{"numero_id": "ulb-art-moderne-1913-12-28-n52", "volume": "ELB-ULB-DL2864764-1913-f", "ocr_sha256": "c8251294ed87cee3625c48a0a578c378af1b51182dcfe72f3533e21f72ae8cb1", "articles": [{"article_id": "ulb-art-moderne-1913-12-28-n52-001", "volume": "ELB-ULB-DL2864764-1913-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1913-f.pdf", "ocr_sha256": "c8251294ed87cee3625c48a0a578c378af1b51182dcfe72f3533e21f72ae8cb1", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 409, "page_fin": 409, "titre_corps": "Sommaire", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "T re n te -tro is iè m e année. N u 52.", "ancre_fin": "n iq u e . — T a b le d e s m a tiè re s", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 7, "fin_caractere_exclue": 94, "texte": "T re n te -tro is iè m e        année.                                          N u 52."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 132, "fin_caractere_exclue": 156, "texte": "28 D é c e m b r e 1913."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 162, "fin_caractere_exclue": 176, "texte": "L'A RT MODERNE"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 208, "fin_caractere_exclue": 246, "texte": "REVUE                         CRITIQUE"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 274, "fin_caractere_exclue": 286, "texte": "HEBDOMADAIRE"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 328, "fin_caractere_exclue": 373, "texte": "B U R E A U X : R U E DE L ’IN D U S T R IE ,"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 394, "fin_caractere_exclue": 409, "texte": "32,   BRUXELLES"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 411, "fin_caractere_exclue": 515, "texte": "A B O N N E M E N T : B E L G IQ U E , 1 0 FR A N C S L ’A N ; U N IO N P O S T A L E 1 3 FR A N C S . —"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 608, "fin_caractere_exclue": 622, "texte": "S O M M A IR E"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 879, "fin_caractere_exclue": 964, "texte": "L a Q u e re lle (G e o r g e s R e n c y ). — P e in tr e s d ’a u jo u r d ’h u i :"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 965, "fin_caractere_exclue": 1055, "texte": "Jean P ut / (L ouis V a u x c e l l e s ). — U n e C o n fé re n c e s u r J o r d a e n s"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1211, "fin_caractere_exclue": 1290, "texte": "(O. M.). — L e s \" A n im a lie rs \" à L iè g e (V a l m o r e ). — M e m en to"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1358, "fin_caractere_exclue": 1428, "texte": "m u sic a l. — N é c ro lo g ie : Charles Delaborde; Jules Claretie. —"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1509, "fin_caractere_exclue": 1569, "texte": "P e t it e C h ro n iq u e . — T a b le d e s m a tiè re s ."}]}, {"article_id": "ulb-art-moderne-1913-12-28-n52-002", "volume": "ELB-ULB-DL2864764-1913-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1913-f.pdf", "ocr_sha256": "c8251294ed87cee3625c48a0a578c378af1b51182dcfe72f3533e21f72ae8cb1", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 409, "page_fin": 410, "titre_corps": "La Querelle", "titre_sommaire": "", "rubrique": "", "signature_source": "G e o rg es R ency", "ancre_debut": "LA QUERELLE", "ancre_fin": "pour la seconde fois. G e o rg es R ency", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2136, "fin_caractere_exclue": 2147, "texte": "LA QUERELLE"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2415, "fin_caractere_exclue": 2473, "texte": "Com édie en tr o is a c te s p a r M. H en ri D avign on ."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2615, "fin_caractere_exclue": 2668, "texte": "C’est une pièce « belge » s’il en fut! Non seulem ent"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2764, "fin_caractere_exclue": 2820, "texte": "le lieu de la scène est en Belgique, non seulem ent tous"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2924, "fin_caractere_exclue": 2976, "texte": "les personnages sont belges, mais l'action elle-même"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3073, "fin_caractere_exclue": 3128, "texte": "est em pruntée à ce qu’il y a de plus belge au m onde :"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3197, "fin_caractere_exclue": 3253, "texte": "la désunion, la querelle!... Et quelle querelle! La plus"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3349, "fin_caractere_exclue": 3404, "texte": "âpre, la plus farouche, la plus tendue en ce m om ent ;"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3497, "fin_caractere_exclue": 3554, "texte": "la querelle des races et des langues... En choisissant ce"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3643, "fin_caractere_exclue": 3697, "texte": "sujet, M. Davignon jouait la difficulté. Il s’exposait"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3789, "fin_caractere_exclue": 3840, "texte": "bénévolement à être attaqué p ar tout le monde et à"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3940, "fin_caractere_exclue": 3993, "texte": "n ’être compris par personne. C’est à peu près ce qui"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4088, "fin_caractere_exclue": 4148, "texte": "lui est arrivé, si j ’en crois certains échos. Les Flam ands"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4242, "fin_caractere_exclue": 4295, "texte": "ne lui pardonnent pas d’avoir créé son type de F la ­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4384, "fin_caractere_exclue": 4437, "texte": "m ingant rabique et grossier, le professeur Lodewyck."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4535, "fin_caractere_exclue": 4590, "texte": "Les W allons trouvent qu’il a fait la p a rt trop belle"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4685, "fin_caractere_exclue": 4740, "texte": "aux Flam ands et que, finalement, ce sont eux, incarnés"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4832, "fin_caractere_exclue": 4886, "texte": "p ar le père Troyen, qui l ’em portent dans l’affaire."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4982, "fin_caractere_exclue": 5034, "texte": "Quant aux gens qui ne sont ni Flam ands ni W allons,"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5128, "fin_caractere_exclue": 5185, "texte": "les métis, selon la forte expression de M. Jules Destrée,"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5274, "fin_caractere_exclue": 5329, "texte": "ils applaudiraient volontiers la pièce. Mais ils redou­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5423, "fin_caractere_exclue": 5479, "texte": "ten t qu'on les accuse d’être des partisans d’un plat et"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5569, "fin_caractere_exclue": 5621, "texte": "fade « m iddelmatisme ». Ajoutez à cela que d’aucuns"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 535, "fin_caractere_exclue": 570, "texte": "L E N U M É R O , 25 C E N T IM E S"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 670, "fin_caractere_exclue": 726, "texte": "en veulent à m ort à M. Henri Davignon d’être le fils de"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 821, "fin_caractere_exclue": 875, "texte": "son père. On fait rem arquer, avec autan t de tact que"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1150, "fin_caractere_exclue": 1210, "texte": "d’esprit, qu’il doit à cette qualité d’avoir vu la prem ière"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1305, "fin_caractere_exclue": 1357, "texte": "représentation de sa pièce honorée de la présence du"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1452, "fin_caractere_exclue": 1508, "texte": "Roi et de la Reine, de six m inistres, sans com pter les"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1603, "fin_caractere_exclue": 1662, "texte": "m inistres plénipotentiaires, et de toutes les fortes tètes"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1757, "fin_caractere_exclue": 1816, "texte": "de l ’Adm inistration. E t l ’on ricane, et l’on potine, et"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 1911, "fin_caractere_exclue": 1963, "texte": "l ’on insinue... Si bien que ceux qui, dans leur for"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2058, "fin_caractere_exclue": 2113, "texte": "intérieur, pourraient en effet trouver qu’on a battu un"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2208, "fin_caractere_exclue": 2263, "texte": "peu trop la caisse en vue de cette prem ière sensation­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2358, "fin_caractere_exclue": 2414, "texte": "nelle, se garderaient bien de le dire tout haut, de peur"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2568, "fin_caractere_exclue": 2610, "texte": "d’être confondus avec ces austères Catons."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2709, "fin_caractere_exclue": 2762, "texte": "Mais que vaut la pièce? Car n ’est-ce pas là l’essen­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 2857, "fin_caractere_exclue": 2922, "texte": "tiel ? Elle a, je l ’ai dit dans l 'A r t m o d e rn e de dim an­"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3017, "fin_caractere_exclue": 3071, "texte": "che dernier, de grandes qualités et de grands défauts."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3170, "fin_caractere_exclue": 3196, "texte": "Je la résum e rapidem ent."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3295, "fin_caractere_exclue": 3348, "texte": "Au prem ier acte, le professeur flam ingant Lodew yck"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3442, "fin_caractere_exclue": 3496, "texte": "vient dem ander, pour son fils Camille, la m ain d’une"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3590, "fin_caractere_exclue": 3642, "texte": "des filles de M. et Mme Troyen, grands horticulteurs"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3736, "fin_caractere_exclue": 3788, "texte": "de Gand. Mme Troyen, qui est Liégeoise, voudrait que"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 3882, "fin_caractere_exclue": 3939, "texte": "la réponse fût différée et que ces fiançailles ne fussent"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4033, "fin_caractere_exclue": 4087, "texte": "point décidées avec une hâte qui répugne à sa n atu re"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4181, "fin_caractere_exclue": 4241, "texte": "fine. Mais son m ari et sa fille (la principale intéressée),"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4335, "fin_caractere_exclue": 4383, "texte": "passent outre et donnent leur consentem ent sans"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4477, "fin_caractere_exclue": 4534, "texte": "tard e r. Georges Troyen soutient sa m ère dans ce débat."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4628, "fin_caractere_exclue": 4684, "texte": "Il a son âm e w allonne. Il hait le milieu gantois et ne"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4778, "fin_caractere_exclue": 4831, "texte": "se plaît qu’à Liège où il a fait ses études. Un vieux"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 4925, "fin_caractere_exclue": 4981, "texte": "professeur de violon, Violette, Liégeois lui aussi, sert"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5075, "fin_caractere_exclue": 5127, "texte": "à Mme Troyen et à Georges de confident enthousiaste."}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5225, "fin_caractere_exclue": 5273, "texte": "Au deuxième acte, Violette, Georges et la petite"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5367, "fin_caractere_exclue": 5422, "texte": "Poyette (la crapaude de ce dernier) sont ensemble, dans"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5516, "fin_caractere_exclue": 5568, "texte": "un hôtel des Fagnes, à Hockai. Georges a rom pu avec"}, {"page_pdf": 416, "page_imprimee": 409, "debut_caractere": 5662, "fin_caractere_exclue": 5722, "texte": "son père et il vit to u t à fait avec P oyette. Il s’agit de"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 78, "fin_caractere_exclue": 133, "texte": "le ram ener au devoir. Violette procède par la douceur."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 199, "fin_caractere_exclue": 249, "texte": "Il amène Poyette à renoncer d'elle-même à Georges,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 322, "fin_caractere_exclue": 377, "texte": "à feindre une fuite avec lui, Violette, qui, pour déli­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 439, "fin_caractere_exclue": 493, "texte": "v rer Georges, accepte de paraître félon à ses yeux. A"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 556, "fin_caractere_exclue": 608, "texte": "ce mom ent survient la famille gantoise, escortée du"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 675, "fin_caractere_exclue": 730, "texte": "farouche Lodewyck dont les brutalités m enacent de tout"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 767, "fin_caractere_exclue": 821, "texte": "com prom ettre. Le père et la m ère Troyen se heurtent"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 886, "fin_caractere_exclue": 942, "texte": "de plus en plus. A la fin de l’acte, Georges est délivré"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1005, "fin_caractere_exclue": 1060, "texte": "de Poyette, m ais ses parents paraissent irrém édiable­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1125, "fin_caractere_exclue": 1139, "texte": "m ent divisés."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1249, "fin_caractere_exclue": 1300, "texte": "Au troisièm e acte, tous sont ren trés à Gand. Joli"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1366, "fin_caractere_exclue": 1422, "texte": "décor égalem ent. Des fleurs, des fleurs jusques à l’ho­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1485, "fin_caractere_exclue": 1535, "texte": "rizon. Le père Troyen veut que son fils travaille."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1609, "fin_caractere_exclue": 1664, "texte": "Georges n ’y consent que contraint et forcé. Sa mère le"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1728, "fin_caractere_exclue": 1783, "texte": "soutient dans sa révolte. La crise est à son état aigu."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1843, "fin_caractere_exclue": 1894, "texte": "Mme Troyen sort pour aller retrouver Violette à qui"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1963, "fin_caractere_exclue": 2018, "texte": "elle dem andera tout à l ’heure de l’em m ener à Liège,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2082, "fin_caractere_exclue": 2141, "texte": "loin de son m ari, loin de ses filles et de leurs âmes trop"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2198, "fin_caractere_exclue": 2250, "texte": "flamandes. Lodewyck la dénonce à son m ari : il sait"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2318, "fin_caractere_exclue": 2369, "texte": "qu’elle a un rendez-vous avec Violette ; il ne peut"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2436, "fin_caractere_exclue": 2492, "texte": "adm ettre que son fils entre dans une famille où de tels"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2553, "fin_caractere_exclue": 2609, "texte": "scandales éclatent! Mais cette fois le flam ingant a été"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2655, "fin_caractere_exclue": 2708, "texte": "tro p loin. Le père Troyen commence à com prendre que"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2774, "fin_caractere_exclue": 2833, "texte": "c’est lui et que c’est Violette qui sèment la discorde dans"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2891, "fin_caractere_exclue": 2938, "texte": "son ménage. Comme sa femme et Violette, rentrés"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3009, "fin_caractere_exclue": 3063, "texte": "ensemble, s ’exaltent dangereusem ent, il se m ontre à"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3131, "fin_caractere_exclue": 3190, "texte": "son to u r et met le musicien et le flam ingant à la porte,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3191, "fin_caractere_exclue": 3246, "texte": "non sans avoir lancé un petit couplet — qui fut acclamé"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3247, "fin_caractere_exclue": 3303, "texte": "le soir de la prem ière — en l'honneur de l’Union belge."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3357, "fin_caractere_exclue": 3412, "texte": "Et tout finirait ainsi, c’est-à-dire très bien pour les"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3515, "fin_caractere_exclue": 3568, "texte": "époux Troyen et pour la Belgique, m ais très mal pour"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3569, "fin_caractere_exclue": 3625, "texte": "la fille Troyen et le fils Lodewyck qui s’aim ent, si le"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3698, "fin_caractere_exclue": 3754, "texte": "père Troyen, ému par les larm es de sa fille, ne l’auto­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3826, "fin_caractere_exclue": 3876, "texte": "risait à inviter Lodewyck à dîner pour le dimanche"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3951, "fin_caractere_exclue": 4008, "texte": "suivant, avec Violette, bien entendu. De cette façon tout"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4077, "fin_caractere_exclue": 4130, "texte": "po u rra recom m encer... De son côté, Georges a pris"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4197, "fin_caractere_exclue": 4252, "texte": "m iraculeusem ent goût au travail. Il sera un excellent"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4510, "fin_caractere_exclue": 4531, "texte": "horticulteur gantois."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4665, "fin_caractere_exclue": 4717, "texte": "Le grand défaut de l ’œ uvre, c’est l’allure conven­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4788, "fin_caractere_exclue": 4842, "texte": "tionnelle des personnages, qui parlent et agissent non"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4913, "fin_caractere_exclue": 4965, "texte": "pas en vertu de leur âme propre, mais pour obéir aux"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5043, "fin_caractere_exclue": 5060, "texte": "vœux de l’auteur."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5147, "fin_caractere_exclue": 5203, "texte": "M. Davignon im a g in e . Il faut qu’il se souvienne que"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5273, "fin_caractere_exclue": 5329, "texte": "l’a rt est fait d’observation tout au moins au tan t que"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5398, "fin_caractere_exclue": 5456, "texte": "d’im agination. Molière, qu’il connaît bien, peignait tou­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5530, "fin_caractere_exclue": 5586, "texte": "jo u rs d’après nature. Au surplus, quand il le veut, il"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5653, "fin_caractere_exclue": 5708, "texte": "sait très bien observer, et son personnage flam ingant,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5782, "fin_caractere_exclue": 5839, "texte": "le professeur Lodewyck, est très vivant, très « nature »."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6042, "fin_caractere_exclue": 6097, "texte": "Ou ne peut lui reprocher qu’un excès de grossièreté. Il"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6224, "fin_caractere_exclue": 6279, "texte": "y a bien des flam ingants de cette sorte. Mais je doute"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6416, "fin_caractere_exclue": 6473, "texte": "qu’on les trouve parm i les professeurs d’athénée, poètes"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6542, "fin_caractere_exclue": 6596, "texte": "et membres de l’Académie flamande. Évitons de froisser"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6665, "fin_caractere_exclue": 6721, "texte": "les Flam ands en raillan t les travers des flam ingants."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6793, "fin_caractere_exclue": 6844, "texte": "Le professeur Lodewyck est grossier avec les femmes"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 139, "fin_caractere_exclue": 196, "texte": "Il joue le m ouchard et le dénonciateur... Ce n ’est plus"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 260, "fin_caractere_exclue": 319, "texte": "de la caricature, cela, c’est de l’injure, et bien caracté­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 383, "fin_caractere_exclue": 437, "texte": "risée. Mais M. Davignon s’est laissé em porter par son"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 501, "fin_caractere_exclue": 553, "texte": "désir de réconcilier les gens modérés sur le dos des"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 617, "fin_caractere_exclue": 673, "texte": "gens excessifs. L ’intention était bonne : il n ’est que"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 737, "fin_caractere_exclue": 765, "texte": "de prendre garde aux moyens."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 832, "fin_caractere_exclue": 884, "texte": "Son prem ier acte est excellent presque tout entier."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 948, "fin_caractere_exclue": 1003, "texte": "Le conflit y est nettem ent exposé et les personnages y"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1067, "fin_caractere_exclue": 1123, "texte": "sont peints tout de suite, d’un tra it juste et fort. Le"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1187, "fin_caractere_exclue": 1243, "texte": "deuxième acte est plus faible, à cause de certaines lon­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1307, "fin_caractere_exclue": 1364, "texte": "gueurs; mais il est d’une jolie poésie, et pas seulem ent"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1428, "fin_caractere_exclue": 1483, "texte": "à cause du prestigieux décor de la Fagne qui l’encadre."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1547, "fin_caractere_exclue": 1607, "texte": "Le troisièm e acte est le moins bon : il tâtonne, il hésite,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1671, "fin_caractere_exclue": 1726, "texte": "il brusque tout parce qu’il ne trouve pas la solution —"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1790, "fin_caractere_exclue": 1841, "texte": "hélas ! peut-être introuvable ! — qui conviendrait."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 1905, "fin_caractere_exclue": 1961, "texte": "Mais, dans l’ensemble, la pièce est intéressante et scé­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2025, "fin_caractere_exclue": 2080, "texte": "nique. Elle a des « m om ents » qui sont très bons, qui"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2144, "fin_caractere_exclue": 2196, "texte": "prennent le public ou qui l’am usent : la demande en"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2260, "fin_caractere_exclue": 2316, "texte": "m ariage, au prem ier acte, en dépit d’une certaine exa­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2380, "fin_caractere_exclue": 2434, "texte": "gération d’impolitesse dans le caractère de Lodew yck;"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2498, "fin_caractere_exclue": 2551, "texte": "la scène entre Poyette et Violette, au deuxième acte,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2615, "fin_caractere_exclue": 2653, "texte": "très délicate, très fine et qui a ému."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2720, "fin_caractere_exclue": 2772, "texte": "C'est la prem ière œuvre dram atique de M. Davignon."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2836, "fin_caractere_exclue": 2889, "texte": "Les prom esses qu’elle donne perm ettent de prédire à"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 2953, "fin_caractere_exclue": 3007, "texte": "son auteur un succès plus complet quand il abordera le"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3071, "fin_caractere_exclue": 3129, "texte": "th éâtre pour la seconde fois.          G e o rg es R ency"}]}, {"article_id": "ulb-art-moderne-1913-12-28-n52-003", "volume": "ELB-ULB-DL2864764-1913-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1913-f.pdf", "ocr_sha256": "c8251294ed87cee3625c48a0a578c378af1b51182dcfe72f3533e21f72ae8cb1", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 410, "page_fin": 411, "titre_corps": "Peintres d'aujourd'hui : Jean Puy", "titre_sommaire": "", "rubrique": "", "signature_source": "Louis   V a u x c e lle s", "ancre_debut": "P E I N T R E S D ' A U J O U R D ’H U I", "ancre_fin": "Louis V a u x c e lle s", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3316, "fin_caractere_exclue": 3356, "texte": "P E I N T R E S D ' A U J O U R D ’H U I"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3505, "fin_caractere_exclue": 3514, "texte": "Jean Puy."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3636, "fin_caractere_exclue": 3697, "texte": "Quelques-uns des amateurs les plus clairvoyants d’aujourd’hui"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3762, "fin_caractere_exclue": 3825, "texte": "— je citerai parmi eux mon maître Théodore Duret et ces collec­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 3890, "fin_caractere_exclue": 3950, "texte": "tionneurs délicats que soin Julien Goujon ou Louis Bernard —"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4015, "fin_caractere_exclue": 4076, "texte": "placent Jean Puy en tète d'une génération qui compte Matisse,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4141, "fin_caractere_exclue": 4196, "texte": "Marquet, Laprade, Flandrin, Manguin, Lacoste, Dufrénoy."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4320, "fin_caractere_exclue": 4380, "texte": "II est oisif d’établir un palmarès, une hiérarchie entre des"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4444, "fin_caractere_exclue": 4509, "texte": "artistes si diversement et richement doués. Mais, sans contredit,"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4595, "fin_caractere_exclue": 4660, "texte": "Puy est un des vrais maîtres;de l’heure présente, un de ceux dont"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4724, "fin_caractere_exclue": 4787, "texte": "l’avenir retiendra le nom. Je me souviens d’avoir écrit, il y a"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4851, "fin_caractere_exclue": 4912, "texte": "quelques années : « On dira Puy comme on a dit Manet. » Je ne"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 4976, "fin_caractere_exclue": 5042, "texte": "crois pas avoir exagéré. L’art de Puy contient une force, une cer­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5106, "fin_caractere_exclue": 5142, "texte": "titude. une autorité qui s'imposent."}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5210, "fin_caractere_exclue": 5272, "texte": "Ce qui distingue ce peintre de plusieurs de ses confrères — et"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5336, "fin_caractere_exclue": 5397, "texte": "non des moins brillants — c’est son équilibre. Point de bonds"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5461, "fin_caractere_exclue": 5529, "texte": "déconcertants, de hauts et bas, d’incartades folles. Une progression"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5593, "fin_caractere_exclue": 5652, "texte": "sûre et lente due à un labeur tenace, solidement appuyé sur"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5716, "fin_caractere_exclue": 5781, "texte": "l'étude passionnée de la nature. Puy est un réaliste qui ne donne"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5845, "fin_caractere_exclue": 5909, "texte": "pas dans les divagations de nos chercheurs d’abstractions pictu­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 5973, "fin_caractere_exclue": 6041, "texte": "rales. Un lyrique aussi, car son invention est toujours en éveil. Il"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6161, "fin_caractere_exclue": 6223, "texte": "a été des premiers à vouloir réagir contre le « morceau » et à"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6343, "fin_caractere_exclue": 6415, "texte": "viser au style, qu’il atteint sans efforts. Il a réalisé quelques belles"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6479, "fin_caractere_exclue": 6541, "texte": "pages décoratives, aux arabesques nobles et cadencées. De pré­"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6605, "fin_caractere_exclue": 6664, "texte": "tentieux adolescents ingénus ont découvert, en ces derniers"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6728, "fin_caractere_exclue": 6792, "texte": "temps, que les jolis effets irisés de l’impressionnisme devaient"}, {"page_pdf": 417, "page_imprimee": 410, "debut_caractere": 6856, "fin_caractere_exclue": 6921, "texte": "faire place à autre chose et qu’il est nécessaire, maintenant, de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 151, "fin_caractere_exclue": 211, "texte": "construire. On s’en doutait bien un peu avant que ces gamins"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 287, "fin_caractere_exclue": 347, "texte": "nous révélassent la quatrième dimension et même la synthèse."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 431, "fin_caractere_exclue": 491, "texte": "Puy a toujours construit avec solidité; son tempérament sain"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 572, "fin_caractere_exclue": 628, "texte": "répugne aux grâces amorphes de ceux qui ne sont que sen­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 857, "fin_caractere_exclue": 864, "texte": "sibles."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 959, "fin_caractere_exclue": 1023, "texte": "Un autre et considérable mérite de Jean Puy est qu’il ne se spé­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1099, "fin_caractere_exclue": 1160, "texte": "cialise jamais. Natures mortes, bouquets admirables de sonore"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1233, "fin_caractere_exclue": 1299, "texte": "chatoiement, marines emplies d’air salubre et de clarté, portraits"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1516, "fin_caractere_exclue": 1580, "texte": "expressifs, nus volumineux, il excelle en ces divers genres sans"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1658, "fin_caractere_exclue": 1721, "texte": "qu’on puisse l’enclore en une formule. Le beau titre d’ « Indé­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1802, "fin_caractere_exclue": 1824, "texte": "pendant » lui revient."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1950, "fin_caractere_exclue": 2012, "texte": "Personnel, il ne doit rien à Cézanne, à Van Gogh, aux glorieux"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2089, "fin_caractere_exclue": 2154, "texte": "aînés. Il ne s’est pas cherché en eux, et s’est trouvé en lui. Sa"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2345, "fin_caractere_exclue": 2412, "texte": "palette n’est pas faite d’avance, et il ne craignait pas, en pleine"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2490, "fin_caractere_exclue": 2535, "texte": "« crise fauve », de faire usage de gris fins."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2634, "fin_caractere_exclue": 2697, "texte": "J’ajouterai qu’il est simple et travaille à l’écart, éloigné de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2766, "fin_caractere_exclue": 2827, "texte": "toute coterie. Nous sommes parfois une demi-douzaine d’amis à"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3038, "fin_caractere_exclue": 3104, "texte": "regarder chez Blot, vers six heures du soir, la journée finie, des"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3182, "fin_caractere_exclue": 3248, "texte": "toiles de Jean Puy. Elles sont à rude épreuve, puisqu’on voit chez"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3323, "fin_caractere_exclue": 3385, "texte": "Blot les plus magnifiques ouvrages de Renoir et de Guillaumin."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3467, "fin_caractere_exclue": 3529, "texte": "Si, d’aventure, Puy arrive chez son marchand et ami, sa modes­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3729, "fin_caractere_exclue": 3793, "texte": "tie s effarouche des compliments qu’on lui adresse et des paral­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3869, "fin_caractere_exclue": 3933, "texte": "lèles glorieux qu’il est pourtant de taille à pouvoir affronter."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4060, "fin_caractere_exclue": 4085, "texte": "Louis   V a u x c e lle s"}]}, {"article_id": "ulb-art-moderne-1913-12-28-n52-004", "volume": "ELB-ULB-DL2864764-1913-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1913-f.pdf", "ocr_sha256": "c8251294ed87cee3625c48a0a578c378af1b51182dcfe72f3533e21f72ae8cb1", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 411, "page_fin": 411, "titre_corps": "Une Conférence sur Jordaens", "titre_sommaire": "", "rubrique": "", "signature_source": "O. M.", "ancre_debut": "Un e Conférence sur Jordaens.", "ancre_fin": "s les déductions du conférencier. ’O . M", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4593, "fin_caractere_exclue": 4622, "texte": "Un e Conférence sur Jordaens."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4870, "fin_caractere_exclue": 4932, "texte": "La vie des maîtres de la Renaissance s’éclaire de plus en plus"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5008, "fin_caractere_exclue": 5066, "texte": "à la lumière des nombreux travaux publiés en ces dernières"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5152, "fin_caractere_exclue": 5217, "texte": "années. Mais il reste tant de recherches à faire pour le critique"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5298, "fin_caractere_exclue": 5362, "texte": "soucieux d’accorder l’évolution esthétique d’un artiste avec les"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5440, "fin_caractere_exclue": 5502, "texte": "données que nous révèle l’histoire sur son époque, son milieu,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5585, "fin_caractere_exclue": 5648, "texte": "ses affections, les événements heureux ou tragiques qui marquè­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5731, "fin_caractere_exclue": 5793, "texte": "rent ses années de production ! Pour juger un peintre, il faut"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5875, "fin_caractere_exclue": 5940, "texte": "reconstituer le cadre dans lequel il s’est développé et n’omettre"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6015, "fin_caractere_exclue": 6049, "texte": "rien de ce qui a influencé son art"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6162, "fin_caractere_exclue": 6224, "texte": "C’est ce qu’a fait avec une réelle autorité M. Fierens-Gevaert"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6282, "fin_caractere_exclue": 6346, "texte": "dans une conférence sur le P o êle des Beuveries chaleureusement"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6426, "fin_caractere_exclue": 6493, "texte": "accueillie, la semaine dernière, à Paris, par l’auditoire de l’Uni­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6570, "fin_caractere_exclue": 6635, "texte": "versité des Annales. Il parla d’abondance, avec une ferveur et un"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6713, "fin_caractere_exclue": 6777, "texte": "enthousiasme qui soulevèrent à maintes reprises les applaudisse­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6856, "fin_caractere_exclue": 6918, "texte": "ments. Et « l'énorme éclat de rire d’un géant septentrional »,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6995, "fin_caractere_exclue": 7063, "texte": "selon la pittoresque expression de l’orateur, retentit dans la salle"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7134, "fin_caractere_exclue": 7191, "texte": "de la rue Saint-Georges, commenté avec bonne humeur, avec"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7274, "fin_caractere_exclue": 7337, "texte": "esprit et avec éloquence par un historiographe particulièrement"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7412, "fin_caractere_exclue": 7479, "texte": "qualifié pour traiter ce sujet puisqu'il signa, voici douze ans, la"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7538, "fin_caractere_exclue": 7580, "texte": "première monographie consacrée a Jordaens."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7686, "fin_caractere_exclue": 7744, "texte": "Des projections en noir et en couleurs, — celles-ci dues à"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7745, "fin_caractere_exclue": 7805, "texte": "M. Gervais Courtellemont, — illustrèrent de témoignages gra­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7806, "fin_caractere_exclue": 7866, "texte": "phiques intéressants les déductions du conférencier. ’O . M."}]}, {"article_id": "ulb-art-moderne-1913-12-28-n52-005", "volume": "ELB-ULB-DL2864764-1913-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1913-f.pdf", "ocr_sha256": "c8251294ed87cee3625c48a0a578c378af1b51182dcfe72f3533e21f72ae8cb1", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 411, "page_fin": 411, "titre_corps": "Les « Animaliers » à Liège", "titre_sommaire": "", "rubrique": "", "signature_source": "Va l m o r e", "ancre_debut": "LES « ANIM ALIERS » A LIÈGE", "ancre_fin": "Va l m o r e", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8196, "fin_caractere_exclue": 8223, "texte": "LES « ANIM ALIERS » A LIÈGE"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8328, "fin_caractere_exclue": 8391, "texte": "Il y eut, l’an dernier, à Paris, un groupement formé à l’insti­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8392, "fin_caractere_exclue": 8456, "texte": "gation de M. Armand Dayot. qui s'attacha à réunir les sculpteurs"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8457, "fin_caractere_exclue": 8521, "texte": "et les peintres modernes dont le talent s’est voué particulière­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8572, "fin_caractere_exclue": 8633, "texte": "ment à la représentation des animaux. C’est ce groupement qui"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8634, "fin_caractere_exclue": 8708, "texte": "se reforme, cette année, à l' Œ u v re des A r t i s t e s de Liège, en se"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8753, "fin_caractere_exclue": 8816, "texte": "réunissant aux spécialistes belges qui se sont fait un nom dans"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8893, "fin_caractere_exclue": 8909, "texte": "les expositions."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9036, "fin_caractere_exclue": 9096, "texte": "Nous retrouvons ici M. Albert Crahay avec cette œuvre vigou­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9177, "fin_caractere_exclue": 9235, "texte": "reuse : le V ieux Cheval blanc. Nous revoyons avec intérêt"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 228, "fin_caractere_exclue": 285, "texte": "les deux toiles de M. E. Carpentier, frissonnantes de vie"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 364, "fin_caractere_exclue": 429, "texte": "joyeuse: N oirau de et P aisible ham eau; celles de M. R. de Bau­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 508, "fin_caractere_exclue": 570, "texte": "gnies; les esquisses fougueuses de M. Aug. Levêque; les toiles"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 649, "fin_caractere_exclue": 714, "texte": "solides de M Edg. Farasyn : B assin s d A n v e rs et F o ire aux"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 794, "fin_caractere_exclue": 855, "texte": "Chevaux; les sculptures de feu Léon Mignon, qui sont des mor­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 934, "fin_caractere_exclue": 954, "texte": "ceaux superbes, etc."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1036, "fin_caractere_exclue": 1097, "texte": "La section française est des plus attrayantes. Des sculpteurs"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1176, "fin_caractere_exclue": 1232, "texte": "comme Froment-Meurice avec son E talon boulonnais, comme"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1311, "fin_caractere_exclue": 1374, "texte": "M. de Monard avec son E ta lo n ardennais et un F o x grondant,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1453, "fin_caractere_exclue": 1515, "texte": "accusent toute l’énergie de la vie musculaire; d’autres, comme"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1594, "fin_caractere_exclue": 1657, "texte": "M. Paris avec sa Jum ent bretonne et son P e tit veau, montrent"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1736, "fin_caractere_exclue": 1801, "texte": "seulement la face rustique d’un talent très divers. M. Christophe"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 1880, "fin_caractere_exclue": 1945, "texte": "transpose dans le bronze ce que la bêle incarne de vie méditative"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2024, "fin_caractere_exclue": 2088, "texte": "et d’action réfléchie. M. Perrault-Hary est infiniment spirituel"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2167, "fin_caractere_exclue": 2234, "texte": "avec son A ne a u x cruches et ses D eu x F enneks. On admire aussi"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2313, "fin_caractere_exclue": 2344, "texte": "des bois magistraux de M Bigot."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2426, "fin_caractere_exclue": 2489, "texte": "Mais ce sont les peintres qui m’ont spécialement attiré, car ce"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2568, "fin_caractere_exclue": 2630, "texte": "sont eux qui se montrem les plus originaux et les plus hardis."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2712, "fin_caractere_exclue": 2765, "texte": "Auprès des envois réputés dans les Salons français dé"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2844, "fin_caractere_exclue": 2901, "texte": "MM. Doigneau, Mérite, Rôti;;, Steinlen, L Simon, Pinchon,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 2980, "fin_caractere_exclue": 3037, "texte": "Flameng, la nouveauté d’œuvres coloristes comme celles de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3116, "fin_caractere_exclue": 3181, "texte": "M. G Süe marque ecr t ainement une étape, ainsi que les peintures"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3260, "fin_caractere_exclue": 3322, "texte": "cynégétiques de M Jos. Oberthür. Il convient de s’arrêter très"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3401, "fin_caractere_exclue": 3466, "texte": "particulièrement devant les œuvres vibrantes et pleines d’intérêt"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3545, "fin_caractere_exclue": 3609, "texte": "de l’aquarelliste Mathurin Meheut, et les morceaux puissants, de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3688, "fin_caractere_exclue": 3728, "texte": "peinture grave et forte, de Mlle Denise."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3810, "fin_caractere_exclue": 3868, "texte": "Je me suis longuement arrêté devant les œuvres de M. Roger"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 3947, "fin_caractere_exclue": 4012, "texte": "Reboussin Cet artiste, qui vit en contact immédiat avec ses hôtes"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4091, "fin_caractere_exclue": 4156, "texte": "si fugitifs, réalise non seulement le « rendu » des formes et des"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4235, "fin_caractere_exclue": 4299, "texte": "couleurs dans leur variété la plus discrète ou la plus violente,"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4377, "fin_caractere_exclue": 4439, "texte": "mais note avec une expression inaccoutumée les nuances de leur"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4518, "fin_caractere_exclue": 4583, "texte": "psychologie secrète adaptée aux conditions de leur vie intime. Il"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4661, "fin_caractere_exclue": 4724, "texte": "accorde au traitement de l’ambianceun soin qui se ré\\èle par la"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4803, "fin_caractere_exclue": 4866, "texte": "profonde poésie du décor, que ce soit dans cette B ich e et son"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 4944, "fin_caractere_exclue": 5007, "texte": "faon, avec l'insouciance du petit dans la solitude du fourré de"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5085, "fin_caractere_exclue": 5151, "texte": "digitales que domine la tête de la mère en éveil, ou dans la fuite"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5229, "fin_caractere_exclue": 5297, "texte": "silencieuse de la F aisane et de sa couvée sur les feuilles mortes ;"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5375, "fin_caractere_exclue": 5439, "texte": "ou dans le grand fiel d’hiver le couple vertigineux de ce Faucon"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5517, "fin_caractere_exclue": 5584, "texte": "lian t un col vert, ou cette espiègle petite toile, peinte comme au"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5662, "fin_caractere_exclue": 5730, "texte": "déboîté d’une course dans les bois où il aurait surpris le R en a rd"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5808, "fin_caractere_exclue": 5874, "texte": "emportant parmi les herbes folles de la forêt ce petit geai dérobé"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 5952, "fin_caractere_exclue": 6014, "texte": "à la sollicitude de ses parents. M Roger Reboussin reconstitue"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6092, "fin_caractere_exclue": 6158, "texte": "la nature, mais avec une évocation où se devine l'âme de l'artiste"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6236, "fin_caractere_exclue": 6281, "texte": "et du chasseur, du naturalisa et du trappeur."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6363, "fin_caractere_exclue": 6425, "texte": "Citons encore les estampes et les gravures, si attachantes par"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6503, "fin_caractere_exclue": 6569, "texte": "leur réalisation très savante et pleine de sentiment de la vie des"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6647, "fin_caractere_exclue": 6712, "texte": "sportsmen, de M. Maurice Taquoy. un vrai artiste aussi, celui là."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6794, "fin_caractere_exclue": 6855, "texte": "A ceux qui ne pourraient se rendre à Liège pour visiter cette"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 6933, "fin_caractere_exclue": 6994, "texte": "exposition, n’omettons point de dire que 1Exposition des ani­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7072, "fin_caractere_exclue": 7133, "texte": "maliers français à Paris en janvier-février prochains réunira"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7211, "fin_caractere_exclue": 7273, "texte": "à peu près les mêmes noms (en ce qui concerne la section fran­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7351, "fin_caractere_exclue": 7411, "texte": "çaise), auxquels il faudra ajouter ceux de MM. Albert Crahay"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7489, "fin_caractere_exclue": 7537, "texte": "(belge) et Rembrandt Bugatti (italien), invités."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7670, "fin_caractere_exclue": 7682, "texte": "Va l m o r e"}]}, {"article_id": "ulb-art-moderne-1913-12-28-n52-006", "volume": "ELB-ULB-DL2864764-1913-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1913-f.pdf", "ocr_sha256": "c8251294ed87cee3625c48a0a578c378af1b51182dcfe72f3533e21f72ae8cb1", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 411, "page_fin": 411, "titre_corps": "Memento musical", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "M E M E N T O MUSICAL", "ancre_fin": "rprétées au piano par M1lleBlanche Selva", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7895, "fin_caractere_exclue": 7916, "texte": "M E M E N T O MUSICAL"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 7997, "fin_caractere_exclue": 8055, "texte": "La Société J . S . B ach de Liège a fixé au 14 janvier son"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8133, "fin_caractere_exclue": 8191, "texte": "premier concert. Il sera consacré à un choix d’œuvres pour"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8269, "fin_caractere_exclue": 8324, "texte": "clavecin, interprétées au piano par M1lleBlanche Selva."}]}, {"article_id": "ulb-art-moderne-1913-12-28-n52-007", "volume": "ELB-ULB-DL2864764-1913-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1913-f.pdf", "ocr_sha256": "c8251294ed87cee3625c48a0a578c378af1b51182dcfe72f3533e21f72ae8cb1", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 411, "page_fin": 412, "titre_corps": "Nécrologie", "titre_sommaire": "Nécrologie : Charles Delaborde; Jules Claretie", "rubrique": "", "signature_source": "O. M.", "ancre_debut": "NÉ C R O L O G IE", "ancre_fin": "noncée sur tous les m urs de Paris. O. M", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8554, "fin_caractere_exclue": 8571, "texte": "NÉ C R O L O G IE"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8734, "fin_caractere_exclue": 8752, "texte": "Charles Delaborde."}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8833, "fin_caractere_exclue": 8892, "texte": "Le pianiste Delaborde, qui vient de s’éteindre à Paris dans"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 8970, "fin_caractere_exclue": 9032, "texte": "sa soixante-quatorzième année, était un contemporain de Rubin­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9110, "fin_caractere_exclue": 9176, "texte": "stein. Il avait de son illustre émule la sonorité puissante, l’ex­"}, {"page_pdf": 418, "page_imprimee": 411, "debut_caractere": 9254, "fin_caractere_exclue": 9321, "texte": "pression intense, le style large et pur, la technique éblouissante."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 79, "fin_caractere_exclue": 144, "texte": "C’était un grand artiste, au vrai sens du term e, et un admirable"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 216, "fin_caractere_exclue": 227, "texte": "professeur."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 361, "fin_caractere_exclue": 423, "texte": "A la gloire du virtuose Delaborde préféra les joies intimes de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 483, "fin_caractere_exclue": 545, "texte": "l'enseignem ent. Pendant quarante ans il professa au Conserva­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 546, "fin_caractere_exclue": 616, "texte": "t o i r e , où huit jours avant sa mort il dirigeait encore sa classe."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 687, "fin_caractere_exclue": 746, "texte": "Quelques voyages accomplis autrefois en compagnie de Vieux­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 827, "fin_caractere_exclue": 889, "texte": "temps et d'Henri W ieniawski, des concerts donnés à Bruxelles,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 925, "fin_caractere_exclue": 988, "texte": "à Vienne, à Saint-Pétersbourg dans le but de faire connaître un"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 989, "fin_caractere_exclue": 1057, "texte": "piano à clavier de pédales dont il était l’inventeur l’avaient rendu"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1130, "fin_caractere_exclue": 1194, "texte": "célèbre à l’étranger. Mais depuis longtemps il avait renoncé aux"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1268, "fin_caractere_exclue": 1330, "texte": "tournées pour se consacrer exclusivement à ses élèves, dont la"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1405, "fin_caractere_exclue": 1442, "texte": "plupart sont aujourd’hui des maîtres."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1701, "fin_caractere_exclue": 1721, "texte": "Ju les C la re tie ."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1795, "fin_caractere_exclue": 1855, "texte": "Il est mort brusquem ent, quelques jours avant d ’abandonner"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1932, "fin_caractere_exclue": 1999, "texte": "le poste d’adm inistrateur de la Comédie-Française q u ’il occupait"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2074, "fin_caractere_exclue": 2097, "texte": "depuis vingt-trois ans."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2219, "fin_caractere_exclue": 2277, "texte": "Jules Claretie connut de fructueux succès de librairie. Le"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2354, "fin_caractere_exclue": 2420, "texte": "théâtre lui sourit parfois. Mais c’est le journalism e qui absorba"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2496, "fin_caractere_exclue": 2558, "texte": "sa vie. Le nombre des chroniques qu’il écrivit est prodigieux."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2633, "fin_caractere_exclue": 2701, "texte": "Chacune d ’elles témoigne d ’un esprit clair et m esuré, d ’une phi­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2702, "fin_caractere_exclue": 2765, "texte": "losophie aimable qui effleure toutes choses sans y pénétrer, et"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2845, "fin_caractere_exclue": 2906, "texte": "surtout d ’une mémoire extraordinaire qui lui perm ettait, en"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2980, "fin_caractere_exclue": 3046, "texte": "ra menant à sa pensée mille souvenirs, d ’am user et d ’intéresser"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3095, "fin_caractere_exclue": 3159, "texte": "constamment ses lecteurs. La « Vie à Paris » qu’il publiait tous"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3241, "fin_caractere_exclue": 3307, "texte": "les jeudis dans le Temps avec la plus ponctuelle régularité est un"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3382, "fin_caractere_exclue": 3451, "texte": "inépuisable répertoire d ’anecdotes, de traits d ’esprit, d ’observa­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3523, "fin_caractere_exclue": 3589, "texte": "tions notées au hasard des événements. Mieux que le Prince Z ila h"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3663, "fin_caractere_exclue": 3731, "texte": "ou M onsieur le M in istre, ces chroniques fixent la personnalité de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3799, "fin_caractere_exclue": 3861, "texte": "l’actif écrivain qui succombe au moment même où la publication"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3941, "fin_caractere_exclue": 4003, "texte": "imminente de ses M émoires est. par des affiches gigantesques,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4067, "fin_caractere_exclue": 4133, "texte": "annoncée sur tous les m urs de Paris.                        O. M."}]}, {"article_id": "ulb-art-moderne-1913-12-28-n52-008", "volume": "ELB-ULB-DL2864764-1913-f", "pdf_url": "https://digistore.bib.ulb.ac.be/2013/ELB-ULB-DL2864764-1913-f.pdf", "ocr_sha256": "c8251294ed87cee3625c48a0a578c378af1b51182dcfe72f3533e21f72ae8cb1", "ocr_source": "pdftotext -layout", "texte_sans_correction": true, "page_debut": 412, "page_fin": 416, "titre_corps": "Petite Chronique", "titre_sommaire": "", "rubrique": "", "signature_source": "", "ancre_debut": "PETITE CHRONIQUE", "ancre_fin": ".................................... 230", "fin_page_complete": false, "fin_avant": "", "segments_controles": true, "controle": "limites et attributions contrôlées sur les images", "pages": [{"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4570, "fin_caractere_exclue": 4586, "texte": "PETITE CHRONIQUE"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4835, "fin_caractere_exclue": 4857, "texte": "Expositions ouvertes :"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4973, "fin_caractere_exclue": 5030, "texte": "Musée de Peinture moderne, Salon de la Société royale des"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5107, "fin_caractere_exclue": 5172, "texte": "Aquarellistes. — Cercle Artistique, MM. Delescluze et H. Courtens"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5248, "fin_caractere_exclue": 5313, "texte": "(du 28 décembre au 5 janvier).— Galerie Georges Giroux, M. Alfred"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5388, "fin_caractere_exclue": 5451, "texte": "Delaunois (jusqu’au 29). — Galerie d ’art, M. Paul Van de Venne"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5525, "fin_caractere_exclue": 5589, "texte": "(jusqu’au 1er janvier). — Studio, M. Jef de Pauw (jusqu’au 30).—"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5668, "fin_caractere_exclue": 5729, "texte": "Ecole communale (rue Claessens. Laeken), exposition du Cercle"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5807, "fin_caractere_exclue": 5869, "texte": "d ’art de Laeken. — Art décoratif (102 boulevard de Waterloo),"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5948, "fin_caractere_exclue": 5987, "texte": "broderies anciennes de Mme G. Dangotte."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6087, "fin_caractere_exclue": 6152, "texte": "L’exposition générale des Beaux-Arts,qui s’ouvrira à Bruxelles en"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6221, "fin_caractere_exclue": 6287, "texte": "mai prochain, com prendra une section des Arts décoratifs modernes"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6361, "fin_caractere_exclue": 6391, "texte": "qui promet de faire sensation."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6500, "fin_caractere_exclue": 6568, "texte": "Le comité s’est assuré dès à présent la collaboration d ’architectes"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6634, "fin_caractere_exclue": 6700, "texte": "et d’artistes décorateurs belges et étrangers, qui réaliseront des"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6729, "fin_caractere_exclue": 6764, "texte": "ensembles de décoration intérieure."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6768, "fin_caractere_exclue": 6833, "texte": "Plusieurs industriels se sont adressés au comité le priant de les"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 6905, "fin_caractere_exclue": 6966, "texte": "mettre en rapport avec des artistes qui leur fourniraient des"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7042, "fin_caractere_exclue": 7108, "texte": "modèles originaux d ’inspiration moderne. Il serait très désirable"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7189, "fin_caractere_exclue": 7257, "texte": "que cet exemple fût suivi par les fabricants de tissus, de tapis, de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7326, "fin_caractere_exclue": 7389, "texte": "papiers peints, de ferronnerie, de bronzes d ’appartem ents, de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7468, "fin_caractere_exclue": 7533, "texte": "céramique, de verrerie, etc. L’hésitation que le public manifeste"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7607, "fin_caractere_exclue": 7672, "texte": "à l’égard de l’art déroratif moderne provient en grande partie de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7747, "fin_caractere_exclue": 7812, "texte": "l’im perfection dans la réalisation des modèles. Le comité serait"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 7884, "fin_caractere_exclue": 7953, "texte": "heureux d ’encourager les initiatives de ce genre et s’efforcerait de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8028, "fin_caractere_exclue": 8071, "texte": "provoquer des collaborations intéressantes."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8132, "fin_caractere_exclue": 8190, "texte": "Pour tous renseignem ents, s’adresser par écrit à M. Jules"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8191, "fin_caractere_exclue": 8256, "texte": "Berchmans, secrétaire du groupe, 86 rue de Linthout, à Bruxelles."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8470, "fin_caractere_exclue": 8530, "texte": "La Libre Académie de Belgique a, dans sa dernière assemblée,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8608, "fin_caractere_exclue": 8663, "texte": "élu en remplacement de Paul Janson et Camille Lemonnier"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8743, "fin_caractere_exclue": 8784, "texte": "MM. Paul-Emile Janson et Grégoire Le Roy."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 9023, "fin_caractere_exclue": 9087, "texte": "On se propose de célébrer l ’été prochain à Anvers le tri-cente­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 9159, "fin_caractere_exclue": 9223, "texte": "naire de la Descente de Croix, l’un des chefs-d’œuvre de Rubens."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 156, "fin_caractere_exclue": 214, "texte": "M. Emile Verhaeren est parti il y a quelques jours pour la"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 290, "fin_caractere_exclue": 356, "texte": "Russie, où il a été invité à faire des conférences à Saint-Péters­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 432, "fin_caractere_exclue": 482, "texte": "bourg et à Moscou. Il sera de retour le 7 janvier."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 624, "fin_caractere_exclue": 686, "texte": "La répétition générale de P a rsifa l au théâtre de la Monnaie"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 762, "fin_caractere_exclue": 826, "texte": "reste fixée au 2 janvier, à 5 h. 1/2; la première représentation"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 902, "fin_caractere_exclue": 924, "texte": "au 4, à la même heure."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1066, "fin_caractere_exclue": 1129, "texte": "Ce sont des artistes .allemands qui chanteront au théâtre de la"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1204, "fin_caractere_exclue": 1267, "texte": "Monnaie pendant la « Semaine Richard Strauss ». Mme Mottl-Fass­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1342, "fin_caractere_exclue": 1404, "texte": "bender interprétera les rôles d'Elektra et d ’Hérodiade ; Miss"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1479, "fin_caractere_exclue": 1536, "texte": "Frances Rose chantera ceux de Salomé et de Chrysothémis ;"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1611, "fin_caractere_exclue": 1674, "texte": "Mme von Mildenburg. celui de Clytem nestre. Les rôles masculins"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1749, "fin_caractere_exclue": 1790, "texte": "seront distribués à MM. Krauss et Perrin."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 1869, "fin_caractere_exclue": 1931, "texte": "M. Beyle, l’actif directeur du Grand Théâtre de Lyon, vient de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2006, "fin_caractere_exclue": 2073, "texte": "faire un effort de décentralisation artistique en montant F ervaal,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2148, "fin_caractere_exclue": 2215, "texte": "l’émouvant dram e lyrique de Vincent d’Indy. Dans l’interprétation,"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2290, "fin_caractere_exclue": 2353, "texte": "qui fut excellente, il faut citer particulièrem ent Mme Catalan"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2428, "fin_caractere_exclue": 2495, "texte": "(Guilhen) et M. Verdier (Fervaal). Le chef d ’orchestre, M. Bovy, a"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2570, "fin_caractere_exclue": 2632, "texte": "droit à tous les éloges. Le succès de l’œ uvre a été unanim e."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2779, "fin_caractere_exclue": 2844, "texte": "La seconde vente de l’atelier Carpeaux, qui a eu lieu à Paris les"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 2919, "fin_caractere_exclue": 2979, "texte": "8 et 9    décembre, a produit 239,974 francs, ce qui porte à"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3054, "fin_caractere_exclue": 3094, "texte": "981,824 francs le total des deux ventes."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3172, "fin_caractere_exclue": 3240, "texte": "Quelques prix de cette seconde vente : l'E n fa n t au cor (plâtre),"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3315, "fin_caractere_exclue": 3381, "texte": "6,000 fr. — D aphnis et Chloé (id.), 5 ,000 fr. — Jeune fille à la"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3456, "fin_caractere_exclue": 3522, "texte": "coquille (bronze). 6,100 fr — Génie de la danse (bronze) 6,680 fr."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3597, "fin_caractere_exclue": 3662, "texte": "— Id . (plâtre), 5.600 fr. — P o rtra it de M lle F ... (plâtre),"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3737, "fin_caractere_exclue": 3798, "texte": "6.600 fr. — Espiègle (id.), 6,500 fr. — L a Danse (peinture),"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 3873, "fin_caractere_exclue": 3940, "texte": "6,700 fr. — B a l au palais des Tuileries en 1867 (id ), 10,100 fr."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4015, "fin_caractere_exclue": 4066, "texte": "— L es E n fa n ts de Carpeaux (dessin). 5 ,100 fr."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4212, "fin_caractere_exclue": 4273, "texte": "On se préoccupe déjà un peu partout, dit le Guide musical, de"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4348, "fin_caractere_exclue": 4413, "texte": "célébrer dignem ent le deux centième anniversaire de la naissance"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4488, "fin_caractere_exclue": 4556, "texte": "de Gluck, qui tombe, on le sait, le 2 juillet de l ’année prochaine."}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4631, "fin_caractere_exclue": 4691, "texte": "A Paris, on tiendra à honneur de commémorer brillam m ent le"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4766, "fin_caractere_exclue": 4831, "texte": "souvenir du maître qui fit représenter sur la scène française ses"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 4906, "fin_caractere_exclue": 4969, "texte": "opéras Orphée, A lceste, A rm id e et Iphigénie en A u lid e. A"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5044, "fin_caractere_exclue": 5106, "texte": "Vienne, où à compter de 1748, et pendant vingt-cinq ans, Gluck"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5181, "fin_caractere_exclue": 5247, "texte": "occupa les fonctions de capellm eister au théâtre de la Cour et où"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5322, "fin_caractere_exclue": 5387, "texte": "il se retira en 1779, un comité de fêtes s’est constitué, sous la"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5462, "fin_caractere_exclue": 5524, "texte": "présidence du vénérable compositeur Karl Goldmark, dans le but"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5599, "fin_caractere_exclue": 5667, "texte": "d ’ériger, le 2 juillet prochain, sur une des places de la ville, un"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 5742, "fin_caractere_exclue": 5806, "texte": "m onum ent à la gloire du réform ateur de l’opéra. 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Roussel, Signac, Vallotton et Vuillard"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 8958, "fin_caractere_exclue": 9020, "texte": "d ’aprés des œ uvres de Cézanne, une lithographie d’A. Maillol"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 9095, "fin_caractere_exclue": 9158, "texte": "d ’après son m onum ent Cézanne. Texte d ’Octave Mirbeau, Théo­"}, {"page_pdf": 419, "page_imprimee": 412, "debut_caractere": 9233, "fin_caractere_exclue": 9277, "texte": "dore D uret, Frantz Jourdain et Léon W erth."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 45, "fin_caractere_exclue": 67, "texte": "T A B L E DES MATIERES"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 83, "fin_caractere_exclue": 140, "texte": "C O N T E N U E S DANS LA T R E N T E - T R O I S I È M E"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 232, "fin_caractere_exclue": 249, "texte": "A N N É E ( 1913)"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 330, "fin_caractere_exclue": 355, "texte": "DE L ’A R T M O D E R N E"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 384, "fin_caractere_exclue": 431, "texte": "ÉTUDES                ET       P O R T R A IT S"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 802, "fin_caractere_exclue": 909, "texte": "L e s p r o m e s s e s d u C u b is m e ( J ea n d e B o s s c h è r e ) . . .                          25"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1023, "fin_caractere_exclue": 1130, "texte": "I n t e r p r é t a t i o n s d u M id i (O c ta v e M au s ) ...............................            65"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1241, "fin_caractere_exclue": 1243, "texte": "75"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1244, "fin_caractere_exclue": 1351, "texte": "D e s i n f lu e n c e s ( J ea n d e B o s s c h è r e ) .....................................         225"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1465, "fin_caractere_exclue": 1572, "texte": "L ’i n f lu e n c e d ’E n s o r ,F r a n z H e l l e n s ).....................................        249"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1686, "fin_caractere_exclue": 1793, "texte": "L e s f l e u r s e t l a p e i n t u r e ( J ea n d e B o s s c h è r e ). . . .                       273"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 1907, "fin_caractere_exclue": 2014, "texte": "P r é f a c e a u c a t a lo g u e d ’u n e e x p o s itio n ( É l ie F a u r e ) .                     281"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2128, "fin_caractere_exclue": 2235, "texte": "S u r l a R e n a i s s a n c e i t a l i e n n e (C h . H er m a n s ) . . . .                         314"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2343, "fin_caractere_exclue": 2344, "texte": "."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2355, "fin_caractere_exclue": 2462, "texte": "R a p p o r t à l ’A c a d é m ie d e B e lg iq u e (X . M e l l e r y ). . .                           378"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2576, "fin_caractere_exclue": 2683, "texte": "L e s a r t i s t e s b e l g e s a u x S a lo n s d e P a r i s (O c ta v e M a u s )                  233"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 2797, "fin_caractere_exclue": 2885, "texte": "L e S a lo n d ’A u to m n e (G. J ea n -A ubry ) ........................ 369, 379, 401"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3018, "fin_caractere_exclue": 3125, "texte": "L a l i b e r t é d e l ’é c r i t u r e (F r a n c is d e M io m a n d r e ) . . .                      10"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3239, "fin_caractere_exclue": 3346, "texte": "R é f l e x i o n s s u r le s t r a i t é s d e m o r a l e d ’A n d r é G id e (id .)                 161"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3466, "fin_caractere_exclue": 3573, "texte": "L e D r a m a t i s m e ( J ea n d e B o s s c h è r e ) .....................................          201"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 3687, "fin_caractere_exclue": 3794, "texte": "R é f l e x i o n s s u r J .- J . 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E u g è n e M o n t f o r t (L o u is P ié r a r d ). . . 257, 284"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4301, "fin_caractere_exclue": 4408, "texte": "L e C o n s e r v a t o i r e d e L u x e m b o u r g (O c ta v e M a u s ) . .                           1"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4409, "fin_caractere_exclue": 4516, "texte": "S o u v e n ir s (D . d e S év é r a c ) .............................................................  265"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4634, "fin_caractere_exclue": 4741, "texte": "E n é c o u t a n t la N e u v iè m e (C a m ill e M a u cla ir ). . . .                                297"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 4855, "fin_caractere_exclue": 4962, "texte": "M arie-M agdeleine , ( O c t a v e M a u s ) ...........................................                153"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5070, "fin_caractere_exclue": 5177, "texte": "L e Sacre a u P rin te m p s ( I d . ) ........................................................         169"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5291, "fin_caractere_exclue": 5398, "texte": "L a Q uerelle ( G e o r g e s R e n c y ) ..............................                                409"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5501, "fin_caractere_exclue": 5593, "texte": "P e e r G y n t a u L e s s i n g - T h e a t e r ( E r n e s t C l o s s o n ) . . 345. 353"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5722, "fin_caractere_exclue": 5829, "texte": "P a y s a g e s d ’E x m o o r (O c ta v e M aus ) .....................................                321"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 5908, "fin_caractere_exclue": 6015, "texte": "P o u r C h a m b é r y ( I d . ) ....................................................................  378"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6133, "fin_caractere_exclue": 6240, "texte": "J a n e B a t h o r i - E n g e l (G . J ea n -A ubry ). .                               . . .          145"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6354, "fin_caractere_exclue": 6461, "texte": "M me L . B e r n a r d in i -S j o e s t e d t ( F r a n c is d e M io m a n d r e )                     75"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6575, "fin_caractere_exclue": 6682, "texte": "P ie r r e B on na rd ( J oachim G a s q u e t ) . . . . . . .                                          395"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 6796, "fin_caractere_exclue": 6903, "texte": "E u g èn e B oudin (G . J ea n -A ubry ).................................................                73"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7017, "fin_caractere_exclue": 7124, "texte": "L o u is - G . C a m b ie r ( F ranz H e l l e n s ) .....................................              220"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7238, "fin_caractere_exclue": 7345, "texte": "C a p p ie l l o (C a m il l e M a u c l a ir ) .................................................        33"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7463, "fin_caractere_exclue": 7560, "texte": "T r is t a n C o r b iè r e (G e o r g e s L ec o m te ) ............................... 308, 323"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7688, "fin_caractere_exclue": 7795, "texte": "D aubign y (G. J ea n -A u b ry ).............................................................          105"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 7910, "fin_caractere_exclue": 8016, "texte": "E dvard D ir ik s (A r s è n e A l e x a n d r e ) .....................................               313"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 8130, "fin_caractere_exclue": 8237, "texte": "J o se f von D iv é k y (L ouis P ié r a r d ) ...........................................              121"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 8355, "fin_caractere_exclue": 8462, "texte": "H e n r i D uv er n o is ( F . d e M io m a n d r e ) .....................................             177"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 8576, "fin_caractere_exclue": 8683, "texte": "J u les F l a n d r in ( J o a c h im (G a s q u e t ) . . . . . . .                                    269"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 8801, "fin_caractere_exclue": 8899, "texte": "A r m an d G u illa um in (L ou is V a u x c e ll es ) ............................... 1 0 9 , 209"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 9023, "fin_caractere_exclue": 9129, "texte": "F e r d in a n d H o d le r ( I d . ) ......................................................         . 362"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 9227, "fin_caractere_exclue": 9333, "texte": "H o k u sa ï ( R aymond K o ec h lin ) .................................................                49"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 9440, "fin_caractere_exclue": 9547, "texte": "J .- K . H uysm ans (G. 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E x p o s itio n d e M . F ir m in B aes ( I d .)                               20"}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 11311, "fin_caractere_exclue": 11376, "texte": "I d . (le M me du M o n cea u , d e M M . H . A n spa c h e t L ."}, {"page_pdf": 420, "page_imprimee": 413, "debut_caractere": 11494, "fin_caractere_exclue": 11602, "texte": "H ouyoux ( I b . ) ...........................................                                            29"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 2, "fin_caractere_exclue": 5, "texte": "414"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 98, "fin_caractere_exclue": 118, "texte": "TA BL E DES MATIERES"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 124, "fin_caractere_exclue": 248, "texte": "E x po sit io n d e M . 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Q u e lq u e s p e i n t r e s d ’A u d e r g h e m (I d .) . .                                      238"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 4552, "fin_caractere_exclue": 4676, "texte": "S c h a e r b e e k . E x p o s i t io n d u C e r c le d e s A r ts ( I d .).                                   .       286"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 4805, "fin_caractere_exclue": 4929, "texte": "A n v e r s . S a lo n d e l 'A r t C ontem porain (Id .) . . . . .                                                      123"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 5062, "fin_caractere_exclue": 5183, "texte": "L 'A rt C ontem porain e t l e s a c h a ts o f fic ie ls (R .). . .                                                   85"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 5311, "fin_caractere_exclue": 5435, "texte": "G and . L e S a lo n d e s B e a u x - A r ts (F r a n z . 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J ea n -A ubry ) . . . .                                            369, 379, 401"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 7081, "fin_caractere_exclue": 7207, "texte": "‘ E x p o s itio n D a v id e t s e s é lè v e s . . . . . . . .                                                          . 63"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 7338, "fin_caractere_exclue": 7410, "texte": "G a l e r ie E . B l o t . E x p o s it i o n d e M. G. V an H o u ten ."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 7591, "fin_caractere_exclue": 7705, "texte": "(L V a u x c e ll es )            ..............................................................                21"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 7849, "fin_caractere_exclue": 7966, "texte": "I d . d e M . 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A vec les g u e u x ( J e a n R ic h e p in ) . . .                                               269"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 13225, "fin_caractere_exclue": 13229, "texte": "2 14"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 13230, "fin_caractere_exclue": 13355, "texte": "N . B e e t s . L u cas de L e y d e (F . H .) . . . . . . . .                                                            213"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 13483, "fin_caractere_exclue": 13608, "texte": "F r i t z B u r g e r . H an dbu ch d e r K u n stw isse n sch a ft (O. M).                                               165"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 13730, "fin_caractere_exclue": 13731, "texte": "."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 13738, "fin_caractere_exclue": 13863, "texte": "E m ile C a m m a e r ts . 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H .). . . . . . . .                                                       110"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 18743, "fin_caractere_exclue": 18748, "texte": ". . ."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 18768, "fin_caractere_exclue": 18889, "texte": "l d . G u illa u m e C h arlier ( I d . ) ....................................                                        213"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 252, "fin_caractere_exclue": 325, "texte": "M me L . R o b l o t - D e l a n d r e . Portraits d ’infantes ( I d .) ."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 369, "fin_caractere_exclue": 372, "texte": "101"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 503, "fin_caractere_exclue": 558, "texte": "G.   R o u c h è s . 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M .) .                                                                               102"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 6708, "fin_caractere_exclue": 6815, "texte": "G a s t o n H o c h a r d ................................................................................."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 6961, "fin_caractere_exclue": 7080, "texte": "G a s t o n L a T o u c h e ( L o u is V a u x c e l l e s ) ...........................                            228"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 7214, "fin_caractere_exclue": 7333, "texte": "H e n r i M o r e t .....................................................                                           158"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 7467, "fin_caractere_exclue": 7586, "texte": "D a r io d e R e g o y o s (O . M . ) .............................................................                 358"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 7720, "fin_caractere_exclue": 7839, "texte": "H e n r i van S e b e n                              .....................................................           38"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 8225, "fin_caractere_exclue": 8238, "texte": "SC U LPTU R E"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 8458, "fin_caractere_exclue": 8540, "texte": "L a L aitière d e M a r c D e V o s .............................................."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 8709, "fin_caractere_exclue": 8829, "texte": "L a M aternité d e M . V ic t o r R o u s s e a u ........................................                           255"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 8960, "fin_caractere_exclue": 9080, "texte": "U n e f o n t a i n e d e M . G . 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M o r is s e a u x , p a r M . C h . S a m u e l . ."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 12972, "fin_caractere_exclue": 12975, "texte": "247"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 13109, "fin_caractere_exclue": 13190, "texte": "I d . d ’EDOUARD R o d , à N y o n .............................................."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 13363, "fin_caractere_exclue": 13482, "texte": "I d . d ’EDGAR T i n e l , à S i n a y                    . . . . . . . . .                                         343"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 13616, "fin_caractere_exclue": 13687, "texte": "I d . d e C h . V an d e r S t a p p e n , p a r M . 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D e v r e e s e ...............................................                    375"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 15341, "fin_caractere_exclue": 15460, "texte": "L a p l a q u e t t e d e l a C o n f r é r i e S t - M i c h e l ...........................                       111"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 15591, "fin_caractere_exclue": 15713, "texte": "M é d a i l l e d e l a T . S . F . , p a r M . E .- .J D e B r e m a e c k e r .                                      158"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 15844, "fin_caractere_exclue": 15966, "texte": "L e m o d è l e d u Génie de la danse d e C a r p e a u x . . . .                                                      191"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 16097, "fin_caractere_exclue": 16176, "texte": "N é c r o l o g ie — A u g u s t e d e N ie d e r h a ü s e r n - R o d o . . ."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 16353, "fin_caractere_exclue": 16473, "texte": "E m il e - F r é d é r ic S a l m o n ....................................................................          2 30"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 17001, "fin_caractere_exclue": 17049, "texte": "A R C H É O L O G IE , A R C H I T E C T U R E ,"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 17209, "fin_caractere_exclue": 17234, "texte": "A R T S A P P L IQ U É S."}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 17491, "fin_caractere_exclue": 17611, "texte": "U n p a la is d e s F ê te s e t E x p o sitio n s (C h .-L éon C ardon ).                                           107"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 17742, "fin_caractere_exclue": 17821, "texte": "L es c a rto n s d e P u v is d e C h a v a n n e s a u C in q u a n te n a ire"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 17955, "fin_caractere_exclue": 18071, "texte": "(L .-H . D e v i l l e z ) ..........................................................................            267"}, {"page_pdf": 421, "page_imprimee": 414, "debut_caractere": 18202, "fin_caractere_exclue": 18287, "texte": "L ’E s th é tiq u e d e B ru x e lle s . 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J . D e l v il l e .                                              390"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 1278, "fin_caractere_exclue": 1404, "texte": "I d . d e M . J acob S m its p o u r le P a l a i s d e j u s t i c e . .                                                  302"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 1537, "fin_caractere_exclue": 1668, "texte": "C o n c o u r s d ’a r c h i t e c t u r e ..............................................................6,                     366"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 1801, "fin_caractere_exclue": 1933, "texte": "U n c o u rs d e te c h n iq u e d e n te lliè r e .........................................                                      63"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 2065, "fin_caractere_exclue": 2196, "texte": "L ’U n io n n a t i o n a l e d e n t e l l i è r e                                 ...............................             165"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 2267, "fin_caractere_exclue": 2398, "texte": "C o n c o u r s d e s A m is de la D e n te lle ..............................                                                  342"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 2527, "fin_caractere_exclue": 2658, "texte": "E s ta m p e s d é c o r a t i v e s ................................................................                           278"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 2792, "fin_caractere_exclue": 2874, "texte": "E x p o s itio n d ’é lè v e s d u c o u r s d e M lles M a r i e C lo s s e t e t"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 3057, "fin_caractere_exclue": 3183, "texte": "M a r ie G a s p a r (M . K . M . ) ........................................................                               221"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 3312, "fin_caractere_exclue": 3442, "texte": "G a n d . E x p o sitio n de l’A rt a n c ie n d a n s le s F la n d re s . .                                                  294"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 3576, "fin_caractere_exclue": 3706, "texte": "L e M u s é e w a l l o n à L i è g e ..............................................................                           236"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 3836, "fin_caractere_exclue": 3968, "texte": "L ’a b b a y e d ’O r v a l ................................................................................                      63"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 4096, "fin_caractere_exclue": 4226, "texte": "L ’É g l i s e d e M a r c i n e l le ( J u le s D e s t r é e ). . . ,                                             ..         275"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 4360, "fin_caractere_exclue": 4441, "texte": "P a r is . L e p l a f o n d d e B esn a r d à l a C o m é d ie f r a n ç a i s e"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 4628, "fin_caractere_exclue": 4735, "texte": "( L o u is V aux c e l le s ) .................................................................... 295, 324"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 4888, "fin_caractere_exclue": 4977, "texte": "L a d é c o ra tio n d u th é â tr e d e s C h a m p s -E ly sé e s (O c t . M a u s ) 20"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 5152, "fin_caractere_exclue": 5247, "texte": "Id . d u P a n t h é o n ............................................................... . '303"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 5361, "fin_caractere_exclue": 5448, "texte": "E x p o sitio n d e p o te r ie s de M . 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H .). ,                                                109"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 1197, "fin_caractere_exclue": 1271, "texte": "F . C a s t a n ié . R oyales a m o u rs d'une p e tite m odiste ( F . d e"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 1419, "fin_caractere_exclue": 1535, "texte": "M io m a n d re )         ...............................................................................        132"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 1679, "fin_caractere_exclue": 1799, "texte": "P . C h a m p io n . Vie de C harles d'O rléan s (Id .) . . . .                                                      339"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 1943, "fin_caractere_exclue": 2063, "texte": "G .-lv . C h e s t e r t o n . L e N apoléon de N o ttin g H i l l . . .                                             356"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 2207, "fin_caractere_exclue": 2265, "texte": "H . C o l l e t . L e M ysticism e m u sica l espagn ol au"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 2413, "fin_caractere_exclue": 2525, "texte": "X V I e s i è c l e .............................................................................            206"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 2669, "fin_caractere_exclue": 2790, "texte": "L . C o u r o u b le . Le p e tit P o els (F . d e M io m a n d re ) . . .                                             51"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 2934, "fin_caractere_exclue": 3050, "texte": "A . D a y o t . L a folie d u com te L u ciu s ( I d .) ......................                                   234"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 3194, "fin_caractere_exclue": 3310, "texte": "J u l e s D e l a c r e , Chant p ro v in c ia l (I d .) ............................                            146"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 3454, "fin_caractere_exclue": 3574, "texte": "M . d e s O m biaux. L es m anches d e lu strin e (Id.). . . .                                                       227"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 3718, "fin_caractere_exclue": 3834, "texte": "GÉo D r a i n s . L es Sem ailles ( I d . ) ........................................                             132"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 3978, "fin_caractere_exclue": 4094, "texte": "D . D u r a n d y . P ou ssières d ’Ita lie (Id . ) ............................                                 188"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 4242, "fin_caractere_exclue": 4358, "texte": "I d . A tra v e rs la H ollan de (Id .) . . . . . . . •                                                          364"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 4502, "fin_caractere_exclue": 4622, "texte": "H e n r i D u v e r n o is . C o p ies (I d . ) ..........................................                    .      177"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 4770, "fin_caractere_exclue": 4886, "texte": "I d . N ou n ette ou la Déesse a u x cent bouches (Id.) . .                                                      357"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 5030, "fin_caractere_exclue": 5146, "texte": "M a r c E l d e r . L e p e u p le de la m e r ( I d . ) ......................                                  396"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 5290, "fin_caractere_exclue": 5359, "texte": "S,. E v a n s . Valère et N arcisse , ou le D ialogu e de M . 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E x p o s i ti o n d ’a r t d é c o r a t i f .....................................                                303"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 7877, "fin_caractere_exclue": 7880, "texte": "302"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 7882, "fin_caractere_exclue": 8013, "texte": "B i b l i o g r a p h i e : Le Trésor de l ’A r t belge a u X V I I e siècle                                                    130"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 8595, "fin_caractere_exclue": 8615, "texte": "L IT T É R A T U R E"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 9079, "fin_caractere_exclue": 9210, "texte": "O p in io n d e M . E m ile V e r h a e r e n s u r P i e r r e C o rn e ille .                                                 140"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 9344, "fin_caractere_exclue": 9428, "texte": "L e s c e n t e n a i r e s d e D i d e r o t e t d e V e u i l l o t ( F . 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M on sieu r H on oré (Id .). . . . . .                                                  131"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 7293, "fin_caractere_exclue": 7355, "texte": "A . G o f f in S ain t François d ’Assise dan s la légen de et"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 7503, "fin_caractere_exclue": 7620, "texte": "d a n s l'art (L o u is T h o m a s) .                                                                            129"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 7764, "fin_caractere_exclue": 7835, "texte": "E . G o m e z - C a r illo . P sych ologie de la M ode ................"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 8024, "fin_caractere_exclue": 8087, "texte": "H . H o p p e n o t. L es y e u x d e la Vie et de l’Illu sio n"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 8235, "fin_caractere_exclue": 8347, "texte": "(G. 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Les nuages su r l’Indo-Chine ( I d .)                                               . .                   38 0"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 15375, "fin_caractere_exclue": 15507, "texte": "J o s e p h d ’A r b a u d . L ou Lausié d'A rle ( I d . ) ...........................                                          38 0"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 15588, "fin_caractere_exclue": 15674, "texte": "A l a i n - F o u r n i e r . Le G rand Meaulnes ( I d . ) ..........................."}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 15849, "fin_caractere_exclue": 15852, "texte": "243"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 15853, "fin_caractere_exclue": 15984, "texte": "A u g u s t e A u m a i t r e . Sur les pages bleues ( I d .) . . . .                                                           299"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 16118, "fin_caractere_exclue": 16180, "texte": "A u r e l . Jean D o le n t .................................."}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 16374, "fin_caractere_exclue": 16377, "texte": "262"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 16378, "fin_caractere_exclue": 16452, "texte": "E.        B a c i i a e t H . D e B a c k e r . Journal du comte H enri de"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 16650, "fin_caractere_exclue": 16775, "texte": "Calenberg pour l’année 1743 ( F r a n z H e l l e n s ) . . .                                                            24 2"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 16903, "fin_caractere_exclue": 17035, "texte": "M a u r i c e B a r r è s . L a Colline inspirée ( F . d e M io m a n d r e )                                                   10 7"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 17163, "fin_caractere_exclue": 17295, "texte": "H .- M . B a r z u n . La Terrestre T ragédie (J) d e B o s s c h è r e ) .                                                     20 2"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 17427, "fin_caractere_exclue": 17555, "texte": "I d . L'Ère du dram e ( I d . ) .......................................                                                     20 2"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 17683, "fin_caractere_exclue": 17777, "texte": "N i c o l a s B a u d u i n . — L a Divine f o l i e ........................................."}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 17948, "fin_caractere_exclue": 18079, "texte": "P . B e r r i c h o n . Jean-Arthur Rim baud (F . d e M i o m a n d r e )                                                       305"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 18159, "fin_caractere_exclue": 18292, "texte": "T h o m a s B r a u n . Fumée d'Ardenne ( I d . ) ..................................                                               17"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 18424, "fin_caractere_exclue": 18488, "texte": "R . d e B e r m in g h a m . M yrm illo: histoire d ’une fourm i"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 18661, "fin_caractere_exclue": 18775, "texte": "rousse de la forêt ( I d .)                                                     .................................."}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 18924, "fin_caractere_exclue": 19009, "texte": "A . d e B e r s a u c o u r t . Thomas B rau n ( I d . ) ............................"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 19189, "fin_caractere_exclue": 19322, "texte": "G . B i n e t - V a l m e r . Le cœur en désordre ( I d .) . . . .                                                           8 3 -9 0"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 19431, "fin_caractere_exclue": 19564, "texte": "H . B l a n d i n . J.-K . Huysmans (G . J e a n - A u b r y ) .                                         . . .                     41"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 19696, "fin_caractere_exclue": 19827, "texte": "L . B o c q u e t . La Lum ière d'Hellas ( F . d e M i o m a n d r e )                                                          283"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 19961, "fin_caractere_exclue": 20092, "texte": "J e a n d e B o s s c h è r e . Métiers divins ( C a m i l l e M a u c l a i r )                                                329"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 20226, "fin_caractere_exclue": 20292, "texte": "M a r c e l B o u l e n g e r . Cours de Vie P arisienne à l'usage"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 20495, "fin_caractere_exclue": 20566, "texte": "des étrangers ( F . d e M i o m a n d r e ) ..........................."}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 20619, "fin_caractere_exclue": 20623, "texte": "3 80"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 20756, "fin_caractere_exclue": 20887, "texte": "E m m a m u e l B o u r c i e r . Reportages ( I d .). . . . . . .                                                              122"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 10484, "fin_caractere_exclue": 10513, "texte": ". . . .                   206"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 10657, "fin_caractere_exclue": 10778, "texte": "C a r l o s L a r r o n d e . L e liv re d ’heures. ( F . d e M io m a n d re )                                       372"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 10922, "fin_caractere_exclue": 11038, "texte": "P h i l é a s L e b e s g u e . L es S ervitu d es ( I d . ) ......................                               57"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 11182, "fin_caractere_exclue": 11303, "texte": "M .-A . L e b l o n d . L a F ran ce d e va n t l'E u rope (Id .) . . .                                               395"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 11447, "fin_caractere_exclue": 11520, "texte": "D r A . F . L e g e n d r e . A u Y u n n a n et d a n s le m a s s if du"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 11668, "fin_caractere_exclue": 11780, "texte": "K in-H o ( I d . ) .............................................................................             364"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 11924, "fin_caractere_exclue": 11993, "texte": "C h a r l e s L e G o f f ic . M. E rn est R en an d a n s la B asse-"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 12141, "fin_caractere_exclue": 12253, "texte": "B re ta g n e ( I d . ) .......................................................................              371"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 12397, "fin_caractere_exclue": 12463, "texte": "J u l e s L e m a î t r e . L es péch és de Sain te-B eu ve (Id .)"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 12515, "fin_caractere_exclue": 12518, "texte": "132"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 12640, "fin_caractere_exclue": 12641, "texte": "."}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 12662, "fin_caractere_exclue": 12778, "texte": "J e a n L o n g n o n . Les leçons de F lorence ( I d .) ...............                                         371"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 12922, "fin_caractere_exclue": 13043, "texte": "M a u r i c e M a e t e r l i n c k . L a M ort (G . R e n c y )                            . . . .                   241"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 13187, "fin_caractere_exclue": 13308, "texte": "S . M a l l a r m é . P oésies com plètes ( F . d e M io m a n d re ) . .                                             212"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 13452, "fin_caractere_exclue": 13573, "texte": "H . M a r t i n e a u . L 'itin éra ire de S ten d h a l (M . d e R o d x ) .                                         170"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 13717, "fin_caractere_exclue": 13799, "texte": "A . M e r c e r e a u . P a ro le s d e va n t la V ie ..........................."}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 13963, "fin_caractere_exclue": 14054, "texte": "3 56          F r a n c i s d e M io m a n d re . H istoire de P ie r r e P o n s p a n tin"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 14178, "fin_caractere_exclue": 14319, "texte": "3 57                    d e feu tre ( J e a n d e B o s s c h è r e ) ..........................................                   .      113"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 14443, "fin_caractere_exclue": 14584, "texte": "395                 G a b r i e l M o u r e y . P sy c h é ( F . d e M io m a n d re ) . . . .                                            284"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 14732, "fin_caractere_exclue": 14849, "texte": "I d . P ro p o s su r les beautés d u tem ps p ré se n t (Id .) . .                                               291"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 14979, "fin_caractere_exclue": 15114, "texte": "188           H e n r i M u c h a r t . L es F leu rs de l'arbre de science (Id .) .                                                132"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 15258, "fin_caractere_exclue": 15374, "texte": "J e a n n e N é r e l . M a sœ u r M onique ( I d . ) .....................                                      379"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 15518, "fin_caractere_exclue": 15587, "texte": "C o m te s s e d e N o a i l l e s . 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Ce qu i m e u rt et ce q u i d em eu re (Id.).                                      251"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 18091, "fin_caractere_exclue": 18158, "texte": "G e o r g e s R e n c y . L’A ïeu le. — F risson s de vie. — Contes"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 18306, "fin_caractere_exclue": 18423, "texte": "de la H ulotte. — P ro p o s de littéra tu re(\\D .) . . . .                                                        97"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 18571, "fin_caractere_exclue": 18656, "texte": "Id . L 'A ïeu le. — P ropos d e litté ra tu re ( A n d r é d u F r e s n o is ) . 221"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 18785, "fin_caractere_exclue": 18923, "texte": "3 57           G . R é v a l . L e R o y a u m e d u P rin te m p s (F . d e M io m a n d re ).                                        132"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 19052, "fin_caractere_exclue": 19188, "texte": "371           A . R im b a u d . Une saison en e n fer (Id .).....................................                                   306"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 19332, "fin_caractere_exclue": 19430, "texte": "G.       R o d e n b a c h . L a je u n e sse blanche ( Id .) ........................... 255, 282"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 19573, "fin_caractere_exclue": 19695, "texte": "B l a n c h e R o u s s e a u . L isette et sa p a n to u fle (Id .) . . .                                              34"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 19838, "fin_caractere_exclue": 19960, "texte": "E d m o n d S é e . P e tits dialogu es su r le th éâtre (Id .). .                                                     187"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 20103, "fin_caractere_exclue": 20225, "texte": "A . S c h n i t z l e r . A n a to le (Id .) . . ' ...........................................                         187"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 20368, "fin_caractere_exclue": 20490, "texte": "V. S e g a l e n . L es Im m ém o ria u x ( I d . ) .....................................                              355"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 20609, "fin_caractere_exclue": 20610, "texte": "."}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 20633, "fin_caractere_exclue": 20755, "texte": "G . S o u l a g e s . D u c œ u r ................................................................                     310"}, {"page_pdf": 422, "page_imprimee": 415, "debut_caractere": 20898, "fin_caractere_exclue": 21020, "texte": "R . d e S o u z a . N ice, ca pitale d 'h ive r ............................................                            86"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 3, "fin_caractere_exclue": 6, "texte": "116"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 94, "fin_caractere_exclue": 112, "texte": "TABLE DES MATIÈRES"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 118, "fin_caractere_exclue": 232, "texte": "S t e n d h a l . L a Vie d 'H en ri B r u la r d . ( F . d e M io m a n d re ).                               137"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 368, "fin_caractere_exclue": 482, "texte": "A n d r é S u a r è s . C ressida (Id .)..............................                                         276"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 618, "fin_caractere_exclue": 732, "texte": "A . T h ib a u d e t. L es H eu res d e l'A cropole (Id .) . . . .                                             202"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 872, "fin_caractere_exclue": 982, "texte": "I d . L a poésie de S té jh a n e M a lla rm é ( I d .) .........................                          210"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 1067, "fin_caractere_exclue": 1182, "texte": "L o u is T h o m a s . Curiosités s u r B a u d e la ire (Id )                                 . . .             27"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 1316, "fin_caractere_exclue": 1431, "texte": "A b k l T o r c y . L e C an ard sa u va g e (Id .) .....................................                       227"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 1524, "fin_caractere_exclue": 1639, "texte": "A l b e r t T u s t e s . L es C lam eu rs (Id .).                                 . . . .                      284"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 1775, "fin_caractere_exclue": 1889, "texte": "O c t a v e U z a n n e . L es A m is d 'E d o u a rd ( T d .) .........................                       371"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 1985, "fin_caractere_exclue": 2100, "texte": "L o u is -M . V a u z a n g e s . L ’é critu re des m u sicien s célèbres.                                      310"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 2235, "fin_caractere_exclue": 2350, "texte": "V a l é r y L a r b a ud . A .-O . B arn abooth (F . d e M io m a n d re )                                      403"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 2480, "fin_caractere_exclue": 2573, "texte": "G e o r g e s Vi r r è s . L e Cœur tim id e ( I d . ) ......................................"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 238, "fin_caractere_exclue": 365, "texte": "L i o n e l D a u r i a c . M e y e r b e e r ..........................................                                    181"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 488, "fin_caractere_exclue": 615, "texte": "E . G r a n a d o s . G oyescas, s u ite p o u r p ia n o (O . M .) . .                                                     173"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 738, "fin_caractere_exclue": 865, "texte": "A n d r é P i b r o . S c h ü tz . .............................................................                            181"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 988, "fin_caractere_exclue": 1064, "texte": "J o s e p h R y e l a n d t . E n A rd e n n e, su ite p o u r p ia n o , et"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 1191, "fin_caractere_exclue": 1314, "texte": "3 Son ates (C h . V . ) ..........................................................................                      125"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 1437, "fin_caractere_exclue": 1522, "texte": "A . T ir a b a s s i . T r a n s c r i p t i o n p o u r c la v e c in d e l a Su ite"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 1648, "fin_caractere_exclue": 1772, "texte": "p o u r lu th d e J .- S . B a c h ( I d . ) ..................................................                          348"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 1895, "fin_caractere_exclue": 1983, "texte": "C o n se r v a t o ir e d e B r u x e l l e s . L e d ip lô m e d e v i r tu o s i t é :"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 2110, "fin_caractere_exclue": 2233, "texte": "M lle C l a ir e P r e u m o n t .............................................................                          117"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 2360, "fin_caractere_exclue": 2478, "texte": "C o n c o u r s ....................................................................       2 0 6 , 2 1 3 , 2 2 1 , 229"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 2597, "fin_caractere_exclue": 2676, "texte": "18 C o n c e r t s p o p u l a ir e s ( S a is o n 1912-13). 4e c o n c e r t ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 2678, "fin_caractere_exclue": 2793, "texte": "G e o r g e s W i l l a me M on sieu r R om ain ( Id .) . . . .                                                 131"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 2929, "fin_caractere_exclue": 3044, "texte": "F r a n c e s W o r t h . F a iries a n d flow ers .                                                            206"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 3125, "fin_caractere_exclue": 3240, "texte": "T . d e W y z e w a . T r a d u c ti o n d e s F iore t ti (L o u is T h o m a s )                              129"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 3374, "fin_caractere_exclue": 3489, "texte": "I d . M a Tante Vin centine ( F . d e M io m a n d r e) . . . .                                                 259"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 3624, "fin_caractere_exclue": 3740, "texte": "D am e Y e t t e . A rd a n t le chevelu ; d e s s in s d e J e a n V e b e r . (Id.)                              4"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 3830, "fin_caractere_exclue": 3945, "texte": "P é r i o d iq u e s n o u v e a u x . L es A rd en n es belges . . . .                                          86"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 4084, "fin_caractere_exclue": 4194, "texte": "L e Coq w a llo n — L ’E l a n .......................................................                     327"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 4297, "fin_caractere_exclue": 4396, "texte": "L u P h a l a n g e ..............................................................................."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 4538, "fin_caractere_exclue": 4541, "texte": "131"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 4547, "fin_caractere_exclue": 4657, "texte": "L a T ribun e M u sic a le ...................................................................             397"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 4737, "fin_caractere_exclue": 4848, "texte": "L es E crits fra n ça is ( F r a n c i s d e M io m a n d re ). . . .                                       403"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 4982, "fin_caractere_exclue": 5070, "texte": "P o èm e et D r a m e , a n t h o l o g i e a r t i s t i q u e e t c r i t iq u e m o ­"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 5191, "fin_caractere_exclue": 5301, "texte": "d e rn e (J e a n d e B o ssc h è re )                                                                     201"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 5390, "fin_caractere_exclue": 5472, "texte": "C o n f é r e n c e s d e s A m is d e l a L i t t é r a t u r e : M M E d m o n d"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 5644, "fin_caractere_exclue": 5719, "texte": "P i c a r d , M . d e s O m b iau x e t E m ile V e r h a e r e n : H o m ­"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 5846, "fin_caractere_exclue": 5956, "texte": "m a g e à C am ille L em o n n ier (G R ..........................................                         349"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 6063, "fin_caractere_exclue": 6169, "texte": "I d . d e s A m is d u M u s é e . M . B u l s : L a G ra n d 'P la c e.                               349"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 6266, "fin_caractere_exclue": 6372, "texte": "M . A .- J . W a u t e r s : H u bert v a n Ey c k .........................                           349"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 6506, "fin_caractere_exclue": 6588, "texte": "C e r c l e a r t i s t i q u e C o n f é r e n c e d e M . E . C lo s s o n : L a"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 6713, "fin_caractere_exclue": 6825, "texte": "chanson p o p u la ire en B elgiqu e (C h . V . ) .........................                                   61"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 6917, "fin_caractere_exclue": 6981, "texte": "I d . d e M . E C a m m a e r ts : L a chanson p o p u la ire en"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 7158, "fin_caractere_exclue": 7161, "texte": "116"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 7175, "fin_caractere_exclue": 7278, "texte": "A n g le te rre (Id .) . . .                                                                         93"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 7376, "fin_caractere_exclue": 7482, "texte": "I d . d e M. J u l e s De s t r é e . L a s c u lp tu r e en W a llo n ie                              366"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 7626, "fin_caractere_exclue": 7687, "texte": "I d . d e M. P . 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B r e n e t : L ’organ iste B o ë ly                               39"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 10039, "fin_caractere_exclue": 10149, "texte": "C o n f é r e n c e d e M . G . 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H o n o r é C h a m pio n ( F ra n c is d e M io m a ndre )                               116"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 13494, "fin_caractere_exclue": 13604, "texte": "J u les C l a r e t ie (O. M ) . . .                                                                       412"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 13709, "fin_caractere_exclue": 13819, "texte": "C a m il l e L em o n n ier (G eo r g e s R ency ) ...............................                         193"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 13940, "fin_caractere_exclue": 14050, "texte": "R o g er M a r x (O . 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L . B . ) ...............................                         54"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16297, "fin_caractere_exclue": 16390, "texte": "G . S c h n e e v o ig t . .                      ..........................................."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16408, "fin_caractere_exclue": 16411, "texte": "397"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16545, "fin_caractere_exclue": 16619, "texte": "B i b l i o g r a p h i e . — H e n r i A u r i o l L a d écen tralisation"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16797, "fin_caractere_exclue": 16879, "texte": "m u s i c a le ..................................................................."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16904, "fin_caractere_exclue": 16907, "texte": "262"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17025, "fin_caractere_exclue": 17026, "texte": "."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17041, "fin_caractere_exclue": 17121, "texte": "B e l l e t R o b e r t B u l l o c k . R ecu eil d 'h y m n es p o p u la ire s"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17264, "fin_caractere_exclue": 17374, "texte": "b rita n n iq u es .........................               . . .                   .       . . .           231"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17508, "fin_caractere_exclue": 17581, "texte": "M ic h e l B r e n e t , J C h a n t a v o in e , L L aloy e t L . d e la"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17721, "fin_caractere_exclue": 17728, "texte": ". . . ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17760, "fin_caractere_exclue": 17848, "texte": "L a u r e n c i e L 'an n ée m u s i c a l e ..........................................."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17993, "fin_caractere_exclue": 18108, "texte": "L .-V . D e c l e r c q Cou rs de h au te v irtu o sité (C h V .)                                                20"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18229, "fin_caractere_exclue": 18284, "texte": "E m ile C h a u m o n t. E tu d e s p o u r le violon ,"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18340, "fin_caractere_exclue": 18343, "texte": "205"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18428, "fin_caractere_exclue": 18495, "texte": "E r n e s t C lo s s o n . N otes su r la chanson p o p u la ire en"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18669, "fin_caractere_exclue": 18779, "texte": "B elgiqu e             .                                                     . . . . . .                   294"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 2803, "fin_caractere_exclue": 2927, "texte": "M M D u pu is e t P abbo C a sa ls ( H . ) .....................................                                          29"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 3053, "fin_caractere_exclue": 3123, "texte": "— (S a iso n 1913-1914). P r e m i e r c o n c e r t . 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( H .) . . . . .                                                 29"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 4204, "fin_caractere_exclue": 4291, "texte": "6e c o n c e r t. F e s t i v a l d e m u s i q u e f r a n ç a i s e . M . d ’I nd y ,"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 4404, "fin_caractere_exclue": 4480, "texte": "357              M me C r o iza e t M . R aoul P ugno (O c t a v e M aus ) ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 4667, "fin_caractere_exclue": 4731, "texte": "- (S a iso n 1913-1914. 2 c o n c e r t. M M . E . Y s a y e e t"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 4861, "fin_caractere_exclue": 4980, "texte": "L . C a p e t . M me J . D e l f o r t r ie e t M lle E . B u y e n s ( I d .)                                      381"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 5103, "fin_caractere_exclue": 5185, "texte": "C o n c e r ts d e la L ibr e E s t h e t iq u e , 1er c o n c e r t . M me M .-A."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 5311, "fin_caractere_exclue": 5388, "texte": "W e b e r -D e l a c r e , M me M . D e V os -A e r t s , M M . D e f a u w ,"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 5514, "fin_caractere_exclue": 5638, "texte": "D a m b o is , J . J o n g en e t O. M a u s (C h . V . ) .........................                                       83"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 5764, "fin_caractere_exclue": 5840, "texte": "2 e c o n c e r t. 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M .).                                         372"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 7987, "fin_caractere_exclue": 8115, "texte": "S a l l e P a t r ia . C o n c e r t F ir k e t V an H o r e n (H .).                                         ..              77"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 8241, "fin_caractere_exclue": 8364, "texte": "R é c i ta l C a r l F r ie d b e r g (O . M . ) .....................................                                  125"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 8489, "fin_caractere_exclue": 8563, "texte": "A u d i ti o n d ’œ u v r e s e s p a g n o l e s p a r Mlle D e m o n t ,"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 8692, "fin_caractere_exclue": 8800, "texte": "M M . 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V .). . . .                                                   45"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 9910, "fin_caractere_exclue": 10034, "texte": "R é c i ta l G er m a in e L ie v e n s ; id . G e o r g e s P it sc h (O .M .)                                          117"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 10159, "fin_caractere_exclue": 10283, "texte": "C o n c e r t d e M . T ir a b a s si (C h . 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S . ) ........................................................ 21, 46"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 14056, "fin_caractere_exclue": 14153, "texte": "G and L e C h œ u r i m p é r i a l d e L o n d r e s ................................... 95, 134"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 14278, "fin_caractere_exclue": 14389, "texte": "F e s t i va l S a i n t - S a ë n s .......................................................                255"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 14510, "fin_caractere_exclue": 14637, "texte": "M o n s. M a tin é e d u B on Vouloir (M llesP i t s c h e t S t é v a r t )                                                182"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 14758, "fin_caractere_exclue": 14830, "texte": "W es t e n d e . C o n c e r t d u S a lo n d e s B e a u x - A r ts . ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 14882, "fin_caractere_exclue": 14885, "texte": "295"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 15006, "fin_caractere_exclue": 15091, "texte": "P a r is . C o n c e r t s L a m o ure u x . C o n c e r t d e m u s iq u e f r a n ­"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 15203, "fin_caractere_exclue": 15340, "texte": "332          ç a is e d i r i g é p a r M . V . d ’I ndy O. M.) . . .                                              . .                 28"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 15465, "fin_caractere_exclue": 15589, "texte": "C o n c e r t (le la Société n a tio n a le de m u siqu e (O. M .) .                                                      28"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 15710, "fin_caractere_exclue": 15825, "texte": "L e e d s . F e s t i v a l d e m u s i q u e ...........................................                       350"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 15946, "fin_caractere_exclue": 16060, "texte": "L e G r a n d p r i x d e c o m p o s iti o n m u s i c a le                              . . .2 3 1 ,2 5 4 ,3 3 5"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16181, "fin_caractere_exclue": 16296, "texte": "U n e s a lle d e c o n c e r t s à B r u x e l l e s ...............................                           391"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16396, "fin_caractere_exclue": 16399, "texte": ". ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16417, "fin_caractere_exclue": 16544, "texte": "L e J u r y C e n t r a l d e M u s iq u e .                         . .               .........................            117"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16666, "fin_caractere_exclue": 16792, "texte": "Le M u s é e d u C o n s e r v a to ir e a u C in q u a n t e n a ir e . . .                                               359"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16887, "fin_caractere_exclue": 16889, "texte": ".."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 16913, "fin_caractere_exclue": 16990, "texte": "D o n d e s o u v e n ir s d e la M a lib r a n a u C o n s e r v a t o i r e"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17037, "fin_caractere_exclue": 17040, "texte": "238"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17161, "fin_caractere_exclue": 17259, "texte": "E u g è n e Y s a y e m a i t r e d e c h a p e l l e d u R o i ......................... 382, 391"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17380, "fin_caractere_exclue": 17507, "texte": "U n e d o ta tio n a u C o n s e r v a t o i r e d e L u x e m b o u r g . . .                                              103"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17628, "fin_caractere_exclue": 17694, "texte": "L e c a r il lo n é l e c t r i q u e d e M . G u s ta v e L y o n"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17747, "fin_caractere_exclue": 17755, "texte": "3 1 , 38"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 17867, "fin_caractere_exclue": 17992, "texte": "181      L ’o r g u e d e l a c a l h é d r a l e d e L i v e r p o o l ..................                                 23"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18113, "fin_caractere_exclue": 18228, "texte": "L a n a ti o n a l i t é d o s m u s ic i e n s a l l e m a n d s ..................                            255"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18329, "fin_caractere_exclue": 18332, "texte": ". ."}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18349, "fin_caractere_exclue": 18427, "texte": "U n m a n u s c r i t d e C h o p i n .................................... 183"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18548, "fin_caractere_exclue": 18664, "texte": "U n e c a n ta te i n é d i t e d e J .- S . B a c h ...............................                              87"}, {"page_pdf": 423, "page_imprimee": 416, "debut_caractere": 18785, "fin_caractere_exclue": 18900, "texte": "L a R evu e m u sicale S. I. M .................................................                                230"}]}], "pages_ocr_originales": [{"page_pdf": 416, "texte": "       T re n te -tro is iè m e        année.                                          N u 52.                                      28 D é c e m b r e 1913.\n\n\n\n\n L'A RT MODERNE\n                               REVUE                         CRITIQUE                            HEBDOMADAIRE\n                                         B U R E A U X : R U E DE L ’IN D U S T R IE ,                     32,   BRUXELLES\n A B O N N E M E N T : B E L G IQ U E , 1 0 FR A N C S L ’A N ; U N IO N P O S T A L E 1 3 FR A N C S . —                    L E N U M É R O , 25 C E N T IM E S\n\n\n\n\n                                 S O M M A IR E                                                en veulent à m ort à M. Henri Davignon d’être le fils de\n                                                                                              son père. On fait rem arquer, avec autan t de tact que\n   L a Q u e re lle (G e o r g e s R e n c y ). — P e in tr e s d ’a u jo u r d ’h u i :\nJean P ut / (L ouis V a u x c e l l e s ). — U n e C o n fé re n c e s u r J o r d a e n s\n                                                                                              d’esprit, qu’il doit à cette qualité d’avoir vu la prem ière\n(O. M.). — L e s \" A n im a lie rs \" à L iè g e (V a l m o r e ). — M e m en to               représentation de sa pièce honorée de la présence du\nm u sic a l. — N é c ro lo g ie : Charles Delaborde; Jules Claretie. —                        Roi et de la Reine, de six m inistres, sans com pter les\nP e t it e C h ro n iq u e . — T a b le d e s m a tiè re s .                                  m inistres plénipotentiaires, et de toutes les fortes tètes\n                                                                                              de l ’Adm inistration. E t l ’on ricane, et l’on potine, et\n                                                                                              l ’on insinue... Si bien que ceux qui, dans leur for\n                                                                                              intérieur, pourraient en effet trouver qu’on a battu un\n                      LA QUERELLE                                                             peu trop la caisse en vue de cette prem ière sensation­\n                                                                                              nelle, se garderaient bien de le dire tout haut, de peur\nCom édie en tr o is a c te s p a r M. H en ri D avign on .\n                                                                                              d’être confondus avec ces austères Catons.\n    C’est une pièce « belge » s’il en fut! Non seulem ent                                         Mais que vaut la pièce? Car n ’est-ce pas là l’essen­\n le lieu de la scène est en Belgique, non seulem ent tous                                     tiel ? Elle a, je l ’ai dit dans l 'A r t m o d e rn e de dim an­\n les personnages sont belges, mais l'action elle-même                                         che dernier, de grandes qualités et de grands défauts.\n est em pruntée à ce qu’il y a de plus belge au m onde :                                          Je la résum e rapidem ent.\nla désunion, la querelle!... Et quelle querelle! La plus                                          Au prem ier acte, le professeur flam ingant Lodew yck\nâpre, la plus farouche, la plus tendue en ce m om ent ;                                      vient dem ander, pour son fils Camille, la m ain d’une\nla querelle des races et des langues... En choisissant ce                                    des filles de M. et Mme Troyen, grands horticulteurs\nsujet, M. Davignon jouait la difficulté. Il s’exposait                                       de Gand. Mme Troyen, qui est Liégeoise, voudrait que\nbénévolement à être attaqué p ar tout le monde et à                                          la réponse fût différée et que ces fiançailles ne fussent\nn ’être compris par personne. C’est à peu près ce qui                                        point décidées avec une hâte qui répugne à sa n atu re\nlui est arrivé, si j ’en crois certains échos. Les Flam ands                                 fine. Mais son m ari et sa fille (la principale intéressée),\nne lui pardonnent pas d’avoir créé son type de F la ­                                        passent outre et donnent leur consentem ent sans\nm ingant rabique et grossier, le professeur Lodewyck.                                        tard e r. Georges Troyen soutient sa m ère dans ce débat.\nLes W allons trouvent qu’il a fait la p a rt trop belle                                      Il a son âm e w allonne. Il hait le milieu gantois et ne\naux Flam ands et que, finalement, ce sont eux, incarnés                                      se plaît qu’à Liège où il a fait ses études. Un vieux\np ar le père Troyen, qui l ’em portent dans l’affaire.                                       professeur de violon, Violette, Liégeois lui aussi, sert\nQuant aux gens qui ne sont ni Flam ands ni W allons,                                         à Mme Troyen et à Georges de confident enthousiaste.\nles métis, selon la forte expression de M. Jules Destrée,                                        Au deuxième acte, Violette, Georges et la petite\nils applaudiraient volontiers la pièce. Mais ils redou­                                      Poyette (la crapaude de ce dernier) sont ensemble, dans\nten t qu'on les accuse d’être des partisans d’un plat et                                     un hôtel des Fagnes, à Hockai. Georges a rom pu avec\nfade « m iddelmatisme ». Ajoutez à cela que d’aucuns                                         son père et il vit to u t à fait avec P oyette. Il s’agit de\n"}, {"page_pdf": 417, "texte": " •410                                                 L 'A R T M ODERNE\n\n\n\n\n  le ram ener au devoir. Violette procède par la douceur.      Il joue le m ouchard et le dénonciateur... Ce n ’est plus\n  Il amène Poyette à renoncer d'elle-même à Georges,           de la caricature, cela, c’est de l’injure, et bien caracté­\n  à feindre une fuite avec lui, Violette, qui, pour déli­      risée. Mais M. Davignon s’est laissé em porter par son\n v rer Georges, accepte de paraître félon à ses yeux. A        désir de réconcilier les gens modérés sur le dos des\n  ce mom ent survient la famille gantoise, escortée du         gens excessifs. L ’intention était bonne : il n ’est que\n farouche Lodewyck dont les brutalités m enacent de tout       de prendre garde aux moyens.\n com prom ettre. Le père et la m ère Troyen se heurtent           Son prem ier acte est excellent presque tout entier.\n de plus en plus. A la fin de l’acte, Georges est délivré      Le conflit y est nettem ent exposé et les personnages y\n de Poyette, m ais ses parents paraissent irrém édiable­       sont peints tout de suite, d’un tra it juste et fort. Le\n m ent divisés.                                                deuxième acte est plus faible, à cause de certaines lon­\n     Au troisièm e acte, tous sont ren trés à Gand. Joli       gueurs; mais il est d’une jolie poésie, et pas seulem ent\n décor égalem ent. Des fleurs, des fleurs jusques à l’ho­      à cause du prestigieux décor de la Fagne qui l’encadre.\n rizon. Le père Troyen veut que son fils travaille.            Le troisièm e acte est le moins bon : il tâtonne, il hésite,\n Georges n ’y consent que contraint et forcé. Sa mère le       il brusque tout parce qu’il ne trouve pas la solution —\n soutient dans sa révolte. La crise est à son état aigu.       hélas ! peut-être introuvable ! — qui conviendrait.\n Mme Troyen sort pour aller retrouver Violette à qui           Mais, dans l’ensemble, la pièce est intéressante et scé­\n elle dem andera tout à l ’heure de l’em m ener à Liège,       nique. Elle a des « m om ents » qui sont très bons, qui\n loin de son m ari, loin de ses filles et de leurs âmes trop   prennent le public ou qui l’am usent : la demande en\n flamandes. Lodewyck la dénonce à son m ari : il sait          m ariage, au prem ier acte, en dépit d’une certaine exa­\n qu’elle a un rendez-vous avec Violette ; il ne peut           gération d’impolitesse dans le caractère de Lodew yck;\n adm ettre que son fils entre dans une famille où de tels      la scène entre Poyette et Violette, au deuxième acte,\n scandales éclatent! Mais cette fois le flam ingant a été      très délicate, très fine et qui a ému.\n tro p loin. Le père Troyen commence à com prendre que            C'est la prem ière œuvre dram atique de M. Davignon.\n c’est lui et que c’est Violette qui sèment la discorde dans   Les prom esses qu’elle donne perm ettent de prédire à\n son ménage. Comme sa femme et Violette, rentrés               son auteur un succès plus complet quand il abordera le\n ensemble, s ’exaltent dangereusem ent, il se m ontre à        th éâtre pour la seconde fois.          G e o rg es R ency\n son to u r et met le musicien et le flam ingant à la porte,\nnon sans avoir lancé un petit couplet — qui fut acclamé\nle soir de la prem ière — en l'honneur de l’Union belge.             P E I N T R E S D ' A U J O U R D ’H U I\nEt tout finirait ainsi, c’est-à-dire très bien pour les\n                                                                                            Jean Puy.\népoux Troyen et pour la Belgique, m ais très mal pour\nla fille Troyen et le fils Lodewyck qui s’aim ent, si le           Quelques-uns des amateurs les plus clairvoyants d’aujourd’hui\npère Troyen, ému par les larm es de sa fille, ne l’auto­        — je citerai parmi eux mon maître Théodore Duret et ces collec­\nrisait à inviter Lodewyck à dîner pour le dimanche              tionneurs délicats que soin Julien Goujon ou Louis Bernard —\nsuivant, avec Violette, bien entendu. De cette façon tout       placent Jean Puy en tète d'une génération qui compte Matisse,\npo u rra recom m encer... De son côté, Georges a pris           Marquet, Laprade, Flandrin, Manguin, Lacoste, Dufrénoy.\nm iraculeusem ent goût au travail. Il sera un excellent\n                                                                   II est oisif d’établir un palmarès, une hiérarchie entre des\n                                                               artistes si diversement et richement doués. Mais, sans contredit,\nhorticulteur gantois.\n                                                               Puy est un des vrais maîtres;de l’heure présente, un de ceux dont\n    Le grand défaut de l ’œ uvre, c’est l’allure conven­       l’avenir retiendra le nom. Je me souviens d’avoir écrit, il y a\ntionnelle des personnages, qui parlent et agissent non         quelques années : « On dira Puy comme on a dit Manet. » Je ne\npas en vertu de leur âme propre, mais pour obéir aux           crois pas avoir exagéré. L’art de Puy contient une force, une cer­\nvœux de l’auteur.                                              titude. une autorité qui s'imposent.\n    M. Davignon im a g in e . Il faut qu’il se souvienne que       Ce qui distingue ce peintre de plusieurs de ses confrères — et\nl’a rt est fait d’observation tout au moins au tan t que       non des moins brillants — c’est son équilibre. Point de bonds\nd’im agination. Molière, qu’il connaît bien, peignait tou­     déconcertants, de hauts et bas, d’incartades folles. Une progression\njo u rs d’après nature. Au surplus, quand il le veut, il       sûre et lente due à un labeur tenace, solidement appuyé sur\nsait très bien observer, et son personnage flam ingant,        l'étude passionnée de la nature. Puy est un réaliste qui ne donne\nle professeur Lodewyck, est très vivant, très « nature ».      pas dans les divagations de nos chercheurs d’abstractions pictu­\n                                                               rales. Un lyrique aussi, car son invention est toujours en éveil. Il\nOu ne peut lui reprocher qu’un excès de grossièreté. Il\n                                                               a été des premiers à vouloir réagir contre le « morceau » et à\ny a bien des flam ingants de cette sorte. Mais je doute\n                                                               viser au style, qu’il atteint sans efforts. Il a réalisé quelques belles\nqu’on les trouve parm i les professeurs d’athénée, poètes      pages décoratives, aux arabesques nobles et cadencées. De pré­\net membres de l’Académie flamande. Évitons de froisser         tentieux adolescents ingénus ont découvert, en ces derniers\nles Flam ands en raillan t les travers des flam ingants.       temps, que les jolis effets irisés de l’impressionnisme devaient\nLe professeur Lodewyck est grossier avec les femmes            faire place à autre chose et qu’il est nécessaire, maintenant, de\n"}, {"page_pdf": 418, "texte": "                                                                L 'A R T MODERNE                                                               411\n\n\n\n construire. On s’en doutait bien un peu avant que ces gamins                 les deux toiles de M. E. Carpentier, frissonnantes de vie\n nous révélassent la quatrième dimension et même la synthèse.                 joyeuse: N oirau de et P aisible ham eau; celles de M. R. de Bau­\n Puy a toujours construit avec solidité; son tempérament sain                 gnies; les esquisses fougueuses de M. Aug. Levêque; les toiles\n répugne aux grâces amorphes de ceux qui ne sont que sen­                     solides de M Edg. Farasyn : B assin s d A n v e rs et F o ire aux\n                                                                               Chevaux; les sculptures de feu Léon Mignon, qui sont des mor­\n sibles.                                                                      ceaux superbes, etc.\n    Un autre et considérable mérite de Jean Puy est qu’il ne se spé­             La section française est des plus attrayantes. Des sculpteurs\n cialise jamais. Natures mortes, bouquets admirables de sonore                comme Froment-Meurice avec son E talon boulonnais, comme\nchatoiement, marines emplies d’air salubre et de clarté, portraits            M. de Monard avec son E ta lo n ardennais et un F o x grondant,\n                                                                              accusent toute l’énergie de la vie musculaire; d’autres, comme\nexpressifs, nus volumineux, il excelle en ces divers genres sans              M. Paris avec sa Jum ent bretonne et son P e tit veau, montrent\nqu’on puisse l’enclore en une formule. Le beau titre d’ « Indé­               seulement la face rustique d’un talent très divers. M. Christophe\npendant » lui revient.                                                        transpose dans le bronze ce que la bêle incarne de vie méditative\n    Personnel, il ne doit rien à Cézanne, à Van Gogh, aux glorieux            et d’action réfléchie. M. Perrault-Hary est infiniment spirituel\naînés. Il ne s’est pas cherché en eux, et s’est trouvé en lui. Sa             avec son A ne a u x cruches et ses D eu x F enneks. On admire aussi\n                                                                              des bois magistraux de M Bigot.\npalette n’est pas faite d’avance, et il ne craignait pas, en pleine              Mais ce sont les peintres qui m’ont spécialement attiré, car ce\n« crise fauve », de faire usage de gris fins.                                 sont eux qui se montrem les plus originaux et les plus hardis.\n   J’ajouterai qu’il est simple et travaille à l’écart, éloigné de               Auprès des envois réputés dans les Salons français dé\ntoute coterie. Nous sommes parfois une demi-douzaine d’amis à                 MM. Doigneau, Mérite, Rôti;;, Steinlen, L Simon, Pinchon,\n                                                                              Flameng, la nouveauté d’œuvres coloristes comme celles de\nregarder chez Blot, vers six heures du soir, la journée finie, des            M. G Süe marque ecr t ainement une étape, ainsi que les peintures\ntoiles de Jean Puy. Elles sont à rude épreuve, puisqu’on voit chez            cynégétiques de M Jos. Oberthür. Il convient de s’arrêter très\nBlot les plus magnifiques ouvrages de Renoir et de Guillaumin.                particulièrement devant les œuvres vibrantes et pleines d’intérêt\nSi, d’aventure, Puy arrive chez son marchand et ami, sa modes­                de l’aquarelliste Mathurin Meheut, et les morceaux puissants, de\n                                                                              peinture grave et forte, de Mlle Denise.\ntie s effarouche des compliments qu’on lui adresse et des paral­                 Je me suis longuement arrêté devant les œuvres de M. Roger\nlèles glorieux qu’il est pourtant de taille à pouvoir affronter.              Reboussin Cet artiste, qui vit en contact immédiat avec ses hôtes\n                                               Louis   V a u x c e lle s      si fugitifs, réalise non seulement le « rendu » des formes et des\n                                                                              couleurs dans leur variété la plus discrète ou la plus violente,\n                                                                             mais note avec une expression inaccoutumée les nuances de leur\n                                                                              psychologie secrète adaptée aux conditions de leur vie intime. Il\n         Un e Conférence sur Jordaens.                                       accorde au traitement de l’ambianceun soin qui se ré\\èle par la\n                                                                              profonde poésie du décor, que ce soit dans cette B ich e et son\n   La vie des maîtres de la Renaissance s’éclaire de plus en plus            faon, avec l'insouciance du petit dans la solitude du fourré de\nà la lumière des nombreux travaux publiés en ces dernières                   digitales que domine la tête de la mère en éveil, ou dans la fuite\nannées. Mais il reste tant de recherches à faire pour le critique            silencieuse de la F aisane et de sa couvée sur les feuilles mortes ;\nsoucieux d’accorder l’évolution esthétique d’un artiste avec les             ou dans le grand fiel d’hiver le couple vertigineux de ce Faucon\ndonnées que nous révèle l’histoire sur son époque, son milieu,               lian t un col vert, ou cette espiègle petite toile, peinte comme au\nses affections, les événements heureux ou tragiques qui marquè­              déboîté d’une course dans les bois où il aurait surpris le R en a rd\nrent ses années de production ! Pour juger un peintre, il faut               emportant parmi les herbes folles de la forêt ce petit geai dérobé\nreconstituer le cadre dans lequel il s’est développé et n’omettre            à la sollicitude de ses parents. M Roger Reboussin reconstitue\nrien de ce qui a influencé son art                                           la nature, mais avec une évocation où se devine l'âme de l'artiste\n   C’est ce qu’a fait avec une réelle autorité M. Fierens-Gevaert            et du chasseur, du naturalisa et du trappeur.\ndans une conférence sur le P o êle des Beuveries chaleureusement                 Citons encore les estampes et les gravures, si attachantes par\naccueillie, la semaine dernière, à Paris, par l’auditoire de l’Uni­          leur réalisation très savante et pleine de sentiment de la vie des\nversité des Annales. Il parla d’abondance, avec une ferveur et un            sportsmen, de M. Maurice Taquoy. un vrai artiste aussi, celui là.\nenthousiasme qui soulevèrent à maintes reprises les applaudisse­                 A ceux qui ne pourraient se rendre à Liège pour visiter cette\nments. Et « l'énorme éclat de rire d’un géant septentrional »,               exposition, n’omettons point de dire que 1Exposition des ani­\nselon la pittoresque expression de l’orateur, retentit dans la salle         maliers français à Paris en janvier-février prochains réunira\nde la rue Saint-Georges, commenté avec bonne humeur, avec                    à peu près les mêmes noms (en ce qui concerne la section fran­\nesprit et avec éloquence par un historiographe particulièrement              çaise), auxquels il faudra ajouter ceux de MM. Albert Crahay\nqualifié pour traiter ce sujet puisqu'il signa, voici douze ans, la          (belge) et Rembrandt Bugatti (italien), invités.\npremière monographie consacrée a Jordaens.                                                                                          Va l m o r e\n   Des projections en noir et en couleurs, — celles-ci dues à\nM. Gervais Courtellemont, — illustrèrent de témoignages gra­\nphiques intéressants les déductions du conférencier. ’O . M.                             M E M E N T O MUSICAL\n                                                                                La Société J . S . B ach de Liège a fixé au 14 janvier son\n                                                                             premier concert. Il sera consacré à un choix d’œuvres pour\n    LES « ANIM ALIERS » A LIÈGE                                              clavecin, interprétées au piano par M1lleBlanche Selva.\n   Il y eut, l’an dernier, à Paris, un groupement formé à l’insti­\ngation de M. Armand Dayot. qui s'attacha à réunir les sculpteurs\net les peintres modernes dont le talent s’est voué particulière­                                 NÉ C R O L O G IE\nment à la représentation des animaux. C’est ce groupement qui\nse reforme, cette année, à l' Œ u v re des A r t i s t e s de Liège, en se                          Charles Delaborde.\nréunissant aux spécialistes belges qui se sont fait un nom dans                 Le pianiste Delaborde, qui vient de s’éteindre à Paris dans\nles expositions.                                                             sa soixante-quatorzième année, était un contemporain de Rubin­\n   Nous retrouvons ici M. Albert Crahay avec cette œuvre vigou­              stein. Il avait de son illustre émule la sonorité puissante, l’ex­\nreuse : le V ieux Cheval blanc. Nous revoyons avec intérêt                   pression intense, le style large et pur, la technique éblouissante.\n"}, {"page_pdf": 419, "texte": "412                                                          L' ART MODERNE\n\n\n\nC’était un grand artiste, au vrai sens du term e, et un admirable            M. Emile Verhaeren est parti il y a quelques jours pour la\n professeur.                                                               Russie, où il a été invité à faire des conférences à Saint-Péters­\n    A la gloire du virtuose Delaborde préféra les joies intimes de         bourg et à Moscou. Il sera de retour le 7 janvier.\nl'enseignem ent. Pendant quarante ans il professa au Conserva­\nt o i r e , où huit jours avant sa mort il dirigeait encore sa classe.        La répétition générale de P a rsifa l au théâtre de la Monnaie\nQuelques voyages accomplis autrefois en compagnie de Vieux­                reste fixée au 2 janvier, à 5 h. 1/2; la première représentation\ntemps et d'Henri W ieniawski, des concerts donnés à Bruxelles,             au 4, à la même heure.\nà Vienne, à Saint-Pétersbourg dans le but de faire connaître un\npiano à clavier de pédales dont il était l’inventeur l’avaient rendu         Ce sont des artistes .allemands qui chanteront au théâtre de la\ncélèbre à l’étranger. Mais depuis longtemps il avait renoncé aux          Monnaie pendant la « Semaine Richard Strauss ». Mme Mottl-Fass­\ntournées pour se consacrer exclusivement à ses élèves, dont la            bender interprétera les rôles d'Elektra et d ’Hérodiade ; Miss\nplupart sont aujourd’hui des maîtres.                                     Frances Rose chantera ceux de Salomé et de Chrysothémis ;\n                                                                          Mme von Mildenburg. celui de Clytem nestre. Les rôles masculins\n                          Ju les C la re tie .                            seront distribués à MM. Krauss et Perrin.\n\n   Il est mort brusquem ent, quelques jours avant d ’abandonner              M. Beyle, l’actif directeur du Grand Théâtre de Lyon, vient de\nle poste d’adm inistrateur de la Comédie-Française q u ’il occupait       faire un effort de décentralisation artistique en montant F ervaal,\ndepuis vingt-trois ans.                                                   l’émouvant dram e lyrique de Vincent d’Indy. Dans l’interprétation,\n   Jules Claretie connut de fructueux succès de librairie. Le             qui fut excellente, il faut citer particulièrem ent Mme Catalan\nthéâtre lui sourit parfois. Mais c’est le journalism e qui absorba        (Guilhen) et M. Verdier (Fervaal). Le chef d ’orchestre, M. Bovy, a\nsa vie. Le nombre des chroniques qu’il écrivit est prodigieux.            droit à tous les éloges. Le succès de l’œ uvre a été unanim e.\nChacune d ’elles témoigne d ’un esprit clair et m esuré, d ’une phi­\nlosophie aimable qui effleure toutes choses sans y pénétrer, et              La seconde vente de l’atelier Carpeaux, qui a eu lieu à Paris les\nsurtout d ’une mémoire extraordinaire qui lui perm ettait, en             8 et 9    décembre, a produit 239,974 francs, ce qui porte à\nra menant à sa pensée mille souvenirs, d ’am user et d ’intéresser        981,824 francs le total des deux ventes.\nconstamment ses lecteurs. La « Vie à Paris » qu’il publiait tous             Quelques prix de cette seconde vente : l'E n fa n t au cor (plâtre),\nles jeudis dans le Temps avec la plus ponctuelle régularité est un        6,000 fr. — D aphnis et Chloé (id.), 5 ,000 fr. — Jeune fille à la\ninépuisable répertoire d ’anecdotes, de traits d ’esprit, d ’observa­     coquille (bronze). 6,100 fr — Génie de la danse (bronze) 6,680 fr.\ntions notées au hasard des événements. Mieux que le Prince Z ila h        — Id . (plâtre), 5.600 fr. — P o rtra it de M lle F ... (plâtre),\nou M onsieur le M in istre, ces chroniques fixent la personnalité de      6.600 fr. — Espiègle (id.), 6,500 fr. — L a Danse (peinture),\nl’actif écrivain qui succombe au moment même où la publication            6,700 fr. — B a l au palais des Tuileries en 1867 (id ), 10,100 fr.\nimminente de ses M émoires est. par des affiches gigantesques,            — L es E n fa n ts de Carpeaux (dessin). 5 ,100 fr.\nannoncée sur tous les m urs de Paris.                        O. M.\n                                                                              On se préoccupe déjà un peu partout, dit le Guide musical, de\n                                                                          célébrer dignem ent le deux centième anniversaire de la naissance\n                                                                          de Gluck, qui tombe, on le sait, le 2 juillet de l ’année prochaine.\n             PETITE CHRONIQUE                                             A Paris, on tiendra à honneur de commémorer brillam m ent le\n                                                                          souvenir du maître qui fit représenter sur la scène française ses\n   Expositions ouvertes :                                                 opéras Orphée, A lceste, A rm id e et Iphigénie en A u lid e. A\n   Musée de Peinture moderne, Salon de la Société royale des              Vienne, où à compter de 1748, et pendant vingt-cinq ans, Gluck\nAquarellistes. — Cercle Artistique, MM. Delescluze et H. Courtens         occupa les fonctions de capellm eister au théâtre de la Cour et où\n(du 28 décembre au 5 janvier).— Galerie Georges Giroux, M. Alfred         il se retira en 1779, un comité de fêtes s’est constitué, sous la\nDelaunois (jusqu’au 29). — Galerie d ’art, M. Paul Van de Venne           présidence du vénérable compositeur Karl Goldmark, dans le but\n(jusqu’au 1er janvier). — Studio, M. Jef de Pauw (jusqu’au 30).—          d ’ériger, le 2 juillet prochain, sur une des places de la ville, un\nEcole communale (rue Claessens. Laeken), exposition du Cercle             m onum ent à la gloire du réform ateur de l’opéra. En Allemagne,\nd ’art de Laeken. — Art décoratif (102 boulevard de Waterloo),            deux sociétés concurrentes déploient toute leur activité à assurer\nbroderies anciennes de Mme G. Dangotte.                                   le succès des fêtes commémoratives; l’une prépare une édition\n   L’exposition générale des Beaux-Arts,qui s’ouvrira à Bruxelles en      populaire des chefs-d'œuvre du m aître; l’autre, l’Association\nmai prochain, com prendra une section des Arts décoratifs modernes        Gluck, de Dresde, s’efforce d ’obtenir que les principales scènes\nqui promet de faire sensation.                                            allemandes représentent les opéras de Gluck, non pas à la ma­\n   Le comité s’est assuré dès à présent la collaboration d ’architectes   nière moderne, mais selon les exigences les plus sévères de la\net d’artistes décorateurs belges et étrangers, qui réaliseront des        tradition classique.\nensembles de décoration intérieure.\n   Plusieurs industriels se sont adressés au comité le priant de les         Les dates des représentations d ’œuvres de Wagner et de Mozart\nmettre en rapport avec des artistes qui leur fourniraient des             données au théâtre du Prince Régent de Munich, viennent d’être\nmodèles originaux d ’inspiration moderne. Il serait très désirable        fixées comme suit pour l’été 1914 : P a rsifa l, les 31 ju illet; 10, 19\nque cet exemple fût suivi par les fabricants de tissus, de tapis, de      et 28 août ; 7 et 15 septem bre ; T rista n et Isolde les 4 et\npapiers peints, de ferronnerie, de bronzes d ’appartem ents, de            22 août et 10 septem bre ; les M aîtres Chanteurs les 7 et 25 août\ncéramique, de verrerie, etc. L’hésitation que le public manifeste         et 12 septem bre; l'A n n ea u du N ibelung du 12 au 17 août, du\nà l’égard de l’art déroratif moderne provient en grande partie de         31 août au 5 septem bre ; les Noces de F igaro les 2 et 27 août ;\nl’im perfection dans la réalisation des modèles. Le comité serait         l’Enlèvem ent ati Sérail les 6 août et 14 septembre ; Don Juan\nheureux d ’encourager les initiatives de ce genre et s’efforcerait de     les 9 août et 9 septem bre ; la F lû te enchantée les 21 et 29 août ;\nprovoquer des collaborations intéressantes.                               Cosi fan lutte le 24 août.\n   Pour tous renseignem ents, s’adresser par écrit à M. Jules\nBerchmans, secrétaire du groupe, 86 rue de Linthout, à Bruxelles.             La maison Bernheim Jeune et Cie publiera prochainem ent un\n                                                                          album consacré à Cézanne qui com prendra une eau-forte originale\n   La Libre Académie de Belgique a, dans sa dernière assemblée,           du m aître, quatre fac-similés d ’aquarelles, quarante-cinq repro­\nélu en remplacement de Paul Janson et Camille Lemonnier                   ductions de tableaux, sept lithographies dé Bonnard, Maurice\nMM. Paul-Emile Janson et Grégoire Le Roy.                                 Denis, Henri Matisse, K.-X. Roussel, Signac, Vallotton et Vuillard\n                                                                          d ’aprés des œ uvres de Cézanne, une lithographie d’A. Maillol\n  On se propose de célébrer l ’été prochain à Anvers le tri-cente­        d ’après son m onum ent Cézanne. Texte d ’Octave Mirbeau, Théo­\nnaire de la Descente de Croix, l’un des chefs-d’œuvre de Rubens.          dore D uret, Frantz Jourdain et Léon W erth.\n"}, {"page_pdf": 420, "texte": "                                             T A B L E DES MATIERES\n               C O N T E N U E S DANS LA T R E N T E - T R O I S I È M E                                                                                            A N N É E ( 1913)\n\n                                                                               DE L ’A R T M O D E R N E\n\n\n\n\n                        ÉTUDES                ET       P O R T R A IT S                                       J e a n P u y ( L o u i s V a u x c e l l e s ) ..............................................             410\n                                                                                                              A u g u s t e d e R a d w a n ( J a c q u e s H e r m a n n ) .........................                    172\nL e s p r o m e s s e s d u C u b is m e ( J ea n d e B o s s c h è r e ) . . .                          25   R am ah (F ran z H ellen s)                .............................................................   307\nI n t e r p r é t a t i o n s d u M id i (O c ta v e M au s ) ...............................            65   R o g e r R e b o u s s i n ( F r a n c i s d e M i o m a n d r e ) ..................                      75\nD e s i n f lu e n c e s ( J ea n d e B o s s c h è r e ) .....................................         225   A u g u s t e R e n o i r ( O c t a v e M a u s ) .......................................                  299\nL ’i n f lu e n c e d ’E n s o r ,F r a n z H e l l e n s ).....................................        249   P a u l R e n o u a r d ( G e o r g e s L e c o m t e ) ................................                   245\nL e s f l e u r s e t l a p e i n t u r e ( J ea n d e B o s s c h è r e ). . . .                       273   G e o r g e s R e n c y ( F r a n c i s d e M i o m a n d r e ) .................                           97\nP r é f a c e a u c a t a lo g u e d ’u n e e x p o s itio n ( É l ie F a u r e ) .                     281   A r t h u r R i m b a u d ( I d . ) ...................................................................    305\nS u r l a R e n a i s s a n c e i t a l i e n n e (C h . H er m a n s ) . . . .                         314   C h a r l e s R iv a u d ( V i c t o r P r o u v é ) .................................... .......        .       139\nR a p p o r t à l ’A c a d é m ie d e B e lg iq u e (X . M e l l e r y ). . .                           378   J a c q u e s R o u c h é ( C l a u d e - R o g e r M a r x ).........................                     372\nL e s a r t i s t e s b e l g e s a u x S a lo n s d e P a r i s (O c ta v e M a u s )                  233   D é o d a t d e S é v e r a c ( A d o l p h e P i r i o u ) .........................                      309\nL e S a lo n d ’A u to m n e (G. J ea n -A ubry ) ........................ 369, 379, 401                      L éo n S p il l ia e r t ( F r a n z H e l l e n s )                    ................................     3\nL a l i b e r t é d e l ’é c r i t u r e (F r a n c is d e M io m a n d r e ) . . .                      10   S t e n d h a l ( F r a n c is d e M io m a n d r e )                   ................................   137\nR é f l e x i o n s s u r le s t r a i t é s d e m o r a l e d ’A n d r é G id e (id .)                 161   L ouis T h é v e n e t ( F r a n z H e l l e n s ) . .                                . . . . . .                 89\nL e D r a m a t i s m e ( J ea n d e B o s s c h è r e ) .....................................          201   U t a m a r o ( R a y m o n d K œ c h l i n ) ..............................................                 9\nR é f l e x i o n s s u r J .- J . R o u s s e a u ( F r a n c is d e M io m a n d r e )                267   G e o r g e s V a n H o u t e n (L ouis V a u x c e l l e s ) .                              . . . .              21\nA p r o p o s d e R o n s a r d e t d e l a p o é s ie f r a n ç a is e (id.) . .                       315\nL a D is c ip lin e m a l l a r m é e n n e ( F r a n c is V ié l é -G r if f in ) .                    284\nL ’œ u v r e d e M. E u g è n e M o n t f o r t (L o u is P ié r a r d ). . . 257, 284                                                                      P E IN T U R E\nL e C o n s e r v a t o i r e d e L u x e m b o u r g (O c ta v e M a u s ) . .                           1\nS o u v e n ir s (D . d e S év é r a c ) .............................................................  265   L a p e i n t u r e à G a n d a v a n t v a n E y c k (L . M a e t e r l in c k )                               92\nE n é c o u t a n t la N e u v iè m e (C a m ill e M a u cla ir ). . . .                                297   L a g lo r if i c a t i o n d e s f r è r e s v a n E y c k ............................                   262\nM arie-M agdeleine , ( O c t a v e M a u s ) ...........................................                153   L ’i d e n t i f i c a t io n d u M a îtr e d e F l é m a l l e ............................... 103. 254\nL e Sacre a u P rin te m p s ( I d . ) ........................................................         169   L a s i g n a t u r e d e J e a n d e W a l e ........................................                     127\nL a Q uerelle ( G e o r g e s R e n c y ) ..............................                                409   H o m m a g e à R o g e r d e le P a s t u r e ............................................ 77, 390\nP e e r G y n t a u L e s s i n g - T h e a t e r ( E r n e s t C l o s s o n ) . . 345. 353                  R e t o u r d e la J o c o n d e .................................................................... 404, 407\nP a y s a g e s d ’E x m o o r (O c ta v e M aus ) .....................................                321   U n e c o n féren ce d e M . F ie re n s -G e v a e rt s u r J o rd a e n s\nP o u r C h a m b é r y ( I d . ) ....................................................................  378      (O . M .)                                                                                                   411\nJ a n e B a t h o r i - E n g e l (G . J ea n -A ubry ). .                               . . .          145   L e 3e C o n g r è s a r t i s t i q u e i n t e r n a t i o n a l .....................                   140\nM me L . B e r n a r d in i -S j o e s t e d t ( F r a n c is d e M io m a n d r e )                     75   L a g r a v u r e s u r b o is (L o u is V a u x c e l l e s ) ......................                      301\nP ie r r e B on na rd ( J oachim G a s q u e t ) . . . . . . .                                          395   L a p e i n t u r e e n E x tr ê m e - O r ie n t ( F . M . ) ......................                       372\nE u g èn e B oudin (G . J ea n -A ubry ).................................................                73   N a p o lé o n e t le p e i n t r e D a v i d ........................................                     167\nL o u is - G . C a m b ie r ( F ranz H e l l e n s ) .....................................              220   A n q u e t in c o n t r e D a v i d ...........................................................           212\nC a p p ie l l o (C a m il l e M a u c l a ir ) .................................................        33   L ’i n a u g u r a t i o n d u m u s é e I n g r e s à M o n t a u b a n (O. M .).                             333\nT r is t a n C o r b iè r e (G e o r g e s L ec o m te ) ............................... 308, 323             M . A . B e s n a r d à l a V illa M é d ic is ( R e n é M a r ie ) . . .                                      149\nD aubign y (G. J ea n -A u b ry ).............................................................          105   H o m m a g e à O d ilo n R e d o n . ..............................................                       293\n E dvard D ir ik s (A r s è n e A l e x a n d r e ) .....................................               313   S o u v e n i r d ’E u g è n e S m its (É r a sm e )..................................                      36\nJ o se f von D iv é k y (L ouis P ié r a r d ) ...........................................              121   M é d a illo n d e M . M a x im e D e th o m a s                           ...............................      47\nH e n r i D uv er n o is ( F . d e M io m a n d r e ) .....................................             177   L ’a r t d ’A l b e r t M a r q u e t (L o u is V a u x c e l l e s ) ...............                      198\nJ u les F l a n d r in ( J o a c h im (G a s q u e t ) . . . . . . .                                    269   L e p è r e T a n g u y .....................................                                                  254\nA r m an d G u illa um in (L ou is V a u x c e ll es ) ............................... 1 0 9 , 209            L e S alon d e la L ib r e E s t h é t i q u e .........................                       65, 81, 84, 110\n F e r d in a n d H o d le r ( I d . ) ......................................................         . 362      A c q u is itio n s d e l ’E t a t e t d e s p a r t i c u l i e r s 86, 95, 118, 134, 158\n H o k u sa ï ( R aymond K o ec h lin ) .................................................                49      L a L ib re E sth étiqu e e t l a P r e s s e ............................................. 140, 164\nJ .- K . H uysm ans (G. J ea n -A ubry ) .                                                               41      S t a t i s t i q u e d e 1904 à 1 9 1 3 ..............................................                 155\n M a r c e l J e f f e r y s ( F r a n z H e l l e n s )...........................................      50   L e S alon d e P r in t e m p s ( F ranz H e l l e n s ) ...........................154, 171\n K arsa vin a e t M a ll a r m é (C a m il l e M a u c l a ir ) . . . .                                 185   L ’E x p o s it io n d e l ’E s t a m p e (I d .) .......................................                   12\n P h il é a s L eb e sg u e ( F r a n c is d e M io m a n d r e ) .........................              57      I d . de \" P o u r l ’A r t \" ( I d . ) .............................................                    42\n C a m il l e L em o n n ie r (G e o r g e s R ency ) .....................................             193      I d . d e s A q u a r e l l is t e s e t P a s t e l l is t e s (I d .). . . .                              132\n L e p r in c e d e L ig n e (I d . ) ..............................................................    289      I d . d e I’E lan ( I d . ) ................................................................            179\nM anzana - P is sa r r o (A r s è n e A l e x a n d r e .................................               355      I d . d e s I n d é pe n d a n t s (I d . ) ..............................................              331\nA n d r é M e t h e y ( L ouis V a u x c e ll es )...........................................            37   C e r c l e A r t is t iq u e . E x p o s itio n d e M . F ir m in B aes ( I d .)                               20\n F r é d é r ic M asson ( L ouis T hom as ) ...........................................                 228      I d . (le M me du M o n cea u , d e M M . H . A n spa c h e t L .\nL e P o v er e l l o ( I d . ) ..............................                                           129          H ouyoux ( I b . ) ...........................................                                            29\n"}, {"page_pdf": 421, "texte": "  414                                                                                             TA BL E DES MATIERES\n\n\n\n  E x po sit io n d e M . P aul D d B ois (I d . ) ............................... .                                        44    M me L . R o b l o t - D e l a n d r e . Portraits d ’infantes ( I d .) . .                                          101\n      I d . d e M M . L . F r é d é r ic , G.-M . S t e v e n s e t Mlle B.                                                       G.   R o u c h è s . L a peinture bolonaise à la fin du\n          A r t ( I d . ) ..........................................................................                59               X V Ie siècle .                                                                                                     222\n      I d . d e M M . A . V e r h a e r e n e t F . G a il l a r d , M lle V e r ­                                                A n d r é R o u v e y r e . Visages de contemporains (O . M .).                                                      . 158\n          b oec k ho v en (I d . ) ........................................................ ..........                      68    A n d r é D . d e S e g o n z a c . X X X dessins ( I d . ) ...........................                                196\n      I d . d e M . E dmond V e r s t r a e t e n                                 (I d .). . . . . .                        99    D r O s c a r W u l f f . L ’a rt b y z a n t i n ...............................................                      199\n      I d . d e M . H erm a nn R ic h ir (I d .)                                       ..........................          148    V e n t e d e t a b l e a u x d e V a n G o g h ( H o l l a n d e ) ......                                    103\n  G a l e r ie G . G ir o u x . E x p o s itio n d e M .L . S p il l ia e r t (I d .).                                        3     Id .       d e la c o lle c tio n A lb e r t K le y e r (B ru x e lle s ). . .                                       118\n      Id . d e s h u m o r is te s d u Sim plicissim u s ( Id .) . . . .                                                    20      Id .       d ’e s t a m p e s à P a r i s ...............................................                   151\n      I d . d e M . Ma r c e l J e f f e r y s (I d .)                                  .........................           50      Id .       d e l a c o l l e c t i o n B a l l i ( P a r i s ) ....................                         1 75\n      I d . d e M . G e o r g e s L em m en (I d .)                               . . . . . . . .                           67      Id .       d e l ’a t e l i e r J .- B . C a r p e a u x ( I d . ) .............                            183\n      I d . d e M . T h é v e n e t (I d . ) ...........................................                            89              Id .       d e l a c o l l e c t i o n E u g è n e F i s c h h o f ( I d .) . . . .                                  198\n      I d . H e n r i E v e n e p o e l (I d . ) ..............................                                           113       Id .              id .          S t e e n g r a c h t ( I d . ) ........................................             198\n     I d . d e M . H a u s t r a e t e (I d .) ..............................                        148                            Id .       d ’u n R o m n e y à L o n d r e s .................................                             199\n     I d . d e M . K a n d in sk y (I d . ) ..............................                           181                            Id .       d e la c o lle c tio n J .- P . H e s e ltin e (A m s te rd a m ) .                                       199\n S tu d io . E x p o s itio n d e M . C . K u f f e r a t h (I d .) . . . .                                                 20      Id .        id . M a r c z e l l d e N e m e s ( P a r i s ) ....................................2 1 4 , 221\n     I d . d u G r o u p e I n d épe n d a n t (I d .) . . . . . . .                                                        59      Id .        id . d e L o r d J o i c e y ( L o n d r e s ) .................................                     .   231\n A u d e r g h e m . Q u e lq u e s p e i n t r e s d ’A u d e r g h e m (I d .) . .                                      238       Id.. . i d . A y n a r d ( P a r i s ) ........................................                                      263\n S c h a e r b e e k . E x p o s i t io n d u C e r c le d e s A r ts ( I d .).                                   .       286       I d . - id . H . B u h r i g ( L e i p z i g ) .......................................................               359\n A n v e r s . S a lo n d e l 'A r t C ontem porain (Id .) . . . . .                                                      123     L e s p r i x d e s t a b l e a u x a n c i e n s ......................................................               229\n     L 'A rt C ontem porain e t l e s a c h a ts o f fic ie ls (R .). . .                                                   85    N é c r o l o g ie — M i k u l a s A l e s ......................................................                      303\n G and . L e S a lo n d e s B e a u x - A r ts (F r a n z . H el l e n s ) .                                      .       204        L . - J . A n t h o n i s s e n .................................................................................   166\n     A p r o p o s d ’u n e l e t t r e p a s t o r a l e d u c a r d i n a l M e r c i e r .                             271        H a n s v o n B a r t e l s ..........................................................................              343\n L iè g e . E x p o s it i o n d ’A r ti s t e s W a llo n s .                          .........................         167        L .- M . B o u t e t d e M o n v e l (O . M . ) ........................................                            102\n     L e S a lo n d e s A n i m a l i e r s (V alm o r e ) . . . . . .                                                    411        J u l e s C o m t e .........................................................................                         6\n M o n s . L e S a lo n d e s A r ti s t e s W a l l o n s ..................................... 290, 341                            H e n r y D e t o u c h e (O . M .) .                                                                               102\n P a r is . L e s a r t i s t e s b e l g e s a u x S a lo n s (O cta v e M aus ) .                                       233        G a s t o n H o c h a r d .................................................................................         166\n     L e S alon d 'a u t o m n e (G. J ea n -A ubry ) . . . .                                            369, 379, 401               G a s t o n L a T o u c h e ( L o u is V a u x c e l l e s ) ...........................                            228\n‘ E x p o s itio n D a v id e t s e s é lè v e s . . . . . . . .                                                          . 63       H e n r i M o r e t .....................................................                                           158\n    G a l e r ie E . B l o t . E x p o s it i o n d e M. G. V an H o u ten .                                                         D a r io d e R e g o y o s (O . M . ) .............................................................                 358\n    (L V a u x c e ll es )            ..............................................................                21               H e n r i van S e b e n                              .....................................................           38\n         I d . d e M . S im on B ussy (R omain R olland ). .                                                                52\n    G a l e r ie D r u e t . E x p o s itio n T h éo van R y s s e l b e r g h e .\n    ( L ou is V a u x c e l l e s ) ......................................................;                                 165                                                SC U LPTU R E\n    L ib r a ir ie P e l l e t a n . E x p o s itio n d e M. P .- E . C o lin (I d .) 68\n    G a l e r ie M a r c e l B e r n h e im . E x p o s itio n d e M . F r a n ç o is                                             L a L aitière d e M a r c D e V o s ..............................................                                   398\n         V erh ey d en               .....................................             . 391                                      L a M aternité d e M . V ic t o r R o u s s e a u ........................................                           255\n    P avillon d e M a r s a n . E x p o s itio n d e l a g r a v u r e s u r                                                      U n e f o n t a i n e d e M . G . P e t i t a L i è g e .........................................                    327\n         b o is ( L ouis V a u x c e l l e s ) .......................... . .                                   .         301     L e s b a s - re lie fs d e M . E . B ourdelle a u th é â tr e d e s\nB e r l in . G a l e r ie C a s s ir e r . E x p o s itio n d e M . O th o n F r ie s z                                   119        C h a m p s - E l y s é e s .................................................................................         66\n L a H a y e . E x p o s itio n P h . Z il c k e n (L éo n P asc h a l ) . .                                              141     L e s s t a t u e s d e P a r i s .................................................................................    151\nM u n ic h . E x p o s it io n i n t e r n a t io n a l e d e s B e a u x - A r ts ( H .-P .)                             195     L e m o n u m e n t d ’EM iLE A g n i e z , p a r M . G . C h a r l i e r                                          .   367\n    L e t t r e d e M . W . R i t t e r .....................................                       212                              I d . d ’EMMANUEL C h a b r i e r , p a r C . M e u n ie r . . . .                                                   151\n V a r so v ie . E x p o s i ti o n C o n sta n t in M e u n ie r . . .                                         .         127        I d . d ’HECTOR C h a i n a y e ...................................................................                 383\nA c q u is itio n s d u M u s é e d e B r u x e l l e s . 9 5 ,1 6 6 ,1 9 8 , 2 0 7 , 2 3 0 , 390                                    I d . d e s C o r b iè r e à M o r l a i x , p a r M . E . B o u r d e l l e . 3 0 8 , 323\nL e M u s é e d e s B e a u x -A r ts d e T o u r n a i ....................................                              166        I d . F a b r e à A v i g n o n , p a r M . F . C h a r p e n t ie r . . . 2 0 7 , 263\n    I d . d u L u x e m b o u r g t r a n s f é r é à S a in t-S u lp ic e . . .                                          118        I d . d e G é r ô m e à V e s o u l ...................................................................             223\n    I d . F r a n z H a ls à H a a r l e m .......................................................                        175        L e b u s t e d e G o u n o d p a r M . A . M e r c i é ...........................                                 231\n    I d . A n d r é - J a c q u e m a r t à P a r i s ...................                            407                             L e m o n u m e n t d e V ic t o r H u go à G u e r n e s e y                                     . .             . 343\nB i b l i o g r a p h i e : A m a n - J e a n . V elasque z ...............................                               174        I d . d e J e a n L a h o r à F e r n e y ......................................................                    303\nE u g è n e B a c h a . L es très belles m in ia tu res de la B iblio­                                                               I d . d e L a m a r t in e à B e r g u e s ...................................................... 2 0 7 , 316\n    thèque r o y a le de B elg iq u e ( F . H .) . . . . . . .                                                            398        I d . d e C a m il l e L e m o n n ie r à I x e l l e s ..................................                          206\nD r E . B a s s e r m a n n - J o r d a n . T ableau x in éd its d ’anciens                                                          I d . d e C a t u l l e M e n d è s , p a r A u g u s t e M a il l a r d (O .M .) 159, 164\n    m a ître s en possession d e l'E tat bavarois .                                                 . . .                 239        I d . d e F .- C h . M o r is s e a u x , p a r M . C h . S a m u e l . .                                         . 247\nM a r i e B a u d e t . A vec les g u e u x ( J e a n R ic h e p in ) . . .                                               269        I d . d ’EDOUARD R o d , à N y o n ..............................................                                   2 14\nN . B e e t s . L u cas de L e y d e (F . H .) . . . . . . . .                                                            213        I d . d ’EDGAR T i n e l , à S i n a y                    . . . . . . . . .                                         343\nF r i t z B u r g e r . H an dbu ch d e r K u n stw isse n sch a ft (O. M).                                               165        I d . d e C h . V an d e r S t a p p e n , p a r M . M a r c el R a u .                                           . 3 50\n E m ile C a m m a e r ts . L es B e l l i n i .................................................                            85       I d . d e R ic h a r d W a g n e r à M u n i c h , p a r M . W a d e r é . 8 7 , 191\n H e n r i C a r o - D e l v a i l l e . T i t i e n .................................................                    173        I d . d e M a x W a l l e r , p a r M . V ic t o r R o u s s e a u .                                              . 383\n M ur ie l C i o l k o w s k a . R od i n .......................................................                         262     L e b u s t e d e L a p i s s i d a , p a r J u l e s L a g a f . ................................ 3 1 0 ; 391\nL . C l o q u et . L es A rtiste s w a llo n s ( F . H .) ..............................                                  213        I d . d e M me R o s in e L a b o r d e à l a M o n n a i e                                . . . .                  159\nL é o n D e s h a i r s . G u sta ve M oreau ( Id .) .....................................                                270     L e m o n u m e n t d e V i l l ie r s d e l ’I s l e -A d a m . . . . .                                               407\nJ u l e s D e s t r é e . L es Salon s des B e a u x -A rts à l’E xposi­                                                          L e s m é d a i l l e s d e M . G . D e v r e e s e ...............................................                    375\n    tion de C harleroi en 1911 ...................................                                  246                              L a p l a q u e t t e d e l a C o n f r é r i e S t - M i c h e l ...........................                       111\nH . D u h e m . Im pression s d 'a rt contem porain. (L . V a u x c e ll e s ) 308                                                M é d a i l l e d e l a T . S . F . , p a r M . E .- .J D e B r e m a e c k e r .                                      158\nF i e r e n s - G e v a e r t . L a p e in tu re au Musée ancien de                                                               L e m o d è l e d u Génie de la danse d e C a r p e a u x . . . .                                                      191\n    B ru x e lle s ( F . H . ) .................................................                    398                           N é c r o l o g ie — A u g u s t e d e N ie d e r h a ü s e r n - R o d o . . .                                        174\nP a s c a l F o r t h u n y . L ’a lb u m R en oir (L . V . ) .........................                                   140        E m il e - F r é d é r ic S a l m o n ....................................................................          2 30\nV i c t o r d e G o lo u b e w . A rs A siatica                            .....................................          214\n E r i c h H o e n e l . A lte W a ffe n (O. M .).                                                                        278\nL o u is H a u t e c œ u r . G r e u z e .......................................................                          173\n R a y m o n d d e l a H a y e . O ud L ie r (F . H . ) ...............................                                     46                       A R C H É O L O G IE , A R C H I T E C T U R E ,\nJ e a n L a r a n . D a u b ig n y (G. J e a n - A u b r y ) . . . . . .                                        . 1 0 5 ,1 8 2                                 A R T S A P P L IQ U É S.\nP a u l L a m b o tt e . L es p e in tr e s d e p o rtra its ( F . H .) . . .                                             197\nA b e l L e t a l l e . P a le tte s d ’a r t i s t e s ...........................................                       132     U n p a la is d e s F ê te s e t E x p o sitio n s (C h .-L éon C ardon ).                                           107\nL . M a e t e r l i n c k . N a b u r M a rtin s ou le M a ître de F lém alle                                             254     L es c a rto n s d e P u v is d e C h a v a n n e s a u C in q u a n te n a ire\nC h . M o r e a u - V a u t h i e r L a p e in tu re (F . H . ) .........................                                   85       (L .-H . D e v i l l e z ) ..........................................................................            267\nV i t t o r i o P ic a . L ’A r te M on diale a R om a nel 1911 (O. M.).                                                  142     L ’E s th é tiq u e d e B ru x e lle s . L ’a b b ay e de F o r e s t ( J o s e p h -\n    Id . L es a rtiste s con tem porain s ( I d . ) .....................................                                 253         B a r t h é l e m y L ec o m te )              .          ..........................................      .         6\nS a n d e r P i e r r o n . L es M ostaert (F . H .). . . . . . . .                                                       110         A u b o is d e la C a m b re .— A L in k e b e e k ( Id .).          . . .            188\n    l d . G u illa u m e C h arlier ( I d . ) ....................................                                        213         L e p a la is du C in q u a n te n a ire . .      ........................... 61, 76, 143\n"}, {"page_pdf": 422, "texte": "                                                                                                  TABLE DES MATIÈRES                                                                                                                                          415\n\n\n\n\n     L e s tr a n s f o rm a tio n s du W a u x -H a ll...................................                               167                   G. B u i s s e r e t . P a r m i les oliviers sau vages (Id.) . . . .                                                388\n     P o u r le \" P lu s G ra n d B ru x e lle s \" ..................................                                    174                   P i e r r e C am o. L es beaux j o u r s (Id.) . . . . . . .                                                         388\n      L e s A s s o c ia tio n s i n t e r n a t i o n a l e s e t l ’A b b a y e d e l a C a m b r e 27                                       H . C a r t o n d e W i a r t . L es vertu s bourgeoises (F . H .). ,                                                109\n D é c o r a t i o n d e l a C o u r d ’A s s is e s p a r M . J . D e l v il l e .                                              390           F . C a s t a n ié . R oyales a m o u rs d'une p e tite m odiste ( F . d e\n      I d . d e M . J acob S m its p o u r le P a l a i s d e j u s t i c e . .                                                  302               M io m a n d re )         ...............................................................................        132\n C o n c o u r s d ’a r c h i t e c t u r e ..............................................................6,                     366           P . C h a m p io n . Vie de C harles d'O rléan s (Id .) . . . .                                                      339\n U n c o u rs d e te c h n iq u e d e n te lliè r e .........................................                                      63          G .-lv . C h e s t e r t o n . L e N apoléon de N o ttin g H i l l . . .                                             356\n L ’U n io n n a t i o n a l e d e n t e l l i è r e                                 ...............................             165           H . C o l l e t . L e M ysticism e m u sica l espagn ol au\n C o n c o u r s d e s A m is de la D e n te lle ..............................                                                  342               X V I e s i è c l e .............................................................................            206\n E s ta m p e s d é c o r a t i v e s ................................................................                           278           L . C o u r o u b le . Le p e tit P o els (F . d e M io m a n d re ) . . .                                             51\n E x p o s itio n d ’é lè v e s d u c o u r s d e M lles M a r i e C lo s s e t e t                                                            A . D a y o t . L a folie d u com te L u ciu s ( I d .) ......................                                   234\n      M a r ie G a s p a r (M . K . M . ) ........................................................                               221           J u l e s D e l a c r e , Chant p ro v in c ia l (I d .) ............................                            146\n G a n d . E x p o sitio n de l’A rt a n c ie n d a n s le s F la n d re s . .                                                  294            M . d e s O m biaux. L es m anches d e lu strin e (Id.). . . .                                                       227\n L e M u s é e w a l l o n à L i è g e ..............................................................                           236            GÉo D r a i n s . L es Sem ailles ( I d . ) ........................................                             132\n L ’a b b a y e d ’O r v a l ................................................................................                      63          D . D u r a n d y . P ou ssières d ’Ita lie (Id . ) ............................                                 188\n L ’É g l i s e d e M a r c i n e l le ( J u le s D e s t r é e ). . . ,                                             ..         275                I d . A tra v e rs la H ollan de (Id .) . . . . . . . •                                                          364\n P a r is . L e p l a f o n d d e B esn a r d à l a C o m é d ie f r a n ç a i s e                                                             H e n r i D u v e r n o is . C o p ies (I d . ) ..........................................                    .      177\n     ( L o u is V aux c e l le s ) .................................................................... 295, 324                                   I d . N ou n ette ou la Déesse a u x cent bouches (Id.) . .                                                      357\n L a d é c o ra tio n d u th é â tr e d e s C h a m p s -E ly sé e s (O c t . M a u s ) 20                                                     M a r c E l d e r . L e p e u p le de la m e r ( I d . ) ......................                                  396\n     Id . d u P a n t h é o n ............................................................... . '303                                           S,. E v a n s . Valère et N arcisse , ou le D ialogu e de M . A n a ­\n E x p o sitio n d e p o te r ie s de M . A n d ré M ethey ( L .V a u x c e l l e s ) 37                                                           tole F ran ce ( I d . ) .....................................................................                  132\n     Id . d e M a n z a n a -P is s a rro (I d .)...............................................                                 197 j P a u l F l a m a n t L e ch evalier a u x â n e s ......................                                                310\n E x p o s itio n d ’A rt d é c o ra tif t h é â t r a l ...................................                                     151           C o m te F l e u r y e t L . S o n o l e t . L a Société d u Second\n U n e e x p o s i ti o n d e l ’A f f ic h e (L o u is V a u x c e l l e s ) .                                      . .         261               E m pire (F . M . )                                     ................................................. 388, 396\n L e M u s é e D é t a i l l é d e l ’H i s t o i r e d u c o s tu m e . . . .                                                     79          A n d r é F o n t a i n a s , L es E ta n g s n oirs (Id .). . . . . .                                                 43\n L e M u s é e d e la V ie b e r r i c h o n n e à S a i n t - P a l a i s .                                         ..          255           A n d r é G id e . L e R eto u r de l'en fan t p ro d ig u e ( Id .). . .                                             161\n L e c a n a l d e l a D o u a n e e t le v ie u x p o r t d e M a r s e il l e ( F . M ) 356                                                  E d m o n d G l e s e n e r . M on sieu r H on oré (Id .). . . . . .                                                  131\n U n p l a f o n d d e G a u g u in a u P o u l d u ............................................                                 231           A . G o f f in S ain t François d ’Assise dan s la légen de et\n A m s t e r d a m . E x p o s i ti o n d e c é r a m i q u e f r a n ç a i s e .                                    ..          103               d a n s l'art (L o u is T h o m a s) .                                                                            129\n Z u r ic h . E x p o s i ti o n d ’a r t d é c o r a t i f .....................................                                303           E . G o m e z - C a r illo . P sych ologie de la M ode ................                                          302\n B i b l i o g r a p h i e : Le Trésor de l ’A r t belge a u X V I I e siècle                                                    130           H . H o p p e n o t. L es y e u x d e la Vie et de l’Illu sio n\n                                                                                                                                                   (G. J ea n -A u b r y ) .................................................................                    217\n                                                                                                                                               H . J e lin e k .. L a litté r a tu re tchèque contem poraine\n                                          L IT T É R A T U R E                                                                                     (L o u is T ho m as ) .......................................................................                142\n                                                                                                                                               J u s s e r a n d . R o n sa rd ( F . d e M io m a n d re ) . . . . . .                                               315\n O p in io n d e M . E m ile V e r h a e r e n s u r P i e r r e C o rn e ille .                                                 140           J o h n K e a t s . L a Veille d e Sain te A gn ès <Id.) . . . .                                                      371\n L e s c e n t e n a i r e s d e D i d e r o t e t d e V e u i l l o t ( F . M .) . .                                            356           C te J . d e K e r g o l a y . Soirs d ’épopée : C hypre et R hodes ( Id .) 364\n P o u r h o n o r e r S t e n d h a l A n d r é B e a u n ie r ) ...........................                                    2 62          R . K i p l i n g . L e liv re d e la J u n g le. I l l u s t r a t i o n s d e\nA l a m é m o i r e d e L a m a r t i n e .............................................................                          3 16              R o g e r R e b o u s s in ( I d . i ....................................................                      4\n     I d . d e C a m i l l e L e m o n n i e r .....................................                    194,                                    49 L a n s o n . A n th ologie des poètes n o u vea u x\n                                                                                                                              2 0 6 , 2 7 9 , 3G.                                                                                          . . . .                   206\n C a m i l l e L e m o n n i e r e t l ’A c a d é m i e (M a u r ic e d e s O m b ia u x )                                       243           C a r l o s L a r r o n d e . L e liv re d ’heures. ( F . d e M io m a n d re )                                       372\nA l a m é m o i r e d e C a t u l l e M e n d è s (O . M . ) ............................                                        164           P h i l é a s L e b e s g u e . L es S ervitu d es ( I d . ) ......................                               57\n S o u v e n i r d e J e a n L a h o r (A . L e M a r s o i n ) ...........................                                      319           M .-A . L e b l o n d . L a F ran ce d e va n t l'E u rope (Id .) . . .                                               395\nE d o u a r d e t T r i s t a n C o r b i è r e ......................................................                           3 23          D r A . F . L e g e n d r e . A u Y u n n a n et d a n s le m a s s if du\n M . F r a n c i s V i e l é - G r i f f i n ....................................................................                  79              K in-H o ( I d . ) .............................................................................             364\n L e J u b i l é d e l a S o c i é t é d e s G e n s d e l e t t r e s (O . M .) . .                                             2 19          C h a r l e s L e G o f f ic . M. E rn est R en an d a n s la B asse-\nD i s c o u r s d ’E m i l e Z o l a s u r l a t e n d r e s s e q u e m é r i t e n t                                                             B re ta g n e ( I d . ) .......................................................................              371\n     l e s a n i m a u x ................................................................................                        261           J u l e s L e m a î t r e . L es péch és de Sain te-B eu ve (Id .)                                      . .           132\n     I d . d e J u le s R e n a r d s u r le s d e v o irs d e la je u n e s s e                                         .       3 02          J e a n L o n g n o n . Les leçons de F lorence ( I d .) ...............                                         371\n     I d . d e M lle M a r i e C l o s s e t à l ’I n s t i t u t d e C u l t u r e f r a n ç a i s e 3 87                                     M a u r i c e M a e t e r l i n c k . L a M ort (G . R e n c y )                            . . . .                   241\nL e t t r e i n é d i t e d e M a l l a r m é .............................................................                      100           S . M a l l a r m é . P oésies com plètes ( F . d e M io m a n d re ) . .                                             212\nU n e v i s i t e à V e r l a i n e ...........................................................................                  111           H . M a r t i n e a u . L 'itin éra ire de S ten d h a l (M . d e R o d x ) .                                         170\nL ’a r t e t l e s é c r i v a i n s b e l g e s e n P o l o g n e ..................................                              71          A . M e r c e r e a u . P a ro le s d e va n t la V ie ...........................                               302\nU n p o è m e d e M . O . W . M ilo s z ( F . M . ) ..................................                                           3 56          F r a n c i s d e M io m a n d re . H istoire de P ie r r e P o n s p a n tin\nU n c o n t e d e M B e a u b o u r g ( I d . ) ........................................                                   3 57                    d e feu tre ( J e a n d e B o s s c h è r e ) ..........................................                   .      113\nL e p o è t e R a b i n d r a n a t h T a g o r e ( I d . ) .................................                              395                 G a b r i e l M o u r e y . P sy c h é ( F . d e M io m a n d re ) . . . .                                            284\nB i b l i o g r a p h i e : P a u l A d a m . Jeunesse et am ours de                                                                               I d . P ro p o s su r les beautés d u tem ps p ré se n t (Id .) . .                                               291\n      M anuel H éricourt ( F r a n c i s d e M i o m a n d r e ) . . . .                                                         188           H e n r i M u c h a r t . L es F leu rs de l'arbre de science (Id .) .                                                132\nJ . A j a l b e r t . Les nuages su r l’Indo-Chine ( I d .)                                               . .                   38 0           J e a n n e N é r e l . M a sœ u r M onique ( I d . ) .....................                                      379\nJ o s e p h d ’A r b a u d . L ou Lausié d'A rle ( I d . ) ...........................                                          38 0           C o m te s s e d e N o a i l l e s . De la riv e d'E u rope à la rive\nA l a i n - F o u r n i e r . Le G rand Meaulnes ( I d . ) ...........................                                          36 4               d'A sie ( Id .)                                                                                                   243\nA u g u s t e A u m a i t r e . Sur les pages bleues ( I d .) . . . .                                                           299            É m ile N o l l y . L e chem in de la V ictoire (Id .) . . . .                                                        356\nA u r e l . Jean D o le n t ..................................                                                                  3 10           L o u is P i é r a r d . A im o n s les a r b r e s .................................                            262\nE.        B a c i i a e t H . D e B a c k e r . Journal du comte H enri de                                                                         I d . De fla m m es et de fu m é es... (F . d e M io m a n d r e ) . .                                            404\n       Calenberg pour l’année 1743 ( F r a n z H e l l e n s ) . . .                                                            24 2           S a n d e r P i e r r o n . L e T ribu n (Id ) ..................................                                228\nM a u r i c e B a r r è s . L a Colline inspirée ( F . d e M io m a n d r e )                                                   10 7           G e o r g e s P io c h . L es D ie u x ch ez n ou s ( I d . ) ...............                                    131\nH .- M . B a r z u n . La Terrestre T ragédie (J) d e B o s s c h è r e ) .                                                     20 2           G e o r g e s P o u l e t . R ien n ’est ( I d . ) ..................................                            131\n    I d . L'Ère du dram e ( I d . ) .......................................                                                     20 2           G u y d e P o u r t a l è s . S olitu des ( I d . ) ..................................                           188\nN i c o l a s B a u d u i n . — L a Divine f o l i e .........................................                                  31 0           A . d e P o u v o u r v i l l e . Ce qu i m e u rt et ce q u i d em eu re (Id.).                                      251\nP . B e r r i c h o n . Jean-Arthur Rim baud (F . d e M i o m a n d r e )                                                       305            G e o r g e s R e n c y . L’A ïeu le. — F risson s de vie. — Contes\nT h o m a s B r a u n . Fumée d'Ardenne ( I d . ) ..................................                                               17              de la H ulotte. — P ro p o s de littéra tu re(\\D .) . . . .                                                        97\nR . d e B e r m in g h a m . M yrm illo: histoire d ’une fourm i                                                                                   Id . L 'A ïeu le. — P ropos d e litté ra tu re ( A n d r é d u F r e s n o is ) . 221\n    rousse de la forêt ( I d .)                                                     ..................................          3 57           G . R é v a l . L e R o y a u m e d u P rin te m p s (F . d e M io m a n d re ).                                        132\nA . d e B e r s a u c o u r t . Thomas B rau n ( I d . ) ............................                                           371           A . R im b a u d . Une saison en e n fer (Id .).....................................                                   306\nG . B i n e t - V a l m e r . Le cœur en désordre ( I d .) . . . .                                                           8 3 -9 0          G.       R o d e n b a c h . L a je u n e sse blanche ( Id .) ........................... 255, 282\nH . B l a n d i n . J.-K . Huysmans (G . J e a n - A u b r y ) .                                         . . .                     41         B l a n c h e R o u s s e a u . L isette et sa p a n to u fle (Id .) . . .                                              34\nL . B o c q u e t . La Lum ière d'Hellas ( F . d e M i o m a n d r e )                                                          283           E d m o n d S é e . P e tits dialogu es su r le th éâtre (Id .). .                                                     187\nJ e a n d e B o s s c h è r e . Métiers divins ( C a m i l l e M a u c l a i r )                                                329           A . S c h n i t z l e r . A n a to le (Id .) . . ' ...........................................                         187\nM a r c e l B o u l e n g e r . Cours de Vie P arisienne à l'usage                                                                            V. S e g a l e n . L es Im m ém o ria u x ( I d . ) .....................................                              355\n    des étrangers ( F . d e M i o m a n d r e ) ...........................                                           .         3 80          G . S o u l a g e s . D u c œ u r ................................................................                     310\nE m m a m u e l B o u r c i e r . Reportages ( I d .). . . . . . .                                                              122           R . d e S o u z a . N ice, ca pitale d 'h ive r ............................................                            86\n"}, {"page_pdf": 423, "texte": "   116                                                                                        TABLE DES MATIÈRES\n\n\n\n  S t e n d h a l . L a Vie d 'H en ri B r u la r d . ( F . d e M io m a n d re ).                               137      L i o n e l D a u r i a c . M e y e r b e e r ..........................................                                    181\n  A n d r é S u a r è s . C ressida (Id .)..............................                                         276      E . G r a n a d o s . G oyescas, s u ite p o u r p ia n o (O . M .) . .                                                     173\n  A . T h ib a u d e t. L es H eu res d e l'A cropole (Id .) . . . .                                             202      A n d r é P i b r o . S c h ü tz . .............................................................                            181\n      I d . L a poésie de S té jh a n e M a lla rm é ( I d .) .........................                          210      J o s e p h R y e l a n d t . E n A rd e n n e, su ite p o u r p ia n o , et\n  L o u is T h o m a s . Curiosités s u r B a u d e la ire (Id )                                 . . .             27         3 Son ates (C h . V . ) ..........................................................................                      125\n A b k l T o r c y . L e C an ard sa u va g e (Id .) .....................................                       227      A . T ir a b a s s i . T r a n s c r i p t i o n p o u r c la v e c in d e l a Su ite\n A l b e r t T u s t e s . L es C lam eu rs (Id .).                                 . . . .                      284         p o u r lu th d e J .- S . B a c h ( I d . ) ..................................................                          348\n  O c t a v e U z a n n e . L es A m is d 'E d o u a rd ( T d .) .........................                       371      C o n se r v a t o ir e d e B r u x e l l e s . L e d ip lô m e d e v i r tu o s i t é :\n L o u is -M . V a u z a n g e s . L ’é critu re des m u sicien s célèbres.                                      310          M lle C l a ir e P r e u m o n t .............................................................                          117\n V a l é r y L a r b a ud . A .-O . B arn abooth (F . d e M io m a n d re )                                      403          C o n c o u r s ....................................................................       2 0 6 , 2 1 3 , 2 2 1 , 229\n G e o r g e s Vi r r è s . L e Cœur tim id e ( I d . ) ......................................                        18 C o n c e r t s p o p u l a ir e s ( S a is o n 1912-13). 4e c o n c e r t .\n G e o r g e s W i l l a me M on sieu r R om ain ( Id .) . . . .                                                 131          M M D u pu is e t P abbo C a sa ls ( H . ) .....................................                                          29\n F r a n c e s W o r t h . F a iries a n d flow ers .                                                            206         — (S a iso n 1913-1914). P r e m i e r c o n c e r t . L e r o m a n ­\n T . d e W y z e w a . T r a d u c ti o n d e s F iore t ti (L o u is T h o m a s )                              129             ti s m e (H enry L e s b r o u s s a r t ) ...........................................                              332\n I d . M a Tante Vin centine ( F . d e M io m a n d r e) . . . .                                                 259         2° c o n c e r t L ’o r c h e s t r e d e S a x e - M e in in g e n . . . .                                              357\n D am e Y e t t e . A rd a n t le chevelu ; d e s s in s d e J e a n V e b e r . (Id.)                              4     C o n c e r t s Y s a y e ( S a is o n 1912-13). 4e c o n c e r t . F e s t i v a l\n P é r i o d iq u e s n o u v e a u x . L es A rd en n es belges . . . .                                          86         S trau ss. M            F . R o s e e t M . W e n d e l. ( H .) . . . . .                                                 29\n     L e Coq w a llo n — L ’E l a n .......................................................                     327          6e c o n c e r t. F e s t i v a l d e m u s i q u e f r a n ç a i s e . M . d ’I nd y ,\n     L u P h a l a n g e ...............................................................................        357              M me C r o iza e t M . R aoul P ugno (O c t a v e M aus ) .                                                          131\n     L a T ribun e M u sic a le ...................................................................             397          - (S a iso n 1913-1914. 2 c o n c e r t. M M . E . Y s a y e e t\n     L es E crits fra n ça is ( F r a n c i s d e M io m a n d re ). . . .                                       403             L . C a p e t . M me J . D e l f o r t r ie e t M lle E . B u y e n s ( I d .)                                      381\n P o èm e et D r a m e , a n t h o l o g i e a r t i s t i q u e e t c r i t iq u e m o ­                                 C o n c e r ts d e la L ibr e E s t h e t iq u e , 1er c o n c e r t . M me M .-A.\n     d e rn e (J e a n d e B o ssc h è re )                                                                     201          W e b e r -D e l a c r e , M me M . D e V os -A e r t s , M M . D e f a u w ,\n C o n f é r e n c e s d e s A m is d e l a L i t t é r a t u r e : M M E d m o n d                                          D a m b o is , J . J o n g en e t O. M a u s (C h . V . ) .........................                                       83\n     P i c a r d , M . d e s O m b iau x e t E m ile V e r h a e r e n : H o m ­                                             2 e c o n c e r t. M lle G e o r g e t t e G u l l e r , P o l d o w s k i ,\n     m a g e à C am ille L em o n n ier (G R ..........................................                         349              Mme B a t h o r i - E nge l , M M . G . P it s c h , O c ta v e M a u s (I d .). 91\n         I d . d e s A m is d u M u s é e . M . B u l s : L a G ra n d 'P la c e.                               349          3e c o n c e r t . M lles M . R o l l e t e t G e o r g e t t e G u l l e r ,\n         M . A .- J . W a u t e r s : H u bert v a n Ey c k .........................                           349              M M . T h é o Y sa y e , D . D e f a u w , e tc . (I d .) .                                           ..            108\nC e r c l e a r t i s t i q u e C o n f é r e n c e d e M . E . C lo s s o n : L a                                           4e c o n c e r t . M lle A n n e B a lg u e r e . M M . F R a s s e , T h é o\n    chanson p o p u la ire en B elgiqu e (C h . V . ) .........................                                   61             Y sa y e , E C h a u m o n t , D . D e f a u w , J R o g is t e r e t\n         I d . d e M . E C a m m a e r ts : L a chanson p o p u la ire en                                                        J . G a il la r d (I d . ) ..........................................................................                    116\n             A n g le te rre (Id .) . . .                                                                         93     C e r c le A r t is t iq u e . A u d itio n d e M M . J . B o n n et e t G. P itsch\n         I d . d e M. J u l e s De s t r é e . L a s c u lp tu r e en W a llo n ie                              366          (L . P ié r a r d ) ......................................................................................                29\n         I d . d e M. P . L a m b o tt e : A lfre d Stevens et E ugène                                                       C o n c e rt d e Mlle G . G u l l e r e t d e M . E . M a in a r d i (O . M .).                                         372\n             S m its ...........................................            . . . . .                           389      S a l l e P a t r ia . C o n c e r t F ir k e t V an H o r e n (H .).                                         ..              77\n        I d . d e I ’U n iv e r s it é N o u v e l l e . M . H e n r i M a r c e l :                                         R é c i ta l C a r l F r ie d b e r g (O . M . ) .....................................                                  125\n             G oya (A. d e R . ) ....................................................................             60        A u d i ti o n d ’œ u v r e s e s p a g n o l e s p a r Mlle D e m o n t ,\n    M . C h a n ta v o in e : L es caractères de la m usiqu e fr a n ­                                                          M M . B l anco - R ec io e t P e r a c c h i o .................                                         141\n        çaise (C h . V .) ................................................................................      365          C o n c e r t E . Y sa y e - R . P i g n o (O . M ) .................                                      373\nT h é â t r e d u P a r c . C o n f é r e n c e d e M me C o l e t t e (M . S . M .) 367                                     C o n c e r t D e G r e e f -D e l g o u f f r e (C h . V . ) .........................                                 373\nS a l l e E r a r d . C o n f é r e n c e d e M . E . C l o s s o n : le Cente­                                          G r a n d e H a r m o n ie . L e Q u a t u o r C a p e t (O. M . ) . .                                        ..        6 7 ,9 3\n    n a ire de W a g n er ( C h . V . ) .......................................................                 397         S é a n c e d e g y m n a s tiq u e r y t h m i q u e (C h . V .). . . .                                                   45\nP a r i s . C o n f é r e n c e d e M me M . B r e n e t : L ’organ iste B o ë ly                               39          R é c i ta l G er m a in e L ie v e n s ; id . G e o r g e s P it sc h (O .M .)                                          117\n    C o n f é r e n c e d e M . G . J e a n - A u b r y : L e p la is ir de l ’eau                              17          C o n c e r t d e M . T ir a b a s si (C h . V . ) .....................................                                 148\nC o n c o u r s d e l ’A c a d é m ie R o y a l e ...........................................                   164         R é c i ta l B uh lig (I d . ) ....................................................................                      365\nL e p r i x q u in q u e n n a l d e L i t t é r a t u r e .....................................                143         C o n c e r t J o r ez -S ch a r r è s (I d . ) .................................................                        373\nL e p r i x C a m ille L e m o n n i e r ..................................... .                           .    326      S a l l e E r a r d . A u d itio n d e s é lé v e s d e M . M a r c h o t (O . M .) 116\nL e p r i x C a r to n d e W i a r t ..........................................................              3 16           C o n c e r t d e M. M a r c e l J o r ez e t d e Mlle M a r ie G aland\nL e s p r i x d e la p r o v in c e d e B r a b a n t .....................................                     397         (C h . V.).            .............................................................................................           67\nL e g r a n d p r i x d e l i t t é r a t u r e d e l ’A c a d é m ie f r a n ç a i s e .                       191         2e a u d i t io n d e s é lè v e s d e M. M a r c h o t .................                                    133\nL e p r i x d ’E x c e l s i o r ..........................................................................       86        L e s é lè v e s d e M me E g g e r m o n t ..............................                                  181\nL e p r i x J u l e s F a v r e .................................................              . . .            231      S al l e N o u v e l l e . C o n c e r t d e M lles S ch e l l in c k x e t\nL e p r i x G o n c o u r t (F . M . ) .............................................................. 383, 396              R o l le t (C h . V.)                                                                                                     62\nL e p r i x rie la Vie heureuse ( I d .) .................................................                      396         R é c i ta l F anny H ia r d ( N .X . ) . . ........................                                          93\nL e M u s é e L a m a r t i n e à M â c o n .................................................                   191      S a l l e A s t o r ia . 1re s é a n c e d e M M. B o sq u et e t D e f a u w . (C h .V.) 172\nL a b i b l i o th è q u e S p o e l b e r g h d e L o v e n jo u l à l ’I n s t i t u t .                     343       S cola M u s ic æ . R éc i t a l d e M. D a n n e e l s (D. M .) . . .                                                     389\nA c c u s é s d e r é c e p t i o n ............................... 5 3 , 6 2 , 1 1 0 , 1 7 4 , 2 3 0 , 254             S e a n c e L éo p o l d W a l l n e r (C h . V .)..............................                                  77\nN é c r o l o g ie . H o n o r é C h a m pio n ( F ra n c is d e M io m a ndre )                               116      L a m u s iq u e à L ié g e (G e o r g e s R it t e r ), 14. 29, 54, 78,\n    J u les C l a r e t ie (O. M ) . . .                                                                       412                                                              100, 134, 142, 150, 166, 196, 381, 389\n    C a m il l e L em o n n ier (G eo r g e s R ency ) ...............................                         193      L a m u s iq u e à V e r v i e r s ( J . S . ) ........................................................ 21, 46\n    R o g er M a r x (O . M . ) ...................................................................            405      G and L e C h œ u r i m p é r i a l d e L o n d r e s ................................... 95, 134\n                                                                                                                            F e s t i va l S a i n t - S a ë n s .......................................................                255\n                                                                                                                        M o n s. M a tin é e d u B on Vouloir (M llesP i t s c h e t S t é v a r t )                                                182\n                                                 M U S IQ U E                                                           W es t e n d e . C o n c e r t d u S a lo n d e s B e a u x - A r ts . .                                        .           295\n                                                                                                                        P a r is . C o n c e r t s L a m o ure u x . C o n c e r t d e m u s iq u e f r a n ­\nM u s iq u e e t r o m a n t is m e (H e n r y L e s br o u s sa r t ) . . .                                   332          ç a is e d i r i g é p a r M . V . d ’I ndy O. M.) . . .                                              . .                 28\nL a T e c h n iq u e d u V io lo n ( E u g è n e Y sa y e ) . . . . .                                          340          C o n c e r t (le la Société n a tio n a le de m u siqu e (O. M .) .                                                      28\nC o m p o s it e u r s w a llo n s (D r D w e l sh a u v e r s ) .........................                     3ü3      L e e d s . F e s t i v a l d e m u s i q u e ...........................................                       350\nF r é d é r ic -G u ill a um e R u st ( l e t tr e d e M . d ’I ndy ) . .                                 .    124      L e G r a n d p r i x d e c o m p o s iti o n m u s i c a le                              . . .2 3 1 ,2 5 4 ,3 3 5\nM me N o o r d e w ie r - R e d in g iu s (H . L . B . ) ...............................                         54     U n e s a lle d e c o n c e r t s à B r u x e l l e s ...............................                           391\nG . S c h n e e v o ig t . .                      ...........................................      . .         397      L e J u r y C e n t r a l d e M u s iq u e .                         . .               .........................            117\nB i b l i o g r a p h i e . — H e n r i A u r i o l L a d écen tralisation                                               Le M u s é e d u C o n s e r v a to ir e a u C in q u a n t e n a ir e . . .                                               359\n    m u s i c a le ...................................................................        ..               262      D o n d e s o u v e n ir s d e la M a lib r a n a u C o n s e r v a t o i r e                                   .           238\nB e l l e t R o b e r t B u l l o c k . R ecu eil d 'h y m n es p o p u la ire s                                        E u g è n e Y s a y e m a i t r e d e c h a p e l l e d u R o i ......................... 382, 391\n    b rita n n iq u es .........................               . . .                   .       . . .           231      U n e d o ta tio n a u C o n s e r v a t o i r e d e L u x e m b o u r g . . .                                              103\nM ic h e l B r e n e t , J C h a n t a v o in e , L L aloy e t L . d e la                                               L e c a r il lo n é l e c t r i q u e d e M . G u s ta v e L y o n                           . . . .                   3 1 , 38\n    L a u r e n c i e L 'an n ée m u s i c a l e ...........................................                   181      L ’o r g u e d e l a c a l h é d r a l e d e L i v e r p o o l ..................                                 23\nL .-V . D e c l e r c q Cou rs de h au te v irtu o sité (C h V .)                                                20     L a n a ti o n a l i t é d o s m u s ic i e n s a l l e m a n d s ..................                            255\nE m ile C h a u m o n t. E tu d e s p o u r le violon ,                                             . .        205      U n m a n u s c r i t d e C h o p i n .................................... 183\nE r n e s t C lo s s o n . N otes su r la chanson p o p u la ire en                                                     U n e c a n ta te i n é d i t e d e J .- S . B a c h ...............................                              87\n    B elgiqu e             .                                                     . . . . . .                   294      L a R evu e m u sicale S. I. M .................................................                                230\n"}], "calendrier": {"precision": "jour", "ordre_dans_volume": 52, "mois_verifie": true, "numero_verifie": true, "mois_reconstitue": false, "numero_reconstitue": false, "date_tri": "1913-12-28", "signet_source": "N° 52. - 28 décembre 1913", "preuve": "Date et numéro lus en tête du numéro, PDF 416", "methode_reconstitution": "Date et numéro du signet de l’ULB, contrôlés sur l’en-tête du numéro."}}