere_exclue": 5801, "texte": "veau concours est ouvert. On peut en consulter le program m e au"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5875, "fin_caractere_exclue": 5935, "texte": "Musée commercial, 15 rue des Augustins, à Bruxelles. Le jury"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6009, "fin_caractere_exclue": 6072, "texte": "dispose de vingt mille francs pour récom penser les concurrents"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6204, "fin_caractere_exclue": 6269, "texte": "les plus m éritants. Les projets seront reçus à Berne jusqu’au 14"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6407, "fin_caractere_exclue": 6417, "texte": "août 1911."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6559, "fin_caractere_exclue": 6571, "texte": "De Chicago :"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6648, "fin_caractere_exclue": 6710, "texte": "Pelléas et M élisande. l ’œuvre émouvante de Claude Debussy et"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6784, "fin_caractere_exclue": 6850, "texte": "Maeterlinck, vient d ’obtenir un succès triomphal à l’opéra dirigé"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6924, "fin_caractere_exclue": 6989, "texte": "par M. Dippel (Campanini, chef d ’orchestre) avec une in terp ré­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7063, "fin_caractere_exclue": 7124, "texte": "tation adm irable. Miss Mary Garden (Mélisande), MM. W arnery"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7266, "fin_caractere_exclue": 7327, "texte": "(Pelléas), Dufranne (Golaud), etc., ont été ovationnés par un"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7465, "fin_caractere_exclue": 7514, "texte": "auditoire enthousiaste de quatre mille personnes."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7653, "fin_caractere_exclue": 7713, "texte": "Le célèbre violoniste Kubelik vient d ’acquérir à Londres un"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7787, "fin_caractere_exclue": 7852, "texte": "stradivarius pour la somme de 150,000 francs. Il s’agit du m e r­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7926, "fin_caractere_exclue": 7992, "texte": "veilleux instrum ent connu sous le nom de \" Emperor \" . Ce violon,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8066, "fin_caractere_exclue": 8128, "texte": "pour lequel on avait demandé 250,000 francs, est resté pendant"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8202, "fin_caractere_exclue": 8262, "texte": "cent ans dans une collection sans que personne y ait touché."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8402, "fin_caractere_exclue": 8465, "texte": "Cueilli dans les archives du pays de Liège, à la date du 9 mars"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8539, "fin_caractere_exclue": 8545, "texte": "1772 :"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8622, "fin_caractere_exclue": 8677, "texte": "« Mardi prochain, 10 du courant, grand concert vocal et"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8751, "fin_caractere_exclue": 8817, "texte": "instrum ental à la salle des Redoutes, sous la direction de M. Ha­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8891, "fin_caractere_exclue": 8958, "texte": "mal ; on y exécutera plusieurs beaux airs italiens et français. Les"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 9032, "fin_caractere_exclue": 9094, "texte": "Messieurs qui ne seront pas abonnés paieront 4 escalins et les"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 9168, "fin_caractere_exclue": 9197, "texte": "Dames ne donneront rien ... »"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 9273, "fin_caractere_exclue": 9334, "texte": "Que pensent nos organisateurs de concerts de la galanterie de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 9408, "fin_caractere_exclue": 9422, "texte": "nos ancêtres ?"}]}, {"article_id": "ulb-art-moderne-1910-12-25-n52-010", "volume": "ELB-ULB-DL2864764-1910-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1910-f.pdf", "ocr_sha256": "594d641754698968806cfb7f4e4514f91c31db06e5f53aed8af7f97c2e4d3368", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 413, "page_fin": 416, "titre_corps": "Table des matières", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "T A B L E DES M ATIERES", "ancre_fin": "a n - B a p t i s t e W e c k e r l i n", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 72, "fin_caractere_exclue": 95, "texte": "T A B L E DES M ATIERES"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 139, "fin_caractere_exclue": 217, "texte": "CONTENUES                                                                 DANS"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 249, "fin_caractere_exclue": 269, "texte": "LA T R E N T I È M E"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 309, "fin_caractere_exclue": 354, "texte": "ANNÉE                                  (1910)"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 485, "fin_caractere_exclue": 510, "texte": "DE L ’A R T M O D E R N E"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 555, "fin_caractere_exclue": 617, "texte": "É T U D E S                      E T          P O R T R A IT S"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 753, "fin_caractere_exclue": 911, "texte": "L a R e i n e É l i s a b e t h ( H e n r y L e s b r o u s s a r t ) ................................                                                       1"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1066, "fin_caractere_exclue": 1224, "texte": "L e M in is tè r e d e s S c ie n c e s e t d e s A rts (O c ta v e M a us) .                                                                              274"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1377, "fin_caractere_exclue": 1535, "texte": "L e p lu s g r a n d d e s V a n E y c k ( E u g è n e B a ch a ).                                      . . .                                               41"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1601, "fin_caractere_exclue": 1648, "texte": ". . . .                                 . . . ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1685, "fin_caractere_exclue": 1843, "texte": "L ’A r t b e l g e a u X V IIe s i è c l e ( F r a n z H e l l e n s )                          . . . .                                                    217"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1999, "fin_caractere_exclue": 2157, "texte": "L ’A r t f r a n c o - a l l e m a n d ( L o u i s M a e t e r l i n c k ) . . . .                                                                         242"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2312, "fin_caractere_exclue": 2470, "texte": "Q u e lq u e s e x p re s s io n s d u p a y s a g e m o d e r n e (O . M . ).                                                                              73"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2559, "fin_caractere_exclue": 2717, "texte": "L e M y s tic is m e d e C h a r t e s D o u d e l e t (G r é g o ir e L e R o y )                                                                         188"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2873, "fin_caractere_exclue": 2947, "texte": "L e s M a s q u e s d e J a m e s E n s o r ( M a r c S . V il l ie r s )."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3028, "fin_caractere_exclue": 3031, "texte": "362"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3186, "fin_caractere_exclue": 3276, "texte": "R é f l e x i o n s t o u c h a n t l a c h a s t e t é d u n u ( L . 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( G u s t a v e K a h n ) ...................................................................3 1 3 ,                             361"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5058, "fin_caractere_exclue": 5216, "texte": "R é f l e x i o n s s u r l e v e r s l i b r e ( F . d e M io m a n d r e ) . . .                                                                          91"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5367, "fin_caractere_exclue": 5448, "texte": "L a D o c t r i n e e s t h é t i q u e d u “ F l â n e u r « F ie r e n s -G e ­"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5672, "fin_caractere_exclue": 5675, "texte": "217"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5679, "fin_caractere_exclue": 5834, "texte": "vaert) .          . ,................................................................                                                                   265"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5985, "fin_caractere_exclue": 6143, "texte": "P a r o l e s p o u r E m i l e Z o l a ( C a m il l e L e m o n n ie r )                   . . .                                                          321"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6232, "fin_caractere_exclue": 6390, "texte": "U n b e a u l i v r e : R odin, p a r J . C l a d e l ( O c t a v e M a u s ) .                                                                             49"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6535, "fin_caractere_exclue": 6693, "texte": "L a Jeanne d’A rc d e C h . P é g u y ( L . S t H . ) .................................                                                                    185"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6801, "fin_caractere_exclue": 6818, "texte": ".       .       ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6838, "fin_caractere_exclue": 6909, "texte": "L e T ru st d e P a u l A d a m ( F r a n c i s d e M i o m a n d r e )"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6948, "fin_caractere_exclue": 6949, "texte": "1"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6993, "fin_caractere_exclue": 6996, "texte": "129"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7096, "fin_caractere_exclue": 7128, "texte": "................................"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7141, "fin_caractere_exclue": 7299, "texte": "O p i n i o n s s u r G e o r g e M e r e d i t h ( I d . ) .................................................                                                9"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7415, "fin_caractere_exclue": 7432, "texte": ".       .       ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7444, "fin_caractere_exclue": 7602, "texte": "W e l l s e t l ’A v e n i r ( I d . ) .........................................................................................                           162"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7744, "fin_caractere_exclue": 7902, "texte": "L a C o m p o s i t i o n e t l e G é n i e ( I d . ) .......................................                                                              225"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 8047, "fin_caractere_exclue": 8205, "texte": "L a D é c h é a n c e d ’A b é l a r d ( I d . ) ................................................................                                          292"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 8336, "fin_caractere_exclue": 8494, "texte": "R é f l e x i o n s s u r P i e r r e L o t i ( I d . ) ................................................................                                   299"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 8579, "fin_caractere_exclue": 8737, "texte": "L e P o è t e d e s i n s e c t e s e t l a g l o i r e ( I d . ) .........................................                                                305"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 8879, "fin_caractere_exclue": 8881, "texte": "73"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 8882, "fin_caractere_exclue": 9040, "texte": "D a n d y s m e ( I d . ) ........................................................................................................                         315"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 9185, "fin_caractere_exclue": 9343, "texte": "L ’A m a t e u r d e j a r d i n s ( I d . ) ........................................................................                                      337"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 9488, "fin_caractere_exclue": 9583, "texte": "L ’i n f l u e n c e . f r a n ç a i s e e t l ’i n f l u e n c e a l l e m a n d e e n B e l ­"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 9761, "fin_caractere_exclue": 9778, "texte": ".       .       ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 9795, "fin_caractere_exclue": 9949, "texte": "g i q u e ( I d . ) ................................................................................................................                   353"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 10094, "fin_caractere_exclue": 10252, "texte": "L e G é n i e d e C h o p i n ( C a m il l e M a u c l a ir ) ...                                                . . . .                                   249"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 10394, "fin_caractere_exclue": 10552, "texte": "L ’I m p r e s s i o n n i s m e e n m u s i q u e ( A l b e r t D e m b l o n ) .                                                                          57"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 10697, "fin_caractere_exclue": 10779, "texte": "L ’E c o l e m o d e r n e d e m u s i q u e f r a n ç a i s e ( H e n r y L e s ­"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 11004, "fin_caractere_exclue": 11158, "texte": "bro ussa rt)          ..........................................................................................................     .                 369"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 11243, "fin_caractere_exclue": 11401, "texte": "L a M u s iq u e b e l g e m o d e r n e (C h . V a n d en B o r r e n ) ..3 7 7 , 3 8 5 ,                                                                 393"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 11508, "fin_caractere_exclue": 11515, "texte": ". . . ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 11546, "fin_caractere_exclue": 11625, "texte": "L ’E n s e i g n e m e n t m u s i c a l à l a Sch o la C antorum ( J . H e r ­"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 11854, "fin_caractere_exclue": 12024, "texte": "mann)           .................................................................................................................................     409             Id ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 12152, "fin_caractere_exclue": 12327, "texte": "Eros V ainqueur ( O c t a v e M a u s ) ................................................................                                                    81             Id ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 12455, "fin_caractere_exclue": 12630, "texte": "Ele k tra ( H e n r y L e s b r o u s s a r t ) ................................................................                                           177             Id ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 12758, "fin_caractere_exclue": 12933, "texte": "L e M ariage de M lle B eu lem a n s ( C te M . d e B o u s i e s ) .                                          .                                           308             Id ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 13061, "fin_caractere_exclue": 13219, "texte": "A l b e r t B a e r t s o e n ( F r a n z H e l l e n s ) ................................................                                                 394"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 13307, "fin_caractere_exclue": 13465, "texte": "M a u r ic e B a r r è s ( F r r a n c is d e M io m a n d r e ) .                                                                                         331"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 13616, "fin_caractere_exclue": 13774, "texte": "A n d r é B i.a n d in ( L o u is P ié r a r d )           .........................................................                                        11"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 13851, "fin_caractere_exclue": 13903, "texte": ". ) ................................................"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 13925, "fin_caractere_exclue": 14083, "texte": "J e a n d e B o s s c h è r e A n d r é F o n t a i n a s ) .........................................                                                      145"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 14192, "fin_caractere_exclue": 14199, "texte": ". . . ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 14234, "fin_caractere_exclue": 14392, "texte": "B l ê m ir B o u r g e s ( L o u is T o m a s ) .           .       .       .                      . . .                                                   346"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 14543, "fin_caractere_exclue": 14701, "texte": "H e n r i - E d m o n d C r o s s ( O c t a v e M a u s ) ................................................                                                 161"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 14848, "fin_caractere_exclue": 14851, "texte": "123"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 14868, "fin_caractere_exclue": 15010, "texte": "Id.                 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M a e t e r l in c k ) . . . .                                                                      354"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1228, "fin_caractere_exclue": 1376, "texte": "Les A m is des Musées. D o n s à l ’E                                              t a t ................................................3 0 . 1 6 4"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1539, "fin_caractere_exclue": 1572, "texte": "A c q u is itio n s d u M u s é e"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1671, "fin_caractere_exclue": 1684, "texte": "158, 246, 412"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1847, "fin_caractere_exclue": 1998, "texte": "L e s t a b l e a u x d e s h o s p ic e s d e B r u x e ll e s (O . 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M a e t e r ­"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6401, "fin_caractere_exclue": 6534, "texte": "l in c k )     ...............................................................                                                    202"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6696, "fin_caractere_exclue": 6754, "texte": "L e S a lo n d es B eau x -A r t s ( F ran z H e l le n s)"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6825, "fin_caractere_exclue": 6837, "texte": ".1 9 6 , 218"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6938, "fin_caractere_exclue": 6947, "texte": ".       ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6949, "fin_caractere_exclue": 6952, "texte": "21,"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7002, "fin_caractere_exclue": 7066, "texte": "L e s p e in t r e s r u s s e s ( F ie r e n s -G e v a e r t )"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7137, "fin_caractere_exclue": 7140, "texte": "338"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7305, "fin_caractere_exclue": 7367, "texte": "L a S e c tio n d u G ra n d -D u c h é d e L u x e m b o u rg"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7440, "fin_caractere_exclue": 7443, "texte": "158"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7608, "fin_caractere_exclue": 7743, "texte": "L ’é l e c t i o n d u j u r y .................................................................................. 3 1 , 3 6 , 5 2 , 6 2"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7908, "fin_caractere_exclue": 8046, "texte": "L e s r é c o m p e n s e s ................................................................................................           339"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 8211, "fin_caractere_exclue": 8335, "texte": "L is te d e s œ u v re s a c q u is e s . . . .                                          3 6 3 , 37 3 , 3 7 5 , 3 9 8 ,4 0 4"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 8497, "fin_caractere_exclue": 8578, "texte": "L e S a l o n d e l a L ib r e E s t h é t iq u e . 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O m e r C o p p e n s e t- J . M e r c k a e r t (O . M ) .                                                                  92"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 14708, "fin_caractere_exclue": 14808, "texte": "I d . d e M M . D e h a s p e e t F i c h e f e t ( I d . ) ........................................"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 15017, "fin_caractere_exclue": 15067, "texte": "I d . d e M . C h . D o ud elet (F ranz H ellen s)"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 15157, "fin_caractere_exclue": 15160, "texte": "172"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 15326, "fin_caractere_exclue": 15469, "texte": "I d . d e l a G r a v u r e o r i g i n a l e e n n o i r ( I d . ) ................................                                        236"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 15635, "fin_caractere_exclue": 15710, "texte": "I d . d e M lle J . 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L ’a r t a u “ V i e u x C o r n e t \" ( F H . ) .................................                                                 141"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 18226, "fin_caractere_exclue": 18372, "texte": "P a r i s . L e S a l o n d ’A u t o m n e ( A n d r é F o n t a i n a s ) .                                                  . .              329"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 18534, "fin_caractere_exclue": 18680, "texte": "L a S o c ié té n a tio n a le d e s B e a u x - A r ts (O cta v e M a us) .                                                                   187"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 18842, "fin_caractere_exclue": 18891, "texte": "L ’U nion internationale des B ea u x -A rts (lD)"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 18985, "fin_caractere_exclue": 18988, "texte": "356"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 19150, "fin_caractere_exclue": 19296, "texte": "G a l e r ie B e r n h e im . E x p o s i t i o n M a n e t ( L . V a u x c e l i.e s ).                                                       212"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 19490, "fin_caractere_exclue": 19550, "texte": "E x p o s i t i o n d ’a r t i s t e s r u s s e s ( I d ) ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 19601, "fin_caractere_exclue": 19604, "texte": "236"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 19798, "fin_caractere_exclue": 19912, "texte": "E x p o s i t i o n d e M . d e C h a m a i i .l a r d                                                         373"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 20078, "fin_caractere_exclue": 20220, "texte": "( A r s è n e A l e x a n d r e ) ................................................................                  .          .           373"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 20382, "fin_caractere_exclue": 20528, "texte": "G a l e r ie B l o t . M . H . 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M a r iu s R o b e r t e t R o g e r R e b o u s s in ( J .G .)                                                                      364"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 1853, "fin_caractere_exclue": 2008, "texte": "A ix - l e s - B a in s . L e s a r t i s t e s s a v o y a r d s ( O c t a v e M a u s ).                                                              307"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 2112, "fin_caractere_exclue": 2115, "texte": "301"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 2116, "fin_caractere_exclue": 2245, "texte": "C h i c a g o . U n e E x p o s i t i o n d ’a r t f r a n ç a i s ...........................                                199"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 2379, "fin_caractere_exclue": 2508, "texte": "D r e s d e . 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M . ) .                                                                                404"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 5440, "fin_caractere_exclue": 5582, "texte": "V e n t e s d e t a b l e a u x .............................................................................................. 7 1 , 7 9 , 8 7"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 5722, "fin_caractere_exclue": 5863, "texte": "V e n te     Is id o re V e rh e y d e n (B ru x e lle s ) .                                   . . . . .                                  125"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 5957, "fin_caractere_exclue": 6094, "texte": "Id .     d e l i t h o g r a p h i e s d ’E u g è n e C a r r i è r e ( P a r i s ) .                                      .          135"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 6435, "fin_caractere_exclue": 6572, "texte": "Id .     d e la c o lle c tio n d e la b a r o n n e d u M e s n il ( Id .) .                                                         143"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 6759, "fin_caractere_exclue": 6896, "texte": "Id .     d e s M a n e t d e l a c o l l e c t i o n P e l l e r i n ...............................                                  182"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 6983, "fin_caractere_exclue": 7120, "texte": "Id       d e l a c o l l e c t i o n G o e r g ( I d . ) ................................................                             191"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 7303, "fin_caractere_exclue": 7440, "texte": "Id .     d ’u n V a n d e r G o e s e n E s p a g n e . . . . . . .                                                                   214"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 7594, "fin_caractere_exclue": 7597, "texte": "191"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 7602, "fin_caractere_exclue": 7739, "texte": "Id .     d ’e s t a m p e s a n c i e n n e s ( L o n d r e s ) ........................................                              263"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 7893, "fin_caractere_exclue": 7896, "texte": "199"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 7901, "fin_caractere_exclue": 8038, "texte": "Id .     d ’u n R e m b r a n d t e n A m é r i q u e                               .       .       .       .        .                343"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 8200, "fin_caractere_exclue": 8337, "texte": "Id .     d u B a in de D iane p a r R u b e n s ........................................                                              343"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 8495, "fin_caractere_exclue": 8571, "texte": "N é c r o l o g ie . 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M .)                                                ........................................................                     342"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 10358, "fin_caractere_exclue": 10490, "texte": "W i l l i a m O r c h a r d s o n ...........................................................................                    150"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 10495, "fin_caractere_exclue": 10627, "texte": "J e a n R o b i e ( O M . ) ............................................................................                         402"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 10632, "fin_caractere_exclue": 10783, "texte": "L e d o u a n i e r R o u s s e a u ( L o u is V a u x c e l l e s ) . . . .                                                                        294"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 10788, "fin_caractere_exclue": 10920, "texte": "F r a n z S k a r b i n a ....................................................................................                   174"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 10925, "fin_caractere_exclue": 11057, "texte": "M i c h e l W r o u b e l ....................................................................................                   174"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 11816, "fin_caractere_exclue": 11832, "texte": "SC U L P T U R E"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 12451, "fin_caractere_exclue": 12508, "texte": "A cquisitions d u M usée. 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Du B o is......................................                     270"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 13353, "fin_caractere_exclue": 13368, "texte": ".           383"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 13369, "fin_caractere_exclue": 13476, "texte": "Le p rix G o d e c h a rle .....................................................................        383"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 13680, "fin_caractere_exclue": 13777, "texte": "S t a t u o m a n i e ..........................................................................."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 13986, "fin_caractere_exclue": 14090, "texte": "La sta tu e de Jo sep h K ae k e b ro e c k (O ctave Maus) . .                                       283"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 14297, "fin_caractere_exclue": 14383, "texte": "L es statu es de l ’avenue De M ot........................................... 126, 383"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 14602, "fin_caractere_exclue": 14706, "texte": "U n g ro u p e de J de L a la in g à L o u v a in ...........................                        262"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 14913, "fin_caractere_exclue": 15017, "texte": "L e M arteleur de M eu n ier à C h a r l e r o i ...........................                         262"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 15220, "fin_caractere_exclue": 15223, "texte": "396"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 15224, "fin_caractere_exclue": 15331, "texte": "L e F orgeron de M eu n ier à N u r e m b e r g ................................                        369"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 15536, "fin_caractere_exclue": 15643, "texte": "L a G alerie R odin au M usée de N e w -Y o rk ...........................                              327"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 15842, "fin_caractere_exclue": 15946, "texte": "L e M onum ent A lex an d re I I à S a in t-P é te rsb o u rg . .                                    237"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 16159, "fin_caractere_exclue": 16253, "texte": "Id .      B eethoven à N u re m b e r g .............................                      279"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 16465, "fin_caractere_exclue": 16559, "texte": "Id.       C alvin à G e n è v e .............................................              263"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 16771, "fin_caractere_exclue": 16815, "texte": "Id .      des C oquelin à B oulogne s/M er ."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 16862, "fin_caractere_exclue": 16865, "texte": "191"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 17052, "fin_caractere_exclue": 17053, "texte": "."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 17064, "fin_caractere_exclue": 17158, "texte": "Id .      de Mme C ottin à B ag n ères de B ig o rre .                                     287"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 17370, "fin_caractere_exclue": 17464, "texte": "Id .      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L e c o m t e ) . . . .                                                                388"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 8958, "fin_caractere_exclue": 9095, "texte": "L es A m is de B ru g e s ........................................................................................................    260"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 9260, "fin_caractere_exclue": 9394, "texte": "L ’Affiche illu s tré e . .                                                                       . . . .                          133"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 9559, "fin_caractere_exclue": 9693, "texte": "L ’E xposition d ’affiches à L ièg e ( G e o r g e s R i t t e r ) . .                                                             323"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 9858, "fin_caractere_exclue": 10023, "texte": "N é c r o l o g ie J u l e s B a r b ie r                           (O . 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H e l l e n s ) ........................................................................................................                                                                              148"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 19590, "fin_caractere_exclue": 19805, "texte": "C . F r a n c i s C a i l l a r d . Les Sagesses ( F . d e M i o m a n d r e )                                                                                                                                       76"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 19914, "fin_caractere_exclue": 20129, "texte": "H e n r y C a r t o n d e W i a r t . Les Vertus bourgeoises ( I d . )                                                                                                                                              138"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 20238, "fin_caractere_exclue": 20453, "texte": "J e a n C h a n t a v o i n e . 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Actes et Entr'actes ( I d . ) . . . .                                                                                                                                             180"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 22230, "fin_caractere_exclue": 22403, "texte": "E parpillem ents ( I d . ) .................................                                                                                                              180"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 22512, "fin_caractere_exclue": 22727, "texte": "V . C y r i l . Une m a in su r la nuque ( I d .) . . . . . . .                                                                                                                                                      51"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 116, "fin_caractere_exclue": 134, "texte": "TABLE DES MATIÈRES"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 279, "fin_caractere_exclue": 417, "texte": "H e n r i D a g u e r c h e s . M onde, vaste m o n d e ( I d .) - . . . .                                                              43"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 503, "fin_caractere_exclue": 641, "texte": "F r a n c e D a r g e t . L es M atin ales ( I d . ) ............................................                                       76"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 783, "fin_caractere_exclue": 844, "texte": "M a x D e a u v i l l e . 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R o u lier-D a ven el (Id .)                                                           76"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 10253, "fin_caractere_exclue": 10256, "texte": "139"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 10257, "fin_caractere_exclue": 10334, "texte": "A n d r é H a l l a y s . E n flâ n a n t ( F i e r e n s - G e v a e r t ) ."}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 10394, "fin_caractere_exclue": 10397, "texte": "265"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 10534, "fin_caractere_exclue": 10536, "texte": "76"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 10538, "fin_caractere_exclue": 10677, "texte": "M . H a n k e s - D r i e l s m a d e K r a b b é . 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P e tite su ite ita lien n e ( F . d e M i o m a n d r e )                                                      19"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 11659, "fin_caractere_exclue": 11770, "texte": "L e ttr e de la R eligieu se p o rtu g a is e ( I d . ) .                                                    20"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 11862, "fin_caractere_exclue": 11932, "texte": "J e a n H é r i t i e r . Une critiqu e d e C han tecler ( I d . ) . ."}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 11999, "fin_caractere_exclue": 12002, "texte": "254"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 12137, "fin_caractere_exclue": 12140, "texte": "139"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 12141, "fin_caractere_exclue": 12281, "texte": "H .        H y m a n s . 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H . ) .....................................                                         61"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 14926, "fin_caractere_exclue": 14928, "texte": "76"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 14958, "fin_caractere_exclue": 15069, "texte": "L a P o lo g n e v iv a n te ( F . d e M . ) . . . .                                                        379"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 15203, "fin_caractere_exclue": 15206, "texte": "397"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 15207, "fin_caractere_exclue": 15347, "texte": "J . L e c l e r c q . Ja p o n , Chine, M an dch ou rie ( F . H e l l e n s ) .                                                          245"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 15417, "fin_caractere_exclue": 15558, "texte": "S . - G h . L e c o n t e . L ’E sp rit qui p a sse ( F . d e M i o m a n d r e ) .                                                        99"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 15695, "fin_caractere_exclue": 15836, "texte": "L é o n L e g r a v e . Un C rim e social ( I d . ) ............................................                                           76"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 15969, "fin_caractere_exclue": 15972, "texte": "203"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 16001, "fin_caractere_exclue": 16114, "texte": "L es B asiliqu es ( I d . ) ...................................................                                76"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 16251, "fin_caractere_exclue": 16391, "texte": "L e g r a n d - C h a b r i e r . 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G r o v l e z )                                         . . .                  332"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 8226, "fin_caractere_exclue": 8312, "texte": "O p in io n s s u r l a m u s i q u e i t a l i e n n e m o d e r n e (G . F a u r é ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 8507, "fin_caractere_exclue": 8645, "texte": "V.        d ’I n d y , A . B r u n e a u , C . D e b u s s y , P . D u r a s )                                              . .        315"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 8749, "fin_caractere_exclue": 8890, "texte": "L e V i o l o n d ’I n g r e s ( O . 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L é o n J o n g e n ......................                                                   14"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 10703, "fin_caractere_exclue": 10706, "texte": ". ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 10742, "fin_caractere_exclue": 10883, "texte": "L e P r i x R u b i n s t e i n .........................................                                                                 295"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 11005, "fin_caractere_exclue": 11008, "texte": ". ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 11044, "fin_caractere_exclue": 11181, "texte": "L e s P r i x d u r o i d ’E s p a g n e ..............................................................                               407"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 11307, "fin_caractere_exclue": 11310, "texte": ". ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 11346, "fin_caractere_exclue": 11483, "texte": "Nos Carillons, c a n t a t e d e M . 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B . )                                                     381"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16420, "fin_caractere_exclue": 16421, "texte": "."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16448, "fin_caractere_exclue": 16537, "texte": "C o n c e r t s Y s a y e . S a i s o n 1 9 0 9 -1 9 1 0 . 3 e C o n c e r t. M . E m m ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16734, "fin_caractere_exclue": 16737, "texte": ". ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16751, "fin_caractere_exclue": 16898, "texte": "M o o r . Les Abeilles, p a r T h . Y s a y e ( O c t a v e M a u s )                                                                            25"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17031, "fin_caractere_exclue": 17097, "texte": "4 e C o n c e r t . P rélu d e et Danse, d e M . J . J o n g e n ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17273, "fin_caractere_exclue": 17412, "texte": "M . P a b l o C a s a l s ( I d ) .....................................................................                                  62"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17573, "fin_caractere_exclue": 17719, "texte": "5 e C o n c e rt. M M . L o h se e t A . C o r t o t (C h . V ) .                                                   .                .          85"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17855, "fin_caractere_exclue": 17858, "texte": ". ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17873, "fin_caractere_exclue": 17947, "texte": "6 e C o n c e r t . M M . E u g è n e e t T h é o Y s a y e , M me L i t -"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18163, "fin_caractere_exclue": 18166, "texte": "405"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18178, "fin_caractere_exclue": 18319, "texte": "v i n n e ( O . M . ) ; ................................................................................................                  148"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18473, "fin_caractere_exclue": 18580, "texte": "S a is o n        1 9 1 0 -1 9 1 2 .     2° C o n c e r t.                     M M .             H ensel et"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18778, "fin_caractere_exclue": 18919, "texte": "L o h s e (H . L . 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C h a u m o n t ( I d .) .                                                .   101"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 20565, "fin_caractere_exclue": 20645, "texte": "3 e C o n c e r t . M ll e d e M a d r é , M M . P e r a c c h i o , S t r a u ­"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 20869, "fin_caractere_exclue": 20998, "texte": "w e n , e t c . ( I d . ) .......................................................................................             109"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 21165, "fin_caractere_exclue": 21298, "texte": "3 e C o n c e r t . L e Q u a t u o r Z i m m e r , T h é o . Y s a y e ( I d .) .                                                116"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 21465, "fin_caractere_exclue": 21539, "texte": "4 e C o n c e r t . A l a m é m o i r e d e C h . 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L e Q u a t u o r R o s é ( I d .)                                                45"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 22345, "fin_caractere_exclue": 22383, "texte": "R é c i t a l F r o e l ic h ( I d ) ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 22470, "fin_caractere_exclue": 22479, "texte": "..      4"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 22486, "fin_caractere_exclue": 22619, "texte": "F e s t i v a l S c h u m a n n ( C h . V . ) ........................................................                             93"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 22626, "fin_caractere_exclue": 22759, "texte": "L e Spoel’s Vocaal Ensemble ( I d . ) ................................................                                        .   149"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 301, "fin_caractere_exclue": 376, "texte": "L a S e c tio n c h o r a le d u C e rc le . Œ u v re s d e S c h u m a n n"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 539, "fin_caractere_exclue": 671, "texte": "( O . M . ) ........................................................................................................................"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 837, "fin_caractere_exclue": 903, "texte": "A c a d é m i e d e B e l g i q u e . L a Légende de Saint Hubert,"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 1062, "fin_caractere_exclue": 1208, "texte": "p a r M L é o n J o n g e n ( E . C ) ................................................................                                         355"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 1364, "fin_caractere_exclue": 1443, "texte": "C o n c e r t s à l ’E x p o s i t i o n d u X V II e s i è c l e ( C h V . ) ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 1502, "fin_caractere_exclue": 1512, "texte": ". 221, 236"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 1668, "fin_caractere_exclue": 1817, "texte": "C o n c e r t s b r é s i l i e n s à l ’E x p o s i t i o n ........................................................                             262"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 1973, "fin_caractere_exclue": 2053, "texte": "S a l l e P a t r ia . C o n f é r e n c e d e M . F ie r e n s -G e v a e r t :"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 2217, "fin_caractere_exclue": 2348, "texte": "la Chanson popu laire en Belgique                                                                  ................................"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 2518, "fin_caractere_exclue": 2665, "texte": "L e Groupe des Compositeurs belges ( C i l V . ) . . . .                                                                                         36"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 2824, "fin_caractere_exclue": 2932, "texte": "C o n c e r t s d e l a S o c i é t é J . - S . B a c h ................................ 3 6 , 1 0 1 , 1 3 2"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 3091, "fin_caractere_exclue": 3238, "texte": "R é c i t a l M a r g u e r i t e R o l l e t ( M . S M . ) ................................                                                     69"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 3397, "fin_caractere_exclue": 3483, "texte": "F e s t i v a l S c h u m a n n (C o r t o t , T h ib a u t , C a s a l s ) ( J . C .)"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 3700, "fin_caractere_exclue": 3785, "texte": "G r a n d e - H a r m o n ie . R é c i t a l d e M . H e n r y A l b e r s ( J . C .)"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 4009, "fin_caractere_exclue": 4155, "texte": "R é c i t a l d e M . P e r r a c c h i o ( S . ) ........................................................                                     307"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 4311, "fin_caractere_exclue": 4461, "texte": "S a l l e E r a r d . C é s a r F r a n c k (M . C h . D e l g o u f f r e ) ( J . C .)                                                             77"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 4620, "fin_caractere_exclue": 4673, "texte": "L a Société internationale de musique ( C h . V . ) ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 4763, "fin_caractere_exclue": 4766, "texte": "132"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 4925, "fin_caractere_exclue": 5072, "texte": "L e Q u a t u o r Z i m m e r ( I d ) ........................................................................                               4 , 36"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 5231, "fin_caractere_exclue": 5377, "texte": "L e Q u a t u o r \" P i a n o e t A r c h e t s \" (O . M . e t C h . V .)                                                                . 20, 405"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 5533, "fin_caractere_exclue": 5609, "texte": "P a l a is d e s A r t s . R é c i t a l W . B a c k h a u s ( C h . V . ) ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 5681, "fin_caractere_exclue": 5683, "texte": "28"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 5842, "fin_caractere_exclue": 5938, "texte": "R é c i t a l M a r c e l L a o u r e u x ( M . K. M . ) ......................................."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 6144, "fin_caractere_exclue": 6214, "texte": "U n i v e r s i t é n o u v e l l e . L a Chanson française du X I I e"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 6374, "fin_caractere_exclue": 6440, "texte": "au X I X e siècle, p a r M . d e F l a g n y ( C h . V . ) . . . ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 6694, "fin_caractere_exclue": 6758, "texte": "Id .                               L a Musique vocale et instru­"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 6918, "fin_caractere_exclue": 7063, "texte": "m entale au X V e siècle, p a r M . H . Q u i t t a r d ( C h . V . ) .                                                                       197"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 7223, "fin_caractere_exclue": 7368, "texte": "I d . Verlaine e t B audelaire, p a r M . G . - J e a n A u b r y ( I d ) .                                                                   404"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 7605, "fin_caractere_exclue": 7689, "texte": "C o u r s d ’h i s t o i r e d e l a m u s i q u e d e c l a v i e r p a r M . V a n"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 7849, "fin_caractere_exclue": 7969, "texte": "d e n B o r r e n (O  M . ) ........................................................................................ 204"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 8126, "fin_caractere_exclue": 8225, "texte": "A c a d é m ie d e M u s iq u e . C o u r s e t a u d i t i o n s . 3 3 5 , 3 6 9 , 3 7 4 . 3 7 7 ,"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 8490, "fin_caractere_exclue": 8503, "texte": "385, 389, 393"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 8660, "fin_caractere_exclue": 8748, "texte": "É c o l e d e M u s i q u e d ’I x e l l e s . D i s t r i b u t i o n d e s p r i x e t"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 8908, "fin_caractere_exclue": 8982, "texte": "c o n c o u r s ( C h . V . ) . , ........................................"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 8989, "fin_caractere_exclue": 9050, "texte": "77, 230,                                                  237"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 9207, "fin_caractere_exclue": 9297, "texte": "I n s t i t u t d e s H a u t e s E t u d e s m u s i c a l e s d ’I x e l l e s . C o n ­"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 9457, "fin_caractere_exclue": 9533, "texte": "f é r e n c e d e M . l e D r D W E L S H A U W E R S . L a technique p ia ­"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 9694, "fin_caractere_exclue": 9835, "texte": "nistique m oderne ( I d ) ................................................................................                                348"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 9992, "fin_caractere_exclue": 10075, "texte": "É c o l e d e m u s iq u e d e S t - J o s s e -t e n - N o o d e . C o n c o u r s"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 10134, "fin_caractere_exclue": 10137, "texte": "230"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 10294, "fin_caractere_exclue": 10363, "texte": "\" L i e b e r A b e n d \" d e M lle H o m b u r g e r ( C h . V . ) ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 10596, "fin_caractere_exclue": 10671, "texte": "U n r é c i t a l d o r g u e p a r M M . 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L e 25e a n n iv e r s a ir e d e M J an B lock x .                                           . •                                399"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 11804, "fin_caractere_exclue": 11949, "texte": "C o n c o u r s m u s i c a l d e l a S o c i é t é d e s N ouveaux Concerts                                                                    6"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 12106, "fin_caractere_exclue": 12180, "texte": "L iè g e . C o n c e r ts d u C o n s e r v a t o i r e (G . R it t e r )."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 12212, "fin_caractere_exclue": 12222, "texte": ". 118, 397"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 12382, "fin_caractere_exclue": 12495, "texte": "A u d i t i o n d ’a u t e u r s b e l g e s ( I n t é r i m ) .........................................      133"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 12655, "fin_caractere_exclue": 12758, "texte": "C o n c e r ts d e M . D e b e f v e (G . R it t e r ) . . .                            4, 53, 117, 157"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 12918, "fin_caractere_exclue": 13028, "texte": "C o n c e r t s D u m o n t - L a m a r c h e ( I d . ) ................................         37, 8 5 , 118"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 13188, "fin_caractere_exclue": 13316, "texte": "C o n c e r t s d e l a S o c i é t é d e s A m a t e u r s ( I d .) . . . .                                             5 , 117"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 13476, "fin_caractere_exclue": 13529, "texte": "C o n c e r t s d e l ' Œ uvre des artistes ( I d ) ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 13590, "fin_caractere_exclue": 13602, "texte": "53, 158, 397"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 13762, "fin_caractere_exclue": 13880, "texte": "C o n c e r t s J a s p a r ( I d . ) ................................................................................"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 14050, "fin_caractere_exclue": 14177, "texte": "C o n c e r t s d i v e r s ( I d . ) ........................................................................     86, 349, 397"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 14337, "fin_caractere_exclue": 14406, "texte": "C o n f é r e n c e d e M . D w e l s h a u w e r s : la Naissance du"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 14565, "fin_caractere_exclue": 14684, "texte": "S tyle m u s i c a l ............................................................................................ • . ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 14851, "fin_caractere_exclue": 14982, "texte": "U n e s o c i é t é d e m u s i c o l o g i e ........................................................................            5"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 15139, "fin_caractere_exclue": 15245, "texte": "M a l in e s . L e s c o n c e r t s e t c o n c o u r s d e c a r i l l o n n e u r s 2 2 3 , 2 8 6 , 294"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 15402, "fin_caractere_exclue": 15545, "texte": "M a r c i n e l l e . C o n c e r t d e M . L o u i s D e l u n e ................................                                          103"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 15702, "fin_caractere_exclue": 15768, "texte": "M o n s. D is trib u tio n d e s p rix a u C o n s e rv a to ire ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16004, "fin_caractere_exclue": 16145, "texte": "L e s e p t i è m e c o n c e r t G e o r g e s P it s c h ( L o u is P i é r a r d )                                                     364"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16302, "fin_caractere_exclue": 16371, "texte": "V e r v i e r s . L e s c o n c e r t s d e l’H armonie ( J . S . ) ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16434, "fin_caractere_exclue": 16445, "texte": ". . 37, 357"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16602, "fin_caractere_exclue": 16681, "texte": "P a r i s . C o n c e r t s C o l o n n e ( M .- D . C a l v o c o r e s s i) ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16742, "fin_caractere_exclue": 16745, "texte": "349"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16905, "fin_caractere_exclue": 17024, "texte": "C o n c e r t s d u S a l o n d ’A u t o m n e ( I d . ) ................................................ 3 4 1 , 3 4 9"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17184, "fin_caractere_exclue": 17266, "texte": "S a l l e G a v e a u . A u d i t i o n d ’œ u v r e s d e M . J o s e p h J o n ­"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17430, "fin_caractere_exclue": 17566, "texte": "g e n (O . M        . ) ........................................................................................................     157"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17726, "fin_caractere_exclue": 17800, "texte": "S a l l e P l e y e l , C o n c e r t G e o r g e s P i t s c h ( I d .) ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17863, "fin_caractere_exclue": 17866, "texte": "175"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18026, "fin_caractere_exclue": 18107, "texte": "T h é â t r e d e M .M o r s . C o n c e r t d e m u s iq u e r u s s e ( F .M .)"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18323, "fin_caractere_exclue": 18466, "texte": "L u x e m b o u r g . C o n c e r t d u C o n s e r v a t o i r e ........................................                                  143"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18623, "fin_caractere_exclue": 18766, "texte": "L u g a n o . L e s c o n c e r t s d e M . L . L o m b a r d ................................                                              327"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18923, "fin_caractere_exclue": 19058, "texte": "B i b l i o g r a p h i e m u s i c a l e ......................................................................... 8 6 , 2 2 0 , 3 9 1"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 19215, "fin_caractere_exclue": 19358, "texte": "N é c r o l o g i e . P a u l A u b r y ( O . M . ) ........................................................                                294"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 19518, "fin_caractere_exclue": 19658, "texte": "M il i B a l a k r r e w ( M .- D . C a l v o c o r e s s i)                                        .................................    179"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 19818, "fin_caractere_exclue": 19958, "texte": "B o u r g a u l t - D u c o u d r a y ( O . M . ) ........................................................                               222"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 20118, "fin_caractere_exclue": 20258, "texte": "É d o u a r d C o l o n n e ........................................................................................                     110"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 20418, "fin_caractere_exclue": 20558, "texte": "A r t h u r C o q u a r d ................................................................................................               278"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 20719, "fin_caractere_exclue": 20858, "texte": "G u s t a v e H u b e r t i ( H e n r y L e s b r o u s s a r t ) .................................                                     209"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 21019, "fin_caractere_exclue": 21158, "texte": "C h a r l e s L e n e p v e u ................................................................................                          270"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 21319, "fin_caractere_exclue": 21458, "texte": "R o s a P i e r s .......................................................................................................               406"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 21619, "fin_caractere_exclue": 21758, "texte": "F l o r i m o n d v a n D u y s e ( C h . V . ) ........................................................                                166"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 21919, "fin_caractere_exclue": 22027, "texte": "J e a n - B a p t i s t e W e c k e r l i n ................................................................"}]}], "pages_ocr_originales": [{"page_pdf": 416, "texte": "       T r e n t iè m e      année.                                                N ° 52.                                  25   Décem bre   1910.\n\n\n\n\nL'ART MODERNE\n                                                  REV U E C R ITIQ U E H EBDOM ADAIRE\n\n\n                                               BUREAUX : RUE DE L’INDUSTRIE, 32, BRUXELLES\n     A B O N N E M E N T : B E L G IQ U E , 10 F R A N C S L A N ; U N IO N P O S T A L E , 13 F R A N C S . — L E N U M É R O , 25 C E N T IM E S\n\n\n\n\n                                                                                          pérer de jamais pouvoir, avec vérité, accoupler ces\n                                      SO M M AIRE\n                                                                                          deux mots depuis Clara Schumann et Rubinstein.\n                                                                                             La pénétration de l’ambiance chez ceux qui s’instrui­\n   L ’Enseignement musical à la Schola C antorum . Blanche Selva\n                          Les Am is de la Littérature ( G . R . ) . — Notes\n( J a c q u e s H e r m a n n ). —\n                                                                                          sent, regardent, écoutent, est aujourd’hui si indéniable\nde M usique : A u Cercle a rtistiq u e (O. M ). — Chronique théâtrale .                   que l’affirmation en paraîtra presque banale aux esprits\nSon E xcellence M o n sieu r le M in istre ( G e o r g e s R e n c y ). — A A nvers       attentifs et cultivés. Mais ceux-ci sont encore l ’infime\n(O. M.). — P ublications musicales : Cours p ra tiq u e de transposition                  minorité. Il faut le redire, étendre et propager une\n(Ch. V.). — Agenda m usical. — Petite Chronique. — Table des matières.\n                                                                                         vérité qui sera scientifique, — qui l ’est déjà pour beau­\n                                                                                         coup, — et dont avec joie l ’on trouve une preuve\n                                                                                         vivante dans l ’œuvre d’interprétation exceptionnelle\n                                                                                         qu’apporte aujourd’hui en France Blanche Selva.\nL’Enseignem ent musical                                                                     Ses interprétations, en effet, sont variées comme la\n                                                                                         vie, et comme les vies, au travers de plus de deux\n        à la Schola C antorum .                                                          siècles dans lesquels elle choisit ces exemples : Philippe-\n                                                                                         Emmanuel Bach, Haydn, Mozart, Rust ; puis Beethoven,\n                                     B la n c h e Selva.                                 seul, dans l ’expression des trois existences psychiques\n                                                                                         qui formèrent sa vie terrestre (1797, 1803, 1818);\n                                                   P a r is , 20 décem bre 1910.\n                                                                                         ensuite les grands romantiques sentimentaux ou pas­\n   Blanche Selva vient de donner à la Schola C anto­                                     sionnels : Weber, Chopin, Schumann (l’âme intérieure)\nr u m quatre séances consacrées à l ’Histoire de la Sonate                               et Brahms (1786, 1849, 1856, 1897); enfin, un saut\npour piano, de la fin du XVIIe siècle au commencement                                    énorme : les contemporains, tous vivant actuellement\ndu XXe. Au total, quinze sonates.                                                        leur art, ayant continué la Sonate, — qui jamais\n    Ce n’est point aux lecteurs de l 'A rt m o d ern e qu’il                             d’ailleurs ne fut interrompue depuis Schumann : Paul\nfaut apprendre ce qu’est l’École musicale de la rue                                      Dukas, Maurice Ravel, Vincent d’Indy (1900, 1905,\nSaint-Jacques, ni ce que fut son fondateur Charles                                       1907). Telle fut l ’évolution historique que l ’artiste\nBordes, ni ce qu’est le collaborateur de celui-ci, le                                    retraça magistralement.\ndirecteur actuel de la Schola, le Maître Vincent d'Indy .                                   Parlerai-je de sa technique impeccable, si variée dans\nMais ne le saurait-on pas qu’on l ’eût appris en ces                                     ses moyens, si intéressante par la diversité des timbres\nmerveilleuses leçons par lesquelles Blanche Selva illus­                                 et l’ingéniosité des trouvailles ? Mais cette technique\ntra à la fois son École, son maître et elle-même.                                        compréhensive, raisonnée, consciente demanderait à\n   Voilà donc l'A r t du P ia n o ! Beaucoup ont pu déses­                               elle seule une chronique.\n"}, {"page_pdf": 417, "texte": "  410                                                     L ’A R T M O D E R N E\n\n\n\n\n       Voir un bon virtuose très bien jouer du piano ou du                  à un public qui, enfin, se dégage à la fois du snobisme et\n    violon, c’est « amusant » pour les professionnels. Voir                 des très étroites conventions introduites dans l ’Europe\n    jouer Blanche Selva, c’est assister à un cours dé maî­                  musicale par les conservatoires et les académies.\n    trise. Voici des mains vivantes, et l ’innovation d’un jeu                La novatrice qui vint — et, je crois, à son heure,\n    qui évoque un orchestre suave ou formidable par la                      — tenter la plus pacifique des révolutions, ce fut\n    multiple sonorité de l ’attaque et par l ’intelligence qui             la Schola Cantorum.. Comme toutes les révolution­\n   pénètre la pensée et le sentiment de l’auteur, comman­                  naires, elle a bataillé, bataille et bataillera. Déjà l’on a\n   dant impérieusement à ces poignets, à ces mains, à ces                  retracé ses premières années de luttes, rappelé que cet\n   doigts 'servilement obéissants. Union admirable du                      ardent Charles Bordes fut — là et à St-Gervais, —\n   corps et de l ’âme, communion parfaite entre ces trois                  un vaillant soldat, qui mourut en plein combat. Mais le\n   puissances : le Cœur, l ’Intelligence, la Matière (le cer­              reste de la campagne n ’est pas moins héroïque.\n   veau et les mains), — telle est l’impression d’ensemble,                   Vincent d’Indy et ses fidèles collaborateurs, en rele­\n   la quiétude de l ’auditeur, en qui afflue sans arrêts                   vant le drapeau, l’élèvent assez haut pour qu'on en\n  l’émotion des joies, des douleurs exprimées par la                       puisse voir flotter les couleurs depuis le vieux faubourg\n  diversité infinie de la musique.                                         où ils l’ont planté jusqu’aux quartiers neufs qui s’éten­\n      Blanche Selva a elle-même (et quelle œuvre utile !)                  dent aux extrémités de la capitale.\n  exposé au public, dans une récente causerie faite a                         Beaucoup de \" personnes du monde » ignorent la rue\n  St-Jean-de-Luz, ses idées sur la noblesse de l’art musi­                 Saint-Jacques et lés quartiers du Paris qui travaille,\n  cal et sur les qualités à acquérir pour s’élever jusqu’à                 qui pense et qui exprime. Cependant une lueur d’art\n  l’enviable dignité d’interpréter le Don sacré. Cette cau­               musical vrai se répand sur la France; il ne faut que\n serie honore la jeune artiste et éclaire aussi l’École dont              suivre quelque temps le mouvement musical à Paris\n elle est aujourd’hui la représentante la plus remar­                     et dans les provinces pour la voir voltiger, claire,\n quable.                                                                  sur les pupitres des chefs d’orchestre, scintiller avec\n      Très peu de femmes, — j’allais dire très peu                        les violons et piquer les flûtes et les hautbois d’étin­\n d’hommes, exécutants et professionnels, — seraient ca­                   celles ardentes.\n pables d’énoncer de telle sorte un aussi magnifique idéal                   Cette flamme, c’est de la Schola C antorum qu’elle\n parce que très peu, je le crains, peuvent le rechercher,                 a jailli. Aux vieux murs, aux fenêtres monastiques du\n très peu le désirer. La C auserie s u r l'a r t, s u r l'in te r ­       logis sont attachés les souvenirs d’un long passé de\np r é ta tio n m u sic a le et s u r la tech n iqu e du p ia n o faite    travail qui éclairent le labeur joyeux d’une jeunesse\n par cette très intéressante personnalité féminine devrait                studieuse. Et si le génie musical de César Franck\n être répandue dans le monde musical, remise aux mains                    rayonne, tutélaire, sur la maison, son âme aimante\n des professeurs et des élèves. Blanche Selva, au surplus,                et ingénue, pleine d'une inépuisable bonté, l’illumine.\nn’est pas rhéteur : elle réalise au piano tout ce qu’elle                 Car le directeur de la Schola C antoru m , dont l ’ensei­\nnous apprend de son prestigieux métier, entretenu par                    gnement s'inspire de l ’idéal le plus élevé, a réussi à\n un travail quotidien. Elle traduit plus encore parla Foi,               créer autour de lui la bienfaisante atmosphère qui\npar l’Amour, le respect que lui inspire le génie, dont                   favorisa son propre développement. Il aime ses élèves\nelle entend n’être que la servante fidèle. Ainsi la vie                  comme son maître Alma les siens, attentif à tous leurs\nintérieure de chacun des créateurs reçoit d’elle son                     efforts, se dépensant pour eux sans compter. Aussi de\ncaractère propre. Elle définit la noblesse de l’exécu­                   quelle respectueuse affection n’est-il pas entouré !\ntant en la manifestant, et ce fut, au cours de ces quatre                    Blanche Selva attesté par la vérité essentielle qui\nséances, la « félicité parfaite », comme parle le doux                   ressort de ses prodigieuses interprétations comme par­\nFrançois d’Assise.                                                       la noblesse de sa carrière la valeur éducative et morale\n     Nous voici enfin, après des années de stériles triom­               d’un pareil enseignement. Nulle existence mieux que\nphes .mécaniques et tout extérieurs, convaincus qu’un                    la sienne ne justifie la belle définition de Vincent\n“ métier extraordinaire » — ainsi que s’expriment les                    d’Indy : « L’Art est un moyen de v ie » .\njournaux         peut s allier à de l'intelligence, mais qu’il                                                       J acques H e r m a n n .\ndoit être asservi à un sentiment intérieur venu non des\nnerfs et de la sensibilité cérébrale, mais de l ’émotion\nqui guida le compositeur. Obéissance parfaite de l’in­                   L E S A M IS D E LA L I T T É R A T U R E\nterprète à l’auteur : donc oubli absolu de soi et de\n                                                                            M. Henry Carton de W iart a ouvert la campagne de cette année\nl'effet produit, docilité absolue de l ’instrument inerte,               par une très belle conférence sur « le Bourgeois dans la littérature\nle piano, à l'instrument vivant, l’interprète.                           belge ». C’était un sujet aride et difficile. Notre littérature n ’a pas\n     Cette subordination du « métier » à la plus haute réa­              encore réu n i assez de documents hum ains pour qu’un type aussi\n                                                                         complexe que le Bourgeois s’y retrouve à de nom breux exem­\nlisation psychique, c’est ce que Blanche Selva dévoila                   plaires.\n"}, {"page_pdf": 418, "texte": "                                                                        L 'A R T M O D E R N E                                                                              411\n\n\n\n\n   Nos rom anciers, nos conteurs étudient plus volontiers, au su r­                   sans cesse de l ’une à l’autre, sans s’en apercevoir. Tantôt il est\nplus, le type de l’ouvrier ou du paysan que celui du bourgeois.;                      dans la satire politique, tantôt dans les intimités d’un ménage\nM. Henry Carton de W iart, néanm oins, a réussi à intéresser le                       bourgeois ou sévit l’adultère, tantôt dans les mesquineries d ’un\npublic fidèle des A mis de la L ittéra tu re en évoquant ingénieuse­                  petite localité provinciale, tantôt au plein milieu d’un grave et\nm ent, par l'analyse de trois bibliothèques, les trois générations                    douloureux débat entre un m ari athée et une épouse croyante.\nde bourgeois qui se sont succédé en Belgique depuis 1830. Il a                        Cette complexité, cette abondance déroutent et déçoivent. Elles\nensuite indiqué quels sont ceux de nos écrivains qui ont créé des                     ne perm ettent pas de s’intéresser assez à tel ou tel personnage,\ntypes de bourgeois et s ’est arrêté surtout à M. Léopold Courouble                    à telle ou telle situation pour que l’émoi des acteurs du drame\net à M. GeorgesVirrès. Sa causerie, élégante et bien dite, a obtenu                   ou de la comédie (car la pièce est ceci et cela tour à tour) se\nle plus grand succès.                                                                 communique aux spectateurs. Les plus belles scènes de l’œuvre,\n   A la séance de l ’hôtel de ville de Bruxelles, M. Beernaert,                       à les prendre séparément, sem blent ne point passer la rampe.\nm inistre d'É tat. avait pris place au bureau, à côté de M. Picard                    Et c’est dommage, vraiment, car je crois Son Excellence M o n ­\net de M. le bourgm estre Max. M. Picard a profité de sa présence                      sieur le M in istre très supérieur à Mademoiselle Beulemans.\npour le rem ercier chaleureusem ent d ’avoir invité deux délégués                     MM. Wicheler et Fonson ont m ontré, en tout cas, qu’ils sont capa­\ndes A m is de la L ittéra tu re à figurer dans le jury académique                     bles d ’écrire de grandes et belles pièces sans sortir de l’observa­\nchargé de décerner, tous les deux ans, le prix de littératu re q u ’il                tion, du milieu belge. Leur œuvre prochaine, mieux au point,\na récem ment institué.                                    G. R.                       moins surchargée, leur vaudra, nous n ’en doutons point, un\n                                                                                      succès complet.\n                                                                                         En attendant, on applaudira avec plaisir Son Excellence M o n ­\n                                                                                      sieur le M in istre pour la vigueur et la verve qui y sont si abon­\n             NOTES DE M USIQUE                                                        damm ent dépensées; pour les types pittoresques qui y défilent :\n                                                                                      le Président de la Libre-Pensée (l’excellent acteur Jacques), le\n                        A u C e rc le a r t is t i q u e .                            vieux curé de campagne (M. Gildès) ; pour l’adm irable talent des\n                                                                                      interprètes : M. Candé, un Portai superbe, Mlle Delmar, Mlle Clarel\n    La section chorale récem m ent fondée au Cercle artistique par                    et tous les autres, sans oublier Mme Daynes-Grassot; enfin pour la\n M. Demest a fait mardi dernier un excellent début. On sait com­                      splendeur et l’animation d ’une mise en scène qui réalise la per­\n bien il est malaisé d ’obtenir d ’am ateurs, en pleine saison m on­                  fection.\n daine, quelque assiduité aux répétitions. Aussi faut-il grandem ent                                                                                   Geo r g e s R ency\n féliciter M. Demest du résultat q u ’il a réussi à réaliser. La n o u ­\n velle association chorale, forte d ’environ quatre-vingts exécutants,\na interprété avec beaucoup d ’ensem ble et de justesse deux œ u­                                                      A ANVERS\nvres de Schumann, la Vie d ’une rose (op. 112) et le Cantique de\nl ’A v e n t (op 71).                                                                    De fâcheuses nouvelles nous parviennent d ’Anvers au sujet de\n    La prem ière fut exécutée jadis à Bruxelles par la Société de                     la Société pour l’Encouragem ent des B e a u x -A r ts . A la suite d’une\nmusique que dirigeait Henri W arnots et aux destinées de laquelle                     élection dans laquelle l’assemblée, sans tenir compte du mérite\nprésidait H. Julien Becquet. Mais il y a de cela tant d ’années que                   des candidats proposés pour les fonctions de commissaires, se\npeu d ’auditeurs en avaient gardé le souvenir. Ce fut, pour tous, une                 laissa guider dans son choix par des considérations exclusivem ent\njoyeuse surprise, car l’œuvre n ’a rien perdu de sa fraîcheur et de                   politiques, plusieurs m em bres du Comité, au nombre desquels\nson charme mélodique. On l’écouta — ou la réentendit — avec d ’au ­                   le secrétaire M. Albert van Nieuwenhuyse. qui depuis quinze ans\ntant plus d'agrém ent que les sonorités des chœ urs et le talent des                  s’est dévoué à la prospérité de la Société et au développement du\nsolistes en tirent valoir à merveille la grâce rustique. Mme Dela­                    goût artistique, MM. Grisar, Huffmann. Ch. Alertens, Speth,\ncre (Marie-Anne Weber), dont quelques auditions à Paris et à                          etc., donnèrent séance tenante leur démission Aujourd’hui\nBruxelles ont mis en relief la diction expressive et la voix émou­                    c’est le président, M. Van den Nest, qui prend la même décision,\nvante, chanta avec une grande distinction, e t peut-être avec trop                    et sa retraite privera la Société du concours le plus précieux. On\nde réserve, le rôle principal. Elle trouva en Mmes Janlet et Richir,                  sait, — tous les artistes savent — que M. Van den Nest dirigeait\nen Mlles C. Ysaye et Cassiers. en MM. V anderschrick' Surlemont                       avec prudence et avec fermeté la Société des B e a u x -A r ts parmi\net Vanderborght des partenaires excellents q u ’il convient de louer                  les courants divers qui, plus d ’une fois, faillirent la subm erger.\nau même litre.                                                                        Eclectique, im partial, ouvert aux innovations, accueillant à tous,\n    Le Cantique de l ’A v ent valut à Mmes Haart et Janlet, à MM. Van­                il prit maintes initiatives heureuses et sous sa présidence les\nderschrick e t Vanderborght de chaleureux applaudissem ents. La                       expositions organisées par la Société offrirent un attrait artis­\n partition, moins séduisante que la précédente, fournit aux chœ urs                   tique auquel les organisateurs précédents ne nous avaient guère\n l’occasion de déployer leur maîtrise naissante. Et c’est bien, je                    accoutumes.\n pense, ce dessein qui en détermina le choix.          O. M. .                           Il est désolant que la politique, qui n ’a rien à voir avec l’Art, ait\n                                                                                      brusquem ent interrom pu cet essor. Il est à craindre que les\n                                                                                      Salons anversois retom bent désormais aux pires routines pro­\n                                                                                      vinciales.                                                      O. M.\n       CHRONIQUE TH ÉATR ALE\n            Son E x c e lle n c e M o n s ie u r le M i n i s t r e .\n                                                                                           PUBLICATIONS                                      MUSICALES\n   Il faut louer grandem ent MM. Fonson et Wicheler de n ’avoir pas\ncédé au désir de donner une fructueuse réplique au Mariage de                         C o u rs p r a t iq u e de t r a n s p o s itio n , d ’a c c o m p a g n e m e n t e t\n                                                                                        de le c t u r e à v u e . à l ’u s a g e de to u s le s m u s ic ie n s\nM ademoiselle B eulem ans. En écrivant Son Excellence M onsieur\n                                                                                        e t p lu s p a r t ic u liè r e m e n t d es é lè v e s p ia n is te s , p a r\nle M in istre, ils ont voulu créer une véritable pièce belge, em­                       L . V . D ec le r c q . B r u x e lle s , S c h o tt f r è r e s .\nbrassant tous les aspects de notre vie nationale, évoquant notre\nmilieu politique et m ondain, et le savoureux mélange q u ’on y                         M. Declercq, professeur de piano à l’Académie de musique de\nrencontre de culture française et de sans-gène bruxellois. Leur                       Charleroi, est l’auteur d ’une méthode de piano (éditée chez\nhéros, Portai, est vigoureusement campé. Maintes scènes sont d ’un                    Schott frères) qui, basée sur des principes aussi simples\ncomique très fin et très am usant. Cependant, dans son ensem ble,                     que rationnels, témoigne à la fois d ’une grande expérience\nl’œ uvre m anque d ’homogénéité et de cohérence. Elle est trop                        de l’enseignem ent et d ’une conception organique de l’apprentis­\nriche : elle contient, en puissance, quatre ou cinq pièces diffé­                     sage musical. La valeur de cette méthode consiste surtout en ce\nrentes. Si le public, parfois, est décontenancé, c’est qu’il passe                    qu’elle impose à l’élève non pas seulement l’étude progressive\n"}, {"page_pdf": 419, "texte": "412                                                         L 'A R T M O D E R N E\n\n\n\n\nde la technique pianistique, mais encore celle du rythm e, des           Mme Th. van Duyl-Schwartze; enfin, un buste en bronze de\nrudim ents de l’harmonie et de la figuration, que l’auteur consi­        M. Oppler, sculpteur allem and.\ndère, à juste titre, comme les éléments de fond indispensables              Le ministre des Sciences et des Arts vient de désigner comme\nà tout commençant qui veut devenir un bon musicien.                      suit les m em bres du Comité organisateur de l’Exposition Belge\n   Le Cours pratique de transposition vient compléter de très            des Beaux-Arts à Rome :\nheureuse manière la Méthode de piano ; il en adopte en tous                 Commissaire du gouvernem ent, M. le baron H. Kervyn de Let­\npoints l’ordonnance simple et claire ainsi que le caractère              tenhove. Président du jury, M. F. Courtens; m em bres, MM H. R i­\nprogressif, et établit de la sorte une base solide pour l’« entraî­      chir, J. Lagae, E. Verlant, F. Khnopff et F lanneau; secrétaire-\nnem ent » à la fois em pirique et raisonné que suppose l’art de          général-trésorier, M. P. Lambotte; secrétaire, M. R. Steens.\ntransposer, d ’accompagner et de lire à vue.          Ch. V.                Le pavillon belge, dont M. l’architecte Flanneau a dressé les\n                                                                         plans, est en construction. L’Exposition s’ouvrira le 10 avril 1911.\n                                                                            Au projet du budget de la Ville de Bruxelles pour 1911 figure\n              AGENDA                MUSICAL                              un crédit de 3,000 francs destiné aux études pour l ’érection\n                                                                         d ’un m onum ent à la mémoire de feu Emile De Mot, ancien bourg­\n    A l’occasion de la Noël, la Maîtrise de Saint-Boniface exécutera\n                                                                         m estre.\naujourd’hui, à 40 heures du matin, la M issa in honorent B eati\nJoannis B aptistœ à 4 voix et orgue du Frère Bruno. Au salut de            MM. De Rudder et Maton vienne n t d 'être nommés professeurs\n4 heures, l'Association des Chanteurs interprétera, sous la direc­       de sculpture à l ’Académie des Beaux-Arts de Bruxelles.\ntion de M. H. Carpay, le Dles sanctificatus à 4 voix de Palestrina,\nle Laudate D om inum à 4 voix et orgue de M. Tinel et des œuvres            Une exposition rétrospective de la Miniature groupera, au p rin ­\nde Bach, Boélmann, Stehle et F. Witt.                                    tem ps prochain, dans les salons du Cercle Noble, des œuvres des\n    Le deuxième concert populaire aura lieu au théâtre de la             principaux spécialistes du genre, depuis le XVIIe siècle jusqu'au\n .Monnaie le dim anche 22 janvier, à 2 heures, sous la direction de      milieu du XIXe siècle. Des m eubles, de petites tapisseries, des\nM. Sylvain Dupuis et avec le concours de Mlle Clara Sansoni,             pastels et autres menus objets précieux de l’époque encadreront\npianiste, qui exécutera le concerto de Schumann ainsi que Iberia,        cette collection.\nl ’étincelante fantaisie d ’Isaac Albeniz, son m aître. Au program m e      Organisée par le baron H. Kervyn de Lettenhove et M. Ch.-L.\nsym phonique : la Faust-Sym phonie de Liszt, tableaux sym phoni­         Cardon, l ’exposition est placée sous la direction d’un comité dont\nques d ’après Goethe, une symphonie pour flûte et orchestre à            Mme la comtesse Jean de Mérode a accepté la présidence.\ncordes de Friedemann Bach, inconnue à Bruxelles, enfin l’ouver­             De Paris :\nture de Benvenuto Cellini de Berlioz. Répétition générale la veille,       La direction de l’Opéra se propose de donner dans le courant\nà 2 heures.                                                              de l’année prochaine quelques représentations cycliques de l 'A n ­\n    Poursuivant son œuvre d ’extension musicale, M. Félicien Du­         neau du Nibelung. La prem ière série, à laquelle prendra part\nrant organise quatre grands concerts symphoniques qui seront             M. Ernest Van Dyck, est dès à présent fixée aux 11, 12, 13 et\ndonnés dans la salle de la Madeleine aux dates ci-après :                15 juin . Il y aura, en août, trente-cinq ans que le R in g fut repré­\nI. 28-29 janvier 1911. Musique russe, avec le concours de                senté à Bayreuth. Les œuvres lyriques voyagent lentem ent...\nM. Ricardo Vinès, pianiste. — II. 23-26 février. Musique française,\navec le concours d e M. Edouard Deru, violoniste. — III. 18-19 m ars.        Le Musée du Havre vient de s’enrichir de trois adm irables\nMusique allem ande, avec le concours de M. Florizel Von Reuter,          paysages de Claude Monet : la F alaise de Varangeville (1897),\nvioloniste. — IV. 29-30 avril. OEuvres de César Franck, avec le          l 'Abbaye de W estm inster (1903) et les N ym phéas (1904).\nconcours de M. A rthur De Greef, pianiste. Les concerts auront               Ces œuvres ont été données par l’artiste au musée.\nlieu les dimanches à 2 h. 1/2 et les répétitions générales les\nsamedis à 8 h. 1/2 du soir.                                                 Le Concours international ouvert par le Conseil fédéral suisse\n                                                                         pour l’érection à Berne d ’un m onum ent comm émoratif de l’Union\n                                                                         Télégraphique n ’ayant pas donné de résultat satisfaisant, un nou­\n                                                                         veau concours est ouvert. On peut en consulter le program m e au\n             P E T IT E CHRONIQUE                                        Musée commercial, 15 rue des Augustins, à Bruxelles. Le jury\n                                                                         dispose de vingt mille francs pour récom penser les concurrents\n   On vient d ’exposer au Musée m oderne, outre une étude\n                                                                         les plus m éritants. Les projets seront reçus à Berne jusqu’au 14\nd ’Agneessens récem ment acquise par l ’Etat, la belle toile de\n                                                                         août 1911.\nM. Eugène Laermans, le M o r t, qui a valu à l’artiste la grande\nmédaille au dernier Salon. Cette œuvre magistrale a été offerte             De Chicago :\nau Musée par un am ateur d ’art de Bruxelles, M. Raymond Hottat.            Pelléas et M élisande. l ’œuvre émouvante de Claude Debussy et\nIl serait à souhaiter que ce bel exemple de générosité trouvât           Maeterlinck, vient d ’obtenir un succès triomphal à l’opéra dirigé\ndes im itateurs.                                                         par M. Dippel (Campanini, chef d ’orchestre) avec une in terp ré­\n                                  _______                                tation adm irable. Miss Mary Garden (Mélisande), MM. W arnery\n   Le m inistre des Sciences et des Arts a mis à la disposition des\n                                                                         (Pelléas), Dufranne (Golaud), etc., ont été ovationnés par un\nMusées le portrait de la princesse Clémentine par M. Emile Wau­\n                                                                         auditoire enthousiaste de quatre mille personnes.\nters, ainsi que le buste de la reine Elisabeth par M. Charles\nSamuel et celui du roi Albert par M. Jules                                  Le célèbre violoniste Kubelik vient d ’acquérir à Londres un\n    Le Gouvernement a acquis au Salon des Beaux-Arts, pour le            stradivarius pour la somme de 150,000 francs. Il s’agit du m e r­\n Musée des Arts décoratifs, le panneau de M. Montald Sous l'arbre        veilleux instrum ent connu sous le nom de \" Emperor \" . Ce violon,\nsacré. Il s’est, en outre, rendu acquéreur d ’un tableau de M. Ri­       pour lequel on avait demandé 250,000 francs, est resté pendant\nchir, B la n c et N o ir , d ’un paysage de Mme W ytsman, les Genêts,    cent ans dans une collection sans que personne y ait touché.\net d ’un torse en bronze de M. Vinçotte, fragment d ’un groupe\ndécorant une vasque du château royal d'Ardenne.                             Cueilli dans les archives du pays de Liège, à la date du 9 mars\n   Divers achats ont été faits dans les sections étrangères. Nous        1772 :\navons m entionné déjà, dans la Section française, les Danseuses             « Mardi prochain, 10 du courant, grand concert vocal et\nde Forain, E n tre amies de Prinet et le B uste de D alou par            instrum ental à la salle des Redoutes, sous la direction de M. Ha­\nRodin (1). Dans la Section italienne, l’Etat a choisi le Roi-Soleil      mal ; on y exécutera plusieurs beaux airs italiens et français. Les\nde M. G. Previati; dans la Section espagnole, la Juerga de               Messieurs qui ne seront pas abonnés paieront 4 escalins et les\nJ.-L. Mezquita; dans la Section hollandaise, un P o rtra it par          Dames ne donneront rien ... »\n                                                                           Que pensent nos organisateurs de concerts de la galanterie de\n  (1) Voir notre numéro du 11 décembre.                                  nos ancêtres ?\n"}, {"page_pdf": 420, "texte": "                                                                        T A B L E DES M ATIERES\n                                           CONTENUES                                                                 DANS                                LA T R E N T I È M E                                        ANNÉE                                  (1910)\n\n                                                                                                                                 DE L ’A R T M O D E R N E\n\n\n\n\n                                        É T U D E S                      E T          P O R T R A IT S                                                                                                                       P E IN T U R E\n\n\nL a R e i n e É l i s a b e t h ( H e n r y L e s b r o u s s a r t ) ................................                                                       1    R é o r g a n is o n s n o s m u s é e s ( L . M a e t e r l in c k ) . . . .                                                                      354\nL e M in is tè r e d e s S c ie n c e s e t d e s A rts (O c ta v e M a us) .                                                                              274    Les A m is des Musées. D o n s à l ’E                                              t a t ................................................3 0 . 1 6 4\nL e p lu s g r a n d d e s V a n E y c k ( E u g è n e B a ch a ).                                      . . .                                               41    A c q u is itio n s d u M u s é e                             . . . .                                 . . . .                       158, 246, 412\nL ’A r t b e l g e a u X V IIe s i è c l e ( F r a n z H e l l e n s )                          . . . .                                                    217    L e s t a b l e a u x d e s h o s p ic e s d e B r u x e ll e s (O . M .) .                                                           .       .      52\nL ’A r t f r a n c o - a l l e m a n d ( L o u i s M a e t e r l i n c k ) . . . .                                                                         242    L ’A n nonciation d u m a î t r e d e M é r o d e ( E . V e r l a n t ) . .                                                                        164\nQ u e lq u e s e x p re s s io n s d u p a y s a g e m o d e r n e (O . M . ).                                                                              73    D a v id T e n i e r s I I I e t le m a îtr e d e R ib e a u c o u r t ( P . L a m ­\nL e M y s tic is m e d e C h a r t e s D o u d e l e t (G r é g o ir e L e R o y )                                                                         188       b o t t e ) ................................................................................................................................      63\nL e s M a s q u e s d e J a m e s E n s o r ( M a r c S . V il l ie r s ).                                      .       .                                  362    L e s p o r t r a i t s d e J . - J . R o u s s e a u (O . M .) . . . . . .                                                                        171\nR é f l e x i o n s t o u c h a n t l a c h a s t e t é d u n u ( L . V a u x c e m .e s )                                                                        L ’e n s e i g n e m e n t d u d e s s i n ( L . V a u x c e l l e s )                                                . . . .                      2 45\nP a y s a g e m o n a s t i q u e (O c t a v e M a u s ) .                                 .............................                                   257    L e s d e s s i n s d e R o d i n .......................................................................................                          324\nL e s P a y s a g e s e t l ’A r t ( A n d r é P o n t a i n a s )                      ................................                                   273    O p i n i o n s d ’a r t i s t e s s u r l ’a r t c o n t e m p o r a i n ................................                                         341\nE n S a v o i e ( O c t a v e M a u s ) ................................................................................                                   291    L e s j u r y s d ’e x p o s i t i o n s ( L . V a n d e r S w a e l m e n ) . . .                                                                   21\nL e V e r s l i b r e ( E m i l e V e r h a e r e n ) ........................................                          .                                  131   I n d iv id u a lis m e (L o u is V a u x c e l l e s )                            . . . .                                 .       .            285\n           Id .           ( G u s t a v e K a h n ) ...................................................................3 1 3 ,                             361   I m p a r t i a l i t é ( O . M . ) ................................................................................................            293\nR é f l e x i o n s s u r l e v e r s l i b r e ( F . d e M io m a n d r e ) . . .                                                                          91   L e p r i x d e l a p e i n t u r e ( C l a u d e A n e t ) ................................................                                    310\nL a D o c t r i n e e s t h é t i q u e d u “ F l â n e u r « F ie r e n s -G e ­                                                                                L ’A r t b e l g e a u x v i i » s i è c l e ( F r a n z H e l l e n s ) . . . .                                                                217\n   vaert) .          . ,................................................................                                                                   265       I d . R e n s e i g n e m e n t s d i v e r s ................................                    6, 100. 198, 222,                         254\nP a r o l e s p o u r E m i l e Z o l a ( C a m il l e L e m o n n ie r )                   . . .                                                          321       A p r o p o s d e l ’E x p o s i t i o n d ’a r t a n c i e n ( L . M a e t e r ­\nU n b e a u l i v r e : R odin, p a r J . C l a d e l ( O c t a v e M a u s ) .                                                                             49           l in c k )     ...............................................................                                                    202\nL a Jeanne d’A rc d e C h . P é g u y ( L . S t H . ) .................................                                                                    185   L e S a lo n d es B eau x -A r t s ( F ran z H e l le n s)                                               .       .       .       .1 9 6 , 218\nL e T ru st d e P a u l A d a m ( F r a n c i s d e M i o m a n d r e )                             .       . 121,                                         129      L e s p e in t r e s r u s s e s ( F ie r e n s -G e v a e r t )                              ................................         338\nO p i n i o n s s u r G e o r g e M e r e d i t h ( I d . ) .................................................                                                9      L a S e c tio n d u G ra n d -D u c h é d e L u x e m b o u rg                                                .       .       .        158\nW e l l s e t l ’A v e n i r ( I d . ) .........................................................................................                           162      L ’é l e c t i o n d u j u r y .................................................................................. 3 1 , 3 6 , 5 2 , 6 2\nL a C o m p o s i t i o n e t l e G é n i e ( I d . ) .......................................                                                              225      L e s r é c o m p e n s e s ................................................................................................           339\nL a D é c h é a n c e d ’A b é l a r d ( I d . ) ................................................................                                          292      L is te d e s œ u v re s a c q u is e s . . . .                                          3 6 3 , 37 3 , 3 7 5 , 3 9 8 ,4 0 4\nR é f l e x i o n s s u r P i e r r e L o t i ( I d . ) ................................................................                                   299   L e S a l o n d e l a L ib r e E s t h é t iq u e . Q u e l q u e s e x p r e s ­\nL e P o è t e d e s i n s e c t e s e t l a g l o i r e ( I d . ) .........................................                                                305      s i o n s d u P a y s a g e m o d e r n e ( O c t a v e M a u s ) ..........................                                            73\nD a n d y s m e ( I d . ) ........................................................................................................                         315      L a P e i n t u r e ( F r a n z H e l l e n s ) ................................................................                        89\nL ’A m a t e u r d e j a r d i n s ( I d . ) ........................................................................                                      337      L a S c u l p t u r e ( O c t a v e M a u s ) ........................................................                                  97\nL ’i n f l u e n c e . f r a n ç a i s e e t l ’i n f l u e n c e a l l e m a n d e e n B e l ­                                                                     L e s P a y s a g i s t e s j a p o n a i s (G is b e r t C o m b a z ).                                     .       .       .         105\n    g i q u e ( I d . ) ................................................................................................................                   353      A c q u i s i t i o n s d e l ’E t a t ................................................................................                158\nL e G é n i e d e C h o p i n ( C a m il l e M a u c l a ir ) ...                                                . . . .                                   249      L a Libre Esthétique e t l a P r e s s e ...............................................                                     . 150, 158\nL ’I m p r e s s i o n n i s m e e n m u s i q u e ( A l b e r t D e m b l o n ) .                                                                          57   L e S a l o n d e « L ’E s t a m p e » ( F r a n z H e l l e n s ) . . . .                                                                 18\nL ’E c o l e m o d e r n e d e m u s i q u e f r a n ç a i s e ( H e n r y L e s ­                                                                               L ’E x p o s i t i o n d u C e r c l e P o u r l'A rt ( I d . ) ........................................                                   60\n    bro ussa rt)          ..........................................................................................................     .                 369   L e S a l o n d e l a S o c ié t é d e s B e a u x -A r t s . L e P o r t r a i t\nL a M u s iq u e b e l g e m o d e r n e (C h . V a n d en B o r r e n ) ..3 7 7 , 3 8 5 ,                                                                 393      b e l g e a u X IX e s i è c l e ( I d . ) ................................                          . . . .                           153\nL ’E n s e i g n e m e n t m u s i c a l à l a Sch o la C antorum ( J . H e r ­                                                                                  L ’E x p o s i t i o n d e s In d ép en d a n ts ( I d . ) .................................................                              227\n     mann)           .................................................................................................................................     409             Id .            d u C e r c l e Doe S til Voort ( I d . ) ..................................                                    261\nEros V ainqueur ( O c t a v e M a u s ) ................................................................                                                    81             Id .            d e l ' Union I d . ) .........................................................................                 356\nEle k tra ( H e n r y L e s b r o u s s a r t ) ................................................................                                           177             Id .            d e Vie et L u m iè re ( I d . ) .................................................                              316\nL e M ariage de M lle B eu lem a n s ( C te M . d e B o u s i e s ) .                                          .                                           308             Id .            d u Sillon ( I d . ) .........................................................................                  389\nA l b e r t B a e r t s o e n ( F r a n z H e l l e n s ) ................................................                                                 394   C e r c l e A r t is t iq u e . E x p o s i t i o n d e M M . F . G a il l a r d e t\nM a u r ic e B a r r è s ( F r r a n c is d e M io m a n d r e ) .                                                                                         331       P . H a g e m a n s O . M . ) ........................................................................................                       44\nA n d r é B i.a n d in ( L o u is P ié r a r d )           .........................................................                                        11       I d . d e M . H en ri T hom as (F . H                                 . ) ................................................                   52\nJ e a n d e B o s s c h è r e A n d r é F o n t a i n a s ) .........................................                                                      145       I d . d e G . - M . S t e v e n s e t P . A b a t t u c c i ( I d .)                                  . . . .                                68\nB l ê m ir B o u r g e s ( L o u is T o m a s ) .           .       .       .                      . . .                                                   346       I d . d e M M . O m e r C o p p e n s e t- J . M e r c k a e r t (O . M ) .                                                                  92\nH e n r i - E d m o n d C r o s s ( O c t a v e M a u s ) ................................................                                                 161       I d . d e M M . D e h a s p e e t F i c h e f e t ( I d . ) ........................................                                        123\n                Id.                 ( E m i l e V e r h a e r e n ) .................................                                                      182       I d . d e M . C h . D o ud elet (F ranz H ellen s)                                                   . . . .                                172\nC l a u d e D e b u s s y ( L o u i s T h o m a s ) ................................................................ 2 8 1 ,                               289       I d . d e l a G r a v u r e o r i g i n a l e e n n o i r ( I d . ) ................................                                        236\nE u g è n e D e l e s t r e ( O c t a v e M a u s ) ........................................................                                               137       I d . d e M lle J . M o n t i g n y , d e M M . V a n S t r y d o n c k e t\nS u z a n n e D e s p r è s ( M a u r ic e d e F a r a m o n d ). . . . .                                                                                  307           A d . C r e s p i n ( I d .)      .       .      .       .       ,       ................................................               389\nG u s t a v e H u b e r t i ( H e n r y L e s b r o u s s a r t ) ......................................                                                   209   S a l l e d u S t u d io         E x p o s i t i o n d e M M . J u l ie n G e n o t ,\nE d m o n d J a l o u x ( F r a n c is d e M io m a n d r e ) .                    . . . . .                                                               169       E d . T y d , F . V e r h a e g e n e t F . W e r y (O . M .) .                                               . . .                          27\nM a n e t ( T h é o d o r e D u r e t ) ................................................................................                                   233   A n v e r s . E x p o s i ti o n J a m e s E n so r ( M a r c S .V il l ie r s )                                                 .              362\nA l b e r t o M a r t in i ( V it t o r i o P ic a ) .                  .................................................                                    2   L i é g e . E x p o s i t i o n d ’œ u v r e s d e c o l l e c t i o n s l i é g e o i s e s )\nJ e a n M o r é a s ( F r a n c is d e M io m a n d r e )                       .........................................                                  113       ( G e o r g e s R i t t e r ) ................................................................................................             204\nC h a r l e s - L o u is P h i l i p p e ( M . S . M                                         . ) ................................................           17   M o n s . E x p o s i t i o n d u B o n V o u lo ir ........................................................                                   183\nJ e a n R o b i e ( O . M . ) ......................................................................................          .                            402   U c c l e . L ’a r t a u “ V i e u x C o r n e t \" ( F H . ) .................................                                                 141\nB l a n c h e S e l v a ( J . H e r m a n n ) .................................................................                                            409   P a r i s . L e S a l o n d ’A u t o m n e ( A n d r é F o n t a i n a s ) .                                                  . .              329\nS i r F r a n c i s S e y m o u r H a d e n ( O . M . ) ................................................                                                   226   L a S o c ié té n a tio n a le d e s B e a u x - A r ts (O cta v e M a us) .                                                                   187\nA n d r é S u a r è s ( F r a n c is d e M io m a n d r e ) .                                 .       .               .       .                            241   L ’U nion internationale des B ea u x -A rts (lD)                                                        . . . .                               356\nF é l ix V a l l o t t o n ( O c v a v e M ir b e a u ) . . . . . . .                                                                                       65   G a l e r ie B e r n h e im . E x p o s i t i o n M a n e t ( L . V a u x c e l i.e s ).                                                       212\nH e n r y V a n d e V e l d e ( O . M ) ........................................................................                                           260                Id.                E x p o s i t i o n d ’a r t i s t e s r u s s e s ( I d ) .                                     .             236\nC h a r l e s V a n d e r S t a p p e n ( O c t a v e M a u s ).                                   .       .        .                                      345                Id.                E x p o s i t i o n d e M . d e C h a m a i i .l a r d                                                         373\nI s id o r e V e r h e y d e n ( C a m il l e L e m o n n ie r )                              .................................                            123       ( A r s è n e A l e x a n d r e ) ................................................................                  .          .           373\nE u g è n e e t T h éo Y sa y e (O c t a t e M a us)                                                        ........................................        25   G a l e r ie B l o t . M . H . O t t m a n ( L . V a u x c e l l e s ) .                                                      . .              244\n"}, {"page_pdf": 421, "texte": " 414                                                                                                                            TABLE DES MATIÈRES\n\n\n\n G a l e r ie D e v a m b e z . L e s F e m m e s p e i n t r e s (I d ) .           .                                                                  252         U n buste de C harles-L ouis P h ilip p e p a r B o u rd elle                                  271\n G a l e r ie D u r a n d - R u e l . E x p o s i t i o n d e M o n e t , R e n o ir ,                                                                              L es A m is de la M édaille d ’A rt                                                             38\n   P i s s a r r o e t S i s l e y ( I d . ) ...............................................................................\n                                                                                                                                                                    Le Salon de la M édaille à l ’E x position des B eaux-A rts                                    175\nG a l e r ie G e o r g e s P e t it . E x p o s i t i o n H e n r i M a r t in .                                                                        221         La P la q u e tte du Salon, p a r M G. D evreese . . . .                                       343\nP e t it M u s é e B e a u d o u in . E x p o s i t i o n d e M M . C a m il l e                                                                                    D on de m édailles à la B iblio th èq u e ro y a le .....................                      310\n   M a u c l a ir . M a r iu s R o b e r t e t R o g e r R e b o u s s in ( J .G .)                                                                      364        L es M édailles éd itées p a r M. Fonson .                           . . .            22, 189, 254\nA ix - l e s - B a in s . L e s a r t i s t e s s a v o y a r d s ( O c t a v e M a u s ).                                                              307         N é c r o l o g i e . E m m a n u e l F r é m i e t (O . M . ) ......................          301\nC h i c a g o . U n e E x p o s i t i o n d ’a r t f r a n ç a i s ...........................                                199                                      P i e r r e G r a n e t ...........................                                         278\nD r e s d e . E x p o s i t i o n G a u g u i n ..........................................................                    367                                      J.-C S a m s o n ......................................................................     358\nF l e n sb u r g . E x p o s itio n d e M . J acob A l b e r t s . . . .                                                                                223            C h a r l e s V a n d e r S ta p p e n ( O c ta v e M au s) . . . .                         345\nL o n d r e s. L e s s a lle s T u r n e r à la T a te G a lle ry .                                                 .       .                           301\nS a i n t - M o r i t z . L e M u s é e S e g a n t i n i ( B . F . ) ...................                                     244\nL a Drève ensoleillée d e M . E m i l e C l a u s ............................                                                214\nL ’Ecole de P la to n d e M . J . D e l v i l l e a u L u x e m b o u r g .                                                                             396\n                                                                                                                                                                                           ARCHÉOLOGIE, A R C H IT E C T U R E ,\nL e p r i x V e r h e y d e n .................................................................................   118\nL a s i g n a t u r e d e W h i s t l e r ...................................................................     383\n                                                                                                                                                                                                A R T S A P P L IQ U É S.\nL ’E x p o s i t i o n d u C e n t e n a i r e à B u e n o s - A y r e s .                                 .    .                                        29\nP u b l i c a t i o n s a r t i s t i q u e s . L a Sem ois, p a r l a C o m t e s s e                                                                              L es C ath éd ra les ( A u g u s t e R o d i n ) ................................................................    269\n     d e F la n d re                                  ...............................................................................................         111   A rt e t F o lk lo re (L. M a e t e r l i n c k ) ...............................................................    210\n     L e V ieux B ru x e lle s ( F r a n z H e l l e n s ) ............................ 357                                                                         L ’A rt déco ratif m o d ern e en B elg iq u e ( G e o r g e s H o b é )                                          195\n     Der R in g des N ibelungen, p a r H . H e n d r i c h ( O . M . ) .                                                                                404         L ’A rt d é co ratif m o d ern e ( O c t a v e M a u s ) ........................................ 2 0 1 , 2 9 7\nV e n t e s d e t a b l e a u x .............................................................................................. 7 1 , 7 9 , 8 7                      S u r l’a r t d é co ratif (lettre de M. E . P o t t i e r ) . . . .                                              317\nV e n te     Is id o re V e rh e y d e n (B ru x e lle s ) .                                   . . . . .                                  125                       L es d é c o ra te u rs exclus de l ’E x p o sition de B rux elles\n    Id .     d e l i t h o g r a p h i e s d ’E u g è n e C a r r i è r e ( P a r i s ) .                                      .          135\n                                                                                                                                                                         ( F ie r e n s -G e v a e r t )                   ....................................................................                                             333\n    Id .     d e la c o lle c tio n d e la b a r o n n e d u M e s n il ( Id .) .                                                         143                       L a Section allem ande des a rts d ’in d u strie ( O. M.).                                                                                                  155\n    Id .     d e s M a n e t d e l a c o l l e c t i o n P e l l e r i n ...............................                                  182                       L es D éco rateu rs m unichois au Salon d ’A utom ne (Louis\n    Id       d e l a c o l l e c t i o n G o e r g ( I d . ) ................................................                             191                            V a ux celles)                   ................................................                          .     .      .     .      .        261, 309\n    Id .     d ’u n V a n d e r G o e s e n E s p a g n e . . . . . . .                                                                   214                       L es p ein tu res d écoratives de M. B esnard au P e tit p alais.                                                                  191\n    Id .     d ’e s t a m p e s a n c i e n n e s ( L o n d r e s ) ........................................                              263                       U ne d éco ratio n de M. J.-M . S ert . . . . . . . .                                                                              199\n    Id .     d ’u n R e m b r a n d t e n A m é r i q u e                               .       .       .       .        .                343                       C oncours d’a rt d é co ratif . . .                                                                                                 38\n    Id .     d u B a in de D iane p a r R u b e n s ........................................                                              343                       C oncours d’a rc h ite c tu re . .                                                                                            157, 173\nN é c r o l o g ie . H e n r i- E d m o n d C r o s s ( O c t a v e M a u s)                                           .       .          161                       Le P assage de la B ib lio th èq u e (J.B . L e c o m t e ) . . . .                                                                388\n    F.          S e y m o u r H a d e n ( I d . ) ..................................................                                .. 2 1 3 , 2 2 6                L es A m is de B ru g e s ........................................................................................................    260\n    L o u i s - W e l d e n H a w k i n s ...........................................................                                190                            L ’Affiche illu s tré e . .                                                                       . . . .                          133\n    W . H o l m a n H u n t ( L o u i s V a u x c e l l e s ) ............................                                           300                            L ’E xposition d ’affiches à L ièg e ( G e o r g e s R i t t e r ) . .                                                             323\n    J o h n L a F a r g e ...........................................................................................                398                            N é c r o l o g ie J u l e s B a r b ie r                           (O . M                . ) .........................................................           325\n    W il l e m M a r is (O . M .)                                                ........................................................                     342     G u s t a v e S e r r u r i e r ( I d .)                                               ................................................................         382\n    W i l l i a m O r c h a r d s o n ...........................................................................                    150\n    J e a n R o b i e ( O M . ) ............................................................................                         402\n    L e d o u a n i e r R o u s s e a u ( L o u is V a u x c e l l e s ) . . . .                                                                        294\n    F r a n z S k a r b i n a ....................................................................................                   174\n    M i c h e l W r o u b e l ....................................................................................                   174                                                                               L IT T É R A T U R E\n\n\n                                                                                                                                                                    S o l i d a r i t é l i t t é r a i r e ( G e o r g e s L e c o m t e ) .............................................1 0 8 , 1 1 5\n                                                                                                                                                                    L e M u s é e d u L i v r e ..................................................................................................... 1 7 1 , 3 8 9\n                                                      SC U L P T U R E\n                                                                                                                                                                    L e M u s é e d e s L e t t r e s b e l g e s ................................................................................                 366\n                                                                                                                                                                    L a Société des Bibliophiles et des Iconophiles . . . .                                                                                     46\nA cquisitions d u M usée. L e buste d ’É m ile Verhaeren,                                                                                                           L e p rix N o b e l p o u r la L itté r a tu r e . M . P aul H e y se .                                                       .           372\n   p a r Ch. V an d e r S t a p p e n ................................................                22                                                            L e p r i x J e a n M o r é a s ( O . M . ) ................................................                          .       .           229\n   P o rtrait de fem m e, p a r P . Du B o is......................................                     270                                                         M a n ife s ta tio n à la m é m o ire d e C h . v a n L e r b e r g h e .                                                     .           383\nLe p rix G o d e c h a rle .....................................................................        383                                                         M a e t e r l i n c k a c a d é m i c i e n ( O . M . ) ................................................................                       323\nS t a t u o m a n i e ...........................................................................    231                                                            C o n c o u r s d e l ’A c a d é m i e r o y a l e d e B e l g i q u e                                .       .               .           220\nLa sta tu e de Jo sep h K ae k e b ro e c k (O ctave Maus) . .                                       283                                                            L e d o n d e M . B e e r n a e r t à l ’A c a d é m i e ................................................                                      286\nL es statu es de l ’avenue De M ot........................................... 126, 383                                                                              P a u l A d a m . L e T ru st ( F r a n c i s d e M i o m a n d r e )                                           . .             .1 2 1 , 129\nU n g ro u p e de J de L a la in g à L o u v a in ...........................                        262                                                               I d . (M m e H . d e R é g n ie r )                 ................................................................................        231\nL e M arteleur de M eu n ier à C h a r l e r o i ...........................                         262                                                               L e R a il d u S a u veu r ( F d e M i o m a n d r e ) ........................................                                             396\nL e F orgeron de M eu n ier à N u r e m b e r g ................................                        369                                                         C o m t e d ’A r s c h o t . Quelques vers ( I d . ) .................................................                                           76\nL a G alerie R odin au M usée de N e w -Y o rk ...........................                              327                                                         M a u r i c e B a r r è s . L 'angoisse de P ascal ( I d . ) . . . .                                                                      331\nL e M onum ent A lex an d re I I à S a in t-P é te rsb o u rg . .                                    237                                                            N i c o l a s B e a u d o u i n . Les triom phes ( I d . ) .                                  .               . . .                         20\n          Id .      B eethoven à N u re m b e r g .............................                      279                                                            A l f r e d d e B e n g o e c h e a . L ’O rgueilleuse lyre ( I d .)                                                  .       .           181\n          Id.       C alvin à G e n è v e .............................................              263                                                            P a t e r n e B e r r i c h o n . P oèm es décadents ( I d . ) .                                               .       .                  254\n          Id .      des C oquelin à B oulogne s/M er .                                     . .       191                                                            A l b e r t d e B e r s a u c o u r t . F rancis Jam m es { I d . ) . .                                                        .\n          Id .      de Mme C ottin à B ag n ères de B ig o rre .                                     287                                                                    I d . Vingt-quatre poèm es en prose ( l u . ) .                                                .       .        .                 138\n          Id .      F e r r e r ............................................ . .                       7    L o u i s B e r t r a n d . L e M irage oriental ( L o u i s T h o m a s ) .                                                                                                                                        154\n          Id .      José-M aria de H é r é d i a .............................                       247    Y - R . B e r t r a n d . L'O m bre a u flam beau ( F . d e M . ) . .                                                                                                                                                76\n          Id        Gustave H u b e r ti.                                                            391    B i n e t - V a l m e r . L ucien, ( I d . ) ........................................................................                                                                                               251\n          Id .      Clovis H ugues en V a u c lu s e ........................                        287    L é o n B o c q u e t . Les branches ?                                      des ( I d . ) ........................................                                                                                      254\n          Id .      Irv in g à L ondres . . . . . . .                                                326    J e a n d e B o s s c h è r e . B éâle Gry n e ( A n d r é F o n t e n a i s ) .                                                                                                                                    145\n          Id .      Ja g ello n à C r a c o v i e ..................................                 238        I d . L a sculpture anversoise a u x X V e et X V I e siècles\n          Id .      C lotilde K leeb erg à B ru x elles . 55,126, 311, 372                                          ( F . H e l l e n s ) ........................................................................................................                                                                              148\n          Id .      L a m b e r m o n t............................                                    7    C . F r a n c i s C a i l l a r d . Les Sagesses ( F . d e M i o m a n d r e )                                                                                                                                       76\n          Id        P uvis de C havannes.                           .............................    351    H e n r y C a r t o n d e W i a r t . Les Vertus bourgeoises ( I d . )                                                                                                                                              138\n          Id .      R acine à P a r i s .............................................                191    J e a n C h a n t a v o i n e . L is z t ( C h a r l e s V a n d e n B o r r e n ) .                                                                                                                                243\n          Id        J.-J          R ousssau à C ham béry (O.M.) .                                    291    J u d i t h C l a d e l . R o d in ( O c t a v e M a u s )                                    .................................................                                                                            49\n          Id .      du T rav ail, p a r C h Van d e r Stappen .                                   7, 358    J . C l a r y . Quelques lam es de la m er sauvage ( F . d e M . ) .                                                                                                                                                181\n          Id        de l ’Union In te rn . des T élég ra p h e s. 46, 326, 412                              H e n r i C l o u z o t . P hilibert de l'O r m e ................................................                                                                                                                  262\n          Id .       V erlaine à P a r i s .......................................... 271, 335              E m i l e C l e r m o n t . A m o u r pro m is ( F . d e M . )                                               . . . .                                                                                                148\n          Id.       G abriel V icaire à P erro s-G u irec . . .                                      287    N . C l i f f o r d B a r n e y . Actes et Entr'actes ( I d . ) . . . .                                                                                                                                             180\n          Id .      V irg ile à M a n t o u e .......................................                279                    Id .                      E parpillem ents ( I d . ) .................................                                                                                                              180\n          Id.       R ich ard W ag n er à M u n i c h .......................                        279    V . C y r i l . Une m a in su r la nuque ( I d .) . . . . . . .                                                                                                                                                      51\n"}, {"page_pdf": 422, "texte": "                                                                                                                    TABLE DES MATIÈRES                                                                                                                                        415\n\n\n\n  H e n r i D a g u e r c h e s . M onde, vaste m o n d e ( I d .) - . . . .                                                              43    G e o r g e M e r e d i t h . T ragi-com édie d ’a m o u r, t r a d u c t i o n\n  F r a n c e D a r g e t . L es M atin ales ( I d . ) ............................................                                       76               d e C l a u d e e t J o ë R i t t ( I d . ) .........................................................                      9\n  M a x D e a u v i l l e . L e fils d e m a fe m m e ( I d . )                                         . . . .                           20          I d . L 'E goïste, t r a d u c t i o n p a r E . S t r a u s s ( I d . )                             . . .                      9\n              Id .             L 'a m o u r d a n s les ru in e s ( I d . ) .                                     .      .       .       235          I d . L 'A m o u r m o d ern e, t r a d u c t i o n A . F o n t a i n a s ( I d . ) .                                       253\n  A d o l p h e D e j a r d i n . A u g r é des heu res ( I d . ) .                                      ,        .      .       .       397     U r b a i n M e n g i n B e n o zzo G o z z o l i ..................................................                             237\n L u c i e D e l a r u e - M a r d r u s . L 'A ch a rn ée ( I d . ) ........                                              59                   J e a n - M a r i e M e s t r a l l e t . D a n s l'espace ( F d e M . ) . .                                                      254\n                        Id .                           Com me to u t le m o n d e ( I d . ) .                                            253     M i a r k o . A . B . C. d 'A rt ( I d )                        . . . .                         . . . .                              3\n                        Id .                           P a r ven ts et m a ré es ( I d . ) . .                                           396    A n d r é M i c h e l . H istoire de l ’a rt ( L . M ) .............................                                              124\n L . D e l a t t r e . L es C arnets d ’u n m éd ecin d e v illa g e ( I d . ) .                                                         107     P i e r r e M i l l e L a B ich e écrasée (F . d e M ) .                                        .              .         .       107\n  M i c h e l D e l l a T o r r e . E ssai su r la d r a m a tu r g ie de                                                                       L e t P . M o l m a c t i . Vittorio Carpaccio ( C . ) .                                                   , .            .       390\n       St-G eorges de B o u h élier ( I d . ) ..........................................................                                 397     O . W . M i l o s z L ’A m ou reu se in itia tio n ( F . d e M .)                                              .         .       147\n  M a u r i c e d e s O m b i a u x . C am ille L e m o n n ie r ( I d . )                                             .      .           76    F r a n c i s d e M i o m a n d r e . G a zelle, M ém oires d ’u n e tortu e                                                      359\n                   Id .                    L 'O rn em en t des m ois ( F . H e l l e n s )                                               276     A d r i e n M i t h o u a r d . L es M arch es d e l ’O ccident ( F . d e M . )                                                  139\n E . D e s p r e c h i n s . L 'A m e des flû tes ( F . d e M .) .                                                .      .       .       397     C h a r l e s M o u l i é . E n so u rd in e ( I d . ) ..................................................                              18 1\n E d o u a r d D e v e r i n . L e C onflu en t ( I d . ) ............................................                                    20     M a u r i c e d e N o i s a y . L e ttre s à M M . les d ire cteu rs des\n P . - H . D e v o s . Un Jacobin de l'an C V II I ( I d . ) . . . .                                                                     236        j o u r n a u x n a tio n a listes ( I d ) ..........................................................                           20\n D i m n e t . E tu d e su r les sœ u rs B r o n t ë ............................................                                        351     C h a r l e s P é g u y . L e M y stè re de la c h a rité de Jeanne\n P . D r o u o t . Sous le vocable d u chêne ( F . d e M . ) .                                                                .          180          d'A rc ( L . S ‘ H . ) .......................................................................................              185\n G e o r g e s D u h a m e l . L ’h om m e en tête ( I d . ) .............................                                               139     E d m . P i l o n . D an s les j a r d i n s et d a n s les v ille s ( F . d e M .)                                               337\n G.        D u h a m e l e t C h . V i l d r a c . N otes s u r la technique                                                                          ( I d . ) P o r tr a its ten d re s et path étiqu es ( I d . )                              . . . .                         396\n      poétique ( I d ) ...................................                        . . . . . . .                                           91     E d g a r P o e . P oésies com plètes ( I d . ) ............................................                                     225\n L . D u m o n t - W i l d e n . L e P o r tr a it en F ra n ce ( F . H . )                                                   .           61     X . P r i v a s e t F r . L o r é e - P r i v a s . P e tite s vacan ces ( I d . )                                                   3\n L o u i s D u m u r . L e cen ten a ire d e Jean-Jacques ( B . F . ) .                                                              .   363     M a r c e l P r o u i l l e . L es g lu m e s épaises ( I d . ) .............................                                      76\n D u r a n d - G r é v i l l e . H ubert et Jean V an E y ch ( F . H . )                                                             .   148     M a r c e l P r o u i l l e e t C h a r l e s M o u l i é . L es po ésies de\n G D welsh AUWEr s . L a p h ilosoph ie de N ie ts sc h e (F. d e M . )                                                                    19         M ahoho K a n g o u ro u ( I d . ) . . . .                                                                                  397\n J e a n - H e n r i F a b r e . L a v ie des insectes (I d . ) .............................                                            305     G e o r g e s R a m a e k e r s . L es Saison s m ystiq u es ( I d . ) .                                               .            76\n C l a u d e F a r r è r e . T rois h om m es et d e u x fem m es ( I d . )                                                          .    44     R o b e k t R a n d a v . L e co m m a n d a n t et les F oulbé ( I d . )                                              .         253\n F i e r e n s - G e v a e r t . A lb ert B a rtso e n ( F . H e l l e n s ) .                                         .             .   394    L . R é a u . P e te r Vischer et la sc u lp tu re fra n co n ien n e.                                                            253\n F l o r i a n P a r m e n t i e r J .-B C arpeau x ( F . d e M i o m a n d r e )                                                        397     G e o r g e s R e n c y . F risson s de vie ( F . d e M . ) ............                                            235\n A n d r é d e F o u q u i è r e s . 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L e d e s c r ip tif c h e z B a c h .............................                                     37\n      I d . L 'I llim ité ( I d ) ......................................................................................                 396     R o b i n e t d e C l e r y . L es p ré ten tio n s d y n a stiq u e s de la\n E d m o n d G o j o n . L e V isage p e n c h é ( I d . ) .....................................                                         181          bran ch e d'O rléan s ( F . d e M . ) ..........................................................                             268\nA l b e r t G i r a u d . L a G u irla n d e d e s D ie u x ( I d . ) .                                          . . .                    98     E d m o n d R o c h e r . L e \"Manteau d u p a ssé ( I d . )                                      . . . .                        139\n S a c h a G u i t r y . C orrespon dan ce d e (P. R o u lier-D a ven el (Id .)                                                           76     M a r c e l R o g n i a t . P éch és de je u n e sse ( I d . ) ............                                         139\nA n d r é H a l l a y s . E n flâ n a n t ( F i e r e n s - G e v a e r t ) .                                          .       .         265     P r o s p e r R o i d o t . L e j e u des d ix -h u it a n s (ID.).                                         . . .                   76\n M . H a n k e s - D r i e l s m a d e K r a b b é . L e D é p a rt ( F . d e M . ) .                                                     20          I d . L a lu m iè re des Buls ( I d . ) ........................................                               254\nE u g è n e d ’H a r c o u r t . L a M usique a c tu elle d a n s les                                                                            J . H . R o s n y . L ’a ffa ire D érivé ( I d . ) .                       .      .                  . . . .                        33\n      E ta ts Scandinaves ( O . M . ) .................................................................                                  286          I d . L a V ague rou ge ( I d . ) . . . .                                           ............                   51\nÉ m i l e H e n r i o t . P e tite su ite ita lien n e ( F . d e M i o m a n d r e )                                                      19    J e a n d e R o t o n c h a m p . P a u l G a u g u in ( O . M . ) .                                         . . .                   74\n             Id .            L e ttr e de la R eligieu se p o rtu g a is e ( I d . ) .                                                    20    A n to in e d e l a                       S a l e . L ’H ysto ire d u P e tit Jeh an de\nJ e a n H é r i t i e r . Une critiqu e d e C han tecler ( I d . ) . .                                                        .          254          S a in tré ( F . d e M ) .......................................................................................             139\nH .        H y m a n s . A nton io M oro ( F r a n z H e l l e n s ) . . . .                                                             212     L u c i e n S o l v a y . T héodore V erstra ete ( O c t a v e M a u s ) .                                                          73\nE d m o n d J a l o u x . L e B o u d o ir de P ro se rp in e ( F . d e M .) .                                                                  R a y m o n d S c h w a b . R e g a rd e d e tou s tes y e u x ( F . d e M . )                                                     253\nJ o h n K e a t s . P o èm es et poésies ( I d . ) ............................................                                          180    E m i l e S i c a r d . L ’a rd e n te chevauchée ( I d . ) .............................                                            99\n T r i s t a n K l i n g s o r . C hronique d u C haperon et d e la                                                                                   I d L es m a rc h a n d s ( I d . ) .                                        ....................................           253\n      B ra g u e tte ( I d . ) ..............................................................................................             139   A n d r é S u a r è s . B o u clier d u zo d ia q u e ( I d . ) .............................                                     241\nM a u r i c e K u n e l . S u r la flû te d e ro sea u x ( I d . ) . . . .                                                                 76    L . S o u g u e n e t . A la décou verte de L o n d re s ( F . H . ) .                                                            245\n R . L a f f o n t , L 'A p p e l d e la m e r ( I d . ) ............................................                                    204    D r S v e n H e d i n . L e T ibet dévoilé ( F . d e M i o m a n d r e ) .                                              .         211\n P a u l L a n d o r m y . H isto ire de la m u siq u e ....................................                                             173    J e a n n e T e r m i e r . D e rn ie rs re fu g e s ( I d . ) .                          .       .      .      • .               259\nL e b e n - R e u t c h k a , P o in te s sèches ( F . d e M . ) ..............................                                            20   L o u i s T h o m a s . L e s D o u ze livres p o u r L il y ( I d . ) . . .                                                        19\nM . - A . L e b l o n d . P e in tre s de ra ces ( F . H . ) .....................................                                         61   L é o n - M a r i e T h y l i e n n e . A n acréon ( I d . ) ....................................                                   76\n             Id .            L a P o lo g n e v iv a n te ( F . d e M . ) . . . .                                                        379                           Id .                            M on V illage ( I d . ) ....................................               397\nJ . L e c l e r c q . Ja p o n , Chine, M an dch ou rie ( F . H e l l e n s ) .                                                          245    L . T o l s t o ï L a L o i d e l ’a m o u r et la loi de la vio­\nS . - G h . L e c o n t e . 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R e fle ts s u r la som bre ro u te ( I d ) .                                           .      .             .     299                     Id .                   L iv re d ’a m o u r ( I d ) ..............................................               396\nP a u l e L y s a i n e . Soirs a u j a r d i n ( I d . ) .                              .      .       .       .      .                 139    M . d e W a l e f f e . H éloïse, a m a n te et d u p e d ’A b é la r d ( I d . )                                                 292\nH e n r y M a a s s e n . L e T h éâtre con tem porain ( I d . ) .                                                   .      .            397    H - G . W e l l s . A u tem p s d e la com ète I d . ) ....................................                                       162\n              Id              L es S a n g la n tes ( I d . ) ..............................................                             397                 Id .              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M . ) .....................................                                               156    T ra d u c tio n s e t œ u v re s p o s th u m e s d e T o ls to ï .                                     . .            . 3 9 1 , 399\nP a u l M a r g u e r i t t e . L a F aiblesse h u m a in e ( F . d e M . )                                                        .     203    L e G u i d e r o s e ( O . M . ) ................................................................................                237\nJ , - T . M a r i n e t t i . M a fa rk a la F u tu riste ( I d . )                                    .      .                    .     204    P é r i o d i q u e s n o u v e a u x : Chloé, 4 7 . — L e M asque, 1 7 4 .\nR e n é M a r t i n e a u . E m m a n u e l C habrier ( I d . )                                        . . . .                           139        — Mu n d u s, 1 7 5 . — L a G a ze tte belge d e P a r is , 3 3 5 .\n              Id .            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L e s In flu en ces é tra n g ères\nS a i n t M a r c e t . A v e n tu rin e ( F . d e M . ) ............................................                                     44              ( I d . ) ....................................                                                                           94\n"}, {"page_pdf": 423, "texte": "416                                                                                                                      TABLE DES MATIÈRES\n\n\n\n     Id. M. F .      v a n d e n B o s c h . L a presse et la littéra­                                                                                        L a S e c tio n c h o r a le d u C e rc le . Œ u v re s d e S c h u m a n n\n       ture ( I d . ) ..................................................................................................................            100           ( O . M . ) ........................................................................................................................       411\n   I d . M . C a m i l l e L e m o n n i e r . Charles Decoster ( I d . )                                                              .                   A c a d é m i e d e B e l g i q u e . L a Légende de Saint Hubert,\n   Id. M. H . C a r t o n d e W i a r t . L e B ourgeois . . . .                                                                                    410       p a r M L é o n J o n g e n ( E . C ) ................................................................                                         355\nU n i v e r s i t é n o u v e l l e . C onférence de Mlle d e R o t h m a ­                                                                                C o n c e r t s à l ’E x p o s i t i o n d u X V II e s i è c l e ( C h V . ) .                                                   .       . 221, 236\n   l e r : George S a n d ( B . F . ) ........................................................................                                       68    C o n c e r t s b r é s i l i e n s à l ’E x p o s i t i o n ........................................................                             262\n   Id. M . D a u r i a c : L a M usique et l'intelligence (Ch.V.).                                                                                  189    S a l l e P a t r ia . C o n f é r e n c e d e M . F ie r e n s -G e v a e r t :\n   Id. Mlle M a r i e C l o s s e t : L es e n fa n ts et les livres (M.)                                                                            99            la Chanson popu laire en Belgique                                                                  ................................         13\nP a l a i s d e s A r t s C onférence de M. E d m H a r a u c o u r t :                                                                                       L e Groupe des Compositeurs belges ( C i l V . ) . . . .                                                                                         36\n   Les D émolitions de la F ontaine (G. R . ) ......................                                                                                101       C o n c e r t s d e l a S o c i é t é J . - S . B a c h ................................ 3 6 , 1 0 1 , 1 3 2\n   I d . F i e r e n s - G e v a e r t : L 'U n ité dans l'art ( I d .) .                                                       .      .            116       R é c i t a l M a r g u e r i t e R o l l e t ( M . S M . ) ................................                                                     69\n   I d . M. E d m . d e B r u y n . Les Sources de l’E scaut ( I d . )                                                                       123              F e s t i v a l S c h u m a n n (C o r t o t , T h ib a u t , C a s a l s ) ( J . C .)                                                           85\nMons C onférence de M. L. P i é r a r d : L'Im pressionnism e                                                                                206           G r a n d e - H a r m o n ie . R é c i t a l d e M . H e n r y A l b e r s ( J . C .)                                                               93\nn é c r o l o g i e : M a r c e l C h a b r i e r ........................................................' .                                317              R é c i t a l d e M . P e r r a c c h i o ( S . ) ........................................................                                     307\n   J e a n n e M a r n i (F. d e M i o m a n d r e ) ................................................                                         83           S a l l e E r a r d . C é s a r F r a n c k (M . C h . D e l g o u f f r e ) ( J . C .)                                                             77\n   J e a n M o r é a s ( I d . ) ...................................................................................................1 1 0 , 1 1 3             L a Société internationale de musique ( C h . V . ) .                                                                           .       .      132\n   c h a r l e s - L o u i s P h i l i p p e ( M . S. M . ) ................................................                              6 , 17              L e Q u a t u o r Z i m m e r ( I d ) ........................................................................                               4 , 36\n   J u l e s R e n a r d ( O . M . ) ........................................................................................                       174       L e Q u a t u o r \" P i a n o e t A r c h e t s \" (O . M . e t C h . V .)                                                                . 20, 405\n   E d o u a r d R o d ( L é a n d r e V a il l a t )                              .................................................                 50    P a l a is d e s A r t s . R é c i t a l W . B a c k h a u s ( C h . V . ) .                                                       .       .        28\n . L éon T o lsto ï         .      .                                                                                                                379       R é c i t a l M a r c e l L a o u r e u x ( M . K. M . ) .......................................                                               405\n   E u g è n e V e r n o n .........................................................................................................                118    U n i v e r s i t é n o u v e l l e . L a Chanson française du X I I e\n                                                                                                                                                               au X I X e siècle, p a r M . d e F l a g n y ( C h . 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G . - J e a n A u b r y ( I d ) .                                                                   404\n                                                                M U S IQ U E\n                                                                                                                                                               C o u r s d ’h i s t o i r e d e l a m u s i q u e d e c l a v i e r p a r M . V a n\n                                                                                                                                                               d e n B o r r e n (O  M . ) ........................................................................................ 204\nU n e c l a s s e d e c h e f s d ’o r c h e s t r e ( G . G r o v l e z )                                         . . .                  332               A c a d é m ie d e M u s iq u e . 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R it t e r ).                 .      .       . 118, 397\nU n C o n c e r t o i n é d i t d e P h - E B a c h ......................................                                             71                      A u d i t i o n d ’a u t e u r s b e l g e s ( I n t é r i m ) .........................................      133\nL e s M a n u s c rits d e P e t e r B e n o it                                            ........................................       190                  C o n c e r ts d e M . D e b e f v e (G . R it t e r ) . . .                            4, 53, 117, 157\nL e C o u r s d e t r a n s p o s i t i o n d e M . D e c l e r c q (C h . V .) .                                                   .     411                  C o n c e r t s D u m o n t - L a m a r c h e ( I d . ) ................................         37, 8 5 , 118\nV a c a n c e s d e m u s ic ie n s .                    . 263, 2 8 6 , 294, 302, 311, 318, 326, 335                                                           C o n c e r t s d e l a S o c i é t é d e s A m a t e u r s ( I d .) . . . .                                             5 , 117\n C o n s e r v a t o i r e d e B r u x e l l e s . ( S a i s o n 1 9 0 9 - 1 9 1 0 ) l er C o n ­                                                              C o n c e r t s d e l ' Œ uvre des artistes ( I d ) .                                         . . .               53, 158, 397\n    c e r t . L ' Actus tragicus d e B a c h ( O . M . ) ......................                                                        45                      C o n c e r t s J a s p a r ( I d . ) ................................................................................        85\n    2 e C o n c e rt.         Schumann,                            C h o p in e t M e n d e l s s o h n                                                        C o n c e r t s d i v e r s ( I d . ) ........................................................................     86, 349, 397\n           ( M . S . M . ) ..............................................................................................              68                      C o n f é r e n c e d e M . D w e l s h a u w e r s : la Naissance du\n    N o m in a tio n s d e p ro fe s s e u rs .                            .                                                              310                 S tyle m u s i c a l ............................................................................................ • . .       118\n    L a r e t r a i t e d e M . G u i d é ..............................................................                              391                   U n e s o c i é t é d e m u s i c o l o g i e ........................................................................            5\n    C o n c o u r s .................................................         . . . .                         197, 205, 213, 229                            M a l in e s . L e s c o n c e r t s e t c o n c o u r s d e c a r i l l o n n e u r s 2 2 3 , 2 8 6 , 294\n C o n c e r t s P o p u l a i r e s . ( S a i s o n 1 9 0 9 - 1 9 1 0 .) 3 e C o n c e r t                                                                 M a r c i n e l l e . C o n c e r t d e M . L o u i s D e l u n e ................................                                          103\n    L ’Orfeo d e M o n t e v e r d e ( O c t a v e M a u s ) ......................                                                    35                   M o n s. D is trib u tio n d e s p rix a u C o n s e rv a to ire .                                                     . . .                 13\n    4 e C o n c e r t . R i c h a r d S t r a u s s ( I d . ) ......................................                                   93                     L e s e p t i è m e c o n c e r t G e o r g e s P it s c h ( L o u is P i é r a r d )                                                     364\n  S a i s o n l 9 1 0 - 1 9 1 1 . 1 e r C o n c e r t . M . M ISC H A E L M A N ( H . L . B . )                                                     381     V e r v i e r s . L e s c o n c e r t s d e l’H armonie ( J . S . ) .                                                 .             . . 37, 357\n  C o n c e r t s Y s a y e . S a i s o n 1 9 0 9 -1 9 1 0 . 3 e C o n c e r t. M . E m m .                                                                 P a r i s . C o n c e r t s C o l o n n e ( M .- D . C a l v o c o r e s s i) .                                                     . .     349\n     M o o r . Les Abeilles, p a r T h . Y s a y e ( O c t a v e M a u s )                                                                            25       C o n c e r t s d u S a l o n d ’A u t o m n e ( I d . ) ................................................ 3 4 1 , 3 4 9\n      4 e C o n c e r t . P rélu d e et Danse, d e M . J . J o n g e n .                                                                                       S a l l e G a v e a u . A u d i t i o n d ’œ u v r e s d e M . J o s e p h J o n ­\n      M . P a b l o C a s a l s ( I d ) .....................................................................                                  62                  g e n (O . M        . ) ........................................................................................................     157\n      5 e C o n c e rt. M M . L o h se e t A . C o r t o t (C h . V ) .                                                   .                .          85       S a l l e P l e y e l , C o n c e r t G e o r g e s P i t s c h ( I d .) .                                                       . .     175\n      6 e C o n c e r t . M M . E u g è n e e t T h é o Y s a y e , M me L i t -                                                                               T h é â t r e d e M .M o r s . C o n c e r t d e m u s iq u e r u s s e ( F .M .)                                                        405\n           v i n n e ( O . M . ) ; ................................................................................................                  148    L u x e m b o u r g . C o n c e r t d u C o n s e r v a t o i r e ........................................                                  143\n      S a is o n        1 9 1 0 -1 9 1 2 .     2° C o n c e r t.                     M M .             H ensel et                                           L u g a n o . L e s c o n c e r t s d e M . L . L o m b a r d ................................                                              327\n           L o h s e (H . L . B .)           .     .       .       .       .       .       .       .       .      .       .                .         405    B i b l i o g r a p h i e m u s i c a l e ......................................................................... 8 6 , 2 2 0 , 3 9 1\n   C o n c e r t s D u r a n t ( C h . V . ) .................................................................2 0 , 5 2 , 7 7 , 1 4 2                       N é c r o l o g i e . P a u l A u b r y ( O . M . ) ........................................................                                294\n      L a Société des instrum ents anciens de P a ris ( I d . ) .                                                                     . 109                    M il i B a l a k r r e w ( M .- D . C a l v o c o r e s s i)                                        .................................    179\n      L e Q u a t u o r C a p e t ( I d . ) ...................................................................................1 0 9 , 1 1 7                   B o u r g a u l t - D u c o u d r a y ( O . M . ) ........................................................                               222\n   C o n c e r t s d e l a L i b r e E s t h é t i q u e . 1 e r C o n c e r t ( M lles M .                                                                    É d o u a r d C o l o n n e ........................................................................................                     110\n          R o l l e t ) ; B l a n c h e S e l v a e t M . C h a u m o n t ( I d .) .                                                .   101                    A r t h u r C o q u a r d ................................................................................................               278\n      3 e C o n c e r t . M ll e d e M a d r é , M M . P e r a c c h i o , S t r a u ­                                                                          G u s t a v e H u b e r t i ( H e n r y L e s b r o u s s a r t ) .................................                                     209\n          w e n , e t c . ( I d . ) .......................................................................................             109                     C h a r l e s L e n e p v e u ................................................................................                          270\n      3 e C o n c e r t . L e Q u a t u o r Z i m m e r , T h é o . Y s a y e ( I d .) .                                                116                     R o s a P i e r s .......................................................................................................               406\n      4 e C o n c e r t . A l a m é m o i r e d e C h . B o r d e s e t d ’A l ­                                                                                F l o r i m o n d v a n D u y s e ( C h . V . ) ........................................................                                166\n          b e n i z ( M lles S e l v a e t R o l l e t , M M . H o u x , S t r a u ­                                                                            J e a n - B a p t i s t e W e c k e r l i n ................................................................                            190\n          w e n e t l e Q u a t u o r Z i m m e r ) ( I d ) ................................................                            124\n   C o n c e r t s d u C e r c l e a r t is t iq u e . L e Q u a t u o r R o s é ( I d .)                                                45\n      R é c i t a l F r o e l ic h ( I d ) .                 .       .       .               ........................................      4\n      F e s t i v a l S c h u m a n n ( C h . V . ) ........................................................                             93\n      L e Spoel’s Vocaal Ensemble ( I d . ) ................................................                                        .   149\n"}], "calendrier": {"precision": "jour", "ordre_dans_volume": 52, "mois_verifie": true, "numero_verifie": true, "mois_reconstitue": false, "numero_reconstitue": false, "date_tri": "1910-12-25", "signet_source": "N° 52. - 25 décembre 1910", "preuve": "Date et numéro lus en tête du numéro, PDF 416", "methode_reconstitution": "Date et numéro du signet de l’ULB, contrôlés sur l’en-tête du numéro."}}